The Spectral Bride

with deep admiration for his peculiar genius
and inadequate thanks for his kindness

INTRODUCTION

THE following novel is based on The Ambiguities of Miss Smith, a masterly essay by William Roughead. The author knows of no other account of this strange affair and wishes to give all due tribute and gratitude to the writer of The Ambiguities of Miss Smith.

It may be pointed out that the period of the story is in the 1870's and that the matters dealt with are considered in the light of knowledge common in that period. Spiritualism and the other subjects touched on are therefore to be understood as being dealt with as from the point of view of seventy years ago.

PART ONE

Pink Bonnet

Cold blows the wind, sweetheart,
Cold are the drops of rain;
The first true love that ever I had
In the green grove she was slain.

'Twas down in the garden-green, sweetheart,
Where you and I did walk,
The fairest flower that in the garden grew
Is withered to a stalk.

The stalk shall bear no leaves, sweetheart,
The flowers will ne'er return,
And since my true love is dead and gone,
What can I do but mourn?

A twelvemonth and a day being gone
The spirit arose and spoke,
My body is cold cold, sweetheart,
My breath smells heavy and strong.
And if you kiss my lily white lips,
Your time will not be long.

—Old Ballad. Collected by Robert Hunt.

She smiled foolishly and looked vaguely out of the window while Adelaide held before her the fashionable headgear that provoked this comment. It certainly was a charming creation—"What the French term a 'chiffon,'" simpered Adelaide. "You have seen the plates in the Fashion de Paris, have you not, Mamma?"

"I don't think you've showed me the last number," replied Mrs. Fenton, without any change in her dull blank glance, "but it's a very pretty bonnet, dear, and must have been expensive, too. Yes, long, pink, satin ribbons and two rosy-coloured ostrich feathers, and a little wreath of velvet flowers inside the brim—most becoming for one of your complexion, too, Adelaide, my love."

"Do you think, Mamma, it is really becoming?" asked the girl eagerly. "I haven't tried it on yet, you know. It only arrived from the mantua makers this morning. Expensive, do you think it would be expensive, Mamma?"

"Well, I don't suppose it would cost less than five or six guineas, do you, my love?" Mrs. Fenton withdrew into placid complacency, folding her large hands upon her thick waist and gazing into the clear bright flames behind the polished steel bars of the grate. The kettle was steaming, the drowsy tabby cat was purring, and the atmosphere was one of good will and content.

The little parlour was clean and burnished, the prints of imaginary palaces showed in insipid inoffensiveness behind well-polished glass, the Staffordshire ornaments, black and white grinning dogs, black and white grinning ecclesiastics, were washed and lustrous on the narrow mantelshelf. The round table was set with a substantial meal, blue plates, narrow silver knives and forks, dough cakes, a brown loaf, a pat of pale butter, a jug of cream, and primly folded napkins.

Mrs. Fenton glanced around with a sudden flash of animation that was caused by satisfaction at her surroundings; everything she could do she had done, and well. Her domain was small, but it was specially kept; within the range of her own limitations nothing was lacking. She peered at the polished iron kettle, now beginning to hum, a fine kettle with a large convenient handle and a shining base squarely set on the clear coals; she peered at the neat tea-table on which no detail of comfortable service was lacking, and then again at her daughter, who was standing in the window-place holding up the rose-coloured bonnet, so fashionable, so neat, with the long streaming ribbons of flesh-coloured satin, with the rosy-coloured ostrich tips, with the lining of fine French gauze.

Mrs. Fenton gave a faint sigh and her eyes, so stupid in expression that it seemed there must be some slyness behind them, hovered towards the cardboard box on which was written the name of Miss Herle, the most fashionable mantua maker in Mullenbridge, to the countenance of her daughter, who was turning the bonnet about with a satisfied air.

"Who sent it to you, Adelaide?" she asked, as if the question was not one of great import.

"Perhaps, if you've got any secrets, Adelaide, you'd better tell them to me." Mrs. Fenton's voice had a touch of shrewdness; she turned away from her daughter as she spoke. "Or to your father," she added flatly.

"Father! He's been dead this twenty years!" Her look of cunning was transferred like lightning to Mrs. Fenton. The women exchanged a half-glance, as if they understood and condoned one another.

The girl returned the bonnet to the box with the silver paper and tied the strings neatly.

"I need a pelisse," she remarked, "of white or rose-coloured cloth to wear with that, and sandals, too. Don't you think it would be very becoming for me, Mamma, to be in white and rose-colour throughout?"

"Very becoming, indeed," assented Mrs. Fenton, in a drowsy tone. "And now, dear, it's time that you set the tray and took your father up his tea."

"Oh, it's Caroline's turn to take Father up his tea," replied the girl with a pout.

"Is it? I'd forgotten." Mrs. Fenton had a lazy, slumbrous air. "Anyway, you might do it, out of good nature, might you not? I suppose," again the slyness flashed into her look and tone, "you've nothing else to do?"

"I might go for a walk," remarked Adelaide, "in the woods." She lifted her chin and smiled into the window-pane as if she looked into a mirror.

Her mother contemplated her, but made no comment and turned again to the fire where the kettle was now humming briskly and lifted it, using a patchwork holder, to the hob.

"Well, you could make the tea, dear, at least, and take the scones out of the oven. The buns are all spread with jam and cream. I'm sure Susan has put everything ready—it's her day off, you know," Mrs. Fenton continued in a slightly apologetic tone, "or I should not have had to trouble you at all. Yet," she added with a sudden briskness, "you're a lazy girl and why shouldn't you do something?"

"Oh, Mother, I do a great deal, indeed I do! I write poems and paint pictures and read and—"

"Oh, and! and!" parried the mother, lazily. "Well, never mind! You're no use about the house, but you're a well-set-up girl and I suppose you will find a husband in time and that's all that any mother can expect."

"Is it?" asked Adelaide. "That seems to me a question! Do you know, Mother," she came to the table and almost automatically set out the tray for her bedridden father—plates, knife and fork, jug of cream, pot of jam, napkin, "a great many questions have come into my mind lately. I've been thinking about a number of matters."

"That's a mistake," announced Mrs. Fenton. "I've got on very well, and I'm fifty-five in a week or two, without ever thinking of anything. Don't think, Adelaide, just take things as they come."

"That's so dull, Mother," muttered the girl in a slow protest. "Take things as they come! Why should I? Why shouldn't I make things come the way I want them to be?"

"Nobody ever did that I heard of," answered Mrs. Fenton flatly. She leaned forward and raised the kettle by the small brilliant patchwork holder. "At least," she amended, "not since the days of the witches, who used to make spells and incantations, and who knows if one can believe in them or not? No, it's no use, Adelaide, one can't make things come the way one wants—just by wishing."

"Well, you stop wondering about nonsense like that and tell me where you got that bonnet," declared Mrs. Fenton. She rose, suddenly formidable, for she was a tall, heavy woman, well-dressed in her afternoon gown of black corded silk, with her cameo-brooch and gold chain and her banded iron-grey hair. "You tell me where you got that, my girl. Your father will want to know."

"Oh, Father!" Adelaide tossed her head and then checked the gesture as if she realized it was not lady-like.

"Yes, you may mock like that, knowing that your father's been bedridden and no good to anyone for a long while. But he is your father and I can make him act like it if I choose."

The two women faced one another and Adelaide's strong hands tightened on the rim of the black tray with the painted bunch of flowers. The elder woman looked down at them as if she studied the well-formed white fingers, strong wrists, and firm knuckles.

"What are you trying to do, Adelaide?" she asked, in a lazy voice. "Get above your class, that's clear, but how?"

"Have you?" the elder woman gave her a shrewd glance. "You read a lot of romances, don't you, some two or three at a time from the circulating library? I wonder sometimes if they don't—well, go to your head, like gin or spirits."

"But those romances—it seems to me they are much the same. They give you dreams, I suppose, make you think things are like you want them to be, don't they?"

"Maybe they do and maybe they don't. But what's that matter, Mother? I'm a good girl, behaving myself, aren't I? Look—here's Father's tray all ready, and the kettle's boiling and you still waiting. Make the tea and I'll take it up to him."

"First you'll tell me where you got that pink bonnet," insisted Mrs. Fenton. "We've always been honest and respectable."

"And we're always going to be, I'm sure," simpered Adelaide: "Why shouldn't we be, indeed! Just because a gentleman chooses to make me a little present there's no reason why you should begin to talk like that. It shows ill-breeding, I declare it does, Mother."

Mrs. Fenton was baffled. She had touched on codes and standards that were unknown to her; she bit her lip, feeling her way. She was an ambitious woman who had always been sharp on her own advantage, but who had been early thwarted by a husband who had been always stupid, and finally a "hopeless," as she termed it, invalid. The small interest from Consols on which she lived had been no more than sufficient to keep the family of four people in that 'respectability' of which she had spoken; they were humble folk in a little way, who were able, in her own term, 'to hold their heads up among their neighbours,' but no more. She said they could claim, on her mother's side, some genteel descent, there was talk, if it was no more than talk, of 'coat armour gentry on the distaff side,' there were little affectations of gentility and the traditions that come from good descent.

But Thomas Fenton—there was no means of glossing this plain man's antecedents. He was no more than the chief clerk in a tea-merchant's business in the City, who had been pensioned-off in his fortieth year, owing to failing health, by the generous firm who had employed him and who since that date had lain in an upper room in his bed, or in his chair; a 'drooling half-wit' was his wife's secret definition of his condition.

Mrs. Fenton's ambitions, always suppressed, had died, it seemed, for lack of nourishment. She had acquiesced in her dull destiny, she had kept her tiny domain beyond reproach, correctly, she had educated her daughters on orthodox lines. Adelaide and Caroline had been sent to a boarding-school for gentlewomen, an establishment that the younger girl, aged sixteen years, had only lately left.

Mrs. Fenton had vaguely considered a finishing-school for both of the girls in Brussels, or possibly Paris, but the fees were not only expensive, but the scheme beyond her scope; she could not face the difficulties attendant on such a course of action. There was the foreign language for one obstacle, the foreign travel for another, the question of a chaperon or a companion, what one did and how one did it, in fact. She was a woman who had never made many friends among her own class, who were slightly afraid of her and altogether hostile to her, and who had never been accepted by those above her. She remained in a prim, and even sinister isolation, for she had not discovered her mind to anyone. Well-behaved, neatly dressed, well-built, with a locked face and closed lips, she went her way in the small town of Mullenbridge, neither listening to nor offering gossip. A woman not respected, for she was supposed to be mean and proud; not liked, for she was supposed to be hard and dull. But feared a little, for she had a curious, indefinable quality considered by her neighbours formidable. There was something, they said, when the subject of Mrs. Fenton arose (which was not very often), about her look, the way she turned her head, about even her silence, that was not at all agreeable but had indeed a certain menace.

The girls, Adelaide and Caroline, were sometimes discussed among these same neighbours. What was the queer mother intending to do with them? Surely they should be maids to some fine lady, since it might be conceded they were above waiting in an inn, bringing the coals into the warming-pan and showing the guests up to their chambers; yes, nice, genteel maids, perhaps, in a great establishment.

But there was no indication that Mrs. Fenton wanted to find such desirable posts for her daughters; no, indeed, she seemed to be endeavouring to give them an education far above their station, sending them to a boarding-school for the daughters of gentlemen, indeed! How did she find the money? Then the rumour went round that the conceited girls were, silly as this seemed, to enter some finishing-school. But they did not go.

Now, Adelaide must be nineteen, and she was at home, doing, as it seemed, nothing, except what could be covered by the loose phrase, 'helping her mother to look after her father.' And there was Caroline. She had left her school, when three years younger than her sister, and she also was idle at home. Could Mrs. Fenton indeed afford to keep these healthy girls loitering in a parlour? Had Mr. Fenton so handsome a pension, had Mrs. Fenton so reliable an income from Consols or some form of gilt-edged securities that these two young women could live like their betters? This would have been the course of the neighbour's comment had they been able to put it in such a coherent form.

But the Fentons gave no cause for offence, therefore no cause for definite gossip. People watched and grumbled, and a little wondered. And the point of all this spying, tattling, and criticizing was that Adelaide was extremely pretty and therefore the suspicion grew, especially in female minds, that Mrs. Fenton intended, in some devious ways, to exploit this feminine charm.

But how? Those who most keenly entered into this local problem could not answer this question. How could Adelaide Fenton, daughter of a bed-ridden clerk of a large tea merchant, hope to make anything of her graces which, if she had been able to obtain entry to the balls in the Assembly Rooms, if she had been of a quality to be received in the parties and dances of the neighbouring gentry, might have brought her some substantial return in the form of a good offer? Not, of course, from a gentleman, but from a yeoman farmer or possibly some upper servant like the butler to Lord Seagrove, for the privileged were permitted to attend these Assembly dances and balls, although not allowed any contact with the upper classes. A rope of red silk marked off the upper part of the rooms, where the nobility and gentry of the county met, from the lower portion, where the well-supported, the well-accounted-for, were allowed to render decorous homage.

The privilege of attending, even beyond the scarlet silken rope, these gatherings was one keenly striven for and one to which Mrs. Fenton and her daughters had never attained. How, then, asked the gossips, could that woman, however cool and managing she might be in her own secretive and humble way, hope to secure for her girls any marriage beyond that of a tailor's assistant, a young man from behind a haberdasher's counter, or, at worst, a farm labourer who might in time, with thrift and diligence, save enough to obtain a cottage of his own?

Thus the cogitations of the neighbours. Mrs. Fenton never discussed these possible speculations with her daughters. What people thought of her or what she thought of them was never the subject of her slow conversation; she remained closed, even secretive, and so did the girls when in her presence.

Even now, with this considerable excitement of the pink bonnet, with the glossy box of shining white cardboard between them, no keen or lively comment was offered by either woman.

The tray was ready; Mrs. Fenton flicked a speck of dust from the prim bunch of scarlet and green roses painted in the centre of the black lacquer.

She picked up the load of food with an air of grace and left the room, holding it as if it were an oblation to the gods, high and gallantly, with swift movements of the hips that the mother noted with a stealthy and perhaps an approving eye.

As the elder girl left the parlour the younger entered it from an inner door. She smiled at her mother, seated herself at the table, and proceeded to eat steadily, collecting with cool precision, scones, jam, cakes, bread, butter, tea, and cream. She was so absorbed in her gluttony that she paid no attention to her mother's glance that was over her obliquely but keenly.

Caroline was a well-favoured girl, plump and blonde, with a pure complexion and close ringlets of a bright brown hair that those who admired her might have termed gold. Her features were good but too small for the contours of her face; her figure, for her age, was over-well-formed.

Her mother noted these advantages and defects with a cool and appraising eye, then returned again to her rocking-chair by the fireside and stared with a steadfast eye at the kettle and the flame. No word was spoken between the girl and her mother and no sound was heard save the gentle footfalls of Adelaide on the stairs as she approached to the upper room; there was silence until she returned.

"How did you find your father, dear?" asked Mrs. Fenton, using her conventional tone for the conventional phrase.

"Father was the same as usual," replied Adelaide. "He said he liked the tea, enjoyed the cake, and next time could he have some more sugar, please."

Caroline glanced up at her sister, smiling with firmly curved lips, and asked: "Where did you get the bonnet, Adelaide?"

This seemed to be the question that the elder girl was expecting, for she gave a little sigh that might have been of satisfaction, touched the cardboard box and replied: "Oh, I don't suppose I should tell you, Carrie, should I? I think it's a secret. It's from a gentleman, you see, from an admirer."

The last words were echoed by the mother and the younger daughter: "From a gentleman! From an admirer!" Adelaide having a present from a gentleman, from an admirer...

"Well, why not?" simpered Adelaide. She sat down at the table and selected, daintily, a cake. "He is going to marry me, of course, Mother. I'll tell you all about it some day, but now it is a secret."

"It's a pretty bonnet," she commented. "Who is the gentleman that is going to marry you, Adelaide?"

"I can't tell you, it's a secret," repeated the elder girl, with a touch of sullenness. "You trust me, don't you, Mother?"

"Trust you? I don't know what you're talking about! You'll have to take these matters to your father. You've met a gentleman who's going to marry you and he's given you the present of a pink bonnet, and I'm to trust you. Well, well!" Mrs. Fenton rocked herself to and fro in her worn easy-chair. "Of course, you're a good girl, well brought up, Adelaide, and of nice behaviour, and always at home early in the afternoon, and you say your prayers and go to church. Well, well, a gentleman, and he's given you a pink bonnet and you're going to marry him."

"Is he rich?" sneered Carrie, putting more heavy cake to her mouth. "Will he take you away, perhaps to London or to Paris? Will he buy you any amount of fine clothes?"

"Will he give you a chance to make as good a match as he is himself, you mean, Carrie?" retorted Adelaide sharply. "No, I'm not going to answer any of your questions. It's a secret, a mystery, I mustn't say anything. But you can see for yourself—here's the bonnet!" She took it out of the box as she spoke and placed it on her well-shaped head, drawing, with tight, crisp strokes, the wide strings under her rounded chin.

She stood for a while with an air of ease, enjoying the admiration of her mother and sister. She was charming, tall and graceful in her gown of white dimity with tiny sprigs of roses that was well made and freshly laundered, with her fichu of clear muslin folded over her rounded bosom, and the fashionable bonnet, incongruous because it was of satin and designed to be worn with an elaborate afternoon pelisse, but very pretty, set gallantly and daintily upon her well-set head.

Adelaide was, in the opinion of her neighbours, a handsome girl, a delightful girl, or a charming girl; the adjectives varied according to the speakers.

She was slightly above the common size and very finely curved in shoulders, neck, arms, and bosom, with that rippling line of flesh and muscle that conveys a lively voluptuousness. The contours of her face were, like those of her sister, firm and freshly coloured; her lips and nostrils were deeply cut, her eyes, slightly deep-set, slightly near together, but bright and sparkling with red-gold lashes. Her rather coarse brown hair was abundant and lustrous. Indeed, she appeared to lack none of those charms and graces enjoyed by the favourites of Venus.

And the costly bonnet became her very well, her mother's nod said as much, Caroline's cool stare admitted as much. The girl glanced at herself in the mirror in the imitation tortoiseshell border that hung between the Staffordshire dogs on the mantelshelf, and thought as much to herself, a bonnet of rose-coloured satin with the white lining, with plumes with flowers, the bows tied under the chin...

"Fit for a gentlewoman," commented Caroline, with a sneer too subtle for her age.

"When I wear it I shall be a gentlewoman," retorted Adelaide with a teasing indifference.

She daintily removed the headgear, as if she had practised the gesture, with no hurry, no embarrassment; it was an elegant action gracefully performed.

"I wish you'd say who is the gentleman." Mrs. Fenton spoke in an easy abstracted murmur as if she addressed the fire.

"He will come to see you soon, Mother." Adelaide smiled in a self-satisfied manner as she swung the bonnet on her hand.

Caroline, wiping her lips on a thick napkin, asked: "Was it he you was walking with in the Folly Woods yesterday?"

"Well, if you saw me walking with a gentleman in the Folly Woods it was he. But what were you doing there, Miss—spying?"

"Now, now! Come, come!" scolded Mrs. Fenton, lazily. "Carrie's as much right in the Folly Woods as you, Adelaide. And you shouldn't either of you have been there alone."

"I wasn't alone, I was with a gentleman, the gentleman I'm going to marry. Don't question me any more, Mother. It's a splendid match and you may spoil everything yet. Look at this present! You can see how genteel the bonnet is! And I can show you other gifts, too. And see what I'm making for him."

She drew from the reticule that hung at her waist some handkerchiefs in which were initials embroidered in her own hair.

"See, I've been working these for him, and I am going to send them with a letter. Now, you must not ask me anything else."

Her voice dropped. "You trust me, do you not, Mother? I am not a silly girl, I listen to your good advice. Carrie, go and sit with Father. It is time he had his reading."

"He does not care about the reading," remarked Caroline, rising slowly and brushing the sugar from her fingers.

"Well, then," put in Mrs. Fenton sharply, "if you do not want to read to your father, you can remove the tea service, miss."

"I would sooner go upstairs," replied Carrie, with a hunch of her plump shoulders.

"Lazy and greedy," grumbled Adelaide. "Why won't she clear the tea things? That means I've got to do it, I suppose."

"Susan has one half-day out a month only," remarked Mrs. Fenton smoothly. "One of you must make the parlour tidy; you do not do much work. Look at your hands, how white and smooth they are. You do not even sew much, or starch, or goffer, or iron, do you, Adelaide?"

"No, neither does Carrie. You have brought us up to be ladies, haven't you, Mother?"

"To be ladies," Mrs. Fenton repeated the words. "What does that mean?—sitting on the settee in the best parlour and reading novels from the circulating library and thinking up lies, Adelaide?"

"The bonnet, Adelaide, and the gentleman in the wood! I suppose now Carrie's upstairs we can speak freely."

"Perhaps she's listening at the door," suggested Adelaide. "Oh, no, she won't be. She knows that I've got sharp ears and I've heard her going upstairs and her steps overhead. She'll be sitting by her father reading Pilgrim's Progress or the Bible, what does it matter?"

"Now, then, my girl—these lies, or—well, whatever you like to call 'em. Walking out with gentlemen, taking presents—That bonnet cost five guineas if it cost a halfpenny. I'll go to Miss Herle to-morrow, to find out the truth."

"The truth!" repeated Adelaide. "All Miss Herle knows is that the bonnet was ordered, that she made it for me and delivered it to me. And do you think she'll tell you who was responsible for that?"

"That don't mean she'll tell you what's against her interests." Adelaide moved to the table and slowly and reluctantly put the soiled china on the tray. "Mother, can't you let me alone? I know what I'm about. I've had a good education, I learnt something of the world at school from the other girls and their parents."

"Did you?" asked Mrs. Fenton, with an intense interest, looking over her shoulder. "Did you?"

"Yes. More than you ever learned when you were young, Mother. You were a farmer's daughter, weren't you, brought up in the country?"

"Yes," agreed the elder woman, stolidly. "Brought up to tell the truth and to be respectable."

"Not brought up to that, miss. That was my fate, it overtook me. Look out that yours don't overtake you."

"I suppose it will. They teach you that in church, don't they?" replied the girl, sulkily. "Or what do they teach you? I'm sure I never listen either to the sermons or the prayers. I've got my own thoughts all the time. Fate, that's a queer word! Providence! What's it mean, Mother?"

"Don't ask me, Adelaide. My puzzle is just this, I suppose—that we're not gentlefolk and not servants, not even little tradespeople. I had the money when Father died to give you and Carrie a genteel education, but haven't had enough education myself to know if it's done you any good."

"Sense! I don't know if that's going to help. I know what people think—that you two ought to be chambermaids at the 'Seagrove Arms,' or serving behind the haberdasher's counter. And so you ought, I suppose, if you'd been brought up the same as I was."

"Yes, Mother," said Adelaide slowly. "It is true you've not been able to give me any good advice; I've had to look about me for myself. Why not?"

"I've got no relations," continued Adelaide. "There's Aunt Martha, but she's far away and hasn't been to see us for three years, has she?"

"And I suppose I've some cousins—Jenny and Anne, aren't they Uncle Simon's daughters?"

"Yes, but never you mind about them." Mrs. Fenton's tone was masterful. "No, never mind about them. I suppose they'll be servant girls, chambermaids—well, let it go. Their parents are dead. Your aunt did what she could—she runs a little farm."

"Why did you give us such a good education, Mother? What do you think we could do?"

"I suppose I was ambitious. I saw you was going to be pretty, both of you. I've nothing else to think of but you two, your father being like he is. And there was just enough money, we living quietly—"

"But you didn't think beyond that, what would happen when we'd had the education, been taught how to behave ourselves and come back here and nobody know us—too good for the little people and not good enough even for the people who are just the hangers-on of the big people."

"Don't talk like that, Adelaide. A fine bouncing girl like you—well, you've got the looks and the education."

"Do you think that's enough, Mother? This education you keep talking of?" asked Adelaide, as she took the piled tray out of the room; she returned quickly and lightly.

"Well, it seems to me if you've found a gentleman to walk in the woods with you and talk of marriage and give you a pink bonnet—" continued Mrs. Fenton.

"And other gifts besides." Adelaide suddenly slid her plump hand into the bosom of her thick white frock and pulled out a string of glittering pink paste that she cast on the table. "It's pretty, isn't it? You wouldn't get it in Mullenbridge."

And the girl snatched it up greedily, eagerly, to display it, and Mrs. Fenton's eyes flashed grey fire. It was a long time since she had seen so delicate and charming an ornament. She had her own necklets of jet and pinchbeck, her lockets and cameo brooches, her thick silver bracelets engraved with swallows and ivy; but this trifle was different; it was like the bonnet, rose-coloured; it glittered and gleamed, drops of pink backed with silver—sparkling—"like diamonds," said Mrs. Fenton at last.

"But not diamonds," corrected Adelaide quickly. "Paste, French paste, made in Paris. It shows sweetly on my neck, doesn't it?" she added eagerly, as she clasped the necklet round her white throat and looked at herself in the dim glass.

"Oh, I don't know." Adelaide seemed again both sly and stupid. "One doesn't ask gentlemen how much their presents cost!"

"If he wants to marry you," said Mrs. Fenton, leaning forward and looking into the fire, "why don't he come forward and say so; why don't he see your father?"

"Would it be any use any gentleman coming to see Father? Besides, he's got his parents to think of—they wouldn't let him betroth himself until he's of age, and there's six months to wait. He's got to be prudent. Discreet, he calls it."

"Ah! Prudent! Discreet!" muttered Mrs. Fenton. "Meanwhile there's presents, walking in the Folly Woods— That's not what we'd have called prudent and discreet in my young days."

"You were a dairymaid, Mother, a farmer's daughter, and I've been brought up like a lady. I know how to manage these affairs."

"Do you?" Mrs. Fenton was half shrewd, half baffled. "It's a pretty bonnet," she added vaguely, "it's a pretty glittering string of pink stones."

"I'll read you some of his letters one day, Mother," conceded Adelaide. "Not now. I've got them upstairs."

"Oh, he sends you letters, does he? And how do you get them, my girl, without my knowing of it?"

"Oh, you thought you had me watched, didn't you, Mother?" Adelaide checked herself up as if conscious that a common note had come into her tone. "Well, I don't suppose you would understand. Sometimes he puts them in a hole in a tree in Folly Woods, in Seagrove Park."

"Yes, round the old Folly. That's where he leaves the messages for me, where I leave mine for him. To-morrow there's to be a ring—that's to show that he intends to marry me."

"He'd better see your father," insisted Mrs. Fenton sullenly. "Why don't you tell me his name? All this about his coming of age—"

"He has only a grandfather, and he's an old man, and there's lawyers to look after him, and a tutor who's a clergyman. My sweetheart's a boy not much older than I am and he loves me very much."

Mrs. Fenton was silent, she moved her lips as if conning over some reply, but it remained unuttered. Adelaide sighed and put the bonnet into the cardboard box with the silver paper.

"You'd like me to be a lady, wouldn't you, Mother? You'd like to see me with a great deal of money, with fine clothes and a carriage? You shall have some luxury, too, Mother. I'd see that you were well treated."

"And what would happen to your father?" asked Mrs. Fenton. "Twenty years he's been in bed. Doctor Barton said it might be another twenty— There's something to look forward to, Adelaide—another twenty years for your father there in bed, paralysed, an imbecile—"

"But he's not always imbecile. He often knows what he's talking about. Sometimes he can speak more sense than you or I, Mother. Well, if I'm a lady married to a great gentleman—"

"I said if I was a great lady married to a great gentleman," and Adelaide tossed her head, "I'd have someone to nurse Father so that you needn't have any trouble, Mother." She crossed over to the elder woman and put her arms round her neck. "Come, now help me!"

"Help you! You don't seem to want any help! You seem to have done well enough for yourself!"

"But I do, Mother, I do—Carrie is watching me. She's spiteful, jealous! of course she would be, wouldn't she?"

"Carrie's just as good-looking as you are, and I dare say will have just as much luck; it's only that she's three years younger."

"I know. I dare say she'll be prettier when she's my age. But now—well, Mother, she's watching me and you can see she does! And tell her what I say is true, and tell Father that I've got an admirer, a gentleman who wants to marry me, that he's sent me letters—oh, I can show you the letters—and that I'm making him handkerchiefs with his name embroidered on in my hair! Mother, you will, won't you? You see, it's difficult. It's a question of his guardian, his grandfather's consent, and the lawyers. He's got to be quiet for a while. But he loves me truly, indeed he does."

"I wonder, my girl, if you know what you're talking about?" asked Mrs. Fenton, putting her daughter aside.

"Only paste," sighed Adelaide, rising. "But one of these days he'll give me diamonds—a diamond ring and a diamond necklace, and diamonds in my hair, and even diamonds on my shoes, Mother."

"Why not, indeed! I've heard stories like these—they used to be called fairy tales in my time."

Mrs. Fenton rose and in her ungainly person there was a power that made the homely room drab and shrunken.

"I'll tell Carrie it's true, I'll tell anything you like to your father—it doesn't matter what I say to him—if you will let me known all about it yourself, Adelaide. So far you haven't told me anything, you know. It's only just tales. And now, to-day, the bonnet—"

"Yes, I'll tell you, Mother. He will come and see you, I'll take you where you can see him. You can watch us walking together. He often says: 'Dearest Adelaide, I must be presented to your mother! I admire her so much.'"

Mrs. Fenton's eyes flashed, but she did not reply to this, for the door opened and Carrie entered the room.

"I heard your step on the stair, my girl; creeping down, you were, trying to listen, but you stumbled on the last rod and so had to open the door and come in. Oh, I know all your tricks."

"Why should I want to listen?" asked Carrie sullenly. "There's nothing interesting being said. Oh, Adelaide, you've cleared the tea service away!"

"She's not washed up the china or the cutlery," said Mrs. Fenton. "It's all been left in there for Susan, and that'll mean trouble to-morrow. Never mind. Come here, Carrie. I've got a word to say to you. Has your father gone to sleep?"

"Yes, Father's asleep, the same as usual. When's Doctor Barton coming?" The girl glanced at the clock that had a pale, moonlike face on which were painted wreaths of blue flowers.

"You go upstairs, Adelaide," commanded Mrs. Fenton, and the girl obeyed at once, as if she responded, not to the mere words, but to some inner meaning conveyed by her mother.

Caroline picked up a copy of The Family Friend that lay in the window-place. "Don't look at that so scornfully," protested Mrs. Fenton. "I suppose it is worth twopence a month."

"Is it?" The girl, in flat accents, read out from the cover of the magazine that she held: "'All that is excellent and elevating in literature, happily mingled with all that is useful in life, while the price places it within the reach of all'—what does that mean, Mother?"

Mrs. Fenton's heavy face had a cloudy expression; she replied sullenly to what she knew to be a taunt.

Caroline read out in a high-pitched, expressionless voice from the letterpress inside the front cover of The Family Friends "'Thirty-two closely printed pages, price twopence monthly. It is emphatically a magazine for the family. Its pages present something for all, there is no member of the domestic circle forgotten, and no class of society overlooked. It is in itself a Gentleman's Magazine, a Lady's Magazine, a Mother's Magazine, a Youth's Magazine and a Child's Companion. It is, as its title correctly declares, a Magazine of Domestic Economy, Entertainment and Practical Science..."

"You are making a fool of me," put in Mrs. Fenton grimly. "Ladies ought to understand these things, and I've paid away good money, that my father earned hard, to have you educated as ladies."

Ignoring this, Caroline continued to read aloud. "'We have received it into our home circle with great pleasure, for it is not only a family visitor, but a family friend—it is a work especially adapted to cheer the happy fireside of home, and to aid the development of social affection.'"

"Why do you pay twopence a month for it?" asked Caroline. "You've no common sense."

"That's a way to talk to your mother! Just because I've brought you up above my own station in life! That is a magazine for gentlewomen; well, I wanted you both to be that. I've done my best."

The girl turned her back on her mother and tossed over the pile of books that lay among the worn cushions. "Treasures in Needlework, Elegant Arts for Ladies, the Wives' Own Book of Cookery, and The Practical Housewife."

"Well, I bought them for you because I wanted you to be ladies," declared Mrs. Fenton defiantly.

"Ladies," emphasized Caroline. "Well, I suppose so—but what is this mystery about Adelaide; has that any connection with—genteel accomplishments?"

"And you only sixteen! I don't know where you get it from! We were always respectable, God-fearing people—"

"You wicked girl!" But Mrs. Fenton laughed slyly. "But to come to practical matters—Adelaide has a rich sweetheart—a gentleman. Your sister has been telling me about this admirer, this gentleman who gives her the presents," added Mrs. Fenton steadily. "It's true, Carrie, I know it's true. You are not to make jokes about it or to mention him. It's something important that's going to mean a great deal to all of us. It may be you'll get a good marriage out of it yourself. So hold your tongue, do you hear? Or I'll find means of making you."

Caroline did not reply to this threat. She was moving carelessly the pile of books in the window recess.

"Adelaide never looks at these," she remarked, "and they cost eight shillings and sixpence each."

"The needlework and cooking, those are useful—but it is silly to try to make wax fruit, pictures in sand or bugle work."

"Adelaide did try—and the porcupine quill frames—and the seaweed pictures."

"There was a horrid mess, and a deal of money wasted," smiled Caroline. "Adelaide only tried because she thought it genteel and elegant—the same reasons as those you bought the books for."

"She was right. Ladies have those books and those accomplishments. I wish I had a pianoforte. Adelaide was clever at her music. Miss Fullam said—"

"Miss Fullam flattered you because she was charging too much for our schooling. That was a miserable place at Clapham, Mother. I wish you had not sent us there. I would rather have had the money. Besides the pupils weren't really ladies."

"You don't know, Mother. I do, even going about Clapham a little, and once or twice to London. Mr. Bisset wanted to oblige Miss Fullam—he's her lawyer, too."

Mrs. Fenton looked startled for a second, then her face became again drab and dull.

"You don't speak correctly—after all I've spent on you—I do as well myself, just by listening to the Bissets, and to the gentry coming out of church—and—other ways."

"Adelaide reads too many silly books—she did at school; why do you allow her to join the circulating library?"

"Ladies read these tales. I've looked at them myself; there's no harm in them." Mrs. Fenton defended herself obstinately, then suddenly perceiving how she had been drawn from the important subject she had been discussing, she added sternly: "You're only sixteen, my girl, and pert; you keep your tongue between your teeth. I know that what your sister says is true."

Carrie was unimpressed; almost alarmed, her mother peered at her, and tried to follow up her advantage.

"I like mysteries and secrets," conceded Caroline. She glanced at the table now cleared of the cloths and dishes, took down her sewing basket from the side and began to wind up spools of tangled bright-coloured cottons.

"You're to believe it's true, and you're not to tell anybody about it, do you understand?" continued her mother sternly. "It's a question of being careful for a little while, and then, as I say, all the good fortune that I hoped for when I gave you both the education of ladies will be yours."

"I don't think Adelaide's so very pretty," she remarked, reflectively, without spite or jealousy. "I've seen them walking in the woods," she added irrelevantly.

"Why, Adelaide and the gentleman, the gentleman who gave her the pink bonnet. The woods by Seagrove Folly—you know. You said you knew everything, that it was true."

"I should tell her to be more careful, Mother, if it's a mystery or a secret. Other people might see them, might they not?"

Mrs. Fenton spoke clumsily, with the labouring attempts at elaboration of one who has been shocked and tries to delay action; she rose from her rocking-chair, moved the kettle farther back on the hob so that the jet of steam did not hiss so loudly, and went slowly out of the parlour leaving Caroline turning over her sewing materials.

* * * * *

On the first landing of the small house Lucy Fenton paused with a sigh that expressed more than exhaustion of her stout person that she had so painfully heaved upstairs. There were two doors facing her—one led to the room that she shared with her husband, that with the small adjoining closet was all that she had of privacy from her daughters and Susan Keen, the maidservant. The sick man hardly counted for human intrusion on this retreat; when she drew his bed-curtains together she could forget him and by the hour together. The other room was that shared by the girls. Above were the two small attics, in one of which Susan slept and the other which was used for storage.

Downstairs were the front parlour, the back kitchen and scullery; there were no more rooms in the entire house. Not many means here for pretensions at gentility, not much with which to impress a doubtful superiority on a sneering neighbourhood.

Mrs. Fenton frowned, struggling with her own ignorance, her own lack of knowledge of the world. Naturally she was quick and shrewd, active-minded, ambitious, but thwarted and frustrated at every turn by her lack of money, her restricted ambience, besides the facts that she was uneducated and had to fight a sluggishness in her disposition that prevented her from making those strenuous and desperate efforts that others in her situation might have undertaken. Some women in the position of Mrs. Fenton, with the advantage of her steady income, her small capital and her two pretty daughters, even if handicapped by a sick husband and a provincial upbringing and a poor background, would have contrived something better than Mrs. Fenton had contrived. She knew this and it increased her antagonism against what she vaguely termed her destiny.

Without knocking she entered her daughter's room. Adelaide was seated at the window, the chill light—it had been a winter of bleak winds and was a late-flowering black spring—was beginning to thicken into darkness and a pearly glow, half-silver, half-dusk was over the figure of the girl in her flowered dimity frock; she had a curious, solid, almost heavy effect as if she was a well-formed statue. The bonnet looking fantastic in this chamber and by this light, half-covered her lustrous ringlets.

Dressed too thinly for the season, like all young girls now, thought Mrs. Fenton mechanically, thin shoes and cotton frock, no mantle even when she goes out. She looks healthy, though. I wonder if she does go out, after I'm in bed, out to the Folly Woods?

She smoothed her apron with her hands, that were like her daughter's, white and comely but now curdling into the soft ripples of late middle-age.

"They're in my drawer—I wish I had a desk." The girl simpered; the full face turned on her mother was moonlike beneath the pink bonnet; she seemed now too heavy for beauty.

"Take that rubbish off your head," commanded her mother, sharply, "you look like a clown at the fair. I'm going round to Miss Herle's to-morrow to find out the truth about the matter."

"You said so before, didn't you, Mother?" replied the girl, lazily. She slipped the bonnet from her head and hung it on the polished arm of her rush chair. "And I tell you she can't tell you the truth but only that little bit of it she knows."

"You're trying to confuse me," protested Mrs. Fenton doggedly. "You could tell me the whole truth, and I'll have it, Adelaide, now."

"Oh, will you?" The girl lifted her plump shoulders. "You'd better let me alone, Mother, or you'll be losing the best bit of fortune that's likely to come our way."

The mother sighed, baffled, resentful, yet impressed; her daughter was better educated than she was herself. Lucy Fenton knew the value of that. She was, moreover, just as shrewd as she was herself and, had Mrs. Fenton believed, that curious quality that in her idiom she termed—'knowing how to manage the men.' She had observed Adelaide with the few male visitors who came to their house, with the shopmen, with the tradesmen, with the youth, who had grown up from childhood in the same lane.

Yes, Adelaide knew how to lead them on and hold them off. Perhaps she was to be trusted, yet this secret affair seemed difficult, dangerous to this woman, more unfortunately placed, as she bitterly reminded herself, than if she had been a widow.

She tried a wheedling tone that she used with ill effect and that was against her nature. Seating herself on the other rush-bottom chair placed between the two long beds with the white crochet covers she coaxed.

"Who is it you walk in the woods with, dear? Caroline has seen you and maybe others have, too. Won't you tell me all about it and let me help you?"

"You couldn't help me, Mother." The girl spoke sullenly and with an edge of defiance. "You stand in the way, and you know it. I have to be careful what I say about you, and Father. I don't want to be undutiful or to say things that will wound. My Basil is a fine match"—her voice trembled and she put her hands over her eyes. "I've his letters here. You can see them, one day. There's his seal on them and his name underneath. Let me alone."

"You don't speak so genteel as you used to," said Mrs. Fenton sharply. "If you say I stand in the way, it seems to me you soon forget your manners yourself."

"He's not thinking of manners," retorted the girl, passionately, "he's thinking of me. He loves me, he's going to give me a white horse, an Arabian horse, he's going to build me a summerhouse, a pavilion that will be painted with convolvulus and wild roses on a blue lattice-work. He's going to have a new wing put on to the house, which is like a palace. There's going to be a conservatory, what you call a stove-house, built, and there'll be all manner of exotic plants in it."

"You got it out of one of those books you read. I don't see that opening a circulating library in Mullenbridge is any good for anyone."

"That's what the young ones always say to the older ones," replied Mrs. Fenton, without malice. "Sometimes it's true, sometimes it's not. I'd understand all right if you'd give me something to understand. You're trying to get married to a young man who's above you in station and you're managing the affair secretly. Well, I admit I've no home to receive a gentleman in, and your father—when he is in his senses—is no use to anyone."

"Basil," commented Adelaide, "is sorry about that. He doesn't like to think of me nursing a bedridden man for so many years."

"Oh, you managed to say that, did you, to this Basil—is that his name?" Mrs. Fenton searched her mind, briskly, keenly; she knew no Basil in the neighbourhood.

"I never heard of that. Is it a Christian name? Light a candle, Adelaide; it's getting dark."

The girl rose and lit the two candles of plain mutton-fat in the simple pewter sticks that stood on the little table that was used for both toilet and writing.

"It's a foreign name. You wouldn't know what it meant, any more than you did about exotic."

Adelaide did not give any further regard to her mother; she was staring at the reflection of her face that was shown like a flower blooming above a dark lane in the depths of the sombre mirror that was filled by all the shadows of the darkening room and the flames of the candles that illuminated her glowing, soft countenance.

Her mother also studied this reflection with the detached, keen, almost greedy air of one who views a treasure, possibly her only treasure.

The girl, well, perhaps the two girls, were her sole capital; through them lay her only chance of attaining some passionately held but most vaguely defined ambitions.

Her life had really been no life at all, a mere existence—childhood, girlhood on a small farm, the marriage to a man a little ^'above her,' confused hopes and wishes (crossing and re-crossing one another) of seeing something, or doing something more than she had seen or done before, of contriving, by some means she knew not what, to emulate those she saw enjoying all that seemed to her desirable—women who were easy, luxurious, flattered, admired.

The birth of two children, the increasing anxieties of supporting them on a small income, her husband's miserable health, then his long illness, all this had combined to stifle Mrs. Fenton's ambitions that had never, even to herself, been clearly formulated. Her ignorance and her sluggishness had hindered her from defining even her aspirations.

She had gradually transferred this medley of blurred desires, of vulgar ambitions, to the girls, and there again she was thwarted by her own lack of knowledge, her own slowness and apathy, by the pressure upon her of distressing circumstances. Mr. Bisset, her attorney, had been the only person to whom she could go for advice and perhaps he was not so clever.

Yet Adelaide might be lucky, she certainly was educated in a genteel manner and Mrs. Fenton had a blind faith in education.

"Well, I have done all I could for you," she protested, as if she put forward her merits as a plea for favours. "I've spent every halfpenny on you that I could, all the little bit that Father left. I never had more than two gowns a year, one for winter and one for summer, and I've not changed them more than once in every ten years or so. I even cut down on your father's medicines and the dainties Dr. Barton said he ought to have, in order to keep you up in your music and your painting. They were extras, Miss Fullam said."

"And what's the good of either one or the other when there's no pianoforte in the house, and no money to buy water-colours with?"

"Never mind, dear," replied the mother, and her tone was half servile, half threatening. "If you're to marry this gentleman who's to give you a boudoir, or a pavilion, or a stove-house, or whatever it is, and a white Arabian horse—"

"All that and everything!" cried Adelaide, with a triumphant interruption. She was re-arranging the candles so that they cast a double glow upon her in the dusky depths of the mirror, totally absorbed in her own reflection, answering her mother with her lips only, with the first words that came as she watched the changing colours of pearl, rose, gold and bronze in her face, hair, neck and throat.

"Well, then," persisted Mrs. Fenton, slowly, "it won't matter if you don't have a pianoforte here, but you'll be glad I taught you how to play one, won't you? But what's the use of a horse to you?" she added. "You never had one all your life and couldn't ride it. I had a mare, old Dolly, on the farm."

Adelaide did not trouble to answer. She sat down at the little table that she had made as attractive as possible with a few trinkets of glass and china and, pulling open a drawer that had long brass fuchin-shaped handles, she held up before her mother's eyes a packet of letters tied with a lavender-coloured sarcenet ribbon.

"There they are, Mother, you can look at them from here. They're from Basil, but to-day you're not to read them. Did you tell Caroline to believe all I told you?"

"Yes, I did. She said she would. But you can't trust the girl. She's quick-witted, too. Shell be watching you to see if you, or I, or both of us, are lying. She said she'd seen you both in the Folly Woods, too."

"Well, what does it matter? A lady can walk with a gentleman in broad daylight."

"Not without people talking. And who is this gentleman? I don't know many in the neighbourhood."

"You're thinking them over. There's the doctor's young son and the lawyer's son—one helping his father in the dispensary and the other articled to his—"

"Oh, yes," interrupted Mrs. Fenton, rising impatiently, "and there's a good many likely young men in the town. But they're not gentlemen, they'll not be able to buy you white horses and stove-houses, with foreign flowers in them, or whatever the nonsense is. Give me those letters, miss, let me see who's written them."

"They wouldn't tell you anything, they're signed Basil." Adelaide thrust the packet back in the drawer and looked at her mother over her shoulder. "Can't you trust me? It won't help you if you don't. I'll run away!"

This was exactly what she'd done herself—run away with the pale clerk who had come 'for change of air' to the village where her father had his little farm; 'a lot of good it has done me, I'd better have married Thornhill's son, who had a little property better than my father's. The two farms might have been joined and I might have been comfortable now, if not genteel or lady-like. Yes, the two little properties together would have been worth having. But I ran away with someone who was above me and young Thornhill married someone else. Why do I ramble on about my own past? It doesn't matter any more to anyone.'

"Run away if you like," she added with an indifference that caused the girl to turn and face her. "But you've no money, and if this fine gentleman's under age he won't have any either. Remember, too, that your father, imbecile though you may think him, has got to give his consent to anything that you do before you're of age yourself."

"I don't want you to be angry with me, Mother," said Adelaide. "I don't mean to run away, of course I don't, and I want you to share in all my good fortune. Just let me alone a little for a few days."

"Yes. Only keep Caroline off, and Father, too. Sometimes, you know, when he's sensible, he asks questions. Don't go to Miss Herle about the bonnet, it'll only begin a lot of talk and there's no need."

"You won't be able to wear it in Mullenbridge," remarked Mrs. Fenton, lifting the latch of the door and peering through the shadows.

"No, I know I shan't. And I haven't the pelisse or a reticule or slippers or anything that I could wear with it. But I'll keep it."

"What did he want to give you a bonnet for that you can't wear, and a string of stones that you have to keep inside your frock? It seems to me he is a fool."

"He is young, and very much in love," cried Adelaide. "Good night, Mother, I'm going to bed now."

"Don't you slip out at night, miss, to the Folly Woods, or wherever it is you do go! Yes, they may well call it Folly, anywhere you take your walks, I'll swear."

"Well, I hear you go down every night. And if it's not you, it's Susan. And how could I go out, with Miss Caroline watching me, and you and Father just across the landing, and Susan overhead, and all the neighbours."

"Maybe I have. Any girl would. There's the moonlight over there, you can see the woods from the window."

"Well, go to bed," said Mrs. Fenton, in non-committal tones. "I'll see what I'll do. I'll talk to your father when he's well enough. And you be careful how you manage young Carrie. She's a bit more clever than you think, perhaps more clever than you are yourself."

"Don't open the door yet, Mother, I want to ask you something—isn't there some good blood somewhere in your family? You used to talk of it when we were children, now you never do."

"Did she? Well, I thought so, too. The Fentons have always been city workers, but never more than clerks—humble, too, but your father seemed to me..." She checked herself. "You ask your aunt, she'll know better, it's all stories. My mother was a Heslop, they held themselves better than the Mortons—they had come down, there was coat armour gentry somewhere."

"Nothing," replied Mrs. Fenton. "Don't you concern yourself about these old tales, plain lies, I dare say—I put them about to shut people's mouths. You're from humble folk—both sides. It's yourself you've got to look to..."

"I gave you both a genteel education, I keep you in idleness. I can't do more," sighed Mrs. Fenton.

With this Mrs. Fenton left the room and Adelaide stood for a while listening to her mother's heavy footfalls on the ladderlike stairway. This was the tiresome part of a tiresome day—what to do between now and bedtime... Of course, there was work, she could sew or patch, she could call on a neighbour, sit with her father and read to him again another chapter of the Bible, those verses that he seemed to like even when he was in his most lethargic moods and his mind most clouded, and she would believe him senseless until by a twitch of his pale lips or a flutter of his bony fingers on the clean coverlet he would make a sign that he approved and desired that she continue.

"I've done enough of that to-day," decided Adelaide, with a toss of her head. She put the two candles on the little table by the bed, threw herself on it, and taking from under the pillow a novel, Daughter of the Night, began to read, moving discontentedly and restlessly as her position became uncomfortable and awkward, holding the book with difficulty so that the fluttering flame cast a light over the closely printed pages.

When Caroline entered the room that the sisters shared, Adelaide was completely lost in the story. It was not with a feigned absorption that she remained inert on the pillows, never turning her head as the younger girl entered, impatiently complaining of the smell and the smoke from the flaring wicks of the unsnuffed candles.

"How wasteful you are, Adelaide, and how careless! The candles guttering like that. I declare one is making a winding-sheet, and that's an ill-omen you would say. The window's not properly closed and there's a draught. And how can you read in such a light?"

Turning with a sigh from her delicious reverie, Adelaide clapped the book together, dropped it and sank back on the pillows, clasping her hands behind her head.

"Are you ill? Does your head ache?" asked her sister, approaching her and gazing at her keenly. "You're very flushed. Why don't you go to bed? I think it's untidy to lie down in one's clothes. Have you washed yourself?"

"I don't intend to, I'll wash in cold water myself. It's quite good enough for me, but your complexion is rather greasy and you'd do better with the warm water than all those lotions on which you waste the money that Mother gives you for other purposes."

"You know perfectly well," retorted Adelaide angrily, "that those lotions are not for my complexion. I buy them to cure me of sickness. I often feel sick when I stoop or do much housework. I have attacks of giddiness."

"Everybody knows what's in those pots and bottles you buy from Mr. Gilbert. I wonder he humours you and sells you the stuff. I suppose it's because we spend so much money there through father's illness."

Adelaide now dropped all pretence and sighed: "I've seen some advertisements in the Annuals of lotions one can get in Bond Street, London. They come direct from Paris and are the most elegant preparations. Yet really, at my age, one needs nothing. I am in the bloom of youth, that, in itself, is Venus's finest adornment."

"You talk in a strange, nonsensical way," remarked Carrie contemptuously. "I suppose that's the rubbish you get out of those romances you're always reading."

"It's the way ladies talk," replied Adelaide. She rose discontentedly and glanced at the trim, neat, untouched couch of her younger sister as if she longed to exchange it for her own, that was tumbled and tossed. "Mother believed all that I told her about my lover," she stated proudly. "She approved of my conduct. I have assured him that in a short time I shall be able to present him to my parents."

"I said I'd seen you both walking in the woods," remarked Carrie, "and now you must give me the paste clasp Aunt Martha sent you last Christmas. You promised you would."

"But you did see us walking in the Folly Woods, Carrie. And why should I give you my paste clasp for merely telling the truth?"

Caroline took off her clothes, quickly yet carefully, arranging her garments precisely on the rush bottom chair in which Mrs. Fenton had sat. The girls were silent; each engaged in an inner debate, then Carrie said, as she snuffed the candles out, then slipped into her cool, unruffled bed with a little shudder as the linen sheets and her cotton gown chilled her warm flesh: "You'd better give me the paste brooch, Adelaide, or I shall tell Mother that I was telling lies. And once she thinks that I never tell the truth, why she won't believe anything I say, will she?"

The core of this confused statement was very clear to Adelaide. She believed that she was defeated, but still tried to defend her treasure. How mean it was in Caroline to bargain for the red paste before she would undertake to do what she ought to have done, out of good nature, without any payment at all!

"I've heard them before." The younger girl's voice came insolently out of the darkness; there was no moon and the night was cloudy. Only the faintest blur showed in the space of the window from which the thin curtains had been drawn aside by Caroline before she put out the lights.

"No, Mother was there, looking out of the window, and she saw him, you ask her if she didn't see him. And then there was another billet-doux in the old beech tree nearest the Folly."

"They're all the same." Adelaide could hear that she was yawning. "They're like those in the books you get from the library, word for word very often."

"Gentlemen in love," retorted Adelaide, in a whisper, "always use the same terms of endearment."

"I suppose so." Caroline was not interested. "I don't like those romances. They're about things that never really happen."

"You are a prosaic little puss. Nothing romantic'll happen to you while you have those ideas, Caroline."

"What will Mother say," Adelaide put up her last defence, "if she sees you wearing it?"

"I don't know. What does it matter? You can tell her you gave it me for my birthday. Put it in my drawer to-morrow, Adelaide, or I shall say that I didn't see you both walking in the woods."

"Oh, I don't care about your promises, or your word," replied Caroline, "just see that the paste is in my drawer there. If is isn't, why then, I shall just tell Mother I was lying."

* * * * *

Mrs. Fenton made, with due deliberation, her visit to Kitty Herle. The milliner was a prim and smart little woman who ran a brisk business with the wives and daughters of the upper tradespeople, the wives and daughters of those men who had retired from nondescript professions, who might by a stretch of courtesy be called on the fringe of the gentry.

She received Mrs. Fenton very pleasantly. That lady was not among her customers and not, as she would have said herself, 'her style,' since her bonnets were of the plainest and always too well worn to have retained any elegance even if they had originally possessed any. But there seemed promise both of future business and future subject for gossip in Miss Adelaide.

"Miss Herle, you made a bonnet for my daughter," stated Mrs. Fenton, as she glanced with a slowly awakening curiosity round the show-room. On polished stands were displayed what the milliner termed 'Parisian models'; pinned to the ribbons was the print or drawing from which they had been copied from some modish French magazine.

"Yes, I hope it suits her, I hope you like it. I would have wished to see the pelisse that it was designed to go with," the little woman spoke slyly, with her head on one side.

"My daughter hasn't got a pelisse or a mantle fit to be worn with that bonnet. It's just a luxury, an extravagance, I suppose you'd call it, a present. I daresay you think my daughter shouldn't be taking presents from men."

"That wouldn't be my affair," she replied primly. "I understood Miss Adelaide to say that the bonnet was a gift from the gentleman to whom she was engaged to be married, that it was all to be a secret until she came of age."

"That's so," agreed Mrs. Fenton, "but I thought I'd let you know that I was aware how matters stood and that I approved. My husband's an invalid, as everyone in Mullenbridge well knows, and I have to take these duties upon my own hands."

The little milliner turned up her lip and flicked with expert fingers at one of the muslin roses off a large hat of white stiff straw that hung near.

"The price of the bonnet," she remarked, "is five guineas. I can't give the gentleman very long credit, you know. Of course, it's a trifle for a man in his position, but when you next see him you might tell him—well, just that—that I can't give very long credit."

Something seemed wrong here to Mrs. Fenton, there was a touch of vulgarity, surely, about this commercial transaction... it seemed to jar on this mysterious romance.

"Oh, I shouldn't care to write like that," retorted the other woman. "I've never seen him, you know. He didn't come here, it was just Miss Adedaile, alone. She said he'd pay, and if I'd oblige her by letting her take the bonnet away at once I should have all her custom after she was married. I'm only in a small way, though I'm sure I've got talent above the ladies of Mullenbridge, if you will forgive me, Mrs. Fenton. If you know about the pink bonnet, I suppose it's all right."

"And everything's arranged, quite properly? Excuse my curiosity and don't think I'm prying, but of course I'm very excited and pleased at the young lady's good fortune."

"No, she didn't tell me his name," admitted the milliner. "But I suppose one's allowed to guess."

The baffled mother rose, her natural shrewdness that had been rusted by long inactivity was not equal to this combat. Was the little milliner lying, like she was lying herself? Had Adelaide's lover really once stood in this smart little parlour, admired the models and chosen the stiff pink satin bonnet for his beloved's head? It was not very likely, too many people would have known, gossip would have been started... No, the girl had come alone and contrived to get the piece of finery by saying that this mysterious, unseen, unnamed lover would pay for it; Adelaide certainly had a way with her. Yet it was a stupid piece of recklessness, for it was impossible for her to wear the bonnet in Mullenbridge, even if she had suitable clothes it would attract far too much attention; but then Adelaide seemed determined to attract attention...

"Well," said Mrs. Fenton, with a clumsy slyness, "I just thought I'd come and tell you it was all right. And as for your money—well, I'll tell him next time I see him. Everything will be open quite soon. One has to wait a little, prudence and discretion, you know."

"His parents, I suppose?" the little milliner had her head on one side again and was tapping her front teeth with her rounded shining nails. Mrs. Fenton remembered what her daughter had said... her instructions.

"Oh, ho!" Kitty Herle's eyes sparkled and the blood, to Mrs. Fenton's astonishment, burnt in her cheeks. "Then my fortune is made, and I shall have a wonderful client, after all!"

Mrs. Fenton hardly knew what the milliner meant, but acquiesced with a smile and a half-curtsy and returned heavily with a musing air to her home.

This stood in one of the cheaper but pleasanter suburbs of the town, on the verge of the country, in a small garden, similar houses being on either side, beyond the lane ran into fields. At the back was a churchyard on a slope that was crowned by the church of St. Jude. It was a peaceful scene Mrs. Fenton saw as she came home, the weather was still bleak and dull, but there was some azure showing behind the wisps of yellow-grey pearl-coloured vapour in the sky and late blossoms were showing at last on the laburnum, hawthorn, and apple trees in the gardens. Susan was pegging out the clothes in the small paddock at the back of the house. Two elderly, quiet, and amiable women who lived in one of the neighbouring houses, Miss Priscilla Groom and Miss Dorothy Groom, were peering among their gooseberry bushes for the first trace of the hard green fruit.

Mrs. Fenton nodded to them and went along her own neat brick path; she glanced instinctively up at the window of her bedroom; like everyone who has the care of an invalid, this burden was constantly before her mind. He might, one day when she came home, be dead. Well, it was not so to-day, or the blinds would have been down. How strange it would be if, after all these years, she should one day find him a corpse. The thought of inescapable death for herself and for all she knew came on her with a sharp stab of unexpectedness.

Caroline came down the garden to meet her; the girl looked fresh and pretty in her sprigged cotton gown. She smiled at the two elderly women who were so carefully and anxiously lifting the leaves of the thorny bushes.

"There won't be so much fruit this year, the frosts are late," remarked Carrie as she took her mother's arm and walked with her into the parlour with an air of cool importance.

"Oh, he came. I must tell you. He was with Adelaide in the parlour—for twenty minutes, I should think. He said he was going to buy her a pianoforte and come round and sing and play with her. Won't that be pleasant?"

"Carrie, you're lying!" Mrs. Fenton pushed the girl away from her, into the parlour, went in and sat down in her rocking-chair. "You're lying, Carrie! There's been no man here. It's—well, I don't believe it."

"Oh, don't you! And why shouldn't you, pray? Well, what did Miss Herle tell you, Mother?"

"It's all right, everything's all right, Carrie. Everything that Adelaide said is true."

"Well, then, why don't you believe that what I say is true, and that he came here now?"

"Adelaide called him Basil. He was a young, handsome, and very smart gentleman, and oh, so agreeable to me. He was very sorry that you were absent. He's calling again to be presented to you."

"No, you wouldn't," said Carrie, "he came over the path through the churchyard."

"No, they wouldn't. They've been in the house and only came out just a moment ago, after he'd gone."

"Oh, they may have seen him, or may not, I don't know. You can go up and down the lane if you like, Mother, and ask everybody, even to the urchins in the road, if they've seen a handsome young man, coming here. But that would seem rather disgraceful, don't you think?"

"It seems more disgraceful that young men should come here and I know nothing of it—to be made a fool of like this!"

"But you said it was all right to the milliner, that Adelaide had told the truth there. Why shouldn't I be telling the truth now?"

Mrs. Fenton was silent, she had not thought out her plans. "Where's Adelaide?" she asked stubbornly. "I won't have your father bothered with this."

"Yes. She wants him to consent to their betrothal. I think she took him up a paper to sign, or a letter to show."

"It doesn't disturb him. Father said he likes him, said he was glad his little girl was going to get married, and he hoped I'll be the next."

Mrs. Fenton rose; as she was leaving the room she asked sharply: "Why are you wearing the paste that your Aunt Martha gave, Adelaide?"

"I know. But she promised it me, and I begged that I might have it now and wear it."

"Well, you're not to wear it. It looks foolish on a sprigged cotton. Where did it come from? I didn't see it when you were running out to meet me just now."

"I hadn't got it on, I didn't want those silly old women to say anything about it. I had it inside my frock. I pulled it out just now to look at it. Why shouldn't I? Adelaide had the pink stones in her dress, this necklet is different. It came from my sister, and she had it from her aunt, and I suppose it's all quite genteel and proper, isn't it, Mamma?"

"I don't know what's right and proper," muttered Mrs. Fenton, "but I'll find out."

She went heavily upstairs, opened the door of her chamber and saw what she had expected—Adelaide sitting beside the sick man's bed. Mrs. Fenton's slow but practised glance went round the room—everything in order, neat and clean. She and Susan saw to that, not only out of love of good housewifery, which was inherent in her nature and her upbringing, but because routine, cleanliness, and discipline made some objects in her life that otherwise was, or had been until lately, objectless.

Adelaide wore her white gown with green ribbons lacing on the bodice, which became her, Mrs. Fenton knew, very well. She had recently bought another green ribbon that did not quite match the other and had tied it in her hair; she had a letter in her hands and the pale, uncertain sunlight fell through the window on to her figure, that was stolidly graceful, as if she was something massive and permanent.

The sick man was propped on his pillows, and on his face, distorted by palsy, was an expression of pain now relieved by a gleam of interest in the bright young figure that sat at his side.

The curtains that Mrs. Fenton and Susan had made of coarse white cotton lined with a yellow of a tea-rose colour were drawn away from the end of the bed, and pulled back on the tester. The patchwork quilt, elegantly and skilfully worked by Susan and Mrs. Fenton, was tautly and neatly in place. A grey shawl of a honeycomb pattern was over the invalid's shoulders.

A faint sparkle of recognition came into his dull and sunken eyes as his wife came round the bed.

"What are you reading to your father, Adelaide?" she asked, softly. "What are you disturbing him with?"

"Carrie said she saw him," corrected Mrs. Fenton, in such a low tone that even Adelaide hardly heard her. "You know I'm not going to have any trouble in your father's room, I'll talk to you downstairs."

"Father likes to hear of it," protested the girl in smooth, suave tones. "It pleases Father to know that one of his daughters is going to be settled, and well settled, too. Doesn't it, Father?"

She folded the letter up and placed it in her bosom. Where she's got those pink stones, I suppose, thought her mother. Mr. Fenton stretched out his hand with a convulsive and uncertain movement.

"Oh, yes, Susan came up and did everything." The girl spoke with a vague disinterest that came over her like a cloud every time that anything but her own immediate concerns were referred to or brought before her absorption.

"Yes." Adelaide looked on the ground. "Basil came and stood at the door and Father smiled at him. They understood one another very well. But I didn't want to fatigue Father by a conversation, so Basil bowed and went away again. Carrie was there, too, she will tell you so."

Mrs. Fenton pulled the bell-rope of tightly-woven bands of coloured wool, then mechanically shook the sick man's down cushions into shape and drew his shawl closer on his withered breast, and touching her daughter on the arm drew her away to the door.

Susan was there already, she had come out of her room at the sound of the tinkle of the bell. She moved quietly to her accustomed place beside the bed of the man she had helped to nurse for twenty years. She knew what to do and how to do it, she and mistress understood each other very well, though they never exchanged compliments.

Before Mrs. Fenton could answer Carrie had replied, standing at the door of the parlour.

"Oh, Mother said that Miss Herle said everything was all right. She won't believe me when I told her that Basil was here, and declared that you ought to have a pianoforte and that he would come and play and sing on it. Now why won't you believe that, Mother?"

"But of course she will," said Adelaide. "She'll believe anything you tell her, won't you, Mother? You know that Carrie's a truthful girl. You promised that you wouldn't doubt her, didn't you, Mother?"

She had already decided, without much hope of success, to try to find out something from her husband and from Susan.

But the first was in one of his most lifeless moods; he stared at the yellow lining of the home-made curtains, without any response to the cautious questions that she presently put to him, when she fed him his sweet gruel.

"The young ladies," corrected Mrs. Fenton, though she knew that the 'ma'am^' was a concession from poor humble Susan. "So you saw no one?"

PART TWO

'Except the Vision and Its Details'

'Second sight:—a singular faculty of seeing an otherwise invisible object, without any previous means used, by the person who sees it, for that end. The vision in question makes such a lively impression upon those who possess the gift, that they neither see nor hear anything else, except the vision and its details, as long as that vision continues.'

THE Earl of Seagrove stared sourly at the stout ecclesiastic who stood before him in the shadows.

"James comes of an eccentric family," he remarked, adding defiantly: "The Daintrys have their history."

"It would never have occurred to me," replied the Earl, "even to suggest a remedy, even to think of suggesting a remedy. The boy must obviously go his own way."

"I know what you're going to say, Chalmers. I know we've been odd, and even tiresome, with one disaster and another, but we're worth preserving. Well, I've done my best, I had three sons, is it my fault that all I've left is one grandson? And now you tell me tales about him that aren't, well—satisfactory."

"I don't know, sir—as you say, not satisfactory. I wanted a little advice. I think that my charge should have more company of his own age."

"Well, his relatives have taken him about in London, haven't they? And in Paris—" protested the old man, impatiently. "You've led him on the Grand Tour in the old way, you're pretty experienced in that, I believe, Chalmers, taking these raw lads on their travels. You've shown him what's to be seen, and I suppose, introduced him to experienced women and men of the world, to cabinets of curiosities, to princes, well, well, all the rest of it?"

"Yes, sir, I did my best as you declared you did. I was diligent at my task." The clergyman spoke flatly and stared down at his squaretoed shoes.

"The boy was not particularly extravagant or wilful, didn't hang round the gambling-hells or the bagnios more than is usual?"

"No, sir, not in the least. But these terms are no longer used. What I have to remark upon is his abstinence from pleasures common to his age. It's my opinion, sir, and, I believe, of all those who are given the charge of youth, that it is good and even necessary that they should indulge themselves in some manner of diversion and so come to know their own world and their own kind. But Lord Manton held himself very much apart."

"Scholarship, sir, yes. My pupil was always proficient at his classics, he was much interested in the antiquities of Greece and Rome. Nor did I regard his behaviour, when we were abroad, as in any way abnormal. He took a fair interest in what was passing about him, the company to which your introductions were a passport, the sights and amusements provided for one of his rank and breeding. It is since his return to England, sir—"

"I know, I know what you are about to say," interrupted the other with a touch of indifference and impatience. "Charters is too large for him, and Verities too old-fashioned, and there's no women to keep them up as they ought to be kept. Housekeepers are cheats, and servants rob and steal, I keep changing the steward in vain. Well, the estate is not encumbered, he'll be able to put the faults to rights—I shan't concern myself very much with it one way or another. I mean to go to Portland Place and shut up Charters and Verities."

"Let him do what he likes. He's a large fortune. He's relations here and there, or people who'd be only too gratified to entertain him. One of the best matches in England. He's personable, though he hasn't learnt all that I could teach him, or you either, for that matter, Chalmers," added the old man, with a leer. "I can't think of much besides my gout. My life's over. I shall be eighty years of age in the autumn on the third day of October."

"Lord Manton will have come to his majority by then—in August, sir, and I was disturbed, as one who has had the responsibility of his education since he left Eton, whether he's fitted to undertake the management of so vast a property, so much money, so high connection—"

"You end haltingly," remarked the Earl, frowning under his heavy brows. "You'd like to say—so eccentric? Shall we use that word, an eccentric? I suppose he knows the story of the Daintrys?"

"I choose that he should know." The Earl rose and walked up and down the long, sombrely-furnished room. Through the tall windows fell the pale shafts of the late May sunshine: the weather was chill, bleak and cold, a fire smouldered on the marble hearth; everything in the room was in good taste, having been added to by generation after generation of wealthy travelled gentlemen; the chamber had also an air of having been of late much neglected: there was the careless touch of the housekeeper and the steward in the arrangement of the books, the busts and the pictures; nothing had been set forth by interest or affection.

The old Earl, after a lifetime of varied adventures, most of which though forgotten by himself, had been only too well remembered by the fashionable world in which he had once moved, had retired to Charters to pass the end of his life in the bitter indifference of philosophic and yet disappointed old age, dividing his time between visits from such friends of his manhood who still remained to him, journeys to Buxton where he took the waters in the vain hope of curing the rheumatic gout that crippled him, seasons in London, and the inspection of the new stove-house, as he called the glass building that his head-gardener designated by the new term 'conservatory.' Of all the divers interests that had enlivened the old man's life few remained, and one of these was horticulture. By accidents that might be termed tragedies he had lost three sons and two daughters; four grandchildren had died in early childhood. His sole heir was his grandson, James Daintry, Lord Manton, who bore his father's courtesy title.

The old Earl, though bearing a by no means false reputation for eccentricity, had not been unduly extravagant and he had enriched himself with two good marriages, so that the estates the young man, who would attain his majority in the summer of this year, would inherit were of considerable value and extent and under the care of efficient stewards and trustees, while the properties of the two late Lady Seagroves had been as well looked after as their monuments in the chapel.

The Earl had also, according to his belief, 'done his best' by the young man who had received the education that his grandfather considered proper for his station; and if, in selecting the Reverend Timothy Chalmers to be his tutor and 'to bear lead him' through Europe the Earl had considered the favour he was doing to one who had been a friend and companion of his middle-age, the impoverished cadet of a noble house fallen upon poverty and some discredit, more than he had considered the interests of the boy, still it could not be denied that in many ways the Reverend Timothy was well adapted to the part that he had undertaken, and that he had fulfilled his task with tact and devotion, by no means to be balanced against the handsome pay and considerable advantages he had received.

He was a man of about sixty years of age, florid, with an air of good breeding, features empurpled but well-shaped, shown off by the crisp whiteness of his handsome hair that was still thick and lustrous. His thick hands were shapely, he was fond of displaying them, and of holding out the little finger of his right hand adorned with a handsome fashioned ring of dark green chrysoprase.

The large number of people who were directly concerned, amused, interested or diverted by the character, fortune and prospects of James Daintry, Lord Manton, looked askance at the selection of the Rev. Timothy Chalmers to be the tutor of this favourite of fortune, but on the surface the man was unexceptional, at least, according to those old-fashioned standards the Earl upheld.

Mr. Chalmers spoke now with an air of sincerity, as one who considers himself the guardian of youthful honour, truth and security, and who has no concern at heart but the welfare of his pupil. The Earl was impatient with problems, he had had a lifetime of them and had not been able to solve any, and these failures reflected now, in the tarnish of his blighted old age, no satisfaction either to himself or the others involved. Better to let all go, better to be indifferent, cut the Gordian knot instead of endeavouring to untie it... he had done what he could for the boy, Edward's son...

He stared past the tutor, and his eyes, dimmed by the grey clouding of approaching cataract, saw those sons of his, James, Edward, Henry, their children too, his own girls, and sons' wives—all dead now, shadows, spectres, phantoms; they seemed to be noisy and protesting: shadows should be silent and drift away quietly into the dark; they had always been noisy, protesting and complaining—"complaining," he said, voicing his thoughts.

Mr. Chalmers, who had been waiting respectfully for his employer to speak, showed no surprise at this comment, he knew enough of his patron's past life to realize to what this word referred.

"It is the future we have to think of, sir. The young man is not twenty-one until August. What is he going to do with himself?"

"Why, marry, I suppose, there's good matches enough for anyone of his position."

"No. We won't have any lawyers' business here, we've had enough of that. What did those other marriages come to?—quarrelling on all sides, the settlements, the deeds, this, that and the other all tied up and then—somebody in a madhouse or—"

There was a pause; a cloud had passed over the sun and the light in the chamber was luminous but grey.

"Or hanged for murder," concluded the old Earl, rising stiffly. He paused by the white hearth and dangled the massive seal on his fob. He was still upright, a gaunt figure in the fashionable attire of the present day: he always followed the mode and did not, as so many old men do, remain constant to the garments and appointments of their youth or early manhood. He had never been handsome, but the Daintrys all had a proud air, that came from the possession of unquestioned authority. In his careful attire, the precise work of a Bond Street tailor, the Earl seemed, to the amiable man who watched him, like a caricature of youth, an old, worn, creaking puppet in the garments of a lusty gallant.

But the Rev. Timothy Chalmers dismissed these fanciful reflections; he was often visited by them, his commonplace book was full of curiosities, for he had carefully and often disdainfully noted down, from one time to another, oddities of nature, of human character and behaviour, a number of these entries, that he kept scrupulously locked away, had dealt with the history of the Daintrys... the carriage of my lord on this occasion might, the Reverend Timothy reflected, be the theme of more of these cynic jottings.

But this was not the time to be indulging in half-amused, half-contemptuous reflections on the idiosyncrasies and weaknesses of those who for long had called themselves 'the great ones of the earth.' Mr. Chalmers had a task to put through; wearisome it might be, but he did not intend to leave it until he had done what he could, achieved, according to his own standards and judgments, some satisfactory decision.

"Yes, hanged for murder, my lord," he repeated slowly. "That perhaps is the trouble."

The old man could not long, or with much ease, remain on his feet. He returned to his chair and sat there, his large, bony hands clasping the polished oaken arms.

"There are always troubles," he repeated, like a refrain. "I think I began by talking of a plot, a difficulty—shall we use that word? Lord Manton knows the history of his family. It was my wish that it should be imparted to him in his early years so that it should become familiar to him. After all, there is hardly a noble in the country that has not had one forebear who has met a—shall we say—violent death."

"Perished on the scaffold, my lord, I believe is the correct term. It is one of which, what you term so rightly, noble families, noble in any sense of the word, sir, are justly proud. But to be hanged for murder at Tyburn is not by any means the same."

"He had a silk rope and his own carriage and four—they took him away in an open coffin with silver-gilt mountings, and he lies in the Mausoleum with others of his family. The episode should be considered, shall we say, over? The story completed. It was, in any case," added he, with a sudden violence, "an unpleasant, and, I hold, a foul miscarriage of justice."

"I think he should have been declared innocent. How often do such mischances happen, and how seldom are they paid for, at least—like that?" Then, as if rousing himself from contemplation of this old and festering grievance, Lord Seagrove demanded: "Now, Chalmers, come to the point. We've had enough of this rigmarole. What are you trying to tell me about Manton?"

"This, sir—that despite all my attempts to distract him, he is brooding on this matter. He has taken to reading poetry, to writing it, too, I'm afraid, sitting alone in his rooms, refusing visits to London, avoiding company, walking too often near the Mausoleum and the Folly."

"They are both, I believe, very elegant buildings—perhaps Manton has a taste for architecture?"

"I can assure your lordship that it is not a taste for architecture that keeps Lord Manton so often in those solitary groves. He is, I tell you, of a melancholy disposition. He thinks far too much of this old story, which should, as you pertinently remark, have long ago been forgotten. He feels in himself the same—how shall I express it?—qualities that produced this tragedy."

"We've all got 'em," grinned the Earl, "lust and passion, violence, self-esteem. Well, you've been his tutor, you should have taught him how to control these—emotions."

"I've done what I could, sir, but sometimes hereditary tendencies are too strong for the most experienced and persevering of tutors."

"I'm not afraid of anything, sir, and I don't consider Manton a fool. And as to what he says or thinks, why, I could talk the hour and you not be any the wiser, by my repeating my record of one or my speculations on the other. But I'll tell you this much—there was a young woman in the case—I'll not repeat the word, which I daresay is offensive in your lordship's ears—"

"Offensive in that of any man of breeding," sneered the old man. "Well, what about her?"

"Yes, they ought to have been able to prevent that— The Rector at the time was out of hand, didn't know his place— There was a clamour, a public outcry. Never mind, her grave is forgotten, overgrown, neglected— Who remembers?"

"Lord Manton remembers, sir. He goes frequently, rather too frequently to the churchyard. You won't find that grave in such disrepair now. My lord, with his own hands, has put it in a decent state."

At this the Earl did look up, and with a jerking start, his jaw working, his thick coarse white eyebrows drawn down into an ugly scowl.

"I hoped it would pass, sir, I hoped I could get him away. It proved impossible. He's inclined to be romantical, he's read too many novels and poems—as I said."

The Reverend Timothy spoke with elaborate nonchalance, holding up his fine hand and gazing at the fine ring. He added: "He thinks she might come back—your lordship will know the legend, it's common in most countries—the Spectral Bride, shall we call it? There are one or two novels written on that."

"So I thought. If I still thought so I should not, sir, have disturbed you. But there is a girl who walks by the Folly and the Mausoleum."

"I don't know. It's usually in the twilight, and I can't be seen openly watching. It's a difficult matter and there's no one in whom one can confide. It would be extremely dangerous to trust a servant. It is, obviously, one of the town sluts, her head half-turned with the trash from the circulating library—"

"Because, sir," replied the Reverend Timothy in very level, prim tones, "Harriet Bond was no more—a town slut. These worthless pieces can be of great importance in the history of a noble family."

"First, don't go to Buxton, sir, or to Portland Place. Secondly, get some stranger, from London, I should say, to watch."

"I would not say as much as that, I'd say a watch on the young ladies, shall we call them?—of Mullenbridge. She might be romantic, foolish, or ambitious. One can only do what one thinks right," added the Reverend Timothy quietly, "no more, no less."

"Not, perhaps, so much," grinned the Earl. "What have we, my dear Chalmers, to do with what is right or wrong? It seems to me there's a great matter of, shall we say—moonshine—nonsensical fiction in what you say."

"Nonsensical fiction, my lord, especially that as purveyed by the circulating library, might be a very powerful influence in the lives of young people. Lord Manton has lately ordered a complete set of the Lytton Novels. He talks of setting up as a writer himself."

"Do not let us quarrel over terms, sir. One must use words that are somewhat harsh when dealing with a case like this—I am not so sure that it will pass. I think that it may perhaps continue until it becomes an obsession, until it eats up mind and spirit and enfeebles the body and intellect."

"You always use portentous terms, Chalmers, yet you were a good companion in your day. Well, let's put this vexation into plain terms."

"It's almost impossible, sir, to put it into plain terms. It must seem to you, as indeed it at first seemed to me, so much fantastic light-headedness that would pass—"

"Tell me, sir, what you mean in the plainest words you can command, if not plain yet clear. I've noticed that my young grandson, well, there's a good many years between us, the youngest son of my second son—twenty years and eighty years have not much in common. I haven't been able to get very close to the youth, but I've observed that he has been moody and difficult, but it didn't seem to me to matter very much. I suppose he could be married whenever we chose. What of Lady Caroline Westland? Won't she ask him to Manchester Square? What of Lady Sybil Duncan?"

"Sir, all these expedients have been tried. All these kind relatives have done what they can for Lord Manton, but he will return here, he will live at Charters, he will devote himself more and more to introspective studies, metaphysics, the science, as he calls it, of the occult—"

"Alchemy and star-gazing, I suppose," interrupted the Earl petulantly. "Come to the young woman, that is the important part. Who is she?"

"I could not tell you, sir, as I told you before. I've tried to watch, but it's been difficult. It's most important not to attract any attention. It is also certain that she is a creature of no consequence. There are no young ladies in the immediate neighbourhood—if there were they would scarcely be allowed to wander alone in the Folly Woods at dusk or by moonlight."

Lord Seagrove grinned and his twisted fingers tapped on the ormolu desk as if he beat out a tune.

"Harriet Bond was a servant girl employed at the 'Seagrove Arms.'" Mr. Chalmers reminded him. "It is unfortunate that a portrait of her is preserved there."

"I believe you did, sir. I believe it was supposed they had been carried out. Well, you know what it is—curiosity. People will pay high for the sight of a picture of a girl—well, who—"

"Don't run over the story, and don't think that I'd mind if you did. The girl was supposed to be murdered by a gentleman who was hanged for the crime—let it go at that. Who cares, at this time of the world's history? But I did not know they had a likeness of her there. I ordered everything of that sort to be destroyed when I came into the title. I did not find much then. My father had seen to that before me, at the time there were the usual broadsheets, prints, vulgar nonsense."

"It is not a print, sir, but an oil painting about the size of a signboard, it is hid in a cupboard. On Lord Manton becoming interested in the old story, he went to the 'Seagrove Arms' and spoke to Fiske. Of course he knew his stories—the Fiskes have been there a century or more."

"Of that you can be sure, sir. Such events, monstrous in reality, become even more extravagant when clouded by fiction."

"Maybe, sir." Mr. Chalmers was trying to be patient on a matter that provoked him, and clear on a matter that was intricate. "It has impressed Lord Manton. He considers that this female whom he sees walking in the Folly and near the Mausoleum or, as he declared once, in the churchyard, has a likeness to this portrait."

"Ah, does the young fool believe that he is communicating with the spirit of Harriet Bond? Is that what you try to say?"

"Not quite that, sir, not altogether that. I can best explain it by using an old country term. He supposes it is just possible that it is a fetch that he sees."

"Sir, the dictionary will give it to you as something 'that comes again, or is brought back.'"

The Earl rose and walked impatiently with the disordered steps of the old up and down the handsome room.

"Well, Chalmers, you brought me a pretty problem. What do you wish me to do? The obvious action, the sensible action, is to send the boy away and get all this cobwebby moonshine out of his head, keep all these metaphysics, as he terms them, this occult supernatural mummery out of his way."

"You'll never do that, sir," interrupted Mr. Chalmers, who also had risen out of respect to his patron. "If anyone wants something as much as Lord Manton wants this, whatever it is I can give it no name, he will get it, especially when they have leisure and position."

"Well, you're a clergyman," the Earl's sneer was hardly apparent, "you're a man of God. Why can't you exorcise this spectre whatever it is? Prove to the boy that this piece is a mortal girl hanging about to entangle him. A fetch, indeed!"

"It might be dangerous to be so drastic," protested the clergyman. "Lord Manton might refuse to believe that the girl—should we be able to trace her and expose her tricks—was a human-being. To do this might be the very means of throwing them together."

"Well, then, what do you advise me to do? Why did you let the matter come to this pass before you told me of it?"

"I tried to stop it my own way, but suddenly it has taken a worse turn. When Lord Manton was in London he made the acquaintance of a Dr. Lucas Perry. This Swedenborgian has had an influence over him that I cannot combat."

As if weary of the whole subject, that was indeed a tangled burden to his distracted and aged mind, the Earl declared, resting against the heavy mantelpiece:

"We must pack him off to Paris or London. I'll get some private inquiry agents to find out who the girl is. Meanwhile you can't do anything but watch him. I should leave him alone if I were you," he added, with a sudden flash of animation.

"Don't let him see that we suspect anything or disapprove. Sometimes these illusions," he spoke as if he had experienced them himself, "are like so many fits of fever. They come, they go—"

'Ay,' thought Mr. Chalmers as he, taking this for a dismissal, turned towards the door, 'they come and they go. But one mustn't forget, sir, there's insanity in the Daintry family.'

* * * * *

The subject of this conversation, which had begun so suddenly, continued so long and ended without any satisfaction to either party, was prosaically engaged in the largest chamber of the apartment assigned to his use in the round tower at the corner of Charters. James Daintry, by courtesy Lord Manton, was writing a letter to his lawyers, in which he demanded from them an exact account of the monies he would come into when he became of age in two months' time, for he was heir to a considerable sum due to him from his mother quite apart from the paternal estates.

This youth was tormented, like most young people of no special ability, gifts, or strength of character, with a keen and pressing desire for what he termed freedom. He longed to be rid of the tutelage of the Rev. Timothy Chalmers, easy and tolerant as that gentleman had been in the exercise of his duties, he longed to be away from the occasional supervision of his grandfather, who seemed to him like a figure out of another world with a stiff body, a rigid mind locked in the past. He wanted to be away, even, from Richard Hackett, who had been his personal servant all his life and who was in every way respectable, obliging and efficient. He would be glad to be rid of the other old servants, too, of the housekeeper, Mrs. Serjeant. Oh, yes, they were all obliging and agreeable and put no restraint on him in any way. How could they? He was their master.

Yet he wanted to use that word so often repeated, so seldom understood—^'to be free.'

Charters, the estate itself, which he knew so well since he had come to live there soon after his father's violent death, was different. He believed that there in the ancient house and grounds he would find the clue to the many secrets that at once stimulated and puzzled him. Long as he had known the old place, there was still much to explore—to ponder over: the chapel, the ruins of the Abbey, the Folly, the Mausoleum, the Orangery, the new stove-house that his grandfather had built twenty years before and that was not yet completely finished in all details. This love of horticulture—the term love was not an exaggeration, for this passion was the one link between the Earl and his heir; Lord Manton planned to bring a rare collection of exotic plants to Charters.

'I must be free and I shall not be—no, not even when I have attained my majority. I shall have to wait until the old man dies. He might live to be ninety or a hundred years.'

He checked his thoughts and tried to reason out his position. He was a studious and intelligent young man, a fine athlete, one who possessed many graces of mind and body.

'What do I want most of all? I want to get Lucas Perry here, but my grandfather would never permit that. Chalmers has already put many difficulties in the way. I want to be able to go alone, without fearing that maybe they are watching. It does not matter if I am riding or walking, there is always one of them finds an excuse to saunter by my path. Oh, they do not think I notice, of course. It is very adroitly done, but it is quite obvious, too. I am not going to make a fool of myself, he added, violently, leaving the letter, unaddressed, unsealed, lying open on the desk of burr walnut wood. There is something to be investigated here, and why shouldn't I be the one to do it? Lucas Perry is a sane, educated and intelligent man. He has been well schooled by life, too. Why should not he know what he is talking about as well as either my grandfather or Chalmers, who is a materialist, really, and cares for nothing save ease and pleasure. I believe he has been in many doubtful episodes in his time—at least, both he and my grandfather are of the last century, sixty years or so out of date—they think in terms of their own youth.'

The young man knew that this was not true but it pleased him to put up this specious defence of his own disagreement with good advice.

He could not, however, discover hope of solution of his own problem, which was how to combine complete freedom from those who, however kindly or respectfully, or even indifferently, watched him, with continued residence at Charters. There was Verities, the Daintrys' other large estate in Wilshire. He might go there, take a staff of servants with him and entertain his friends, people whom he had met abroad, relations, the people whom Lady Sybil and Lady Caroline would bring at a signal from him; Verities was not so far away that he would not be able to ride or drive over every week, if he wished, to the Folly Woods; yet this did not altogether please; he sighed with the bitterness of idleness and confusion of mind.

Then, thinking of a never-failing distraction, he glanced round to make sure that he was alone; sometimes Hackett would come in, quietly, with unobtrusive tread and slow movements, sometimes Chalmers, also light-footed, would turn the handle of the door and surprise him; he did not care to lock himself in, that was too conspicuous; but when he was serving his secret obsession he must be free from interruption.

He went to the press, unlocked it and took out a small, crudely executed oil-painting of a heavy-looking young woman with bright brown hair wearing a gown of thick material and a hood such as was usual to the peasantry in the mid-eighteenth century. The exact date of the portrait and the tragedy it commemorated the young man did not know; the records of the affair had been very efficiently destroyed. Everywhere he tried to make a search for them he was baffled by rebuffs and secrecy, the first courteously given, the last adroitly disguised. He did not even know what relation the unhappy man who had been involved in the death of Harriet Bond was to himself—a great-uncle, a great-grandfather? There was no pedigree, no genealogical tables, no family trees in Charters or in Verities; there were gaps in the records of the family. It may have occurred a hundred and twenty, perhaps a hundred and thirty years ago; at the Seagrove Arms where he had acquired the picture at a high price he had inquired from Fiske about names and dates, but though he had probed skilfully, and he did not believe he was lacking in prudence or art, he could discover nothing... of course, they were afraid of the old man; all his tenants would be—gagged.

"What's the use, my lord," the innkeeper had protested respectfully, "of searching for something that was forgotten when my father was a child?" And he added with an intonation that was touched with cunning: "I wonder how you came to hear it, sir? It's an ugly old story, and maybe not true at that."

"I heard it in Rome," Lord Manton had replied absently. The memory had come so strongly on the words that he had not noticed the amazement on the man's face, quickly concealed with professional servility. Richard Fiske had wondered how the young man had come to hear this local story in Rome. It was well enough known in Mullenbridge but never mentioned, slurred now in the details since the present Earl, sixty or more years ago, had heard some rumours that documents relating to the case were still in existence, had sought them out, bought them at a high price and had them destroyed and let it be known that anybody who mentioned the affair should no longer be a tenant of his, and now the heir had heard of it in some outlandish foreign city.

But the young man had taken no notice of the effect that his words had produced. Rome was in his fancy now—the pale basilicas where design is made from light and space, the colonnades with gigantic distorted figure—as he, with the furtive movements of one with something to hide, held the painting in the window and studied it eagerly, then, swiftly replaced it, as he heard a step without. Hackett was there—without the opening of the door—in the half blended light and shade, it seemed to the youth's angry agitation, saying with his bland, well-trained, deferential lowering of the glance:

"Dr. Lucas Perry is below and wishes to see your lordship." The manservant spoke with that suaveness that may be considered either complete respect or a cynical contempt according to the nerves and sensitiveness of the person addressed.

But Lord Manton was not concerned with these expressionless manners, though the man's words and tones often irritated, exasperated, and even alarmed him. He exclaimed sharply: "Dr. Perry here! But I was not expecting him. Neither is the Earl—"

"Dr. Perry is below, sir, in a barouche. He seems to think he is sure of his welcome. Am I, my lord, to show him an apartment—the green chamber or that next to your lordship's in the tower?"

The young man glanced at the letter to his lawyer; complete, unsigned, unsealed, this seemed a testimony to his irregular, careless, and simple life—so much begun, so little completed. What could Lucas Perry do to help him in his present pass? Yet he was glad that the man had come, he felt a sudden access of strength as if he had been fortified in a half-hearted rebellion, and that was why in instinctive self-defence he pretended to be vexed.

"Give them, then, accommodation in the apartments near here in the tower. Everything, I suppose, is ready?"

"There'll be no trouble whatever, my lord, in the arrangements. And as for the Earl, he is abroad. He has left some half-hour ago for Verities with the Rev. Timothy Chalmers."

To plot something against me, I suppose, thought Lord Manton, his mood swiftly changed. He did not know if he was, after all, pleased with this sudden and unexpected visit that meant a new and antagonistic element introduced into Charters; perhaps it would have been easier, as well as wiser, for him to have made his own decision, unaided. Did he need this man, so much older, more experienced and subtle than himself, peering into his problem—perhaps despising him for having anything so fantastic on his mind?

He turned aside with a gesture of impatience that was clumsily concealed; he was aware of his own inconsistence. Even a few minutes before Hackett's entry he would have been relieved, overjoyed to have heard of the possibility of a visit from Dr. Lucas Perry.

He had no time for further debatings on his own uncertainty, for the manservant withdrew and returned with Dr. Lucas Perry.

This person was a mild-looking man of middle age in the most conventional costume. There was nothing about him distinguished nor unusual except perhaps his full-lidded eyes and deeply curved lips and air of uncommon composure.

He saluted Lord Manton easily and expressed his regret at having, as he termed it, descended upon him so suddenly. But he had had business (he did not specify what) in the neighbourhood, and thought that it might be permissible for him to call at Charters and wait upon the Earl of Seagrove and his young friend.

The youth received this amiable and sincere apology with the courtesy instinctive to one of his breeding, yet he could not altogether conceal an embarrassment that the other soon perceived.

"If I put you into any difficulty, I will at once retire. The 'Mullinbridge Arms,' I believe, can provide a clean bed, a good meal, and, on occasion, affable company."

"Indeed, no, you will be my guest at Charters. Who could find anything against that? You find me, I confess, a little overwrought." He glanced down at the lawyer's letter. "Your presence has come too opportune, too pat, you understand—you were much in my mind. My position is, in many ways, unfortunate, you must concede me that—"

"I am willing to concede you everything. Why, sir, trouble yourself over matters that are, at the best, mundane and trivial?"

"You have much to teach me," declared the young man, obstinately. "But I am not sure that I wish altogether to permit you. There is a great deal that can be argued and discussed. I am tired, lack, perhaps, my dinner—"

"I have been sitting here in this old room thinking of old stories, I have," he glanced towards the cupboard, "locked away a picture that—troubles, no, that is not the word—concerns me a good deal!—I told you the history of it."

"The mystery of Harriet Bond?" smiled Dr. Perry coolly. "Well, it is, perhaps, unfortunate that I should have arrived at the moment when you were so absorbed in such a matter. Perhaps it may be that I can help you, yet I do not know to what pass in your trouble or absorption you have come. You know my tenets, what my leader taught. You know that I do not seek disciples, yet would always willingly welcome those prepared to join our sect."

"Maybe. That is always an individual quest, an individual achievement. Content! The word is one that we mortals hardly dare to use. A certain measure of tranquillity I have found."

"Why do you come here? I wished to keep your company for London. I can hardly, sir, credit your tale of chance. You have sought me out for some purpose."

"Perhaps because I believed that you were in some distress I could aid—but it is true I had business in Winchester."

* * * * *

Dr. Lucas Perry soon dispelled Lord Manton's ill-humour. The disturbance caused the youth by that gentleman's presence was more than compensated for by the prospect of amiable and sympathetic company. How agreeable it would be to transfer his introspective woes to the interested ears of another, and one who was not only able, but usually eager to help, one who could put his problems and difficulties on some kind of a basis that the young man would be able to deal with.

He pulled the long embroidered bell-rope and when Hackett appeared demanded that refreshments should be served in his own chamber immediately and dinner set somewhat before the usual hour. Dr. Perry made himself the most amiable and obliging of companions; he had arrived, he declared, not on chance; he would not go into details with his host (whom he supposed he might consider as his pupil), but merely hint that it had not been by any tangible means that he had been brought to Charters—"I could have reached Winchester by a short way."

From this it was easy for Lucas Perry to come upon what was disturbing the young man, though he would not admit such a definite term as 'disturbance'—He touched his 'problems,' usual enough, as he admitted shamefacedly, but none the less acute for that—his desire for freedom, the irksomeness of the guardianship of Timothy Chalmers and the old lord, and yet his desire to remain in this ancient house so peculiarly his own, where as he supposed and hoped some remarkable adventure might befall him... an adventure of the mind, the spirit.

He then drew Dr. Perry on to the legend of Harriet Bond and found, something to his surprise and chagrin, that that gentleman was well-informed about his ancestor's squalid tragedy.

"We must not," remarked Dr. Perry placidly, "make too much of that happening. It was one that was but too common—springing from the barbarous manners and impulsive passions of those days."

"Seduction and murder," smiled the young man sternly. "I suppose that might happen at any time—even to-day?"

"Yes, but it would be unlikely now among people of the quality of your ancestor. The Lord Seagrove who was concerned in this affair was in every other way, or shall I say in every way, for this license too might be included in the list of his modish tricks, a man of fashion, one welcomed by the bon ton, a fine athlete, an exquisite classic scholar."

"I know his virtues," Lord Manton interrupted with an impatience that he did not often show towards the man whom he had begun to revere. "Those are brought forward commonly enough. It is his tragedy, it is this story of this hanging," he brought the words out quickly, "that is kept from us."

"Look upon the dismal story as a mere accident in the history of your house. What can it matter one way or another once it is regarded with philosophy?" smiled Dr. Perry. "Many a worse crime has been unpunished; this was expiated. Why are you concerning yourself with it now?"

Spoken to thus frankly, Lord Manton replied bluntly: "You know that I have been attending occult experiments in London, that I have watched spiritualistic mediums—well, I will not go into these things."

"No need to do so," replied the other blandly, turning his glass about in his hand and admiring the reflection of the slanting sun ray in the brilliant wine. "I know something of your experiences and people with whom you have mingled."

"It is unjust the way in which these seekers after truth are persecuted," protested the young man. "What sense was there in repealing the laws against witchcraft, when anyone who endeavours to solve our most urgent problem may be persecuted as a vagrant—?"

"You consider it urgent—to know if the soul exists, if it be immortal? Not many at your age—do so—young, with so many advantages—and yet you are interested in the attempts of the adepts to project their souls from their bodies." Dr. Perry was speaking rapidly. "But are you even convinced that there is a soul?" He drew a small book from his pocket, opened it at a marker, and, after asking—"Do you like this?" read—'The pictures are of those long dead, they seemed to me the only certain realities, we ourselves are but as shadows, never continuing in one stay and only catching faint glimpses in the twilight of friends long lost, who we trust, now walk in white in a kindlier and better land.'

"No, friend of mine," broke in Lord Manton, "it is true that she wears white—but a kindlier and better land!" He laughed nervously: "How childish that sounds!" He gave a movement of repugnance as if something distasteful had suddenly closed in on him; Lucas Perry regarded him with a calm compassion; the youth was well-made, above the middle height, with well-proportioned features and bronze-coloured hair, thick, coarse, curling, and with an undertone of red. This warm agate hue showed in his brows, eyes, and the faint freckles across the bridge of his blunt nose; though he was healthy and had no look of pallor, his skin was thick, white and impervious to sun or wind; he appeared older than his years, and had that dignity that graces one well-bred who lives much alone and thinks independently.

Dr. Perry pitied him because of his heritage. The family was ancient, but not distinguished, no member of it had been prominent in Church, State or arms, had patronized the arts or encouraged commerce. They had always married prudently, and an occasional spendthrift had been allowable in a race of reasonable men. It seemed grotesque that the fifth Earl should have been hanged for the murder of a servant girl, but the influence that could not save his neck from the rope had concealed his story from posterity. Even those most anxious that he should die shamefully had acquiesced in a decent respect for his name when he was dead. Party feeling, and the habit he had of making enemies, had helped to bring him to the scaffold, class feeling and the wealth of his heirs helped this tragedy to slip into oblivion—or nearly into oblivion. Dr. Perry checked his musings.

"This is not helping you much, James," he remarked thoughtfully, "—for me to sit here silently—"

"No—let us sit together awhile. You know we are unusual companions. You know what we have discussed. I was moved to come here to-day—yes, I turned out of my way to come here. I have some understanding of your—concern—tell it to me plainly."

He sat quietly, a quiet man, with wrinkled lids, cool grey eyes and grizzled hair, his large hands outspread on the arms of his chair.

"It is the little foxes that eat the vines," he remarked; "if one broods, and lives solitary—a small seed will grow swiftly."

"I have a curiosity only—why not about that as about anything else? It is at least as interesting as cards, horse racing, boxing, attending dances and soirées."

"Is that possible? I ask only. To fear nothing, James? Is not our utmost privilege to have a choice of fears?"

"You will not say—delusion? Is it not always so? You see, I keep all I say at a question. We soon begin to lose what dupes us. The encircling arms of the fog that pulls us through the reeds, the dancing light of the marsh flare— Yet, perhaps I can draw you back. Continue. I believe, indeed, I did obey Divine inspiration when I came here to-day."

"Hideous tales, dreary traditions mingle with my philosophic doubts, my dubious questionings. I suppose these moods could easily be explained. I live apart, I did not go to college, I care nothing for common pleasures, I have too much money, I have no ambitions."

"Let all that go," smiled the elder man; "we will take all that as said. I understand your character, your class, and your position."

This clarity soothed the young man, who was eager to dwell on his personal obsession.

"It has been supposed," he began hurriedly, "that this girl comes back, that she is, in the vulgar tongue, a Fetch, that she returns and haunts various places, among others a grave that I, lately, have had cleared—some work I did there myself. She lays in wait (I must use a vulgar term again) for the descendant of her murderer to revenge herself on him."

"That is an old, a universal fable. I believe you will find it in a folk lore—the spectral bride, the mysterious betrothed. Ah, yes, remember when I was last in Scotland near Ayr, I heard such a tale—of a girl who had been lured to a lonely heath and murdered by a treacherous lover, she wearing a white frock and a green bonnet; she haunted that bleak moor until she had snared a grandson of the man who had destroyed her body. This bewitched youth fell in love with the spirit or fetch, was deluded into supposing her to be flesh and blood, they were betrothed and went to Ireland together in a spectral coach; those solitary shepherds who saw this carriage pass declared it was travelling at about sixty miles an hour—"

"No such ancient, dead moonshine is in my head now," replied the young man, frowning angrily and glancing with an air of apprehension at the thick red rep curtains that hung either side the high narrow window. "I have seen a female, it is true, walking by the Mausoleum and the Folly and again standing by the grave, but there is no reason to suppose that she is not a village girl. Yet there are mysteries, and you, aware that I have no material cares, know that I could wish to investigate them."

"First, sir," the young man leant across the table, unconsciously raising and bringing down lightly his clenched fist, "by telling me this story of Harriet Bond plainly, as you say you know it; then I will tell you what I know."

"Yes, I know all that is commonly known." The Swedenborgian took again from his breast pocket his small book and opened it. "When I first made your acquaintance I took these notes of facts that are available to those who seek them, though kept very quiet in your immediate neighbourhood—nay, in all Wiltshire. If you wish, I shall tell it to you—it is a chronicle of what the world calls facts, I must repeat."

"You may be sure that so I have put them down. I shall take but a few minutes to read them and maybe something here will set your mind at ease, for nothing festers so fast as an unsatisfied curiosity.

"Miss Bond, then," began Dr. Perry, first adjusting his square, silver-rimmed glasses and looking at the notes in the red-covered book that he held before him in the waning daylight, "was a maidservant at the 'Seagrove Arms'; she came from a farm near Charters. She had an unusual beauty and lustre, a spirit and grace uncommon in her class, and it was soon noted to the great scandal of the neighbours that she was often walking near the unfinished Folly that was being erected on the Italian model, and the Mausoleum that had been copied from the Temple of the Four Winds—with the fifth Earl, when he returned from London in the spring—more than a century ago.

"He was then in his twenty-eighth year, a man who had much experience of the world; his Italian mistress had for a short while adorned Charters and left with a splendid equipage and magnificent presents. The Earl had been for twenty years a minor, but he had important and affluent guardians who were always assiduously engaged in endeavouring to procure for him a match fitting for his pretensions.

"Charters was continually filled with elegant and ostentatious company from London and sometimes with Italian and French noblemen whose acquaintance he had made when on his travels. It may be well understood that in these circumstances his occasional sauntering in some unlikely place with a village girl was not much taken notice of save by the vulgar gossips. Harriet Bond was warned by the Fiskes, who kept the inn, of the stupidity of her conduct, but kept herself aloof and seemed to disdain them all. Indeed, so proud was her manner and so handsome were the presents that she was able to display, antique brooches, coral bracelets and pearl combs, that a startling whisper went round Mullenbridge that the Earl was truly enamoured of the fair rustic and one day intended to make her his wife—the old legend of the king and the beggar-maid in modern terms."

Here Lord Manton interrupted impatiently: "It might have been true. It is not beyond human nature, supposing a man of rank and position did see some creature who seemed to him like a being of another world." He paused, clasped his hands round his knee and gazed again at the curtain, that swelled partly outwards and then was sucked in again.

"The window's open and it is chilly," said Dr. Perry, but Lord Manton said no, it was closed, that whatever breeze had disturbed the draperies must come from the interior of the room. He rose to show this was true. The window was latched.

"Pray proceed with your narration," he said; "I find it extremely interesting, for so far I have had nothing but the barest hints of this tragedy."

"You will find it commonplace in everything but the rank of the principal actor," said the Swedenborgian. "Curious that I should have been mistaken about the window—my sight is not good, and these glasses are poor. Shall we not have the curtains drawn and candles in?"

The youth caught the curtains together, leaving the room lit only by the light from the other window, then pulled the bell.

"All is so old-fashioned here," he said nervously. "When the candles are lit, it might be in the time of your narrative."

Hackett brought in the silver sticks, set the tapers, lit the lamp, and asked when dinner should be served.

"In another hour," the young man spoke impatiently. "I should have told you, sir," he added. "My grandfather and Chalmers have gone to Verities; we shall be alone. Now continue," he urged, as Hackett withdrew.

Lucas Perry peered round: the flames burnt small on the hard wax of the candles, the wick of the lamp had been turned low, the crest of the Daintrys over the fireplace was outlined in clear shadow—snarling heraldic beasts, a curt, arrogant motto.

"Yes, in this mellow light, the room looks old, it is true—is old, probably has changed little since that spring—"

"Yes—the account I read—in The Gentleman's Magazine—said the spring, the exact date I did not note—no, neither year, nor months, nor days."

"That is odd! Are you sure that your facts are accurate?" the young man asked nervously and again peered round the room as if trying to disentangle the various shadows that interlaced in the corners.

Lord Manton put his hand for a second to his throat and in a dry voice bade his friend proceed.

This Dr. Lucas Perry did, in a tone in which compassion and irony were justly mingled.

"The incidents followed the usual course. It was soon observed by the Fiskes that Harriet Bond was depressed and sick, and to the usual reproaches she responded with the usual tears. There was still nothing remarkable about the case until one day a Mr. Goodhart appeared at the inn; he was an acquaintance of the Earl's, somewhat inaptly named, a man not of his own rank but who had been seen often in his company at Newmarket and the bagnios of London.

"This gentleman explained to the servile Fiske that though my lord was in no way responsible for Harriet Bond's melancholy that he had observed on seeing her loitering in the lanes, yet out of pity for one who was the daughter of his tenant, he would have compassion on her and had made arrangements to remove her to a genteel house in Winchester where she could be trained for service as a lady's chambermaid, for she was in manners and person above her present situation—and hence her discontent and lowness of spirit.

"The Fiskes were much impressed by the visit of the Earl's friend on such a matter, and amazed that the Squire—as he was to them—should consider the girl of enough importance to invent such a story. They supposed that he was deeply enamoured of her and intended to provide for her handsomely in some secret apartments in the Assize town, which to them was a very grand place.

"Mrs. Fiske, however, thought that the girl's parents should be told; on this objection Mr. Goodhart declared that this had been provided for, and consent given; still Mrs. Fiske protested that a woman should be employed on the matter, and the girl, though only a serving wench, not go alone to Winchester.

"But Harriet Bond herself ventured into the parlour and declared that she knew of the place, that was with a Mrs. Pentriss, who did millinery, near the Close, and that this town life pleased her, and she would go."

"I give it because it is the only precise detail that came out at the trial," replied the other mildly. "The Fiskes and the girl's parents were eager to clear themselves of the obvious charge of servility or corruption. Why had they allowed the girl to go? There were fellow-servants who saw her leave the 'Seagrove Arms' on a pillion behind Mr. Goodhart's servant.

"Harriet Bond seemed even glad to go; she kissed Mrs. Fiske and the maids affectionately, cast off her melancholy as she told them that she hoped to see them when she was happier than could now be supposed.

"There was something about this behaviour that impressed and even startled the Fiskes, and the whisper that had hitherto been suppressed began to swell again, not only in the inn but in Mullenbridge, that perhaps Lord Seagrove, fantastic and eccentric as he was known to be, intended to marry secretly this ignorant rustic.

"She left nothing behind her, having taken in a bundle all the little presents that she had been displaying, and it was assumed the Earl had given her, and such clothes as she had worn in her service.

"It was a fortnight after her departure that a man by the name of James Thorpe, who had a small fulling mill on the Earl's estates, was, as he afterwards declared, startled by seeing the spectre of a woman faintly outlined in a silvery bloom (as he said in his account) and stained with a faint red colour, rising from the floor like a twist of vapour. Her dishevelled hair was hanging down and she bent her head to show five large gashes on the skull.

"Upon the fuller demanding who and what she was (and this he contrived to do though his courage was sunk very low), the spectre replied: 'I am the ghost of Harriet Bond.' She then said that she had been murdered by the Earl's emissary, Harry Goodhart, in the woods behind the half-built Folly. 'I was slain,' she said, 'with a collier's pick that was standing by the new buildings, it having been used to open a seam in the ground of hard rock.' She then indicated the spot where her body had been buried in the wood, and added that Goodhart had soiled his shoes and stockings with blood and concealed them near the corpse."

"No, and there are many, sir, including your grandfather, I believe, who still hold his innocence, but have patience as I relate this story that now begins to be clouded with superstition.

"This fellow, Thorpe, durst not go, as the spectre bade him, to the nearest justice of the peace and lay information of the crime, for he knew that Goodhart was a hanger-on of the Earl's, that stories went about in Mullenbridge of that nobleman's revengeful temper, and he believed it was as much as his tenancy was worth to lay an information that might in any way concern my lord.

"The spirit, however, continued to haunt him; he took great trouble never to be alone, especially in the dark, yet he had continually before his eyes the vision of the woman, and continually in his ears her repeated pleading and threats.

"On one occasion the apparition met him in a yet more terrible shape and spoke to him in words of yet more threatening menace. By now, too, the unhappy man was aware of the rumours that were passing among his neighbours. No one else had seen the apparition, but there had been no message from Harriet Bond, and her mother, taking the stage waggon into Winchester, to the address the girl had given Mrs. Fiske, had discovered she was not there, had never been there, nor was there any news of her; the Fiskes thought it was strange that one who had gone off so gaily and light-heartedly had not given any indication of her whereabouts or conditions.

"Indeed Harriet was lost and over a complete disappearance there always hangs an air of awe and mystery, agreeable to the vulgar and horrible to the fastidious.

"Lord Seagrove had left Charters with his friends, the house was shut up in the care of servants and this gave an added air of gloom to the town and estates. Building, too, had been ceased upon the Folly, on the score, the steward declared, of the expense.

"Between the mutterings of his acquaintances and the appearances of the apparition the fuller lost his dread of the great man, and one day in August and he solitary, that of the hour being about sunset—"

"Why," interrupted the young man contemptuously, "should this weakling at so unlikely a time have been alone? The tale is for the nursery—a fable."

"As to what is the truth or what a fable this is neither the time nor the place to debate," smiled the Swedenborgian. "I am telling you what was afterwards heard in evidence before the Peers, what Thorpe, sane or benighted, swore to upon his oath.

"So this spectre came to him as the light fled and so alarmed him that the next morning, after a night as he afterwards described it, 'of sleepless agony,' he went to a justice of the peace and told the tale, putting the blame of the murder of Harriet Bond upon Harry Goodhart.

"Under his direction the constables came from Winchester with a warrant; the clearing in the woods where the Folly was building was searched, and in a crevice behind some blocks of marble, well-preserved, were the shoes and stockings that the ghost had described, rotted with human blood. And in a deep grave under the foundations of the Folly which had been left when the workmen were dismissed was discovered the corpse of Harriet Bond, in the attire, white dress, green sash, sworn to by Fiske and his wife, that she had worn when she had gone away with Mr. Goodhart.

"No documents nor jewellery were found upon her body. On her head were the five wounds which the fuller had sworn in his evidence as having seen upon the skull of the spectre, and nearby was the collier's pick.

"Upon this evidence Harry Goodhart was arrested when attending a prize fight. Overwhelmed by the totally unexpected charge (through the shutting-up of the Park he had felt safe), he confessed to a share in the crime and implicated the Earl, at whose orders, he said, he had enticed the girl away. The cause of the tragedy he supposed to be a promise of marriage that my lord, in his infatuation for the girl, had given her in writing, together with a present of handsome and valuable jewels.

"Now the apparition had not mentioned my lord's name, or, if it had, Thorpe, the fuller, had not brought it across his lips. The magistrate before whom Goodhart was brought was confused by so ugly a story and would have hushed it up. It was, however, beyond his power to do so, for the fuller, by then almost transported, cried out the crime in highways and byways.

"A warrant was granted against the Earl and his companion. My lord, however, on the instance of his powerful friends, was admitted to bail.

"He made a complete denial of the charge and warmly protested his innocence, as is the way," interpolated Lucas Perry, "of most criminals. His friends thought the whole affair monstrous, a mingling of spite, ignorant gossip, and an hallucination, for it was believed that the fuller was not in his right mind and that he himself was very possibly the murderer of Harriet Bond. The Earl, too, had powerful political enemies, and had affronted people with great influence.

"My lord's demeanour, to his family's dismay, did not support a supposition of a false charge. He appeared uneasy, in great agony of mind, and made an attempt to fly the country that was, however, discovered, and he was brought back from Dover.

"When confronted with Goodhart, who declared violently that he had received the offer of a thousand pounds, which had since been paid to him, for enticing away Harriet Bond, the Earl appeared confused, distracted in his answers.

"He did not deny an infatuation for the girl, whom he repeatedly declared was a remarkable and enchanting beauty. He denied, however, that he had given her any promise of marriage, or that it was possible for a man in his position to consider such a union, or that he had exchanged more than a few words with her or given her presents.

"But everything he said was so distraught and seemed to proceed from a mind so bewildered, that little attention was paid to his statements by the disinterested while they much distressed those too nearly concerned.

"In the upshot Lord Scagrove was brought to trial before the Peers, with Harry Goodhart as witness for the Crown.

"By now, the whole circumstances of the atrocious story were known all over England and the greatest partisanship, excitement and enthusiasm were aroused by the case. My lord, being of such wealth, pretensions, and having so many friends and acquaintances, was warmly supported by many, not only of his own relations but his own class; but, as I said, he had powerful enemies. Pamphlets and broadsheets went up and down the country about the affair, this and that aspect of it was canvassed.

"I cannot now, my lord, go into all the details. It would take a large volume to give the case with all pros and cons. There was much that was fantastic and even incredible in the affair. Everyone had his or her opinion of it; you may suppose what was said as to the difference between the station of the murdered woman and the man who was supposed to be her murderer; the unlikelihood of his getting rid of one so insignificant by a crime so abominable, the talk of the promised marriage of which no trace was found, his own confused and even bewildered demeanour, all seemed to be blighted and obscured by a most dismal mystery.

"What was said by one class was not heard by another. The gossip of the fashionable salons of London was not repeated in Mullenbridge.

"Well, Lord Manton, I fear I cannot go into further particulars without giving you pain. Reports of the trial and the execution of the sentence that followed have been as far as possible concealed.

"Against Goodhart the case was strong; there were the stockings, the pickaxe, the evidence of Thorpe the fuller. Those who disbelieved in ghosts (and there were many, even in those days) supposed that he had been a witness of the crime, had not dared to reveal anything save by this pretence of supernatural revelation. Thus far the sceptics: those who credited Divine intervention in such matters were eager enough to declare that here the hand of God was plainly manifested.

"Nor can I," added the Swedenborgian, "who believe in the invisible world and that Heaven and Hell are about us as we move, pronounce one way or another. There were the stockings, there were the shoes, there was the pickaxe, there was the corpse, all exactly as the fuller declared the spectre had described. If he had come to his knowledge by some rational means and had chosen this device to expose it, I know not.

"The Earl was put on trial, not before his peers, but before the criminal court. There was no evidence against him whatsoever. The fuller did not even say that the spectre had mentioned Lord Seagrove. All that was in his disfavour was the evidence of Harry Goodhart, his panderer, his flatterer, a man of an evil reputation who had travelled Europe, leaving trouble and disgrace behind him. However, the Earl's reputation was not good; the Crown could bring forward several witnesses who were able to swear to his, shall we say, unfortunate disposition. The family, again, James, I speak from respect," and the Swedenborgian bowed suavely, "was known to be eccentric; many anecdotes of the strange conduct of the Daintrys were brought forward; the prisoner must have been surprised at the evidence that had been collected against him. One might imagine, were one a romancer, how the young man's horror and amazement increased as he discovered the mass of material to him, perhaps, unknown or disregarded, that was brought forward to prove him capable of a dismal, foolish and contemptible crime.

"He had little to say in his own defence, indeed disappointed the expectations of his own lawyers, for he was confused, bewildered, contradictory. He admitted to an admiration of Harriet Bond, yet declared that he had not known who was the creature he had met in the clearing made for the foundations of the Folly that he was building; he appeared somewhat unsettled in his mind by his experiences abroad and spoke of aerial beings whom he had encountered in the broken seats of the Colosseum at Rome and on the steps of the ancient temples of Greece.

"Enlarging on this theme he showed himself a good scholar and antiquarian; this went against him with the public, who regarded him as a man of education who had used his advantages basely.

"Judge Barne was much disturbed during the trial, indeed showed such a trepidation of spirit that many of the vulgar supposed that the spectre of Harriet Bond had appeared to him, demanding justice.

"I shall make my relation brief; there are many excursions into which I might go, I must not relate any of them."

"Your story has been long enough," said Lord Manton with a sigh, again glancing towards the red damask curtains. "And yet I can make little of it as clearing up what to me has always been most obscure. But continue, continue!"

"I have put it all down here very carefully. I knew that sooner or later you would broach this subject to me and I wished to be ready with my answers. You can accuse me of exaggeration or phantasy, but what I say is founded upon—well, facts, as they were related at the time. It all has a metaphysical turn and is confused with this rambling talk of ghosts and spirits.

"The evidence of the fuller, Thorpe, which according to his own account was entirely based on the supernatural, was admitted in a court of law. My lord's lawyers and advocates, engaged by some of the greatest families of the time, for his connections were affluent and powerful, astonished the public by bringing in a plea of insanity.

"The trial was soon over. The plea of insanity was rejected; Judge Barne, though obviously overcome by the horror of his task, summed up strongly against the prisoner and pronounced sentence upon him that same night.

"The sentence was duly executed and the prisoner died protesting his innocence, as, I believe, these unhappy beings always do. Who is there who, at this supreme moment, has admitted his guilt?

"That Harriet Bond was murdered and buried near the foundations of the Folly is without question. Whether or no her spectre appeared to the fuller, whether or no either Harry Goodhart or his employer had anything to do with the crime—who shall say now? The affair has been judged, justly or unjustly. It is over."

He rose, went to the window place and put his hand out as if he would hold down the curtain, though it showed no stirring. "There must have been," he added, in a cooler tone, "some very powerful evidence, some very strong feeling to make it possible for a man of my ancestor's—my great-uncle was he not?—breeding, being declared guilty of so foul, so mean a crime. As for the ghostly tale, well, let that go. It is not the matter that I'm investigating..."

"Nay, you're already deep in it, sir, since you believe you see what you term a fetch, in otherwise, the spirit of Harriet Bond. Now I, though I believe that Heaven and Hell are about us and in the tenets of the Swedenborgian faith, can maybe prove to you that this creature whom you alternately cherish and dread, who alternately fascinates and repels you, is no more than a human being who has set her cap at what to her would be a remarkably brilliant match..."

At these words, spoken with irony and in so different a tone from what Dr. Perry had used before, the young man was startled, he turned and bit his underlip.

"You make me a fool," he exclaimed suddenly. "I thought you were with me in this fantasy."

"Fantasy or reality, use what name you will. But I believe that this girl whom you have seen wandering in the churchyard, by the Folly or the Mausoleum, is no more than, as I say, an ambitious, silly miss."

"Mullenbridge is not a village, the people are not so rustic—so stupid. The girl that I've seen, well, she is like the old portrait. I've showed you that. I found it at the 'Seagrove Arms,' where it was hidden away—a large, handsome, young woman in a white frock, heavily-built, beautiful, too."

"It may be a portrait of Harriet Bond—allow me to accompany you one evening to this tryst and we will endeavour to discover if this female who so disturbs you is a human creature."

The youth was offended by this speech, little expected. Was it not Dr. Perry's part to be in every way sympathetic towards these supernatural experiences as he chose to believe them? It was with a very ill grace that he listened to that gentleman's account of a young female living in Mullenbridge, a Miss Adelaide Fenton, who greatly resembled the portrait that Lord Manton had on a previous occasion shown him of Harriet Bond, and whom on previous visits he had taken the trouble to observe.

"She is idle, romantic, educated above her class, and is known to wander about the woods, the churchyard, often with a novel from the circulating library in her hand. It may be that her mind, none of the best, I dare swear, is already muddled with some echoes of this old tale. Now, James, I am speaking to you as your grandfather or your tutor would have spoken, not as your spiritual adviser or as one who sympathizes with your metaphysical tendencies."

"Who are these Fentons? I know nothing of them whatsoever. The name seems to me to have a vague familiarity, no more."

Dr. Perry then, with as much dryness and as rational an attitude as if he had been the Reverend Timothy Chalmers or the old Earl, related the details of the commonplace history of Mrs. Fenton, her bedridden husband and her two daughters.

The young man listened with distaste; all that impressed him about the relation was the coincidence that the girl lived on the verge of the churchyard of St. Jude and might possibly be the young woman whom he had seen by the grave of Harriet Bond, whose body had been raised from her grave in the foundations of Seagrove Folly and buried in holy turf. But that it was silly Adelaide Fenton whom he had seen walking by the Folly or the Mausoleum he was not prepared to credit.

"What would be her purpose? Had she to meet a lover or even an acquaintance, why choose so lonely a spot? This creature whom I have beheld has always been solitary."

"You do indeed speak to me as if you had been sent by my grandfather or my tutor. Indeed, sir, it was for another purpose I made your acquaintance. I'll not listen to you," added the young man, walking to and fro. "No, this is no comfort to me..."

"You are enthralled by your legend, obsessed by the dismal story of your ancestor—"

"I do not know. It seems to me that the whole estate is haunted, but by what? By my family's sins? Do you believe in sins? I feel spectres in the whole locality, Dr. Perry, in Charters, and Verities, the Folly, the Mausoleum. The cousin who came into the title after that wretched man was hanged built up the Folly, finished it in defiance of local opinion, and left it as it is to-day—but no one ever used it—"

"What are you trying to say?" asked Dr. Perry. "The conversation has been long enough. We can get no further. Come with me to London, forget the atmosphere of this place that, I think, is having an unfortunate effect on you. Why, of course there are stories about this old mansion house, as there are about every other old dwelling, many stories. How shall we trace them, and why should we be afraid of them?"

Unheeding this the youth paused before him and said eagerly: "Have you noticed, by the large walled fruit garden where the finest apricots grow, that there is a postern gate leading into the stable yard? Underneath the brick in a tiled channel there is a spring of fresh water. This is so delicious that it was used by the family—brought into the house late in the evening, so that it might be cool, you understand. A servant would go with yoke and pail before the household offices were locked up for the night and fill up all the vessels needed for drinking before the morning.

"On one clear evening, a maid was sent with the pail. The moon was shining, there was no cloud, the smallest object was visible. When she returned into the pantry she was without the yoke and pail and whimpering with terror.

"She sobbed out that she was stooping over the spring when she found herself in the midst of a crowd of people who were carrying a coffin, which they set down at the gates of the stable yard—"

"Well," interrupted Dr. Lucas Perry, "it is a trivial tale, why recount it now?"

"Only because it remains vividly in my mind. I remember my mother, shortly before her death, telling it to me. You know that my father and mother both died suddenly, as did my uncles, and I'm the last survivor of a family who have met violent ends.

"Well, the household was so disturbed that one of them, I think it was a steward, went out and asked the gardener, who had a cottage near, if he had seen a funeral, and he smiled and said: 'Who would have thought of a funeral at ten o'clock at night?'"

"Only that soon afterwards someone died unexpectedly, and was carried across near the spring, carried in the coffin. On that spot the Folly was afterwards built. I tell you the whole locality is haunted."

"Have I not been already to London, Paris, Florence and Rome and to more outlandish parts of the world? No, sir, I remain here at Charters, and do you, a Swedenborgian, with your doctrines that hitherto I have found satisfying, venture to tell me that my intellects are disordered?"

"Nothing of the kind, sir, I would not cast any implication on what you say, only I intend to-morrow"—and Dr. Lucas Perry spoke primly "—to pay a visit to Mrs. Fenton and her two amiable daughters and see if I can, with what insight I might possess into this world and the next, disentangle fancy from fact."

* * * * *

Lucas Perry was well known in Mullenbridge and some vague and sinister rumours had been blown abroad that he was a follower of a strange religion; it was considered rather surprising that the old Earl allowed him so much in the company of his grandson. But Mr. Chalmers, the young man's tutor, seemed not only to tolerate Dr. Perry, but to be his good friend, and the two gentlemen were often seen in close conversation together walking in Charters Park.

Mrs. Fenton, then, knew immediately with whom she had to deal, and when she went down to the parlour to receive him, gratified pride disturbed her usual equanimity, yet she preserved her stolid look as she made her curtsey and waited for the visitor to open the conversation.

This he did and with a worldly ease that she found surprising from one whom she had considered to be scarcely a gentleman and supposed to be a member of a dubious sect. Mrs. Fenton had even heard it whispered of him that he attended meetings in London where attempts were made to raise the spirits of the dead; Dr. Perry did not seem, however, now in the least inclined to touch upon any such curious matters, for he asked her at once and with an air of authority, as if he had been entrusted with an important mission, if her daughter had the acquaintance of Lord Manton.

Mrs. Fenton guessed immediately that something extremely important to the family fortunes was being touched on. She knew that she was far too ignorant to be able to deal with it, but she was not so stupid as to give herself away. She made a conventional reference to her husband.

"It is the father to whom you must go, sir, for any talk of my daughter's suitors."

"Mr. Fenton is a permanent invalid, one, I believe, hardly in possession of his faculties."

"He knows what's good for Adelaide, sir!" Mrs. Fenton spoke with angry clumsiness: yet she was agitated, too, with a wild hope. What did this mean—good or bad fortune? She remembered, oh, so clearly, every word that both Adelaide and Caroline had said to her on this subject, she had guessed for some while that the mysterious suitor might be the Earl's grandson. Why not? These things had happened before, were indeed a common ingredient of old songs, legends, fairy stories... She caught herself up on those two words, 'Fairy stories...'

The Swedenborgian seemed to read her clearly, she was chagrined to note, for he remarked: "I am not among those, madam, who disbelieve in the power of youth and beauty and charm to overcome worldly disadvantages. Lord Manton is young and romantic and comes of a family noted for its eccentricity. Your daughter—I have observed her in Charters—is a delightful creature, well-bred, well-behaved."

"She went to a good finishing-school," said Mrs. Fenton sullenly, fearing a trap.

"Will you tell me what you know about this affair? I think that it has been kept rather secret."

"Will you tell me, sir, what right you have to ask?" demanded the large woman, with some dignity.

"I have no credentials. I am here as the friend of the Seagroves, and your friend also, madam, I hope."

She feared and dreaded him, she winced from his presence; he was in every way her superior and her master; she longed to know the core of his motive. She muttered again that this was a matter for her husband to handle—and that he was not so ill that he could not handle it.

"I think your feminine wisdom, I think your motherly love will be sufficient protection of your daughter's future happiness," said Dr. Perry formally. He smiled, lifting the corners of his thin mouth, his wrinkled lids.

"What do you think about my daughter? What are you saying about her, Dr. Perry, sir?"

Mrs. Fenton spoke with an air of menace; she came a step nearer her visitor. He replied coolly: "I believe she wanders in those parts of the grounds that the old Earl has lately allowed to be open even to those who are not his tenants. She strolls near the old Mausoleum and the Folly, of which a sordid and unpleasant tale is told by those who ought to forget it, and that lingers in the mind of my young friend who is, as I told you, of a romantic disposition. It is this, and not the hope of meeting your daughter, Mrs. Fenton, that takes Lord Manton to the Mausoleum, the Folly and the churchyard."

She stared at him with dull hostility and replied: "It seems to me that you are talking very great nonsense."

"Your daughter, madam, if you do not have great care, may be doing worse than that. She may be play-acting very great nonsense."

"You will, I think. I believe you are shrewd enough. I should advise that you send your daughter, who is so charming, so accomplished, away for a while, from this house, from Mullenbridge. Lord Manton may be himself going abroad again for a year or so, in my company and that of Mr. Chalmers. There will be no opportunity for him to correspond with, or even to recollect one who, when he was here, was nothing to him but a shadow of one long since dead."

After these unpleasant sentences Mrs. Fenton cowered; she could not hold her own, she did not know on what grounds she stood. It was very likely that the girl had lied to her, but then this man might be lying too. Of course, they'd do all they could to break off a match like that. But why shouldn't my girl manage it as others had, with no better looks or luck. The young man is a solitary, without the usual tastes of his class, melancholy too, it seemed, wandering alone like that. Well, that might be useful, it might give Adelaide her chance.

Lucy Fenton spread her thick fingers out, looked at them reflectively, then closed them.

"I know perfectly well what you are considering," remarked Dr. Perry. "I tell you that Lord Manton is going abroad, and by the time he returns he will certainly be engaged to marry. And that has already been arranged with a certain young lady whose family is connected with that of the Seagroves."

"I'll speak to my daughter," she conceded grudgingly. "I'll get what I can out of her. You don't know what girls are..."

"If I can understand the young lady, madam, and I think I can, it will be no use for you to speak to her. You must take her away, or send her away. It will be wiser, and happier, for her—for you all."

He gave the conventional and old-fashioned phrase an icy turn, but Mrs. Fenton further tempted her fate.

"Then," answered Dr. Perry pleasantly, "it will be easy for the Earl to make it impossible for you to remain in Mullenbridge. I do not think you are the type of person who would like to leave a town, in which you have long lived, under a darkness of suspicion, possibly of disgrace."

Mrs. Fenton was dismayed and baffled, but she flung back: "My daughter's done nothing to disgrace herself!"

"That depends, madam, on how we define the word. Will you think over what I have said and try to take my advice?"

Trying to gather her mental strength, she peered after him as he walked with his light step along the garden path; inquisitive eyes were watching him from the gardens at the right—those two old women, always out under pretence of searching for the gooseberries, they must know that with so black a Spring as this they would not be worth gathering even now.

Mrs. Fenton moved away from the window. No, it would not be agreeable to have to leave Mullenbridge with a great number of people looking at her like that... She went slowly upstairs.

Adelaide was sitting with her father; Mrs. Fenton listened at the crack of the door. She could hear the pleasant, monotonous voice reading pompous splendid words from the Old Testament.

Then she went softly, and she knew how to move without making a sound, into the next room where Caroline was seated by the window making rosettes out of strips of green ribbon and sewing them on to a white chip hat. Her mother put her finger to her lips as a sign of discretion, crossed the room heavily and sat beside the girl, who watched her in cool expectation of some excitement.

"Dr. Lucas Perry has been here," whispered Mrs. Fenton, breathing heavily. "I'll speak very low, I don't want your sister to hear what we're talking about."

"She won't, she's reading to Father." Caroline's response was very hushed; she listened, her needle and thread suspended in her plump fingers, "What's he been here for?"

"That's what I want to find out," confided Mrs. Fenton. "I wish I knew more about him, too. He's a queer kind of man, frightening."

"Oh, do you think so?" smiled Caroline. "I've met him, and spoken with him," she added, unexpectedly, her voice was the most discreet of low tones.

"There's nothing in that, is there?" Caroline spoke primly. "He came upon me gathering plants to press in my book in the Folly fields, by the great gates, he stopped and spoke to me and was interested about botany, about other things, too."

"Well, he talked of the invisible world, the spiritual world and the invisible mental world—yes, that's what he said. But he's a good Christian, Mother, he believes in God, and Heaven and Hell, though differently from what we do."

"Differently, indeed, I should think," muttered Mrs. Fenton. "I don't like the looks of him nor what you've told me about him. He's come interfering in our affairs, Carrie. You girls—well, I don't know if you've been telling me the truth—but now it's important." She leaned forward and laid her heavy hand on the knee of her daughter's cotton frock. "Who was the young man you've seen walking with Adelaide, who came here that day and whom I just missed? Was it the old Earl's grandson?"

"Did he send her all those presents, did he promise to buy her a pianoforte and a white horse, and did she post to him those handkerchiefs she was working in initials in hair?"

"I suppose so. And all the other presents. But what's it matter, Mother, why can't you leave it to Adelaide? She's quite shrewd and understanding. I wish I had come down when Dr. Perry was there. I like to hear him talk of the three Hells and the three Heavens and how each Angelic Society has its Infernal Counterpart."

"You know he isn't that, is he, Mother? You've only got to look at him to see how businesslike he is. Besides, I believe he is a clever doctor and has a great influence over the young heir."

"You're talking of what you don't understand, what can you have heard in Mullenbridge gossiping among foolish girls like yourself? I wish I had someone on whom I could rely, someone to whom I could turn. I told Dr. Perry I'd speak to your father—of course, it's impossible."

"Why don't you speak to Adelaide yourself? I suppose she'd tell you—" Carrie checked herself with a sly grin.

"The truth?" frowned Mrs. Fenton, "or some of that stuff she gets out of those novels? Why did they want to open a circulating library in Mullenbridge?"

"She's got the letters," whispered Carrie. "She keeps them in that drawer," the girl nodded towards it, "locked. She reads them to me now and again. I don't like hearing them, they're very tedious, all the same. Just like the letters in the novels."

"Oh, not a bit like Adelaide's," declared Carrie, quickly. "Long and fine, what they call Italian copperplate, I think."

"The young lord's what they call eccentric, not right in his senses, I think," brooded Mrs. Fenton. "That's what I learnt from what that man was trying to tell me to-day, what I've heard before. They're sending him away—abroad."

"Two years, he said. Isn't it an odd kind of life for a man of his position? He don't see no company, he doesn't go anywhere much. He's been abroad before, but always living solitary and I understand with that clergyman, Chalmers." Mrs. Fenton's words came with hesitation for she was speaking of a society of which she knew nothing, but inherent commonsense and the little knowledge that she had picked up from the conversation of her betters told her that Charters was a peculiar household, that neither Dr. Perry nor Mr. Chalmers were the companions usually chosen for a young man of Lord Manton's position and prospects.

"They say he goes to places where they try to raise spirits." she added guardedly, pressing her hand more heavily on her daughter's knee.

"Oh, Dr. Perry told me about the spirits. He said that in the spiritual world there is no space between the spirits, and so Doctor Swedenborg, who founded this religion, could talk, when in his own bedroom, with the souls of men who were a long way off or were even on the moon and the stars."

"That's rubbish," decided Mrs. Fenton brusquely. "That's where the poor young man gets all these ideas from—"

"What ideas?" demanded Carrie, allowing needle and thread to fall into her lap; she put her fresh young face close to her mother's anxious countenance.

"Oh, something about an old story, some crime or other, hundreds of years ago, who cares? As if there was a spot in the country where there hadn't been something of the kind. Some foolish old tale that the young man allowed to take hold of him—supposing he saw a spirit."

"Perhaps he did," said Carrie, calmly, "but I don't see what it's to do with us or with Adelaide. Though perhaps she wouldn't like a husband who saw visions."

"Husband!" pronounced Mrs. Fenton, jealously, as if she was counting over a treasure. "Her husband!" Then she stood up suddenly and shook her shoulders. "I don't like it!" she declared. "I don't like it! I'd better send Adelaide away."

"Oh, had you?" asked Carrie, with a precise and curious air. "Have you been warned to do that?"

"You know far too much for a girl of your age," sighed her mother. "I know it's no use my talking to you, but you're not going to tell me anything more. If I did get you to speak I suppose it would be lies."

"I haven't told you lies," declared Carrie, primly. "Then you did really see that young man, that young fool, it seems to me he is bewitched or benighted, with Adelaide?"

Mrs. Fenton checked her examination of the girl. After all, it was not fair to involve the child too deeply in a matter like this, besides, she was sly—to think that she had met that crazy doctor, who had been talking to her of his Hells and Heavens! It would be wise, perhaps, to take both her daughters away from Mullenbridge.

I suppose the old lord sent him to spy on 'em, she thought, with gloomy resentment, and yet with a touch of fear. And I'd better be careful. Of course, he could ruin us. But she might go away—well, for a few months. I could afford that. I'll send Carrie with her, too. I must think of some excuse that won't make the neighbours talk. Perhaps they've said too much already. There's the pink bonnet to be paid for. If she's bought it herself, where did she think she'd get the money from?

Bewildered, and yet undaunted, Mrs. Fenton turned away from her younger daughter and left the room. There was silence in the nuptial chamber; she lifted the latch cautiously and peered within. Adelaide was seated with the open Bible on her knee, a dreamy and sullen expression on her smooth, comely features. Thomas Fenton was asleep. His wife looked round to see that he lacked nothing; everything was in order, all was neat and tidy. Whatever happened, this man should not be neglected. She pulled the bell-rope and busied herself with small, unnecessary tasks, moving a glass here, a napkin there, pulling the curtains an inch or two closer in front of the window until Susan came to take her place.

Then she beckoned to her silent daughter and preceded her downstairs; she knew what she wanted to say, but had very little idea of how to say it. She wanted to be direct, express herself with clarity, she wanted, though she feared this was impossible, to get at the truth. She feared that she might be foregoing the possibility of a brilliant advantage; she feared also that if she did not take heed of the warning that had been so definitely and so coolly given her to-day, she might involve herself in a disaster that she would be quite incapable of averting or even of escaping for she had few weapons and few resources.

While she stood silent, pulling at the buttons on her gown and puzzling as to how she should frame what she had to say, Adelaide broke the uncomfortable silence by remarking: "The bill for the pink bonnet's come in, Mother, and Basil asks if you will pay for it— He's short of funds at the moment, having lost a great deal at cards."

Mrs. Fenton instantly compared this picture of a spendthrift young gambler who gave a girl presents for which he could not pay (a simple present, too, Mrs. Fenton was sure for the means of a 'young gentleman of rank and fashion') with the impression she had received of Lord Manton from Dr. Perry's talk as a solitary, rather morose young man whose mind was full of mysterious and rather unpleasant subjects. Basil—a fancy name, a fancy tale.

"Will you pay for the bonnet, Mother?" pouted Adelaide, holding out with a pretty gesture that seemed artificial the mantua-maker's bill. "It's very tiresome, Basil promised to send the money, but he is away at the races and much engaged in the fashionable world."

"Yes, I'll pay it," said Mrs. Fenton, slowly taking the paper and looking at the sum marked on it—two pounds fifteen shillings and sixpence—for a bonnet, a bonnet that could not be worn because it was too smart, because there was no dress, or pelisse, or gloves, or slippers, or reticule to go with it. "Yes, I'll pay it," she repeated heavily. "It's a pity he didn't get you something sensible, Adelaide, for I'm going to send you on a visit to your Aunt Martha, you and Carrie both. She lives near the sea and the air will do you good. It will freshen up your complexion, and perhaps your wits." And she laughed harshly.

This was so unusual in her, and her suggestion was so startling that Adelaide stared at her in trepidation almost as if she thought her mother had gone out of her mind.

"There's no circulating library there, it's a pity," added Mrs. Fenton, lifting her lip.

"Will you pay for the bonnet, this afternoon," she pleaded humbly. "Miss Herle is getting impatient, it ought to have been paid a week ago. I didn't think to tell you about it before. I supposed that he had paid."

"None of your excuses, miss. Get your valise ready, I'll arrange for you to go to Devon as soon as I can."

"I don't want to go," cried Adelaide, with a flash of obstinacy. "I suppose it won't be for long? I know Aunt Martha is always keen for us to go and visit her. But she's an old maid, leads a dull life, doesn't she?"

"She's a vigorous woman, she runs a small farm quite successfully, she'll find you something to do. You'll have to go, Adelaide, and go quietly or I shan't pay for the bonnet. I shall begin to ask questions. Things maybe you won't like to hear will come out."

Adelaide was silent, she looked aside; her mother hoped that she had quelled her, but the girl did not easily accept defeat. "It really don't matter," she protested, "whether I go away or not. Basil and I can always write to one another. I shall go to the beech tree at the Mausoleum and put my new address in the hole where we keep our letters."

"Oh, not even with Carrie?" Adelaide began to whimper with a sudden affectation of distress. "Aren't I to see Basil to say good-bye? How is he to know that I'm going to be faithful?"

Mrs. Fenton looked at the bill in her hand, then up at the girl. Adelaide was silent.

"You'll do as you're told, miss. You won't plague your father. You won't disturb Susan, you won't put foolish ideas into Carrie's head. Your Aunt Martha will take care of that."

"Very good, Mother. I'll behave as you wish me to behave as long as you'll pay for the bonnet and not let it get out round the town that—"

* * * * *

Dr. Lucas Perry returned from Winchester to Charters to find that some company had unexpectedly arrived and that there was more life and movement, more sounds of voices and even of laughter, than he ever remembered to have heard in the old mansion, that had never been sufficiently modernized to make it really convenient and comfortable.

Lord Manton seemed rather pleased by this unlooked-for society, as if he was glad to be rid of his own introspective moods and that though these gentlemen were not such as he had lately chosen for his companions, they were intelligent and well-informed. And some of them took a vivid interest in the most debated questions of the day, and the talk after supper when the old Earl had retired early to his chamber was easily turned by the young host upon some spiritual phenomena and séances that had lately been held in a house in a famous London square.

"You, I think," here interpolated one of the company, turning to Dr. Perry, "are a Swedenborgian, are you not?"

That gentleman bowed and said that Emanuel Swedenborg had never founded a sect, but that he, Lucas Perry, belonged to the New Church signified by the New Jerusalem described in the Revelations which had been for some years now organized as a sect, the founder of this in England being Robert Hindmarsh, a Clerkenwell preacher who had been one of the first followers of the mystical Swede.

"We," explained Lord Manton, "are apt to make gross mistakes about these Swedenborgians, as I must, sir, still name you, the other title being too long and difficult."

"We have nothing whatever to do with spiritualism or the raising of the dead," smiled Dr. Perry. "You have confused our knowledge of the spiritual world with vulgar legends, absurd superstition and even malicious mischief-making and self-seeking on which most of the supernatural tales rest."

"Self-seeking, self-love," repeated the excited youth. "I believe, sir, your Church declares that all who are thus afflicted go to Hell?"

PART THREE

The Necromancers

'The spectres uttered no sound, but above the figure of the lady, as if written in phosphoric light in the dusk atmosphere that surrounded her, were some words, intimations that, having never aspired beyond the joys and sorrows of this world, she remained earthbound.'

A GROUP of people who considered themselves extremely enlightened, or at least of a very scientific and enquiring mind, many of them members of learned societies, was gathered together in the back parlour of a handsome house in Bayswater in the hope of participating in some supernatural or spiritualistic phenomena. One ancient word, magic, might have described what they were engaged in—that obscure and impressive practice that has been given many modern high and impressive names.

James Daintry (he preferred not to use his courtesy title), after a month of gloomy and sombre as well as purposeless wandering on the continent, had returned to London and renewed, though not on the same warm terms as before, his friendship with Dr. Lucas Perry, avoiding all the other companions who endeavoured to amuse him with those diversions and interests common to their age, rank, and disposition.

Dr. Perry was not, being a Swedenborgian, a spiritualist. Indeed, he was one of those who resisted the attempts of those fanatics, as he termed them, who hoped to raise spiritualism into a religion. He had, moreover, warned his young friend, who seemed to be even less cheerful than before, and to indulge too often in moody abstractions and to hold himself too remote from the ordinary distraction of life, that to concern himself in what might be glibly termed spiritualism might be perilous and that some who had tried to evoke the spirits of the dead at formal séances had lost their reason without being, however, confined to lunatic asylums. His pupil was not in the least depressed by these rebukes and warnings.

"I do not know how you consented to be a Swedenborgian if you can talk in such a manner," he retorted with some heat. "Reason! What is it? Do you not yourself often argue against it?"

"My religion is a way of life and the spirits with whom I converse are not those you seek to evoke." And he reminded his impatient listener of the disastrous effects of a public exhibition of spiritualism in a Scottish town where it was generally admitted some evil influence had prevailed, and the most dire alarm and grisly horrors had spread among the assembly.

However, Dr. Perry agreed to accompany the young man to this meeting, which seemed to himself commonplace and of little importance.

The room was handsomely furnished in the ordinary taste of the upholsterer, for this was the residence of a well-known physician with a comfortable practice as a consultant. This gentleman himself was present; he was a middle-aged man of a practical and well-bred exterior, a Scot by the name of Beattie and a Highlander on his mother's side; he was supposed to possess the second sight which is well known to exist in the West of Scotland.

There were also present Robert Oldham, a lawyer, an alert, shrewd, good-humoured man of middle age; Guy Coates, a serious young man of good birth who was studying for Holy Orders; two elderly ladies, each of a modest aspect and demeanour—Mrs. Raines and Mrs. Outram, and a Miss Cox, who had the appearance of an upper servant in a respectable household and seemed rather embarrassed by the superior rank of the people by whom she was surrounded.

This company sat at a large table that was covered by a chenille cloth of a purple colour; upon this stood a large lamp with a glass chimney and an opaque shade, a heavy bottle of Irish glass filled with water and a cut tumbler beside it—the only refreshment that Amelia Trent, the medium, declared herself able to take when about to go into a trance.

Dr. Beattie discoursed seriously with Lord Manton, whom he had not met before but whom he had invited to his house through the agency of Dr. Perry.

"Do not suppose," said he, "that because I allow these experiments to be made here that I have any blind faith in them. Indeed, I consider them as experiments, no more than that. You are too well read, I am sure, sir, for me to touch upon the antiquity of the subject that we are now, for so brief a while, studying."

The young man replied that while he had by no means taken up research into the occult, he was aware of the broad outline of this matter, which lay like a dark, unexplored, tangled undergrowth behind the serene surface of man's intellectual attainments.

The physician glanced at him quizzically, good-humouredly, and with a touch of compassion. He replied: "I must confess that I regard with a certain uneasiness the growing taste for so-called investigations such as these. We are all gathered here, no doubt, with the best of intentions, yet who knows if we may not be corrupted by our curiosity, that we are not in fact indulging in the willing worship of demons?"

The company was standing in the corner of the room, near the dusty repp curtains that concealed the November night, and spoke in tones too low to be overheard by the medium, who was composing herself for her communication with the invisible world, had her hands folded upon her broad bosom where a gold chain glittered on a grey poplin bodice.

"I do not for a moment suppose that that good woman there, for she is in every way decent and respectable, is evil, but might she not become a—well, what she calls herself—a medium, through which evil would flow? Let us not be too sure," added Dr. Beattie, "that this may not end in real formal idolatry."

"Yes," the lawyer agreed, "it seems to me also that this is an idolatry, not perhaps in any of its old forms, and yet—let us not be too sure. I do not mean the worship of Mammon, with which saying we are so familiar, I don't mean that covetousness which is the servant of idleness, I mean the rejecting of God, or the goodness our heart believes in, the refusal to yield ourselves to be filled and guided by God—the turning to Him."

"I mean some other," replied the lawyer, quietly. "Who knows—shall we say a Demon, something offensive or unintelligent, as we like to suppose? What has been may be again, we are not the wisest, bravest, shrewdest men who ever existed. Paris and London are not equal in culture and refinement to Athens and Corinth."

"Perhaps we know more now," suggested Lord Manton, nervously; "we have progressed in knowledge, if not in wisdom or shrewdness."

Dr. Perry said that they had not come there to discuss problems of this kind, but only to be witnesses of an experiment. "Let that word cover all."

"My young friend," he added, "has never before attended one of these séances. I have asked him to cast all preconceived notions and prejudices out of his mind, and also," added he, with emphasis, "any fantastic tales that he may be harbouring, or any crude and absurd ideas that he thinks will be clarified to-day, or any puzzles that he supposes may be very soon solved."

Guy Coates, the youth who was reading for Holy Orders, then asked if it might not be possible that the spirits were good: "may not these be revelations that come to us in God's own way?"

"There may be some explanation such as mesmerism, hallucinations, and yet what is this but changing the terms? I have heard, on good authority, of these things myself—heavy articles turn about and run and skip, sofas and pianos raised many feet above the ground, gliding in the atmosphere, making a circuit of the room and gently falling into their places again, human hands floating in the air, spirit writings, spirit drawings, spirit recitals at the piano..."

"Is that indeed true?" demanded Lord Manton, eagerly. "Have you seen them yourself, sir?"

"I've seen none of them. I do not pretend to understand it at all. I know multitudes of keen, shrewd, and observant professional men of all classes, aye, and ladies too," said he, bowing to those present, "who tell me these things, and I know that I have made certain deductions thereon which I would not think of boring you with now. But I say that if these things come—well, I'm a Christian and I've no doubt or difficulty in saying from whence they come."

"I do not think," remarked Mrs. Outram simply, "that we need fear this evil that you speak of, if you are indeed referring to a personal Devil, for I believe that he has no existence except as a distorted, deformed, and monstrous interpretation of the evil in each individual. And when I say evil," she added, speaking smoothly as one who has learnt by heart sentences from a text-book, "I mean everything in opposition to wisdom, goodness, and love. I know there are those who think that spiritualism is a satanic agency, but I cannot agree."

"One may be easily misled, madam, by sentiments and fancies, and by wishes and desires. Let us, however, return to the table and see if Miss Trent has gone into her trance."

It seemed as if this was so, for the medium had fallen back in her chair, having drawn her coarsely-crocheted wool shawl tightly round her head and face. Dr. Beattie and then Dr. Perry felt her pulse and gently laid her fat hand upon her sloping lap, declaring that she was now unconscious. Dr. Beattie then carefully lowered the wick of the lamp, leaving the room in a dim, diffused light that yet, however, was quite bright enough to enable all the objects in the room to be distinctly perceived. He then, as one who undertook a routine task, told everyone present to empty their minds of any apprehensions, expectations, or prejudices, not to cross their knees nor to fold their hands, but remain sitting without touching one another in a row facing the medium.

This they did, Dr. Perry and Lord Manton sitting either side of Dr. Beattie. Beyond them was the lawyer and the young theological student and, lastly, the two ladies, Mrs. Outram and Mrs. Raines, who before she had taken her seat had raised the lamp and smoothly withdrawn the cloth which she neatly folded and put over a chair that stood the other side of the room.

Lord Manton noticed that the chamber was bare of cupboards and that there were no curtains beyond those that concealed the windows; these lay flat against the dark glass. He had already examined them and found that there was not sufficient space between the draperies and the window for anyone to be concealed. Nor was there, in any part of the room, a door save that which opened on to the passage from which they had all entered.

Dr. Perry noticed with a smile this anxious scrutiny. He had told his friend before they entered the parlour that he would find it had been specially selected to guard against any possibility of crude fraud.

They remained for some time sitting thus silent, and James Daintry thought how commonplace and ordinary they all looked. The medium herself appeared a most insignificant woman and was a displeasing sight, with her coarse head lolling on her bowed shoulders, her plump hands slack in her lap, her stout bosom rising and falling with her stertorous breathing.

After a few moments—he supposed it was no more—of close attention and complete silence, the young man began to feel slightly giddy and his senses began to swim. The forms of the room, the lines of the floor and the ceiling became less distinct, and there was a faint buzzing, like running water, in his ears so that it was not easy for him to distinguish any sounds that there might be—the breathing of the medium, the flutter of the flame in the lamp, the slight movement of his companions' feet as they moved them in subdued, restless shiftings one from another. Then he heard, like so many claps of thunder, loud raps that came from the table as if violent blows had been struck there by an invisible hand.

He turned his head and saw the table untouched but tilted at an angle of forty-five degrees. It continued in that position for almost a minute, then turned back and repeated the movement on the other side. Nobody was within at least five feet of the table.

The young man tried to move, but felt as if bound in his chair; there was a lethargy over his entire body that was accompanied by a dull, though strong sensation of terror. He saw his companions in slightly distorted shapes; they appeared a long way off like figures viewed through the wrong end of a telescope. The medium seemed to rise in her chair to the height of several inches from the ground and then to slide back again. This was repeated several times.

Meanwhile the room had become blurred as if a thick mist of an equal density was obscuring it. This dull vapour, that was of a uniform greenish hue, was dissipated with a suddenness equal to the suddenness with which the unexpected and violent blows on the table had occurred, by blazes of light of various magnitudes and intensity; some seemed to be no more than a faint phosphoric glow that had the appearance of a small bud of fire. Others, and these were higher up in the room, were enormous bubbles that appeared as dazzling as the sun and gave off cascades of sparkling light. One of these brilliant balls spread into the shape of a luminous hand which hovered near the young man as if making an attempt to caress him, then faded away into the mist.

These lights continued to float about the room, further lulling and soothing the young man's senses and increasing his lethargy, but rather increasing than quelling the core of terror that burnt behind his immobility.

One of the lights, at least, appeared to be solid, for it came down on the table, and struck it with a heavy blow.

The medium seemed to be deeper in her trance and was falling back as if in a state of complete insensibility in her chair, while the different points of light were dancing about and settling on the heads of the company, resting on the snuff-coloured locks of Dr. Beattie, on the smooth dark hair of the young student, on the straw-coloured ringlets of Mrs. Outram.

Sparks of light rose from the table to the ceiling and again falling on the table struck it with audible sounds. The luminous flashing continued before the young man's eyes until the shape and size and appearance of the room were completely blotted out.

Again one of these lights condensed into the form of a hand, and this time it was small, delicate, white and rested on his sleeve; beautifully formed and dimpled, with a caressing motion it patted his cuff then placed between his fingers a sprig that seemed to be composed of small, dark-green spiked leaves and bright star-like flowers.

James Daintry felt he was swaying and as if about to fall, but he was steadied by seeing Dr. Beattie, who from being of diminutive size had now swelled to monstrous proportions, motion him to stand up. He rose automatically, and found that he was part of a circle; they were all holding each other's hands and standing round the table at which the medium sat. The lamp was now extinguished; he could see the dead white of the opal glass of the globe in the room that was lit entirely by the balls of supernatural fire and the cascades of sparks of light that fell from them as with a rhythmic flow they pursued one another about the room.

The company stood in this circle, now quite close to the table, Dr. Beattie being so near to the medium that he was almost touching her shoulder, and the young man saw the lamp vanish; it was no longer a material object but had become a wisp of vapour that instantly had disappeared in an elongated shape rapidly across the room.

Then from the middle of the smooth and glimmering surface of the table that now had an icy appearance, as if it was extremely cold and made of rock-like substance, there rose the figure of a woman from the waist, clearly seen, of a comely shape but heavily-built, with bright hair plaited back behind her ears, a green sash under her full bosom and in her hand, small, white, and dimpled, that she stretched out towards James Daintry, a sprig of the star-like blossom.

"Harriet Bond," he said, "I expected to meet you here tonight. Will you tell me what your desire is with me?"

The ordinary words were spoken in a dreadful tone of voice that was like the feeble shrilling of a sick child and yet had something of the harsh notes of an old woman.

The young man made a forward movement that broke the circle and stretched out his hand as if to touch the apparition; at that moment it disappeared and the whole room whirled round into circles that, spinning one round the other, made a centre-point of an exceeding brilliance that after a second absorbed the whole of the young man's vision and seemed to burst into a complete brightness that was followed by a complete dark.

* * * * *

He found himself lying on a sofa with a bottle of smelling-salts being held to his nose by Mrs. Outram; the other ladies had retired, 'in a state of great disorder,' he heard someone say.

When asked what he had seen, or what manifestation had appeared to trouble him so, he replied: "Nothing." He confessed, however, to a violent headache and a sensation of nausea.

"No wonder," said Dr. Beattie. "You fell forward insensible and struck your forehead against the edge of the table. Otherwise the meeting was without incident. The medium made some gurgling sounds from which I could gather nothing intelligible and no phenomena occurred."

The young theological student, however, who looked extremely shocked, murmured that that would not altogether be his account of the evening. He declared that he had, he thought, seen some misty shape standing behind the medium's chair.

Lord Manton felt that he should be ashamed of himself for what no doubt had been a foolish and almost hysterical display, and yet his sensations were stultified. He was conscious that a deep stupidity overwhelmed him.

Dr. Beattie gave him a prescription, telling him to get his servant to get it made up and to take it every two or three hours; while he put into Dr. Perry's hand a box containing some pills that could give the young man a good night's rest.

"I'll give you nothing now," said he, "because it may further affect your mind. I believe you are suffering from shock. Perhaps it would relieve you were you to tell me what you supposed you saw?"

"Supposed I saw!" said Lord Manton, looking sharply round. They were all gazing at him with intense but kindly curiosity. It was at once evident to him that none of them had seen anything, except possibly Coates, the young theological student, who seemed dismayed and troubled but who yet when pressed would give no exacter account of his vision than his impression of a misty substance standing behind the medium. That good woman had now taken her fee, tied on her bonnet strings, put on her shawl, and gone downstairs, where a manservant had called her a cab and seen her into it and given the directions to the respectable buildings where she lived.

"I think," remarked Dr. Perry, "that we meddle, sir, with things that are best left alone. I do not pretend, especially in the state you are in and the time and place, to ask you to give any account of what you may have undergone."

"We are on the edge of the abyss, perhaps," he remarked. "We are on the edge of something that is dark, intricate, and dangerous. It would require no great subtlety either," he added, "to decide that if this gentleman has seen something, or if he imagines he has seen something, there is little difference in the effect."

He then offered to see Mrs. Outram home and the two departed together, conversing earnestly.

Lord Manton sat on the sofa that was covered with red damask and looked steadily round the room, that was now clear in the distinct subdued glow given by the lamp that stood in the centre of the table. One of the ladies must have replaced the purplish red chenille cloth, for it covered that surface that he had seen so clear and shining like ice when the figure of Harriet Bond had risen from it... The room, however, appeared in every other way the same as when they had sat down to take part in the séance. Nothing was disordered, nothing was in the least out of place. Again, when his senses steadied, he observed that there were no doors either of cupboards or into other rooms, no draperies, no cabinets, from which any possible tricks could have been played.

Then he smiled at himself and his pretence of being the practical materialist. What doors or curtains or draperies could account for the light, the figure, the hand that had pulled at his cuff?

He looked down, startled, at his wrist as this recollection came to his mind. He expected to see between his fingers the sprig of white starry flowers and green leaves. But there was nothing.

Recovering himself he took leave of his host and refusing to speak of his experiences, but trying to put all aside by saying that he had been seized with a sudden faintness, owing no doubt to a concentrated continuous gaze at the lamp.

"I wonder," he added, with a sudden suspicion as another thought came into his mind, "that I did not overset it as I fell against the table with all my weight?"

"We caught you before you did more than lightly strike the edge," explained Dr. Beattie. "Besides, you'll have a slight bruise on the temple when you look at it in the morning. Nothing more, I can assure you."

* * * * *

Dr. Perry then took his young friend home. They decided that they would walk through the streets; the winter night was clear and agreeably cold after the mustiness of the shrouded parlour. The sky was filled with the radiance of the moon that was shining behind the tops of the massive, handsome houses that faced their private gardens and the high road, so that the heavens had a faint yet pure steely-blue colour.

"You believe, of course," said Dr. Perry, putting his arm through that of his friend, "that you saw the spirit of Harriet Bond? That is what you went there prepared to see. The suggestion of the place and the proceeding, which took the form of a ritual, produced the vision that you expected, perhaps desired, to behold."

Lord Manton thrust his chin into the collar of his great-coat and shuddered slightly in the bracing but chilly air.

"You suppose that I think of nothing but my fetch, as you term her!" he replied rapidly. "Well, you are mistaken. I am interested in everything that is not commonplace and mediocre. I have heard much of supernatural phenomena of one sort or another, and I always understood that at Dr. Beattie's house—maybe you yourself told me—that if I must dabble, as you called it, in this kind of experiment his was the best place to go and Miss Trent the most reliable medium. But where," he added, "is the difference?"

"Very little perhaps," agreed Dr. Perry, "but I would take your mind off these dark and tedious byways. You are a man who should be able to live a religion and not have to spend your time in these dubious experiments."

"You used the word experiments several times," cried Lord Manton. "I know what I saw. Come home with me to my rooms in Jermyn Street. Daintry House is shut up. It's a gloomy place. We're a strange family, are we not, Dr. Perry? An old man and a young man and none but distant relations who don't care for us in the least, and who never come near us."

"Well, you have your friends who will do their best for you in a social way, introduce you to what is known as the great world."

"Great world," replied the other, with a hunch of his shoulders. "I am investigating—I like that word, Dr. Perry, though I object to yours, experiments—something which is more interesting to me than the great world, and that is the invisible world. I am not a man of action nor a scholar nor even of much intelligence. There is no way," he added, talking and walking rapidly so that the elder man had great difficulty in keeping pace with his step and in following his words, "in which I can hope to distinguish myself. I shall have, quite soon, I suppose, considering my grandfather's age, large estates, but they will be unproductive, though not, I believe, encumbered. I shall inherit a grandiose mansion that is in many parts ruinous and is not convenient or modern, a poor copy of an ancient building raised by the ostentatious taste of an ancestor known as The Folly, and a charnel house to which is given the pretentious title of a mausoleum."

"Nevertheless, although you put your possessions in such a dreary light, there is everything before you."

"I know that. 'The world's mine oyster,'" the young man laughed again. "Such an easy thing to say to youth—'the world's before you.' Oh, yes, I know I've got advantages—an orthodox education, an old title, a seat in the House of Lords! I could enter the Services, I could have a try at a Government post—power, wealth, sensuality—the three desires, they say, of the corrupt human heart. Well, none of them satisfies me."

"Are you sure? Not the first? Is not that which you are seeking for—power, power not only over the things of this earth but over those, as you term it, of the invisible world?"

They had been walking rapidly along the broad road that stretched along the iron railings of the Park and had now reached the toll-gates at Hyde Park Corner, close to St. George's Hospital. There the youth hailed a hackney-cab that had just set down a fare, and with a sudden access of strength and energy hustled his companion into it.

In the frowsy, evil-smelling, dirty interior of the public vehicle he continued to talk in a loud, strange voice.

"Why should I not be interested in the history of Harriet Bond? You know that I have an eccentric reputation. One of my ancestors was hanged for murder. I know a good deal more about that story than when I saw you last."

"I am sorry to hear it. Why dwell so consistently on an old and, after all, commonplace crime, and one that perhaps was not committed? It might be that your ancestor, who was most unpopular because of—his debauchery and extravagance and political opinions—was unjustly condemned."

"Peers were often unjustly acquitted," replied the young man, whose excitement was mounting and seemed to resemble that of someone who had been drugged, for he was talking with great fluency and moving restlessly about on his seat, "but none, I think, have been unjustly hanged. Hanged, my dear sir!"

In a few minutes the lumbering vehicle had brought them to the door of his apartments in Jermyn Street; James Daintry paid the driver, took out his key, and went ahead of his visitor to show the way.

Hackett was waiting up for him in the expensively furnished room, but telling him to set out whatever refreshments Dr. Perry might desire and then to go to bed, the youth lit the lamp. The room was already cheerfully illuminated with the glow from the fire that the servant had kept well-gathered together; the apartment was well-appointed and everything in it rich and of good taste; Lord Manton had brought back several curiosities from abroad, but had not made the vulgar error of exhibiting them in his chambers. Nor did he indulge in any modish whims of the moment, therefore the apartment was agreeable even to the fastidious taste of Dr. Lucas Perry.

The two gentlemen sat down either side of the fire, the elder having declined and the younger having no mood for the wine that the servant offered.

"You have the sleeping draught that Dr. Beattie gave you, take that. You are in a state of excitement after your unusual experience. If you go to bed now you may suffer from further hallucinations."

"Who told you that I had any hallucinations? Thank you, Dr. Perry, for your box of pills. I should not fail to follow the directions of our good friend, but first let me show you this."

He turned to a walnut desk handsomely mounted in brass, unlocked it and drew out of it a yellow pamphlet on which once broad black letters were faded to a sepia tone.

"This I found with great difficulty. My ancestor did his best to buy them all up. It is an account..."

"And I daresay a false one, I daresay nothing but some infamous broadsheet," put in Dr. Perry.

"It is an account of the murder of Harriet Bond," replied James Daintry, sinking down on the leather chair, the other side of the fire. "That is to say of the woman I saw to-night. But that is not what interests me so much as this letter that was sent to my grandfather in his youth and by him most unaccountably not destroyed but slipped in the leaves of a book he was reading at the time—Bishop Glanville's 'On Witchcraft.'"

"And why were you reading that?" asked Dr. Perry, holding out his hand, chilled by the walk through the winter night, to the steady glow of the fire.

"I was in the library at Charters and chanced to take it down. A book full of absurdities, but interesting, too. And this letter fell out. One can see how it happened, it is simple enough. My grandfather was reading the book, I suppose, there is his name on the fly-leaf written hastily with the date beneath. No bookplate, just his name, and then this letter, which I suppose he had received at the time. It seems to have followed an interview which he had with the writer, who signed himself 'Arthur Haywood.'"

"Sir," said Dr. Perry, "I think that the hour is late and you are in an excited state and I, to tell the truth, am too indifferent to the matter, for us to go into this old, sad, and wearisome subject now."

"You must listen," said the other, detaining him. "I swear I shall not sleep until you have. And then I will not speak of the subject again. Do you think I can be calm after what has happened to me to-night? Certainly it seems already a long time ago, perhaps a century has passed since I stood in that room looking—" he checked himself and turning to the letter began to read:

"'Sir, having understood from our conversation to-day your lordship's desire that I should put into writing what I knew concerning a person who was acquainted with a spirit, to his own destruction, I have made bold to give you the trouble of this letter, hoping my design, to gratify your lordship in every particular may be an apology for the length thereof.

"'When I was curate to Doctor Falconer, a post that I have lately relinquished, as your lordship knows, when he was Rector of St. Jude's, Mullenbridge, I began to be acquainted with one Thomas Gifford, about twenty years of age, by trade a gunsmith, who lived with his father, with whom I contracted an intimate acquaintance, he being not only a good-tempered man but extremely well skilled in the mathematical studies, which was his constant delight—arithmetic, geometry, gauging, surveying, astronomy, and algebra. He gave himself up to astronomy so far that he could not only calculate the motions of the planets but of an eclipse also, and demonstrated also every problem in symmetrical trigonometry, from mathematical principles, which he could discover by a clear force of reason.

"'Your lordship, I dare say, as I suggested to you, has heard something of the fame of this young man. I advised him to go to London, where a friend of mine, a Mr. Bailey, had set up a mathematical academy.

"'There he went and I heard from his master that he had found in this Gifford greater proficiency in those studies than he had suspected or could imagine. After this he applied himself to astrology and would sometimes calculate horoscopes and resolve nativities, and sometimes they were only too true. But he was not satisfied with it, because there was nothing in it that extended to mathematical demonstrations.'"

"And so far, sir," interrupted Dr. Lucas Perry, "we must confess there is nothing in this letter to hold our attention, and the hour being late and I asking your hospitality for abed—"

"'—when, by the providence of God, I was settled in Mullenbridge parish and not having seen Gifford for some time, he returned home to his father and waited on me. And we being in private, he asked me my opinion very seriously concerning the lawfulness of conversing with spirits.

"'After I had given my reply in the negative, and confirmed it with the best reasons I could, he told me he considered all those arguments and believed they only related to conjuration, but that there was an innocent society with them which a man might use if he made no contact with them, did no harm by their means and was not curious in prying into hidden things. And that he himself had discoursed with them and heard them sing, to his great satisfaction.' What is the difference," demanded Lord Manton, breaking off in his reading, "between singing of spirits and the rappings by them on tables? But to continue this letter—"

"Which is tedious," protested Dr. Perry, but he could not, even by this brusque remark, check the young man, who continued to read.

"'This fellow, and I am repeating what I told your lordship in the interview, gave an offer to me at one time, to his master at another, to go with him to a piece of ground at the back of your lordship's estate in which the new building known as the Folly had lately been completed, and there we should hear the spirits and see them talking and singing, converse with them whenever we had a mind to and return very safe. But neither of us had the courage to venture. I told him it was the subtlety of the Devil to deceive mankind and transform himself into an Angel of Light.

"'I proposed to try him at questions in astronomy relating to the projection of the spheres, which he resolved, and afterwards did so demonstrate from the mathematics as to show that his brain was free from the least tincture of madness and distraction. I asked several particulars of the methods he used for the discourse with the spirits, and he told me that he had a book where were the directions he followed——-"

"A grimoire," interrupted Dr. Perry, with a sigh. "This is all commonplace enough."

"'Accordingly, in the dead time of the night he went into a causeway with a candle and lanthorn to concentrate on the purpose of incantations, and that causeway was near the building known as the Folly. He had also compounded chalk, consisting of several mixtures with which he used to make a circle within which no spirit had power to enter.

"'After he had invoked the spirit by several forms of words, some of which were taken from Holy Writ, those he called appeared to him in the shape of little girls about a foot and a half high and played about the circles. At first he was affrighted, but after some small acquaintance this antipathy in nature wore off and he became pleased with their company. He told me they all spake with a shrill voice like an ancient woman.

"'He asked them some ordinary questions about the existence of God, Heaven and Hell, all of which they replied to in the affirmative, saying about Hell that it was a dreadful subject to relate, "That Devils believe and tremble."

"'They also gave him a description of the order they had amongst themselves, as to their chief and his residence in the air, who had about him several counsellors who were placed by him in the form of a globe. Another order was employed in going to and fro from Heaven to the earth carrying intelligence to those lower spirits, and a third order was in the earth, acting according to the directions they received from the air...

"'This made me conclude, my lord, that they were devils, but I could not convince Gifford thereon, yet the account was contrary to that we have in Scripture of the hierarchy of the Blessed Angels.

"'The young man then told me that he desired these spirits to sing and they disappeared behind some bushes from whence he heard a perfect concert of such music the like he had never heard, and in the upper part he could hear something very harsh and shrill, like a reed, but as it was managed it came with particular grace.

"'About three months after he came to me again and said he wished he had taken my advice, for he thought he had done that which would cost him his life but which he could hardly repent of. He appeared to me as if he was in great trouble and. seemed much altered.

"'I asked him what he had done, and he told me that being bewitched to his ruin he was for ever going further in the black arts and wished to have a familiar spirit to follow him as might be according to the directions in the book. He followed these directions and went as usual to the path, which is beyond the Folly, called up a spirit to be his familiar and attend on him always. He gave me a particular account of all the incantations used, with which I shall not trouble your lordship now, having given you some hint of them during our interview.

"'The spirits appeared, according to his account, faster than he wished and he was in a most dreadful state, very much affrighted, the more so as he found it was not in his power to lay them, he expected every moment to be torn to pieces. It was in December, about midnight, when he came to me in a great sweat with this tale. He had the fortitude, however, to continue the incantations and to repeat the charm which he had written upon a piece of virgin parchment.

"'One familiar then appeared, larger than all the other shapes, and attached itself to him, while the others gradually vanished into a snowstorm that at that time began to cloud over the landscape.

"'This spirit was that of a woman. She said her name was Harriet Bond, and that she had been betrayed and murdered by one who had promised to love her, and her body buried near by, and that she would be this man's servant as he who was her master had desired her and as she was bound to be through the power of his incantation.

"'Now this fellow had never thought of having a spirit of the dead for his attendant, but rather some fiend or goblin. He had heard something of the tale of Harriet Bond and knew that it was forbidden even to mention her name, so he endeavoured to lay her, or the devil that took her shape.

"'But she would not be put off and continued to follow him, repeating her story, wringing her hands, her hair hanging down over her white dress that was tied with a green sash under the bosom, her hair thick with snow and white itself. And so she came through the door that he bolted in her face and stood by his bedside and even lay down beside him so that he felt her cold despite the blankets that he huddled about him.

"'And in the morning he came to me and was a sick man. And I took him to the apothecary in Broad Street concerning a cure, but I could not tell the apothecary the cause of this disease.

"'Gifford owned the whole matter to me, said he had now heartily repented but that he felt he could never shake himself free of this familiar who haunted him. He had believed at first that what he did was lawful and now he was convinced to the contrary. He told me he had made no contact with these spirits, never did harm to others by their means and never pried into the future fortunes of himself or others. But he felt that this meddling was likely to cost him his life.

"'I reasoned with him and prayed for him and used exorcism to rid him of the spirit who, he said, was closely attached to him and standing behind him even while he spoke to me.

"'I was unable to see it for myself, but I saw the man, though in the depth of winter, in a great sweat as in a great fever and looking constantly and uneasily over his shoulder. "I thought," he muttered, "to have had a fiend for servant, and might have commanded it. But I cannot endure a Fetch." This was the old word, my lord, he used; it means one who is brought back. And I suppose that the poor man's mind was confused with his abstract studies and was teased by the memory of this story.

"'As your lordship's family is so intimately concerned with it, I thought that it was only dutiful for me to wait on you and tell you the matter, so that this poor man might be treated with every tenderness in the hospital to which he is now removed, and some money he spent on his comfort so that he has a separate apartment and does not talk or rave to the other inhabitants of this sad place. And that his delusion may not be the least prejudice to his relations, who have the deserved characters of sober, honest people. I am, with due respect, your lordship's servant.'"

"If you read that letter before you went to Dr. Beattie's house, it is no wonder that you also thought that you saw the apparition of Harriet Bond," remarked Dr. Perry.

James Daintry did not appear to hear him. He folded up the letter and returned it to the walnut-and-brass desk, having first placed it inside the pamphlet. He locked both away, returned to the fire, and resting his folded arms on the edge of the table sank suddenly into profound sleep.

Dr. Perry went quietly to the door, called Hackett, who was not yet in bed, for he had not liked his master's looks and was waiting lest some assistance might be required, and between them they carried

the young man to his chamber, took off his boots, collar and coat and laid him, still insensible, as if he had taken the drug that Dr. Beattie had given him, on the narrow bed.

* * * * *

"It was a fine ceremony," said Mrs. Fenton. And then she added doubtfully, as if not sure if these words conveyed a compliment of the contrary: "And old-fashioned, too, with all the shields hung up and the black draperies on the gates, they were quite in the old style. And outside the Mausoleum, too."

"Mausoleum's an outlandish word," remarked Caroline, sucking a long, vivid-coloured pear-drop. "What's it mean, Mother?"

"I don't know. You ought to, you've been to boarding-school. Ask Adelaide. She's had more education."

"It means a place where they bury people," replied the elder girl, indifferently. "What's it matter?"

"Oh, it does matter," said Mrs. Fenton. She spoke flatly but with a flash of excitement in her cheeks. She moved heavily about the room, putting the white-and-gold tea-set on the table, polishing cups, and saucers with a clean cloth as she did so. "There was a number of people," she added. "Fashionables, from London. All the relatives, I suppose."

"Yes, and friends, too," smiled Adelaide. "And acquaintances, all the great ones—"

"But they all went away again at once," remarked Mrs. Fenton, pausing by the round table with her air of half-baffled suspicion. "They didn't stay, not any of them. He's only got those two men with him, Dr. Perry and the Reverend Timothy Chalmers."

"Oh, and one or two other old friends," said Adelaide. "He'll be going abroad again soon, and when he comes back and is out of mourning I dare say we shall be married."

"I wonder if you believe her now, Mother? You saw how he looked at her to-day, didn't you? He even came as far as the gate with her, a few days ago, and his grandfather not yet buried."

"Yes, I saw him myself," said Mrs. Fenton, and her dull yet intent look turned on her elder daughter.

"And I've shown you his letters. You could read them all if you had the patience."

"Yes, miss, and you've shown me the bills, too. Fifty pounds' worth of stuff to be paid for—"

"Oh, that's only because he's careless. He orders the things and don't trouble about the accounts."

"Well, that would give the secret away to his grandfather, wouldn't it?" replied the girl quickly. "They don't know who he is at the shops. I call him Basil, and he calls me Cara."

"Yes, I remember all that nonsense. I thought your aunt would have taken it out of you."

"Well, she didn't," and Adelaide smiled in a satisfied way. "Aunt Martha was very interested in the whole story. She saw me post the letters, send off the handkerchiefs, and she saw the letters I received in return."

"Oh, you are suspicious!" answered Adelaide, in a complacent tone. "I used to go to the town to get them at the post office, of course."

"Well, my girl, you've certainly managed to make a tangle of it, one way or the other. I thought it would be all over when you and he went away, but now you're back again and it seems—"

"More certain than ever," put in Caroline, licking what remained of her pear-drop and looking with her clear, round eyes steadily at her mother. "Don't forget, Mother, you did see him twice."

"I saw him many times," put in the woman sharply; "what are you talking about, I did see him?"

"I wouldn't call it ogling; it was his grandfather's funeral, wasn't it? He looked at her very steadily when she sat in church. I should say it was more a kind of affrighted glance."

"He was dazzled with her charms, isn't that the expression, Adelaide?" sneered Carrie. "It's out of one of your novels—'dazzled with her charms,' like somebody who tries to look at the sun and is nearly blinded."

"Both you girls talk rubbish," said Mrs. Fenton stolidly. "Yet I suppose there must be something in it. Eccentric, that's what they are, the Daintrys. What's he going to do now—shut himself up here?"

"Oh, he's going away again, a little, for a change of air, to Wales, I suppose," simpered Adelaide.

"Oh, to take the waters at some Wells there; I mustn't tell you the name now. But we're to go up and see him, meet him there presently. He has some of his lady friends with him—those two ladies whom you saw to-day, the one in the taffeta, Caroline."

"They were all in black, in heavy mourning, I couldn't sec which was taffeta and which wasn't," said Mrs. Fenton, sullenly.

"That is too business-like," said Caroline, pertly. "You can't expect to use it in a fantastic love affair like this, Mother."

Mrs. Fenton turned with the large china tea-pot in her hand. "You've told your father?"

"Yes, and he said he was quite willing, it was a good match, that you ought to be proud of me. I showed him Basil's letters, and read him those I was writing."

She opened her reticule, took out a small packet as she spoke and set it on the table. Her mother looked at this keenly, greedily; Caroline indifferent, continued to suck her sweet and stare from the window where the rain was falling in a heavy drip of grey. All the women, in respect to the lord of the manor, were in mourning, heavy, shining bombazine with a few jet ornaments, that smelt of camphor balls with which they had been packed away for a long time—since the death of their own grandmother.

Adelaide held out a letter which was headed in a rude handwriting 'Charters,' and which read:

Please calm all apprehension as to bill. These I will attend to when the funeral ceremonies are over. This I say for fear you should be vexing your dear self unnecessarily.

This is for Father: "Sir, it is my will and wish to instantly pay for all given to Adelaide as soon as may be. This much I say and I feel very grieved that any indiscretion of mine should cause vexation to Adelaide. Allow me to remain, truly yours, Seagrove."

"You said there was another letter, properly asking for your hand from your father—where's that? Not that I believe in them," added Mrs. Fenton quickly, in self-defence.

"Then why are you bothering to read them, Mother?" asked Caroline. "And who do you think could have written them if it wasn't Basil?"

Mrs. Fenton laboriously placed her spectacles on her nose and read slowly the letter that was written in a most irregular script:

This note ought to have been with you long ago—better late than never is the old adage. It may apply in my case.

Without entering into particulars, I am aware you know that in secret I have long sought your eldest daughter, and now openly I ask her of you for my wife. I hope you will not refuse me her. Ere this, I should have come personally to have made the request to you had not unforeseen circumstances prevented.

I hope shortly to see you. Then, if convenient, we can arrange about her settlement, etc. I have mentioned the August month to her. I hope when we meet everything, all things, will meet with your approbation and that you will give me your consent.

"There is proof here of a constant attachment," cried Adelaide. "It is natural that it should have been kept secret seeing the differences in our rank of life."

"Don't talk so much like a book, miss," put in Mrs. Fenton. "I'll go up to Charters myself."

"You can if you like, Mother," returned Adelaide, still with a casual air, "but you'll spoil it if you do."

"Did you tell your father this—" she hesitated over pronouncing the august name, then added sombrely: "this gentleman came here?"

"Yes. Father said he'd never seen him, but I said that didn't matter. Caroline had, and you did the other day, didn't you, Mother?"

"He only came as far as the gate, and then he turned back—why didn't he come in then and see me and your father?"

"Well, he might have come in and settled about the bill, anyhow." Mrs. Fenton moved about the room heavily. "Well, what did your father say?"

"I told you what he said. He was pleased. I let him see a great number of the letters I had had, ten at least. He was in one of his good fits and read them quite well. He replied to that letter, accepting. I wrote it down at his dictation, sealed it for him, and slipped it in the post."

"I don't know. What's it matter? You do make a fuss over these silly business details, as if anything can concern any of us except that I'm going to marry in August. I showed Father some verses and presents that Basil sent me."

"There's fifty pounds to pay for them," complained Mrs. Fenton. "I don't know who I'll get it from—your aunt, perhaps."

"Haven't we got as much as fifty pounds?" asked Caroline shrewdly. "To save us from—well, the disgrace of unpaid bills?"

"Never you mind what we've got and what we haven't got, miss," retorted Mrs. Fenton. "I shouldn't have spoke so plainly in front of you. Well, I sent you away, as I was warned to do. And he was sent away, as I suppose he was warned. And you've both come back and begun the affair again. You've shown me the letters and he's written to your father proposing for your hand. And I've seen you seal up and take letters to the post with handkerchiefs in them. It all seems fair and square."

She looked at her daughter with a sly intent glance that affected nothing but candour.

"How insistent you are, Mother! I tell you we're going to be married in August, but it must be quiet for a while. Basil has to visit an aunt of his who lives at Brighton. She's sick and he has to stay with her for a while. See, this is the letter in which he says: 'If wishes could transport me to you there would be no need for this writing, but as I am anxious, most anxious to hear of your well-being and also to tell you that business relating to my grandfather's will detain me from you longer than I thought, I send this. I have seen chairs I think will do for one of our rooms at Charters. Won't all be bright and happy when its future mistress takes possession of it? Pray take care of yourself, dearest, forget not you are the only hope of one to whom a palace would be but a desert and England no home without you, far dearer to me than each earthly blessing. Adelaide, who are all in all to me, take care of yourself and mind when you return from walking to change your shoes. You may laugh at me, but you know how particular I am in this respect, and you may catch cold. It has often struck me there is something untold to me, some secret affair I know not of, that troubles you. Why not, dear girl, tell me if it is so, for I have often seen you look sad and unhappy.

"'I hope even this will cease in August when you may be my bride, my wife, then all that is mystery now will be cleared.'"

"It doesn't mean anything to me," said Mrs. Fenton. "I think I ought to see an attorney, Mr. Bisset."

"Lawyers!" exclaimed Adelaide sharply. "What's the good of that, Mother? You don't think these legal men have got anything to do with love and romance, do you?"

"They have something to do with promise of marriage and breaches of it. Many people have seen you about now, and I did see him look at you to-day. Well—I can't tell you any more about it at the moment, but be careful."

"You don't need to tell her that," said Caroline, yawning lazily. "It don't matter what you tell her."

"A number of people," continued Mrs. Fenton, thoughtfully, "must have seen you posting letters to him by now. I've seen you take them out to the post myself, all sealed up with that little cornelian you have with the roses and cupids cut on it.

"Yes, it's a pretty little thing," agreed Adelaide complacently. "Well, I shall be glad when the will is read and all the ceremonies are over. How dreary it was, everybody in black and those sombre silver shields hanging up and the horses' trappings down to the ground! Romantic, too, don't you think? Something grand and stately about it."

"It was old-fashioned." Mrs. Fenton repeated her charge stubbornly. "Things haven't moved here as they ought to during that old man's life-time. When he was a lively youth he was away, and when he came back here he was too old to do anything but sit in his room and nurse the gout. I wonder if the estate is rich. I wonder if the young man's got a fortune or nothing but those broken-down mansion houses?"

"Oh, indeed, Basil has a great fortune," said Adelaide. "He has large sums of money invested abroad, too. It is true that he is a gambler and often loses piles of gold in a single night, but I am going to reform him. For my sake, too, he has promised not to drink too much wine."

"He don't look like a young man who either drinks or plays cards," observed Mrs. Fenton. "I always heard he lives a very quiet life."

"Well, since he has met me he has been more temperate in his ways, but at one time he was extremely wild, a roving gallant. He entertained the dancers at the Opera to supper in his town mansion. On one occasion he gave to each of these ladies a bracelet of real pearls."

"You shouldn't meet him so often, Adelaide. If he wants to speak to you he must come here and sit in your father's parlour, be presented to your mother."

"And so he will, so he will," sighed the girl with her first impatience; hitherto she had relished her mother's conversation, even though much of it was peremptory and suspicious; it had been sufficient for her to talk about her romance, even if the listener was not wholly sympathetic; now she was fretted. "Basil came over to see me when I was staying at my Aunt Martha's," she added.

"Oh, no! She was too kind and agreeable. She likes him. I made her promise not to say anything; I wanted to reveal all these things myself." Then, with a sudden change of tone, Adelaide remarked: "He knew much about the story of Harriet Bond—"

"What a name to mention! Here and now, and like that!" exclaimed Mrs. Fenton, openly shocked.

"Is it? I was always interested. Why shouldn't I be? We've met by her tomb, you know. He passed up there just now. I suppose having buried his grandfather he was thinking of graves. He keeps it very neatly with his own hands. Sometimes I put a wreath of flowers on it, and that pleases him."

"That's a tale," muttered Mrs. Fenton, with much uneasiness, "not supposed to be talked of here, and don't you mention it before your young sister..."

"You can't frighten me with it." Caroline looked up and smiled. "Such horrors don't concern me at all. There's all manner of stuff about ghosts and spirits and murdered brides and people coming back from beyond in those books that Adelaide gets from the library. I don't take any notice of them."

"But this is true," put in Adelaide with relish, "this really happened. I overheard someone say to-day that it was strange they haven't moved the Folly, and the Mausoleum, too, if that's the name of the place where you bury people."

"That's where she was buried before she was moved, wasn't it?" asked Mrs. Fenton with increasing uneasiness and indignation, "and put into sacred ground—not that she deserved to be— She was a hussy and a slut if there ever was one. I shouldn't have thought your aunt would have repeated that story. Anyhow, I expect what she tells you was all lies."

"No, it wasn't. She had a copy of the Gentleman's Magazine for the year that Harriet Bond was—" Adelaide paused tactfully. "When Harriet Bond met her tragic end—" she continued.

"Murdered, that's the word you're trying to say, isn't it?" demanded Mrs. Fenton. "Now, don't let's talk of that nasty stuff; it won't be a relish for your tea."

"I read all about it," persisted Adelaide. "Imagine that he was Basil's ancestor! Quite distant, you know, something like a great-great-uncle as far as I can make out. But they have always been eccentric. There was a picture of him, an engraving, in the magazine. He's quite fine-looking, rather like Basil, and of her, too, rather plump. It said she was wearing a white dress with a green sash when she was found. That sounds ordinary, doesn't it? I heard it before—at the Fiskes—'"

Mrs. Fenton poured out the tea and the girls began to eat and drink lustily. Adelaide, who was not able to talk on any subject but herself, ran on: "Don't you think I was generous to give so many of Basil's presents to Caroline? She's already got aunt's paste necklet and then I've given her the bag with the white beads on, and a set of the Waverley Navels—"

Which you keep reading," put in Caroline, "and that you know I don't care for at all. What difference does it make whose name is on the first page?"

Adelaide ignored this and continued: "I've given her a pair of the white slippers and a coral comb."

"I wonder you didn't keep them yourself," sneered Caroline. "You seem to prize them too highly, always remembering them and talking about them. You can have them all back if you want to," she added with sudden viciousness. "And you know what will happen if you do."

"That's not a kind, sisterly way to talk," protested Mrs. Fenton indifferently. "I thought you girls were so fond of one another, and now you always seem to me to be bickering. Well, I must go upstairs to your father."

In a heavy, inconclusive, puzzled manner she glanced from one of her daughters to the other, then slowly made her way out of the room, leaving her cup half-empty and her bread-and-butter broken on her plate.

"She went away very suddenly," remarked Caroline. "You are tedious, you know, Adelaide. Can't you talk of anything else? There's quite a number of interesting things in the world, but it's always you and your love affairs, as if one believes in any of it! I can't understand what you're up to."

"You talk very vulgarly," rebuked Adelaide. "You have no imagination, you haven't a romantic disposition—but you can be," she added, in a suddenly practical tone, "a pretty good liar if you want to."

"When I'm well paid," retorted Caroline steadily. "But don't keep making references to those trifles that you gave me. There wasn't so much gift about them, was there? You know that I told you I'd have to have them if I was to say what you wanted me to say."

"Poor Basil," sighed Adelaide, ignoring this speech and putting her rounded elbows on the white rough cloth. "A pity there's this aunt whom he's going to visit at the seaside—that keeps him away; when he returns he's going to purchase a conservatory for a thousand pounds, and he's promised me that he will gamble no more. He lost five thousand gold pieces the last time he sat down at the tables. That is a warning to him. He says I am not to laugh at the odd bits of paper on which he sends his letters; he has a fondness for writing on little pieces. He gives me news of his friends. They are all titled, live in high style with carriages, horses, rich clothes."

The girls continued to eat the dark plum cake and slices of new bread loaded with butter that their mother had placed before them, and to drink the strong Ceylon tea thickened with milk and lusciously sweetened with knobs of loaf sugar.

"Mother wants to send me away to school again," remarked Caroline. "You're to tell her I'm not to go."

"Oh, Carrie, I don't want you to go! You're such a sweet companion, such a charming confidante."

"I suppose I'm useful to you," replied the other girl, flatly. There was something of her mother's solid look about her, but her shrewdness, even at this age, was more acute than worldly wise and was not baffled and clogged by ignorance like Mrs. Fenton's. "Mother," she added with a mocking air, "wants to make an accomplished young lady of me, like you are, Adelaide."

"Oh, you're quite accomplished already, Carrie. You can have lessons at the pianoforte and the harp in Mullenbridge. And I dare say French, too, then you could help Mother about the house. There's always such a great deal to do for Father, with reading to him and sitting with him."

"Ah, yes, I can see you want me to stay, darling Adelaide," cried Carrie, bursting into a sudden loud laugh. "Well, persuade Mother that I'm not to go. I'd rather stay here; I don't like taking orders from school-mistresses, being teased by the other girls because I'm cleverer than they are but not so well-born."

"You're a queer creature," declared Adelaide, as if she suddenly realized the personality of the younger girl, and was, for the moment at least, diverted from her own entrancing and engrossing interests. "What do you want to do? What do you hope to be?"

"A lady authoress!" exclaimed Adelaide, in sharp astonishment. "But you never look at novels, you never read romances. I thought you despised it."

"They don't interest me, those fairy stories. I'd like to write about what I see round me: you, for instance, Mother, Father, and Susan, oh, all kinds of people. Perhaps I shall—one day."

Adelaide considered her for a moment or two, then lost interest because this was something that did not immediately concern her; with a high laugh she said: "You have a wonderful romance to write if you ever try and write about me, Caroline! Will it be Memoirs or something of that kind? I can think out the title for you, and the fancies, and the turns of phrases. You are very stolid and downright and even clumsy in your diction. I wonder if we can take off this mourning? It's very unbecoming," she added with a restless air, "and very hot. Mine does not fit me at all. I like to have gowns that are made especially for me. I wonder how often this mourning has been worn before? It's such an old-fashioned cut and the material so heavy."

"We need only wear it to-day, I suppose," said Caroline. Having drunk all her tea she went to the chimneypiecc and took down a china pot that was half-full of lollipops.

"Oh, do stop!" cried Adelaide, pettishly. "You've been sucking those pear-drops the whole afternoon. I noticed you in church during the funeral ceremony, that was so beautiful, so magnificent. You had your cheek all swelled out with sweets."

"I had to do something. The seat was hard and I found it all very tiresome. Mr. Chalmers sounded very stupid, don't you think? None of those people from London really cared anything about any of it. I saw the ladies yawning behind their handkerchiefs, and you could see that a great many of the gentlemen had already had too much to drink."

"Caroline, how vulgarly you talk! And what a ridiculous statement you make. It was nothing of the kind. The old Earl was greatly respected."

"I heard he had a monkey when he was a young man and loved it very much and when it died he gave it a proper funeral. It is supposed to be buried near the Mausoleum. They had a little procession with banners and drums beating—"

Adelaide shuddered, and broke out: "Don't talk like that, pray! It's horrible on the day when there's been a real funeral, too!"

"Well, that was a real funeral and they are an eccentric family, aren't they?" said Caroline. "One of them was hanged for murder, you know, you must never forget that. I suppose you don't want to as you looked up the account of it in the Gentleman's Magazine. What was she like, this Harriet Bond? Did you see a picture of her, did you say? Those engravings, they all look the same, they might be anybody. There was a picture of her down at the 'Seagrove Arms,' I heard, but Mr. Fiske sold it, or gave it away, I don't know which. The new heir is interested in Harriet, too, isn't he? Standing by her grave, and keeping it tidy. Do you know what I heard, Adelaide—when he goes to London he goes to one of these queer meetings, whatever they call it, where they raise spirits. They're little better than witches or wizards, aren't they, these people? And they call themselves Christians! Has Basil told you anything about that?"

"Oh, I meet people about Mullenbridge, and these stories get round. Mr. Chalmers is not very discreet, you know, and everybody knows Dr. Perry's reputation. You ought to if you're going to marry the young Earl. He must have his time occupied, mustn't he, Adelaide, between the gambling and the opera dancers, visits to his sick relatives, getting out plans for a new conservatory for you, the white horse, and raising spirits?"

Adelaide took no notice of this, but whispered reflectively: "Oh, I suppose that's what he would do, to try to think it out—"

"Do be quiet for a time! I've got a sick headache now. I must go upstairs and lock my letters away and then take a little walk in the woods."

"Of course I don't wish to. I shall leave him to his sorrow. Do you think I have no delicacy of feeling?"

Adelaide went upstairs, and quickly into the little bedroom that she shared with Caroline, took off her mourning and put on her plain white gown. It was of dimity and printed with lilac sprays; this design was so small that a little distance away it could be observed only as a faint blur in the fabric.

She drew quickly out of her drawer, from carefully folded tissue paper, a length of dark-green ribbon which she had bought when staying with her aunt, and passed this under her full bosom.

Peering out of the window she perceived the daylight still held; as Caroline had remarked he would certainly be engaged with what company had remained of those who had come to attend his grandfather's funeral— Adelaide was impatient, restless and could no longer endure the mean little house, which seemed to clip her desires and confine her dreams in humdrum routine.

* * * * *

The day's ceremony was by far the most magnificent that she had ever beheld and it shifted before her mental vision like some phantasmagoria produced by fever, rising and falling in lines of distorted perspective and unnatural shapes. The funeral procession itself, the hearse, boldly carved black and silver with clusters of plumes at the corners, the six horses with black feathers bound on their foreheads and their fringed trappings trailing on the ground, and the funeral carriages, one after another, black after black, the ladies in their full skirts and their shawls, all black again, some with white faces, pale with fatigue and the melancholy of the occasion, others flushed and rosy and dabbing lips and cheeks with thin cambric handkerchiefs that gave out the odours of orange flower water and lavender. The gentlemen all in mourning also with their shining top hats and their surah silk cravats and their clear white linen, the nearest relatives with stiff sable weepers tied round their hats, the church that seemed dim as a hollow cavern under the sea to the girl's excited imagination, the windows filled with thick green and coloured glass through which the light filtered with difficulty and fell in smeared lurid patches, red, yellow and blue on the faces of the worshippers as they knelt in their tall pews or on their rush-bottomed seats, the coffin with the embroidered pall and with the arms of the Daintrys standing on trestles in front of the altar, and the Rector uneasy and overborne by the formal tediousness of the ceremonies. The Reverend Timothy Chalmers had delivered a sermon that was quite incomprehensible to Adelaide Fenton and appeared, she thought, much older than she had ever seen him before, his face sagging in weary lines, his eyes bloodshot, his speech rambling every now and then... He had been a friend as well as a dependent of the dead man's. He glanced sideways now and then at the coffin with a glance that had more sincerity than anything he declaimed...

The air had become heavy and Adelaide Fenton, proud as she was of her place before that of the tenantry and before that of the respectable shopkeepers, almost near the genteel families who might claim a slight acquaintance with the dead nobleman, could almost have sunk in her seat with a feverish fatigue...

Now she reflected on the scene and saw it all touched with phantasy, as if fever was still stirring a slight delirium in her mind. She was glad that the air cooled as she walked through Mullenbridge... How long since she had seen him? Some months—

Many gossips lolling at their doors or leaning from their windows looked at her curiously, some with a very friendly and respectful glance, she thought; her story was beginning to get blown abroad, there must be a good many who were talking about her; she smiled to herself and passed through the town, the last straggle of cottages; she had to walk the entire length of the High Street to reach her objective, the great gates that led into Charters Park and directly to the pavilion known as the Folly that had been built a couple of generations ago and never used, though from economy the late Earl's stewards had always kept it in good repair. It was, to Adelaide's untrained eye, a clumsy building, and to anyone of taste it would have been incongruous in the English landscape, for it was a copy of an Italian villa, as the Mausoleum was imitated from the Temple of the Four Winds at Athens.

Although the late Earl had been 'laid to rest,' as Timothy Chalmers had phrased it (and Adelaide always remembered conventional terms like that; they pleased her ear), only a few hours before, she had no supernatural terrors about visiting this spot, which was in the vulgar estimation haunted by the ghost of Harriet Bond, though this story had been with much success repressed and was hardly ever whispered aloud. Indeed, Adelaide had only come to a clear knowledge of it lately through the article in the Gentleman's Magazine which she had read when she had resided with her Aunt Martha.

She knew now clearly, what before she had only imagined and put together, the entire story. It had not been at all to her liking, it was too coarse and crude, and in a way her mind had refused to absorb it, dwelling only upon the more fantastic details and transfusing it at once into the kind of unreality to which she was used. It had already become to her the story of the handsome young noble and the beautiful village maid who had engaged in a secret love affair. The jealousy of some powerful relatives of the young man had been aroused and through some machinations that Adelaide Fenton's untidy mind did not trouble to unravel the girl had been slain and the blame of it put upon the youth.

Here she stopped—she would not face the sordid end—the trial, the hanging. She was quite able to throw out of her fancy anything she did not care to keep there; the story that, in its downright details had been rather shocking she thought, she had been able now to transmute into something pale, faded, and romantical.

Her aunt had given her some further fables that she had eagerly absorbed, of the fetch, a version of the very ancient tale of the mysterious bride, the ghost of the wronged and murdered woman who returns from the grave to claim as a lover a descendant of her murderer. This pleased Adelaide Fenton keenly and in a vague and uncomprehending way she pictured herself as the reincarnation of Harriet Bond and so had bought herself the green sash...

'I believe,' she mused now, as she passed under the elms already in bright leaf and approached the Folly, 'that Mrs. Fiske said in that picture they used to keep at the "Seagrove Arms" she wore a white dress with a green sash.'

The path to the Mausoleum was trampled by the horses that had drawn the hearse and the mourning carriages and by the feet of the mourners when they had descended for the final ceremony.

Adelaide moved daintily on the bruised soiled grass; she glanced down to see if she had stained her fine and expensive shoes, glanced up again and saw to her great delight the man of whom she was continually thinking until he had become her obsession, standing not far away and staring at her with intense surprise. The black pelisse was thrown open—she had put it on more to conceal her green sash from the gapers in the town than because she needed it for warmth, and he could see the white gown and the dark ribbon twisted under her bosom; but his expression startled her; she felt like somebody caught playing a game foolishly, who is taken seriously—by whom?

But her lightness soon returned; she looked at him, her lips parted, her eyes staring as he came towards her, raising his hat, and asking her, puzzled, who she was and if he had seen her before.

"I am Adelaide Fenton, sir. You have seen me a great number of times. You came across the churchyard with me and stood at my gate a few days ago."

"Ah, yes, indeed I did. I saw you—in the churchyard— You must forgive me. You must have considered me most uncivil. I have been a little confused of late. I had an attack of sickness in London; I'm afraid my mind is sometimes not very clear."

"You come up here often, do you not? But I think this is the first time that you have worn that gown."

"Yes, I have occasion to remember a white gown with a green sash. Forgive me, Miss Fenton. But this is a curious place for you to choose to promenade. Have you any reason?"

"None whatever," she murmured, faintly. "What reason should I have? I seem drawn to the spot, that is all."

"Do you like it? This gloomy, rather ugly building, this dark grove of trees, these ugly unpleasant associations..."

"I don't know anything about that, I never listen to old stories." She spoke meekly in her natural tone, turning her head aside.

"You wonder, perhaps, why I am here on the day of my grandfather's funeral? I observed you in church; I hope you didn't think that I was impertinent to stare at you?"

"I was only too flattered, sir, that you should notice me among so many." She did not know how to complete her sentence, she felt herself becoming foolish, formal. She faltered and turned aside again. She need not have concerned herself, for he was not thinking in the least of what she was saying; he was as deep in his obsession as she was in her obsession; each stood in a separate magic circle.

"I must return to the house," he muttered quickly, as if endeavouring to gain some control over himself. "I have had but half an hour to spare from my guests—I felt I desired some air."

He made the conventional excuse in a distracted manner and then added: "I do not know why I came here. I must give up the habit of so melancholy a walk."

"It is beautiful, is it not, sir?" asked Adelaide Fenton, anxious only to detain him in conversation of some kind or another, hoping that someone, anyone, might pass and see them together. She came nearer to him and observed that he was gazing at her with an intense, almost horrified earnestness.

"Where one is buried who should not have been," he replied, lifting his lower lip.

She affected not to understand; indeed, she was quite indifferent now to the old tale.

"Love," she simpered with a stare of rapture, "can triumph over death—it can continue from one generation to another. It may seem to be destroyed, but it will return."

"Why do you talk like that?" he asked sharply. "It might be nonsense, it might have a great deal of meaning—"

"If they come back," he muttered, "we cannot tell in what shape it might be; there would be some kind of a likeness and some kind of a disguise."

"Were you thinking of spectres?" she asked, sidling nearer still, encountering steadfastly his troubled and searching gaze. "Do you believe, sir, that they do walk again?"

"Come back! Come back! Revenants, the French tongue has it. That is a fearful thing, is it not, Miss Fenton, that one should pass away and seem to be at peace, and return?"

"I've never thought of it, or been afraid of it; I've had my mind too full of other matters, what I'm here for and what I have to do."

"You don't speak like an ordinary young lady. I must not detain you. Pray, do not come here again. It is a spot that has evil memories, that might in time produce in you a certain sickness of spirit. You have been away, I think, Miss Fenton, staying with relatives?"

"I, too, have been abroad, and must go again. Charters is too large for me—yet I might use it to make experiments."

"I should not tell you, but what I do will be quite lawful. Indeed, I must seem to wander, to gossip and talk frivolously. I pray you, excuse, me. I ask you," he added with a certain sternness, "not to come here again. The grounds are my private property. For your own good, I might forbid you the use of them."

"I don't know. Pray don't concern yourself with local gossip. I bid you good evening, Miss Fenton."

He turned with a matter-of-fact manner, abruptly away. Adelaide, sauntering homeward, was thrilled with pleasure to observe the maltster passing along the road beyond the Park wall with his horse and cart—he had paused to stare at the two of them... he must have seen them deep in talk; a lovers' tryst it must have seemed... So Adelaide Fenton moved complacently, in the large formless plot that was of an intricacy not in the least clear to herself, and about which she did not concern herself at all.

* * * * *

"The Swedenborgian will distract your wits," said Mr. Chalmers brusquely. "I am glad that you have dismissed him. You must, James, to use a phrase that I dare say sounds to you contemptuous but that I declare to be well applied in your case, consider appearances."

"Sir, you are bound to read me a lecture and preach me a sermon, I suppose," sighed the young man, with a look of affection at his former tutor; his tone, however, was not altogether unmingled with reproach.

The Reverend Timothy Chalmers, sprawling in the worn leather chair by the empty hearth, where highly polished steel andirons gleamed on the marble, was no very respectable figure. He had lost, and with a sudden stroke, what remained of his florid comeliness; he appeared an old, a dissipated and soured man in his dishevelled attire—the hanger-on of a great house whose master was dead. He knew that the young man whom he had bear-led round Europe and whom he had treated with a great deal of indulgence and whom he had advised with a very vague and amiable philosophy, would give him a pension and a home. But the death of the old master of Charters had broken his own one link with all that was desirable in life. Now it was almost automatically that he mouthed over what he considered his good worldly advice.

"You should shut up this place or pull down half and rebuild the other portion. It is old-fashioned, gloomy, rat-ridden, and dilapidated. It is natural that your grandfather, being so old and solitary a man, should refuse to have anything modernized except the few apartments in which he lived, but you—you must either give up Charters or have it altered."

His former pupil did not answer and the Reverend Timothy sighed and continued his discourse, in his deep rumbling voice.

"You must turn me off, of course. Your grandfather left me enough to live on and I daresay you'd add a pension to it if I wanted it. It won't make much difference to me what money I have in the future. I suppose I shall spend the time reading, a few companions. I might go to Oxford. But we must think of you, not what I'm going to do. As I say, I'm glad that Swedenborgian's gone. I wish your relatives and friends had stayed a little longer. Only a week after the funeral and the house is like a vault itself, and as melancholy."

"When one has been bemused by mystical speculation," interrupted the Reverend Timothy sarcastically, "or rather in a melancholy of idleness, it would be so. This is your Swedenborgian's Heaven and Hell about you! No doubt, James, you encounter angels on your path—I would rather be a plain, practising Christian."

"You do Dr. Perry an injustice," smiled the young man. "He is practical himself. I believe he has taken some trouble over my affairs. His ideas and concerns are not what you think them to be. Nor have I dismissed him. He left Charters because he considers that while I am in my present mood he cannot do much good by remaining here; and he has other interests—his medicine for one. I do not miss him as much as I thought I should."

"You wouldn't miss me at all, James." Timothy Chalmers sighed. "Charters is sombre and dreary, now, yet it used to be very merry at one time, the company your grandfather entertained here, and the young gentlefolk there were about in your father's and your uncle's lifetime."

"Do you want to remind me that all came to what is known as violent deaths? Yet that is an absurd saying, as if death was not always violent—"

"Yes, I know this is an unnatural life I am leading, that I should be wise to pull down, as you so often suggest, the Folly and show it to be nothing but lath and plaster and stone indifferently cut. The Mausoleum is hideous too. The entire grove should be cleared, ploughed up, perhaps—sown with salt—"

"You should certainly try to forget," said the clergyman with a heavy sigh, "the old scandal on which you have so set your fancy. That is a perversion, my dear James, a case of misapplied ingenuity, a disease, I am afraid, of sheer idleness."

"We have been over too often that question of my idleness. I shall have enough to engage my time on in looking after the estates. I know that Marks is an excellent steward, but my uncle used to do much of the management himself."

"Yes, he did. He was a shrewd man of business and an active controller of his affairs. You will find that Marks will turn to you for a great deal."

"Well, I have learned something. I haven't been altogether unoccupied when I've been here. I do at least understand my own affairs, but I realize that you consider my life extremely, shall we say, empty."

"Indeed, my dear James, I do not desire to pass any such reflection upon you. I only would like to point out to you that by avoiding all the usual pursuits and occupations common to your age and rank you leave a very dangerous gap in your existence. By what do you intend to fill it? By what we used to term the practices of black magic, and now I believe is named occultism."

"No, sir, I intend to give up that study. I find it difficult, dangerous, and absorbing. Since that illness I had after the visit to Dr. Beattie's house in Bayswater I have not been able to get the matters, either of this world or, much as I regret to admit it, the spirits of the next, in very clear perspective."

He put his hands over his eyes as he spoke and stood straight and rigid as if endeavouring to force some vague and trembling thoughts into words.

"Everything," he said, "is out of focus, as if seen through a distorting lens. Yet the colours are vivid, the outlines definite. No, you may be assured that I shall make no more experiments. I intend, too, to shut up Charters. I shall have an architect to oversee it. Sir Henry would come, I think. The cost of renovating it would, of course, be enormous. Verities is a more reasonable mansion. Shall this be demolished?"

"Yes, and I know that I have several amiable relatives willing to match me with any amiable girl that I should choose. But I should not be a good husband for any lady, I can assure you, sir. I am still young, leave me a year or two in which to—"

"You talk like a man stuck with a fit of stupor—" The clergyman rose, took the youth by the shoulders and half-led, half-pushed him into a chair. "Sit down, you are overwrought. Your grandfather's death was very sudden. Often the decease of the old will surprise and shock us as much as that of the young. These old people seem to be permanently here—I know what you must feel. There's responsibility too; the title's ancient."

"No, you will still brood on what I beg you to forget, eh? What you must, if you wish to help your body and soul to health, forget."

"Dr. Perry, whom you so dislike and distrust, told me the same thing. What do those lessons mean? There must be a deep thrill," he added, as if abstracted, "in seeing a disembodied spirit, or seeing a spirit reincarnated in another's body."

"You're talking very wildly and a great deal of rubbish, sir. But I might point out to you that you have been seen now several times with that Miss Adelaide Fenton, who lives beyond St. Jude's the other side of Mullenbridge. You were staring at her the day of your grandfather's funeral, you have been seen with her walking by the Folly, you stayed your horse the other day when you met her in the lane. Oh, you're observed, believe me."

"I can believe as much," replied the young man, indifferently, "what does it matter? It gives me no concern at all."

"Of course, I have had enquiries made about the Fentons. Dr. Perry told me he went to see the mother a year ago. He thought that the girl might have some matrimonial design on me. It is nonsensical. She is completely without any worldly experience or knowledge, a very simple-minded creature. Adelaide Fenton, you call her? I could give her another name. Are you sure," he added rapidly, "that it was Adelaide Fenton you saw walking with me?"

He threw out this question with such force and emphasis that Mr. Chalmers was slightly taken aback.

"Why, of course, sir—I've not had you watched or followed, or anything of that kind, it's only the local rumours and my anxiety for your safety and Dr. Perry mentioning this—"

"It is true," admitted the young man, moodily, "that I have met the girl once or twice. She wears a white dress, green sash, and a black pelisse. She speaks in the most curious and outlandish fashion. I'm not sure who or what she is. I've seen her in the churchyard by a certain grave that I sometimes visit, and I've seen her in another place—."

"In another place that you should not visit," said Mr. Chalmers abruptly. "You've never written to her, I suppose?"

"I hardly know her name. I suppose Adelaide Fenton is the woman you mean. Once I was puzzled, I followed her to the gate of a mean house—her own dwelling, I suppose. Then I turned back. I have spoken to this girl, yes, on the various occasions you mention; I suppose we were observed and I suppose it was Adelaide Fenton. But write to her? Why should I write to her?"

"I don't know. Mrs. Fenton's been visiting her attorney lately and talking wildly in the town, in the milliner's shop and the haberdasher's— It was my duty to keep a note of this."

"What does it matter what people say, anywhere? And I think you are mingling the true and the false, and the creature—"

"I believe so. Why, several, of course. Anyone who is at least conspicuous, who is supposed to have any kind of position or money, receives dozens of such communications."

"But there were several, in particular—the love letters of some ignorant and stupid schoolgirl, as they seemed to me. I remarked on them at the time. They were written in the language of the circulating library, trash many of them, copied from popular romances."

"They were all torn up immediately," said the young man, impatient at this diversion from his obsession. "Why should you remember them now? I daresay there have been others. You know that I have asked Hackett to deal with all my letters. He only brings me those from friends or likely to be important."

"Perhaps it is a pity that all those scrawls have been destroyed. At the same time they may be no matter at all. As you say, such things are common enough, even I have received amorous missives from unknown females written to relieve the boredom of mean lives; they try to cure their silly idleness by imaging themselves the heroines of romances."

"What has this to do with what we were talking about? You were trying to give me some direction as to the future. I think I shall go to Verities. Yet I like Charters too. But my grandfather dying so suddenly has rather upset my schemes—"

"Yet you were always wanting freedom, James, freedom from him, from me, even from your servants, from your friends, everybody, And now you've got it, I suppose, as much as a man has—your title, it's old I say."

"It's old," repeated Mr. Chalmers stubbornly, "the estates bring you in a good income, you have a respectable town house—well, everything that everyone in this state of the world's history and in this part of the world could wish for—"

"No one can be free who has an unsettled mind and a perturbed spirit. I have read much lately, and conversed with many people learned in occult science, and, believe me, there is something there not easily to be understood nor lightly to be mocked at. They do return—that's a hideous expression, is it not? They do walk again—that's a lamentable statement to have to make! —well, then, why should not I have been chosen to be the victim of her eternal malice?"

"You scarcely know what you're saying, James, you ought not to know what you're saying. You have your wits, if you've got any, troubled. I've got to talk to you as if you were at college again and I were your tutor. You mustn't get so much nonsense into your head. This Swedenborgian—"

"You mistake him. He disbelieves in this family as you do—as I do—I do not know what I'm talking about— Can't a man express himself on some fantastic theory that he is engaged in amusing himself without being taken so seriously?"

"I daresay I shall be cool and practical enough in my time, these are the steams and heats of youth, are they not, sir? You must expect them in one form or another."

"Yes, if they're not worked off in honest debauchery or honest toil. It's this solitude that's so dangerous for you. What can you expect? You keep away from everyone of your own age. Why don't you court some young lady of your acquaintance—honestly or dishonestly, what does it matter? A little feminine company—"

"I've too much feminine company," replied the other with a sudden return of violence. "Why must you keep on that theme?—it's one I wish to have disregarded."

"What theme? Truly, James, you alarm me. Is this some melodrama that you're playing, some sort of romantic trick? Do you intend to philander with that town girl and let people suppose that you're conversing with a spirit? Fie, James, that's not worthy of your intelligence."

The youth gave a flashing glare, but quickly controlled himself and moved aside.

"I'm going down to the Folly to-morrow. It has not been opened for years—save to be cleaned. I shall certainly have it demolished but I should like to see first quite what it is like inside—my idle curiosity, no doubt."

"Well, if it's not been open for years, as you say, I should think it's falling to pieces, damp, full of vermin."

"Oh, I spoke generally—I believe the servants go in now and then, open the windows, give it an airing, sweep it out, pull down the cobwebs, and all that kind of thing. I meant that none of the Daintrys had ever gone in there, curious, isn't it? Built for pleasant, frivolous amusement, and never anything but a tomb—because she must have been buried—well, she was, was she not, buried in the foundations? Some wanted to cease building," he continued, "as an act of defiance—"

"Well, he was hanged. That was true—you cannot escape that. But, by error, by mistake, who can tell? Some other may have strangled her for all we know, played a trick...

"Do not let us dwell on vulgar details, it is ugly and sordid, James. And you know, as a Christian, that the dead do not rise till the Resurrection Day and that all these fables of ghosts—are, why, ancient folk-lore, superstitions of the peasantry, the effects of powerful crimes on weak minds."

"I daresay it is so," returned the young man, with careless indifference. "I'll take your advice. I'll ask Sir Henry to look over Charters and the Folly also, I believe that there are some antique pieces inside that might be worth preserving—a statue or a vase or so brought from Naples and Pompeii."

"Why?" the question was suspicious. "Don't you trust me to go alone? Do you think I've got a tryst with a spectre? Not only you, but Hackett is to watch on me!"

"Well, I daresay it would be very interesting if you had, James, but nothing so romantical is likely to occur. And you'll meet there in that miserable place where there are rats, spiders, mice, pockets of dirt, damp and fungus, I daresay too. A pity your forebears did not have more sense than to fling their money away in useless extravagance."

"Oh, follies were the fashion at the time," the young man spoke with weariness as if his burden, that of some oppressive secret, prevented him from being interested in what was said. "Everyone had to have his folly, did he not?—a custom taken from the French, the Italians? Half of them went out of the fashion before they were used—like this did. I wish my grandfather had had it demolished."

Then he was quiet for a while, and the older man studied him with a sad, concealed apprehension. His aquiline face was pale, his eyes that usually had a clear falcon glance, were downcast, a muscle near his lips twitched.

'He doesn't look well,' the clergyman thought, 'in mind or body. I wonder if it's true that there is a taint in the family' (in his mind he avoided the word 'insanity'). 'Eccentric' was how the dubious characteristics of the Daintrys were described.—'Well, I'm too old and tired. Nobody's interested, I suppose, at my time of life to take in hand a youth wilful, obsessed. And his opportunities! What would I not have given at his age for a title, a fortune and estate and good looks, instead of being as I was the younger son of a younger son and having to drudge for a living! Well, I was lucky in meeting Seagrove, he was a generous friend—I suppose it was my fault I didn't make more of his gifts.'

The Rev. Timothy roused himself to carry on the conversation, to press home or to enlarge on the lesson that he had thought it his duty to administer... Well, he had scored one point in getting the headstrong youth's consent to having the musty old building with the ill-repute, built in defiance on the grave of a murdered woman, demolished. Yes, the grove ought to come down too, the timber must be valuable... No doubt it would make a stir in the neighbourhood, bring up the old tale, people would begin to talk and remember and ask each other why this was being done?—so late. But all that gossip would pass away... they could not plough the land so near the house, it would have been as well if they could—ploughed it up and sown good grain there... Well, they would have grassland or perhaps other trees, or they might have a formal garden... Sir Henry could suggest something, no doubt.

The old man's thoughts lumbered lazily on as he took his candle from the stand in the hall and went upstairs to the large, comfortable bedchamber in the modernized wing of Charters he had occupied for the great part of his life—it had been his abiding place when he had been in England; he had always used it when he had been tutor to James.

He looked round now at the lavish furnishings and the many luxuries, not only with regret but with remorse. 'He was thinking of me, not of James, when he gave me the post of looking after the boy. I wonder if he'd have done better with another kind of man? I haven't got much influence over him, in fact none at all, I daresay. I found him rather tiresome, melancholy, austere. I let that Swedenborgian become too intimate with him. The man's honest, too, I suppose. Well, I daresay it's all a passing whim, a manner of youth, "the steams and heats of the imaginations" as he said himself, occultism and spiritualism, practised now in London drawing-rooms! What is it but sorcery and witchcraft?'

* * * * *

Mrs. Fenton showed Mr. Bisset, the attorney snug in his bleak back office—he was a small man in a small way—the packet of letters written on odd scraps of paper that her daughter had given her to read.

Alfred Bisset rubbed his chin... he had promised secrecy before this matter was broached to him, now that it was revealed he was puzzled, doubtful, wished he had taken it more seriously. Was it a hoax, a trick, had he got his dirty finger on a great prize—at last?

"There's his letter asking her father to allow them to become engaged to be married," stated Mrs. Fenton, slowly and flatly, pointing out a three-cornered piece of paper.

"It's an odd business," said Mr. Bisset, not committing himself. "I know, they have been talked about lately. The young man is peculiar. So is his tutor, the Reverend Timothy. And that New Jerusalem man, whatever he calls himself, who was with him so often, and the old Earl lived too long, Mrs. Fenton, he was senile and allowed his heir to become intimate with some strange people."

"I'm not so sure," countered Mrs. Fenton, with a touch of defiance. "Adelaide is very pretty and genteel, she has been to a good boarding-school, they're both much of an age; they've met in the woods and lanes."

"You see the promise of marriage," answered the mother, stoutly, a slow dull red mounting to her face. "You see how he writes to her in tones of the greatest respect."

"Too much respect, it seems unnatural. The hand is like that of a charity schoolboy, too."

"Well, he never had much education, taken away from Eton early, sent about with that old parson—"

"Maybe, maybe! I can find out something. It'll be a question of identifying the handwriting. Have you seen him with your daughter?" he asked suddenly, looking up, his small eyes keen either side his pointed nose.

"Yes, indeed." Mrs. Fenton was slow but triumphant, she fingered the broad brown ribbons of her bonnet. "I saw him come as far as the gate and then turn back, not liking to intrude on us, I suppose. Caroline, that's my second daughter, you remember her, she's seen him often. She's looked through the window and seen him sitting there with Adelaide. She's gone into the parlour, the drawing-room, when he's been there and they've told her to run away. He's given Adelaide a number of presents. You see, he speaks about them."

"Well, that's not a great deal, I suppose." Mrs. Fenton was half-uneasy, half-defiant, "for a man who's a lord."

"No, certainly not for the lady of his choice—I don't understand the matter at all, but something might be made of it. She's pretty, as you say, I've noticed her. A fine, fresh-looking girl. Very simple and innocent, just a country maiden, I suppose, Mrs. Fenton?"

"Yes," replied the mother, looking aside. "Adelaide's very simple and innocent, I don't suppose she's ever had a mischievous thought in her life. Why should she? Carrie's a good little girl, too. They're like angels, I can assure you. They say their prayers every night, it makes your heart ache to see them kneeling by their bed in their white nightgowns with their hands pressed together, looking upwards."

The attorney again carefully and gingerly turned over the pieces of paper, some of which were so frail that too rough a touch might have damaged them. Many of them were written in pencil, some in what seemed to be a cheap ink. The address at the top of many of them was 'Champits Hotel, London,' that of others 'Charters,' of others again 'Verities.'

"You see he tells her all about his family, the cousin who's sick at Brighton and all the relatives and the great people whom he knows."

"Yes, I suppose all those details could be verified. Why are you bringing them to me, Mrs. Fenton?"

"What does your husband say? I know he's a permanent invalid, but I suppose he has some good moments."

"Yes, he does. Adelaide has spoken to him. I don't know that—myself I shouldn't have disturbed him— When the girl got this letter written to my husband she took it up and he answered it. He can't use a seal himself, but Carrie did that for him, sealed the letter and we took it and put it in the post."

"But Lord Seagrove has not presented himself at your house, has not been formally received as your daughter's suitor by either your husband or yourself?"

"There might be good reasons for that, mightn't there? While his grandfather was alive?"

"Yes, there might even be good reasons now. It would hardly be a match that would please his friends. He has many and powerful relatives, a circle of influential acquaintances. One could suppose that he might wish to keep—this—secret. One might suppose, too, Mrs. Fenton, that it's merely a quizzical play on his part and that he never intended to marry your daughter at all. Young men will have their romances, you know."

"Yes, I know," scowled Mrs. Fenton, "and they have to pay for them. Adelaide is quite in earnest. If he is playing—she is deceived."

"Oh, she would be, of course. As you say, a simple, innocent girl. How does she spend her time, Mrs. Fenton?"

"She reads a little to her father, the Bible and the Pilgrim's Progress. Sometimes she gets an improving book out of the library, one of those brought out by the Society for Promoting Christian Knowledge, she's a taste for botany, too, and pressing flowers and ferns in a book, and does embroidery. She's quite clever with her needle. She helps Carrie with her studies, a little French—I hope to get them a pianoforte by the turn of the year. They play on a harp, as it is."

She spoke rapidly, as if she was throwing up defences against the man's silence. When she paused and he still did not speak she challenged that silence by demanding: "Both my girls have very good characters, you know that. Nobody in Mullenbridge speaks ill of them. They've never done anything foolish or indiscreet."

"I know, indeed, Mrs. Fenton, that's perfectly true. But there seems some indication of a slight indiscretion or foolishness here. It would be a most unlikely thing for Lord Seagrove to marry your daughter, you realize that, of course?"

"I suppose I do." A dark flush of humiliation came over the woman's flat face. "I was ambitious myself once, when I married Mr. Fenton. I tried to think things out ever since, but never got them clear."

"Well, there are many stories—the prince and the beggar maid and all that kind of fable. These two are both the same age, she is pretty, and he is young, and moody and solitary. Well, I suppose it might be. But I don't believe it's serious, Mrs. Fenton, I'm afraid."

"It's got to be serious. That's what I've come to you about. It can't go on like this. He'll have to present himself to me and to her father. If he's playing about with her he'll have to pay for it. There's such a thing as breach of promise, isn't there?"

"Well, someone might have forged them, I suppose. We'll have to prove his lordship's hand, get witnesses—those who've seen them together."

"There's plenty of them," said Mrs. Fenton with a swift eagerness. "They've been seen walking up by the Folly."

"And ominous place for a lover's tryst. It has a bad name still, you know, Mrs. Fenton, though the story's not supposed to be talked about. She's never been received by any of his lady relatives or brought up to Charters to see the old Earl?"

"How do I know?" parried Mrs. Fenton sullenly. "She won't tell me everything. Carrie's the one she confides in."

"Yes, your daughter Caroline. She seems a sweet child. Well, leave the letters with me, Mrs. Fenton, and rest assured that I shall be extremely prudent and not mention the matter to anyone. Impress on your daughter to behave with the utmost circumspection. Remember that the Daintrys have not altogether a—well, they have a slight reputation for eccentricity."

"What we used to call when I was a girl, bad blood in the family. But there's nothing against the young man. I think he'd make a good husband, be kind to her, I suppose? Apart from the title and the honour and the riches?"

"Oh, yes, Lord Seagrove has an excellent character. I've never heard anything about him other than that he's, as I say, moody, solitary, and shuns all the usual pursuits and companions of his age. He has come into the title unexpectedly; though the late Earl was of a great age, he was very healthy and expected to last much longer. I daresay for the moment the young man is a little confused as to his prospects."

"He couldn't be about his heart," said Mrs. Fenton, rising, "not about the sentiments of his heart. I'll take those letters back, you can't keep them."

"No. Adelaide don't know I've come here. She'd be shocked if she knew of it, bringing a lawyer into her love affair. But I thought I had to have advice." She stretched out her large hand. "Give them to me. I promised to return them. I'm only supposed to look at them and take them back again."

"Very well," the attorney put the letters between two clean sheets of foolscap. "Be careful how you handle them. The paper's so poor and thin and the pencilling so faint that they'll soon have disappeared altogether. Strange that his lordship should use such odd scraps of paper."

"You see that he mentions it in one of the letters—that's a way of his. He wouldn't take any risks with crests, or whatever they put on them, or gilt-edges, would he, if he was writing secretly?"

"No, I suppose not, but a careless young man like that might do something reckless. Well, it's a queer case, and I'll keep my eyes open, Mrs. Fenton, and let you know what I can find out. If you have any influence on your daughter impress on her, even at the risk of offending her girlish simplicity, that she must bring the young man forward to meet you and her father. He must, by word of mouth as well as by letter, offer himself as her future husband."

"I've told her that before, but she won't listen to me. Her head's in the air with all that novel-reading."

"Ah! Novel-reading, Mrs. Fenton? I thought you said that she only got improving books from the library?"

"So she does." Mrs. Fenton turned a baffled stare on the sharp features of the lawyer. "Improving books, stories about the rewards that come to virtue, and to those who wait. I say it puts her head up in the air a bit, she's always thinking of noble deeds and how to sacrifice herself. She's planned all she's going to do when she's—when she's up at Charters." The woman stumbled over giving her daughter the magnificent title of Lady Seagrove, and the lawyer noticed that halt in her clumsy boasting.

He tapped his pencil on the desk and looked down at the floor cautiously and shrewdly. This was an uncommonly strange story, and unless he was greatly mistaken, something uncommonly good could be made out of it... for himself.

"You know," he said, rising to open the door for Mrs. Fenton, but standing in front of it to prevent her leaving, "that Lord Seagrove studies occultism, as they call it now, and is, so the gossip goes, extremely interested in raising a certain spectre."

"I heard something about it, some talk in the town, I don't see what it's got to do with what we've been talking about."

"No, but it's a strange subject for so young a man in such a position to take up. It might have the effect of rather unsettling his wits, of making him—well, perhaps that expression's a little too strong—not out of his mind, but of making him do something he doesn't quite realize the importance of—"

"I suppose so," conceded the subtle lawyer with a wise smile. "Miss Fenton is very much charming flesh and blood, a well-developed girl for her age. Does she know that unhappy story connected with the Folly?"

"No, she never heard it. She doesn't think of concerning herself with anything so horrid." Mrs. Fenton lied smoothly. "I was in this place for years myself before I heard anything about it."

"Yes, it was kept very quiet," agreed the attorney. "The late Earl had it hushed up and all the papers and books and everything bought up and destroyed years ago now. That reminds me, Mrs. Fenton, what brought you to Mullenbridge?"

"My husband came into a little property of his uncle, just a house and a garden and an acre or two at the back that we let out to a farmer."

"No, it's our own place." Mrs. Fenton was impatient at this diversion. "My girl goes up to the Folly—she never knew, she never knew—" she stumbled, "what... what happened there."

"Well, there need be no mystery between us, Mrs. Fenton. An unfortunate rustic by the name of Harriet Bond was murdered and buried in the ground that had been turned over for the foundation of the Folly, then partly built. She had been, by the common report, seduced by the fifth Earl, who was a wild and reckless rake of the type common enough at the period—she was of superior bearing, and being beautiful it was believed that she had a promise of marriage from him. And he was supposed to be quite infatuated with her—"

"Well, there now, you see it can happen," interrupted Mrs. Fenton violently, "that's what I thought. There's the old story to prove, that's what made me feel there might be something in it."

"Might be! But you must be sure there is when you've looked at these letters—"

"Of course I'm sure," panted Mrs. Fenton, cunningly, "now that I have seen the letters. When Adelaide first gave me the hint, well, it seemed astounding and I remembered this old story that I had heard, as I say, after I had been here ten years. A pity they hanged him for it, isn't it?"

"Her fetch is supposed to come back," said Mrs. Fenton, complacently. "I've heard she often says things like "Well, it don't concern me..." that story, but I've never been up to the Folly myself. I'm a woman who stays in her home and just goes up and down the high street—I've seen the Folly in the distance when, of course, walking down the road, but who takes the trouble to go down that avenue of trees across that field to see an old, ugly, disused building."

"Not many, I assure you, especially after dusk, Mrs. Fenton. The phantom of Harriet Bond is reputed to walk there! Ha! Ha! Local superstition! In the late Earl's youth a man who took to sciences with which a peasant's brains could not cope declared that he had raised this spirit as his familiar and attached it to him. He confessed this to a clergyman who went to the Earl—the tale got about—how soon these stories do get about, a servant at the keyhole, I suppose! And then all was hushed up again and the man was removed to an asylum."

She took the letters, rolled them carefully between the two sheets of foolscap and put them into her reticule.

"She ought to have an engagement ring," leered Mr. Bisset. "Ask her to press him to give her an engagement ring. I see that one of the letters fixed their marriage for August—well, that's not so very well ahead. You'll have to watch and wait, Mrs. Fenton, and be very careful. And be sure you let me know—I understand that in your husband's poor health it makes him incapable of protecting you and your girls. Be sure and let me know every move."

Behind the commonplace flow of conventional words was an emphatic meaning. Man and woman looked at one another cunningly. Mrs. Fenton gathered up her heavy skirts of brown merino and with a sigh went slowly down the stairs, while the lawyer, holding the door open, looked after her, for his articled clerk had sprung from the neighbouring closet and was conducting the lady to the door. 'Too good to be true,' he sighed,' and yet—when dealing with a fool—'

* * * * *

Lord Seagrove decided that he did not wish to see the Folly in company with his ancient tutor, the steward, or any of the servants, it was an experience that he dreaded and yet looked forward to with horrid relish, and he resolved to undergo it entirely by himself.

He chose a morning forty-eight hours after his interview with Mr. Chalmers to make this experiment—for such in his mind he considered it. The clergyman was confined to his bed with a more violent than usual attack of the gout and seemed to have forgotten the project of visiting the Folly, for when the young man visited him he made no reference to this suggestion.

Two friends had ridden over to condole with him on the death of his grandfather, and he had had to entertain them to luncheon. He endured their company, pleasant as they were, with some impatience, and was glad when he saw their horses disappearing down the avenue of trim chestnut trees. 'Once,' he thought to himself, 'one gets on the borderland of such realms as these, anything in the ordinary world seems unutterably tedious.'

The day was of pure sunshine and a high wind that had blown all vapours from the sky. The young man walked rapidly over his own parkland, leaving the sward by the avenue and reaching the fields where a heavy, yellowish-white cluster of meadowsweet showed in the hedgerows and cowslips grew in yellow and golden patches on the short grass, and passed the Mausoleum without any concern. The funeral escutcheons were still hanging on the grille, their long crêpe draperies tossed by the strong breeze. He had no concern with the old man who was recently dead, nor with those other members of his race who lay in their handsome coffins within the pretentious building that vanity and ostentation had raised in imitation of classic splendour in that English park.

He wondered why he had not desired to enter the Folly before. Such a wish had never indeed crossed his mind, save once when he had suggested it idly and his grandfather had forbidden him, giving no excuse but merely a flat refusal to allow him the key. Then, though this seemed strange now in the recollection, the wish had vanished and the Folly had begun to seem to him like the Mausoleum, like the grove of elms and ash that stretched between the two buildings as part of the landscape, something to be taken for granted and never investigated. Now, however, his desire to enter and examine the building was keen, it had revived suddenly, a few days ago when he had met the girl whom he supposed was Adelaide Fenton.

Was it a few days or a few weeks ago when he had seen that figure in the white dress, the green sash, and the black pelisse standing there almost exactly where another girl must have stood a century or so ago?

* * * * *

The key turned in the well-oiled wards, the interior of the pavilion, built for idle pleasure, the scene of a murder and never used, was neat and decent. The old Earl always kept capable stewards who saw that those whom they employed worked well. The westward window was unshuttered and the long chamber held a subdued light, dim, like thin wine in a thick glass.

"Often have I passed this door and never thought to enter here before; well, the place is ordinary enough, and shall be demolished, as Dr. Perry advised. It was a foolish bravado that allowed it to be completed—to stand so long."

The young man was not interested in his surroundings, but in a small volume that he drew quickly, furtively from his pocket; this contained a few pages that he had eagerly read and re-read and that he was determined to read again, in this place.

A large chair of wood, painted yellow and blue, with wreaths of convolvulus in natural colours, now much rubbed, stood by the tall window; the youth seated himself there and once more read the precise and dryly written account of the trial and death of his ancestor, one not so far removed from him in time, but related to him distantly, through involved relationships. How many lies they had all told him—foolish lies, but successful, too, in casting round this vulgar crime so many mists of confusion that it had become a fable. Had not that been a mistake, to give this incident the horrid air of a ghastly legend?

Was it not a mistake to try to destroy all accounts of this affair, to hush up all remembrance of it, to let sullen silences grow over it, as the fat weeds had grown over her grave?

It had taken him some time to find the hidden portrait, longer to find the hidden report, but here it was at last... at last.

'I am not yet twenty-one years of age.' It had not, after all, been a very long business, this satisfying of his curiosity. That talk of a trial and a judge... that now, did they not realize that he would know better, or had they, in the eagerness of their desire to deceive him, forgotten, or never known?

This was the date, the day, all details in the sepia-tinted print... February the 13th, the year 1750...

'The neighbours, some of them being armed, came up to Charters, the servants giving them way, they came into the garden and saw his lordship with a young boy, who was faithful to him, going towards the stable door that is under the clock tower, and one of them stepped forward as if to take him, the others being close behind, but he gave them a high look, so that none durst touch him, clapt his hand to his sword and went into the house, the boy with him. Some constables now came up and there was a great press in the garden, none venturing on forcing an entrance into Charters, for the constables were themselves the Earl's tenants, and the gentry for whose orders these waited, kept away. So for two hours there was a murmuring and a waiting, then my lord appeared at a garret window (a place where they little looked to see him) and asked what they wanted. Then one of the constables was bold enough to say that a murder had been discovered, and his lordship's friend had been arrested and his confession brought in his lordship.

'The Earl said: "That is a lie. I command you to disperse, but first, as the day is cold, come into the kitchens for victuals and drink."

'One said: "There is none to serve them, but all have forsaken your lordship, and we are here to apprehend you."

'Then he swore that none should take him and went from the window, and the boy came down and spoke to the people, asking for a surgeon, for he thought that his master was likely to do himself some mischief.

'A farmer went to find Mr. Ryder from Mullenbridge, and still none had any clear idea of what to do, but they searched about the grounds, and two of the yeomen found my lord walking on the bowling green, wearing his travelling coat and carrying a blunderbuss; he was much disordered in his attire, and asked them of what he was accused, and they replied that a barbarous murder was laid to his charge and he must come with them. By then he was surrounded and taken to the "Seagrove Arms." An inquest was held on the body of Harriet Bond, and a verdict of wilful murder brought in by the coroner's jury against the prisoner, and he was committed to Winchester gaol.

'On his appeal to be tried by his peers he was taken to London, in his own landau with six horses, with a strong guard, and carried before the House of Lords; there, being put into the custody of the Black Rod, he was ordered to the Tower, where he had apartments in the Round Tower, near the drawbridge. He had his body servant with him, and there were two wardens in his outer room, and two sentinels with fixed bayonets on the draw-bridge.

'Several of his friends waited on him, among them the distant cousin, then an ensign in His Majesty's Guards, to whom his estates would go, and the ablest of legal gentlemen offered for his assistance. He would, however, have none, nor disclose himself to any, but appeared, indifferently, to admit that what his false favourite had disclosed was true enough, and that he had instigated this fellow to put away Harriet Bond, yet, when the moment had come, had taken a hand in the crime himself—"to silence," as he said, "her importunities, yet I know now that they will never cease."

'This wild talk much alarmed his friends and in particular some ministers who came to wait on him; they tried to reason him out of it by declaring that the crime was so mean and pitiful there could be no excuse for it; the prisoner declared that there might be an attachment to a noble gentlewoman that was a sure way to be returned, but likely to be blasted by the jealousy of this cunning creature who had what she believed was a promise of marriage. This talk (that came near a confession) was so distracted, there was no knowledge even among his lordship's intimates as to who this pious lady could be, for he had always put aside all talk of a marriage, that his friends induced him to put in a plea of insanity, to which he readily agreed, yet with a disdain, as if merely to please them whom he had so much offended.

'After having been in the Tower two months and two days, the Earl was brought to trial before the House of Lords, the Keeper of the Great Seal being Lord High Steward.

'During his journey to London and his confinement, the Earl had behaved with great propriety and moderation in his diet. It was noted by the curious that he had a mere basin of tea with a spoonful of brandy and a muffin for breakfast, and that with his dinner and supper he had no more than a pint of wine.

'Witnesses were called and examined at great length, the trial taking three days; his lordship took up his own defence with an elegance and clarity of understanding that disproved his own plea, that of insanity, a plea that he declared he was much averse from, that he did not think would avail him, and that he made to gratify his friends only. This plea spared him, however, any analysis of his supposed crime, that he passed over in silence save for a sarcastic comment about the fuller's dream—"for," said he, "if this be admitted to evidence, who is safe?"

'He was found "guilty" by his peers and sentenced to be hanged and anatomized, being given, in consideration of his rank, ten days' grace. In this interval he behaved decently but refused all spiritual aid, even making a mock of some zealous friends who tried to induce him to repent his sins—for, said he, "the time allowed him was not long enough for that."

James Daintry read no more; he had, rolled in his memory like a parchment in a case, the account of the hanging, the drive to the gallows in a phaeton with six horses, the press of people so great that from the Tower to Tyburn the sweating beasts took many hours, the cool gentleman conversing elegantly with the Sheriff, wearing a coat of copper-coloured satin with intermingled braids of gold and silver, 'that I designed,' he remarked, 'for my wedding.'

But none had heard of any marriage proposed for him unless he referred to his promise to Harriet Bond.

As he reached the black-hung platform the chaplain who accompanied him warmly and earnestly begged him to make a confession, but the condemned man merely replied: "That lately he had had so much to distract him that he had hardly been in his right wits," but agreed to repeat the Lord's Prayer, that had always, he said, seemed to him what any man might subscribe to. Then he declared that he saw a lady in a coach near the edge of the crowd, where a company of foot kept the mob from the toll gates, and that he must speak to her, but no such lady could be seen, either by the sheriff or the chaplain, and both begged my lord not to make a delay in searching for this person, the press and the commotion being so great. So the condemned man died with much firmness, and though his family could not prevent his powerful enemies from bringing him to this horrid end, yet, they had enough influence to have the account of the case suppressed, it was not reported in the news-sheets, related in broadsheets, nor indeed anywhere printed, while all the details of his career were expunged from the family records.

Newsmongers made their secret copies, however, and a relation of the strange affair appeared in The Gentleman's Magazine some twenty years afterwards, owing to a Daintry having offended the owner of this publication. Yet the Seagroves had this issue suppressed, and most copies destroyed... only here and there in an old cupboard... There were rather too many old cupboards, dark receptacles, not only in ancient houses but in people's minds where secrets were stored. Anyone who really wanted to discover something, especially something that had the flavour of being forbidden fruit, sooner or later seemed bound to do so.

The young man looked around the Pavilion. It had been decorated with some skill in monotone, after the manner of the Pompeian frescoes. False windows were painted on the panels, in shaded tones of grey. The imitation lights were crossed by trellis, now faded to the hue of umber, and beyond were colourless and unreal scenes of lake and mountain in what had been once named the Italian style.

He looked from one to another of these landscapes meant as trivial and fashionable decorations, the lightest of amusements, but to him now full of at least a sombre, if not a sinister, meaning. The fact that these scenes were all without colour—perhaps the artist had been meaning to add brilliant southern hues to his light and shade and had cheapened the work at the last—seemed to make them part of a dream, for in themselves the views were commonplace enough, the stock-in-trade of the journeyman decorator. No one more important surely had been employed for the Folly when it had been finished in a spirit of bravado without any intention of ever being used. Most of the panels had fine cobwebs at the top. These spread over the latticed shutters, also in the persiani manner.

He had only unlatched two of them. Now he rose and opened the others so that as much light as was possible came into the Pavilion, and the landscapes between the windows were cast into a further blight of shade which had the effect, to his perturbed imagination, of making the small figures of peasants to move, the streams and cascades to stir, the trees to bend in some invisible wind.

The furniture of the room was old-fashioned but had been kept in good condition. It was uncomfortable, stiff and painted Italian chestnut, carved, with gold inside the little flowers of Florence, and hard cushions of purple and green velvet with long tarnished tassels.

He gazed down at the floor with a dark glance that seemed to gaze through the plain drugget and the boards beneath. He had no idea where the spot was for which he was searching. It might be that the chair he had taken, half-way down the room, was over that empty grave. It might be in that far corner where a mirror from which most of the tinfoil had worn off, and that seemed to reflect nothing but greenish depths of water, was hanging in front of a tapestry, which time had changed to hues of indigo and mignonette.

The monochrome paintings took his mind to Italy and to the day when, as he had told the Fiskes, he had first heard of Harriet Bond in Rome. He recalled Rome, all his tour, now... The sharp colours of the South overlaid the monochromes, the austere blurred shades, the dull half hues of the Pavilion that had never been used, and it came into his mind at the same time that he had not lately been to see Mr. Abraham Steel, the botanist employed by his grandfather, who lived in the modern brick house by the great conservatory and who, with his two gardeners, was totally absorbed in horticulture.

The young man had made botany his obsession before he had come to be concerned with Harriet Bond. It had been the one subject on which his grandfather and he had agreed. Many thousands of pounds had been spent on the greenhouses, which were supposed to rival some of the smaller glass-houses at Kew, but Abraham Steel and his exotics had not been part of Lord Seagrove's life for some years. He wondered now, if the man would continue in his place, he, too, must be set, as in a magic circle, in his obsession. The hot glass rooms with the water-pipes going round them, the steam on the thick green dome, the unnatural, luscious flowers, the silent gardeners with their cans disappearing, and then the herbarium, the collection of priceless books on botany, the presses in which were the dried specimens. It was a curious, unreal life, yet at one time he, James Daintry, had liked it, had gone down there to learn botany and to paint and draw the flowers and fruits that Mr. Steel cultivated with such silent and austere care.

This almost forgotten pleasure had partly been brought into his mind because that morning, without a word or a note, a canister had been sent to him that he had opened in some surprise. A cascade of strange flowers had fallen over his breakfast table, succulent, fresh, most of them to him nameless. Pearl and lilac and sea-green colours, bearded and fringed with long stamens and curling petals, all sharply fragrant. Some of the stems were loose and broken, some of the leaves dark, glossy, and strong, some pale and fragile. He had understood that this had been Mr. Steel's reminder to him, the new master of Charters, of what had once been his pastime.

'I must go and see him,' he thought drowsily. He had had the flowers placed in a large dish, but some of them had sunk half under the water and appeared like sea-shells or even small marine animals.

He remembered now between these flowers and the half-eclipsed Italian landscapes, the Southern journey with Mr. Chalmers and the brightness of everything, that clear perspective that made even the most distant castles stand out in every detail. 'The farthest hills had a sharp violet edge, so that it seemed as if they were made of cardboard and you could put your hand behind them. There was never any blur, or mist, or twilight; the dark came down suddenly, like a mantle over your eyes.'

He remembered the journey to Naples, the visit to the volcano and the pause that he, Hackett, and Mr. Chalmers had made in a wayside habitation that they learned from an Italian priest who joined the party, was the dwelling of a recluse. A flask of wine, and bread and apples had been put on the table before them by a quiet man who was presumably the hermit. There had been many flowers there, the solid scarlet bells of the pomegranate and pepper trees, the oleanders and camellias that had a thick substance as if cut out of mother-of-pearl. He and the Reverend Timothy had collected specimens for their cases... He had been full of enthusiasm then for the endeavour to grow them in 'the great stove-house' as he called it, using his grandfather's out-of-date term, at Charters.

They had passed through these brilliant valleys towards the crater where the ashes lay sprinkled, feathery, on the hardened lava, dull colours of dark blue and putty from which the cameos, so displeasing in texture and colour, were cut that were sold with the coral and amber at Portici. It was quite senseless for him to think of that now... Portici—there had been nothing there! He had turned back with his party as soon as the mules began to get restless because of the hot cinders. He had taken, he was sure, no notice of the Reverend Timothy's orthodox comments and commonplace, if learned comparisons, between the crater of Vesuvius and Hell's gates.

He had never been to Sicily, nor had any wish to see that larger monstrosity Etna, where the plumes of smoke shot by flame spread out continuously like a canopy over the haunted island.

His mind came back to Rome. One of the painted scenes in the Pavilion resembled Lake Nemmi. He had gone there on horseback with his tutor, Hackett, and the courier, a man with swarthy Roman features and the pure Roman accent, who had acted in the same capacity to his father. James had been impressed, as all must be, by the sombre lake that light never seemed to touch, the trees sloping down to the very edge either side so that the water seemed to lie as if at the bottom of an almost empty black cup. The saplings were marked with chalk to guide those at the top down to the waters. There was a small track round part of the shore and at one place a barge that seemed as dark and gloomy as that of Charon was moored.

It had been spring, and the white violets and the cyclamen in their three colours of vivid pink, pearl pink, and pure white, like butterflies with nipped-back wings, were thick among last year's mosses. They gave, however, no air of light or gaiety to the scene as did the primroses, violets, speedwells, and cowslips of an English April.

When the tourists reached the shore of the lake, and there was but room for them to walk in single file between the water and the sudden up-rise of the wooded slopes, the courier told them the usual legends, against which Mr. Chalmers had already warned his pupil. They had, of course, scholarly works at the hotel which would give him the true story of Lake Nemmi. But the courier told them of the barge of Tiberius that was sunk beneath those smooth black waters, and how it had gone down by a devilish device invented by the tyrant when it had been loaded with singing girls, young musicians and the youth of Roman nobility; while they were at their music, their wine, wreathed with flowers and redolent of perfume, the emperor's stratagem had taken effect—a plank had shot from the bottom of the barge and it had sunk through the lake, which was supposed to be fathomless.

"I don't think," Mr. Chalmers had said serenely, "that there is any water that is fathomless. It merely means that man has not been able to fathom it."

The courier had smiled. "Well, signor, it is a good many miles down that the bones, if there are still bones, of the youths and maidens, are lying. Whatever man can fathom, he has never so far fathomed Lake Nemmi."

"For that reason," the tutor had said in conventional tones, "it was chosen by the ancients as a sacred grove. Priests, disguised to alarm and intimidate the ignorant, set up their temples here and affected to answer oracles. They hung their shields emblazoned with mystic signs upon the trees. From those pagan days many fables have come down which no doubt even in our enlightened times would at the proper moment cause a shudder to the superstitious or the sensitive."

Lord Manton had replied quickly that they caused him no uneasiness, but in truth he was oppressed by walking so near the water that had a dull gleam on it like the surface of lead; and so close to the steep groves, once sacred to pagan divinities and since Christian times supposed to be accursed.

"I suppose I should tell you," Mr. Chalmers had said, "that this is a spot that to you should be very painful, while at the same time one that you should regard with reverence. I don't know," he added with some hesitancy, "if I should have told you in our pleasant salon or here, but I think..." he nodded towards the guide, "Pietro should be the one to tell you in his own language. He was present at the accident."

The Italian, who spoke a moderately good English, replied like one taking up his cue: "Yes, sir, this is where your father met his death through his own headstrong obstinacy."

"My father?" the young man had repeated. "Yes, I remember hearing he had died by an accident abroad, it was here, was it?"

"Your mother, my poor boy, had died of cholera in Rome. She caught a chill, sketching in the churches like so many foreigners do, you know, when the sudden cold comes down."

"Yes, I knew my mother had died of cholera in Rome," the boy repeated, "but my father—was he drowned here?"

"Yes, he and his manservant. They were warned that it was dangerous to ride a horse round the lake, but they would go and I—" the Italian shrugged, "well, I went with them. We had sure-footed beasts and it might have been perfectly safe. We had had a long drought and though the lake never shrinks, there was no slippery mud but a dry foothold. It must be admitted that the gentleman was in much distress of mind, not only through the unexpected death of his wife, but because six months before only his younger brother had been shot by a French journalist in Paris over a foolish punctilio. There had been much attachment between the bothers, and your father, sir, had come to Rome with his wife in order to ease the sharpness of his bereavement. He had me with him very often. Some nights, when he was much agitated, he would sleep, fully clothed with his pistols beside him, on a table, and I would sit holding his hand all night. He had, as people will in such a condition of their intellect, many whims. He had gone to a vast expense and a tedious trouble to have his wife's body sent back to Charters, and he had gone also to Carrara to order her monument from the marble quarries. Though she was to have been buried with his other kin in a Mausoleum at Charters, which he told me was the copy of an antique temple, yet he intended to set up a magnificent show-piece for her in the church of St. Jude's. He employed the best artists and gave himself much concern about the design. All was completed to his satisfaction and the monument packed in seventeen cases and sent by ship from Leghorn to an English port."

"Yes, I have seen it," Lord Manton had said. "I think it is stiff and ugly, but I have such a mission too. Mr. Chalmers and I have also to go to Carrara or Massa to select a monument for the man of whom you are speaking. There is nothing but a small tablet in Charters. Tell me how this happened."

"There seemed no reason at all—something startled the horse. We called out to my lord to be careful. He was a fine horseman, of course. The servant tried to overtake him and help him by seizing the bridle, but he was thrown out of the saddle. The horse scrambled up and got a foothold somehow on the bank, but the servant, whose name I recall was Prickett, seemed to take a plunge forward after his master, calling out to me that there was a woman with a green bonnet who would come between him and the sun. Then he, too, lost his foothold and horse and man were in the lake. I could do nothing," added the Italian with grim placidity, "the young Englishman was sucked under almost at once. The horse struggled for a little and swam ashore; I managed to get him landed, but the servant had gone, too. It was not until three months later that your father's body was cast ashore, though the peasants, after this horrid event, came down frequently in their goat skins and their black hats with ribbons, as you may have observed them, sir, to stare at the lake, and they saw your father's hat, which, I remember, was made by Scott's of Bond Street, floating on the still water."

The young man remembered now this touch of absurdity which had yet been a touch of horror... The modish hat had floated on the lake that lay above the remains of the festival yacht of Tiberius.

"I suppose so, sir," smiled the Italian. "Your father had told me that his house had a ghost, or fetch, as he said his wife termed it. It is possible in the state of mind he was in that he believed he saw this woman before him."

Then, in these austere and sombre surroundings, James Daintry had heard the story of Harriet Bond, but it had been a very different version from those afterwards either recited to him or discovered by him.

As the Italian took his little party up the chalk-marked trees to the flat ground above the lake, he had told how, with a few suave and energetic comments put in here and there by the florid, panting clergyman, that Harriet Bond was an imbecile of a great beauty of person who worked as a servant at the 'Seagrove Arms.' Her origin was unknown, and the Italian, who was a Roman Catholic, was quite ready to give it some supernatural or evil turn, but Mr. Chalmers had said briskly: "It is nothing. The girl was half an idiot." She had fastened her attentions on the fifth Earl, who went, when he was at Charters, freely about his estates. He was a man who insisted very little on the dignities, in those days thought so much of, of his rank. He had spoken to her once or twice, impressed by her strange beauty and her heavy manner, and she had taken to following him, to waiting in the park at twilight, to creeping along the hedges while he rode the highway to meet him in by-lanes; to leaning out of the window of the 'Seagrove Arms' when he passed until he had felt her spying to be a persecution, the more so as he was engaged, having already tired of the debaucheries of his age, in chemical and metaphysical experiments. He had always had the reputation of being eccentric, and a great deal of his large fortune had been spent on what were then known as 'follies,' but what afterwards were considered to have had some value.

The Italian was not sure, but he had had some hints from his employer that the fifth Earl, who was a bachelor, was much attached to a lady of a most pious complexion who had, if not actually refused his advances, at least kept them at a distance, and that he began to feel that the persecution of Harriet Bond, which covered him half with scandal and half with ridicule, and that had become the matter of sarcastic jests among his companions, was debarring him from any progress in the affections of this other woman. But Mr. Chalmers had put in emphatically that they were not sure of that, and that it was an old story, anyhow, and now, once it was told, it must be forgotten.

"Well," continued the Italian as they suddenly came on flat land, as if they had crawled over the edge of the cup within which the lake lay, and stood in the sunshine, "he was supposed at some time when he was half demented between his experiments and his heavy drinking to offer a considerable bribe to anyone who would rid him of Harriet Bond and to enter into a good deal of talk with one of his hangers-on for the disposal of the girl. The details of the crime that followed we need not go into. The girl was certainly murdered with a collier's pick which was being used to make the foundations of the little Folly my lord was having built at Charters. There was a man, a fuller, supposed to be unsettled in his wits, who pretended that he had seen visions of the girl after she had been for some weeks missing, and who lodged an information with the magistrate. It was commonly believed that he had seen something of the crime when crossing the park after dusk and that he used this story of a ghost as a means of disclosing what he knew without offending great personages. Since the disappearance of Harriet Bond the fifth Earl had lived much retired at Verities and had had in his service and confidence several foreign doctors, of what sciences or universities I know not, who were regarded by the neighbours as little better than necromancers, alchemists, or wizards. After the discovery of the body of the girl, the man whom the fuller accused, and who certainly had gone to the 'Seagrove Arms' to take the girl away, was arrested at the Newmarket races, made a full confession exonerating himself save to the point that he had been an accomplice or accessory after the fact, and accusing the Earl, who was arrested, taken to London, behaved in a strange yet decorous manner, and, having made many enemies at court, mainly among the Prince of Wales's party, for he had a sarcastic turn, was tried before his peers and finally hanged."

* * * * *

This was the episode that the young man recalled as he sat in the little Pavilion, that had seemed so far away, so insignificant when mentioned by the Italian on the narrow borders of Lake Nemmi. It had been two years after that that small-pox had killed his elder uncle and a sudden squall on a Scottish lake had taken his aunt and his cousins. Some others had 'died in infancy,' as the trite saying went... He had often read, and they had no meaning for him, their names on the marble tablets in the old church. So he alone had been left with the full burden of it!

If it was true, was she not at last satisfied, and he demanded aloud, rising to his feet: "Who was Harriet Bond?"

His fancy overlaid the monochrome pictures, the neutral, correct tones of the decorations of this room built for pleasure but never used, with those vivid and brilliant colours of the flowers that Abraham Steel grew in the steaming glass-houses, with the flowers and plants, some of them so hard in colour and looking so hard and stiff in texture as to appear metallic, that he had seen in Italy... the orange before it ripened, the colour of dark jade, the citron, long-shaped and greenish-yellow, the golden polenta spread out before the small Tuscan farmhouses to dry, the maize growing in the fields with the hues of precious metals—silver tassel, golden seed. That canister of flowers this morning—the dark purple, the violet that seemed to gleam, the crimson that had passed into white like a spreading stain, the textures of velvet, of satin, a sheen like hard pearl, a yielding softness like feathers. He seemed to see the prism as if each colour had divided into its component parts... it was like seeing a pack of cards jumbled on the table, a broken puzzle that he must put together, yet always as intangible as it was fruitless.

There was really nothing for him to know, nothing for him to understand. How often Lucas Perry had tried to help him from his stumbles in this benighted world of fog and shadow into a clear spirituality where he might see angels, but not fiends straying about his path; but he did not know if the Swedenborgian had really affected him favourably. The man was odd, too, and the founder of his doctrines little short of a madman. Strange that a great brain should slide late in life from the precision of mathematics to the whirligig of hallucinations, and that another man of mean extraction and capacity should put all this rainbow shifting fancy into the rigid rules of a dogma! Yet he would have been glad of the company now of Lucas Perry. He remembered his gracious old house at Camberwell, where he kept a well-equipped dispensary; though he held a high degree for medicine he seldom practised, save when some case of bitter distress was brought before him. But his workshop, as he called it, was an agreeable place with large jars of Delft of a dull blue, with a dark blue design, or Majolica with the shifting, iridescent glaze like some sea-shells have, and the dry herbs—cummin, saffron, hellebore, and other drugs, ointments and unguents of which the youth had long since forgotten the names; yes, it had been a pleasant place, with its air of serenity, of peace, of healing. Outside the window had been a large tree, a flowering lime that bore flowers the hue of amber, the boughs pressed close to the long windows, and in summer were filled from dawn to dusk with the incessant murmuring of bees, themselves the hue of the long dry blossoms that presently loosened and lay on the ground like a faded carpet.

The odd man had told him many curious things all intended to soothe and distract him from his own foolishness.

Heartening tales of voyages and difficulties that he had overcome; or of some rare flower, hardly discovered, from which excellent properties of healing and cure had been obtained; of long travels over distant mountains where there was nothing but slides of snow and lakes of salt until suddenly a crevice would be passed and the traveller, bewildered by cold and lack of colour, would see beneath him valleys full—yes, full, in the sense in which the canister had been full that morning—of the most superb blossoms, unknown in this western island, tall as a man, and they were of strong colours of yellow, blue, and violet that had been growing and fading and seeding and growing again as long as the world had existed, without the eye of man looking upon them. Now perhaps all that remained of these trophies gained at such exertion and peril would be with some dried seeds at the bottom of a small alabaster box, or a description in ink already beginning to fade, in an old notebook; one such he remembered in particular, bound in unshaven goat's skin; or a pressed plant, a ghost of itself in a book with wooden covers. But Lucas Perry had told him that these mean-looking prizes yet bore in them the germs of relief of suffering to mind and body, of perhaps future and most important discoveries.

"But here," said the young man, rising, "is nothing—a bare room that has never been used. I think my wits are not settled, I cannot divide this moment either from the journey out of Naples—or was it Portici?—the visit to the recluse. I remember how the apple shone in his hand and how, after a little while, he took our plates away and put another repast on the table as if bidding us depart, for other travellers wanted refreshment. No, I cannot understand why I have this all confused, or why like a palimpsest with the canister of flowers that was spilled over my breakfast table and the copy of The Times this morning, and the letters I never read but Hackett took up, and the visit to Lake Nemmi and what Mr. Chalmers and that Italian told me... We saw the peasants on their way home—high-crowned black velvet hats with the ribbons and the fur leggings, some of them were ferocious and threw stones at strangers, but Mr. Chalmers gave them small coins and then they ran away. The Campagna is barren now, but it once used to be orchards or corn... This brings me to my native landscape, where among the corn will grow pleasanter blooms than anything I saw in Italy. The blue speedwell and the azure corncockle and the poppy that seems nothing but a stain in your hands when plucked but means what we all need—sleep and oblivion. I like, above all, to see those flowers in the ripening wheat, and now this room that has nothing but the sunlight, that my material eye tells me is very pale, falling in shafts through the windows, and those old poor paintings in monochrome, is all blurred and blotched with those ancient colours.

"It is in my eye like the rainbow, or the mirage that one sees in the desert; or in the Highlands when troops of phantom soldiers rush down the glen and disappear along a path too narrow for even one mortal to conceal himself in—where in the early dawn the shepherd going to his flock sees a mocking giant bowing at him through the mist. Aye, optical illusion, we know that and how it can be produced; but does that get us much further as to why it is there and why it torments us? I should brush this all aside and face this bare room and the pallid English sunlight and my own fortunes. Not so easy, but to be done."

He closed all the shutters save one. The light from that was sufficient to illuminate the room clearly, and he tried to look at it now with a critical judgment. It was an imitation of a well-known pavilion of a villa of the Brenta. It had no especial merit of any kind and he was quite sure that Sir Henry, apart from any superstitious fancy, would advise its demolition. It was, above everything, out of date; as out of date as hermits or ghosts or mausoleums built in copies of ancient temples. It was, as Dr. Perry had not hesitated to tell him, in exceedingly bad taste, nothing but lath and plaster and canvas and a few boards. In a day or so half a dozen men could have removed all trace of it, and for ever.

* * * * *

A light scratch on the door, it seemed to him as if he had been expecting it, he said firmly: "Enter whoever is there." The handle was turned and the girl whom he knew vaguely as Adelaide Fenton stepped with a mincing air, not quite suited to her graceful but heavy limbs, into the Pavilion. Her rather full eyes were sparkling with pleasure and excitement. She wore the green sash, the white gown, and her ordinary dark coat.

"Oh, it is a shame for me to disturb you," she said in a prim voice, keenly glancing round, "but the Pavilion is a curiosity, you know, to Mullenbridge, and I saw you go in as I happened to be passing. I was plucking cowslips." She showed a handkerchief that she held at the four corners. "We think to make some cowslip wine, but there is not nearly sufficient flowers."

She continued talking rapidly, as she came into the centre of the Pavilion and, as it seemed to him, into the centre of his dream, as if their two circles had now closed into one. Her words were absolutely commonplace, as was his demeanour.

"You don't mind me coming up here, do you?" she said, as if with the air of a pretty girl sure of her ground with an amiable young man. "You see I'm interested in all these old things. I read something about this in a book I found in a cupboard at my Aunt Martha's."

The young man did not wish to hear anything about books found in cupboards; the patterns were fitting together too quickly in a manner that was not agreeable to him. He looked at her with a very keen scrutiny. Flesh and blood—an ordinary miss, surely, surely... and yet who knew what disguises these creatures took? He had read a great deal too much of in what forms they returned. He had wondered how the fuller had seen the spectre that called on him for revenge, and in what manner the poor fellow who ended his days in a lunatic asylum had seen the shape that he had conjured up from the causeway near by where the little girl fairies sang behind the bushes in the harsh voices of ancient women.

Adelaide was triumphant because of her good fortune. If the young man did not seem very desirous of her company, at least he did not rebuke her... it was just a case of keeping one's wits...

She knotted the four corners of the handkerchief together. The pale green and the thick yellow of the flowers showed between the folds of fine linen.

"You received my little present?" she asked rapidly. "I ventured to mark them with my own hair. You got my letters, of course? I am not impatient at waiting, you know, but if you could come down to the—" Something in his look made her pause, and he filled in the word.

She giggled foolishly. "Well... we have met there, you know—but it is rather a sad tryst, don't you think? Why can't we go about more openly? You know I'd like to come to Charters."

"I swear to God you've been there," he said solemnly. "That you know every hole and corner of it, every place from which you can leap out on a man who is not suspecting."

"Oh, la!" cried Miss Adelaide. "That's an odd way of talking! Why, you know perfectly well I've never been up to Charters, nor Verities either, and there's a number of things I want to see. Now this Pavilion, what was it for, why was it built? It's not a tomb like the Mausoleum, is it? A cenotaph, I suppose?"

He agreed solemnly. The light seemed to him to be failing suddenly, like it did in Italy, not with the long melancholy of an English evening. It was because he had shut all the windows but one, of course...

She smoothed out her pelisse and took, uninvited, the grey-painted chair. Out of the bundle of cowslips she slipped small pieces of paper.

"Mother's getting worried about these. It don't look well to ask her to keep on paying. You know there's a lot of presents I'd like to have. Won't you just sign your name to an order? It's no more than fifty pounds, and that's not much for a man to pay for a girl he's fond of."

"Fifty pounds? Why should I pay you fifty pounds? I didn't think it was money she came demanding."

"Of course it's not. It's love and romance and affection—but you know how careless you are, dear—and the money's needed, I need the things. You see there's always so many bribes to be given to Caroline, and the little wretch watches—well, I declare, I might as well have a constable behind me; and you know that your people have set their spies on me too."

"Are they trying to lay you, the wise men and the priests? Who are you—just a village girl..."

She looked at him with greedy eyes, a likely youth but not altogether to her taste. He was not dressed in such a showy way as she really would have approved.

"Well, I don't like all this kind of half-light talk," she sighed. "If I were married I should like to go...

"'In blue and green,'" he quoted, "'which is only to be seen, on the back of an Irish queen,' and in a chariot which would take us at a speed of sixty miles an hour to Ireland."

"Oh, la, no, I don't want any nonsense like that. I read in one of the ladies' papers that Mother takes in, of a fashionable wedding where the bride wore a dress worth £7,000 and the carriage was painted yellow and the servants were all in liveries of yellow and blue and all the maids had bouquets of sapphires on golden wires. That's the sort of show that I should care for. I should make a good display, I assure you."

"I don't know what you are talking of," he replied, walking up and down. "You begin to distract and oppress me, you certainly do, like he and those that followed him (and my father too) were distracted and oppressed."

"Well now," protested Adelaide stolidly, "you mustn't go thinking of those silly old stories. I was a bit interested myself, and there was a book in the cupboard..."

"I don't wish," he interrupted, "to hear of the book in the cupboard, of anything hidden in the cupboard, of anything hidden away." He glanced again through the doors of the Pavilion. "Tell me what you want of me and leave me at least for a while. It may be that you have got me in your power."

She had her pencil ready and thrust a ragged piece of paper in front of him. "Why don't you sign that? That's all I want. Aunt Martha will be asked for fifty pounds and there will be a scandal and talk and you will be embroiled. And I think you like me," she breathed with amateur coquetry.

"Do I like you? I don't know. I've got to see those marbles set up in the church to my father's memory. They are still there in the packing cases after four years. My grandfather didn't care about seeing the work done after all, but I must. One of them is broken."

"Can't you get your mind off that sort of horror?" asked Adelaide. "Churches and ghosts and people coming back from the dead and fairy tales? Oh, sir, I am sorely in want of this money and you do owe it to me, you know, with all the letters you wrote."

"Why of course you did, I've got quite a packet of them. You see, although Father's paralysed he's got to know something, and he put his seal to his consent."

"Tell me where I should sign and go," demanded the young man. "What are you talking about—fifty pounds?" He pulled out his pocket-book. "I haven't as much."

"What you have got will do, and that ring—I'm sure it's nothing you value much."

"It's my gold signet, I couldn't give you that. I don't know why one keeps these trifles; habit, I suppose."

He counted some sovereigns out of a long knitted purse. "Ten pounds, nothing like enough. She said she wants fifty pounds. I'll send it down to you to-morrow. Where does your shape in which you dwell reside? Close to the church and the grove, of course, I've often met you there."

"Send it Miss Adelaide Fenton—the house has got no name, it's just one of the houses by St. Jude's in the lane."

Adelaide's hands, though firm and usually well under control, were fluttering on the handkerchief full of cowslips and the scraps of ragged paper. In a corner of the cambric she tied up the ten sovereigns. With a movement that was suddenly warm, human, and caressing, she moved towards him and he felt as if a glow of heat, agreeable and enervating, had enveloped him.

"There now," she coaxed, with her soft full lips close to his ear. "Don't worry and trouble yourself over all these silly tales. They've let you lead an unnatural kind of life. I used to think so when I was a chit myself, seeing you walking about with that old man and the steward or the stove-house fellow, and never or seldom companions of your own age; and you don't like those stiff formal young ladies they bring down, do you? I can make you happy, dear. I'd get you far away from this, but not in any of your fairy coaches going at sixty miles an hour, but in a well-built barouche with four good horses."

"That's what you're not to think of," said Adelaide, firmly. She took his cold hand between hers. "They'll drive you crazy between all of them. Wouldn't you trust me?"

She pushed back her white bonnet and he gave her an anxious, searching look, as one who is half awake from evil and terrifying dreams may gaze into the countenance of him who awakens him in order to discover if it be a friend or an enemy.

"More beautiful than those ghosts or phantoms, I suppose," replied Adelaide with a laugh that showed her fine teeth. "Don't you bother with them, you leave everything to me. Now I must be going home, or there'll be the wrong sort of talk. You see it's Carrie that's so difficult."

"Caroline, my little sister. She's a minx that ought to be at school; lazy and greedy too. Pretty in a way—one could get rid of her. We've never had a chance. You've got to do something to keep her quiet, and my mother's going to Mr. Bisset."

"Oh, I don't know, some nonsense, I suppose; but if you'd come and see her, if you'd give me something, if you'd write letters..."

"I have told you I will send the money down to-morrow. Is it to keep the grave clean?"

"Well," answered Adelaide casually, wondering what use she might make of this further delusion, "I suppose you might call it that. Well, I'm not going to leave you till I see you out of this place."

With quick movements of her strong arms she closed the last shutters. The young man had risen and was staring at the handkerchief with the cowslips, the heavy coins knotted in one corner, and the scraps of paper he had signed, two of them, with the pencil she had pushed into his hand...

She took his arm and led him through the open door. A slight gale was blowing through the groves of lime and oak.

"We will walk down to the park gates together," suggested Adelaide. "You look sick to me, as if you ought to have a little brandy. Do you carry it with you?"

"Why no, of course not, but I don't want to be seen with you on the high road." She thought to herself: 'I hope there's a number as will see us.'

She was really rather concerned about his appearance. He was as chalk white, she thought, as his cravat, but the air and the kind of rosy warmth from the declining sun seemed to revive him. The blank look left his eyes to a certain extent. 'He is good-looking,' she thought critically, 'but not what you call very manly. I wonder if his head is really turned, or his mind? I wonder what he imagines, and I wonder how far I can trust my own common sense? Sometimes it all seems quite unsubstantial, then again a practical affair that would make one's fortune.'

She stood looking at him, having loosened her hand from his arm, and he paused a few steps away from her as if hesitant as to whether to leave her or not. She had a solid and monumental beauty with her bold contours, her fresh colouring, her upright carriage, her full limbs. She seemed to promise support and consolation, a rounding-off of all his mental wondering. Her glance was certainly steadfast. He did not remember to have seen that look in any human eyes before, not even in those of his old grandfather, or Lucas Perry, or Mr. Chalmers.

"I'll send down to you to-morrow," he said. "I understand, of course, that you are Miss Adelaide Fenton, that you live near her grave. I understand all the implications. You must allow me to think it over."

As he was hatless, he made a conventional bow, a half-salutation with a raised hand. She watched him go across the field where the cowslips were so thick, and then she turned and briskly went through the park. It would have been well if he could have accompanied her a little farther, but she had not done so badly, native shrewdness had triumphed over native vanity.

When she came into the lane she carefully put the money and the pieces of paper in a second handkerchief that she pulled from her bosom and laid them at the bottom of the other handkerchief that held the cowslips, so arranging them that there was no sag in the cambric. When she had completed this little bit of trickery she glanced up and saw, with a horrid sense of apprehension, Carrie sauntering in the lane, sucking a large pear-drop.

PART FOUR

Cherry Pie

'The dead do sometimes break through the boundaries that hem in the ethereal crowds; and if so, so as if by trespass, may in single instances infringe upon the ground of common corporeal life.'

THE sight of the solid gold sovereigns seemed to Mrs. Fenton to have a touch of reality that everything she had ever seen before lacked. Adelaide had shown them to her on the palm of a steady hand, and shortly afterwards a manservant (well-known in Mullenbridge as coming from the great house), having a disagreeable and precise air, had delivered a package at the door of the cottage. It was unsealed and had no sentimental trappings of ribbons or tresses of hair, but the flame of triumph was clear in Adelaide's round face as she pulled the covering apart. It contained a brief note that she hastily thrust into her bosom and Bank of England notes to the value of fifty pounds.

These she placed on her mother's worktable beside the spools of thread that seemed to the girls to have some magic quality, for their mother had been using them since they could remember, since as children they had watched the kitten play with them, and they never were empty, only soiled.

"Ten sovereigns and fifty pounds," whispered Mrs. Fenton. "Well, it looks like business."

"I don't think," said the mother, labouring with her own heaviness, "it much matters what it looks like or what it is, so much as it is money."

"Well there's your money, Mother," sneered Adelaide with an air of contempt. "I told you he'd pay up. I saw him yesterday up in the Folly, the Pavilion. Poor boy, they'll drive him crazy with their tricks unless I can get him away soon. Now you needn't go to Aunt Martha, you can pay everybody."

"Yes, I suppose I can." Mrs. Fenton's suspicious mind had fallen on a dark aspect of the case that had at first not been apparent to her. "But who is to know where the money comes from? It might be your Aunt Martha's or even mine. People won't believe— He should have paid himself."

"Here is his name," countered Adelaide, opening her reticule, still with firm fingers. "A proposal asking for my hand. He'll come up to see Father and you whenever you wish."

Mrs. Fenton clutched the ragged piece of paper. "Always the same," she muttered, "more like a charity school boy than a great gentleman."

"And you know," put in Carrie, coolly, "that if he wasn't queer in his head he wouldn't be marrying Adelaide, so why don't you make the best of your good fortune, Mother?"

"Good fortune... I don't know. It seemed to me good fortune when I ran away with your father, and look what it ended in. If the man is likely to get into a lunatic asylum, it don't seem to matter how much money he has got."

"That's a silly thing to say. Even if he were put away I should have a handsome allowance, shouldn't I, and everything I wanted?"

"What do you want?" demanded Mrs. Fenton. "What have we got for those fifty pounds we've got to pay away? I mean to keep the gold to put in a mesh purse and look at it."

"Money on trumpery," Mrs. Fenton continued to grumble. "What's it meant—a pink silk bonnet, a string of coral, cheap it looked to me; some pots of stuff for your face, and you don't need it yet at your age, and that jet bracelet far too old for you and a lot of other nonsense that you and Carrie count out at night like a couple of magpies."

"Oh, Mother, you're so difficult," protested Adelaide, and tears of genuine rage and disappointment were smarting in her clear eyes. "Don't you see what I've got—his signature and the money and ten pounds in gold that you can, as you say, put in a net and look at. Why, it would be very pretty up there by the statue of John Wesley."

"Yes," urged Adelaide, "you could hang it there because the firelight would catch it."

"And what would people say coming in—they'd think we'd gone crazy too. No, I shall put it away."

"That's what people always do with gold," remarked Carrie calmly. "Hoard it, bury it. It's a pretty thing, it should be made into a necklace or a bracelet or a clasp for a belt. What's the use of it shut away in cupboards?"

Adelaide moved quickly at the last word. "We don't want any craziness," she declared firmly. "There's been too much talk of things being shut away—that old Pavilion, and the burial place too, is coming down."

"I've heard talk of a great architect from London coming to Mullenbridge," remarked Mrs. Fenton, still with an air of suspicion.

"Oh, yes, Basil and I were discussing it. Charters will be pulled down and so will the Pavilion and the Mausoleum. Sir Harry is most up to date, he will have it all rebuilt in the ornate Gothic style. It will look sweet. There might be a little drawbridge and some ivy growing over it, and I think I might set the rage for a kind of Tudor costume—you know, Mary Queen of Scots or Anne Boleyn."

"Fie, a silly fool of a girl that you are," complained her mother, exasperated, "it is a wonder you do what you do, it seems to me as if the half-witted have their own luck."

"I quite agree," sneered Carrie, "and their own patron saint. Well, Mother, aren't you pleased after all, and aren't you going upstairs to dangle the sovereigns in front of Father? I've no doubt that however ill he is he will recognize them, though I daresay it's a long time since he had one between his finger and thumb."

"You always talk so coarsely, Carrie," protested Mrs. Fenton with dull resentment. "I don't know what to do with you, you ought to go back to school."

"No, she's not to go back to school," Adelaide said firmly, "she's to stay here and to help you, and to be my bridesmaid and to have a really smart costume from Paris—anything she chooses—and a necklace of real stones."

"I don't know." Mrs. Fenton spoke as if she was battling against some tangible object, "how to get away from all this nonsense. I've been to Mr. Bisset, you know," she added sharply.

"Well, I don't care if you have," Adelaide was at once pert. "Of course, he won't be the man that Basil or I shall employ, he's just a village attorney, not used to managing these splendid affairs; but you can take him the letters if you like, and say how often I have received them, and how often I've sent them, and tell him about the handkerchiefs, too, that I embroidered with my hair, and the sweet notes that I found in the old beech tree, the one with the hole in the trunk in the grove."

"He don't take any kind of nonsense like that," said Mrs. Fenton, "but the written words and the circumstances—and now this money. He did say it was a family gone to bits and people might believe of it what they wouldn't of any other gentry. That queer man Dr. Perry, as he calls himself, coming round here so quiet and sly, and the Reverend Timothy—what sort of reputation has he got? What is he?—still hanging on at Charters?"

"I don't know," Adelaide was still flippant. "Of course, he will leave when I am married, ugly, bloated old wretch, I'll be bound he's got too large a pension anyway. Oh, it is all going to be changed, Mother, and those ugly, dark recesses and cobwebby places, that I swear do not get properly cleaned out, for everyone knows the housekeeper and her servants are careless—everything will be pulled down and we shall have the most charming little castle, of which I shall be chatelaine."

"With the white horse," put in Carrie firmly, "don't forget the white horse, Zimro, who can go, I suppose, like the fairy chariot at sixty miles an hour."

"There will be a white horse, of course," maintained Adelaide with a slight flare of her nostrils. "Don't you try to poke fun at everything I say and do."

"I'll take this up to your father just to show him." Mrs. Fenton spoke with the air of a person of slow wits who has at last come to a definite decision.

"Oh, I'll bring them back all right, your father won't be left to spill them in the bed or crumble them up in his shaky fingers." Then, as if recollecting her orthodoxy, she added smoothly: "It will soon be time for one of you to go up and read him his chapter. He wants a bit from one of the last chapters of Pilgrim's Progress, where the children are urged to eat the green plums and have pains afterwards."

"That isn't in the Pilgrim's Progress," said Carrie, "but in the other story that is bound with it. I think it is rather stupid, as if you needed the devil to tempt you to eat fruit hanging over the wall."

"Well maybe it is the devil," argued Mrs. Fenton uneasily, "that does make you eat the fruit, especially if it's stolen and makes you bad and need medicine."

"Of course, it's not the devil," said Carrie. "It's human nature. I don't like reading that chapter to Father, what does he care about green plums, or plums of any kind?"

Mrs. Fenton did not pause to retort. She left the room, closing the door heavily behind her, and allowed the girls to hear her firm footsteps up the stairs, as a kind of signal that she did not intend to spy on them.

"You're a pretty good liar, Adelaide," continued Carrie, digging her fingers into her pretty ringlets and then yawning. "I cannot quite make out what you are up to. I thought you were nothing but a sheer fool, but you seem to me to be doing some pretty clever things."

"Never you mind what I'm doing," retorted Adelaide. "Remember it's your part to believe in them—and I was up in the Pavilion."

"I know you were. I followed you, then walked up and down the lane. I saw you go in. Did you feel frightened?"

"Well, there's the story it's haunted, you know. That story that interests you and me so much. I saw him after he left you, I was standing by the five-barred gate where the blackthorn's fading... I noticed that as I stood there so long—the little flowers are turning brown and falling off. I thought he had an odd walk, a queer hunch of the shoulders. I wonder if he is going crazy, Adelaide. Of course, I agree with you it would be worth while even if he were. I don't think he's so good-looking, not what you would call a hero of romance—and living in that peculiar way also. Why, he what you call throws away all his advantages. There don't seem no money spent on the place."

"How vulgarly you talk," Adelaide interrupted with a burst of irritation. "What was the good of you going to that school at Clapham! It's the people you mix with in Mullenbridge, you gossip with everybody!"

"Everybody gossips with me," said Carrie coolly, "there's a difference you know."

"You ought to go back to school for your own good." Adelaide knew she was fighting a hopeless battle, but made some efforts at self-defence. "I daresay," she continued hurriedly, "I could have you sent to Paris or Brussels."

"I don't wish," said Carrie, "to go to Paris or Brussels—the best chance I am ever likely to get is here."

"Well, something more than I have had already. After all, what's it been, as Mother said, but trumpery and finery and I have had some hard work to do. What's the use to me of a set of books I don't read?"

"Oh, yes, I have, following you and him and his servants, and putting two and two together and finding out what this person thinks and what the other person says. It's hard enough work, I can assure you."

"Well, you can leave it for the minx you are, and go and stay with Aunt Martha. I think you're hard and disagreeable, Carrie."

"It doesn't much matter what you think, does it?" the younger girl spoke in a voice that was touched with brusqueness. "I want to get away from this place, I want to get away from all of it; from Father lying upstairs with the curtains with that embroidery of foxes and acorns, and Susan in her lindsey wolsey..."

"Don't bother about lindsey wolsey," put in Adelaide, "you shall have poult de soie, the most beautiful material. I saw a sample the other day..."

"Maybe I'd like that, maybe I'd not," said Carrie, stretching in the chair. "I want a little money, that's all. You seem to be able to get it."

"I'm sorry I showed you that to-day. I had to impress Mother," regretted Adelaide, "and in front of you. Of course I can get money and everything I want, but I do not desire to have you spying about," she added viciously.

"I shouldn't wish to stay," added Carrie with a flash, "you forget I'm more than eighteen now. I think that all this stuff you're playing about with is dangerous. I think he's half mad—and you don't know truth from reality. But I also think I might get the two of you to do something for me."

"It's unnatural," cried Adelaide, the tears again springing to her eyes. "You have always been tormenting me and holding something over me, ever since the days when you got Aunt Martha's red paste brooch for pretending you'd seen me up with him in the Folly."

"Ah, there's the word," cried Carrie, "pretending. I've been your false witness for a long time, haven't I? I suppose if Mr. Bisset thought it was worth while trying to hook this fish, I might be your false witness again in a court of law."

"I hadn't thought of a court of law," replied the elder girl with a rather desperate look, "it's all been romantical."

"Maybe, but romances sometimes end in courts of law—breaches of promise—the village maiden and the Earl's heir, now the Earl himself! It would fit in quite well, Adelaide. There would be a number of people who would say they had seen you together and he's such a fool I don't know how he'd defend himself. And then they'd have the letters of course, no one would think an innocent girl like you could have written them yourself. Why that would horrify everyone, wouldn't it? And Father could be got to sign a deposition that he had seen the young man who had asked for your hand. Do you know that the rector has begun to get uneasy that he is coming so often to her grave? He's had peculiar pains taken with it by the sexton so that there may be no excuse for my lord to come down, and with his own hands adorn and clean it."

"He doesn't go there now," said Adelaide hurriedly. "I told him about that myself. I never go there either. What is that odd gloomy part of the churchyard, Carrie, where the sun never seems to fall?"

"It is gloomy, but it is not odd," replied the other girl. "It is dark because of the yew tree. They used to grow yew trees for the archers to use for their bows. And then there's the fir from a cone one of the Daintrys is said to have brought back, and you know, those strange plums that no one will ever eat," smiled Carrie with zest.

"Yes, I know," said Adelaide with disgust, "and I don't want to hear the story over again."

"Well, they are quite unknown over here in England. They grow from the grave of a foreign sailor who died here without giving his name. He was found exhausted on the road and he only said a few words in a strange language—out of his grave a little tree grew. Of course he'd been eating plums just before he died, quite natural, isn't it? Those plums come from Normandy."

"That's quite enough to make that part of the churchyard gloomy, as you say. It's a sort of potter's field," said Carrie with a sneer. "There's a Jew there and a carpenter who they think, but they are not quite sure, hanged himself. Perhaps he was a Judas to someone; and there was a blackamoor who ran away from his master, and they tried to saw the collar off his neck, but he died before they could, and they buried him there. All their graves are unmarked, the place is lush and dark and very suited to your tricks."

"Well, there's a stone over Harriet Bond's grave," said Adelaide with a sigh. "It's quite neat and proper, don't you think?"

"Well, it states, matter-of-fact, quite clearly: 'Harriet Bond, aged eighteen,'" recited Carrie, "'late of this parish, barbarously murdered and done to death by one beguiled of the devil—a warning to all young maidens to be circumspect in their ways,' and underneath the date's scratched out. You can see that—the trouble it's been hacking it out! Then: 'A broken and a contrite heart, oh, Lord. Thou wilt not despise.'"

"I don't know how you can sneer about those things, you might have a broken and a contrite heart yourself one day."

"I don't know," Carrie yawned again. "I've got a good digestion, I sleep well, people amuse me. I've an idea I can get what I want, but don't you go on fooling too long, Adelaide. You bring things to a climax and you can do something worth having for me. I have a plan to go to London."

"You to go to London!" cried Adelaide, for once startled out of her intense absorption in her complicated and confused affairs.

"Yes, I can stay at the school in Clapham for a bit and look round. I've some ideas—but you hurry up, Adelaide, with the cash."

The girl left the room and Adelaide took the rocking chair that belonged to her mother, it had, hung to the back by worn tape strings, a bolster composed of bright crochet-work in coarse wool. The girl was, at the moment of her triumph, rather more disturbed than she had supposed it possible she would be. She also confessed in her innermost heart to a most poignant disappointment in the person and bearing of the young man from whom she had obtained so easily the money and the signature yesterday. Never would she admit that she did not really 'care' for him. She had formed from what she knew of him, from what she had seen of him walking with his tutors or friends, an image that satisfied her as being that of the perfect lover; but now she had spoken to him face to face. He looked ill, his cheeks were unnaturally hollow, his complexion unnaturally sallow for one of his age. His dress was extraordinarily plain, even a little rubbed round the cuffs. She feared he stooped in his walk, that he had almost a shambling step, and what he had said to her seemed, as far as she could recollect it, almost crazy.

All that was normal and healthy in the girl shrank back. Perhaps after all she had better leave this odd affair, that had so exclusively occupied her for the last three years, alone. And yet everything had seemed so easy; that was it, too easy. He seemed to have no spirit, no will of his own, and then his talk—at cross-purposes with hers surely? And yet she did not know. She sighed. Was she one to distinguish truth from reality? What did they all mean? What did this girl, dead so long ago, matter? What was this talk of experiments up at Charters? Well, if she once got up there she would know what to do. There would be no experiments of any kind; there would be solid facts like a French maid and a staff of liveried servants, and the gardens set out in a modish style like those at Chatsworth, with fountains set playing and perhaps one of those metal trees that played an amusing trick on visitors and sprayed them with jets of water when they came too near...

How stupid of people to be meddling with all this moonshine when there was everything that was fine and lusty and jolly just to one's hand. Did she know enough, and had she the strength to battle with these half-comprehended dangers? A vicious look came into her fine features. The falsehoods which she had persuaded herself were the truth fastened on to her unstable, excited mind. Impatiently she rose from the rocking chair and went out into the garden. After Charters you couldn't call it a garden—just a strip of ground divided by a clipped lilac hedge from these peering, leering neighbours—vegetables and a few flowers, primulas and violets. Nothing better than you could get in the hedgerows. The wallflowers were miserable too; they looked in their right place growing on the ruined wall near Charters with tufts of brittle weed and last year's brown mosses; and pale Venus's slippers, rising frail beside them—but here put out in rows it was as if someone made a display of weeds. And the damson tree that was always diseased and the pear tree next door which never bore fine fruit, but always had leaves pierced by caterpillars, and the view beyond of the sloping churchyard, and the church of St. Jude. Norman, of course—Gothic, but not of the modern, elegant kind. Adelaide despised it, the wooden steeple seemed to her foolish. She disliked hearing the rustics practise their bell ringing—and then that dank and dismal spot behind, with the one visible grave and the three trees that had no kindly history...

Adelaide turned away to the house the other side. One of the old women had died since Adelaide had been to visit her Aunt Martha, and the other was continually, as it seemed to the girl's irritated fancy, in the garden, peering under the bushes, grubbing up the weeds, rearranging dozens of pebbles round the borders and, without raising her back, looking upwards, spying.

Adelaide challenged her now and went to the hedge of clipped lilac that separated the two gardens.

"You seem to be always working in the ground now," she said flippantly. "Don't you find anything to do in the house since your sister died?"

"Well, to tell the truth," replied the old woman nervously, "I don't much like to be in the house now I'm alone. It's strange how much more cheerful one feels in the open air, handling bulbs and roots and seeing the birds hop about."

"Well, it's an ugly little cottage, there's not likely to be ghosts in it," smiled Adelaide contemptuously. "There's only one ghost, you know, in Mullenbridge, and that's up by the Folly."

"Oh, I don't like to think about that," replied the other hurriedly. "I don't often get as far as the Folly. I'm really crippled by rheumatism."

"You will have your back locked bending over the beds as you do," replied Adelaide, losing as she often did, when she forgot her gentility, the pretty varnish that the Clapham boarding school had given her. "Do you know," she added, "it makes me quite uneasy to see you always there whenever I come in and out."

"Oh, does it," sighed the other woman in a nervous flutter. "Well, I should never have thought of looking if you or—your young man—" she stammered, "or anything of that kind..."

"Oh, you've seen my young man, have you?" Adelaide was gratified. "But it is a secret and you are not to say a word."

"Oh, I am sure I would not say anything, but it gives one something to think of, doesn't it? Do you know I came over all queer when I first went up and found that poor wretch's grave had been looked after like that—clean white stones put on it and little plants set..."

"Well, the sexton does it now, everyone seems to bother about such foolish things."

"I wonder," the other woman chatted on, standing as apart as she could and looking at her shaking fingers that were covered with damp mould, "who put that text on her stone? After all, who knows she had a 'broken and a contrite heart'? All we do know was she was killed by a collier's pick at a place where she oughtn't to have been. I should call her no good and as near a hussy as could be. I expect if she hadn't been murdered she'd have come to the ducking-stool. They knew how to deal with them in those days."

"No, why should I? It is an old story, I've not always lived here and for my part there's never a spot of England that I've stayed in that hasn't got its tale of something of what oughtn't to have been done. It is always the ghost in the nut walk or the ghost by the pond," she began to laugh. "Who cares for 'em, they don't do no harm. You know that by saying the psalms right off six times without taking breath you can exorcise them and make them plead for mercy. But you mustn't give them their terms," she added hurriedly. "They always ask to be fastened up in a bridge and that means they'll kill every man, woman and child that passes over it. No, you must keep on like the good clergyman used to, even when they were on their faces with fatigue, and go on saying the psalms till the spirit gives in. And then perhaps if you've no more strength at all, you can make an agreement with them to stay in the local pond, and then your only trouble is that you mustn't let the cattle drink there or the ducks swim on it; but if you're really clever you can send them to the Red. Sea, you know that's where they all go. There was a place I was in when I was a girl where they had a very clever person, a truly holy man he was, and there was a roaring ranting spirit there of a farmer what had murdered two wives and used to disturb all godly folk so that no one went out much after dark. Well, they got him proper into a bottle, and the bottle was there when I left the church. A nasty reddish colour it was and the parson wouldn't let you have a look at it, but a young woman what had seen it said she saw something black hopping about inside."

Adelaide looked doubtful. She had no answer to such a story. She was incapable of being much interested by anything that did not greatly concern herself, and had neither education nor imagination sufficient to deal with anything like this.

The old woman added with a touch of malice: "Aren't you afraid of the ghost, going up, as they say you do, so often to the Folly and at twilight, too? You know there was the fuller who saw her and that's what got my lord hanged, and there was that man Gifford who was studying astronomy—he saw the fairies and herd 'em, too. He went off his wits, they put him in a Bedlam."

"Oh, I daresay if one talks too much of such things," agreed Adelaide, "one might get in a Bedlam. Why don't you get somebody to live with you? You've got us next door and other folk beyond, and there's a cottage or two down the lane. You ought to read your Bible more, I have to to Father. That and the Pilgrim's Progress, which I suppose is as good."

"No, it bean't as good," denied the old woman with precision. "It's nothing but a story book. I don't believe the half of it. I'd read my Bible more, but it's such a fine one, it was given me when I left service and it's red leather, all stamped, with markers and a box to put it in, and gilded edges and big letters in red, and my name inside writ all proper; and I don't mean to thumbmark it, taking it out to get consolation from it, and I say if the Lord be what He claim, He can keep the evil spirits off without you opening the Bible. It ought to be good enough for Him who sees through everything, to have His book by your bed. That's what I and my sister did to protect ourselves without soiling the handsome book."

"Our Bible's ready to drop to pieces," said Adelaide, "and who cares? How long the days seem," she added with a sigh. "Spring does always appear to me melancholy."

"Why don't you go down to Mullenbridge and enjoy yourself with the shops?" asked the old woman, taking her trowel and making some aimless jabs at the loose stones at the edge of her path.

"There's nothing in Mullenbridge," complained Adelaide discontented, "everything's old-fashioned and out of date. It is all right for Carrie, who only wants lollypops and cakes, but for any thing modish..."

"There's Miss Herle's," grinned the old woman spitefully, "I did hear as you got bonnets from her."

"I suppose you'll be going to the Assembly Rooms dance this year, on the right side of the rope, too."

"Well, of course I shall," replied Adelaide, who had not before given this problem any consideration. "I shall wear a single white rose and a gown of heavy corded silk in a peach colour, and perhaps I shall have a fan... I don't know."

"You won't speak so harshly to me when you know who I am and what my destiny is," replied Adelaide.

She sighed and turned away to the gate and looked up the verdant lane that was so seldom trodden that the soft grasses and mosses were worn away only in the centre; either side they grew lusciously into the hedges where the coral horns and pearl-coloured trumpets of the honeysuckle were beginning to entwine among the delicate tendrils. The sky was fading to a saffron colour against which the trees, not yet fully clothed with leaves, had a dark clear outline. Flights of small birds in arrow formation were flying homeward and their chatter filled the air with a noise not only incessant but that seemed perpetual like the whispering of the poplar leaves on a day of high breeze, or the running of water by the old mill wheel.

The Assembly Ball... Adelaide, with her wits absorbed in other concerns, had not given this a thought. Of course she would have to go to it, even if it was only, as she termed it, incognita. She might even wear a mask, would not that heighten the romantical effect? Her mother must go with her as a matter of business, and Carrie, she supposed, as a matter of blackmail. She had got the word out of one of the novels she had read. The subject had been very discreetly treated. Some great lady was being blackmailed for some slightly imprudent letters she had written before her marriage, by an entirely disreputable maid, and as Adelaide had read the story—first soaked in its sensuous charms, the description of the satin-lined boudoir, the lady's amorous adventures—she had at last grasped on the fact that Carrie was blackmailing her, and that Carrie was not easily to be silenced or shaken off.

This was not at all an agreeable thought. She had always detested her younger sister, and she was angry with herself that during these years of her day-dreams, plots and schemes she had allowed Carrie to so get the upper hand from the moment when she had by threats obtained from her the red paste brooch. Carrie was no longer a child, she seemed indeed older than did Adelaide herself. She was beautiful in her massive way and formidable with her cool talk, her audacity, her perfect command of herself.

Adelaide's triumph seemed tarnished by her close view of Basil and the ill-effect on her of his incoherent talk was further disfigured by the thought of the implacable Carrie.

* * * * *

Mr. Bisset received an unexpected visitor when the same Carrie, looking tall and womanly in her neat summer attire, walked into his office with an air of curiosity that seemed, however, to be soon and rather contemptuously satisfied. She noted the deed boxes with no very important names painted on them, the genealogical trees of no very distinguished families hanging up on their glazed cards, the lawyer's desk with its bundles of documents tied up with pink tapes.

"Well, I'm surprised to see you, Miss Fenton, I must say." Mr. Bisset tapped his teeth with his quill, a little dubious, a little excited as he had been from the first by the Fenton 'affair,' as he termed it.

He knew it to be, from his point of view, a very delicate business and he had been shrewd enough to keep his head and not to utter a word of it to anyone, though he longed to have the advice of some London lawyer on what he could not help thinking was his 'bit of luck.'

"Mother's been coming to see you," said Carrie, "and everything Mother does she makes a muddle of and this... well, romance..." the word did not sound prettily on her smooth young lips, "has been going on for a good while now. You see, Mr. Bisset, we are in a rather foolish position. My father is paralysed and doesn't know about anything, there is a very stupid old servant in the house and my mother is ambitious and intriguing, but didn't have any education and hasn't made much of her own life, has she? While Adelaide has got so confused with her day-dreaming and her seeing herself as a heroine of a novelette that she too hardly knows real from false."

"Well, young lady," remarked Mr. Bisset dryly, "that is a very sensible speech, though not a very dutiful one. How old are you?" he added inquisitively.

"I'm rather more than eighteen," said Carrie coolly, "and so far I have not done so well for myself. Life in Mullenbridge don't offer anything for me. I'm not going as a chambermaid or a lady's servant or behind a haberdasher's counter, and I know well enough that no likely young man will look at me. That's where Mother is so stupid, she just don't understand. Can you understand, Mr. Bisset, what our house is like, with a sick man upstairs wrapped in a grey shawl and four women living on themselves in a house near a churchyard away from the town? We've no relatives here and few friends. Mother is always uppish and yet don't know how to play the lady."

"I should think that a cool-headed young woman like you could get some sort of position in London," said Mr. Bisset, still guarding his defences.

"I daresay, but I want a start, don't I? I learned a bit of gentility, that I can put off and on like a bonnet, at that school at Clapham, but that won't carry me far. I've got a bit of... well, I suppose you'd call it commonsense. I seem to know why people do things, I can see through them— I suppose you're like that yourself or you wouldn't be a lawyer, even," she added coolly, "in a small way."

"We are all in a small way in Mullenbridge," said Mr. Bisset, drawing his quill pen up and down the paper in front of him, "but my ways are not so small as I can waste time endlessly on you nor on your mother either. She hasn't paid any fee, I can tell you, and the stuff she has brought me seems like a farrago of nonsense—the proof of that is I haven't dared touch it, I haven't ventured to go forward with it and you may be quite sure that if I had seen the least chance of being able to do so... well, it would have meant a fortune for me, wouldn't it?"

"You think it's all nonsense?" asked Carrie eagerly. "That is why I wanted to see you. Mother lies, of course, and foolishly. I tell you there's something in it. He—we won't mention names—has been to our house, I've seen him. I've seen him walking with Adelaide by the grave of... well, Harriet Bond..."

"That was a stupid bit of scandal," frowned Mr. Bisset. "Made half the countryside think he is loose in his wits like his ancestors have been."

"Is he?" asked Carrie, and her firm bosom rose. "That is what I want to know. I can't do much spying, I'm too conspicuous and people won't tell me the truth, but it seems to me an unnatural life he is leading."

"The family history is not good," remarked Mr. Bisset, "there's no disloyalty in saying as much. They had a series of tragedies which left this young man the sole heir. The old Earl—well, I don't know that he was more than eccentric—but it was the present Earl's mother who was Irish and began to get the fetch talked about. Well, there was a series of accidents and they all died unfortunately, and of course they have got all the friends they want in London. It don't seem as natural for a young man to live up there in Charters with that small staff and that half-drunken parson, as it did for his grandfather. It is a queer establishment, I'll admit. Thousands must go on that conservatory. I envy that man Steel his job—he has got his own libraries, and they say he can spend what money he likes; and what is the sense of it all, what is the good of it?—flowers and herbs and tropical trees! The old lord was very keen until a year ago, and they say this one's taken little notice. Then the old man Chalmers—well, I suppose you've heard something about him, you seem a shrewd young lady. He's of a good family, he belongs to the past, he's got low principles. He wasn't the right kind of person to take a young boy about. The boy should have been sent to school and college."

Caroline listened patiently, she felt that all this dull stuff must have something to do with the affair that lay so near her heart.

"Then," said Mr. Bisset with his slow cautious air, "there is the Swedenborgian who visits them. Up to no good I should say—wants a slice of the money."

"They have got a good deal?" asked Caroline. "It looks to me as if the whole place was falling to pieces. I suppose they have a fortune in consols and town property."

Mr. Bisset laughed loud and coarsely. "My dear young lady, do you suppose I know anything about that, or that I could tell you if I did? They have their own attorneys and their own affairs. I should say there is a good deal of money and there are a great many treasures, I have been told, at Charters, brought back from Italy and France and Greece, that haven't been as much as dusted for many years. What are you trying to make out and what are you trying to tell me?"

Caroline, looking with her clear sparkling eyes at the ashy, ruined face of the attorney, said: "He sent fifty pounds in paper and ten pounds in gold to pay for Adelaide's finery. He put his name to a letter she'd written asking her hand in marriage; my father's seen him standing at the door of his room, no further because the old man was sick, you understand. I've seen them often enough walking up and down by the Folly. Adelaide sent him some handkerchiefs worked with her hair and she has a pile of letters from him—here are some of them," and she placed a box on the lawyer's table.

He fingered them greedily. "This is the same sort of stuff your mother brought me. I don't know what to make of it. Maybe he has been so ill-educated and got his head so in the air that he would write like this, and then we might come in for heavy damages. Why not—the young lord and the village maiden and their attachment to one another as they wandered freely in the woods; and then the alarm of both the families and the youth sent abroad and the maiden to one of her relatives—and then their return and the renewal of affection and the exchange of a pledge. It might be quite a good case even for a London lawyer. We should have to prove his hand, of course, and get together as many witnesses as possible who have seen them talking or walking."

"Two days ago they were in the Pavilion and Adelaide came home with his signature to the paper and ten pieces of gold, and the next day Hackett, that is his body servant, came up with a letter in which was the fifty pound notes."

"Nothing. He looked disgusted, he went away menacingly—but that wouldn't matter, would it?"

"I don't know. It would be very useful if we could—" the lawyer hesitated on the word suborn, "if we could get hold of some body in Charters who sees the young man receive the letters and perhaps could witness to him sending them off... but it's a long affair."

"It can't be such a long affair," said Carrie with a touch of impatience. "Suppose he is half-witted and goes off his head and is taken away to a lunatic asylum before we've got anything out of it. Don't you see, that is why I am here. Mother is so silly and clumsy and don't know her way about. It is not my place to go up to Charters and face him with this, and it isn't Adelaide's, I suppose, and Mother would only make a failure of it if she tried. Wouldn't you or somebody else just face him with it? I suppose," she suggested, "he'd pay quite a good deal to have the whole thing hushed up."

"Well, my dear young lady, you seem quite willing to make a trade of your sister's affections."

"Oh, Adelaide's affections!" said Carrie. "She would soon get over it if she had some money for clothes. She'd like to get away from Mullenbridge, the same as I should, but I see things as they are and she don't, and she keeps reading those stories which put queer ideas into her head—like white horses called Zimro, and wedding dresses that cost seven thousand pounds."

"Everybody I've got to deal with seems to be a liar," said Mr. Bisset. "I daresay the young man would lie too. What's one to expect when he's half under the influence of a crazy Swedenborgian and half under that of a drunken parson, don't enjoy any natural pleasures and spends all his time going to spiritualistic meetings, whatever they call them. Those who had the looking after him ought to have seen to it that he didn't ever hear of that story of Harriet Bond. God knows there was trouble enough to hush it up and influence enough and money enough to, but it comes out."

"In cupboards," simpered Caroline, "people will keep these things—odd copies of magazines and daubs that ought to have been signposts. What do you think of it all, Mr. Bisset—did that man who was hanged at Tyburn murder Harriet Bond or not?"

"I should doubt it—a man of his breeding would not use a collier's pick. I think it is quite true from what I've been told here, that she was half-witted and persecuted him; of course he might have paid the other to do it and have been there himself. There is a room in one of the towers in Charters, you know, that is still fitted up for his experiments. Those were great days, the 'sons of fire,' or alchemists they call them, and there was hardly any man of wit and money who was not tired of cheap pleasures who didn't experiment in his laboratory. Well, it comes back to them both being half-crazy. If she persecuted him, you might understand that he, in the state of mind he was in then, might have had her done away with. The peers might have well accepted his plea of insanity, but he'd outraged the ruling party. I don't know... it's old stuff. It seems to hang about Mullenbridge and Charters. I hear the young lord is going to have the place pulled down and done up again in the new Gothic style."

Caroline pursed her lips and clasped her hands. The lawyer looked at her; she was too tall, too heavy, but might be a great success as a fine bouncing beauty. It was certainly easier dealing with her than with the sly, stupid, ignorant mother.

"Those few years you had at Clapham were a great deal of use to you after all," he said ingratiatingly. "Well, keep your letters, I've seen them, I have known they are there and I will do what I can. I tell you I should be kicked out if I went up to Charters. I might get hold of someone in London who would take it up. Of course, we couldn't hope for a marriage, you know."

"We only hope for money," declared Carrie coolly, "that is all Mother hopes for, that is all I hope for."

"What have you got to do with it?" asked Mr. Bisset. "It is all you hope for! You were only a child when this started."

"It gave me an interest in life. It is the only means I have of getting money of any kind."

"So you are doing a little blackmail, are you?" said Mr. Bisset. "What have you had so far?"

The girl put back a tress of bright hair that had fallen in between her bonnet and her cheek. "Nothing," she said, "but a little trumpery—two years ago, a paste buckle or a set of books I don't care to read, or one or two little things like that might have meant something to me; they don't now. It is pretty dull and dreary watching Adelaide and telling lies for her..."

"Ah, telling lies for her—you must be careful there. It wouldn't do to go into the witness box and make an admission like that, would it?"

"He has asked her to be there and she's made up her mind that she is going. Some of the money isn't to pay the debts, but to buy her a white dress and a new green sash and a white rose for her hair. How is she to get the ticket or an invitation, Mr. Bisset?"

"I should think you'd better ask the young man. Why don't you get hold of him, Miss Carrie? You might, he wanders about without his tutor now. He don't have many people staying with him—Sir Henry Dering, I believe, is coming down about the reconstruction of Charters, and there may be a few friends, but, clever as you are, you ought to be able to get hold of him. Try to sharpen your wits on him like you have on me to-day. Perhaps you'd get more out of him than you have out of me. I daresay at least," added the lawyer cunningly, "you'd be able to discover if he was in his right mind or not."

Caroline rose and smoothed down her pelisse. "I got a good story for coming to see you, and also for covering up Mother's visits here. I have told everyone—that is the few people whom I know—that it is about the bit of property we have in Mullenbridge."

"That'll do, my beauty," laughed the lawyer, "I shan't give you away. I don't know whether you are wasting my time or if I am on a good thing..."

"There can't be much more waste of time," said Carrie. "His relatives will get hold of him whatever his state of mind. He's supposed to be going to Wales. They'll marry him off to some woman who won't care about his fancies as long as she is a countess and got a fortune."

"I think you're right," argued Mr. Bisset. "But maybe we could get a little picking first."

* * * * *

Lord Seagrove had visited Abraham Steel in his neat and cheerful house attached to the large conservatory which was built on the model of Sir Joseph Paxton's glass and iron pavilion that had been used for the Great Exhibition of 1850 and afterwards copied in the Duke of Devonshire's place at Chatsworth. His ancient interest in horticulture had certainly revived, but he was not so free of his obsession that he could not link the two together.

He found Abraham Steel, who had been so in the background of his life for the last three or four years that he had never even mentioned his name, to be a dry person given to no freaks of the imagination, neither ignorant nor superstitious, but apart from ordinary work with plants much interested in out-of-the-way experiments.

He had a small but well-fitted laboratory in his house, and when he had shown his employer the wonders of the conservatory where the flowers seemed to flame and sway, to quiver and droop like imprisoned birds, among the monstrous leaves and the steaming heat, he explained to him, quite dryly, what he was doing.

It was an experiment on a subject that the young man had never heard of before, though it had first been put forward in a book published in 1650. It was known by the name of Palinganesia and Mr. Steel believed that it had been practised, though rarely, by the more intelligent of the alchemists of the middle ages.

At first the youth was not particularly interested, but suddenly one remark by Abraham Steel drew all his attention; the botanist was careful to preface his comments with many cautionary this and that, but he declared that it had been mooted by many that the forms of plants, though invisible, might be still retained in their ashes.

"You may, sir," he observed, " think this very strange if you have never attended to the subject, but there are some of the best French chemists, and a certain Polish physician, who are supposed, on good authority, to have possessed vases which contained ashes which when subjected to a gentle flame showed the forms of various plants. A small obscure cloud was first observed which then took on a faint form and showed a rose, or whatever plant or flower the ashes consisted of... I had one successful experiment," remarked Mr. Steel, with satisfaction, "but was never able to repeat it until recently. Last winter I succeeded, as I believe, by chance. I had for another purpose extracted the salts from some burned nettles and left the lye outside to cool. In the morning, the frost having been severe, I found my salts frozen and the shape of the nettles exactly represented on the ice so that the living plant could not be more perfect. I had staying with one at the time several botanists and herbalists who were able to notice this curiosity and all were agreed, sir, that when a body dies its form or figure still resides in its ashes. I then went deeper into the subject and found that many of my predecessors, including the famous Sir Kenelm Digby, had practised this art of bringing back the forms of plants from their ashes, and he had said that we may suppose that the earthly husk remains in a retort while the volatile essence ascends like a spirit, perfect in form, but void of substance."

Lord Seagrove was now intensely interested; Mr. Steel remarked his pallor and offered him a chair and suggested that the heat of the stove-houses had overcome him.

"I don't know there is so much in this, men have fallen upon stranger discoveries unawares. One day we may get further with this. I have heard of a Swiss chemist who laid a large bunch of palm under the tiles which were yet warm, where it dried, but the frosts soon came and contracted the leaves without expelling the volatile salts. They lay there till summer when the chemist chopped up the palm, put it into a clean retort, poured running water upon it and placed the receiver above, he afterwards heated it; thereupon there appeared on the water a patch of yellow oil about the thickness of a knife-blade, and this oil shaped itself into the forms of innumerable palm leaves which did not run into one another, but remained perfectly distinct. He says he kept the fluid some time and showed it to a number of people. At length, wishing to throw it away, he shook it and the leaves ran into one another with the disturbance of the oil, but resumed their distinct shape again as soon as it was at rest, the fluid form returning to the perfect signature."

"Why, sir, that is the interest in our labours. This is supposed to have a great deal to do with what is known as wraiths or apparitions. I do not know how far such experiments are really practical, but I must say that I have had some success..."

"If you can burn a rose or reduce it by some means to ashes, and then by some other means restore its forms, pallid perhaps and faint—well, it makes one wonder... Might not that be a solution?"

"The line of thought is confused and uncertain," sighed Mr. Steel. "We make experiments. You know that when gas was first discovered it was supposed to be a ghost. There is a great deal that lies beyond our comprehension."

"You are engaged with flowers and plants. I, too, am interested, in another direction. I should like to take part in your work. There is a laboratory at Charters that has been much disused. Now if you were to take some heliotrope... cherry pie..."

"Oh, cherry pie!" interrupted Mr. Steel. "A modest little flower; you know we call it from the Greek name... It turns to the sun—like the sunflower or giant artichoke, but cherry pie the villagers call it from the perfume. I take it to be a resolute plant and one of a peculiar shape and I will, if you wish, continue my experiments at consuming this plant and bringing it back again in the phial as its own ghost."

"You know," said the young man hurriedly, "that we have a ghost at Charters, one that is supposed to walk by the grave near the Folly."

"Why, I have heard so, my lord, but—well... where can you find a place in England that has not some such tale?"

"Here again," remarked Mr. Steel, "we must use a little reason. I think it was your own mother, sir, who first applied this term fetch, which I take to be but the Irish for the Scotch word wraith—and in this case it was not correctly applied, for a fetch is the apparition of someone who still lives; but the word was taken up here and applied to the spectre who was supposed to haunt the place where she was buried."

"I thought," said the Earl, with an effort, looking away, "that I saw her at a séance I went to in Bayswater."

"That might be a freak of the imagination, for who knows that the dead do return?"

Mr. Steel looked curiously at the young man whom he had not seen for so long, but about whom he had heard so many peculiar tales. To have an eccentric master who paid him well and left him alone suited him perfectly. He was a man of science who had lived a solitary and, in a way, a selfish life. He never left the brick house and the conservatory at Charters and had long seen the last of any relations, nor had he many friends. He was quite ready in a cool way to undertake any curious project on his own lines, and had already made some few discoveries and created some strange flowers, all of which, however, he usually kept secretly and to himself.

The problem of the ghost that haunted the grove did not greatly concern him, though he had heard, on the rare occasions when the late Earl or Mr. Chalmers had visited him, that the heir, now the master, had been unhealthily concerned by these legends.

"Now," urged he, "you must again get the matter straight, sir. My experiments with flowers, the ghosts that I obtain of roses—suppose I obtain this ghost of heliotrope... it will not be the same as an apparition of a woman who is already dead and whose body has not been consumed save by decay."

"I suppose not," said Lord Seagrove, "but it might conclude the matter, it might settle all uncertainties once and for all. Supposing we tried the human body or what is left of a human body... supposing we took some corpse from the churchyard...?"

"Well, really, sir, I could not play the part of a resurrection man—well, there's something unholy and unpleasant about it—"

"There is? That's what I should like to decide. I say, supposing we obtained what was left of a corpse, perhaps only a few frail bones, and you reduced them to ashes and then treated them as you will treat the heliotrope, we might see her as she really was. That might decide whether the apparition of Bayswater and this woman who so often crosses my path really is Harriet Bond."

"It is a fantasy beyond discussion," protested the botanist. "I should not let your mind, sir, dwell on such things. It would be unlawful if you are thinking of disturbing the grave of Harriet Bond—remember that it lies in sacred ground—the talk and the scandal would undo you and the result, I am convinced, would be nil. Rather come with me again into the conservatory and mark the beauty of my tropic plants, the orchids growing out of these brown damp feathered trunks, the waxen lilies," and he took the young man's arms, gently removing him from the library and closing the door behind him, "that float on those still waters—the lotus of the Egyptians, the most exquisite of pink and white petals..."

"I prefer our flat English water lilies. I suppose there were water lilies on the pond..." He broke off. "But it wasn't a pond, it was merely a pit of water where they had been digging for the foundation of the Folly. You know I'm going to have it destroyed."

"Yes, sir, I heard that Sir Henry Dering was coming down and that you were reconstructing Charters. It seems a pity in a way. It is a fine building, surely it needs only a little reconstruction here and there."

"It's too large, there are too many presses and cupboards with things hidden away."

"Well, when you marry, sir, I daresay your good lady will find a use for all the rooms and all the presses and cupboards too—your establishment is very small, if I may say so."

"It's all I need," said the young man slowly. "I think I'll go to Verities. If you were in my place, would you have that ugly copy of the Temple of the Winds taken away and the coffins put in the family vault in the churchyard?"

"Yes, I certainly should, the building is shoddily made and looks incongruous in an English landscape; besides the design was too common. There were so many great families who came back from the grand tour with sketches of these ancient temples. The Folly is the copy of a pavilion of a villa on the Brenta... well, it was the mode of the moment. I should certainly have it removed now... But cannot I beg your attention to my stove-plants?"

"Yes, in a sweat. These plants could not survive in anything less than this tropic heat. I fear we cost you a great deal for tons of coke."

"Yes, they are very beautiful and strange and seem worth being kept alive in this unnatural manner. The canister of flowers that you sent me the other day had a peculiar effect on me."

"I often send you specimens, sir. I don't know if Mr. Chalmers or Hackett allow you to have them."

"These fell all over the copy of The Times and my breakfast service. Yes, you may be certain," he said in hurried tones, "that whatever I cut down here, I shall not cut down any expense on your horticulture... and I wish we could make that experiment with a human being."

"But, sir, consider that even if anything so fantastical was possible, and the wraith did appear, what use would it be? No more than your Bayswater spectre. It wouldn't speak or explain itself. The recalled rose has no colour, no light, no radiance—it is at first but a dim cloud and afterwards but a vague shape."

* * * * *

Adelaide wrote boldly to Charters... one of her usual letters, signed with her name of Cara, addressed at the top to 'Basil,' but inscribed on the outside to 'The Earl of Seagrove.' In this she demanded a ticket for the Assembly Ball and begged him to take this opportunity of acknowledging her before everyone as, in her own words, 'his destined bride.'

Carrie was not told of this piece of imprudence. Adelaide posted the letter herself at the small village post office; she told Carrie as little as she could. She began to feel increasingly from day to day the weight of the espionage, the blackmail. She turned to her mother for a little support, but that woman was confused and heavy and kept sullenly and obstinately to what she called 'facts'... what Mr. Bisset would advise, what they might get before the young fool went out of his wits, so she was not the proper confident for Adelaide's softer emotions.

There was a drag in time, as it seemed, to all three women, for Lord Seagrove went to Verities and stagnation fell upon the place. The Spring passed without any of them noticing it; the seasons meant nothing, not even to Adelaide, as a romantic background. All her thoughts and wishes were artificial and fanciful. She fretted to go to London to spend some of the money she had obtained from the young Earl. She eagerly read again and again the ladies' magazines that were sent for her from London; dwelling on cosmetics, bonnets, modes of wearing the hair in ringlets, what was the fashion at the court, what was worn by the haute monde as these elegant annuals termed high society. What was the use of the money in Mullenbridge? Miss Herle, who was the best modeste there, asked too many questions and looked at her too keenly.

Adelaide brooded, became dissatisfied with her destiny to an even more acute degree, and finally developed megrims and retired sullen and sulky to her sole privacy, the bed in the room she shared with Carrie.

There she brooded over the Assembly Ball, the fact that he had not answered her letter, and what she had heard of his visit to Wales and how she could combine all her schemes. At times she felt a little light-headed and scarcely knew what had happened or what was likely to happen, and moaned in a half-delirium for her lost lover.

Mrs. Fenton, also waiting for the report from Mr. Bisset, outwardly concerned herself with the cherries that grew on a small wall at the back of the house—an espalier of morello cherries that had been there when she had taken over the house, nailed by strips of cloth to the bricks, themselves of a rosy colour, the smooth branches spread the length of this low wall over which Adelaide had to step every time she went into the sloping churchyard. The crop this year was abundant and Mrs. Fenton remarked on the bitter-sweet smell which exactly resembled that of the few plants of heliotrope that she had planted next the cottage wall. It was not heliotrope to her but 'cherry pie,' and the two, fruit and flower, became associated in her mind. Cherries... as they, small, even coloured, and almost translucent, ripened, she decided to make them into brandy. She was skilful at these small household arts and both she and Susan took a considerable interest in neat labours.

She set Carrie to pluck the cherries one summer morning when the clouds were curdled overhead like slightly souring cream touched by an idle hand, and in between were vistas of sky the colour of a bluebell. Carrie gathered the cherries skilfully, breaking them off with the stem. She knew if you left the stem on the tree the fruit would rot before it could be put down with the brandy and the bay rum in the earthenware crocks to wait the long transformation into brandy. She did not dislike her work as a means of passing time. It pleased her to see her smooth, well-kept white hand against the rough pink brick, the clusters of pointed leaves and the small shining fruit. She filled her baskets, took them into the kitchen to Susan and Mrs. Fenton and then went out again to see if by any chance she had overlooked some of the cherries; but the tree was stripped of all save the fine yellowing leaves. So while Adelaide was sick and Mrs. Fenton was absorbed in making cherry brandy and waiting for what Mr. Bisset would say, Caroline thought she would go up to the town to see if she could find out anything...

She vaulted the wall and took the well-kept path that ran up between the graves on the slope. These were all of the native stone and had weathered into the colour of the landscape. They were covered with small mosses, cups of gold and silver, that had pitted them like a disease. On many of them grew stout tendrils of ivy that clung to the stone with hairy suckers; the work of long dead stonemasons still showed faintly—here a cherub's head, there a text hardly to be deciphered, there again perhaps some crude ornamentation.

Carrie reached the church, and peered in. Well, nobody troubled about the new marble tomb to the young man who had been drowned in Rome. It was there in its strong wooden packing cases taking up a great part of the church. Where were they going to set it up? There did not seem, to her, any space. She peered curiously between the straw, admiring the beautiful texture of the stone, trying to make out something of the design, but this was impossible.

She passed out again into what had been called 'the potter's field' where lay the Jew, the blackamoor, the escaped slave with the collar of steel on his neck, and the French sailor from whose grave grew the plums of pale amber hue that no one would eat—and the neat tomb of Harriet Bond. "A broken and a contrite heart," sneered Carrie. Her keen glance, and it was very keen lately, observed that the tomb had lately been cleaned. 'I wonder if he is mad enough to send people down from Charters to do that,' she thought, 'or does he come himself?'

She passed out of the lych gate into the road and the first straggle of houses that comprised the beginning of the town of Mullenbridge. The sun was clear on the bow-fronted shops, with their green glass and their poor display of goods... on the gossips, some old-fashioned enough to still have spinning wheels, others knitting or merely drowsing in the sun. In the town square she saw Mr. Bisset's boy leaning against the old weigh-house with a straw in his mouth and talking to a lad of his own age who came from the haberdasher's shop.

Caroline put her fingers ostentatiously into her reticule. Mr. Bisset's lad saw her and sauntered away from his companion.

"My master doesn't tell me anything," muttered the boy sullenly, keeping his eyes on the sunny cobbles, "and I don't think there's any chance to look at his papers—he is cunning like and locks everything up. But the Earl's back; he came to Charters this morning."

"That's worth a shilling," said Carrie. Coolly, she took this coin from her bag and pressed it in the youth's hand. "I hope next time I see you, you will bring me something that's worth more."

She sauntered on along the High Street. They were taking the harvest in and the day was closing. The wains passed by piled with stooks of corn, labourers in their smocks were outside the 'Seagrove Arms' drinking their ale. Carrie nodded pleasantly to all of them.

She was soon free of the town and out into the lane where the briony and the bramble trails had replaced the blackthorn, the honeysuckle and the wild rose.

"He will go straight there, of course," she said, "and I shall have a chance of talking to him."

She passed into the park and through the grove, looking at it with a cold incurious eye. Those two buildings meant no more to her than if they had been of cardboard and she could have pushed them over with her fist or foot, nor did the still trailing draperies and shields set up for the late Earl effect her at all.

She went to the Pavilion, noticed two of the windows were unshuttered and scratched on the door. As she expected, his voice bade her enter. She did so at once with an air of confidence. He was seated where he had been seated when Adelaide had found him, with a pile of books before him. He frowned and looked at her with distaste and suspicion.

"I didn't know," he remarked, "that anyone was aware that I had returned to-day—and who are you? Does she take another form that I must talk to in the language of this world?"

"It would be to your advantage to listen," said Carrie. "I save some likeness to my sister I know, but I am not Adelaide any more than Adelaide is Harriet Bond."

She looked at him with a more observant and a kindlier eye than had Adelaide; having never made out of him a fantastic, romantic figure she judged him more favourably. She thought he was comely and she was sorry for him; yes, compassionate, for this young woman, who was so hard and worldly, and so despised and used her own relatives, was capable of pity and compassion. She had on occasion saved flies from spiders' webs and drowning birds from streams or from the coarse netting that Mrs. Fenton put over the currant bushes. She noticed, too, that the young man had a thick greenish glass beside him, in which was a small spray of a common plant—cherry pie; the perfume was just perceptible in the damp stale air of the Pavilion.

"I'm no more to you than, I suppose, a servant girl," added Carrie, "but I'd like you to think of me as another human being. Our stories are both, I dare say, a little odd."

"I don't want to hear yours, nor to brood on mine now. I'm always intruded on—these grounds are private; I have told everyone this. I will not have trespassing."

"It would be well for you to listen to me," insisted Caroline firmly. "If you don't, I shall take everything I have to say to those old men—the parson, or the Swedenborgian. I rather respect Dr. Perry; as I told you, we used to have talks when he and I were in the lanes together. Now, sir, will you listen to me? My sister and my mother are trying to involve you in some sort of a scandal and a confusion that you will find very difficult to cut your way out of; my mother is ignorant and clumsy, but she has a sharp, vulgar attorney as her accomplice, and my sister, whom I regard as almost unsettled in her wits, is capable of the strangest actions in the furtherance of her plans. Now you've played into their hands... I suppose you've been warned..." continued Carrie, looking round, "that you've played into their hands?"

"What are you looking for—the place where she was buried?" asked the Earl. "I think it was over there, but of course they dug the foundations over. If one wanted what was left of her—a handful of bones or ashes—one would have to go to St. Jude's."

"That is not the way to talk. It is over and done with, there are no spectres but in your mind. The girl was done to death by a common brute as I suppose, who had both her and the young man in his clutches... half-witted, there you have it; but if you are in a big enough position, people don't use these words. Well, I'm the key point of this conspiracy."

"Conspiracy?" repeated the other. He gazed at the spray of heliotrope; the word did not startle him for long. "Do you believe that that could be reduced to ashes and then brought to its own form again?"

"No, of course not," smiled Carrie. "It's a bit of cherry pie, ordinary enough. I was picking morello cherries this morning; maybe we'll have a pie or two before Mother uses them all for brandy. They are put in a crock and pickled and change—"

"Well, there you are again," he broke in, "everything is changed—the flower, the spirit... changed, you know, not a shadow left."

"Not even a shadow left," agreed Carrie. "There is not even a shadow of Harriet Bond; my sister is rather like her, or thinks she is. She got a white dress and green sash after she had seen that picture. She found the whole story at my Aunt Martha's in an old Gentleman's Magazine, in a cupboard."

"Well, sir, I know you are a great gentleman, but I don't somehow feel afraid of you. I'm sorry for you. You see, I want to get away from here—this place is only a stepping-stone for me. I am past eighteen and I have got other ideas in my head. You sent money down to Adelaide to pay her bills—of course, nobody, not even a sharp lawyer, would be able to prove what you sent it for—but it will look a bit queer, won't it?—and then you sent a letter. And what about the Assembly Ball, are you going to send her a ticket? She's made herself ill worrying about that. She don't know you are back from Verities. I thought it was time this stopped..."

"I don't understand," said the young man, rising in great agitation. "Indeed, I don't understand—maybe... I feel that my mind is a little cloudy... I think I should have advice before I listen to you."

"And I," said Caroline firmly, "feel that you should understand before you take advice. You may find yourself paying for a breach of promise case—and a number of letters and presents will be put in, and a number of people will be brought forward saying that they have seen you and my sister together, and this old story of a ghost will just be left out. They know you are a rich man and they'll make you pay. I must say my sole concern is money, too, and I think I'd rather have it from you than from them."

She took off her bonnet, which was of grey merino, and swung it by the coarse ribbon strings. "Don't you see that I'm not afraid of you, or the ghosts, or this place, or Mother, or Mullenbridge—I think I was born fearless. When I wasn't so long from school, I was satisfied to lie for the bit of trumpery that Adelaide used to give me. I knew what she was doing even then; but now what she can give me isn't worth while. I don't think they'd get that case, and there would be nothing for any of us, and we should be shamed and disgraced and have to leave Mullenbridge under a cloud, with Father in the state he is—and Adelaide, I suppose, would fair go off her head and have to be clapped up, so I thought I'd come to you. Have you understood what I have said?"

"In a way," said the young man nervously, "in a way, but I still believe what I believed before you came."

"Well, keep the two things separate in your head if you like, I don't know what you do believe. I don't know how far it has gone with you; but I'd like to make you an offer. You see, I'm their principal witness."

She paused, hoping these words would have some effect. The youth only nervously tapped the table with his fingers and stared at the little spray of heliotrope.

"Don't you understand I've got it all in the palm of my hand? They rely on me, the innocent schoolgirl, who wouldn't be able to make up a falsehood, who saw you visit us, who took you up to Father's bedside, who heard you promise Adelaide a pianoforte, who saw her receive your letters. Well, I can go back on all that for a price, and the whole thing would fall through, wouldn't it?"

"I suppose so," said he sternly. "What difference would it make to me? I don't think that I have quite understood."

"There isn't much time," said Carrie. "I wish I could have found you before, but of course it is difficult, we being of such different stations in life; but if you could get away from here your wits would settle, and if I was to go to Mr. Bisset or to your lawyer and say that I'd been lying, the whole thing would fit together like a puzzle, and nobody has seen Harriet Bond. It's an old wives' tale—and nobody will see her."

The haunted man looked with great attention at the bold, handsome creature who made him this proposition that he could not, indeed, completely grasp but yet seemed to him kindly and to hold something of comfort.

"Money is nothing for me to give," he said. "You could have what you wanted as far as that went." Then he added in great trepidation: "But she insists on being present at the Assembly Ball—is there one? I didn't get her letter, though."

"No, I expect your letters are intercepted. I don't know whether they keep them or burn them, I don't know what good advice you've got—the old parson's drinking more every day, everyone can see that, and Dr. Perry hasn't been here for some time and he's got half his head in the clouds. You ought to rely on me. Pay me. I hate them anyway—I hate my mother, and hate my sister... I don't love my father... who could? I'd give Susan a pension and with the rest I'd get away, and you should get away, too, then there'd be an end of it. If you don't do it, mischief's going to happen."

"Yes, but you could get out of it, like the fly gets out of the spider's web. It's not closed you in yet. Look at you now—sitting here in this place! What is it? Nothing. What is that old burial place? Nothing, either. Be done with all these bones and ashes!"

"Bones and ashes? Queer you should say that. Mr. Steel's making an experiment..."

"Don't have anything to do with it," said Carrie contemptuously. "We're flesh and blood and got to deal with matters of flesh and blood. If you'll give me a thousand pounds in Bank of England notes, I'll save you from all of it. You can get away from Adelaide and the ghost and the gossip and the things they are saying about you—and this silly old story and everything, for a thousand pounds. I'll go with you to the parson or your lawyer or anyone you like and tell the truth."

"I do," she insisted. "I know a certain aspect of the truth that would set you free. Don't you see, they're only trying to bleed you? Soon they'll be faking spectres. It's done, you know... lights in the churchyard—I know; somebody in a white sheet... I tell you, I'm sorry for you, for all you've got and don't know how to use. A thousand pounds is not much to you, I'll be bound. I expect I'm asking too little."

"No, it's not much," the young man admitted simply. "I have not gone into my fortunes yet, having had little interest, but I know it's not much for me. I'm going to have Charters pulled down—no hiding places, you understand, no cupboards and presses where things can be found. This is going, too, and the Mausoleum. Sir Henry Dering is coming to-morrow."

"Well, then, why do you hesitate? Give me the money and set yourself free. Do me a good turn at the same time, and those other fools, too, because they won't know how to manage the thing and they may even find themselves in prison..."

"But how," he said sternly, "can I respect anyone who comes asking me for money—a young girl, too?"

"Money is the one solid thing in this case. Without it—well, I'll keep to my lies and let you go on struggling in the snare, and take my chances with them; and I don't say they won't be ruined—but there's a fair chance you will be, too."

"Don't be a fool," said Carrie with some violence. "There's no time to think anything over. I know what you're brooding over, I know what she's brooding over—tossing about on her bed and making herself ill—the Assembly Dance and the white rose in her hair! It's all—well, evil, I think. I don't believe I'm doing a wicked thing in asking you for a thousand pounds. It will be put to a good purpose, I can assure you."

The young man was glancing uneasily at the sprig of heliotrope. "There are a few experiments I want to make," he muttered. "Of course you shall have your money."

"But not like that—you've got to understand what you're paying it for; you will have to get a lawyer, or at least Mr. Chalmers, if you can get him sober now, or Dr. Perry, or somebody. Well, you've got friends in the great world, haven't you?"

"I suppose so—too many friends, but my mind has been set in one direction only for a long, long time."

"Yes, so has Adelaide's, and I don't know which is the bigger fool! What are these ugly pictures that you've got here?"

She looked at the monochrome landscapes between the windows and touched with a firm white finger the scene of the lake that was for ever connected in Lord Seagrove's mind with Lake Nemmi. "They mean something to you, they make you shudder," she added. "Well, you should have them all burnt." She took her bonnet from the chair, where she had left it hanging when she rose, and swung it on her arm and said earnestly, and still with that note of strong compassion: "You should give me the money, you should make haste or it will be too late... and it always seemed to me, even when I was a child, that those were awful words—too late!"

* * * * *

Sir Henry Dering, who brought with him a company of friends and fellow artists, decorators and sculptors, men of the first rank as he pleasantly termed them, arrived at Charters with an air both of complacence and pomp. He was a fashionable architect who had already remodelled in the Gothic style many Tudor and Jacobean buildings. The owner of Charters disliked him immediately and was inclined to fly to the company of the Reverend Timothy, who, however, refused to support him in his half-defiance, half-rebellion.

"Exactly what you want, James," said the cleric, who had got a flavour of his lost days of pleasure and power from the intrusion of these strangers into Charters. "The place seems more normal now, more human, with people measuring up the cupboards..."

"Why do you talk of cupboards?" exclaimed the young Earl. "Isn't there anything more important in the place than cupboards?"

"Well, you know what I mean," smiled the Reverend Timothy. "Presses and closets—and it's a medley, anyhow; the house, a wing built on here and a wing built on there, and that curious screen inside the door with the busts of the Caesars. They think that was put there in the reign of James the First but it will have to go anyhow."

"Oh, Sir Henry will let you down lightly; it will add to his reputation to make the place what he calls 'civilized.'"

"Oh, perhaps you will," nodded the Reverend Timothy. "One never knows, at your age one's moods change, and often quickly. Why, I've known Charters all my life; I've had my pleasant times here. Well, I'm not sorry to see it change. There come times, you know, when the oldest things have to be rebuilt."

Sir Henry expressed himself in many elaborate terms on the task before him. He considered Charters and the ruined keep an ugly medley of various styles—inconvenient, in a way ostentatious, and by no means worth preserving; and although that was not altogether his province, he advised that some of the timber should be cut down. "It is encroaching too near to the house, it casts a shadow into all the windows. It must be worth a good deal of money—those walnuts and elms in particular I should get a contract for."

The young lord agreed without much enthusiasm one way or another. He honestly endeavoured to let these numerous strangers have their way with him, he tried to join in their conversation, which was of topical events of society, gossip from London or of international affairs. They were all worldly men, cool and competent. They brought their servants with them and there was an increase in the staff at Charters. The place became better kept, better lit and in every way more comfortable.

Sir Henry, who was a connoisseur and held a fine collection of pictures in his house in Portland Place, discovered many treasures that had been ignored by the old Earl and were not known of by the young Earl. There was a picture that had been hanging in a bedroom that had not been slept in for a century or so. Sir Henry, delicately flicking the canvas with an elegant thumb, declared it might be a Titian. There was an exquisite cabinet of inlaid tortoiseshell, ebony and ivory that had small painted panels that might perhaps be worthy of a famous name being attached to them. There certainly were some splendid tapestries long since rolled away in the wardrobe room, but kept carefully from moth and mice by diligent servants.

"I cannot imagine," complained the young master wryly, "what the place is going to look like. I cannot see it as Charters."

"Well, you'll soon get used to it," said Sir Henry. "You know if we didn't move a bit with the times we should all be living in the wattle huts of the Saxons," and he laughed foolishly at his own joke.

There was the question of the Pavilion and the Mausoleum, the heart of the whole problem, really. The architect was at once for their instant demolition. About the Mausoleum there might be some difficulty; the ground was consecrated and the bishop would have to be consulted. It would mean the removal of a good many bodies to the vault in the church of St. Jude, which perhaps was not large enough. But it was, the architect declared emphatically, an ugly, shoddy piece of work and looked ridiculous in the English fields and as a copy of the Temple of the Winds it was absurd. He showed by a rapid sketch and by reference to notebooks that it was out of proportion and only bore a remote likeness to the beautiful original. Still, the question of its demolition had to be put aside for the moment. That of the Pavilion offered no difficulties; all the gentlemen agreed that it should come down at once. Set like that in the grove of elm and lime inside the great gates and too near the Mausoleum, it was positively hideous.

"I do not wish to cast any reflections, sir, upon your ancestor's taste, but it must be confessed that it looks like a schoolboy's effort, something run up by the local mason and daubed by the local painter from a student's design."

"I never considered the taste of it much," said Lord Seagrove harshly, "it has other connections in my mind than those of architectural fitness. I suppose you know the story of it?" he added defiantly—but in all honesty they did not know the story. The local traditions of this out-of-the-way place had never come their way.

Mr. Chalmers, smooth and benign, told them with a yawn that the Pavilion was supposed to house the local ghost. Sir Henry smiled.

"There is hardly anywhere I've been that there is not a local ghost or apparition or wraith," he said. "I am afraid we cannot in our profession pay much attention to the supernatural. You will soon find that people will stop talking of the ghost when the Pavilion's gone."

"It was a Folly," muttered the young man, "such as they used to have in the eighteenth century. You know, sometimes a hermit cell set with skulls, sometimes a tower with a lantern on the top to guide the travellers at night, sometimes a bagatelle, a gaily coloured summer house like this is supposed to be... but this was never used, the man who built it died before it was finished and his successor completed it out of bravado."

Sir Henry was polite enough to inquire into these family legends, but received little satisfaction either from the clergyman or the young man. Hackett, however, took an opportunity to enlighten him as to the immense importance of the Pavilion and the way the Mausoleum played in his young master's state of mind.

"I have been with him, sir, since he was a boy... I mean, a little fellow, before he went to Italy with Mr. Chalmers. The family had what you might call a run of bad luck; one after another had a violent death when young, leaving just my old lord to reign until he was very old indeed and had forgotten almost everything, and that gives young people a nasty sort of shock. They grew up feeling as if death had mowed a wide space round them."

Sir Henry glanced covertly at the servant. "That is a picturesque expression," he said. "Is there anything really of moment that you have to tell me? I thought I had merely been asked down here by a young man who wished his home reconstructed in modern style."

"It is a bit more than that, sir," urged Hackett. "He is suffering in his mind; he goes to those strange meetings in London. I was in his rooms in St. Jermyn Street when he came back once from one at Bayswater. There was a nasty piece of work around that Pavilion—a girl who was half-witted, as I take it, was murdered—and there was a lot of talk of ghosts and wraiths, and then my lord's ancestor... oh! he is of the cadet line, it is not a direct descent, but it is the name and the blood... was hanged for it."

"I remember that," said Sir Henry, "yet, moving about as one does and meeting so many people, I had not associated it with Charters. Hm, the Earl of Seagrove who was hanged at Tyburn—an odd tale, but they were odd days; but the best way in which I can help your master, and I thought he seemed rather listless and disinterested, is to at once demolish the Pavilion. It will only be a matter of three or four days if I can get the workmen in from Winchester."

* * * * *

Sir Henry owed a great deal of his success to his businesslike temperament. He was, therefore, as good as his word and the frail walls of the Pavilion—wood, stucco, painted canvas—were soon levelled with the fresh summer grass lying in Seagrove Park, rather like a child's monstrous toy destroyed in a fit of temper. A considerable amount of dust, stale and stifling, rose up among the groves of elms and limes, as if some evil creature was offering oblation to some evil deity. It was old-style plaster, the workmen said, bound together with human hair, and had a filthy smell; cheap work, too, and the painter who had accompanied Sir Henry simpered at the poor daubs in monochrome between the latticed windows. He supposed they had been done by some journeyman sign painter, such as in those days used to go from one village to another, re-painting the boards outside the inns and, if they were lucky, portraits of the notables of the rural districts at so much a head.

The foundations were, however, solid. The Folly, for some crazy reason, had been built upon a rocky piece of ground. When all the clutter that had formed the long room had been carted away, there remained a considerable scar on the parkland. Sir Henry asked the young owner of Charters what he wished done with it. It would be a long time before grass grew on it, he remarked, "they seem to have been making foundations of a much larger and more important building, and then to have satisfied themselves with this trumpery affair."

"That is exactly how it would have been," replied Lord Seagrove sullenly. "Don't you understand that my ancestor intended to have an expensive and extravagant building here? And that when he was—" he checked himself and looked aside, "when he was taken away..." he went on forcing himself to use words that were distasteful to him, "his successor was advised to let the Folly go, but by no means would do so, but put up this shoddy affair—just as a token."

"The workmen must dig out the foundations," Sir Henry decided, "and try to level the ground, and perhaps a small grove of trees might be planted, when we have filled it in with earth. That is where Mr. Steel would come in; he is an extraordinarily able man as regards botany and horticulture." Sir Henry, as one at the top of his profession, knew that he could always afford to pay a compliment to those equally eminent in other professions, and never failed, with mechanical benevolence, to do so."

"Mr. Steel," said the young man, "is entirely for the conservatory, for the exotics, the tropic plants..."

"Yes, yes, I know, but he would be able to advise what you might plant here. You don't want to see an ugly scar—unless my men chip it away and you have a sort of rugged precipice. There is no water near by that could be brought to rush down in a cascade?"

He stood with Sir Henry on the broken ground where the Pavilion had been. It was most peculiar to him to see empty space with his outer eye and with his inner eye the Pavilion. He would never lose that, he knew; even if he lived to extreme old age it would never vanish—always when he chose, and sometimes, he feared, when he did not choose, it would be before him... with its latticed windows, its pictures in monochrome, one of which would always remind him of Lake Nemmi, with the chairs of Italian chestnut painted grey, and the hard cushions, with those figures of women crossing up and down, there seemed to be three of them now—Harriet Bond, who had once been buried there, the girl who had come to him with her handkerchief full of cowslips and had asked for money, and the other girl who had so much of her likeness who had demanded of him a thousand pounds. He meant, when the time was favourable, to think that proposition over, to endeavour to get it clear in his mind. Perhaps he would ask Mr. Chalmers' advice about it, or travel to London and search out Lucas Perry, but when by himself he endeavoured to get the matter clear he found that his brain jolted all the circumstances into a broken pattern; the steep banks of Lake Nemmi with the cyclamen and the trees marked with chalk that showed the way from the water to the Campagna, his father's hat floating on the black waters and the faces of the horses as they struggled towards the shore; Harriet Bond, in the form of a fairy, a child with an ugly old woman's voice on the causeway meeting the crazy young man who had ended in a lunatic asylum... and the girl who had met him by the grave in St. Jude's so often, who had stared at him across the pews, across the faces and decorous black draperies of all his relatives at his grandfather's funeral... the girl who had come with a handkerchief tied full of cowslips; and the other girl who had spoken to him in such different tones and asked for a thousand pounds and said something about the Assembly and a ticket. Were they the same? If one believed in evil spirits, if one believed that they came back, one must believe that they could take very different forms.

These three fused and shifted before his eyes as had the balls of fire in the fusty back drawing-room at the Bayswater house... always the white dress and the green sash... so she had appeared from the table that assumed an icy surface. Who had taken from it the pearl-coloured globe lamp and the chenille cloth? He had not noticed any of the women doing that.

He tried to put these matters out of his mind. He must have advice, good advice. For three days or so he had not seen any version of the spectre. He admitted that the house was more cheerful with these companionable worldlings about it, with more servants, with newspapers here and there and discussions of what was happening abroad; he admitted that he seemed in a way rested.

He supposed he was glad that the Pavilion had gone. He wondered if there would be any talk about it in Mullenbridge. He watched the bonfire they made of the wood and canvas. There was so much clay and rubble and plaster that for a while it burned, as it were, reluctantly, but the dry wood soon caught and the pictures in monochrome and the slats and the persiane shutters and the table, by which he had sat when the two girls had come to him, and the floor boards and all that outlandish furniture that was, Sir Henry declared, worm-eaten, took on beautiful colours of violet, gold and crimson. Something that had been decaying so slowly, with such noisome odours and over hideous tarnishings, was now transmuted suddenly into a brilliant splendour.

"It's the best way to get rid of it," said Sir Henry. "There's nothing cleanses like fire. You may suppose," he added with a smile, looking rather askance at the pale young man, "that your ghost is going up in those flames. Let's say that's an end of her."

But it was not this aspect of the case that Lord Seagrove thought of, the word transmutation had taken his fancy. That seemed to be behind everything... the flowers were transmuted into ashes, then into their own ghostly likeness; the human soul, when the body was decayed, was transmuted into a fetch or wraith.

He left his companions much to themselves, with their blueprints and their discussions and their plans and schemes that, after all, did not concern him very much. Sir Henry was quite interested in his work and had been promised a handsome fee; he was an enthusiast in the mode of the moment, nineteenth-century Gothic... He believed that he could turn Charters into a very pretty building, and that if he pleased this moody and rather careless young man, who seemed to have more time and money than was good for him, well, then, he might get the commission for altering Verities, that he had not yet seen, in the same style. So, with the laboratory at his disposal, and his assistants coming and going, his friends the painters and sculptors advising this and that in the way of paintings and statues, he was a busy man and scarcely noticed that Lord Seagrove withdrew more and more from his company.

It was to Mr. Abraham Steel, at the small brick house and neat precise laboratory, that the young man went whenever he could with decency neglect his guests. Mr. Steel wished to discontinue his experiments with the heliotrope. It was difficult, it was whimsical, it was slow... it meant the reading of a great many heavy books in Greek, Latin and German. His employer was not sufficiently accomplished to be a useful assistant, and Mr. Steel became rather agitated in trying to explain to the eager youth what was to himself incomprehensible; but Lord Seagrove insisted that they should continue to see if they could produce, from the salts of the heliotrope, the cloudy ghost of the flower.

On arriving at the laboratory one day when the scene was veiled by a continuous cloud that seemed to overspread sky and earth with an equal density, dimming both light and colour, he found to his deep vexation that Mr. Steel was absent and had, without asking permission, gone to London. This left Lord Seagrove with blank hours heavy as weights in his hands. His distaste for Sir Henry Dering and his companions was growing. The day, too, lowered on his spirits, no breath seemed to stir even in the topmost branches of the highest tree. There was no air of summer, though herbage was brilliant with those flowers that began to take on the most vivid and superb hues of the end of the blossoming of the year.

He went up by-lanes to St. Jude, and visited the church and noticed more with vexation than remorse the cases of marble brought from Massa, still unpacked. He was faintly aware that this negligence was entirely his fault, the rector had written to him several times about it. Mr. Chalmers had spoken to him and he had done nothing. He knew he had no interest in this; his mind was lulled, lazy, turned in another direction. He had not even unrolled the design given him by the Italian artist.

He looked languidly at the walls of the church on which were the cenotaphs of those buried in the Mausoleum.

'All,' he thought contemptuously, 'ostentatious and useless people with their bragging motto and their coat of arms meaning now so little.'

High up in the gloom of the church, heavy with dust and cobwebs, was an ancient tilting helm, worn by one of the Daintrys at some battle of which no one now troubled to remember the date; and in a much mutilated chantry lay another Daintry and his wife, precise in the defaced alabaster, with their rigid features, she with her tight bodice and pleated skirt, every fold hard in the stone, her pointed shoes on a favourite peevish-looking collared hound, he with his feet set against the back of a lion, their hands folded in eternal prayer. Round the bottom of the altar tomb walked the weepers, small figures in monkish attire with long draperies about their heads and cloths to their eyes, much as all those relatives and friends had looked in their weepers and cloths when they had filled this church on the day of his grandfather's funeral.

The place was filled every Sunday and kept cleaned—it had a musty, charnel-house air, and there seemed to him something sinister even about the stiff table on which was written in large letters the Ten Commandments. He had a curious desire to mount the few steps to the pulpit. What must it feel like to stand there with the great Book under one's hand, preaching words of doom and judgment? But he turned aside and by the other door came out into the churchyard. Passing, and without the temptation to pause, the spot that he had long haunted, where the French sailor, the blackamoor, the murdered girl and the Jew lay, he came down the slope to the small wall that divided the churchyard from the cottage of the Fentons.

There was a curious smell in the air, different from the smell of must in the church, or the smell of the ancient plaster of the Pavilion. Cherry pie, that was it, someone was making cherry pie. It was like the perfume of the heliotrope... one of those vulgar names that were very fitting.

He lingered by the wall; there was no one to be seen. Where was the girl, or the girls? Would it be as well to pay her a thousand pounds? Would she really save him from some tangible annoyance or danger?... and which was the girl who had asked him for this large fee, and which was the one who had demanded the ten golden sovereigns and the notes for fifty pounds?

He looked over the wall and saw the stripped cherry tree, with the dark red ringed branches, the small serrated leaves, bare now, not one single fruit. A cherry pie... one could smell it... the fruit cooking. Well, they would perhaps have one or two dishes of that homely fare and the rest would be laid down, as Mr. Steel was laying down the heliotrope, with spirits, with salts and transmuted into the potent liquor of brandy, he supposed; or would that come back again into the shape of sprays of cherries?

The silence was complete, a storm must be approaching. Like everyone who has lived long in the country, he knew by unconscious observation that before a tempest the birds and insects take shelter and stop their curious noises; this gives that ominous stillness that to the townsman is alarming.

The three women who were so concerned in him and his destiny lost this opportunity of speaking to him, for they were, as he had supposed, enclosed in the kitchen busy with their cooking. Mrs. Fenton was putting the cherry pies, three of them, into the brick oven, and the girls were placing the cherries, layer after layer, into the crock where they were to be salted down for brandy.

Adelaide had not forgotten her passionate need of the ticket for the Assembly Dance, nor had Carrie forgotten her interview in the Pavilion that was now demolished. She intended to wait a day or two longer and then to endeavour to see the Reverend Timothy Chalmers. She knew that her mother had visited Mr. Bisset the day before, under the excuse of carrying to his wife a cherry pie. She herself had helped fold it in the clean napkin and place it in the wattle basket. A delicacy, indeed; there were no morello cherries in Mullenbridge, at least not in any way as fine as those that grew on the wall between the cottage of the Fentons and the churchyard of St. Jude's.

Carrie had accompanied her mother. On the way both of the women had looked up at the large amber plums rotting into decay on the tree above the unknown French sailor's grave. Some of them were on the ground and the wasps were busy with them. They might sink into the lush mould and send up other plum trees, but no one would ever eat of that fruit.

Lord Seagrove turned back again and, as he reached his own ground, met Sir Henry, who approached him with the air of a man who has something important to say.

"A most extraordinary discovery, my dear sir," he exclaimed. "Perhaps you would like to come and see it for yourself. You know the trouble," he went on, in his exact, pompous way, "I have had with the foundations of your Folly... we have had to have picks to break the stone..."

The young man said nothing, but whispered to himself: 'She appeared with five wounds in her head, made by a collier's pick.'

"Well, we discovered when we had gone some way through the rock that there was a hole or a tunnelling that had been made for some heavy supports, but never used for it, and in it there were bones, my dear sir—bones!"

"I suppose," said the young man, "there would be. Of course, they never took her to consecrated ground."

"Well, I don't quite know to what you refer... to this old crime, I suppose? I couldn't even be sure that they are human bones. I suppose there will have to be an inquest, but they are laid out with portions of a woman's attire... mere shreds, you know, that will perish when the air gets to them. There's a white gown and a bit of a green sash and some leather and buttons. Would you like to come and see them for yourself?"

* * * * *

The Reverend Timothy Chalmers was much disturbed. To him, no incident could have been more unexpected or more horrible. There had never been in all that he had heard or read of this accursed affair any hint whatsoever that the body of Harriet Bond had not really been moved to consecrated ground, but he could understand that a number of people had banded together, probably pledging themselves by sacred oaths, to play this trick. The rector would not care for the body of the slut (and the foundling who was besides supposed to be an unlaid spirit) to rest in his churchyard, even if she were given a meagre foot or two in that dubious part where grew the yew tree and the Cyprus. It would have been difficult also to find anyone willing to move the body of the murdered girl.

What about the inquest, he puzzled. Perhaps they came and looked at her as she was there, or more likely she was taken in some crude casket to the 'Seagrove Arms' and then put back again at dead of night, the same way that they used to bury the suicides at the cross-roads. What a trick to play—and that simple grave there—I suppose they buried a coffin with sawdust or stones in it—and then for it to be found like this!

"I suppose, sir," he turned in deep agitation to the young man who sat quietly, too quietly, in the window-place, "that you will consider this the reason why her spirit has walked... that she desires burial in holy ground? She might be so buried even now... the whole affair is most complicated. We don't even know if the coroner sat upon these bones... it may be impossible to identify them."

"There will be no need," sighed Lord Seagrove. "I can identify them without the least difficulty."

"Well," rapped out the parson, taking a heavy drink from the glass beside him; this, in his opinion, was not a matter to face when sober, "your fancies won't do, James! It'll have to be a matter of fact from now on. The affair was too hushed up, too many lies were told... Well, what does it matter? Perhaps this will lay at rest your 'fetch,' as you call it."

"I'm not thinking of that at all," replied the young man with a smile. "Oh, no, not in the least! I have given orders that the bones are not to be disturbed... I haven't seen them yet. In my mind's eye I can behold them very clearly... a few fragments of a white dress... a few tatters of a green sash... nothing else. No jewel, no ornament, no reticule in which might be miraculously preserved some papers bearing on the secret..."

"Nothing of that kind whatsoever," agreed Mr. Chalmers briskly. "If you'll take my advice you'll go to Verities or to London—leave this to Sir Henry, who, mind you, is not in the least concerned, who views the whole matter as a curiosity."

Mr. Chalmers felt his burden was becoming too heavy for him. He must have advice; that night he would write to London—to the young man's nearest relations, to physicians, to lawyers, to any and everyone whom he could think of... This had gone on long enough... it ought to have ended before they found the bones...

The old tutor sat down conscientiously to a heavy correspondence and with his own hand wrote out the bare details of the case, and his conviction of what he considered the state of his one-time pupil's mind. The labour was hard for one of his years and habit of body; it was done as a duty, and he helped himself, as he sat in the old library, with constant drinking. There was no one now to prevent him ordering what he would from the handsomely stocked cellars. Shortly before he died the old Earl had said to him: "Drink yourself to death, Timothy—we ought to both have done that years ago."

His letters finished, he sat back with a sigh of physical weariness. Well, Charters was to be destroyed, and he probably... well, he hoped as much... would be dead before this new sham Gothic castle rose on its site. All the volumes in this library now, those tomes of theological works, those sermons and exhortations, those treatises and editions of the classics bound in the vellum and parchment that was cracking for lack of oiling over the long sepia lettering and the purple dyes... would there be a bonfire made of them as there had been of the Pavilion? They were only rubbish... so many books in the world and no need to read one of them. He had written a few himself, he remembered, in his time; he had been obliged to—a younger son thrown into the Church because there was a safe living in the family's gift. Well, he'd had his pleasant days, his gay and dangerous days, too.

Lord Seagrove had been a good friend to him. They had stood together through all those dismal tragedies... the young dying one by one, so close together... the two deaths in Rome—cholera and the horse slipping into Lake Nemmi, the duello in Paris over some crazy nonsense and the children as if snatched up by the angel of death one by one until there was only James left to bear it all. "And it's been too much for him, poor lad. Well, I'll get him free if I can. He'd be better in a lunatic asylum than here... I wish the storm would come."

He rose, shuffling down the long room, holding in his hand the candle by the light of which he had worked. He had had to renew and snuff the candles continually during his tedious correspondence. Well, the letters were all signed and sealed. Hackett could take them to the post to-morrow. Surely somebody would come and help him—he was only a poor old man at the end of things who had done his best.

The Reverend Timothy went to the window, putting his candle apart on a table where the draught would not at once quench it, and opened the shutters, lifting the heavy bar with some difficulty. The night was dark and very still, there was not enough air to put out his light. He could hear nothing... not even the rustle of a tree, not even the bay of a watch-dog. He could see nothing... not even the dimmest sparkle of a star.

Well, those Fentons seemed to be quiet; they had given up their ignorant, crazy game, whatever it was... He had not seen either of the girls creeping round the grave for some time. Sir Henry, tiresome and boisterous, as he might be with his pretentious crowd of fellow artists, at least had kept off something not so wholesome as their vanity.

It was uncommon to look into such intense darkness; he remembered when he had been in Rome with James, and they had glanced out, by chance, moving aside a curtain of cerise-coloured velvet, on to a night that was laced by glittering fireflies. One had no such pretty freaks in England... There would be a spatter of rain soon and the storm would come up with vivid lightning that would seem to cut the earth and the sky in half; thunder and lightning that could now be more or less explained, yet that nevertheless made the worldly think of the last judgment and hell-fire.

He wondered what they had done with those bones... left them untouched, he supposed, covered by sacking. That was an odd business—that would be either quite cleared up or entirely forgotten. This leaving of things in cupboards, he thought... yes, old magazines with garbled stories in them... and crude paintings... things hidden away. Had not her bones been hidden away, too? The sham in the churchyard... sawdust or stones with the mocking cross above... If the rain came down heavily it might wash away that frail memorial of Harriet Bond (if it were she)—the old man, in his tired excited fancy, saw the shreds and fragments of what had once been a human body flowing, with the heavy waters of the Heaven, down the disturbed, hacked earth on to the high road, through Mullenbridge into, perhaps, at last, consecrated ground.

* * * * *

The Earl's thoughts were far different from these. He had left Charters and the company of Sir Henry Dering and his friends, who were amusing themselves in a moderate kind of way with card games and learned conversation, for the brick house of Mr. Abraham Steel. The botanist had returned by the last train from London and driven home in his little gig. He was surprised and rather uneasy at finding his employer waiting for him and was the more perturbed when he heard related in curt tones the discovery which had been made in the foundations of the Folly.

"Well, I suppose it's one of those 'finds' which are always happening." He tried to make his voice matter-of-fact. "They never take down an old house, do they, but some kind of bones or relics are found in the walls or under the laths? I shouldn't make anything of it, sir—if it is to do with what you think it has, it's an old wrong-doing and been paid for. I don't know the legal aspect of it, of course... coroner's jury, I suppose?" he added doubtfully.

"But there was a coroner's inquest on Harriet Bond," replied the young man. "You see, they were superstitious. After the fuller's story of the ghost they did not want her in the churchyard. Who would have crossed by St. Jude's at night if she had been buried there? Everyone was agreed on that... so they put her where they found her. After all, they didn't know who she was. A foundling, a half-wit, a changeling perhaps..."

"Well, sir, that's the language of fairy stories; we know now in this scientific age that there is no such thing as a changeling..."

"You with your scientific age," replied the other sternly, "know only enough to confuse the issues. I could put to your most renowned man of science question after question that he could not answer."

"I dare say, sir, but life's scarcely worth living if one keeps puzzling about these incomprehensible mysteries."

"Life is scarcely worth living if one is surrounded by incomprehensible mysteries. Now, Steel," he put forward his thin hand and took the other by the cuff, "here is our chance... put, in an almost miraculous manner, in our way. You can make with those bones the experiment you intended to make, or are making with the heliotrope."

"Why do you turn aside? Your very look seems to refuse me," urged the young man. "You're not superstitious, are you? You're not even, as I take it, an orthodox Christian? I can, without the least trouble, have those ashes of humanity brought here. They can be reduced further, to their essence as you reduce the plants to their essential salts. They can be placed in a large jar of crystal and perhaps from the obscure cloud that arises from them we shall see the likeness of Harriet Bond."

Mr. Abraham Steel had gone far in speculations of many kinds in his time. He was a man of independent thought and rather cold feeling, who lived for his profession alone, and he could not himself have explained why this suggestion filled him with horror, almost with terror. Young Seagrove appeared sane enough—there was nothing wild in his look or his demeanour; and Mr. Steel knew well enough of the experiments that were made, and had been made for many hundred years past, not only in colleges and universities, but in the laboratories of private houses where there was enough leisure, wealth and learning. Yet he was uneasy. He made the excuse of fatigue, he could not talk to-night.

"What did you go to London for?" asked the young man impatiently. "There was no need... I have been waiting here for hours. It's not so easy to get away from that crowd that Sir Henry's brought with him."

"Well, that is a thing I cannot understand either," said Mr. Steel, glad to divert the conversation. "You do not like Sir Henry, you do not care for his style of architecture, you do not want Charters made into a sham Gothic appearance... it will cost you a good many thousands—why do you put up with it?"

"Because it doesn't matter to me one way or the other. My mind's set on another path. Why won't you help me?"

"Well, I suppose, because apart from everything else it is nonsense, it is a confusion of ideas. Supposing we were successful—and I don't suppose we should be for one moment—and brought back this wraith, or fetch, or whatever you call it—what would we have but a shadow, a cloud? It wouldn't be able to speak, to tell you anything—"

"I don't know... I thought when I saw her in that Bayswater drawing-room she was on the verge of speaking, and then I fell forward and hit the table—but all that is odd, Steel, there was not any bruise on my head afterwards, and it seems to me that if I'd fallen forward as they said I did, I should have upset the lamp."

"Well, you see, sir, what it comes to is, that everything to do with this business is a confusion—you want to go away and clear your mind. I think you should give up this experiment with the flowers; I'm not very keen on it myself. I can tell you of others equally interesting; a man who has just returned from Egypt gave me some seeds to-day that I believe will produce the most stupendous blooms. We could build a hot house for them alone... you used to be interested in horticulture... take that up again, sir, or leave Charters altogether. Turn your mind from these old tales."

"It is no good," frowned the young man, "for all of you to try to discourage me. I am, after all, the master. I can send you and Chalmers and Hackett and everybody who has been spying on me and watching me for so long, away. I can ask Sir Henry to go, then I can do exactly as I please."

"That's rather childish talk, if you will allow me, sir. As for me, you've not seen me for some years, save perhaps, passing in the gardens, and there has been no more than a polite salutation between us. If you were to behave in a peculiar manner to Sir Henry, he would be offended, but forget after a time... Chalmers has his pension, Hackett, too. The person on whom all this would rebound would be yourself. We should all know where to go and what to do, we've all got our interests and our lives. There are other conservatories in the country that would employ me. Don't you see what I'm coming to?" He looked keenly at the young man, and the earnestness of his speech held Lord Seagrove's distraught attention against his will. "We should all go our several ways in our normal occupations, and you would be left alone in Charters and probably lose your senses."

"That is very presumptuous of you to speak to me like that! I am as sane as any of you; I, perhaps, see a little further than any of you."

"Well," sighed Mr. Steel with something of a yawn, for physical fatigue was really beginning to tell on him, the train journey had been tedious and exhausting and he had transacted much business in London going here and there in a hansom cab that had shaken him over the cobbles, "it's a heavy night, with a storm coming up, I think. Will you sleep here instead of going across the park to Charters? It's very dark and you don't seem to have brought anyone with you—or shall I send my man?—I expect he's abed, but I can arouse him."

"I have got a dark lantern if I wish to return," said Lord Seagrove, "but first I wish to come to an issue with you. I think it childish and ungracious of you to refuse to help to make this experiment. Why, it has been put, as it were, into our hands—how else could we have hoped to have had such a chance."

"Well, I don't know—I daresay the Royal College of Surgeons could have provided us with some specimens if we'd asked them. Forgive me, sir, but you are not very experienced. Science has been rather more inquisitive than you suppose perhaps, and more by-ways and, shall we say, forbidden ways, tried out than perhaps you imagine."

"Oh, I know I've read very little," replied the other impatiently, "and I don't want to hear any of your diatribes. I want you to help me with what I have in my mind now... there is no one else," he added, with an appealing note in his voice, "only you can do it. The others would... well, if I don't get the bones to-night they'll be taken away. I don't suppose they'd allow me to bring them here, but you and I, with this darkness and a lantern, even without any help, could take them. There won't be a guard over them, I don't suppose, and if there were, I have the authority to remove him."

* * * * *

Adelaide went to Miss Herle's shop to inspect disdainfully her store of finery, at the same time as her mother went on a more serious errand connected with the same subject to Mr. Bisset. Adelaide was weary and languid. She had been moping too long and had seemed, even to her own self-absorption, to have come to the end of her powers of intrigue. It was queer that he had not answered her last letter, the money was all very well, but sent by a servant without a line.

She asked Miss Herle, who regarded her with sharp inquisitive glances, if she had any white roses.

"You know, those Parisian flowers that are so lifelike, made of velvet and silk—not the ordinary cambric ones."

"We hardly have much opportunity to sell such luxuries in Mullenbridge," replied Miss Herlc briskly.

"Perhaps you could get me one," urged Adelaide. "I want it for the Assembly dance."

"Why, haven't you heard—there's not going to be an Assembly ball this year because of the old Earl's death? My dear Miss Fenton, whatever have you been dreaming about, or wherever have you been? There won't be—any festivities held this year. That would have been anyhow... besides now..." She pursed up her lips and narrowed her eyes with the air of importance due to someone in possession of a valuable piece of gossip.

"What about now?" said Adelaide. She was half disappointed, half relieved about the Assembly Ball; it would save her face, of course, and yet it swept away the prospect of she knew not what gorgeous triumph. She could not easily dismiss the picture of herself in the white gown and the single white rose, being received and recognized by her lover at the public gathering.

"Well, there's a good deal of fuss up at Charters, isn't there?" said Miss Herle. "It's extraordinary how many of that young man's relatives have been arriving with every train. They bring their own servants and the town seems quite full. They are noticeable, of course, because they are all in mourning, even if it is only bands."

"Why should they be coming?" asked Adelaide. Her cheeks burned with a sudden pang of hope. Was he going to acknowledge her before all his relatives, friends and acquaintances?

"I don't know," said Miss Herle. "Those sort of folk keep their secrets to themselves. They say there was something... well—odd found when they pulled that old Pavilion down, and some people venture to hint that the young man himself—well, shall we call it, has had an attack of illness? You must always remember the history of the family."

Yet even as she spoke Miss Herle was not quite sure that she might not be making a considerable mistake and offending and perhaps losing in Adelaide Fenton the best customer who was ever like to come her way; so she brought out with her precise, businesslike air, several boxes full of silver paper and showed the girl feathers, knots of velvet scarves and other novelties that had lately arrived, so she declared, from Paris.

Adelaide was distracted, but not for long. Her visions had long since flown far beyond the contents of Miss Herle's cardboard boxes.

"It's heavy, like a thunderstorm," she sighed. "I'm sorry you haven't got the white rose."

"But if there's not going to be an Assembly Ball, it don't matter, does it?" snapped Miss Herle shrewdly.

"No, but there might be some other kind of private festivity at Charters, I suppose; when the time and date for the ball comes the old man will have been dead a long time."

"These great people keep up mourning for a long time," the milliner was prudish. "You know—black and crêpe and bombazine, and then grey and violet, and then sometimes white and pearl colour. It's a couple of years sometimes..."

Adelaide came down the narrow street slowly. She hesitated as she passed the door of Mr. Bisset's neat and commonplace house in the High Street. She knew that her mother would probably be there. Mrs. Fenton had been saying for days that she meant to go to the attorney's and, more than that, the attorney's lad, who seemed on fair to good terms with Caroline, had several times come to the cottage. On the last occasion his visit had certainly been official. He had brought and voiced openly a desire for Mrs. Fenton to come to see his master as soon as she conveniently could. The appointment had been for to-day at four o'clock... it was, by the clock in the market place, twenty minutes past that hour now.

'I don't see,' thought Adelaide, 'why I shouldn't know what they are talking about. It's something to do with me, I suppose.'

Without ringing the bell, she went into the narrow hall, up the shiny clean stairs and knocked at the door of Mr. Bisset's office.

It was the attorney himself who opened it to her. He seemed alert, surprised and after a while, she thought, pleased at seeing her there.

"Well, I didn't ask you to come, Miss Adelaide, but perhaps it's just as well that you have done so. I've been giving your mother a warning."

Adelaide glanced round the room. Carrie wasn't there... well, that was to the good. She was haunted by the thought of Carrie. Mrs. Fenton looked sullen, almost at bay. She was seated in a four-square fashion, her hands upon her knees, staring down at the floor, her best bonnet tied firmly under the chin.

"This is a queer case," pronounced Mr. Bisset, "a very queer case indeed. If things had gone a little differently I might have made something of it, but as it is I'm afraid I don't see that I can. In fact, Miss Adelaide, I've been advising your mother to leave Mullenbridge—to get out of the way before there's trouble. You see," he added sharply, "there may be some more of these letters. They may have all been pushed into the fire for what I can tell, but on the other hand they may not—and there's a great number of people being called to Charters. Well, you might say the town is black with them, as they are all in mourning."

"I don't see what that's got to do with anything," said Adelaide with an air of stupidity. "I knew Mother was up here to-day, seeing you, so I thought I'd come too. Why shouldn't I? Those are my letters, Mother needn't have interfered."

"Well, I doubt if you could have done much yourself," smiled the attorney. "Nor could I—we should have had to have a London lawyer on it. A breach of promise case against a man in his position... well, it isn't so easily worked, you know."

"Who is talking of breach of promise cases?" demanded Adelaide hotly. "You don't understand, either of you. You want to make my romance sordid and vulgar."

"It isn't a case of what I want to make it, it's a case of getting at the commonsense of the whole affair. I think you've been wasting my time, and I've little chance of being repaid for my trouble; but worse than that, I may have put my head into a good deal of worry. It might mean me having to leave Mullenbridge, too. Somebody," he added with a sudden coarseness, "has discovered the whole game."

"What do you mean by 'the whole game?'" demanded Mrs. Fenton defiantly, while Adelaide rose with an air of nervous indignation.

"Well, I mean that someone—since I've had this business in hand, I've kept an agent, such as he is, at Charters, one of the servants—and I think this someone was Mr. Abraham Steel, has had his suspicions caused, by what crazy act I don't know, of Lord Seagrove's and spoken to someone else—probably Mr. Timothy Chalmers, who is not so far gone in his cups that he cannot start the alarm round all the relatives, and they've come down, or sent representatives to deal with the matter."

"What matter?" demanded Adelaide. "Those are letters from him to me, aren't they? And you've seen the presents he sent me from the first, that was a pink bonnet."

"You're not going to say that my innocent girl..." the indignant woman began to cry out.

"I am not going to say anything," interrupted the lawyer. "We might even yet get a few hundreds—a few thousands, out of it, if we could get at the young man himself. I don't know what they know, you see—I don't know what there is at the bottom of it. Maybe, he's been foolish; perhaps even he did write some of these, but I doubt it."

"Why, the fair young lady standing in the window, of course. It's been done before, girls writing love letters to themselves—yes, and giving themselves presents that were supposed to have come from lovers. But this is certainly bold and audacious, and I shouldn't have been altogether sure that I was on the right track, knowing the character of the young man and all the rest of it; but, anyhow, I think now we are up against... well, what is a little too much for us."

"It isn't possible to move my sick husband..." began Mrs. Fenton in great agitation.

"No, but I suppose it's easier to do that than to face what you might have to if some of these great folk begin to, shall we say, turn nasty?"

"I saw him myself in the Pavilion..." began Adelaide, "not long ago... I walked with him in the grove often enough... can't you understand? How ridiculous just because the circumstances of our births are slightly different! How can such accidents affect the course of true love?"

"Don't use any of that novelette language to me!" said Mr. Bisset. "I wash my hands of the whole affair... I am sorry I touched it. It was a temptation, I know—but here you are, here are all your letters back, and no matter what you tell anybody about my meddling with the business, I shall always say I refused to handle it."

Mother and daughter both recognized the finality of these words. Without more debate they accepted at least a temporary defeat and, not touching one another, but moving in single file, moved slowly down the worn stairs to the street.

"I'll not go away," said Adelaide. "Mr. Bisset's an ignorant man. Why should I be afraid of all these people who have come from London? They don't know what's happened between me and Basil."

"We'd best be quiet... we'd best go away," replied Mrs. Fenton nervously. "After all, we've been repaid for the money we've spent and I suppose I was a fool to listen to you, even for half an hour. It's all very confusing to an ignorant woman like me."

As they passed through the street of Mullenbridge she noticed several strangers and people of the meaner sort who must be these same strangers' servants... carriages passed along the cobbles in which were smart ladies wearing mourning, and there were maids and lackeys peering into the windows of the humble shops.

The two women went sullenly, each absorbed in her own uneasy defeat, back to the cottage by St. Jude's. Susan met them at the door and they noticed that the neighbours, the solitary woman who lived on one side and the decaying couple who lived the other, were in their gardens regarding them with greedy glances; but Susan had her own prudence. She kept her lips tight until she had her mistress and her daughter inside the little parlour with the shining ornaments, the horsehair sofa and the workbox of sea shells.

"The parson from the great house has been down here," she then said. "He's coming again... I didn't like the look of him."

"He was half drunk as usual, I suppose," interrupted Mrs. Fenton, but she shivered and put out a hand to steady herself, gripping the varnished chimneypiece close by the Staffordshire figure of John Wesley.

"He seemed in a fair state," admitted Susan, whose own hands were fluttering. "He said you'd know what he meant by advising you to leave Mullenbridge."

"How can I?" asked Mrs. Fenton, speaking at random. "How can I move my husband?"

"I suppose it could be done," said Susan. "Better that than getting into any trouble here, wouldn't it?"

"Why should there be trouble?" cried Mrs. Fenton. "I've never told you my secrets, have I? Have you been listening at doors and spying and watching?"

"Indeed, no, but one can't help feeling when something seems to grow up in a house and spread all over it like a fungus."

"Did he say anything," asked Adelaide, "definite about me, or that young man at Charters?"

"No stories have been going about worth listening to," put in Mrs. Fenton angrily.

"I asked him about those stories of the bones," continued Susan. "He said it was a lot of nonsense and they was monkey's bones. Well, I've heard of an old story of how one of the lords up there did bury a monkey. I met a man whose father had seen it leaping about the trees—queer outlandish kind of pet I call it—and when it died, they gave it a funeral and dressed it up like the family ghost."

"You're talking a lot of nonsense," cried Adelaide angrily. "I shall have to take this matter into my own hands. Where's Carrie?"

"Carrie's upstairs with your father. She's reading him out of the Pilgrim's Progress the story about the sour plums. I don't like it when she does—it reminds me of the plums on that poor fellow's grave what no one ever picks or eats. But I don't think, ma'am," she added timidly, "it could have been real bones, do you?—and that grave there, with 'a broken and contrite heart' on it... merely a mocking of the Lord?"

"I don't know," said Mrs. Fenton gloomily. "I suppose we meddled with what was too big for us. With all these people here I feel as if there was a darkness over the whole place... interfering, coming from nowhere... what good will they do him—unless they shut him up!" she added viciously.

Adelaide went upstairs, leaving the two women muttering together. That day there seemed no talk of tea, the shining kettle was not put on the hook, the tray of pretty bright china was not brought out. Carrie seemed to have forgotten her appetite for cake and chocolates. Where was she? Adelaide felt that in her only might some strength, some clarity be found... Reading to old Mr. Fenton out of the Pilgrim's Progress. There she was by the invalid's bed, and the curtains that were embroidered with acorns and foxes... and there was he, neat and placid, with his grey shawl pinned over his withered chest. Was he really listening...? Was he capable of discerning a tale that pleased him and one that did not? Adelaide gave that matter a brief and contemptuous wonder. She passed round the tester to Carrie, who did not cease reading until her sister touched her on the shoulder.

"Pull the bell and make Susan come up... she and Mother are only gossiping downstairs... I want to speak to you."

Carrie finished her paragraph, closed the book decorously and jerked the embroidered length of wool.

"You've made a mess of it, I suppose," she complained. "Got into a muddle and a confusion... I ought not to have had anything to do with it."

They waited impatiently until Susan, perturbed and wiping her eyes, appeared and took her accustomed post.

"Don't come up, Mother," Carrie shouted down the stairs. "I and Adelaide have got to talk together a bit."

The two girls went into the small bedroom that they had shared as long as they could remember. Beside the long straight beds were the trophies of their elaborate deceits... the mantua-maker's boxes, some sets of novels, the chest of drawers that held the ornaments of paste, coral and pinchbeck, the pots of cosmetics that Adelaide had ordered from Bond Street...

The evening was sultry and tawny clouds had obscured the scene. Carrie set the window wide... the prospect looked over the wall, where the stripped morello cherry grew, towards the sloping churchyard and the dun-coloured tower of St. Jude. The smell of the brandy-making and of cherry pie still lingered about the little house.

"I don't know," answered Carrie. "They're not to be outfaced at all, of course. It was nothing but lies and tricks from the first... and you couldn't have done it if he hadn't been—well, what I should have called half-witted."

Adelaide patted her foot impatiently and protested. "But he's not—and he's fond of me... and those letters were written to me... and he did promise me a white horse, and a conservatory... and I've been deceived..."

"I suppose you didn't mean Mother to take it up with Mr. Bisset?" asked Carrie in her businesslike way. "I suppose you weren't thinking of London lawyers and breaches of promise? No, I daresay you weren't," she continued thoughtfully, "you were thinking of more romantical things... of being a countess and married in a satin dress worth seven thousand pounds..."

"I don't know what you're talking of," said Adelaide with a frightened look. "What was that Susan was saying about bones...? I didn't hear anything about bones being found..."

"Oh, some rubbish—when they took that Pavilion down. Who cares...? It's nothing to do with us. We've had a great deal of trouble over this—at least I have—and I don't see why something shouldn't be got out of it after all. Of course, one cannot do anything with all these great folk—but I mean with the young man himself, or even with that Dr. Perry if he's up there. It wouldn't be so difficult for us to move... there's an empty farm, or was, close to Aunt Martha's... Mother and Father could go there and Aunt Martha would give her an eye. She'd be back where she started, which is all she deserves—and you could get a job as a lady's maid."

"Ah, you've set all our fortunes pretty nicely," said Adelaide. "Mother and Father back where they started, as you put it... well, there was gentility on Mother's side and Father had a good position... but still they're old and their time's past."

"Susan could go to the Poor House," added Carrie coolly. "I daresay she's got some savings—if she hasn't, she'd have to go to the Poor House, she's too old for work elsewhere."

"And what about you, my beauty?" asked Adelaide furiously. "You've parcelled us all out—Poor House and farmhouse and a servant's place—but what about you?"

"Oh, I daresay I could do a bit better for myself. You see, I didn't have the same kind of education as you did, but I have a much better intelligence. If I had a little capital I might do well for myself in a manner of ways. I've got the addresses of several people from the Clapham days. They might help me to make a start."

"I've got an idea about that. It's daring, it's touch and go, but so has been everything I've done. Don't you bother about me or yourself—you keep quiet. I can guess the advice Mr. Bisset gave you. You take it."

Before Adelaide could reply, Caroline had gone downstairs and faced her mother who was sitting rocking to and fro in the chair by the small fire.

"I've been speaking straightly to Adelaide. I humoured her for a while—well, partly for fun, it's dull here—and partly for what I could get out of it; but you see, Mother, you were rather clumsy going to an attorney with all that flimsy nonsense. I daresay the young man is half out of his mind—look at his family history and the way they brought him up, the fools! Did you see who's come down here now? There must be a dozen relatives and lawyers and doctors, too. I should like to know," she added curiously, "what it was he did that brought them all on him of a sudden like that."

"What do you suggest, Carrie?" begged Mrs. Fenton in a cowed voice. "What do you suggest?"

"Well, you'll have to draw out some of your savings—you can sell this place, but it'll take a time—and you and Father will have to go to Aunt Martha's. He could travel in a special kind of carriage. You can take Susan with you, if you can afford it—there's a little empty farm there, and you're still hale. You can hire a man and work it and go back to what you came from."

"I suppose I can," whispered Mrs. Fenton. "I suppose I can, there's no doubt of that. And what would Adelaide do?"

"Adelaide had better get out of Mullenbridge as soon as she can. She'd better take a train to London."

"To London?" echoed Mrs. Fenton in a tone of horror. "Where's she going to stay in London?"

"There's the Clapham people—she'll have to go there. As long as she's got a little money, they'll be civil. She could put an advertisement in one of those papers she's so fond of reading. I dare say she'd do as a lady's maid, she's not bad at the packing and the mending and the ironing. She's fond of finery—I suppose if she was always handling other people's trumpery, it would keep her from worrying about where she's going to get some for herself."

Mrs. Fenton gave a sigh that was not wholly of disillusion. This brisk and capable young woman certainly took a great many burdens off her shoulders, eased her puzzled brain of a good many intricate problems.

"Oh, she'll go all right—she's scared. You won't find her up at the Mausoleum, if it's still standing, or that grove of trees, or playing at being a ghost any more. She'd only to see those great people about the streets of Mullenbridge and all her courage went."

"But of course," protested Mrs. Fenton, "he did write her those letters... there was a love story..."

"Oh, of course," sneered Caroline. "No innocent young girl could possibly make it all up, could she?"

Carrie smiled. "You're shrewder than I thought, Mother, but it won't matter to us—we shan't be involved in it; she'll have to pay the penalty herself, won't she?"

"I suppose so," agreed Mrs. Fenton indifferently. "I don't like casting the girl off."

"It won't need any casting—she'll go quick enough now. I shall find her packing when I go upstairs. She only wants a few clear directions and she'll follow them."

* * * * *

Lord Seagrove was intensely irritated when he realized his house was occupied by so many of his relations and friends. He could not discover the reason of this; when he spoke to Mr. Chalmers, or to Dr. Perry, who had suddenly appeared, they put him off with what he felt to be ambiguous answers.

"Why, there are as many people here, as many as there were when my grandfather died," he demanded peevishly; "a great number of them I don't know or like, and why should I be suddenly interviewed by lawyers?"

Mr. Chalmers repeatedly told him with steady monotony that he had a big estate and much to settle, and that he could not expect to live like a recluse; Dr. Perry told him more earnestly that these people were his friends and had come to help him, and there were not after all as many as he might have supposed.

"The house seems black with them to me," replied the young man with indignation. "Wherever I go, there they are like shadows."

"It's because they are in mourning that they appear like shadows," replied Dr. Perry. "You've got a long way from me, James, I feel as if I couldn't reach you."

"Who was it told them to come?" insisted the young man. "Someone must have asked them—I'm sure I did not. My one desire is solitude and I was about to make a most interesting experiment with Mr. Steel."

Dr. Perry did not enlighten him to the effect that Mr. Steel and the interesting experiment had been exactly the reason why Charters was so full of his friends and relatives. Indeed, the Swedenborgian endeavoured to keep the young man away both from the laboratory attached to the conservatory and that which was fitted up in the house.

"I wish," he declared earnestly, "that I could make you see the fair and clear spirits that stand either side of you willing to help you forward, but you have now turned your eyes upon a forbidden path and perhaps it is now past my power to make you look in any other direction."

Lord Seagrove sulked in his own room. He had taken an intense dislike, not only to his guests—strangers they seemed to him—but to Sir Henry Dering and his colleagues. There was no restriction put upon the youth's movements and no company seemed forced upon him, yet he felt himself watched and spied upon, confined even more than he had been when he had only his tutor, his grandfather and Hackett to fear. He was suspiciously conscious that an elaborate liberty, that was entirely false, was allowed to him; that he was permitted to roam from room to room, to walk over the park, to go riding—to do anything, in fact, he wished—but that always, not far away, was someone who chanced to be passing through the same room, or riding near, or walking in the same direction—someone who would give him a casual, jovial salutation and go his way.

"But still, it is never solitude. I'm never alone—and why does Steel make so much ado of that experiment? It's simple enough. The heliotrope... he says he has finished with that... that he didn't think he had got the formula complete. Then there are the bones..."

They would not speak to him much of the bones; they said they were those of some poor pet animal and that the talk of the dress, green sash and white gown, was mere nonsense.

But he was not in his own mind satisfied. He asked to be allowed to see the excavation where it had been discovered, but Sir Henry told him smoothly that all had been levelled with the ground and that the site of the Folly would soon be on a level with that of the parkland. But the young man knew the place where that grave was; he could see as clearly as if they had allowed him to have a sight of it, the small white bones laid out... the bonnet... the sash... the dress. To him the affair was perfectly clear, reasonably exact—just as if he had read it in one of those articles, like that in the Gentleman's Magazine, where he had discovered the truth. He repeated this word to himself often, as if it were a charm... the truth. Then he considered that she was not human... an evil spirit always. "They knew she walked... that she would come back and haunt us all until there was no more of us to torment. I am the one destined to take that mysterious voyage over land and sea to those distant haunted hills of Ireland. I cannot escape my destiny—and do they think by putting me off from a few necessary experiments they are thwarting me, or holding me back? Spies, all of them, and even Lucas Perry not the friend I thought him. I am disappointed in Abraham Steel and the heliotrope..." The youth had, in his uneasy, perturbed mind, constant, shifting pictures of sprays of heliotrope being reduced to ashes, of morello cherries being pulled from a churchyard wall, of everything being transmuted and changed. Ashes... smoke... dust... and then the form again...

He became angry with the answers, soothing and respectful but, from his point of view, worthless, that he received from everybody whom he asked about the discovery in the foundations of the Folly. 'After all, I am master here and I shall do what I choose and I will not be put off with these excuses. I will get hold of the books that Steel has and make the experiment myself. Indeed, I rather doubt if there is any need for an experiment. Very likely once I saw them they would come together again and show me the girl as she was. Now, who are those two who came to me in the Folly before they destroyed it, when I was looking at the picture of Lake Nemmi... that was an absurd touch, my father's hat floating on those waters where the dark priests used to gaze when they came down from the thickets and where the barge of Tiberius sunk... or was it a hat? A handkerchief full of cowslips... a purse of gold pieces... and she looking at me almost as if she gave the signal for us to flee together.'

He had been down to the site of the Pavilion several times, but always with a fairly large company and the talk had been of most commonplace matters; now the attention of the great architect was turned to the demolition of the Mausoleum. The consent of the bishop for the removal of the bodies had been obtained and the shoddy copy of the Temple of the Four Winds of Athens was to be removed after all, and those grandiose coffins, with their rotting palls, now to be taken to the church of St. Jude's.

"It was an ugly fashion," said Sir Henry in his authoritative way, "and one quite out of date. That gone, and the Folly demolished, we have now a clear sweep of parkland which in the new landscape style ought to look quite handsome. I should suggest some exotics that Mr. Steel ought to be able to provide, to break the homely look of the elms and limes."

The young man listened to all this ungraciously. They had rather, had they but known it, overdone their casual air; though he outwardly acquiesced, inwardly he was making his own plans. He was one against many, and knew it; but he had the cunning of the peculiar world to which he belonged, and this was sharpened by necessity. He was aware they had made plans for him to go to London, the Portland Street house that was near to that of Sir Henry's, quite soon or, if he objected too much to town life, to Verities, while the alterations were made to Charters.

"All the cupboards—" he said to Sir Henry, "you'll have them all opened, I suppose—nothing hidden away in cupboards?" and the great man had smiled suavely and said that there would be a great many dark presses, closets and cobwebs swept away with the house that had been left too long unchanged. Certainly it had been added to, but rather uncouthly, and when my lord returned he would be surprised at the transformation that he, Sir Henry Dering, had been able to work in Charters.

The young man, who was outwardly at perfect liberty, went to St. Jude's on foot, on a day that was the first of autumn to those with a keen sense of the weather, for the clouds were low, the air chilly, and the trees shedding their leaves so that trails of gold and amber and scarlet were on all the paths and roadways. He passed quickly down the sloping graveyard, vaulted the wall where the morello cherry was now but a dry skeleton, and rapped on the back door, that of the kitchen of Mrs. Fenton's residence.

* * * * *

It was Adelaide who answered, and immediately. She showed no exultation at the sight of the man whose presence would have been so welcome to her only a few weeks ago. She had entirely lost her confidence and uttered a broken cry, putting the tea-cloth she carried to her lip.

"I thought I'd try and see you," he said. He spoke now always in a quiet tone, as if afraid of being heard. "There's so much I don't understand, and you might be able to help me."

"We're leaving," replied Adelaide quickly. "We're leaving Mullenbridge—we don't want anything to do with lawyers or your relatives. Mother's arranged it..."

Low as she had kept her voice, Carrie, in the parlour, had overheard; there was always Carrie to overhear.

The younger girl now came in softly with her finger to her mouth. She was not altogether surprised at the visitor.

"You had better leave this to me, hadn't you, Adelaide?" she suggested. "And talk very quietly, please; Mother is upstairs packing with Susan. It's strange how much one gathers together, even in a small house, in twenty years or so."

"Why are you going?" asked Lord Seagrove in a confused way. "Everything seems to be disappearing... they are taking down the Mausoleum now, and will bring the coffins to St. Jude's... and this cottage will be empty then..."

"We shall be able to sell it perhaps to the sexton, who has always complained that he is poorly housed. Why have you come here?" said Carrie; but Adelaide had now begun to assert herself. Over her confused mind came some flash of hope and courage; perhaps after all the crazy dream might come true.

"We can't talk here," she said quickly, "we never could—but I'll meet you up by the grove."

He lifted his lip in a way that she had never seen him do before. She marked, with a kind of inner horror, how pale and shrunken he seemed.

"Do you suppose they leave me long enough to make any kind of tryst?" he replied. "I suppose there's somebody after me now. I cannot stay long..."

"But you could get away," urged Carrie, in a matter-of-fact voice, "if you wanted to... if you arranged it properly. I'm afraid that you don't know, sir, how to manage your own affairs, any more than Adelaide or Mother does. The world has to be run by sensible people like me. I suppose that your relatives have discovered that a great deal of nonsense has been going on, a great deal of wicked foolishness," added the girl with a prim air. She glanced with a slight apprehension upward as she spoke, as if she feared she might be overheard. "At sunset to-night I'll come and meet you at the grove. Do you remember what I asked you before? Well, I still want it and it is going to make a great deal of difference to your peace of mind and to how all those people pester and badger you... it will set you free."

"You will come... and not the other one?" he said, still dubiously, looking from one girl to the other. "You know what they found in the Pavilion... you've heard about the heliotrope and the experiments Mr. Steel's been making..."

She took the young man by the arm and led him out of the small house. There was no one in sight. The sunshine, that had the reddish sombre tint of autumn, was tinted over what most people would have called a peaceful scene... the sloping churchyard, the weathered tombstones, the path leading to the church porch.

"You must rely on me," urged Carrie with a firmness that did seem to communicate itself to Lord Seagrove. "You mustn't let them torment you so... why, the place is black with them like a flight of bats! It's all over... it's been nothing but a lot of story-book nonsense from first to last. You'll grow out of it... you'll look back upon it as a foolish kind of dream. Well, I think you owe me something..."

"I want to make that experiment..." he confessed. "I want to come to the bottom of it. If it's true, why shouldn't she and I go together to Ireland...? That's the place—the far-off hills of Ireland and the chariot that travels as quick as the wind. Yes, a fairy story as you say, and that's what we are all looking for—to get back into the fairy story. I've been up there trying to find out what they discovered."

"It don't matter," declared Carrie, walking slowly with him up the church path. "Don't you be seen here now... you get there to-night on some excuse or other before it's quite dark, for it is more difficult for me if I have to bring a lanthorn—and you have the money with you—the others are provided for. St. Jude's cottage will be empty and you'll forget about us. It was only silly play-acting. Mr. Bisset will give up everything he's got, every scrap of paper; he's scared, I know; one look from a London lawyer and he'd be on his marrow bones!"

"I don't understand what you are talking about!" protested the young man peevishly.

"No, I don't suppose you do—but they do, those people who have come down to look after you. Now I'm going into the church; I often do, you know—I do some sweeping and dusting there sometimes—shaking out the hassocks and putting the hymn books in order... And you'll go round on to the high road and back again, and to-night, just before it's dusk, you'll meet me where the Folly used to be."

"And don't forget to bring the money," insisted Carrie calmly. She thought it best to deal with the matter in a commonplace, crude fashion.

They parted with no more than that. The girl looked up and down the road, she could see no one, but it was certain that some member of his household was not far away. They had not much time, they must be gone from Mullenbridge within another twenty-four hours.

She went into the church, which often served her as a private place in which to think and plot. She was afraid that this enterprise was a desperate one, and that she had very little chance of getting that thousand pounds, but in her opinion the man was little more than half-witted and might be induced to part with the money. She had not dared to be too explicit, but surely there was at least a chance that he would come with it, in gold or notes, that she, going instantly to London by the first train from Mullenbridge in the morning, could turn into cash before they were stopped at his bankers.

She very much prided herself on her common sense and her level head. Her contempt of her mother and Adelaide, and even of the lesser villains of the plot—silly Miss Herle, knavish Mr. Bisset—increased considerably until there was a firm sneer marked upon her well-cut lips.

There was a great number of things that she would do when she had her money. She did not intend to continue any attempts at blackmail. She knew for one thing that it would be pretty well hopeless. Mr. Bisset, in a panic of terror, would give up all the letters. Adelaide had already crumpled, she would probably try other tricks and make failures of them; but for the moment she was frightened.

Caroline sat primly in the pew that chanced to be that of the Seagroves. She liked it because it was tall and shut her in. There was a receptacle for Bibles and Prayer Books, there were footstools of fine leather, and cushions, too—quite a comfortable place. Well, she could indulge herself in a little rest, but she must keep her eye on Adelaide, who might run blurting the whole thing out to Mrs. Fenton, or even to a neighbour.

What an utter fool Adelaide was! It had interested Caroline to watch her from the first, how she had spun her daydreams into some sort of coherent romance of which she was the heroine; how, idle and inert, she had sulked from day to day 'only half alive,' as Caroline put it. She was more to be despised than poor Mrs. Fenton, who was so ignorant and whose brains had been fuddled by ambition, and Adelaide's wild and foolish stories.

Caroline rose and with raised eyebrows remarked that the marbles that were to form the monument to the present lord's father were still unpacked.

*I suppose they'll either have to put them up or take them away,' she thought. She lifted her skirt as she passed them for fear of catching her hem, which was neatly braided, in any of the wooden packings.

It was quite pleasant in the churchyard, agreeable even in that no-man's-land, that potter's field. The forbidden fruit no longer hung on the plum trees; there fluttered a few yellow leaves on thin boughs. The blue bloom of the Lebanon cedar was accentuated with the season; the grass had not yet faded and the solitary tomb was neatly kept.

'What's this silly story,' mused Caroline, 'that they wouldn't bury her here after all because they thought she might be a changeling, or some rubbish like that? Of course she's there, and if they really found anything up at the Folly, why it would have been the bones of a monkey. I've heard that story—and anything might be true of the Seagroves.'

She went across the graveyard and opened the gate, not choosing to jump the wall, for she was ladylike and precise in all her movements. Adelaide was, as her sister had expected, crying in the kitchen.

"You ought to have let me go, Carrie," she began to moan. "Maybe it's coming right after all."

"Maybe it is," agreed Carrie firmly, "but not in the way you think. You listen to me, you fool! Would you like to go up there alone, at night, in the state of mind he is? If you'd seen his eyes and heard what he spoke of you'd be afraid. You were really afraid last time when you got the money out of him, weren't you?"

"Well, I suppose I was a little," sobbed Adelaide; "everything seems so strange now and everywhere one turns there is a stranger looking at one suspiciously."

"We are marked down, we've got to go, and quickly. I'm going to see him to-night because I think I may be able to get something out of him that will make this nonsense worth while."

She seemed, her sister was glad to remark, extremely frightened, frightened of her own dreams that had gone sour in her fancy, frightened of the crude actuality that, in the form of lawyers and even constables, had suddenly sprung up across her make-believe.

"It'll be a good thing to be away from Mullenbridge." Her facile mind, already turning to new adventures, went on. "We oughtn't to have been here so long, Carrie. I always hated the place!"

Her sister pulled at her sleeve. "Why do you want to go up there to-night? I don't suppose he'll come, I don't suppose he'll be allowed."

"It's a chance," said Caroline. "I'm just taking a chance. What I want from him will make no difference to him, but all to me. I don't see why I shouldn't get something."

"What do you mean 'get something'?" said Adelaide, beginning to cry again. "What have I got but a broken heart?"

"Rubbish! You and your broken heart! You go upstairs and read some of your novelettes and think about some more great lords who are going to give you white chargers and hot-houses."

Adelaide said: "You're unkind! You're vulgar! I wish you wouldn't talk to me like that, Carrie—and I wish you wouldn't go up there to-night."

"Well, I'm going. There's nothing in it, is there? Everybody's got a right to stroll along towards the Folly—and don't you say a word to Mother or to Susan, and don's you disturb Father, and you keep inside the house, Adelaide. You're not to let anyone see you, even in the garden. You've got to be very careful."

"No need to warn Mother," said Adelaide, still sobbing. "She's packing, packing—we'll be gone, gone!"

* * * * *

Caroline Fenton, without the least sense of discomfiture or agitation, walked along the single street of Mullenbridge, quite conscious of the curious eyes that were glancing at her, out onto the high road towards where the Folly had stood. A scaffolding had been erected around the Mausoleum to allow, with due reverence and decorum, the dead Seagroves to be removed to St. Jude's.

Caroline thought, and for the first time, that the man who was supposed to have committed the crime which had caused, as the girl put it in her mind, 'so much fuss and nonsense,' was among those whose magnificent coffins would be taken in stately procession to the church.

'I don't see why, if I play my cards properly, I shouldn't get it out of him. Of course, it all depends whether he has brought it with him. I don't suppose I could venture on going back to the house with him for it, although I might. After all, I don't suppose any of them know the truth, and I dare say they'd be glad to get rid of me and all that I might say for that sum. I wonder what's in his mind?' She dwelt on with a cool, passionless curiosity. 'I suppose he's half-mad... he and his spectre bride, and the two going together to the green hills of Ireland—never grown up, I suppose.'

She opened the large gate that admitted to the Seagrove estate and crossed the grass that had a dry autumnal look. The last gale had loosened many leaves and the lime grove was sparsely covered; when Carrie looked up she could see the boughs interlacing against the sky that was beginning to take on a twilight pallor. There was a number of workmen's scaffoldings, planks and tools about; a small hut had been built for the men's accommodation. They had only just left off work, she could see two of them in the distance walking towards Mullenbridge.

The ground where the Folly had stood had been already skilfully smoothed down, although it was too late in the year for any turf to be put on the site, and the part that was of rock had been left a jagged hole; over a portion of it was spread some sacking.

'Queer,' thought Caroline, looking round, 'that this is where the Pavilion stood with those pictures of foreign parts. Well, here's the end of one ghost story. I'm a bit early, I don't suppose he'll venture to come out till it's darker. Perhaps it's stupid of me to wait here, I might be noticed.'

She sauntered on, now and then stooping to pick up a twig, examine it and throw it away, all the while looking furtively to right and left; but there seemed no one to spy upon her. She came to the Mausoleum with its elaborate scaffolding. The day faded quickly, as it seemed to her, and for the first time in her prosaic life she had the sense of space and distance and eternity not being entities that could be measured by any commonplace terms.

* * * * *

Lord Seagrove had not forgotten his tryst at the Pavilion. He determined, whatever opposition was put in his way, to keep it, and he made his plans very cunningly. Of the people who were about him he had taken so little notice that they were no more than dark shadows hemming him in like a flight of bats or birds. He knew the faces of Hackett, of Dr. Lucas Perry, of Mr. Chalmers, of one or two of the women... he knew how to keep up an ordinary conversation... but the rest were but so many phantoms that he might beat back by a quick blow of the palm of his hand.

After dinner, when the candles had been brought in, he went into the library. Mr. Chalmers followed him. What the man said the youth did not know, but he was aware that he replied himself quickly:

"I'm very tired to-day—I think I should like to go to bed early. We're going to London, are we not, quite soon? I shall be glad to get away from the place. I don't particularly want to see Sir Henry demolishing it."

"Well, he won't altogether demolish it," said the Reverend Chalmers suavely. "He's a very able architect, you know... he will only take down a wall here, a wing there." The parson spoke with the assurance of ignorance. "When you return it will look different. You will feel it will be more your home."

"No cupboards left..." said the young man, moistening his lips, "no places where things might be hidden..."

"Are you really going to your chamber? It's quite early, you know, and there are a number of people to entertain."

"But it's understood, is it not," replied the youth petulantly, "that I'm not well? Hackett can come up and attend to me."

He lit his candle from those standing in the hall, and the parson, who was tired and who had drunk quite his share of port, thought wearily: 'Well, I suppose he's safe enough. He seems to me to have given up all this nonsense, anyhow.'

He watched the youth's bent figure go up the stairs with a halo of light from the candle round it, spacing it from the shadows.

'I, too, shall be glad when we are in London—let other people take on this damned bit of work.'

He pulled the bell and when the servant came, told him to ask Hackett to attend the Earl and stay by him until he was asleep.

"Mind you, he mustn't know that he is in any way being watched; that would drive him frantic."

The servant nodded. These words were always being whispered over Charters: 'He mustn't know he's being watched!'

Hackett was for once something off his guard. Indeed, he considered that far too much nonsense, as he termed it, had been made about what was, after all, nothing very important or difficult. He was quite prepared to believe that his young master was in a strange state of mind, and to accept the verdict of the doctors who had come on the summons of Mr. Chalmers to Charters; but he was not himself a fanciful man, and he did not think that the youth, to whose whims and vagaries he had been used when he was a boy, was likely to do anything dangerous or disgraceful. Yet Hackett was another who would be glad when Charters and Mullenbridge was left behind and the train had brought them into London and they would be able to start a different kind of life; he thought it a good thing that the old house should be pulled down; it would be a much finer, smarter place when Sir Henry had done with it, no doubt; of course, the old Earl had lived too long and let life, as Hackett put it, 'get rather the upper hand of him.'

He talked on these lines cheerfully enough with his master, who was not prepared to go to bed, but said he had a quantity of letters to write.

"I shall stay in the closet for a little while, Hackett, and you, if you will, can go to bed."

"Very good, my lord," said the servant, but he intended to keep his trust and to remain awake and on the alert until the young man was asleep in the old-fashioned tester bed. He forgot what the cunning mind of Lord Seagrove remembered, that there was what is known in French as an escalier détrobé in the closet, a small spiral staircase leading from one floor to another and finally to a postern door that opened into the garden. It was awkward and had not been required for many years; indeed, a bookcase stood in front of it. Many people had forgotten its existence, but to-night, sharply and clearly, it had come into the young man's mind.

He left the door into his bedroom, where Hackett was moving about, ajar and sat down and scribbled aimlessly for a while by the light of the handsome silver lamp. He was trying to focus his mind on to what he had to do. It was the tryst of trysts to-night, when everything would be made as clear as crystal... when the heliotrope... strange how that cottage by St. Jude had smelt of cherry pie... would receive its own ghostlike form, when the bones would be consumed into ashes and arise again as the spectre of Harriet Bond... when that girl—whoever she was who had made the tryst with him—would explain everything. Perhaps she was the spectre and he need not go any further than that.

Money was required, he believed—for the expenses for the journey to Ireland perhaps. It might be that even fairies required their fees. He opened the secret drawer in his desk where a certain supply of money was kept, and pulled out a quantity of notes without counting them, and his order book on his bankers, and put them in his pocket. Then, very softly and quietly, he edged aside the bookcase. Hackett was still moving about. 'What does the fellow find to do, I wonder?' thought his master petulantly. 'Why doesn't he sit down? I dare say he'd like to smoke a cigar, but daren't for fear I smell it.'

He called out: "Hackett, I shan't be ready for a while yet, don't keep moving about like that, you disturb me; I have got my letters to write."

The servant murmured some decorous acquiescence and there was no sound from the bedroom.

'I suppose,' the young man thought, annoyed with himself, 'I ought to have allowed him to go on moving, it would have covered up the sound of the bookcase,' but he contrived to lift it, without any noise, on to the rug.

There was the door... it might be locked and he might not have the key; but it seemed to have no lock. There was a small knob that turned easily, and below—darkness.

The young man left the lamp where it was. He knew that Hackett would be watching the light through the half-opened door—then slyly and cautiously he edged through the doorway of the secret stairway and, with the exquisite precaution of a child at a mischievous pastime, made his way step by step down the staircase from one floor to another. Sometimes he passed doors under the cracks of which he could see lights, and through the cracks of which he could hear voices—but always he went cautiously, quietly, making no sound himself; and then there came the end of the staircase and a door was in front of him. The handle was turned easily and the evening air was on his face.

He would be rather late for the tryst. The sun seemed to have set, yet there was light about, either of earth or Heaven or Hell—light enough for his purpose; it seemed to emanate from his own mind. Clearly he could behold all that he wished to see.

He made across the courtyard, still retaining enough cunning to keep close to the wall, in the shade, and then was in the park, and walking, then hastening almost to a run, to the site where the Folly had stood with its picture of Lake Nemmi. He went exactly to the spot where a piece of sacking lay across the rocky hole. That was where they had found her, of course, and where he would find her, too.

The English landscape was blurred, not by the increasing dark but by his own mind. He saw the Italian lake with the dark slope of trees to the still water on which floated his father's hat... where the two horses and the grooms struggled in the steel-blue water... where the fetch had risen to snatch at her faithless lover... where the chalk-marked trees rose up between the cyclamens to light and air... Not a picture on canvas—the lake itself...

He fumbled a little, sat down and felt the sharp stones—and there was something else there. Of course, exactly what there should have been—a pick-axe, a collier's pick.

He heard someone speaking to him, sharply as he thought, calling him to order, beckoning him. He peered. There she was, exactly as he might have expected she would be—a white gown, something dark round her waist.

He did not hear what she said. He raised the pick and struck her. §he fell down and then rose. He struck again—five times. And now, Caroline Fenton, slipping into the long empty grave where once the body of Harriet Bond had lain, did not rise again.

The Spectral Bride

by

Marjorie Bowen
(writing as Joseph Shearing)

First published by Smith & Durrell , New York, 1942
This e-book edition: Project Gutenberg Australia, 2015

TABLE OF CONTENTS

INTRODUCTION

PART ONE

Pink Bonnet

* * * * *

* * * * *

PART TWO

'Except the Vision and Its Details'

* * * * *

* * * * *

* * * * *

* * * * *

PART THREE

The Necromancers

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

PART FOUR

Cherry Pie

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

THE END

The Spectral Bride

by

Marjorie Bowen (writing as Joseph Shearing)

First published by Smith & Durrell , New York, 1942 This e-book edition: Project Gutenberg Australia, 2015

TABLE OF CONTENTS

INTRODUCTION

PART ONE Pink Bonnet

* * * * *

* * * * *

PART TWO 'Except the Vision and Its Details'

* * * * *

* * * * *

* * * * *

* * * * *

PART THREE The Necromancers

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

PART FOUR Cherry Pie

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

* * * * *

THE END

Marjorie Bowen
(writing as Joseph Shearing)

First published by Smith & Durrell , New York, 1942
This e-book edition: Project Gutenberg Australia, 2015

PART ONE

Pink Bonnet

PART TWO

'Except the Vision and Its Details'

PART THREE

The Necromancers

PART FOUR

Cherry Pie