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Title:      The Woman Who Rode Away and other stories (1928)
Author:     D. H. Lawrence
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Language:   English
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A Project Gutenberg of Australia eBook

Title:      The Woman Who Rode Away and other stories (1928)
Author:     D. H. Lawrence




Contents


The Woman Who Rode Away

Two Blue Birds

Sun

Smile

The Border-Line

Jimmy and the Desperate Woman

The Last Laugh

In Love

The Man Who Loved Islands

Glad Ghosts

None of That!

The Rocking-Horse Winner

The Lovely Lady





THE WOMAN WHO RODE AWAY


I


She had thought that this marriage, of all marriages, would be an
adventure.  Not that the man himself was exactly magical to her.  A
little, wiry, twisted fellow, twenty years older than herself, with
brown eyes and greying hair, who had come to America a scrap of a
wastrel, from Holland, years ago, as a tiny boy, and from the gold-
mines of the west had been kicked south into Mexico, and now was
more or less rich, owning silver-mines in the wilds of the Sierra
Madre: it was obvious that the adventure lay in his circumstances,
rather than his person.  But he was still a little dynamo of
energy, in spite of accidents survived, and what he had
accomplished he had accomplished alone.  One of those human
oddments there is no accounting for.

When she actually SAW what he had accomplished, her heart quailed.
Great green-covered, unbroken mountain-hills, and in the midst of
the lifeless isolation, the sharp pinkish mounds of the dried mud
from the silver-works.  Under the nakedness of the works, the
walled-in, one-storey adobe house, with its garden inside, and its
deep inner verandah with tropical climbers on the sides.  And when
you looked up from this shut-in flowered patio, you saw the huge
pink cone of the silver-mud refuse, and the machinery of the
extracting plant against heaven above.  No more.

To be sure, the great wooden doors were often open.  And then she
could stand outside, in the vast open world.  And see great, void,
tree-clad hills piling behind one another, from nowhere into
nowhere.  They were green in autumn time.  For the rest, pinkish,
stark dry, and abstract.

And in his battered Ford car her husband would take her into the
dead, thrice-dead little Spanish town forgotten among the
mountains.  The great, sundried dead church, the dead portales, the
hopeless covered market-place, where, the first time she went, she
saw a dead dog lying between the meat stalls and the vegetable
array, stretched out as if for ever, nobody troubling to throw it
away.  Deadness within deadness.

Everybody feebly talking silver, and showing bits of ore.  But
silver was at a standstill.  The great war came and went.  Silver
was a dead market.  Her husband's mines were closed down.  But she
and he lived on in the adobe house under the works, among the
flowers that were never very flowery to her.

She had two children, a boy and a girl.  And her eldest, the boy,
was nearly ten years old before she aroused from her stupor of
subjected amazement.  She was now thirty-three, a large, blue-eyed,
dazed woman, beginning to grow stout.  Her little, wiry, tough,
twisted, brown-eyed husband was fifty-three, a man as tough as
wire, tenacious as wire, still full of energy, but dimmed by the
lapse of silver from the market, and by some curious inaccessibility
on his wife's part.

He was a man of principles, and a good husband.  In a way, he doted
on her.  He never quite got over his dazzled admiration of her.
But essentially, he was still a bachelor.  He had been thrown out
on the world, a little bachelor, at the age of ten.  When he
married he was over forty, and had enough money to marry on.  But
his capital was all a bachelor's.  He was boss of his own works,
and marriage was the last and most intimate bit of his own works.

He admired his wife to extinction, he admired her body, all her
points.  And she was to him always the rather dazzling Californian
girl from Berkeley, whom he had first known.  Like any sheik, he
kept her guarded among those mountains of Chihuahua.  He was
jealous of her as he was of his silver-mine: and that is saying a
lot.

At thirty-three she really was still the girl from Berkeley, in all
but physique.  Her conscious development had stopped mysteriously
with her marriage, completely arrested.  Her husband had never
become real to her, neither mentally nor physically.  In spite of
his late sort of passion for her, he never meant anything to her,
physically.  Only morally he swayed her, downed her, kept her in an
invincible slavery.

So the years went by, in the adobe house strung round the sunny
patio, with the silver-works overhead.  Her husband was never
still.  When the silver went dead, he ran a ranch lower down, some
twenty miles away, and raised pure-bred hogs, splendid creatures.
At the same time, he hated pigs.  He was a squeamish waif of an
idealist, and really hated the physical side of life.  He loved
work, work, work, and making things.  His marriage, his children,
were something he was making, part of his business, but with a
sentimental income this time.

Gradually her nerves began to go wrong: she must get out.  She must
get out.  So he took her to El Paso for three months.  And at least
it was the United States.

But he kept his spell over her.  The three months ended: back she
was, just the same, in her adobe house among those eternal green or
pinky-brown hills, void as only the undiscovered is void.  She
taught her children, she supervised the Mexican boys who were her
servants.  And sometimes her husband brought visitors, Spaniards or
Mexicans or occasionally white men.

He really loved to have white men staying on the place.  Yet he had
not a moment's peace when they were there.  It was as if his wife
were some peculiar secret vein of ore in his mines, which no one
must be aware of except himself.  And she was fascinated by the
young gentlemen, mining engineers, who were his guests at times.
He, too, was fascinated by a real gentleman.  But he was an old-
timer miner with a wife, and if a gentleman looked at his wife, he
felt as if his mine were being looted, the secrets of it pryed out.

It was one of these young gentlemen who put the idea into her mind.
They were all standing outside the great wooden doors of the patio,
looking at the outer world.  The eternal, motionless hills were all
green, it was September, after the rains.  There was no sign of
anything, save the deserted mine, the deserted works, and a bunch
of half-deserted miner's dwellings.

"I wonder," said the young man, "what there is behind those great
blank hills."

"More hills," said Lederman.  "If you go that way, Sonora and the
coast.  This way is the desert--you came from there--And the other
way, hills and mountains."

"Yes, but what LIVES in the hills and mountains?  SURELY there is
something wonderful?  It looks SO like nowhere on earth: like being
on the moon."

"There's plenty of game, if you want to shoot.  And Indians, if you
call THEM wonderful."

"Wild ones?"

"Wild enough."

"But friendly?"

"It depends.  Some of them are quite wild, and they don't let
anybody near.  They kill a missionary at sight.  And where a
missionary can't get, nobody can."

"But what does the government say?"

"They're so far from everywhere, the government leaves 'em alone.
And they're wily; if they think there'll be trouble, they send a
delegation to Chihuahua and make a formal submission.  The
government is glad to leave it at that."

"And do they live quite wild, with their own savage customs and
religion?"

"Oh, yes.  They use nothing but bows and arrows.  I've seen them in
town, in the Plaza, with funny sort of hats with flowers round
them, and a bow in one hand, quite naked except for a sort of
shirt, even in cold weather--striding round with their savage's
bare legs."

"But don't you suppose it's wonderful, up there in their secret
villages?"

"No.  What would there be wonderful about it?  Savages are savages,
and all savages behave more or less alike: rather low-down and
dirty, unsanitary, with a few cunning tricks, and struggling to get
enough to eat."

"But surely they have old, old religions and mysteries--it MUST be
wonderful, surely it must."

"I don't know about mysteries--howling and heathen practices, more
or less indecent.  No, I see nothing wonderful in that kind of
stuff.  And I wonder that you should, when you have lived in London
or Paris or New York--"

"Ah, EVERYBODY lives in London or Paris or New York"--said the
young man, as if this were an argument.

And his peculiar vague enthusiasm for unknown Indians found a full
echo in the woman's heart.  She was overcome by a foolish
romanticism more unreal than a girl's.  She felt it was her destiny
to wander into the secret haunts of these timeless, mysterious,
marvellous Indians of the mountains.

She kept her secret.  The young man was departing, her husband was
going with him down to Torreon, on business:--would be away for
some days.  But before the departure, she made her husband talk
about the Indians: about the wandering tribes, resembling the
Navajo, who were still wandering free; and the Yaquis of Sonora:
and the different groups in the different valleys of Chihuahua
State.

There was supposed to be one tribe, the Chilchuis, living in a high
valley to the south, who were the sacred tribe of all the Indians.
The descendants of Montezuma and of the old Aztec or Totonac kings
still lived among them, and the old priests still kept up the
ancient religion, and offered human sacrifices--so it was said.
Some scientists had been to the Chilchui country, and had come back
gaunt and exhausted with hunger and bitter privation, bringing
various curious, barbaric objects of worship, but having seen
nothing extraordinary in the hungry, stark village of savages.

Though Lederman talked in this off-hand way, it was obvious he felt
some of the vulgar excitement at the idea of ancient and mysterious
savages.

"How far away are they?" she asked.

"Oh--three days on horseback--past Cuchitee and a little lake there
is up there."

Her husband and the young man departed.  The woman made her crazy
plans.  Of late, to break the monotony of her life, she had
harassed her husband into letting her go riding with him,
occasionally, on horseback.  She was never allowed to go out alone.
The country truly was not safe, lawless and crude.

But she had her own horse, and she dreamed of being free as she had
been as a girl, among the hills of California.

Her daughter, nine years old, was now in a tiny convent in the
little half-deserted Spanish mining-town five miles away.

"Manuel," said the woman to her house-servant, "I'm going to ride
to the convent to see Margarita, and take her a few things.
Perhaps I shall stay the night in the convent.  You look after
Freddy and see everything is all right till I come back."

"Shall I ride with you on the master's horse, or shall Juan?" asked
the servant.

"Neither of you.  I shall go alone."

The young man looked her in the eyes, in protest.  Absolutely
impossible that the woman should ride alone!

"I shall go alone," repeated the large, placid-seeming, fair-
complexioned woman, with peculiar overbearing emphasis.  And the
man silently, unhappily yielded.

"Why are you going alone, mother?" asked her son, as she made up
parcels of food.

"Am I NEVER to be let alone?  Not one moment of my life?" she
cried, with sudden explosion of energy.  And the child, like the
servant, shrank into silence.

She set off without a qualm, riding astride on her strong roan
horse, and wearing a riding suit of coarse linen, a riding skirt
over her linen breeches, a scarlet neck-tie over her white blouse,
and a black felt hat on her head.  She had food in her saddle-bags,
an army canteen with water, and a large, native blanket tied on
behind the saddle.  Peering into the distance, she set off from her
home.  Manuel and the little boy stood in the gateway to watch her
go.  She did not even turn to wave them farewell.

But when she had ridden about a mile, she left the wild road and
took a small trail to the right, that led into another valley, over
steep places and past great trees, and through another deserted
mining-settlement.  It was September, the water was running freely
in the little stream that had fed the now-abandoned mine.  She got
down to drink, and let the horse drink too.

She saw natives coming through the trees, away up the slope.  They
had seen her, and were watching her closely.  She watched in turn.
The three people, two women and a youth, were making a wide detour,
so as not to come too close to her.  She did not care.  Mounting,
she trotted ahead up the silent valley, beyond the silver-works,
beyond any trace of mining.  There was still a rough trail, that
led over rocks and loose stones into the valley beyond.  This trail
she had already ridden, with her husband.  Beyond that she knew she
must go south.

Curiously she was not afraid, although it was a frightening
country, the silent, fatal-seeming mountain-slopes, the occasional
distant, suspicious, elusive natives among the trees, the great
carrion birds occasionally hovering, like great flies, in the
distance, over some carrion or some ranch house or some group of
huts.

As she climbed, the trees shrank and the trail ran through a thorny
scrub, that was trailed over with blue convolvulus and an
occasional pink creeper.  Then these flowers lapsed.  She was
nearing the pine-trees.

She was over the crest, and before her another silent, void, green-
clad valley.  It was past midday.  Her horse turned to a little
runlet of water, so she got down to eat her midday meal.  She sat
in silence looking at the motionless unliving valley, and at the
sharp-peaked hills, rising higher to rock and pine-trees,
southwards.  She rested two hours in the heat of the day, while the
horse cropped around her.

Curious that she was neither afraid nor lonely.  Indeed, the
loneliness was like a drink of cold water to one who is very
thirsty.  And a strange elation sustained her from within.

She travelled on, and camped at night in a valley beside a stream,
deep among the bushes.  She had seen cattle and had crossed several
trails.  There must be a ranch not far off.  She heard the strange
wailing shriek of a mountain-lion, and the answer of dogs.  But she
sat by her small camp fire in a secret hollow place and was not
really afraid.  She was buoyed up always by the curious, bubbling
elation within her.

It was very cold before dawn.  She lay wrapped in her blanket
looking at the stars, listening to her horse shivering, and feeling
like a woman who has died and passed beyond.  She was not sure that
she had not heard, during the night, a great crash at the centre of
herself, which was the crash of her own death.  Or else it was a
crash at the centre of the earth, and meant something big and
mysterious.

With the first peep of light she got up, numb with cold, and made a
fire.  She ate hastily, gave her horse some pieces of oil-seed
cake, and set off again.  She avoided any meeting--and since she
met nobody, it was evident that she in turn was avoided.  She came
at last in sight of the village of Cuchitee, with its black houses
with their reddish roofs, a sombre, dreary little cluster below
another silent, long-abandoned mine.  And beyond, a long, great
mountain-side, rising up green and light to the darker, shaggier
green of pine trees.  And beyond the pine trees stretches of naked
rock against the sky, rock slashed already and brindled with white
stripes of snow.  High up, the new snow had already begun to fall.

And now, as she neared, more or less, her destination, she began to
go vague and disheartened.  She had passed the little lake among
yellowing aspen trees whose white trunks were round and suave like
the white round arms of some woman.  What a lovely place!  In
California she would have raved about it.  But here she looked and
saw that it was lovely, but she didn't care.  She was weary and
spent with her two nights in the open, and afraid of the coming
night.  She didn't know where she was going, or what she was going
for.  Her horse plodded dejectedly on, towards that immense and
forbidding mountain-slope, following a stony little trail.  And if
she had had any will of her own left, she would have turned back,
to the village, to be protected and sent home to her husband.

But she had no will of her own.  Her horse splashed through a
brook, and turned up a valley, under immense yellowing cotton-wood
trees.  She must have been near nine thousand feet above sea-level,
and her head was light with the altitude and with weariness.
Beyond the cotton-wood trees she could see, on each side, the steep
sides of mountain-slopes hemming her in, sharp-plumaged with
overlapping aspen, and, higher up, with sprouting, pointed spruce
and pine tree.  Her horse went on automatically.  In this tight
valley, on this slight trail, there was nowhere to go but ahead,
climbing.

Suddenly her horse jumped, and three men in dark blankets were on
the trail before her.

"Adios!" came the greeting, in the full, restrained Indian voice.

"Adios!" she replied, in her assured, American woman's voice.

"Where are you going?" came the quiet question, in Spanish.

The men in the dark sarapes had come closer, and were looking up at
her.

"On ahead," she replied coolly, in her hard, Saxon Spanish.

These were just natives to her: dark-faced, strongly-built men in
dark sarapes and straw hats.  They would have been the same as the
men who worked for her husband, except, strangely, for the long
black hair that fell over their shoulders.  She noted this long
black hair with a certain distaste.  These must be the wild Indians
she had come to see.

"Where do you come from?" the same man asked.  It was always the
one man who spoke.  He was young, with quick, large, bright black
eyes that glanced sideways at her.  He had a soft black moustache
on his dark face, and a sparse tuft of beard, loose hairs on his
chin.  His long black hair, full of life, hung unrestrained on his
shoulders.  Dark as he was, he did not look as if he had washed
lately.

His two companions were the same, but older men, powerful and
silent.  One had a thin black line of moustache, but was beardless.
The other had the smooth cheeks and the sparse dark hairs marking
the lines of his chin with the beard characteristic of the Indians.

"I come from far away," she replied, with half-jocular evasion.

This was received in silence.

"But where do you live?" asked the young man, with that same quiet
insistence.

"In the north," she replied airily.

Again there was a moment's silence.  The young man conversed
quietly, in Indian, with his two companions.

"Where do you want to go, up this way?" he asked suddenly, with
challenge and authority, pointing briefly up the trail.

"To the Chilchui Indians," answered the woman laconically.

The young man looked at her.  His eyes were quick and black, and
inhuman.  He saw, in the full evening light, the faint sub-smile of
assurance on her rather large, calm, fresh-complexioned face; the
weary, bluish lines under her large blue eyes; and in her eyes, as
she looked down at him, a half-childish, half-arrogant confidence
in her own female power.  But in her eyes also, a curious look of
trance.

"Usted es Señora?  You are a lady?" the Indian asked her.

"Yes, I am a lady," she replied complacently.

"With a family?"

"With a husband and two children, boy and girl," she said.

The Indian turned to his companions and translated, in the low,
gurgling speech, like hidden water running.  They were evidently at
a loss.

"Where is your husband?" asked the young man.

"Who knows?" she replied airily.  "He has gone away on business for
a week."

The black eyes watched her shrewdly.  She, for all her weariness,
smiled faintly in the pride of her own adventure and the assurance
of her own womanhood, and the spell of the madness that was on her.

"And what do YOU want to do?" the Indian asked her.

"I want to visit the Chilchui Indians--to see their houses and to
know their gods," she replied.

The young man turned and translated quickly, and there was a
silence almost of consternation.  The grave elder men were glancing
at her sideways, with strange looks, from under their decorated
hats.  And they said something to the young man, in deep chest
voices.

The latter still hesitated.  Then he turned to the woman.

"Good!" he said.  "Let us go.  But we cannot arrive until to-
morrow.  We shall have to make a camp to-night."

"Good!" she said.  "I can make a camp."

Without more ado, they set off at a good speed up the stony trail.
The young Indian ran alongside her horse's head, the other two ran
behind.  One of them had taken a thick stick, and occasionally he
struck her horse a resounding blow on the haunch, to urge him
forward.  This made the horse jump, and threw her back in the
saddle, which, tired as she was, made her angry.

"Don't do that!" she cried, looking round angrily at the fellow.
She met his black, large, bright eyes, and for the first time her
spirit really quailed.  The man's eyes were not human to her, and
they did not see her as a beautiful white woman.  He looked at her
with a black, bright inhuman look, and saw no woman in her at all.
As if she were some strange, unaccountable THING, incomprehensible
to him, but inimical.  She sat in her saddle in wonder, feeling
once more as if she had died.  And again he struck her horse, and
jerked her badly in the saddle.

All the passionate anger of the spoilt white woman rose in her.
She pulled her horse to a standstill, and turned with blazing eyes
to the man at her bridle.

"Tell that fellow not to touch my horse again," she cried.  She met
the eyes of the young man, and in their bright black inscrutability
she saw a fine spark, as in a snake's eye, of derision.  He spoke
to his companion in the rear, in the low tones of the Indian.  The
man with the stick listened without looking.  Then, giving a
strange low cry to the horse, he struck it again on the rear, so
that it leaped forward spasmodically up the stony trail, scattering
the stones, pitching the weary woman in her seat.

The anger flew like a madness into her eyes, she went white at the
gills.  Fiercely she reined in her horse.  But before she could
turn, the young Indian had caught the reins under the horse's
throat, jerked them forward, and was trotting ahead rapidly,
leading the horse.

The woman was powerless.  And along with her supreme anger there
came a slight thrill of exultation.  She knew she was dead.

The sun was setting, a great yellow light flooded the last of the
aspens, flared on the trunks of the pine-trees, the pine-needles
bristled and stood out with dark lustre, the rocks glowed with
unearthly glamour.  And through this effulgence the Indian at her
horse's head trotted unweariedly on, his dark blanket swinging, his
bare legs glowing with a strange transfigured ruddiness in the
powerful light, and his straw hat with its half-absurd decorations
of flowers and feathers shining showily above his river of long
black hair.  At times he would utter a low call to the horse, and
then the other Indian, behind, would fetch the beast a whack with
the stick.

The wonder-light faded off the mountains, the world began to grow
dark, a cold air breathed down.  In the sky, half a moon was
struggling against the glow in the west.  Huge shadows came down
from steep rocky slopes.  Water was rushing.  The woman was
conscious only of her fatigue, her unspeakable fatigue, and the
cold wind from the heights.  She was not aware how moonlight
replaced daylight.  It happened while she travelled unconscious
with weariness.

For some hours they travelled by moonlight.  Then suddenly they
came to a standstill.  The men conversed in low tones for a moment.

"We camp here," said the young man.

She waited for him to help her down.  He merely stood holding the
horse's bridle.  She almost fell from the saddle, so fatigued.

They had chosen a place at the foot of rocks that still gave off a
little warmth of the sun.  One man cut pine-boughs, another erected
little screens of pine-boughs against the rock for shelter, and put
boughs of balsam pine for beds.  The third made a small fire, to
heat tortillas.  They worked in silence.

The woman drank water.  She did not want to eat--only to lie down.

"Where do I sleep?" she asked.

The young man pointed to one of the shelters.  She crept in and lay
inert.  She did not care what happened to her, she was so weary,
and so beyond everything.  Through the twigs of spruce she could
see the three men squatting round the fire on their hams, chewing
the tortillas they picked from the ashes with their dark fingers,
and drinking water from a gourd.  They talked in low, muttering
tones, with long intervals of silence.  Her saddle and saddle-bags
lay not far from the fire, unopened, untouched.  The men were not
interested in her nor her belongings.  There they squatted with
their hats on their heads, eating, eating mechanically, like
animals, the dark sarape with its fringe falling to the ground
before and behind, the powerful dark legs naked and squatting like
an animal's, showing the dirty white shirt and the sort of loin-
cloth which was the only other garment, underneath.  And they
showed no more sign of interest in her than if she had been a piece
of venison they were bringing home from the hunt, and had hung
inside a shelter.

After a while they carefully extinguished the fire, and went inside
their own shelter.  Watching through the screen of boughs, she had
a moment's thrill of fear and anxiety, seeing the dark forms cross
and pass silently in the moonlight.  Would they attack her now?

But no!  They were as if oblivious of her.  Her horse was hobbled;
she could hear it hopping wearily.  All was silent, mountain-
silent, cold, deathly.  She slept and woke and slept in a semi-
conscious numbness of cold and fatigue.  A long, long night, icy
and eternal, and she aware that she had died.


II


Yet when there was a stirring, and a clink of flint and steel, and
the form of a man crouching like a dog over a bone, at a red
splutter of fire, and she knew it was morning coming, it seemed to
her the night had passed too soon.

When the fire was going, she came out of her shelter with one real
desire left: for coffee.  The men were warming more tortillas.

"Can we make coffee?" she asked.

The young man looked at her, and she imagined the same faint spark
of derision in his eyes.  He shook his head.

"We don't take it," he said.  "There is no time."

And the elder men, squatting on their haunches, looked up at her in
the terrible paling dawn, and there was not even derision in their
eyes.  Only that intense, yet remote, inhuman glitter which was
terrible to her.  They were inaccessible.  They could not see her
as a woman at all.  As if she WERE not a woman.  As if, perhaps,
her whiteness took away all her womanhood, and left her as some
giant, female white ant.  That was all they could see in her.

Before the sun was up, she was in the saddle again, and they were
climbing steeply, in the icy air.  The sun came, and soon she was
very hot, exposed to the glare in the bare places.  It seemed to
her they were climbing to the roof of the world.  Beyond against
heaven were slashes of snow.

During the course of the morning, they came to a place where the
horse could not go farther.  They rested for a time with a great
slant of living rock in front of them, like the glossy breast of
some earth-beast.  Across this rock, along a wavering crack, they
had to go.  It seemed to her that for hours she went in torment, on
her hands and knees, from crack to crevice, along the slanting face
of this pure rock-mountain.  An Indian in front and an Indian
behind walked slowly erect, shod with sandals of braided leather.
But she in her riding-boots dared not stand erect.

Yet what she wondered, all the time, was why she persisted in
clinging and crawling along these mile-long sheets of rock.  Why
she did not hurl herself down, and have done!  The world was below
her.

When they emerged at last on a stony slope, she looked back, and
saw the third Indian coming carrying her saddle and saddle-bags on
his back, the whole hung from a band across his forehead.  And he
had his hat in his hand, as he stepped slowly, with the slow, soft,
heavy tread of the Indian, unwavering in the chinks of rock, as if
along a scratch in the mountain's iron shield.

The stony slope led downwards.  The Indians seemed to grow excited.
One ran ahead at a slow trot, disappearing round the curve of
stones.  And the track curved round and down, till at last in the
full blaze of the mid-morning sun, they could see a valley below
them, between walls of rock, as in a great wide chasm let in the
mountains.  A green valley, with a river, and trees, and clusters
of low flat sparkling houses.  It was all tiny and perfect, three
thousand feet below.  Even the flat bridge over the stream, and the
square with the houses around it, the bigger buildings piled up at
opposite ends of the square, the tall cotton-wood trees, the
pastures and stretches of yellow-sere maize, the patches of brown
sheep or goats in the distance, on the slopes, the railed
enclosures by the stream-side.  There it was, all small and
perfect, looking magical, as any place will look magical, seen from
the mountains above.  The unusual thing was that the low houses
glittered white, whitewashed, looking like crystals of salt, or
silver.  This frightened her.

They began the long, winding descent at the head of the barranca,
following the stream that rushed and fell.  At first it was all
rocks: then the pine-trees began, and soon, the silver-limbed
aspens.  The flowers of autumn, big pink daisy-like flowers, and
white ones, and many yellow flowers, were in profusion.  But she
had to sit down and rest, she was so weary.  And she saw the bright
flowers shadowily, as pale shadows hovering, as one who is dead
must see them.

At length came grass and pasture-slopes between mingled aspen and
pine-trees.  A shepherd, naked in the sun save for his hat and his
cotton loin-cloth, was driving his brown sheep away.  In a grove of
trees they sat and waited, she and the young Indian.  The one with
the saddle had also gone forward.

They heard a sound of someone coming.  It was three men, in fine
sarapes of red and orange and yellow and black, and with brilliant
feather headdresses.  The oldest had his grey hair braided with
fur, and his red and orange-yellow sarape was covered with curious
black markings, like a leopard-skin.  The other two were not grey-
haired, but they were elders too.  Their blankets were in stripes,
and their headdresses not so elaborate.

The young Indian addressed the elders in a few quiet words.  They
listened without answering or looking at him or at the woman,
keeping their faces averted and their eyes turned to the ground,
only listening.  And at length they turned and looked at the woman.

The old chief, or medicine-man, whatever he was, had a deeply
wrinkled and lined face of dark bronze, with a few sparse grey
hairs round the mouth.  Two long braids of grey hair, braided with
fur and coloured feathers, hung on his shoulders.  And yet, it was
only his eyes that mattered.  They were black and of extraordinary
piercing strength, without a qualm of misgiving in their demonish,
dauntless power.  He looked into the eyes of the white woman with a
long, piercing look, seeking she knew not what.  She summoned all
her strength to meet his eyes and keep up her guard.  But it was no
good.  He was not looking at her as one human being looks at
another.  He never even perceived her resistance or her challenge,
but looked past them both, into she knew not what.

She could see it was hopeless to expect any human communication
with this old being.

He turned and said a few words to the young Indian.

"He asks what do you seek here?" said the young man in Spanish.

"I?  Nothing!  I only came to see what it was like."

This was again translated, and the old man turned his eyes on her
once more.  Then he spoke again, in his low muttering tone, to the
young Indian.

"He says, why does she leave her house with the white men?  Does
she want to bring the white man's God to the Chilchui?"

"No," she replied, foolhardy.  "I came away from the white man's
God myself.  I came to look for the God of Chilchui."

Profound silence followed, when this was translated.  Then the old
man spoke again, in a small voice almost of weariness.

"Does the white woman seek the gods of the Chilchui because she is
weary of her own God?" came the question.

"Yes, she does.  She is tired of the white man's God," she replied,
thinking that was what they wanted her to say.  She would like to
serve the gods of the Chilchui.

She was aware of an extraordinary thrill of triumph and exultance
passing through the Indians, in the tense silence that followed
when this was translated.  Then they all looked at her with
piercing black eyes, in which a steely covetous intent glittered
incomprehensible.  She was the more puzzled, as there was nothing
sensual or sexual in the look.  It had a terrible glittering purity
that was beyond her.  She was afraid, she would have been paralysed
with fear, had not something died within her, leaving her with a
cold, watchful wonder only.

The elders talked a little while, then the two went away, leaving
her with the young man and the oldest chief.  The old man now
looked at her with a certain solicitude.

"He says are you tired?" asked the young man.

"Very tired," she said.

"The men will bring you a carriage," said the young Indian.

The carriage, when it came, proved to be a litter consisting of a
sort of hammock of dark woollen frieze, slung on to a pole which
was borne on the shoulders of two long-haired Indians.  The woollen
hammock was spread on the ground, she sat down on it, and the two
men raised the pole to their shoulders.  Swinging rather as if she
were in a sack, she was carried out of the grove of trees,
following the old chief, whose leopard-spotted blanket moved
curiously in the sunlight.

They had emerged in the valley-head.  Just in front were the maize
fields, with ripe ears of maize.  The corn was not very tall, in
this high altitude.  The well-worn path went between it, and all
she could see was the erect form of the old chief, in the flame and
black sarape, stepping soft and heavy and swift, his head forward,
looking to neither to right nor left.  Her bearers followed,
stepping rhythmically, the long blue-black hair glistening like a
river down the naked shoulders of the man in front.

They passed the maize, and came to a big wall or earthwork made of
earth and adobe bricks.  The wooden doors were open.  Passing on,
they were in a network of small gardens, full of flowers and herbs
and fruit trees, each garden watered by a tiny ditch of running
water.  Among each cluster of trees and flowers was a small,
glittering white house, windowless, and with closed door.  The
place was a network of little paths, small streams, and little
bridges among square, flowering gardens.

Following the broadest path--a soft narrow track between leaves and
grass, a path worn smooth by centuries of human feet, no hoof of
horse nor any wheel to disfigure it--they came to the little river
of swift bright water, and crossed on a log bridge.  Everything was
silent--there was no human being anywhere.  The road went on under
magnificent cotton-wood trees.  It emerged suddenly outside the
central plaza or square of the village.

This was a long oblong of low white houses with flat roofs, and two
bigger buildings, having as it were little square huts piled on top
of bigger long huts, stood at either end of the oblong, facing each
other rather askew.  Every little house was a dazzling white, save
for the great round beam-ends which projected under the flat eaves,
and for the flat roofs.  Round each of the bigger buildings, on the
outside of the square, was a stockyard fence, inside which was
garden with trees and flowers, and various small houses.

Not a soul was in sight.  They passed silently between the houses
into the central square.  This was quite bare and arid, the earth
trodden smooth by endless generations of passing feet, passing
across from door to door.  All the doors of the windowless houses
gave on to this blank square, but all the doors were closed.  The
firewood lay near the threshold, a clay oven was still smoking, but
there was no sign of moving life.

The old man walked straight across the square to the big house at
the end, where the two upper storeys, as in a house of toy bricks,
stood each one smaller than the lower one.  A stone staircase,
outside, led up to the roof of the first storey.

At the foot of this staircase the litter-bearers stood still, and
lowered the woman to the ground.

"You will come up," said the young Indian who spoke Spanish.

She mounted the stone stairs to the earthen roof of the first
house, which formed a platform round the wall of the second storey.
She followed around this platform to the back of the big house.
There they descended again, into the garden at the rear.

So far they had seen no one.  But now two men appeared, bare-
headed, with long braided hair, and wearing a sort of white shirt
gathered into a loin-cloth.  These went along with the three
newcomers, across the garden where red flowers and yellow flowers
were blooming, to a long, low white house.  There they entered
without knocking.

It was dark inside.  There was a low murmur of men's voices.
Several men were present, their white shirts showing in the gloom,
their dark faces invisible.  They were sitting on a great log of
smooth old wood, that lay along the far wall.  And save for this
log, the room seemed empty.  But no, in the dark at one end was a
couch, a sort of bed, and someone lying there, covered with furs.

The old Indian in the spotted sarape, who had accompanied the
woman, now took off his hat and his blanket and his sandals.
Laying them aside, he approached the couch, and spoke in a low
voice.  For some moments there was no answer.  Then an old man with
the snow-white hair hanging round his darkly-visible face, roused
himself like a vision, and leaned on one elbow, looking vaguely at
the company, in tense silence.

The grey-haired Indian spoke again, and then the young Indian,
taking the woman's hand, led her forward.  In her linen riding
habit, and black boots and hat, and her pathetic bit of a red tie,
she stood there beside the fur-covered bed of the old, old man, who
sat reared up, leaning on one elbow, remote as a ghost, his white
hair streaming in disorder, his face almost black, yet with a far-
off intentness, not of this world, leaning forward to look at her.

His face was so old, it was like dark glass, and the few curling
hairs that sprang white from his lips and chin were quite
incredible.  The long white locks fell unbraided and disorderly on
either side of the glassy dark face.  And under a faint powder of
white eyebrows, the black eyes of the old chief looked at her as if
from the far, far dead, seeing something that was never to be seen.

At last he spoke a few deep, hollow words, as if to the dark air.

"He says, do you bring your heart to the god of the Chilchui?"
translated the young Indian.

"Tell him yes," she said, automatically.

There was a pause.  The old Indian spoke again, as if to the air.
One of the men present went out.  There was a silence as if of
eternity, in the dim room that was lighted only through the open
door.

The woman looked round.  Four old men with grey hair sat on the log
by the wall facing the door.  Two other men, powerful and
impassive, stood near the door.  They all had long hair, and wore
white shirts gathered into a loin-cloth.  Their powerful legs were
naked and dark.  There was a silence like eternity.

At length the man returned, with white and dark clothing on his
arm.  The young Indian took them, and holding them in front of the
woman, said:

"You must take off your clothes, and put these on."

"If all you men will go out," she said.

"No one will hurt you," he said quietly.

"Not while you men are here," she said.

He looked at the two men by the door.  They came quickly forward,
and suddenly gripped her arms as she stood, without hurting her,
but with great power.  Then two of the old men came, and with
curious skill slit her boots down with keen knives, and drew them
off, and slit her clothing so that it came away from her.  In a few
moments she stood there white and uncovered.  The old man on the
bed spoke, and they turned her round for him to see.  He spoke
again, and the young Indian deftly took the pins and comb from her
fair hair, so that it fell over her shoulders in a bunchy tangle.

Then the old man spoke again.  The Indian led her to the bedside.
The white-haired, glassy-dark old man moistened his finger-tips at
his mouth, and most delicately touched her on the breasts and on
the body, then on the back.  And she winced strangely each time, as
the fingertips drew along her skin, as if Death itself were
touching her.

And she wondered, almost sadly, why she did not feel shamed in her
nakedness.  She only felt sad and lost.  Because nobody felt
ashamed.  The elder men were all dark and tense with some other
deep, gloomy, incomprehensible emotion, which suspended all her
agitation, while the young Indian had a strange look of ecstasy on
his face.  And she, she was only utterly strange and beyond
herself, as if her body were not her own.

They gave her the new clothing: a long white cotton shift, that
came to her knees: then a tunic of thick blue woollen stuff,
embroidered with scarlet and green flowers.  It was fastened over
one shoulder only, and belted with a braid sash of scarlet and
black wool.

When she was thus dressed, they took her away, barefoot, to a
little house in the stockaded garden.  The young Indian told her
she might have what she wanted.  She asked for water to wash
herself.  He brought it in a jar, together with a long wooden bowl.
Then he fastened the gate-door of her house, and left her a
prisoner.  She could see through the bars of the gate-door of her
house, the red flowers of the garden, and a humming bird.  Then
from the roof of the big house she heard the long, heavy sound of a
drum, unearthly to her in its summons, and an uplifted voice
calling from the house-top in a strange language, with a far-away
emotionless intonation, delivering some speech or message.  And she
listened as if from the dead.

But she was very tired.  She lay down on a couch of skins, pulling
over her the blanket of dark wool, and she slept, giving up
everything.

When she woke it was late afternoon, and the young Indian was
entering with a basket-tray containing food, tortillas and corn-
mush with bits of meat, probably mutton, and a drink made of honey,
and some fresh plums.  He brought her also a long garland of red
and yellow flowers with knots of blue buds at the end.  He
sprinkled the garland with water from a jar, then offered it to
her, with a smile.  He seemed very gentle and thoughtful, and on
his face and in his dark eyes was a curious look of triumph and
ecstasy, that frightened her a little.  The glitter had gone from
the black eyes, with their curving dark lashes, and he would look
at her with this strange soft glow of ecstasy that was not quite
human, and terribly impersonal, and which made her uneasy.

"Is there anything you want?" he said, in his low, slow, melodious
voice, that always seemed withheld, as if he were speaking aside to
somebody else, or as if he did not want to let the sound come out
to her.

"Am I going to be kept a prisoner here?" she asked.

"No, you can walk in the garden to-morrow," he said softly.  Always
this curious solicitude.

"Do you like that drink?" he said, offering her a little
earthenware cup.  "It is very refreshing."

She sipped the liquor curiously.  It was made with herbs and
sweetened with honey, and had a strange, lingering flavour.  The
young man watched her with gratification.

"It has a peculiar taste," she said.

"It is very refreshing," he replied, his black eyes resting on her
always with that look of gratified ecstasy.  Then he went away.
And presently she began to be sick, and to vomit violently, as if
she had no control over herself.

Afterwards she felt a great soothing languor steal over her, her
limbs felt strong and loose and full of languor, and she lay on her
couch listening to the sounds of the village, watching the
yellowing sky, smelling the scent of burning cedar-wood, or pine-
wood.  So distinctly she heard the yapping of tiny dogs, the
shuffle of far-off feet, the murmur of voices, so keenly she
detected the smell of smoke, and flowers, and evening falling, so
vividly she saw the one bright star infinitely remote, stirring
above the sunset, that she felt as if all her senses were diffused
on the air, that she could distinguish the sound of evening flowers
unfolding, and the actual crystal sound of the heavens, as the vast
belts of the world-atmosphere slid past one another, and as if the
moisture ascending and the moisture descending in the air resounded
like some harp in the cosmos.

She was a prisoner in her house and in the stockaded garden, but
she scarcely minded.  And it was days before she realised that she
never saw another woman.  Only the men, the elderly men of the big
house, that she imagined must be some sort of temple, and the men
priests of some sort.  For they always had the same colours, red,
orange, yellow, and black, and the same grave, abstracted
demeanour.

Sometimes an old man would come and sit in her room with her, in
absolute silence.  None spoke any language but Indian, save the one
younger man.  The older men would smile at her, and sit with her
for an hour at a time, sometimes smiling at her when she spoke in
Spanish, but never answering save with this slow, benevolent-
seeming smile.  And they gave off a feeling of almost fatherly
solicitude.  Yet their dark eyes, brooding over her, had something
away in their depths that was awesomely ferocious and relentless.
They would cover it with a smile, at once, if they felt her
looking.  But she had seen it.

Always they treated her with this curious impersonal solicitude,
this utterly impersonal gentleness, as an old man treats a child.
But underneath it she felt there was something else, something
terrible.  When her old visitor had gone away, in his silent,
insidious, fatherly fashion, a shock of fear would come over her;
though of what she knew not.

The young Indian would sit and talk with her freely, as if with
great candour.  But with him, too, she felt that everything real
was unsaid.  Perhaps it was unspeakable.  His big dark eyes would
rest on her almost cherishingly, touched with ecstasy, and his
beautiful, slow, languorous voice would trail out its simple,
ungrammatical Spanish.  He told her he was the grandson of the old,
old man, son of the man in the spotted sarape: and they were
caciques, kings from the old, old days, before even the Spaniards
came.  But he himself had been in Mexico City, and also in the
United States.  He had worked as a labourer, building the roads in
Los Angeles.  He had travelled as far as Chicago.

"Don't you speak English, then?" she asked.

His eyes rested on her with a curious look of duplicity and
conflict, and he mutely shook his head.

"What did you do with your long hair, when you were in the United
States?" she asked.  "Did you cut it off?"

Again, with the look of torment in his eyes, he shook his head.

"No," he said, in a low, subdued voice, "I wore a hat, and a
handkerchief tied round my head."

And he relapsed into silence, as if of tormented memories.

"Are you the only man of your people who has been to the United
States?" she asked him.

"Yes.  I am the only one who has been away from here for a long
time.  The others come back soon, in one week.  They don't stay
away.  The old men don't let them."

"And why did you go?"

"The old men want me to go--because I shall be the Cacique--"

He talked always with the same naïveté, an almost childish candour.
But she felt that this was perhaps just the effect of his Spanish.
Or perhaps speech altogether was unreal to him.  Anyhow, she felt
that all the real things were kept back.

He came and sat with her a good deal--sometimes more than she
wished--as if he wanted to be near her.  She asked him if he was
married.  He said he was--with two children.

"I should like to see your children," she said.

But he answered only with that smile, a sweet, almost ecstatic
smile above which the dark eyes hardly changed from their enigmatic
abstraction.

It was curious, he would sit with her by the hour, without even
making her self-conscious, or sex-conscious.  He seemed to have no
sex, as he sat there so still and gentle and apparently submissive,
with his head bent a little forward, and the river of glistening
black hair streaming maidenly over his shoulders.

Yet when she looked again, she saw his shoulders broad and
powerful, his eyebrows black and level, the short, curved,
obstinate black lashes over his lowered eyes, the small, fur-like
line of moustache above his blackish, heavy lips, and the strong
chin, and she knew that in some other mysterious way he was darkly
and powerfully male.  And he, feeling her watching him, would
glance up at her swiftly with a dark, lurking look in his eyes,
which immediately he veiled with that half-sad smile.

The days and the weeks went by, in a vague kind of contentment.
She was uneasy sometimes, feeling she had lost the power over
herself.  She was not in her own power, she was under the spell of
some other control.  And at times she had moments of terror and
horror.  But then these Indians would come and sit with her,
casting their insidious spell over her by their very silent
presence, their silent, sexless, powerful physical presence.  As
they sat they seemed to take her will away, leaving her will-less
and victim to her own indifference.  And the young man would bring
her sweetened drink, often the same emetic drink, but sometimes
other kinds.  And after drinking, the languor filled her heavy
limbs, her senses seemed to float in the air, listening, hearing.
They had brought her a little female dog, which she called Flora.
And once, in the trance of her senses, she felt she HEARD the
little dog conceive, in her tiny womb, and begin to be complex,
with young.  And another day she could hear the vast sound of the
earth going round, like some immense arrow-string booming.

But as the days grew shorter and colder, when she was cold, she
would get a sudden revival of her will, and a desire to go out, to
go away.  And she insisted to the young man, she wanted to go out.

So one day, they let her climb to the topmost roof of the big house
where she was, and look down the square.  It was the day of the big
dance, but not everybody was dancing.  Women with babies in their
arms stood in their doorways, watching.  Opposite, at the other end
of the square, there was a throng before the other big house, and a
small, brilliant group on the terrace-roof of the first storey, in
front of wide open doors of the upper storey.  Through these wide
open doors she could see fire glinting in darkness and priests in
headdresses of black and yellow and scarlet feathers, wearing robe-
like blankets of black and red and yellow, with long green fringes,
were moving about.  A big drum was beating slowly and regularly, in
the dense, Indian silence.  The crowd below waited--

Then a drum started on a high beat, and there came the deep,
powerful burst of men singing a heavy, savage music, like a wind
roaring in some timeless forest, many mature men singing in one
breath, like the wind; and long lines of dancers walked out from
under the big house.  Men with naked, golden-bronze bodies and
streaming black hair, tufts of red and yellow feathers on their
arms, and kilts of white frieze with a bar of heavy red and black
and green embroidery round their waists, bending slightly forward
and stamping the earth in their absorbed, monotonous stamp of the
dance, a fox-fur, hung by the nose from their belt behind, swaying
with the sumptuous swaying of a beautiful fox-fur, the tip of the
tail writhing above the dancer's heels.  And after each man, a
woman with a strange elaborate headdress of feathers and seashells,
and wearing a short black tunic, moving erect, holding up tufts of
feathers in each hand, swaying her wrists rhythmically and subtly
beating the earth with her bare feet.

So, the long line of the dance unfurling from the big house
opposite.  And from the big house beneath her, strange scent of
incense, strange tense silence, then the answering burst of inhuman
male singing, and the long line of the dance unfurling.

It went on all day, the insistence of the drum, the cavernous,
roaring, storm-like sound of male singing, the incessant swinging
of the fox-skins behind the powerful, gold-bronze, stamping legs of
the men, the autumn sun from a perfect blue heaven pouring on the
rivers of black hair, men's and women's, the valley all still, the
walls of rock beyond, the awful huge bulking of the mountain
against the pure sky, its snow seething with sheer whiteness.

For hours and hours she watched, spell-bound, and as if drugged.
And in all the terrible persistence of the drumming and the
primeval, rushing deep singing, and the endless stamping of the
dance of fox-tailed men, the tread of heavy, bird-erect women in
their black tunics, she seemed at last to feel her own death; her
own obliteration.  As if she were to be obliterated from the field
of life again.  In the strange towering symbols on the heads of the
changeless, absorbed women she seemed to read once more the Mene
Mene Tekel Upharsin.  Her kind of womanhood, intensely personal and
individual, was to be obliterated again, and the great primeval
symbols were to tower once more over the fallen individual
independence of woman.  The sharpness and the quivering nervous
consciousness of the highly-bred white woman was to be destroyed
again, womanhood was to be cast once more into the great stream of
impersonal sex and impersonal passion.  Strangely, as if
clairvoyant, she saw the immense sacrifice prepared.  And she went
back to her little house in a trance of agony.

After this, there was always a certain agony when she heard the
drums at evening, and the strange uplifted savage sound of men
singing round the drum, like wild creatures howling to the
invisible gods of the moon and the vanished sun.  Something of the
chuckling, sobbing-cry of the coyote, something of the exultant
bark of the fox, the far-off wild melancholy exultance of the
howling wolf, the torment of the puma's scream, and the insistence
of the ancient fierce human male, with his lapses of tenderness and
his abiding ferocity.

Sometimes she would climb the high roof after nightfall, and listen
to the dim cluster of young men round the drum on the bridge just
beyond the square, singing by the hour.  Sometimes there would be a
fire, and in the fire-glow, men in their white shirts or naked save
for a loin-cloth, would be dancing and stamping like spectres, hour
after hour in the dark cold air, within the fire-glow, forever
dancing and stamping like turkeys, or dropping squatting by the
fire to rest, throwing their blankets round them.

"Why do you all have the same colours?" she asked the young Indian.
"Why do you all have red and yellow and black, over your white
shirts?  And the women have black tunics?"

He looked into her eyes, curiously, and the faint, evasive smile
came on to his face.  Behind the smile lay a soft, strange
malignancy.

"Because our men are the fire and the daytime, and our women are
the spaces between the stars at night," he said.

"Aren't the women even stars?" she said.

"No.  We say they are the spaces between the stars, that keep the
stars apart."

He looked at her oddly, and again the touch of derision came into
his eyes.

"White people," he said, "they know nothing.  They are like
children, always with toys.  We know the sun, and we know the moon.
And we say, when a white woman sacrifice herself to our gods, then
our gods will begin to make the world again, and the white man's
gods will fall to pieces."

"How sacrifice herself?" she asked quickly.

And he, as quickly covered, covered himself with a subtle smile.

"She sacrifice her own gods and come to our gods, I mean that," he
said, soothingly.

But she was not reassured.  An icy pang of fear and certainty was
at her heart.

"The sun he is alive at one end of the sky," he continued, "and the
moon lives at the other end.  And the man all the time have to keep
the sun happy in his side of the sky, and the woman have to keep
the moon quiet at her side of the sky.  All the time she have to
work at this.  And the sun can't ever go into the house of the
moon, and the moon can't ever go into the house of the sun, in the
sky.  So the woman, she asks the moon to come into her cave, inside
her.  And the man, he draws the sun down till he has the power of
the sun.  All the time he do this.  Then when the man gets a woman,
the sun goes into the cave of the moon, and that is how everything
in the world starts."

She listened, watching him closely, as one enemy watches another
who is speaking with double meaning.

"Then," she said, "why aren't you Indians masters of the white
men?"

"Because," he said, "the Indian got weak, and lost his power with
the sun, so the white men stole the sun.  But they can't keep him--
they don't know how.  They got him, but they don't know what to do
with him, like a boy who catch a big grizzly bear, and can't kill
him, and can't run away from him.  The grizzly bear eats the boy
that catch him, when he want to run away from him.  White men don't
know what they are doing with the sun, and white women don't know
what they do with the moon.  The moon she got angry with white
women, like a puma when someone kills her little ones.  The moon,
she bites white women--here inside," and he pressed his side.  "The
moon, she is angry in a white woman's cave.  The Indian, can see it--
And soon," he added, "the Indian women get the moon back and keep
her quiet in their house.  And the Indian men get the sun, and the
power over all the world.  White men don't know what the sun is.
They never know."

He subsided into a curious exultant silence.

"But," she faltered, "why do you hate us so?  Why do you hate me?"

He looked up suddenly with a light on his face, and a startling
flame of a smile.

"No, we don't hate," he said softly, looking with a curious glitter
into her face.

"You do," she said, forlorn and hopeless.

And after a moment's silence, he rose and went away.


III


Winter had now come, in the high valley, with snow that melted in
the day's sun, and nights that were bitter cold.  She lived on, in
a kind of daze, feeling her power ebbing more and more away from
her, as if her will were leaving her.  She felt always in the same
relaxed, confused, victimised state, unless the sweetened herb
drink would numb her mind altogether, and release her senses into a
sort of heightened, mystic acuteness and a feeling as if she were
diffusing out deliciously into the harmony of things.  This at
length became the only state of consciousness she really
recognised: this exquisite sense of bleeding out into the higher
beauty and harmony of things.  Then she could actually hear the
great stars in heaven, which she saw through her door, speaking
from their motion and brightness, saying things perfectly to the
cosmos, as they trod in perfect ripples, like bells on the floor of
heaven, passing one another and grouping in the timeless dance,
with the spaces of dark between.  And she could hear the snow on a
cold, cloudy day twittering and faintly whistling in the sky, like
birds that flock and fly away in autumn, suddenly calling farewell
to the invisible moon, and slipping out of the plains of the air,
releasing peaceful warmth.  She herself would call to the arrested
snow to fall from the upper air.  She would call to the unseen moon
to cease to be angry, to make peace again with the unseen sun like
a woman who ceases to be angry in her house.  And she would smell
the sweetness of the moon relaxing to the sun in the wintry heaven,
when the snow fell in a faint, cold-perfumed relaxation, as the
peace of the sun mingled again in a sort of unison with the peace
of the moon.

She was aware too of the sort of shadow that was on the Indians of
the valley, a deep, stoical disconsolation, almost religious in its
depth.

"We have lost our power over the sun, and we are trying to get him
back.  But he is wild with us, and shy like a horse that has got
away.  We have to go through a lot."  So the young Indian said to
her, looking into her eyes with a strained meaning.  And she, as if
bewitched, replied:

"I hope you will get him back."

The smile of triumph flew over his face.

"Do you hope it?" he said.

"I do," she answered fatally.

"Then all right," he said.  "We shall get him."

And he went away in exultance.

She felt she was drifting on some consummation, which she had no
will to avoid, yet which seemed heavy and finally terrible to her.

It must have been almost December, for the days were short, when
she was taken again before the aged man, and stripped of her
clothing, and touched with the old finger-tips.

The aged cacique looked her in the eyes, with his eyes of lonely,
far-off, black intentness, and murmured something to her.

"He wants you to make the sign of peace," the young man translated,
showing her the gesture.  "Peace and farewell to him."

She was fascinated by the black, glass-like, intent eyes of the old
cacique, that watched her without blinking, like a basilisk's,
overpowering her.  In their depths also she saw a certain fatherly
compassion, and pleading.  She put her hand before her face, in the
required manner, making the sign of peace and farewell.  He made
the sign of peace back again to her, then sank among his furs.  She
thought he was going to die, and that he knew it.

There followed a day of ceremonial, when she was brought out before
all the people, in a blue blanket with white fringe, and holding
blue feathers in her hands.  Before an altar of one house, she was
perfumed with incense and sprinkled with ash.  Before the altar of
the opposite house she was fumigated again with incense by the
gorgeous, terrifying priests in yellow and scarlet and black, their
faces painted with scarlet paint.  And then they threw water on
her.  Meanwhile she was faintly aware of the fire on the altar, the
heavy, heavy sound of a drum, the heavy sound of men beginning
powerfully, deeply, savagely to sing, the swaying of the crowd of
faces in the plaza below, and the formation for a sacred dance.

But at this time her commonplace consciousness was numb, she was
aware of her immediate surroundings as shadows, almost immaterial.
With refined and heightened senses she could hear the sound of the
earth winging on its journey, like a shot arrow, the ripple-
rustling of the air, and the boom of the great arrow-string.  And
it seemed to her there were two great influences in the upper air,
one golden towards the sun, and one invisible silver; the first
travelling like rain ascending to the gold presence sunwards, the
second like rain silverily descending the ladders of space towards
the hovering, lurking clouds over the snowy mountain-top.  Then
between them, another presence, waiting to shake himself free of
moisture, of heavy white snow that had mysteriously collected about
him.  And in summer, like a scorched eagle, he would wait to shake
himself clear of the weight of heavy sunbeams.  And he was coloured
like fire.  And he was always shaking himself clear, of snow or of
heavy heat, like an eagle rustling.

Then there was a still stranger presence, standing watching from
the blue distance, always watching.  Sometimes running in upon the
wind, or shimmering in the heat-waves.  The blue wind itself,
rushing as it were out of the holes in the earth into the sky,
rushing out of the sky down upon the earth.  The blue wind, the go-
between, the invisible ghost that belonged to two worlds, that
played upon the ascending and the descending chords of the rains.

More and more her ordinary personal consciousness had left her, she
had gone into that other state of passional cosmic consciousness,
like one who is drugged.  The Indians, with their heavily religious
natures, had made her succumb to their vision.

Only one personal question she asked the young Indian:

"Why am I the only one that wears blue?"

"It is the colour of the wind.  It is the colour of what goes away
and is never coming back, but which is always here, waiting like
death among us.  It is the colour of the dead.  And it is the
colour that stands away off, looking at us from the distance, that
cannot come near to us.  When we go near, it goes farther.  It
can't be near.  We are all brown and yellow and black hair, and
white teeth and red blood.  We are the ones that are here.  You
with blue eyes, you are the messengers from the far-away, you
cannot stay, and now it is time for you to go back."

"Where to?" she asked.

"To the way-off things like the sun and the blue mother of rain,
and tell them that we are the people on the world again, and we can
bring the sun to the moon again, like a red horse to a blue mare;
we are the people.  The white women have driven back the moon in
the sky, won't let her come to the sun.  So the sun is angry.  And
the Indian must give the moon to the sun."

"How?" she said.

"The white woman got to die and go like a wind to the sun, tell him
the Indians will open the gate to him.  And the Indian women will
open the gate to the moon.  The white women don't let the moon come
down out of the blue coral.  The moon used to come down among the
Indian women, like a white goat among the flowers.  And the sun
want to come down to the Indian men, like an eagle to the pine-
trees.  The sun, he is shut out behind the white man, and the moon
she is shut out behind the white woman, and they can't get away.
They are angry, everything in the world gets angrier.  The Indian
says, he will give the white woman to the sun, so the sun will leap
over the white man and come to the Indian again.  And the moon will
be surprised, she will see the gate open, and she not know which
way to go.  But the Indian woman will call to the moon, Come!
Come!  Come back into my grasslands.  The wicked white woman can't
harm you any more.  Then the sun will look over the heads of the
white men, and see the moon in the pastures of our women, with the
Red Men standing around like pine trees.  Then he will leap over
the heads of the white men, and come running past to the Indians
through the spruce trees.  And we, who are red and black and
yellow, we who stay, we shall have the sun on our right hand and
the moon on our left.  So we can bring the rain down out of the
blue meadows, and up out of the black; and we can call the wind
that tells the corn to grow, when we ask him, and we shall make the
clouds to break, and the sheep to have twin lambs.  And we shall be
full of power, like a spring day.  But the white people will be a
hard winter, without snow--"

"But," said the white woman, "I don't shut out the moon--how can
I?"

"Yes," he said, "you shut the gate, and then laugh, think you have
it all your own way."

She could never quite understand the way he looked at her.  He was
always so curiously gentle, and his smile was so soft.  Yet there
was such glitter in his eyes, and an unrelenting sort of hate came
out of his words, a strange, profound, impersonal hate.  Personally
he liked her, she was sure.  He was gentle with her, attracted by
her in some strange, soft, passionless way.  But impersonally he
hated her with a mystic hatred.  He would smile at her, winningly.
Yet if, the next moment, she glanced round at him unawares, she
would catch that gleam of pure after-hate in his eyes.

"Have I got to die and be given to the sun?" she asked.

"Sometime," he said, laughing evasively.  "Sometime we all die."

They were gentle with her, and very considerate with her.  Strange
men, the old priests and the young cacique alike, they watched over
her and cared for her like women.  In their soft, insidious
understanding, there was something womanly.  Yet their eyes, with
that strange glitter, and their dark, shut mouths that would open
to the broad jaw, the small, strong, white teeth, had something
very primitively male and cruel.

One wintry day, when snow was falling, they took her to a great
dark chamber in the big house.  The fire was burning in a corner on
a high raised dais under a sort of hood or canopy of adobe-work.
She saw in the fire-glow, the glowing bodies of the almost naked
priests, and strange symbols on the roof and walls of the chamber.
There was no door or window in the chamber, they had descended by a
ladder from the roof.  And the fire of pinewood danced continually,
showing walls painted with strange devices, which she could not
understand, and a ceiling of poles making a curious pattern of
black and red and yellow, and alcoves or niches in which were
curious objects she could not discern.

The older priests were going through some ceremony near the fire,
in silence, intense Indian silence.  She was seated on a low
projection of the wall, opposite the fire, two men seated beside
her.  Presently they gave her a drink from a cup, which she took
gladly, because of the semi-trance it would induce.

In the darkness and in the silence she was accurately aware of
everything that happened to her: how they took off her clothes,
and, standing her before a great, weird device on the wall,
coloured blue and white and black, washed her all over with water
and the amole infusion; washed even her hair, softly, carefully,
and dried it on white cloths, till it was soft and glistening.
Then they laid her on a couch under another great indecipherable
image of red and black and yellow, and now rubbed all her body with
sweet-scented oil, and massaged all her limbs, and her back, and
her sides, with a long, strange, hypnotic massage.  Their dark
hands were incredibly powerful, yet soft with a watery softness she
could not understand.  And the dark faces, leaning near her white
body, she saw were darkened with red pigment, with lines of yellow
round the cheeks.  And the dark eyes glittered absorbed, as the
hands worked upon the soft white body of the woman.

They were so impersonal, absorbed in something that was beyond her.
They never saw her as a personal woman: she could tell that.  She
was some mystic object to them, some vehicle of passions too remote
for her to grasp.  Herself in a state of trance, she watched their
faces bending over her, dark, strangely glistening with the
transparent red paint, and lined with bars of yellow.  And in this
weird, luminous-dark mask of living face, the eyes were fixed with
an unchanging steadfast gleam, and the purplish-pigmented lips were
closed in a full, sinister, sad grimness.  The immense fundamental
sadness, the grimness of ultimate decision, the fixity of revenge,
and the nascent exultance of those that are going to triumph--these
things she could read in their faces, as she lay and was rubbed
into a misty glow, by their uncanny dark hands.  Her limbs, her
flesh, her very bones at last seemed to be diffusing into a roseate
sort of mist, in which her consciousness hovered like some sun-
gleam in a flushed cloud.

She knew the gleam would fade, the cloud would go grey.  But at
present she did not believe it.  She knew she was a victim; that
all this elaborate work upon her was the work of victimising her.
But she did not mind.  She wanted it.

Later, they put a short blue tunic on her and took her to the upper
terrace, and presented her to the people.  She saw the plaza below
her full of dark faces and of glittering eyes.  There was no pity:
only the curious hard exultance.  The people gave a subdued cry
when they saw her, and she shuddered.  But she hardly cared.

Next day was the last.  She slept in a chamber of the big house.
At dawn they put on her a big blue blanket with a fringe, and led
her out into the plaza, among the throng of silent, dark-blanketed
people.  There was pure white snow on the ground, and the dark
people in their dark-brown blankets looked like inhabitants of
another world.

A large drum was slowly pounding, and an old priest was declaring
from a housetop.  But it was not till noon that a litter came
forth, and the people gave that low, animal cry which was so
moving.  In the sack-like litter sat the old, old cacique, his
white hair braided with black braid and large turquoise stones.
His face was like a piece of obsidian.  He lifted his hand in
token, and the litter stopped in front of her.  Fixing her with his
old eyes, he spoke to her for a few moments, in his hollow voice.
No one translated.

Another litter came, and she was placed in it.  Four priests moved
ahead, in their scarlet and yellow and black, with plumed
headdresses.  Then came the litter of the old cacique.  Then the
light drums began, and two groups of singers burst simultaneously
into song, male and wild.  And the golden-red, almost naked men,
adorned with ceremonial feathers and kilts, the rivers of black
hair down their backs, formed into two files and began to tread the
dance.  So they threaded out of the snowy plaza, in two long,
sumptuous lines of dark red-gold and black and fur, swaying with a
faint tinkle of bits of shell and flint, winding over the snow
between the two bee-clusters of men who sang around the drum.

Slowly they moved out, and her litter, with its attendance of
feathered, lurid, dancing priests, moved after.  Everybody danced
the tread of the dance-step, even, subtly, the litter-bearers.  And
out of the plaza they went, past smoking ovens, on the trail to the
great cotton-wood trees, that stood like grey-silver lace against
the blue sky, bare and exquisite above the snow.  The river,
diminished, rushed among fangs of ice.  The chequer-squares of
gardens within fences were all snowy, and the white houses now
looked yellowish.

The whole valley glittered intolerably with pure snow, away to the
walls of the standing rock.  And across the flat cradle of snow-bed
wound the long thread of the dance, shaking slowly and sumptuously
in its orange and black motion.  The high drums thudded quickly,
and on the crystalline frozen air the swell and roar of the chant
of savages was like an obsession.

She sat looking out of her litter with big, transfixed blue eyes,
under which were the wan markings of her drugged weariness.  She
knew she was going to die, among the glisten of this snow, at the
hands of this savage, sumptuous people.  And as she stared at the
blaze of blue sky above the slashed and ponderous mountain, she
thought:  "I am dead already.  What difference does it make, the
transition from the dead I am to the dead I shall be, very soon!"
Yet her soul sickened and felt wan.

The strange procession trailed on, in perpetual dance, slowly
across the plain of snow, and then entered the slopes between the
pine-trees.  She saw the copper-dark men dancing the dance-tread,
onwards, between the copper-pale tree trunks.  And at last she,
too, in her swaying litter, entered the pine-trees.

They were travelling on and on, upwards, across the snow under the
trees, past the superb shafts of pale, flaked copper, the rustle
and shake and tread of the threading dance, penetrating into the
forest, into the mountain.  They were following a stream-bed: but
the stream was dry, like summer, dried up by the frozenness of the
head-waters.  There were dark, red-bronze willow bushes with
wattles like wild hair, and pallid aspen trees looking like cold
flesh against the snow.  Then jutting dark rocks.

At last she could tell that the dancers were moving forward no
more.  Nearer and nearer she came upon the drums, as to a lair of
mysterious animals.  Then through the bushes she emerged into a
strange amphitheatre.  Facing was a great wall of hollow rock, down
the front of which hung a great, dripping, fang-like spoke of ice.
The ice came pouring over the rock from the precipice above, and
then stood arrested, dripping out of high heaven, almost down to
the hollow stones where the stream-pool should be below.  But the
pool was dry.

On either side the dry pool, the lines of dancers had formed, and
the dance was continuing without intermission, against a background
of bushes.

But what she felt was that fanged inverted pinnacle of ice, hanging
from the lip of the dark precipice above.  And behind the great
rope of ice, she saw the leopard-like figures of priests climbing
the hollow cliff face, to the cave that, like a dark socket, bored
a cavity, an orifice, half way up the crag.

Before she could realise, her litter-bearers were staggering in the
footholds, climbing the rock.  She, too, was behind the ice.  There
it hung, like a curtain that is not spread, but hangs like a great
fang.  And near above her was the orifice of the cave sinking dark
into the rock.  She watched it as she swayed upwards.

On the platform of the cave stood the priests, waiting in all their
gorgeousness of feathers and fringed robes, watching her ascent.
Two of them stooped to help her litter-bearer.  And at length she
was on the platform of the cave, far in behind the shaft of ice,
above the hollow amphitheatre among the bushes below, where men
were dancing, and the whole populace of the village was clustered
in silence.

The sun was sloping down the afternoon sky, on the left.  She knew
that this was the shortest day of the year, and the last day of her
life.  They stood her facing the iridescent column of ice, which
fell down marvellously arrested, away in front of her.

Some signal was given, and the dance below stopped.  There was now
absolute silence.  She was given a little to drink, then two
priests took off her mantle and her tunic, and in her strange
pallor she stood there, between the lurid robes of the priests,
beyond the pillar of ice, beyond and above the dark-faced people.
The throng below gave the low, wild cry.  Then the priests turned
her round, so she stood with her back to the open world, her long
blond hair to the people below.  And they cried again.

She was facing the cave, inwards.  A fire was burning and
flickering in the depths.  Four priests had taken off their robes,
and were almost as naked as she was.  They were powerful men in the
prime of life, and they kept their dark, painted faces lowered.

From the fire came the old, old priest, with an incense-pan.  He
was naked and in a state of barbaric ecstasy.  He fumigated his
victim, reciting at the same time in a hollow voice.  Behind him
came another robeless priest, with two flint knives.

When she was fumigated, they laid her on a large flat stone, the
four powerful men holding her by the outstretched arms and legs.
Behind stood the aged man, like a skeleton covered with dark glass,
holding a knife and transfixedly watching the sun; and behind him
again was another naked priest, with a knife.

She felt little sensation, though she knew all that was happening.
Turning to the sky, she looked at the yellow sun.  It was sinking.
The shaft of ice was like a shadow between her and it.  And she
realised that the yellow rays were filling half the cave, though
they had not reached the altar where the fire was, at the far end
of the funnel-shaped cavity.

Yes, the rays were creeping round slowly.  As they grew ruddier,
they penetrated farther.  When the red sun was about to sink, he
would shine full through the shaft of ice deep into the hollow of
the cave, to the innermost.

She understood now that this was what the men were waiting for.
Even those that held her down were bent and twisted round, their
black eyes watching the sun with a glittering eagerness, and awe,
and craving.  The black eyes of the aged cacique were fixed like
black mirrors on the sun, as if sightless, yet containing some
terrible answer to the reddening winter planet.  And all the eyes
of the priests were fixed and glittering on the sinking orb, in the
reddening, icy silence of the winter afternoon.

They were anxious, terribly anxious, and fierce.  Their ferocity
wanted something, and they were waiting the moment.  And their
ferocity was ready to leap out into a mystic exultance, of triumph.
But still they were anxious.

Only the eyes of that oldest man were not anxious.  Black, and
fixed, and as if sightless, they watched the sun, seeing beyond the
sun.  And in their black, empty concentration there was power,
power intensely abstract and remote, but deep, deep to the heart of
the earth, and the heart of the sun.  In absolute motionlessness he
watched till the red sun should send his ray through the column of
ice.  Then the old man would strike, and strike home, accomplish
the sacrifice and achieve the power.

The mastery that man must hold, and that passes from race to race.



TWO BLUE BIRDS


There was a woman who loved her husband, but she could not live
with him.  The husband, on his side, was sincerely attached to his
wife, yet he could not live with her.  They were both under forty,
both handsome and both attractive.  They had the most sincere
regard for one another, and felt, in some odd way, eternally
married to one another.  They knew one another more intimately than
they knew anybody else, they felt more known to one another than to
any other person.

Yet they could not live together.  Usually, they kept a thousand
miles apart, geographically.  But when he sat in the greyness of
England, at the back of his mind, with a certain grim fidelity, he
was aware of his wife, her strange yearning to be loyal and
faithful, having her gallant affairs away in the sun, in the south.
And she, as she drank her cocktail on the terrace over the sea, and
turned her grey, sardonic eyes on the heavy dark face of her
admirer, whom she really liked quite a lot, she was actually
preoccupied with the clear-cut features of her handsome young
husband, thinking of how he would be asking his secretary to do
something for him, asking in that good-natured, confident voice of
a man who knows that his request will be only too gladly fulfilled.

The secretary, of course, adored him.  She was VERY competent,
quite young, and quite good-looking.  She adored him.  But then all
his servants always did, particularly his women-servants.  His men-
servants were likely to swindle him.

When a man has an adoring secretary, and you are the man's wife,
what are you to do?  Not that there was anything 'wrong'--if you
know what I mean!--between them.  Nothing you could call adultery,
to come down to brass tacks.  No, no!  They were just the young
master and his secretary.  He dictated to her, she slaved for him
and adored him, and the whole thing went on wheels.

He didn't 'adore' her.  A man doesn't need to adore his secretary.
But he depended on her.  "I simply rely on Miss Wrexall."  Whereas
he could never rely on his wife.  The one thing he knew finally
about HER was that she didn't intend to be relied on.

So they remained friends, in the awful unspoken intimacy of the
once-married.  Usually each year they went away together for a
holiday, and, if they had not been man and wife, they would have
found a great deal of fun and stimulation in one another.  The fact
that they were married, had been married for the last dozen years,
and couldn't live together for the last three or four, spoilt them
for one another.  Each had a private feeling of bitterness about
the other.

However, they were awfully kind.  He was the soul of generosity,
and held her in real tender esteem, no matter how many gallant
affairs she had.  Her gallant affairs were part of her modern
necessity.  "After all, I've got to LIVE.  I can't turn into a
pillar of salt in five minutes just because you and I can't live
together!  It takes years for a woman like me to turn into a pillar
of salt.  At least I hope so!"

"Quite!" he replied.  "Quite!  By all means put them in pickle,
make pickled cucumbers of them, before you crystallise out.  That's
my advice."

He was like that: so awfully clever and enigmatic.  She could more
or less fathom the idea of the pickled cucumbers, but the
'crystallising out'--what did that signify?

And did he mean to suggest that he himself had been well pickled
and that further immersion was for him unnecessary, would spoil his
flavour?  Was that what he meant?  And herself, was she the brine
and the vale of tears?

You never knew how catty a man was being, when he was really clever
and enigmatic, withal a bit whimsical.  He was adorably whimsical,
with a twist of his flexible, vain mouth, that had a long upper
lip, so fraught with vanity!  But then a handsome, clear-cut,
histrionic young man like that, how could he help being vain?  The
women made him so.

Ah, the women!  How nice men would be if there were no other women!

And how nice the women would be if there were no other men!  That's
the best of a secretary.  She may have a husband, but a husband is
the mere shred of a man, compared to a boss, a chief, a man who
dictates to you and whose words you faithfully write down and then
transcribe.  Imagine a wife writing down anything her husband said
to her!  But a secretary!  Every and and but of his she preserves
for ever.  What are candied violets in comparison!

Now it is all very well having gallant affairs under the southern
sun, when you know there is a husband whom you adore dictating to a
secretary whom you are too scornful to hate yet whom you rather
despise, though you allow she has her good points, away north in
the place you ought to regard as home.  A gallant affair isn't much
good when you've got a bit of grit in your eye.  Or something at
the back of your mind.

What's to be done?  The husband, of course, did not send his wife
away.

"You've got your secretary and your work," she said.  "There's no
room for me."

"There's a bedroom and a sitting-room exclusively for you," he
replied.  "And a garden and half a motor-car.  But please yourself
entirely.  Do what gives you most pleasure."

"In that case," she said, "I'll just go south for the winter."

"Yes, do!" he said.  "You always enjoy it."

"I always do," she replied.

They parted with a certain relentlessness that had a touch of
wistful sentiment behind it.  Off she went to her gallant affairs,
that were like the curate's egg, palatable in parts.  And he
settled down to work.  He said he hated working, but he never did
anything else.  Ten or eleven hours a day.  That's what it is to be
your own master!

So the winter wore away, and it was spring, when the swallows
homeward fly, or northward, in this case.  This winter, one of a
series similar, had been rather hard to get through.  The bit of
grit in the gallant lady's eye had worked deeper in the more she
blinked.  Dark faces might be dark, and icy cocktails might lend a
glow; she blinked her hardest to blink that bit of grit away,
without success.  Under the spicy balls of the mimosa she thought
of that husband of hers in his library, and of that neat, competent
but COMMON little secretary of his, for ever taking down what he
said!

"How a man can STAND it!  How SHE can stand it, common little thing
as she is, I don't know!" the wife cried to herself.

She meant this dictating business, this ten hours a day
intercourse, à deux, with nothing but a pencil between them, and a
flow of words.

What was to be done?  Matters, instead of improving, had grown
worse.  The little secretary had brought her mother and sister into
the establishment.  The mother was a sort of cook-housekeeper, the
sister was a sort of upper maid--she did the fine laundry, and
looked after 'his' clothes, and valeted him beautifully.  It was
really an excellent arrangement.  The old mother was a splendid
plain cook, the sister was all that could be desired as a valet de
chambre, a fine laundress, an upper parlour-maid, and a table-
waiter.  And all economical to a degree.  They knew his affairs by
heart.  His secretary flew to town when a creditor became
dangerous, and she ALWAYS smoothed over the financial crisis.

'He', of course, had debts, and he was working to pay them off.
And if he had been a fairy prince who could call the ants to help
him, he would not have been more wonderful than in securing this
secretary and her family.  They took hardly any wages.  And they
seemed to perform the miracle of loaves and fishes daily.

'She', of course, was the wife who loved her husband, but helped
him into debt, and she still was an expensive item.  Yet when she
appeared at her 'home', the secretarial family received her with
most elaborate attentions and deference.  The knight returning from
the Crusades didn't create a greater stir.  She felt like Queen
Elizabeth at Kenilworth, a sovereign paying a visit to her faithful
subjects.  But perhaps there lurked always this hair in her soup!
Won't they be glad to be rid of me again!

But they protested No!  No!  They had been waiting and hoping and
praying she would come.  They had been pining for her to be there,
in charge: the mistress, 'his' wife.  Ah, 'his' wife!

'His' wife!  His halo was like a bucket over her head.

The cook-mother was 'of the people', so it was the upper-maid
daughter who came for orders.

"What will you order for to-morrow's lunch and dinner, Mrs. Gee?"

"Well, what do you usually have?"

"Oh, we want YOU to say."

"No, what do you USUALLY have?"

"We don't have anything fixed.  Mother goes out and chooses the
best she can find, that is nice and fresh.  But she thought you
would tell her now what to get."

"Oh, I don't know!  I'm not very good at that sort of thing.  Ask
her to go on just the same; I'm quite sure she knows best."

"Perhaps you'd like to suggest a sweet?"

"No, I don't care for sweets--and you know Mr. Gee doesn't.  So
don't make one for me."

Could anything be more impossible!  They had the house spotless and
running like a dream; how could an incompetent and extravagant wife
dare to interfere, when she saw their amazing and almost inspired
economy!  But they ran the place on simply nothing!

Simply marvellous people!  And the way they strewed palm branches
under her feet!

But that only made her feel ridiculous.

"Don't you think the family manage very well?" he asked her
tentatively.

"Awfully well!  Almost romantically well!" she replied.  "But I
suppose you're perfectly happy?"

"I'm perfectly comfortable," he replied.

"I can see you are," she replied.  "Amazingly so!  I never knew
such comfort!  Are you sure it isn't bad for you?"

She eyed him stealthily.  He looked very well, and extremely
handsome, in his histrionic way.  He was shockingly well-dressed
and valeted.  And he had that air of easy aplomb and good humour
which is so becoming to a man, and which he only acquires when he
is cock of his own little walk, made much of by his own hens.

"No!" he said, taking his pipe from his mouth and smiling
whimsically round at her.  "Do I look as if it were bad for me?"

"No, you don't," she replied promptly: thinking, naturally, as a
woman is supposed to think nowadays, of his health and comfort, the
foundation, apparently, of all happiness.

Then, of course, away she went on the back-wash.

"Perhaps for your work, though, it's not so good as it is for YOU,"
she said in a rather small voice.  She knew he couldn't bear it if
she mocked at his work for one moment.  And he knew that rather
small voice of hers.

"In what way?" he said, bristles rising.

"Oh, I don't know," she answered indifferently.  "Perhaps it's not
good for a man's work if he is too comfortable."

"I don't know about THAT!" he said, taking a dramatic turn round
the library and drawing at his pipe.  "Considering I work,
actually, by the clock, for twelve hours a day, and for ten hours
when it's a short day, I don't think you can say I am deteriorating
from easy comfort."

"No, I suppose not," she admitted.

Yet she did think it, nevertheless.  His comfortableness didn't
consist so much in good food and a soft bed, as in having nobody,
absolutely nobody and nothing to contradict him.  "I do like to
think he's got nothing to aggravate him," the secretary had said to
the wife.

"Nothing to aggravate him!"  What a position for a man!  Fostered
by women who would let nothing 'aggravate' him.  If anything would
aggravate his wounded vanity, this would!

So thought the wife.  But what was to be done about it?  In the
silence of midnight she heard his voice in the distance, dictating
away, like the voice of God to Samuel, alone and monotonous, and
she imagined the little figure of the secretary busily scribbling
shorthand.  Then in the sunny hours of morning, while he was still
in bed--he never rose till noon--from another distance came that
sharp insect noise of the typewriter, like some immense grasshopper
chirping and rattling.  It was the secretary, poor thing, typing
out his notes.

That girl--she was only twenty-eight--really slaved herself to skin
and bone.  She was small and neat, but she was actually worn out.
She did far more work than he did, for she had not only to take
down all those words he uttered, she had to type them out, make
three copies, while he was still resting.

"What on earth she gets out of it," thought the wife, "I don't
know.  She's simply worn to the bone, for a very poor salary, and
he's never kissed her, and never will, if I know anything about
him."



Whether his never kissing her--the secretary, that is--made it
worse or better, the wife did not decide.  He never kissed anybody.
Whether she herself--the wife, that is--wanted to be kissed by him,
even that she was not clear about.  She rather thought she didn't.

What on earth did she want then?  She was his wife.  What on earth
did she want of him?

She certainly didn't want to take him down in shorthand, and type
out again all those words.  And she didn't really want him to kiss
her; she knew him too well.  Yes, she knew him too well.  If you
know a man too well, you don't want him to kiss you.

What then?  What did she want?  Why had she such an extraordinary
hang-over about him?  Just because she was his wife?  Why did she
rather 'enjoy' other men--and she was relentless about enjoyment--
without ever taking them seriously?  And why must she take him so
damn seriously, when she never really 'enjoyed' him?

Of course she HAD had good times with him, in the past, before--ah!
before a thousand things, all amounting really to nothing.  But she
enjoyed him no more.  She never even enjoyed being with him.  There
was a silent, ceaseless tension between them, that never broke,
even when they were a thousand miles apart.

Awful!  That's what you call being married!  What's to be done
about it?  Ridiculous, to know it all and not do anything about it!

She came back once more, and there she was, in her own house, a
sort of super-guest, even to him.  And the secretarial family
devoting their lives to him.

Devoting their lives to him!  But actually!  Three women pouring
out their lives for him day and night!  And what did they get in
return?  Not one kiss!  Very little money, because they knew all
about his debts, and had made it their life business to get them
paid off!  No expectations!  Twelve hours' work a day!  Comparative
isolation, for he saw nobody!

And beyond that?  Nothing!  Perhaps a sense of uplift and
importance because they saw his name and photograph in the
newspaper sometimes.  But would anybody believe that it was good
enough?

Yet they adored it!  They seemed to get a deep satisfaction out of
it, like people with a mission.  Extraordinary!

Well, if they did, let them.  They were, of course, rather common,
'of the people'; there might be a sort of glamour in it for them.

But it was bad for him.  No doubt about it.  His work was getting
diffuse and poor in quality--and what wonder!  His whole tone was
going down--becoming commoner.  Of course it was bad for him.

Being his wife, she felt she ought to do something to save him.
But how could she?  That perfectly devoted, marvellous secretarial
family, how could she make an attack on them?  Yet she'd love to
sweep them into oblivion.  Of course they were bad for him: ruining
his work, ruining his reputation as a writer, ruining his life.
Ruining him with their slavish service.

Of course she ought to make an onslaught on them!  But how COULD
she?  Such devotion!  And what had she herself to offer in their
place?  Certainly not slavish devotion to him, nor to his flow of
words!  Certainly not!

She imagined him stripped once more naked of secretary and
secretarial family, and she shuddered.  It was like throwing the
naked baby in the dust-bin.  Couldn't do that!

Yet something must be done.  She felt it.  She was almost tempted
to get into debt for another thousand pounds, and send in the bill,
or have it sent in to him, as usual.

But no!  Something more drastic!

Something more drastic, or perhaps more gentle.  She wavered
between the two.  And wavering, she first did nothing, came to no
decision, dragged vacantly on from day to day, waiting for
sufficient energy to take her departure once more.

It was spring!  What a fool she had been to come up in spring!  And
she was forty!  What an idiot of a woman to go and be forty!

She went down the garden in the warm afternoon, when birds were
whistling loudly from the cover, the sky being low and warm, and
she had nothing to do.  The garden was full of flowers: he loved
them for their theatrical display.  Lilac and snowball bushes, and
laburnum and red may, tulips and anemones and coloured daisies.
Lots of flowers!  Borders of forget-me-nots!  Bachelor's buttons!
What absurd names flowers had!  She would have called them blue
dots and yellow blobs and white frills.  Not so much sentiment
after all!

There is a certain nonsense, something showy and stagey about
spring, with its pushing leaves and chorus-girl flowers, unless you
have something corresponding inside you.  Which she hadn't.

Oh, heaven!  Beyond the hedge she heard a voice, a steady rather
theatrical voice.  Oh, heaven!  He was dictating to his secretary
in the garden.  Good God, was there nowhere to get away from it!

She looked around: there was indeed plenty of escape.  But what was
the good of escaping?  He would go on and on.  She went quietly
towards the hedge, and listened.

He was dictating a magazine article about the modern novel.  "What
the modern novel lacks is architecture."  Good God!  Architecture!
He might just as well say:  What the modern novel lacks is
whalebone, or a teaspoon, or a tooth stopped.

Yet the secretary took it down, took it down, took it down!  No,
this could not go on!  It was more than flesh and blood could bear.

She went quietly along the hedge, somewhat wolf-like in her prowl,
a broad, strong woman in an expensive mustard-coloured silk jersey
and cream-coloured pleated skirt.  Her legs were long and shapely,
and her shoes were expensive.

With a curious wolf-like stealth she turned the hedge and looked
across at the small, shaded lawn where the daisies grew
impertinently.  'He' was reclining in a coloured hammock under the
pink-flowering horse-chestnut tree, dressed in white serge with a
fine yellow-coloured linen shirt.  His elegant hand dropped over
the side of the hammock and beat a sort of vague rhythm to his
words.  At a little wicker table the little secretary, in a green
knitted frock, bent her dark head over her note-book, and
diligently made those awful shorthand marks.  He was not difficult
to take down, as he dictated slowly, and kept a sort of rhythm,
beating time with his dangling hand.

"In every novel there must be one outstanding character with
which we always sympathise--with WHOM we always sympathise--even
though we recognise it--even when we are most aware of the human
frailties--"

Every man his own hero, thought the wife grimly, forgetting that
every woman is intensely her own heroine.

But what did startle her was a blue bird dashing about near the
feet of the absorbed, shorthand-scribbling little secretary.  At
least it was a blue-tit, blue with grey and some yellow.  But to
the wife it seemed blue, that juicy spring day, in the translucent
afternoon.  The blue bird, fluttering round the pretty but rather
COMMON little feet of the little secretary.

The blue bird!  The blue bird of happiness!  Well, I'm blest,--
thought the wife.  Well, I'm blest!

And as she was being blest, appeared another blue bird--that is,
another blue-tit--and began to wrestle with the first blue-tit.  A
couple of blue birds of happiness, having a fight over it!  Well,
I'm blest!

She was more or less out of sight of the human preoccupied pair.
But 'he' was disturbed by the fighting blue birds, whose little
feathers began to float loose.

"Get out!" he said to them mildly, waving a dark-yellow
handkerchief at them.  "Fight your little fight, and settle your
private affairs elsewhere, my dear little gentlemen."

The little secretary looked up quickly, for she had already begun
to write it down.  He smiled at her his twisted whimsical smile.

"No, don't take that down," he said affectionately.  "Did you see
those two tits laying into one another?"

"No!" said the little secretary, gazing brightly round, her eyes
half-blinded with work.

But she saw the queer, powerful, elegant, wolf-like figure of the
wife, behind her, and terror came into her eyes.

"I did!" said the wife, stepping forward with those curious,
shapely, she-wolf legs of hers, under the very short skirt.

"Aren't they extraordinarily vicious little beasts?" said he.

"Extraordinarily!" she re-echoed, stooping and picking up a little
breast-feather.  "Extraordinarily!  See how the feathers fly!"

And she got the feather on the tip of her finger, and looked at it.
Then she looked at the secretary, then she looked at him.  She had
a queer, were-wolf expression between her brows.

"I think," he began, "these are the loveliest afternoons, when
there's no direct sun, but all the sounds and the colours and the
scents are sort of dissolved, don't you know, in the air, and the
whole thing is steeped, steeped in spring.  It's like being on the
inside; you know how I mean, like being inside the egg and just
ready to chip the shell."

"Quite like that!" she assented, without conviction.

There was a little pause.  The secretary said nothing.  They were
waiting for the wife to depart again.

"I suppose," said the latter, "you're awfully busy, as usual?"

"Just about the same," he said, pursing his mouth deprecatingly.

Again the blank pause, in which he waited for her to go away again.

"I know I'm interrupting you," she said.

"As a matter of fact," he said, "I was just watching those two blue-
tits."

"Pair of little demons!" said the wife, blowing away the yellow
feather from her finger-tip.

"Absolutely!" he said.

"Well, I'd better go, and let you get on with your work," she said.

"No hurry!" he said, with benevolent nonchalance.  "As a matter of
fact, I don't think it's a great success, working out of doors."

"What made you try it?" said the wife.  "You know you never could
do it."

"Miss Wrexall suggested it might make a change.  But I don't think
it altogether helps, do you, Miss Wrexall?"

"I'm sorry," said the little secretary.

"Why should YOU be sorry?" said the wife, looking down at her as a
wolf might look down half-benignly at a little black-and-tan
mongrel.  "You only suggested it for his good, I'm sure!"

"I thought the air might be good for him," the secretary admitted.

"Why do people like you never think about yourselves?" the wife
asked.

The secretary looked her in the eye.

"I suppose we do, in a different way," she said.

"A VERY different way!" said the wife ironically.  "Why don't you
make HIM think about YOU?" she added, slowly, with a sort of drawl.
"On a soft spring afternoon like this, you ought to have him
dictating poems to you, about the blue birds of happiness
fluttering round your dainty little feet.  I know _I_ would, if I
were his secretary."

There was a dead pause.  The wife stood immobile and statuesque, in
an attitude characteristic of her, half turning back to the little
secretary, half averted.  She half turned her back on everything.

The secretary looked at him.

"As a matter of fact," he said, "I was doing an article on the
Future of the Novel."

"I know that," said the wife.  "That's what's so awful!  Why not
something lively in the life of the novelist?"

There was a prolonged silence, in which he looked pained, and
somewhat remote, statuesque.  The little secretary hung her head.
The wife sauntered slowly away.

"Just where were we, Miss Wrexall?" came the sound of his voice.

The little secretary started.  She was feeling profoundly
indignant.  Their beautiful relationship, his and hers, to be so
insulted!

But soon she was veering down-stream on the flow of his words, too
busy to have any feelings, except one of elation at being so busy.

Tea-time came; the sister brought out the tea-tray into the garden.
And immediately, the wife appeared.  She had changed, and was
wearing a chicory-blue dress of fine cloth.  The little secretary
had gathered up her papers and was departing, on rather high heels.

"Don't go, Miss Wrexall," said the wife.

The little secretary stopped short, then hesitated.

"Mother will be expecting me," she said.

"Tell her you're not coming.  And ask your sister to bring another
cup.  I want you to have tea with us."

Miss Wrexall looked at the man, who was reared on one elbow in the
hammock, and was looking enigmatical, Hamletish.

He glanced at her quickly, then pursed his mouth in a boyish
negligence.

"Yes, stay and have tea with us for once," he said.  "I see
strawberries, and I know you're the bird for them."

She glanced at him, smiled wanly, and hurried away to tell her
mother.  She even stayed long enough to slip on a silk dress.

"Why, how smart you are!" said the wife, when the little secretary
reappeared on the lawn, in chicory-blue silk.

"Oh, don't look at my dress, compared to yours!" said Miss Wrexall.
They were of the same colour, indeed!

"At least you earned yours, which is more than I did mine," said
the wife, as she poured tea.  "You like it strong?"

She looked with her heavy eyes at the smallish, birdy, blue-clad,
overworked young woman, and her eyes seemed to speak many
inexplicable dark volumes.

"Oh, as it comes, thank you," said Miss Wrexall, leaning nervously
forward.

"It's coming pretty black, if you want to ruin your digestion,"
said the wife.

"Oh, I'll have some water in it, then."

"Better, I should say."

"How'd the work go--all right?" asked the wife, as they drank tea,
and the two women looked at each other's blue dresses.

"Oh!" he said.  "As well as you can expect.  It was a piece of pure
flummery.  But it's what they want.  Awful rot, wasn't it, Miss
Wrexall?"

Miss Wrexall moved uneasily on her chair.

"It interested me," she said, "though not so much as the novel."

"The novel?  Which novel?" said the wife.  "Is there another new
one?"

Miss Wrexall looked at him.  Not for words would she give away any
of his literary activities.

"Oh, I was just sketching out an idea to Miss Wrexall," he said.

"Tell us about it!" said the wife.  "Miss Wrexall, YOU tell us what
it's about."

She turned on her chair, and fixed the little secretary.

"I'm afraid"--Miss Wrexall squirmed--"I haven't got it very clearly
myself, yet."

"Oh, go along!  Tell us what you HAVE got then!"

Miss Wrexall sat dumb and very vexed.  She felt she was being
baited.  She looked at the blue pleatings of her skirt.

"I'm afraid I can't," she said.

"Why are you afraid you can't?  You're so VERY competent.  I'm sure
you've got it all at your finger-ends.  I expect you write a good
deal of Mr. Gee's books for him, really.  He gives you the hint,
and you fill it all in.  Isn't that how you do it?"  She spoke
ironically, and as if she were teasing a child.  And then she
glanced down at the fine pleatings of her own blue skirt, very fine
and expensive.

"Of course you're not speaking seriously?" said Miss Wrexall,
rising on her mettle.

"Of course I am!  I've suspected for a long time--at least, for
some time--that you write a good deal of Mr. Gee's books for him,
from his hints."

It was said in a tone of raillery, but it was cruel.

"I should be terribly flattered," said Miss Wrexall, straightening
herself, "if I didn't know you were only trying to make me feel a
fool."

"Make you feel a fool?  My dear child!--why, nothing could be
farther from me!  You're twice as clever, and a million times as
competent as I am.  Why, my dear child, I've the greatest
admiration for you!  I wouldn't do what you do, not for all the
pearls in India.  I COULDN'T anyhow--"

Miss Wrexall closed up and was silent.

"Do you mean to say my books read as if--" he began, rearing up and
speaking in a harrowed voice.

"I do!" said the wife.  "JUST as if Miss Wrexall had written them
from your hints.  I HONESTLY thought she did--when you were too
busy--"

"How very clever of you!" he said.

"Very!" she said.  "Especially if I was wrong!"

"Which you were," he said.

"How very extraordinary!" she cried.  "Well, I am once more
mistaken!"

There was a complete pause.

It was broken by Miss Wrexall, who was nervously twisting her
fingers.

"You want to spoil what there is between me and him, I can see
that," she said bitterly.

"My dear, but what IS there between you and him?" asked the wife.

"I was HAPPY working with him, working for him!  I was HAPPY
working for him!" cried Miss Wrexall, tears of indignant anger and
chagrin in her eyes.

"My dear child!" cried the wife, with simulated excitement, "go ON
being happy working with him, go on being happy while you can!  If
it makes you happy, why then, enjoy it!  Of course!  Do you think
I'd be so cruel as to want to take it away from you?--working with
him?  _I_ can't do shorthand and typewriting and double-entrance
book-keeping, or whatever it's called.  I tell you, I'm utterly
incompetent.  I never earn anything.  I'm the parasite of the
British oak, like the mistletoe.  The blue bird doesn't flutter
round my feet.  Perhaps they're too big and trampling."

She looked down at her expensive shoes.

"If I DID have a word of criticism to offer," she said turning to
her husband, "it would be to you, Cameron, for taking so much from
her and giving her nothing."

"But he gives me everything, everything!" cried Miss Wrexall.  "He
gives me everything!"

"What do you mean by everything?" said the wife, turning on her
sternly.

Miss Wrexall pulled up short.  There was a snap in the air, and a
change of currents.

"I mean nothing that YOU need begrudge me," said the little
secretary rather haughtily.  "I've never made myself cheap."

There was a blank pause.

"My God!" said the wife.  "You don't call that being cheap?  Why, I
should say you got nothing out of him at all, you only give!  And
if you don't call that making yourself cheap--my God!"

"You see, we see things different," said the secretary.

"I should say we do!--THANK GOD!" rejoined the wife.

"On whose behalf are you thanking God?" he asked sarcastically.

"Everybody's, I suppose!  Yours, because you get everything for
nothing, and Miss Wrexall's, because she seems to like it, and mine
because I'm well out of it all."

"You NEEDN'T be out of it all," cried Miss Wrexall magnanimously,
"if you didn't PUT yourself out of it all."

"Thank you, my dear, for your offer," said the wife, rising, "but
I'm afraid no man can expect TWO blue birds of happiness to flutter
round his feet, tearing out their little feathers!"

With which she walked away.

After a tense and desperate interim, Miss Wrexall cried:

"And REALLY, need any woman be jealous of me?"

"Quite!" he said.

And that was all he did say.



SUN


"Take her away, into the sun," the doctor said.  She herself was
sceptical of the sun, but she permitted herself to be carried away,
with her child, and a nurse, and her mother, over the sea.

The ship sailed at midnight.  And for two hours her husband stayed
with her, while the child was put to bed, and the passengers came
on board.  It was a black night, the Hudson swayed with heaving
blackness, shaken over with spilled dribbles of light.  She leaned
over the rail, and looking down thought: this is the sea; it is
deeper than one imagines, and fuller of memories.  At that moment
the sea seemed to heave like the serpent of chaos that has lived
for ever.

"These partings are no good, you know," her husband was saying, at
her side.  "They're no good.  I don't like them."

His tone was full of apprehension, misgiving, and there was a
certain clinging to the last straw of hope.

"No, neither do I," she responded in a flat voice.  She remembered
how bitterly they wanted to get away from one another, he and she.
The emotion of parting gave a slight tug at her emotions, but only
caused the iron that had gone into her soul to gore deeper.

So, they looked at their sleeping son, and the father's eyes were
wet.  But it is not the wetting of the eyes that counts, it is the
deep iron rhythm of habit, the year-long, life-habits; the deep-set
stroke of power.

And in their two lives, the stroke of power was hostile, his and
hers.  Like two engines running at variance, they shattered one
another.

"All ashore!  All ashore!"

"Maurice, you must go."

And she thought to herself:  For him it is All Ashore!  For me it
is Out to Sea!

Well, he waved his hanky on the midnight dreariness of the pier, as
the boat inched away; one among a crowd.  One among a crowd!  C'est
ça!

The ferry-boats, like great dishes piled with rows of lights, were
still slanting across the Hudson.  That black mouth must be the
Lackawanna Station.

The ship ebbed on between the lights, the Hudson seemed
interminable.  But at last they were round the bend, and there was
the poor harvest of lights at the Battery.  Liberty flung up her
torch in a tantrum.  There was the wash of the sea.

And though the Atlantic was grey as lava, they did come at last
into the sun.  Even she had a house above the bluest of seas, with
a vast garden, or vineyard, all vines and olives, dropping steeply
in terrace after terrace, to the strip of coast plain; and the
garden full of secret places, deep groves of lemon far down in the
cleft of earth, and hidden, pure green reservoirs of water; then a
spring issuing out of a little cavern, where the old Sicules had
drunk before the Greeks came; and a grey goat bleating, stabled in
an ancient tomb with the niches empty.  There was the scent of
mimosa, and beyond, the snow of the volcano.

She saw it all, and in a measure it was soothing.  But it was all
external.  She didn't really care about it.  She was herself just
the same, with all her anger and frustration inside her, and her
incapacity to feel anything real.  The child imitated her, and
preyed on her peace of mind.  She felt so horribly, ghastly
responsible for him: as if she must be responsible for every breath
he drew.  And that was torture to her, to the child, and to
everybody else concerned.

"You know, Juliet, the doctor told you to lie in the sun, without
your clothes.  Why don't you?" said her mother.

"When I am fit to do so, I will.  Do you want to kill me?" Juliet
flew at her.

"To kill you, no!  Only to do you good."

"For God's sake, leave off wanting to do me good."

The mother at last was so hurt and incensed, she departed.

The sea went white, and then invisible.  Pouring rain fell.  It was
cold, in the house built for the sun.

Again a morning when the sun lifted himself molten and sparkling,
naked over the sea's rim.  The house faced south-east, Juliet lay
in her bed and watched him rise.  It was as if she had never seen
the sun rise before.  She had never seen the naked sun stand up
pure upon the sea-line, shaking the night off himself, like
wetness.  And he was full and naked.  And she wanted to come to
him.

So the desire sprang secretly in her, to be naked to the sun.  She
cherished her desire like a secret.  She wanted to come together
with the sun.

But she would have to go away from the house--away from people.
And it is not easy, in a country where every olive tree has eyes,
and every slope is seen from afar, to go hidden, and have
intercourse with the sun.

But she found a place: a rocky bluff shoved out to the sea and sun,
and overgrown with the large cactus called prickly pear.  Out of
this thicket of cactus rose one cypress tree, with a pallid, thick
trunk, and a tip that leaned over, flexible, in the blue.  It stood
like a guardian looking to sea; or a candle whose huge flame was
darkness against light: the long tongue of darkness licking up at
the sky.

Juliet sat down by the cypress tree, and took off her clothes.  The
contorted cactus made a forest, hideous yet fascinating, about her.
She sat and offered her bosom to the sun, sighing, even now, with a
certain hard pain, against the cruelty of having to give herself:
but exulting that at last it was no human lover.

But the sun marched in blue heaven and sent down his rays as he
went.  She felt the soft air of the sea on her breasts, that seemed
as if they would never ripen.  But she hardly felt the sun.  Fruits
that would wither and not mature, her breasts.

Soon, however, she felt the sun inside them, warmer than ever love
had been, warmer than milk or the hands of her baby.  At last, her
breasts were like long white grapes in the hot sun.

She slid off all her clothes, and lay naked in the sun, and as she
lay she looked up through her fingers at the central sun, his blue
pulsing roundness, whose outer edges streamed brilliance.  Pulsing
with marvellous blue, and alive, and streaming white fire from his
edges, the Sun!  He faced down to her with blue body of fire, and
enveloped her breasts and her face, her throat, her tired belly,
her knees, her thighs and her feet.

She lay with shut eyes, the colour of rosy flame through her lids.
It was too much.  She reached and put leaves over her eyes.  Then
she lay again, like a long gourd in the sun, green that must ripen
to gold.

She could feel the sun penetrating into her bones; nay, further,
even into her emotions and thoughts.  The dark tensions of her
emotion began to give way, the cold dark clots of her thoughts
began to dissolve.  She was beginning to be warm right through.
Turning over, she let her shoulders lie in the sun, her loins, the
backs of her thighs, even her heels.  And she lay half stunned with
the strangeness of the thing that was happening to her.  Her weary,
chilled heart was melting, and in melting, evaporating.  Only her
womb remained tense and resistant, the eternal resistance.  It
would resist even the sun.

When she was dressed again she lay once more and looked up at the
cypress tree, whose crest, a filament, fell this way and that in
the breeze.  Meanwhile, she was conscious of the great sun roaming
in heaven, and of her own resistance.

So, dazed, she went home, only half-seeing, sun-blinded and sun-
dazed.  And her blindness was like a richness to her, and her dim,
warm, heavy half-consciousness was like wealth.

"Mummy!  Mummy!" her child came running towards her, calling in
that peculiar bird-like little anguish of want, always wanting her.
She was surprised that her drowsed heart for once felt none of the
anxious love-tension in return.  She caught the child up in her
arms, but she thought:  He should not be such a lump!  If he had
any sun in him, he would spring up.--And she felt again the
unyielding resistance of her womb, against him and everything.

She resented, rather, his little hands clutching at her, especially
her neck.  She pulled her throat away.  She did not want him
getting hold of it.  She put the child down.

"Run!" she said.  "Run in the sun!"

And there and then she took off his clothes and set him naked on
the warm terrace.

"Play in the sun!" she said.

He was frightened and wanted to cry.  But she, in the warm
indolence of her body, and the complete indifference of her heart,
and the resistance of her womb, rolled him an orange across the red
tiles, and with his soft, unformed little body he toddled after it.
Then, immediately he had it, he dropped it because it felt strange
against his flesh.  And he looked back at her, wrinkling his face
to cry, frightened because he was stark.

"Bring me the orange," she said, amazed at her own deep
indifference to his trepidation.  "Bring Mummy the orange."

"He shall not grow up like his father," she said to herself.  "Like
a worm that the sun has never seen."


II


She had had the child so much on her mind, in a torment of
responsibility, as if, having borne him, she had to answer for his
whole existence.  Even if his nose were running, it had been
repulsive and a goad in her vitals, as if she must say to herself:
Look at the thing you brought forth!

Now a change took place.  She was no longer vitally consumed about
the child, she took the strain of her anxiety and her will from off
him.  And he thrived all the more for it.

She was thinking inside herself, of the sun in his splendour, and
his entering into her.  Her life was now a secret ritual.  She
always lay awake, before dawn, watching for the grey to colour to
pale gold, to know if clouds lay on the sea's edge.  Her joy was
when he rose all molten in his nakedness, and threw off blue-white
fire, into the tender heaven.

But sometimes he came ruddy, like a big, shy creature.  And
sometimes slow and crimson red, with a look of anger, slowly
pushing and shouldering.  Sometimes again she could not see him,
only the level cloud threw down gold and scarlet from above, as he
moved behind the wall.

She was fortunate.  Weeks went by, and though the dawn was
sometimes clouded, and afternoon was sometimes grey, never a day
passed sunless, and most days, winter though it was, streamed
radiant.  The thin little wild crocuses came up mauve and striped,
the wild narcissus hung their winter stars.

Every day, she went down to the cypress tree, among the cactus
grove on the knoll with yellowish cliffs at the foot.  She was
wiser and subtler now, wearing only a dove-grey wrapper, and
sandals.  So that in an instant, in any hidden niche, she was naked
to the sun.  And the moment she was covered again she was grey and
invisible.

Every day, in the morning towards noon, she lay at the foot of the
powerful, silver-pawed cypress tree, while the sun strode jovial in
heaven.  By now she knew the sun in every thread of her body.  Her
heart of anxiety, that anxious, straining heart, had disappeared
altogether, like a flower that falls in the sun, and leaves only a
little ripening fruit.  And her tense womb, though still closed,
was slowly unfolding, slowly, slowly, like a lily bud under water,
as the sun mysteriously touched it.  Like a lily bud under water it
was slowly rising to the sun, to expand at last, to the sun, only
to the sun.

She knew the sun in all her body, the blue-molten with his white
fire edges, throwing off fire.  And, though he shone on all the
world, when she lay unclothed he focussed on her.  It was one of
the wonders of the sun, he could shine on a million people, and
still be the radiant, splendid, unique sun, focussed on her alone.

With her knowledge of the sun, and her conviction that the sun was
gradually penetrating her to know her, in the cosmic carnal sense
of the word, came over her a feeling of a detachment from people,
and a certain contemptuous tolerance for human beings altogether.
They were so un-elemental, so un-sunned.  They were so like
graveyard worms.

Even the peasants passing up the rocky, ancient little road with
their donkeys, sun-blackened as they were, were not sunned right
through.  There was a little soft white core of fear, like a snail
in a shell, where the soul of the man cowered in fear of the
natural blaze of life.  He dared not quite see the sun: always
innerly cowed.  All men were like that.

Why admit men!

With her indifference to people, to men, she was not now so
cautious about being seen.  She had told Marinina, who went
shopping for her in the village, that the doctor had ordered sun-
baths.  Let that suffice.

Marinina was a woman of sixty or more, tall, thin, erect, with
curling dark-grey hair, and dark-grey eyes that had the shrewdness
of thousands of years in them, with the laugh, half mockery, that
underlies all long experience.  Tragedy is lack of experience.

"It must be beautiful to go naked in the sun," said Marinina, with
a shrewd laugh in her eyes as she looked keenly at the other woman.
Juliet's fair, bobbed hair curled in a little cloud at her temples.
Marinina was a woman of Magna Graecia, and had far memories.  She
looked again at Juliet.

"But when a woman is beautiful, she can show herself to the sun?
eh? isn't it true?" she added, with that queer, breathless little
laugh of the women of the past.

"Who knows if I am beautiful!" said Juliet.

But beautiful or not, she felt that by the sun she was appreciated.
Which is the same.

When, out of the sun at noon, sometimes she stole down over the
rocks and past the cliff-edge, down to the deep gully where the
lemons hung in cool eternal shadow; and in the silence slipped off
her wrapper to wash herself quickly at one of the deep, clear green
basins, she would notice, in the bare green twilight under the
lemon leaves, that all her body was rosy, rosy, and turning to
gold.  She was like another person.  She was another person.

So she remembered that the Greeks had said a white unsunned body
was unhealthy, and fishy.

And she would rub a little olive oil into her skin, and wander a
moment in the dark underworld of the lemons, balancing a lemon-
flower in her navel, laughing to herself.  There was just a chance
some peasant might see her.  But if he did, he would be more afraid
of her than she of him.  She knew of the white core of fear in the
clothed bodies of men.

She knew it even in her little son.  How he mistrusted her, now
that she laughed at him, with the sun in her face!  She insisted on
his toddling naked in the sunshine, every day.  And now his little
body was pink too, his blond hair was pushed thick from his brow,
his cheeks had a pomegranate scarlet, in the delicate gold of the
sunny skin.  He was bonny and healthy, and the servants, loving his
gold and red and blue, called him an angel from heaven.

But he mistrusted his mother: she laughed at him.  And she saw, in
his wide blue eyes, under the little frown, that centre of fear,
misgiving, which she believed was at the centre of all male eyes,
now.  She called it fear of the sun.  And her womb stayed shut
against all men, sun-fearers.

"He fears the sun," she would say to herself, looking down into the
eyes of the child.

And as she watched him toddling, swaying, tumbling in the sunshine,
making his little bird-like noises, she saw that he held himself
tight and hidden from the sun, inside himself, and his balance was
clumsy, his movements a little gross.  His spirit was like a snail
in a shell, in a damp, cold crevice inside himself.  It made her
think of his father.  And she wished she could make him come forth,
break out in a gesture of recklessness, a salutation to the sun.

She determined to take him with her, down to the cypress tree among
the cactus.  She would have to watch him, because of the thorns.
But surely in that place he would come forth from the little shell,
deep inside him.  That little civilised tension would disappear off
his brow.

She spread a rug for him and sat down.  Then she slid off her
wrapper and lay down herself, watching a hawk high in the blue, and
the tip of the cypress hanging over.

The boy played with stones on the rug.  When he got up to toddle
away, she got up too.  He turned and looked at her.  Almost, from
his blue eyes, it was the challenging, warm look of the true male.
And he was handsome, with the scarlet in the golden blond of his
skin.  He was not really white.  His skin was gold-dusky.

"Mind the thorns, darling," she said.

"Thorns!" re-echoed the child, in a birdy chirp, still looking at
her over his shoulder, like some naked putto in a picture,
doubtful.

"Nasty prickly thorns."

"Ickly thorns!"

He staggered in his little sandals over the stones, pulling at the
dry mint.  She was quick as a serpent, leaping to him, when he was
going to fall against the prickles.  It surprised even herself.
"What a wild cat I am, really!" she said to herself.

She brought him every day, when the sun shone, to the cypress tree.

"Come!" she said, "Let us go to the cypress tree."

And if there was a cloudy day, with the tramontana blowing, so that
she could not go down, the child would chirp incessantly:  "Cypress
tree!  Cypress tree!"

He missed it as much as she did.

It was not just taking sun-baths.  It was much more than that.
Something deep inside her unfolded and relaxed, and she was given
to a cosmic influence.  By some mysterious will inside her, deeper
than her known consciousness and her known will, she was put into
connection with the sun, and the stream of the sun flowed through
her, round her womb.  She herself, her conscious self, was
secondary, a secondary person, almost an onlooker.  The true Juliet
lived in the dark flow of the sun within her deep body, like a
river of dark rays circling, circling dark and violet round the
sweet, shut bud of her womb.

She had always been mistress of herself, aware of what she was
doing, and held tense in her own command.  Now she felt inside her
quite another sort of power, something greater than herself, darker
and more savage, the element flowing upon her.  Now she was vague,
in the spell of a power beyond herself.


III


The end of February was suddenly very hot.  Almond blossom was
falling like pink snow, in the touch of the smallest breeze.  The
mauve, silky little anemones were out, the asphodels tall in bud,
and the sea was corn-flower blue.

Juliet had ceased to care about anything.  Now, most of the day,
she and the child were naked in the sun, and it was all she wanted.
Sometimes she went down to the sea to bathe: often she wandered in
the gullies where the sun shone in, and she was out of sight.
Sometimes she saw a peasant with an ass, and he saw her.  But she
went so simply and quietly with her child; and the fame of the
sun's healing power, for the soul as well as for the body, had
already spread among the people; so that there was no excitement.

The child and she were now both tanned with a rosy-golden tan, all
over.  "I am another being," she said to herself, as she looked at
her red-gold breasts and thighs.

The child, too, was another creature, with a peculiar, quiet, sun-
darkened absorption.  Now he played by himself in silence, and she
need hardly notice him.  He seemed no longer to notice when he was
alone.

There was not a breeze, and the sea was ultramarine.  She sat by
the great silver paw of the cypress tree, drowsed in the sun, but
her breasts alert, full of sap.  She was becoming aware of an
activity rousing in her, an activity which would bring another self
awake in her.  She still did not want to be aware.  The new rousing
would mean a new contact, and this she did not want.  She knew well
enough the vast cold apparatus of civilisation, and what contact
with it meant; and how difficult it was to evade.

The child had gone a few yards down the rocky path, round the great
sprawling of a cactus.  She had seen him, a real gold-brown infant
of the winds, with burnt gold hair and red cheeks, collecting the
speckled pitcher-flowers and laying them in rows.  He could balance
now, and was quick for his own emergencies, like an absorbed young
animal playing.

Suddenly she heard him speaking:  Look, Mummy!  Mummy look!  A note
in his bird-like voice made her lean forward sharply.

Her heart stood still.  He was looking over his naked little
shoulder at her, and pointing with a loose little hand at a snake
which had reared itself up a yard away from him, and was opening
its mouth so that its forked, soft tongue flickered black like a
shadow, uttering a short hiss.

"Look!  Mummy!"

"Yes, darling, it's a snake!" came the slow deep voice.  He looked
at her, his wide blue eyes uncertain whether to be afraid or not.
Some stillness of the sun in her reassured him.

"Snake!" he chirped.

"Yes, darling!  Don't touch it, it can bite."

The snake had sunk down, and was reaching away from the coils in
which it had been basking asleep, and slowly easing its long, gold-
brown body into the rocks, with slow curves.  The boy turned and
watched it in silence.  Then he said:

"Snake going!"

"Yes!  Let it go.  It likes to be alone."

He still watched the slow, easing length as the creature drew
itself apathetic out of sight.

"Snake gone back," he said.

"Yes, it is gone back.  Come to Mummy a moment."

He came and sat with his plump, naked little body on her naked lap,
and she smoothed his burnt, bright hair.  She said nothing, feeling
that everything was past.  The curious careless power of the sun
filled her, filled the whole place like a charm, and the snake was
part of the place, along with her and the child.

Another day, in the dry stone wall of one of the olive terraces,
she saw a black snake horizontally creeping.

"Marinina," she said, "I saw a black snake.  Are they harmful?"

"Ah, the black snakes, no!  But the yellow ones, yes!  If the
yellow ones bite you, you die.  But they frighten me, they frighten
me, even the black ones, when I see one."

Juliet still went to the cypress tree with the child.  But she
always looked carefully round, before she sat down, examining
everywhere the child might go.  Then she would lie and turn to the
sun again, her tanned, pear-shaped breasts pointing up.  She would
take no thought for the morrow.  She refused to think outside the
garden, and she could not write letters.  She would tell the nurse
to write.  So she lay in the sun, but not for long, for it was
getting strong, fierce.  And in spite of herself, the bud that had
been tight and deep immersed in the innermost gloom of her, was
rearing, rearing and straightening its curved stem, to open its
dark tips and show a gleam of rose.  Her womb was coming open wide
with rosy ecstasy, like a lotus flower.


IV


Spring was becoming summer, in the south of the sun, and the rays
were very powerful.  In the hot hours she would lie in the shade of
trees, or she would even go down to the depths of the cool lemon
grove.  Or sometimes she went in the shadowy deeps of the gullies,
at the bottom of the little ravine, towards home.  The child
fluttered around in silence, like a young animal absorbed in life.

Going slowly home in her nakedness down among the bushes of the
dark ravine, one noon, she came round a rock suddenly upon the
peasant of the next podere, who was stooping binding up a bundle of
brush-wood he had cut, his ass standing near.  He was wearing
summer cotton trousers, and stooping his buttocks towards her.  It
was utterly still and private down in the dark bed of the little
ravine.  A weakness came over her, for a moment she could not move.
The man lifted the bundle of wood with powerful shoulders, and
turned to the ass.  He started and stood transfixed as he saw her,
as if it were a vision.  Then his eyes met hers, and she felt the
blue fire running through her limbs to her womb, which was
spreading in the helpless ecstasy.  Still they looked into each
other's eyes, and the fire flowed between them, like the blue,
streaming fire from the heart of the sun.  And she saw the phallus
rise under his clothing, and knew he would come towards her.

"Mummy, a man!  Mummy!"  The child had put a hand against her
thigh.  "Mummy, a man!"

She heard the note of fear and swung round.

"It's all right, boy!" she said, and taking him by the hand, she
led him back round the rock again, while the peasant watched her
naked, retreating buttocks lift and fall.

She put on her wrap, and taking the boy in her arms, began to
stagger up a steep goat-track through the yellow-flowering tangle
of shrubs, up to the level of day, and the olive trees below the
house.  There she sat down to collect herself.

The sea was blue, very blue and soft and still-looking, and her
womb inside her was wide open, wide open like a lotus flower, or a
cactus flower, in a radiant sort of eagerness.  She could feel it,
and it dominated her consciousness.  And a biting chagrin burned in
her breast, against the child, against the complication of
frustration.

She knew the peasant by sight: a man something over thirty, broad
and very powerfully set.  She had many times watched him from the
terrace of her house: watched him come with his ass, watched him
trimming the olive trees, working alone, always alone and
physically powerful, with a broad red face and a quiet self-
possession.  She had spoken to him once or twice, and met his big
blue eyes, dark and southern hot.  And she knew his sudden
gestures, a little violent and over-generous.  But she had never
thought of him.  Save she had noticed that he was always very clean
and well-cared for: and then she had seen his wife one day, when
the latter had brought the man's meal, and they sat in the shade of
a carob tree, on either side the spread white cloth.  And then
Juliet had seen that the man's wife was older than he, a dark,
proud, gloomy woman.  And then a young woman had come with a child,
and the man had danced with the child, so young and passionate.
But it was not his own child: he had no children.  It was when he
danced with the child, in such a sprightly way, as if full of
suppressed passion, that Juliet had first really noticed him.  But
even then, she had never thought of him.  Such a broad red face,
such a great chest, and rather short legs.  Too much a crude beast
for her to think of, a peasant.

But now the strange challenge of his eyes had held her, blue and
overwhelming like the blue sun's heart.  And she had seen the
fierce stirring of the phallus under his thin trousers: for her.
And with his red face, and with his broad body, he was like the sun
to her, the sun in its broad heat.

She felt him so powerfully, that she could not go further from him.

She continued to sit there under the tree.  Then she heard nurse
tinkling a bell at the house and calling.  And the child called
back.  She had to rise and go home.

In the afternoon she sat on the terrace of her house, that looked
over the olive slopes to the sea.  The man came and went, came and
went to the little hut on his podere, on the edge of the cactus
grove.  And he glanced again at her house, at her sitting on the
terrace.  And her womb was open to him.

Yet she had not the courage to go down to him.  She was paralysed.
She had tea, and still sat there on the terrace.  And the man came
and went, and glanced, and glanced again.  Till the evening bell
had jangled from the capuchin church at the village gate, and the
darkness came on.  And still she sat on the terrace.  Till at last
in the moonlight she saw him load his ass and drive it sadly along
the path to the little road.  She heard him pass on the stones of
the road behind her house.  He was gone--gone home to the village,
to sleep, to sleep with his wife, who would want to know why he was
so late.  He was gone in dejection.

Juliet sat late on into the night, watching the moon on the sea.
The sun had opened her womb, and she was no longer free.  The
trouble of the open lotus blossom had come upon her, and now it was
she who had not the courage to take the steps across the gully.

But at last she slept.  And in the morning she felt better.  Her
womb seemed to have closed again: the lotus flower seemed back in
bud again.  She wanted so much that it should be so.  Only the
immersed bud, and the sun!  She would never think of that man.

She bathed in one of the great tanks away down in the lemon-grove,
down in the far ravine, far as possible from the other wild gully,
and cool.  Below, under the lemons, the child was wading among the
yellow oxalis flowers of the shadow, gathering fallen lemons,
passing with his tanned little body into flecks of light, moving
all dappled.  She sat in the sun on the steep bank in the gully,
feeling almost free again, the flower drooping in shadowy bud, safe
inside her.

Suddenly, high over the land's edge, against the full-lit pale blue
sky, Marinina appeared, a black cloth tied round her head, calling
quietly:  Signora!  Signora Giulietta!

Juliet faced round, standing up.  Marinina paused a moment, seeing
the naked woman standing alert, her sun-faded hair in a little
cloud.  Then the swift old woman came down the slant of the steep,
sun-blazed track.

She stood a few steps, erect, in front of the sun-coloured woman,
and eyed her shrewdly.

"But how beautiful you are, you!" she said coolly, almost
cynically.  "Your husband has come."

"What husband?" cried Juliet.

The old woman gave a shrewd bark of a little laugh, the mockery of
the woman of the past.

"Haven't you got one, a husband, you?" she said, taunting.

"How?  Where?  In America," said Juliet.

The old woman glanced over her shoulder, with another noiseless
laugh.

"No America at all.  He was following me here.  He will have missed
the path."  And she threw back her head in the noiseless laugh of
women.

The paths were all grown high with grass and flowers and nepitella,
till they were like bird-tracks in an eternally wild place.
Strange, the vivid wildness of the old classic places, that have
known men so long.

Juliet looked at the Sicilian woman with meditating eyes.

"Oh very well," she said at last.  "Let him come."

And a little flame leaped in her.  It was the opening flower.  At
least he was a man.

"Bring him here?  Now?" asked Marinina, her mocking, smoke-grey
eyes looking with laughter into Juliet's eyes.  Then she gave a
little jerk of her shoulders.

"All right!  As you wish!  But for him it is a rare one!"  She
opened her mouth with a noiseless laugh of amusement then she
pointed down to the child, who was heaping lemons against his
little chest.  "Look how beautiful the child is!  An angel from
heaven!  That certainly will please him, poor thing.  Then I shall
bring him?"

"Bring him," said Juliet.

The old woman scrambled rapidly up the track again, and found
Maurice at a loss among the vine terraces, standing there in his
grey felt hat and dark-grey city suit.  He looked pathetically out
of place, in that resplendent sunshine and the grace of the old
Greek world; like a blot of ink on the pale, sun-glowing slope.

"Come!" said Marinina to him.  "She is down here."

And swiftly she led the way, striding with a long stride, marking
the way through the grasses.  Suddenly she stopped on the brow of
the slope.  The tops of the lemon trees were dark, away below.

"You, you go down here," she said to him, and he thanked her,
glancing up at her swiftly.

He was a man of forty, clean-shaven, grey-faced, very quiet and
really shy.  He managed his own business carefully without
startling success, but efficiently.  And he confided in nobody.
The old woman of Magna Graecia saw him at a glance: he is good, she
said to herself, but not a man, poor thing.

"Down there is the Signora," said Marinina, pointing like one of
the Fates.

And again he said, "Thank you!  Thank you!" without a twinkle, and
stepped carefully into the track.  Marinina lifted her chin with a
joyful wickedness.  Then she strode off towards the house.

Maurice was watching his step, through the tangle of Mediterranean
herbage, so he did not catch sight of his wife till he came round a
little bend, quite near her.  She was standing erect and nude by
the jutting rock, glistening with the sun and with warm life.  Her
breasts seemed to be lifting up, alert, to listen, her thighs
looked brown and fleet.  Inside her, the lotus of her womb was wide
open, spread almost gaping in the violet rays of the sun, like a
great lotus flower.  And she thrilled helplessly: a man was coming.
Her glance on him, as he came gingerly, like ink on blotting-paper,
was swift and nervous.

Maurice, poor fellow, hesitated and glanced away from her, turning
his face aside.

"Hello, Julie!" he said, with a little nervous cough.  "Splendid!
Splendid!"

He advanced with his face averted, shooting further glances at her,
furtively, as she stood with the peculiar satiny gleam of the sun
on her tanned skin.  Somehow she did not seem so terribly naked.
It was the golden-rose of the sun that clothed her.

"Hello Maurice!" she said, hanging back from him, and a cold shadow
falling on the open flower of her womb.  "I wasn't expecting you so
soon."

"No," he said.  "No!  I managed to slip away a little earlier."

And again he coughed unawares.  Furtively, purposely he had taken
her by surprise.  They stood several yards away from one another,
and there was silence.  But this was a new Julie to him, with the
suntanned, wind-stroked thighs: not that nervous New York woman.

"Well!" he said, "er--this is splendid--splendid!  You are--er--
splendid!--Where is the boy?"

He felt, in his far-off depths, the desire stirring in him for the
limbs and sun-wrapped flesh of the woman: the woman of flesh.  It
was a new desire in his life, and it hurt him.  He wanted to side-
track.

"There he is," she said, pointing down to where a naked urchin in
the deep shade was piling fallen lemons together.

The father gave an odd little laugh, almost neighing.

"Ah! yes!  There he is!  So there's the little man!  Fine!"  His
nervous, suppressed soul was thrilling with violent thrills, he
clung to the straw of his upper consciousness.  "Hello, Johnny!" he
called, and it sounded rather feeble.  "Hello Johnny!"

The child looked up, spilling lemons from his chubby arms, but did
not respond.

"I guess we'll go down to him," said Juliet, as she turned and went
striding down the path.  In spite of herself, the cold shadow was
lifting off the open flower of her womb, and every petal was
thrilling again.  Her husband followed, watching the rosy, fleet-
looking lifting and sinking of her quick hips, as she swayed a
little in the socket of her waist.  He was dazed with admiration,
but also at a deadly loss.  He was used to her as a person.  And
this was no longer a person, but a fleet sun-strong body, soulless
and alluring as a nymph, twinkling its haunches.  What would he do
with himself?  He was utterly out of the picture, in his dark grey
suit and pale grey hat, and his grey, monastic face of a shy
business man, and his grey mercantile mentality.  Strange thrills
shot through his loins and his legs.  He was terrified, and he felt
he might give a wild whoop of triumph, and jump towards that woman
of tanned flesh.

"He looks all right, doesn't he," said Juliet, as they came through
the deep sea of yellow-flowering oxalis, under the lemon-trees.

"Ah!--yes! yes!  Splendid!  Splendid!--Hello Johnny!  Do you know
Daddy?  Do you know Daddy, Johnny?"

He squatted down, forgetting his trouser-crease, and held out his
hands.

"Lemons!" said the child, birdily chirping.  "Two lemons!"

"Two lemons!" replied the father.  "Lots of lemons!"

The infant came and put a lemon in each of his father's open hands.
Then he stood back to look.

"Two lemons!" repeated the father.  "Come, Johnny!  Come and say
Hello! to Daddy."

"Daddy going back?" said the child.

"Going back?  Well--well--not today."

And he took his son in his arms.

"Take a coat off!  Daddy take a coat off!" said the boy, squirming
debonair away from the cloth.

"All right, son!  Daddy take a coat off."

He took off his coat and laid it carefully aside, then looked at
the creases in his trousers, hitched them a little, and crouched
down and took his son in his arms.  The child's warm naked body
against him made him feel faint.  The naked woman looked down at
the rosy infant in the arms of the man in his shirt-sleeves.  The
boy had pulled off his father's hat, and Juliet looked at the sleek
black-and-grey hair of her husband, not a hair out of place.  And
utterly, utterly sunless!  The cold shadow was over the flower of
her womb again.  She was silent for a long time, while the father
talked to the child, who had been fond of his Daddy.

"What are you going to do about it, Maurice?" she said suddenly.
He looked at her swiftly, sideways, hearing her abrupt American
voice.  He had forgotten her.

"Er--about what, Julie?"

"Oh, everything!  About this!  I can't go back into East Forty-
Seventh."

"Er--" he hesitated, "no, I suppose not--Not just now, at least."

"Never!" she said abruptly, and there was a silence.

"Well--er--I don't know," he said.

"Do you think you can come out here?" she said savagely.

"Yes!--I can stay for a month.  I think I can manage a month," he
hesitated.  Then he ventured a complicated, shy peep at her, and
turned away his face again.

She looked down at him, her alert breasts lifted with a sigh, as if
she would impatiently shake the cold shadow of sunlessness off her.

"I can't go back," she said slowly, "I can't go back on this sun.
If you can't come here--"

She ended on an open note.  But the voice of the abrupt, personal
American woman had died out, and he heard the voice of the woman of
flesh, the sun-ripe body.  He glanced at her again and again, with
growing desire and lessening fear.

"No!" he said.  "This kind of thing suits you.  You are splendid.--
No, I don't think you can go back."

And at the caressive sound of his voice, in spite of her, her womb-
flower began to open and thrill its petals.

He was thinking visionarily of her in the New York flat, pale,
silent, oppressing him terribly.  He was the soul of gentle
timidity in his human relations, and her silent, awful hostility
after the baby was born had frightened him deeply.  Because he had
realized that she could not help it.  Women were like that.  Their
feelings took a reverse direction, even against their own selves,
and it was awful--devastating.  Awful, awful to live in the house
with a woman like that, whose feelings were reversed even against
herself.  He had felt himself borne down under the stream of her
heavy hostility.  She had ground even herself down to the quick,
and the child as well.  No, anything rather than that.  Thank God,
that menacing ghost-woman seemed to be sunned out of her now.

"But what about you?" she asked.

"I?  Oh, I!--I can carry on in the business, and--er come over here
for long holidays--so long as you like to stay here.  You stay as
long as you wish--"  He looked down a long time at the earth.  He
was so frightened of rousing that menacing, avenging spirit of
womanhood in her, he did so hope she might stay as he had seen her
now, like a naked, ripening strawberry, a female like a fruit.  He
glanced up at her with a touch of supplication in his uneasy eyes.

"Even for ever?" she said.

"Well--er--yes, if you like.  For ever is a long time.  One can't
set a date."

"And can I do anything I like?"  She looked him straight in the
eyes, challenging.  And he was powerless against her rosy, wind-
hardened nakedness, in his fear of arousing that other woman in
her, the personal American woman, spectral and vengeful.

"Er--yes!--I suppose so!  So long as you don't make yourself
unhappy--or the boy."

Again he looked up at her with a complicated, uneasy appeal--
thinking of the child, but hoping for himself.

"I won't," she said quickly.

"No!" he said, "No!  I don't think you will."

There was a pause.  The bells of the village were hastily clanging
mid-day.  That meant lunch.

She slipped into her grey crêpe kimono, and fastened a broad green
sash around her waist.  Then she slipped a little blue shirt over
the boy's head, and they went up to the house.

At table she watched her husband, his grey city face, his glued,
grey-black hair, his very precise table manners, and his extreme
moderation in eating and drinking.  Sometimes he glanced at her
furtively, from under his black lashes.  He had the uneasy, gold-
grey eyes of a creature that has been caught young, and reared
entirely in captivity, strange and cold, knowing no warm hopes.
Only his black eye-brows and eye-lashes were nice.  She did not
take him in.  She did not realize him.  Being so sunned, she could
not see him, his sunlessness was like nonentity.

They went on to the balcony for coffee, under the rosy mass of the
bougainvillea.  Below, beyond, on the next podere, the peasant and
his wife were sitting under the carob tree, near the tall green
wheat, sitting facing one another across a little white cloth
spread on the ground.  There was still a huge piece of bread--but
they had finished eating and sat with dark wine in their glasses.

The peasant looked up at the terrace, as soon as the American
emerged.  Juliet put her husband with his back to the scene.  Then
she sat down, and looked back at the peasant.  Until she saw his
dark-visaged wife turn to look too.


V


The man was hopelessly in love with her.  She saw his broad, rather
short red face gazing up at her fixedly: till his wife turned too
to look, then he picked up his glass and tossed the wine down his
throat.  The wife stared long at the figures on the balcony.  She
was handsome and rather gloomy, and surely older than he, with that
great difference that lies between a rather overwhelming, superior
woman over forty, and her more irresponsible husband of thirty-five
or so.  It seemed like the difference of a whole generation.  "He
is my generation," thought Juliet, "and she is Maurice's
generation."  Juliet was not yet thirty.

The peasant in his white cotton trousers and pale pink shirt, and
battered old straw hat, was attractive, so clean, and full of the
cleanliness of health.  He was stout and broad, and seemed
shortish, but his flesh was full of vitality, as if he were always
about to spring up into movement, to work, even, as she had seen
him with the child, to play.  He was the type of Italian peasant
that wants to make an offering of himself, passionately wants to
make an offering of himself, of his powerful flesh and thudding
blood-stroke.  But he was also completely a peasant, in that he
would wait for the woman to make the move.  He would hang round in
a long, consuming passivity of desire, hoping, hoping for the woman
to come for him.  But he would never try to advance to her: never.
She would have to make the advance.  Only he would hang round,
within reach.

Feeling her look at him, he flung off his old straw hat, showing
his round, close-cropped brown head, and reached out with a large
brown-red hand for the great loaf, from which he broke a piece and
started chewing with bulging cheek.  He knew she was looking at
him.  And she had such power over him, the hot inarticulate animal,
with such a hot, massive blood-stream down his great veins!  He was
hot through with countless suns, and mindless as noon.  And shy
with a violent, farouche shyness, that would wait for her with
consuming wanting, but would never, never move towards her.

With him, it would be like bathing in another kind of sunshine,
heavy and big and perspiring: and afterwards one would forget.
Personally, he would not exist.  It would be just a bath of warm,
powerful life--then separating and forgetting.  Then again, the
procreative bath, like sun.

But would that not be good!  She was so tired of personal contacts,
and having to talk with the man afterwards.  With that healthy
creature, one would just go satisfied away, afterwards.  As she sat
there, she felt the life streaming from him to her, and her to him.
She knew by his movements he felt her even more than she felt him.
It was almost a definite pain of consciousness in the body of each
of them, and each sat as if distracted, watched by a keen-eyed
spouse, possessor.

And Juliet thought:  Why shouldn't I go to him!  Why shouldn't I
bear his child?  It would be like bearing a child to the
unconscious sun and the unconscious earth, a child like a fruit.--
And the flower of her womb radiated.  It did not care about
sentiment or possession.  It wanted man-dew only, utterly
improvident.  But her heart was clouded with fear.  She dare not!
She dare not!  If only the man would find some way!  But he would
not.  He would only hover and wait, hover in endless desire,
waiting for her to cross the gully.  And she dare not, she dare
not.  And he would hang round.

"You are not afraid of people seeing you when you take your sun-
baths?" said her husband, turning round and looking across at the
peasants.  The saturnine wife over the gully, turned also to stare
at the Villa.  It was a kind of battle.

"No!  One needn't be seen.  Will you do it too?  Will you take the
sun-baths?" said Juliet to him.

"Why--er--yes!  I think I should like to, while I am here."

There was a gleam in his eyes, a desperate kind of courage of
desire to taste this new fruit, this woman with rosy, sun-ripening
breasts tilting within her wrapper.  And she thought of him with
his blanched, etiolated little city figure, walking in the sun in
the desperation of a husband's rights.  And her mind swooned again.
The strange, branded little fellow, the good citizen, branded like
a criminal in the naked eye of the sun.  How he would hate exposing
himself!

And the flower of her womb went dizzy, dizzy.  She knew she would
take him.  She knew she would bear his child.  She knew it was for
him, the branded little city man, that her womb was open radiating
like a lotus, like the purple spread of a daisy anemone, dark at
the core.  She knew she would not go across to the peasant; she had
not enough courage, she was not free enough.  And she knew the
peasant would never come for her, he had the dogged passivity of
the earth, and would wait, wait, only putting himself in her sight,
again and again, lingering across her vision, with the persistency
of animal yearning.

She had seen the flushed blood in the peasant's burnt face, and
felt the jetting, sudden blue heat pouring over her from his
kindled eyes, and the rousing of his big penis against his body--
for her, surging for her.  Yet she would never come to him--she
daren't, she daren't, so much was against her.  And the little
etiolated body of her husband, city-branded, would possess her, and
his little, frantic penis would beget another child in her.  She
could not help it.  She was bound to the vast, fixed wheel of
circumstance, and there was no Perseus in the universe to cut the
bonds.



SMILE


He had decided to sit up all night, as a kind of penance.  The
telegram had simply said:  "Ophelia's condition critical."  He
felt, under the circumstances, that to go to bed in the wagon-lit
would be frivolous.  So he sat wearily in the first-class
compartment as night fell over France.

He ought, of course, to be sitting by Ophelia's bedside.  But
Ophelia didn't want him.  So he sat up in the train.

Deep inside him was a black and ponderous weight: like some tumour
filled with sheer gloom, weighing down his vitals.  He had always
taken life seriously.  Seriousness now overwhelmed him.  His dark,
handsome, clean-shaven face would have done for Christ on the
Cross, with the thick black eyebrows tilted in the dazed agony.

The night in the train was like an inferno: nothing was real.  Two
elderly Englishwomen opposite him had died long ago, perhaps even
before he had.  Because, of course, he was dead himself.

Slow, grey dawn came in the mountains of the frontier, and he
watched it with unseeing eyes.  But his mind repeated:


     "And when the dawn came, dim and sad
     And chill with early showers,
     Her quiet eyelids closed: she had
     Another morn than ours."


And his monk's changeless, tormented face showed no trace of the
contempt he felt, even self-contempt, for this bathos, as his
critical mind judged it.

He was in Italy: he looked at the country with faint aversion.  Not
capable of much feeling any more, he had only a tinge of aversion
as he saw the olives and the sea.  A sort of poetic swindle.

It was night again when he reached the home of the Blue Sisters,
where Ophelia had chosen to retreat.  He was ushered into the
Mother Superior's room, in the palace.  She rose and bowed to him
in silence, looking at him along her nose.  Then she said in
French:

"It pains me to tell you.  She died this afternoon."

He stood stupefied, not feeling much, anyhow, but gazing at
nothingness from his handsome, strong-featured monk's face.

The Mother Superior softly put her white, handsome hand on his arm
and gazed up into his face, leaning to him.

"Courage!" she said softly.  "Courage, no?"

He stepped back.  He was always scared when a woman leaned at him
like that.  In her voluminous skirts, the Mother Superior was very
womanly.

"Quite!" he replied in English.  "Can I see her?"

The Mother Superior rang a bell, and a young sister appeared.  She
was rather pale, but there was something naïve and mischievous in
her hazel eyes.  The elder woman murmured an introduction, the
young woman demurely made a slight reverence.  But Matthew held out
his hand, like a man reaching for the last straw.  The young nun
unfolded her white hands and shyly slid one into his, passive as a
sleeping bird.

And out of the fathomless Hades of his gloom he thought:  "What a
nice hand!"

They went along a handsome but cold corridor, and tapped at a door.
Matthew, walking in far-off Hades, still was aware of the soft,
fine voluminousness of the women's black skirts, moving with soft,
fluttered haste in front of him.

He was terrified when the door opened, and he saw the candles
burning round the white bed, in the lofty, noble room.  A sister
sat beside the candles, her face dark and primitive, in the white
coif, as she looked up from her breviary.  Then she rose, a sturdy
woman, and made a little bow, and Matthew was aware of creamy-dusky
hands twisting a black rosary, against the rich, blue silk of her
bosom.

The three sisters flocked silent, yet fluttered and very feminine,
in their volumes of silky black skirts, to the bedhead.  The Mother
Superior leaned, and with utmost delicacy lifted the veil of white
lawn from the dead face.

Matthew saw the dead, beautiful composure of his wife's face, and
instantly, something leaped like laughter in the depths of him, he
gave a little grunt, and an extraordinary smile came over his face.

The three nuns, in the candle glow that quivered warm and quick
like a Christmas tree, were looking at him with heavily
compassionate eyes, from under their coif-bands.  They were like a
mirror.  Six eyes suddenly started with a little fear, then
changed, puzzled, into wonder.  And over the three nuns' faces,
helplessly facing him in the candle-glow, a strange, involuntary
smile began to come.  In the three faces, the same smile growing so
differently, like three subtle flowers opening.  In the pale young
nun, it was almost pain, with a touch of mischievous ecstasy.  But
the dark Ligurian face of the watching sister, a mature, level-
browed woman, curled with a pagan smile, slow, infinitely subtle in
its archaic humour.  It was the Etruscan smile, subtle and
unabashed, and unanswerable.

The Mother Superior, who had a large-featured face something like
Matthew's own, tried hard not to smile.  But he kept his humorous,
malevolent chin uplifted at her, and she lowered her face as the
smile grew, grew and grew over her face.

The young, pale sister suddenly covered her face with her sleeve,
her body shaking.  The Mother Superior put her arm over the girl's
shoulder, murmuring with Italian emotion:  "Poor little thing!
Weep, then, poor little thing!"  But the chuckle was still there,
under the emotion.  The sturdy dark sister stood unchanging,
clutching the black beads, but the noiseless smile immovable.

Matthew suddenly turned to the bed, to see if his dead wife had
observed him.  It was a movement of fear.

Ophelia lay so pretty and so touching, with her peaked, dead little
nose sticking up, and her face of an obstinate child fixed in the
final obstinacy.  The smile went away from Matthew, and the look of
super-martyrdom took its place.  He did not weep: he just gazed
without meaning.  Only, on his face deepened the look: I knew this
martyrdom was in store for me!

She was so pretty, so childlike, so clever, so obstinate, so worn--
and so dead!  He felt so blank about it all.

They had been married ten years.  He himself had not been perfect--
no, no, not by any means!  But Ophelia had always wanted her own
will.  She had loved him, and grown obstinate, and left him, and
grown wistful, or contemptuous, or angry, a dozen times, and a
dozen times come back to him.

They had no children.  And he, sentimentally, had always wanted
children.  He felt very largely sad.

Now she would never come back to him.  This was the thirteenth
time, and she was gone for ever.

But was she?  Even as he thought it, he felt her nudging him
somewhere in the ribs, to make him smile.  He writhed a little, and
an angry frown came on his brow.  He was not GOING to smile!  He
set his square, naked jaw, and bared his big teeth, as he looked
down at the infinitely provoking dead woman.  "At it again!"--he
wanted to say to her, like the man in Dickens.

He himself had not been perfect.  He was going to dwell on his own
imperfections.

He turned suddenly to the three women, who had faded backwards
beyond the candles, and now hovered, in the white frames of their
coifs, between him and nowhere.  His eyes glared, and he bared his
teeth.

"Mea culpa!  Mea culpa!" he snarled.

"Macchè!" exclaimed the daunted Mother Superior, and her two hands
flew apart, then together again, in the density of the sleeves,
like birds nesting in couples.

Matthew ducked his head and peered round, prepared to bolt.  The
Mother Superior, in the background, softly intoned a Pater Noster,
and her beads dangled.  The pale young sister faded farther back.
But the black eyes of the sturdy, black-avised sister twinkled like
eternally humorous stars upon him, and he felt the smile digging
him in the ribs again.

"Look here!" he said to the women, in expostulation, "I'm awfully
upset.  I'd better go."

They hovered in fascinating bewilderment.  He ducked for the door.
But even as he went, the smile began to come on his face, caught by
the tail of the sturdy sister's black eye, with its everlasting
twink.  And, he was secretly thinking, he wished he could hold both
her creamy-dusky hands, that were folded like mating birds,
voluptuously.

But he insisted on dwelling upon his own imperfections.  Mea culpa!
he howled at himself.  And even as he howled it, he felt something
nudge him in the ribs, saying to him:  Smile!

The three women left behind in the lofty room looked at one
another, and their hands flew up for a moment, like six birds
flying suddenly out of the foliage, then settling again.

"Poor thing!" said the Mother Superior, compassionately.

"Yes!  Yes!  Poor thing!" cried the young sister, with naïve,
shrill impulsiveness.

"Già!" said the dark-avised sister.

The Mother Superior noiselessly moved to the bed, and leaned over
the dead face.

"She seems to know, poor soul!" she murmured.  "Don't you think
so?"

The three coifed heads leaned together.  And for the first time
they saw the faint ironical curl at the corners of Ophelia's mouth.
They looked in fluttering wonder.

"She has seen him!" whispered the thrilling young sister.

The Mother Superior delicately laid the fine-worked veil over the
cold face.  Then they murmured a prayer for the anima, fingering
their beads.  Then the Mother Superior set two of the candles
straight upon their spikes, clenching the thick candle with firm,
soft grip, and pressing it down.

The dark-faced, sturdy sister sat down again with her little holy
book.  The other two rustled softly to the door, and out into the
great white corridor.  There softly, noiselessly sailing in all
their dark drapery, like dark swans down a river, they suddenly
hesitated.  Together they had seen a forlorn man's figure, in a
melancholy overcoat, loitering in the cold distance at the
corridor's end.  The Mother Superior suddenly pressed her pace into
an appearance of speed.

Matthew saw them bearing down on him, these voluminous figures with
framed faces and lost hands.  The young sister trailed a little
behind.

"Pardon, ma Mère!" he said, as if in the street.  "I left my hat
somewhere. . . ."

He made a desperate, moving sweep with his arm, and never was man
more utterly smileless.



THE BORDER LINE


Katherine Farquhar was a handsome woman of forty, no longer slim,
but attractive in her soft, full, feminine way.  The French porters
ran round her, getting a voluptuous pleasure from merely carrying
her bags.  And she gave them ridiculously high tips, because, in
the first place, she had never really known the value of money, and
secondly, she had a morbid fear of underpaying anyone, but
particularly a man who was eager to serve her.

It was really a joke to her, how eagerly these Frenchmen--all sorts
of Frenchmen--ran round her and Madamed her.  Their voluptuous
obsequiousness.  Because, after all, she was Boche.  Fifteen years
of marriage to an Englishman--or rather to two Englishmen--had not
altered her racially.  Daughter of a German Baron she was, and
remained, in her own mind and body, although England had become her
life-home.  And surely she looked German, with her fresh complexion
and her strong, full figure.  But like most people in the world,
she was a mixture, with Russian blood and French blood also in her
veins.  And she had lived in one country and another, till she was
somewhat indifferent to her surroundings.  So that perhaps the
Parisian men might be excused for running round her so eagerly, and
getting a voluptuous pleasure from calling a taxi for her, or
giving up a place in the omnibus to her, or carrying her bags, or
holding the menu card before her.  Nevertheless, it amused her.
And she had to confess she liked them, these Parisians.  They had
their own kind of manliness, even if it wasn't an English sort; and
if a woman looked pleasant and soft-fleshed, and a wee bit
helpless, they were ardent and generous.  Katherine understood so
well that Frenchmen were rude to the dry, hard-seeming, competent
Englishwoman or American.  She sympathized with the Frenchman's
point of view: too much obvious capacity to help herself is a
disagreeable trait in a woman.

At the Gare de l'Est, of course, everybody was expected to be
Boche, and it was almost a convention, with the porters, to assume
a certain small-boyish superciliousness.  Nevertheless, there was
the same voluptuous scramble to escort Katherine Farquhar to her
seat in the first-class carriage.  MADAME was travelling alone.

She was going to Germany via Strasburg, meeting her sister in Baden-
Baden.  Philip, her husband, was in Germany collecting some sort of
evidence for his newspaper.  Katherine felt a little weary of
newspapers, and of the sort of "evidence" that is extracted out of
nowhere to feed them.  However, Philip was quite clever, he was a
little somebody in the world.

Her world, she had realized, consisted almost entirely of little
somebodies.  She was outside the sphere of the nobodies, always had
been.  And the Somebodies with a capital S, were all safely dead.
She knew enough of the world to-day to know that it is not going to
put up with any great Somebody: but many little nobodies and a
sufficient number of little somebodies.  Which, after all, is as it
should be, she felt.

Sometimes she had vague misgivings.

Paris, for example, with its Louvre and its Luxembourg and its
cathedral, seemed intended for Somebody.  In a ghostly way it
called for some supreme Somebody.  But all its little men, nobodies
and somebodies, were as sparrows twittering for crumbs, and
dropping their little droppings on the palace cornices.

To Katherine, Paris brought back again her first husband, Alan
Anstruther, that red-haired fighting Celt, father of her two grown-
up children.  Alan had had a weird innate conviction that he was
beyond ordinary judgment.  Katherine could never quite see where it
came in.  Son of a Scottish baronet, and captain in a Highland
regiment did not seem to her stupendous.  As for Alan himself, he
was handsome in uniform, with his kilt swinging and his blue eye
glaring.  Even stark naked and without any trimmings, he had a
bony, dauntless, overbearing manliness of his own.  The one thing
Katherine could NOT QUITE appreciate was his silent, indomitable
assumption that he was actually firstborn, a born lord.  He was a
clever man too, ready to assume that General This or Colonel That
might really be his superior.  Until he actually came into contact
with General This or Colonel That.  Whereupon his overweening blue
eye arched in his bony face, and a faint tinge of contempt infused
itself into his homage.

Lordly or not, he wasn't much of a success in the worldly sense.
Katherine had loved him, and he had loved her: that was
indisputable.  But when it came to innate conviction of lordliness,
it was a question which of them was worse.  For she, in her
amiable, queen-bee self thought that ultimately hers was the right
to the last homage.

Alan had been too unyielding and haughty to say much.  But
sometimes he would stand and look at her in silent rage, wonder,
and indignation.  The wondering indignation had been ALMOST too
much for her.  What did the man think he was?

He was one of the hard, clever Scotsmen, with a philosophic
tendency, but without sentimentality.  His contempt of Nietzsche,
whom she adored, was intolerable.  Alan just asserted himself like
a pillar of rock, and expected the tides of the modern world to
recede around him.  They didn't.

So he concerned himself with astronomy, gazing through a telescope
and watching the worlds beyond worlds.  Which seemed to give him
relief.

After ten years, they had ceased to live together, passionate as
they both were.  They were too proud and unforgiving to yield to
one another, and much too haughty to yield to any outsider.

Alan had a friend, Philip, also a Scotsman, and a university
friend.  Philip, trained for the bar, had gone into journalism, and
had made himself a name.  He was a little black Highlander, of the
insidious sort, clever, and KNOWING.  This look of knowing in his
dark eyes, and the feeling of secrecy that went with his dark
little body, made him interesting to women.  Another thing he could
do was to give off a great sense of warmth and offering, like a dog
when it loves you.  He seemed to be able to do this at will.  And
Katherine, after feeling cool about him and rather despising him
for years, at last fell under the spell of the dark, insidious
fellow.

"You!" she said to Alan, whose overweening masterfulness drove her
wild.  "You don't even know that a woman exists.  And that's where
Philip Farquhar is more than you are.  He DOES know something of
what a woman IS."

"Bah! the little ----" said Alan, using an obscene word of
contempt.

Nevertheless, the friendship endured, kept up by Philip, who had an
almost uncanny love for Alan.  Alan was mostly indifferent.  But he
was used to Philip, and habit meant a great deal to him.

"Alan really is an amazing man!" Philip would say to Katherine.
"He is the only real man, what I call a real man, that I have ever
met."

"But why is he the only real man?" she asked.  "Don't you call
YOURSELF a real man?"

"Oh, _I_--I'm different!  My strength lies in giving in--and then
recovering myself.  I do let myself be swept away.  But so far,
I've always managed to get myself back again.  Alan--" and Philip
even had a half-reverential, half-envious way of uttering the word--
"Alan NEVER lets himself be swept away.  And he's the only man I
know who doesn't."

"Yah!" she said.  "He is fooled by plenty of things.  You can fool
him through his vanity."

"No," said Philip.  "Never altogether.  You CAN'T deceive him right
through.  When a thing really touches Alan, it is tested once and
for all.  You know if it's false or not.  He's the only man I ever
met who CAN'T HELP being real."

"Ha!  You overrate his reality," said Katherine, rather scornfully.

And later, when Alan shrugged his shoulders with that mere
indifferent tolerance, at the mention of Philip, she got angry.

"You are a poor friend," she said.

"Friend!" he answered.  "I never was Farquhar's friend!  If he
asserts that he's mine, that's his side of the question.  I never
positively cared for the man.  He's too much over the wrong side of
the border for me."

"Then," she answered, "you've no business to let him CONSIDER he is
your friend.  You've no right to let him think so much of you.  You
should tell him you don't like him."

"I've told him a dozen times.  He seems to enjoy it.  It seems part
of his game."

And he went away to his astronomy.

Came the war, and the departure of Alan's regiment for France.

"There!" he said.  "Now you have to pay the penalty of having
married a soldier.  You find him fighting your own people.  So it
is."

She was too much struck by this blow even to weep.

"Good-bye!" he said, kissing her gently, lingeringly.  After all,
he had been a husband to her.

And as he looked back at her, with the gentle, protective husband-
knowledge in his blue eyes, and at the same time that other quiet
realization of destiny, her consciousness fluttered into
incoherence.  She only wanted to alter everything, to alter the
past, to alter all the flow of history--the terrible flow of
history.  Secretly somewhere inside herself she felt that with her
queen-bee love, and queen-bee will, she COULD divert the whole flow
of history--nay, even reverse it.

But in the remote, realizing look that lay at the back of his eyes,
back of all his changeless husband-care, she saw that it could
never be so.  That the whole of her womanly, motherly concentration
could never put back the great flow of human destiny.  That, as he
said, only the cold strength of a man, accepting the destiny of
destruction, could see the human flow through the chaos and beyond
to a new outlet.  But the chaos first, and the long rage of
destruction.

For an instant her will broke.  Almost her soul seemed broken.  And
then he was gone.  And as soon as he was gone she recovered the
core of her assurance.

Philip was a great consolation to her.  He asserted that the war
was monstrous, that it should never have been, and that men should
refuse to consider it as anything but a colossal, disgraceful
accident.

She, in her German soul, knew that it was no accident.  It was
inevitable, and even necessary.  But Philip's attitude soothed her
enormously, restored her to herself.

Alan never came back.  In the spring of 1915 he was missing.  She
had never mourned for him.  She had never really considered him
dead.  In a certain sense she had triumphed.  The queen-bee had
recovered her sway, as queen of the earth; the woman, the mother,
the female with the ear of corn in her hand, as against the man
with the sword.

Philip had gone through the war as a journalist, always throwing
his weight on the side of humanity, and human truth and peace.  He
had been an inexpressible consolation.  And in 1921 she had married
him.

The thread of fate might be spun, it might even be measured out,
but the hand of Lachesis had been stayed from cutting it through.

At first it was wonderfully pleasant and restful and voluptuous,
especially for a woman of thirty-eight, to be married to Philip.
Katherine felt he caressed her senses, and soothed her, and gave
her what she wanted.

Then, gradually, a curious sense of degradation started in her
spirit.  She felt unsure, uncertain.  It was almost like having a
disease.  Life became dull and unreal to her, as it had never been
before.  She did not even struggle and suffer.  In the numbness of
her flesh she could feel no reactions.  Everything was turning into
mud.

Then again, she would recover, and ENJOY herself wonderfully.  And
after a while, the suffocating sense of nullity and degradation
once more.  Why, why, why did she feel degraded, in her secret
soul?  NEVER, of course, outwardly.

The memory of Alan came back into her.  She still thought of him
and his relentlessness with an arrested heart, but without the
angry hostility she used to feel.  A little awe of him, of his
memory, stole back into her spirit.  She resisted it.  She was not
used to feeling awe.

She realized, however, the difference between being married to a
soldier, a ceaseless born fighter, a sword not to be sheathed, and
this other man, this cunning civilian, this subtle equivocator,
this adjuster of the scales of truth.

Philip was cleverer than she was.  He set her up, the queen-bee,
the mother, the woman, the female judgment, and he served her with
subtle, cunning homage.  He put the scales, the balance in her
hand.  But also, cunningly, he blindfolded her, and manipulated the
scales when she was sightless.

Dimly she realized all this.  But only dimly, confusedly, because
she was blindfolded.  Philip had the subtle, fawning power that
could keep her always blindfolded.

Sometimes she gasped and gasped from her oppressed lungs.  And
sometimes the bony, hard, masterful, but honest face of Alan would
come back, and suddenly it would seem to her that she was all right
again, that the strange, voluptuous suffocation, which left her
soul in mud, was gone, and she could breathe air of the open
heavens once more.  Even fighting air.

It came to her on the boat crossing the Channel.  Suddenly she
seemed to feel Alan at her side again, as if Philip had never
existed.  As if Philip had never meant anything more to her than
the shop-assistant measuring off her orders.  And, escaping, as it
were, by herself across the cold, wintry Channel, she suddenly
deluded herself into feeling as if Philip had never existed, only
Alan had ever been her husband.  He was her husband still.  And she
was going to meet him.

This gave her her blitheness in Paris, and made the Frenchman so
nice to her.  For the Latins love to feel a woman is really
enveloped in the spell of some man.  Beyond all race is the problem
of man and woman.

Katherine now sat dimly, vaguely excited and almost happy in the
railway-carriage on the Est railroad.  It was like the old days
when she was going home to Germany.  Or even more like the old days
when she was coming back to Alan.  Because, in the past, when he
was her husband, feel as she might towards him, she could never get
over the sensation that the wheels of the railway-carriage had
wings, when they were taking her back to him.  Even when she knew
that he was going to be awful to her, hard and relentless and
destructive, still the motion went on wings.

Whereas towards Philip she moved with a strange, disintegrating
reluctance.  She decided not to think of him.

As she looked unseeing out of the carriage window, suddenly, with a
jolt, the wintry landscape realized itself in her consciousness.
The flat, grey, wintry landscape, ploughed fields of greyish earth
that looked as if they were compound of the clay of dead men.
Pallid, stark, thin trees stood like wire beside straight, abstract
roads.  A ruined farm between a few more wire trees.  And a dismal
village filed past, with smashed houses like rotten teeth between
the straight rows of the village street.

With sudden horror she realized that she must be in the Marne
country, the ghastly Marne country, century after century digging
the corpses of frustrated men into its soil.  The border country,
where the Latin races and the Germanic neutralize one another into
horrid ash.

Perhaps even the corpse of her own man among that grey clay.

It was too much for her.  She sat ashy herself with horror, wanting
to escape.

"If I had only known," she said.  "If only I had known, I would
have gone by Basle."

The train drew up at Soissons; name ghastly to her.  She simply
tried to make herself unreceptive to everything.  And mercifully
luncheon was served, she went down to the restaurant car, and sat
opposite to a little French officer in horizon-blue uniform, who
suggested anything but war.  He looked so naïve, rather childlike
and nice, with the certain innocence that so many French people
preserve under their so-called wickedness, that she felt really
relieved.  He bowed to her with an odd, shy little bow when she
returned him his half-bottle of red wine, which had slowly jigged
its way the length of the table, owing to the motion of the train.
How nice he was!  And how he would give himself to a woman, if she
would only find real pleasure in the male that he was.

Nevertheless, she herself felt very remote from this business of
male and female, and giving and taking.

After luncheon, in the heat of the train and the flush of her half-
bottle of white wine, she went to sleep again, her feet grilling
uncomfortably on the iron plate of the carriage floor.  And as she
slept, life, as she had known it, seemed all to turn artificial to
her, the sunshine of the world an artificial light, with smoke
above, like the light of torches, and things artificially growing,
in a night that was lit up artificially with such intensity that it
gave the illusion of day.  It had been an illusion, her life-day,
as a ballroom evening is an illusion.  Her love and her emotions,
her very panic of love, had been an illusion.  She realized how
love had become panic-stricken inside her, during the war.

And now even this panic of love was an illusion.  She had run to
Philip to be saved.  And now, both her panic-love and Philip's
salvation were an illusion.

What remained then?  Even panic-stricken love, the intensest thing,
perhaps, she had ever felt, was only an illusion.  What was left?
The grey shadows of death?

When she looked out again it was growing dark, and they were at
Nancy.  She used to know this country as a girl.  At half-past
seven she was in Strasburg, where she must stay the night as there
was no train over the Rhine till morning.

The porter, a blond, hefty fellow, addressed her at once in
Alsatian German.  He insisted on escorting her safely to her hotel--
a German hotel--keeping guard over her like an appointed sentinel,
very faithful and competent, so different from Frenchmen.

It was a cold, wintry night, but she wanted to go out after dinner
to see the minster.  She remembered it all so well, in that other
life.

The wind blew icily in the street.  The town seemed empty, as if
its spirit had left it.  The few squat, hefty foot-passengers were
all talking the harsh Alsatian German.  Shop-signs were in French,
often with a little concession to German underneath.  And the shops
were full of goods, glutted with goods from the once-German
factories of Mulhausen and other cities.

She crossed the night-dark river, where the washhouses of the
washerwomen were anchored along the stream, a few odd women still
kneeling over the water's edge, in the dim electric light, rinsing
their clothes in the grim, cold water.  In the big square the icy
wind was blowing, and the place seemed a desert.  A city once more
conquered.

After all she could not remember her way to the cathedral.  She saw
a French policeman in his blue cape and peaked cap, looking a
lonely, vulnerable, silky specimen in this harsh Alsatian city.
Crossing over to him she asked him in French where was the
cathedral.

He pointed out to her, the first turning on the left.  He did not
seem hostile: nobody seemed really hostile.  Only the great frozen
weariness of winter in a conquered city, on a weary everlasting
border-line.

And the Frenchmen seemed far more weary, and also, more sensitive
than the crude Alsatians.

She remembered the little street, the old, overhanging houses with
black timbers and high gables.  And like a great ghost, a reddish
flush in its darkness, the uncanny cathedral breasting the oncomer,
standing gigantic, looking down in darkness out of darkness, on the
pigmy humanness of the city.  It was built of reddish stone, that
had a flush in the night, like dark flesh.  And vast, an
incomprehensibly tall, strange thing, it looked down out of the
night.  The great rose window, poised high, seemed like the breast
of the vast Thing, and prisms and needles of stone shot up, as if
it were plumage, dimly, half-visible in heaven.

There it was, in the upper darkness of the ponderous winter night,
like a menace.  She remembered, her spirit used in the past to soar
aloft with it.  But now, looming with a faint rust of blood out of
the upper black heavens, the Thing stood suspended, looking down
with vast, demonish menace, calm and implacable.

Mystery and dim, ancient fear came over the woman's soul.  The
cathedral looked so strange and demonish-heathen.  And an ancient,
indomitable blood seemed to stir in it.  It stood there like some
vast silent beast with teeth of stone, waiting, and wondering when
to stoop against this pallid humanity.

And dimly she realized that behind all the ashy pallor and sulphur
of our civilization, lurks the great blood-creature waiting,
implacable and eternal, ready at last to crush our white
brittleness and let the shadowy blood move erect once more, in a
new implacable pride and strength.  Even out of the lower heavens
looms the great blood-dusky Thing, blotting out the Cross it was
supposed to exalt.

The scroll of the night sky seemed to roll back, showing a huge,
blood-dusky presence looming enormous, stooping, looking down,
awaiting its moment.

As she turned to go away, to move away from the closed wings of the
minster, she noticed a man standing on the pavement, in the
direction of the post-office, which functions obscurely in the
Cathedral Square.  Immediately, she knew that that man, standing
dark and motionless, was Alan.  He was alone, motionless, remote.

He did not move towards her.  She hesitated, then went in his
direction, as if going to the post-office.  He stood perfectly
motionless, and her heart died as she drew near.  Then, as she
passed, he turned suddenly, looking down on her.

It was he, though she could hardly see his face, it was so dark,
with a dusky glow in the shadow.

"Alan!" she said.

He did not speak, but laid his hand detainingly on her arm, as he
used in the early days, with strange silent authority.  And turning
her with a faint pressure on her arm, he went along with her,
leisurely, through the main street of the city, under the arcade
where the shops were still lighted up.

She glanced at his face: it seemed much more dusky, and duskily
ruddy, than she had known him.  He was a stranger: and yet it was
he, no other.  He said nothing at all.  But that was also in
keeping.  His mouth was closed, his watchful eyes seemed
changeless, and there was a shadow of silence around him,
impenetrable, but not cold.  Rather aloof and gentle, like the
silence that surrounds a wild animal.

She knew that she was walking with his spirit.  But that even did
not trouble her.  It seemed natural.  And there came over her again
the feeling she had forgotten, the restful, thoughtless pleasure of
a woman who moves in the aura of the man to whom she belongs.  As a
young woman she had had this unremarkable, yet very precious
feeling, when she was with her husband.  It had been a full
contentment; and perhaps the fullness of it had made her
unconscious of it.  Later, it seemed to her she had almost wilfully
destroyed it, this soft flow of contentment which she, a woman, had
from him as a man.

Now, afterwards, she realized it.  And as she walked at his side
through the conquered city, she realized that it was the one
enduring thing a woman can have, the intangible soft flood of
contentment that carries her along at the side of the man she is
married to.  It is her perfection and her highest attainment.

Now, in the afterwards, she knew it.  Now the strife was gone.  And
dimly she wondered why, why, why she had ever fought against it.
No matter what the man does or is, as a person, if a woman can move
at his side in this dim, full flood of contentment, she has the
highest of him, and her scratching efforts at getting more than
this, are her ignominious efforts at self-nullity.

Now, she knew it, and she submitted.  Now that she was walking with
a man who came from the halls of death, to her, for her relief.
The strong, silent kindliness of him towards her, even now, was
able to wipe out the ashy, nervous horror of the world from her
body.  She went at his side still and released, like one newly
unbound, walking in the dimness of her own contentment.

At the bridge-head he came to a standstill, and drew his hand from
her arm.  She knew he was going to leave her.  But he looked at her
from under his peaked cap, darkly but kindly, and he waved his hand
with a slight, kindly gesture of farewell and of promise, as if in
the farewell he promised never to leave her, never to let the
kindliness go out in his heart, to let it stay hers always.

She hurried over the bridge with tears running down her cheeks, and
on to her hotel.  Hastily she climbed to her room.  And as she
undressed, she avoided the sight of her own face in the mirror.
She must not rupture the spell of his presence.

Now, in the afterwards she realized HOW careful she must be, not to
break the mystery that enveloped her.  Now that she knew he had
come back to her from the dead, she was aware how precious and how
fragile the coming was.  He had come back with his heart dark and
kind, wanting her even in the afterwards.  And not in any sense
must she go against him.  The warm, powerful, silent ghost had come
back to her.  It was he.  She must not even try to think about him
definitely, not to realize him or to understand.  Only in her own
woman's soul could she silently ponder him, darkly, and know him
present in her, without ever staring at him or trying to find him
out.  Once she tried to lay hands on him, to HAVE him, to REALIZE
him, he would be gone for ever, and gone for ever this last
precious flood of her woman's peace.

"Ah, no!" she said to herself.  "If he leaves his peace with me, I
must ask no questions whatsoever."

And she repented, silently, of the way she had questioned and
demanded answers, in the past.  What were the answers, when she had
got them?  Terrible ash in the mouth.

She now knew the supreme modern terror, of a world all ashy and
nerve-dead.  If a man could come back out of death to save her from
this, she would not ask questions of him, but be humble, and beyond
tears grateful.

In the morning, she went out into the icy wind, under the grey sky,
to see if he would be there again.  Not that she NEEDED him: his
presence was still about her.  But he might be waiting.

The town was stony and cold.  The people looked pale, chilled
through, and doomed in some way.  Very far from her they were.  She
felt a sort of pity for them, but knew she could do nothing,
nothing in time or eternity.  And they looked at her, and looked
quickly away again, as if they were uneasy in themselves.

The cathedral reared its great reddish-grey façade in the stark
light; but it did not loom as in the night.  The cathedral square
was hard and cold.  Inside, the church was cold and repellent, in
spite of the glow of stained glass.  And he was nowhere to be
found.

So she hastened away to her hotel and to the station, to catch the
10.30 train into Germany.

It was a lonely, dismal train, with a few forlorn souls waiting to
cross the Rhine.  Her Alsatian porter looked after her with the
same dogged care as before.  She got into the first-class carriage
that was going through to Prague--she was the only passenger
travelling first.  A real French porter, in blouse and moustache,
and swagger, tried to say something a bit jeering to her, in his
few words of German.  But she only looked at him, and he subsided.
He didn't really want to be rude.  There was a certain hopelessness
even about that.

The train crept slowly, disheartened, out of town.  She saw the
weird humped-up creature of the cathedral in the distance, pointing
its one finger above the city.  Why, oh, why, had the old Germanic
races put it there, like that!

Slowly the country disintegrated into the Rhine flats and marshes,
the canals, the willow trees, the overflow streams, the wet places
frozen but not flooded.  Weary the place all seemed.  And old
Father Rhine flowing in greenish volume, implacable, separating the
races now weary of race struggle, but locked in the toils as in the
coils of a great snake, unable to escape.  Cold, full, green, and
utterly disheartening the river came along under the wintry sky,
passing beneath the bridge of iron.

There was a long wait in Kehl, where the German officials and the
French observed a numb, dreary kind of neutrality.  Passport and
customs examination was soon over.  But the train waited and
waited, as if unable to get away from that one point of pure
negation, where the two races neutralized one another, and no
polarity was felt, no life--no principle dominated.

Katherine Farquhar just sat still, in the suspended silence of her
husband's return.  She heeded neither French nor German, spoke one
language or the other at need, hardly knowing.  She waited, while
the hot train steamed and hissed, arrested at the perfect neutral
point of the new border line, just across the Rhine.

And at last a little sun came out, and the train silently drew
away, nervously, from the neutrality.

In the great flat field, of the Rhine plain, the shallow flood
water was frozen, the furrows ran straight towards nowhere, the air
seemed frozen too, but the earth felt strong and barbaric, it
seemed to vibrate, with its straight furrows, in a deep, savage
undertone.  There was the frozen, savage thrill in the air also,
something wild and unsubdued, pre-Roman.

This part of the Rhine valley, even on the right bank in Germany,
was occupied by the French; hence the curious vacancy, the
suspense, as if no men lived there, but some spirit was watching,
watching over the vast, empty, straight-furrowed fields and the
water-meadows.  Stillness, emptiness, suspense, and a sense of
something still impending.

A long wait in the station of Appenweier, on the main line of the
Right-bank Railway.  The station was empty.  Katherine remembered
its excited, thrilling bustle in pre-war days.

"Yes," said the German guard to the station-master.  "What do they
hurry us out of Strasburg for, if they are only going to keep us so
long here?"

The heavy Badisch German!  The sense of resentful impotence in the
Germans!  Katherine smiled to herself.  She realized that here the
train left the occupied territory.

At last they set off, northwards, free for the moment, in Germany.
It was the land beyond the Rhine, Germany of the pine forests.  The
very earth seemed strong and unsubdued, bristling with a few reeds
and bushes, like savage hair.  There was the same silence, and
waiting, and the old barbaric undertone of the white-skinned north,
under the waning civilization.  The audible overtone of our
civilization seemed to be wearing thin, the old, low, pine-forest
hum and roar of the ancient north seemed to be sounding through.
At least, in Katherine's inner ear.

And there were the ponderous hills of the Black Forest, heaped and
waiting sullenly, as if guarding the inner Germany.  Black round
hills, black with forest, save where white snow-patches of field
had been cut out.  Black and white, waiting there in the near
distance, in sullen guard.

She knew the country so well.  But not in this present mood, the
emptiness, the sullenness, the heavy, recoiled waiting.

Steinbach!  Then she was nearly there!  She would have to change in
Oos, for Baden-Baden, her destination.  Probably Philip would be
there to meet her in Oos; he would have come down from Heidelberg.

Yes, there he was!  And at once she thought he looked ill,
yellowish.  His figure hollow and defeated.

"Aren't you well?" she asked, as she stepped out of the train on to
the empty station.

"I'm so frightfully cold," he said.  "I can't get warm."

"And the train was so hot," she said.

At last a porter came to carry her bags across to the little
connecting train.

"How are you?" he said, looking at her with a certain pinched look
in his face, and fear in his eyes.

"All right!  It all feels very queer," she said.

"I don't know how it is," he said, "but Germany freezes my inside,
and does something to my chest."

"We needn't stay long," she said easily.

He was watching the bright look in her face.  And she was thinking
how queer and chétif he looked!  Extraordinary!  As she looked at
him she felt for the first time, with curious clarity, that it was
humiliating to be married to him, even in name.  She was humiliated
even by the fact that her name was Katherine Farquhar.  Yet she
used to think it a nice name!

"Just think of me married to that little man!" she thought to
herself.  "Think of my having his name!"

It didn't fit.  She thought of her own name: Katherine von Todtnau;
or of her married name: Katherine Anstruther.  The first seemed
most fitting.  But the second was her second nature.  The third,
Katherine Farquhar, wasn't her at all.

"Have you seen Marianne?" she asked.

"Oh, yes!"

He was very brief.  What was the matter with him?

"You'll have to be careful, with your cold," she said politely.

"I AM careful!" he cried petulantly.

Marianne, her sister, was at the station, and in two minutes they
were rattling away in German and laughing and crying and exploding
with laughter again, Philip quite ignored.  In these days of frozen
economy, there was no taxi.  A porter would wheel up the luggage on
a trolley, the new arrivals walked to their little hotel, through
the half-deserted town.

"But the little one is quite nice!" said Marianne deprecatingly.

"Isn't he!" cried Katherine in the same tone.

And both sisters stood still and laughed in the middle of the
street.  "The little one" was Philip.

"The other was more a man," said Marianne.  "But I'm sure this one
is easier.  THE LITTLE ONE!  Yes, he SHOULD be easier," and she
laughed in her mocking way.

"The stand-up-mannikin!" said Katherine, referring to those little
toy men weighted at the base with lead, that always stand up again.

"Yes!  Yes!" cried Marianne.  "I'm sure he ALWAYS comes up again!
Prumm!"  She made a gesture of knocking him over.  "And there he
rises once more!"  She slowly raised her hand, as if the mannikin
were elevating himself.

The two sisters stood in the street laughing consumedly.

Marianne also had lost her husband in the war.  But she seemed only
more reckless and ruthless.

"Ah, Katy!" she said, after dinner.  "You are always such a good
child!  But you are different.  Harder!  No, you are not the same
good Katy, the same kind Katy.  You are no longer kind."

"And you?" said Katy.

"Ah, me!  I don't matter.  I watch what the end will be."

Marianne was six years older than Katherine, and she had now ceased
to struggle for anything at all.  She was a woman who had lived her
life.  So at last, life seemed endlessly quaint and amusing to her.
She accepted everything, wondering over the powerful primitiveness
of it all, at the root-pulse.

"I don't care any more at all what people do or don't do," she
said.  "Life is a great big tree, and the dead leaves fall.  But
very wonderful is the pulse in the roots!  So strong, and so
pitiless."

It was as if she found a final relief in the radical pitilessness
of the Tree of Life.

Philip was very unhappy in this atmosphere.  At the core of him a
Scotch sentimentalist, he had calculated, very cannily, that the
emotional, sentimental values would hold good as long as he lived,
which was long enough for him.  The old male pride and power were
doomed.  They had finally fallen in the war.  Alan with them.  But
the emotional, sentimental values still held good.

Only not here in Germany.  Here the very emotions had become
exhausted.  "Give us pitilessness.  Give us the Tree of Life in
winter, dehumanized and ruthless."  So everything seemed to say.
And it was too much for him.

He wanted to be soft and sweet and loving, at evening, to
Katherine.  But there came Marianne's hollow, reckless laugh at the
door; he was frustrated.  And--

"Ach!  Is it possible that anybody forty years old should still be
in love?  Ach!  I had thought it impossible any more; after the
war!  Even a little indecent, shall I say!" laughed Marianne,
seeing the frustrated languishing look on his face.

"If LOVE isn't left, what is?" he said petulantly.

"Ach!  I don't know!  Really I don't.  Can't you tell me?" she
asked with a weird naïveté of the AFTERWARDS.

He gathered himself together, the little stand-up-mannikin, waiting
till Marianne was gone and he could be softly alone with Katherine.

When the two were alone he said:

"I'm most frightfully glad you've come, Kathy.  I could hardly have
held out another day without you.  I feel you're the only thing on
earth that remains real."

"You don't seem very real to me," she said.

"I'm not real!  I'm NOT!--not when I'm alone.  But when I am with
you I am the most real man alive.  I know it!"

He asserted this with vehemence and a weird, personal sort of
passion that used to thrill her, but now repelled her.

"Why should you need me?" she said.  "I am real without you."

She was thinking of Alan.

This was a blow to Philip.  He considered for a moment.  Then he
said:

"Yes.  You are!  You are always real.  But that's because you are a
woman.  A man without a woman CAN'T be real."

He twisted his face and shook his hand with a sort of false
vehemence.

She looked at him, was repelled.  After all, Alan could wander
alone in the lonely places of the dead, and still be the ultimate
real thing, to her.

She had given her allegiance elsewhere.  Strange, how unspeakably
cold she felt towards this little equivocal civilian.

"Don't let us talk to-night," she said.  "I am SO sleepy.  I want
to go to sleep this very minute.  You don't mind, do you?  Good-
night!"

She went to her room, with the green glazed stove.  Outside she
could see the trees of Seufzer Allee, and the intense winter night.
Curiously dark and wolfish the nights came on, with the little town
obscurely lighted, for economy's sake, and no tramcars running, for
economy's sake, and the whole place, strangely, slipping back from
our civilization, people moving in the dark like in a barbarian
village, with the thrill of fear and menace in the wolfish air.

She slept soundly, none the less.  But the raw air scraped her
chest.

In the morning Philip was looking yellower, and coughing a good
deal.  She urged him to stay in bed.  She wanted, really, to be
free of him.  And she also wanted him to be safe, too.  He
insisted, however, on staying about.

She could tell he had something on his mind.  At last it came out.

"Do you dream much here?" he said.

"I think I did dream," she said.  "But I can't remember what
about."

"I dream terribly," he said.

"What sort of dreams?"

"All sorts!"  He gave a rueful laugh.  "But nearly always about
Alan."  He glanced at her quickly to see how she took it.  She gave
no sign.

"And what about him?" she said calmly.

"Oh!--" he gave a desperate little gesture.  "Why last night I
dreamed that I woke up, and someone was lying on my bed, OUTSIDE
the bedclothes.  I thought at first it was you, so I wanted to
speak to you.  But I couldn't.  Then I knew it was Alan, lying
there in the cold.  And he was terribly heavy.  He was so heavy I
couldn't move, because the bed-clothes--you know I don't have that
bolster thing--they were so tight on me, I could hardly breathe,
they were like tight lead round me.  It was so awful, they were
like a lead coffin-shell.  And he was lying outside with that
terrible weight.  When I woke at last, I thought I WAS dead."

"It's because you've got a cold on your chest," she said.  "Why
won't you stay in bed and see a doctor?"

"I don't WANT a doctor," he said.

"You're so obstinate!  At least you should drink the waters here.
They'd be good for you."

During the day she walked in the woods with Marianne.  It was
sunny, and there was thin snow.  But the cold in the air was heavy,
stormy, unbreakable, and the woods seemed black, black.  In a
hollow open space, like a bowl, were little tortured bare vines.
Never had she seen the pale vine-stocks look so tortured.  And the
black trees seemed to grow out of unutterably cold depths, and they
seemed to be drinking away what warmth of life there was, while the
vines in the clearing writhed with cold as leaves writhe in a fire.

After sunset, before dinner-time, she wanted to go to drink the hot
waters from the spring at the big bath-hall under the New Castle.
Philip insisted on going with her, though she urged him to stay
indoors.  They went down the dark hill and between the dark
buildings of reddish stone, like the stone of Strasburg Cathedral.

At the obscure fountain in the alcove of the courtyard a little
group of people were waiting, dark and silent, like dark spirits
round a source of steam.  Some had come to drink.  Some had come
for a pail of hot water.  Some had come merely to warm their
fingers and get something hot inside them.  Some had come
furtively, with hot-water bottles, to warm their icy beds a little.
Everybody was bed-rock poor and silent, but well-clad, respectable,
unbeaten.

Katherine and Philip waited a while.  Then, in a far corner of the
dark rocky grotto, where the fountain of hot water came out of the
wall, Katherine saw Alan standing.  He was standing as if waiting
his turn to drink, behind the other people.  Philip apparently did
not see him.

She pressed forward in the silent sombre group of people, and held
her glass under the tap, above the pail which a man was filling.
The hot water ran over her fingers gratefully.  She rinsed her
glass down the fountain bowl.

"Na!" said the man of the pail, in his rough, but reckless, good-
humoured Badisch:  "Throw it in the bucket.  It's only wash-water."

She laughed, and lifted her pocket-glass to drink.  It was
something of an ordeal among the group of silent people there in
the almost dark.  There was a feeble lamp outside in the courtyard;
inside the grotto was deep shadow.

Nevertheless, Alan was watching her, and she drank to him, in the
hot, queer, hellish-tasting water.  She drank a second small
glassful.  Then she filled the glass again, in front of all the
waiting people and handed it to Philip.

She did not look at Alan, but away in the courtyard, where more
people were approaching, and where the steam of the springs rose
from the grating in the ground, ghostly on the night air.

Philip drew back a little to drink.  But at the first mouthful he
choked, and began to cough.  He coughed and coughed, in a convulsed
spasm as if choking.  She went to him anxiously.  And then she saw
that Alan also had come forward, and stood beside her, behind the
coughing little Philip.

"What is it?" she said to the coughing man.  "Did some of the water
go the wrong way?"

He shook his head, but could not answer.  At length, exhausted, but
quiet, he handed her the glass, and they moved away from the silent
group of watchful dark people.

And Alan was walking on her other side holding her hand.

When they came into the hall of the hotel she saw with horror that
there was a red smear of blood on Philip's chin, and red blotches
on his overcoat.

"What have you done?" she cried.

He looked down at his breast, then up at her with haunted eyes.
Fear, an agony and a horror of fear in his face.  He went ghastly
pale.  Thinking he would swoon, she put her arm round him.  But she
felt someone silently but firmly, and with strange, cold power,
pulling her arm away.  She knew it was Alan.

The hotel porter helped Philip up to his room, and she assisted her
husband to undress and get to bed.  But each time her hand touched
the sick man's body, to sustain him, she felt it drawn silently,
coldly, powerfully away, with complete relentlessness.

The doctor came and made his examination.  He said it was not
serious: only the rupture of a superficial blood-vessel.  The
patient must lie quite still and warm, and take light food.  Avoid
all excitement or agitation.

Philip's face had a haunted, martyred, guilty look.  She soothed
him as much as possible, but dared hardly touch him.

"Won't you sleep with me to-night, in case I dream?" he said to
her, with big, excruciating eyes full of fear.

"You'll be better alone," she said softly.  "You'll be better
alone.  I'll tuck you up warm, and sit with you a while.  Keep
yourself all covered up!"

She tucked him close, and sat by the bed.  On the other side of the
bed sat Alan, bare-headed, with his silent, expressionless, reddish
face.  The closed line of his lips, under the small reddish
moustache, never changed, and he kept his eyelids half lowered.
But there was a wonderful changeless dignity in his pose, as if he
could sit thus, silent, and waiting, through the centuries.  And
through the warm air of the room he radiated this strange, stony
coldness, that seemed heavy as the hand of death.  It did not hurt
Katherine.  But Philip's face seemed chilled and bluish.

Katherine went to her room, when the sick man slept.  Alan did not
follow her.  And she did not question.  It was for the two men to
work out destiny between them.

In the night, towards morning she heard a hoarse, horrible cry.
She ran to Philip's room.  He was sitting up in bed, blood running
down his chin, his face livid, and his eyes rolling delirious.

"What is it?" she said in panic.

"He lay on top of me!" cried Philip, rolling his eyes inwards in
horror.  "He lay on top of me, and turned my heart cold and burst
my blood-vessel in my chest."

Katherine stood petrified.  There was blood all over the sheets.
She rang the bell violently.  Across the bed stood Alan, looking at
her with his unmoving blue eyes, just watching her.  She could feel
the strange stone-coldness of his presence touching even her heart.
And she looked back at him humbly, she knew he had power over her
too.  That strange, cold, stony touch on her heart.

The servants came, and the doctor.  And Alan went away.  Philip was
washed and changed, and went peacefully to sleep, looking like a
corpse.

The day passed slowly.  Alan did not appear.  Even now, Katherine
wanted him to come.  Awful though he was, she wanted him to be
there, to give her her surety, even though it was only the surety
of dread; and her contentment, though it were the contentment of
death.

At night she had a sofa-bed brought for her into Philip's room.  He
seemed quieter, better.  She had not left him all day.  And Alan
had not appeared.  At half-past nine, Philip sleeping quietly, she
too lay down to sleep.

She woke in the night feeling the same stone-coldness in the air.
Had the stove gone out?  Then she heard Philip's whispering call of
terror:  "KATHERINE!  KATHERINE!"  She went over quickly, and
slipped into his bed, putting her arms round him.  He was
shuddering, and stony cold.  She drew him to her.

But immediately two hands cold and strong as iron seized her arms
and pulled them away.  She was pushed out of the bed, and pushed on
to the floor of the bedroom.  For an instant, the rage came into
her heart, she wanted to get up and fight for the dying man.  But a
greater power, the knowledge of the uselessness and the fatal
dishonourableness of her womanly interference made her desist.  She
lay for a time helpless and powerless on the floor, in her
nightdress.

Then she felt herself lifted.  In the dimness of coming dawn, she
knew it was Alan.  She could see the breast of his uniform--the old
uniform she had known long before the war.  And his face bending
over her, cool and fresh.

He was still cold.  But the stoniness had gone out of him, she did
not mind his coldness.  He pressed her firm hand hard to his own
hard body.  He was hard and cold like a tree, and alive.  And the
prickling of his moustache was the cold prickling of fir-needles.

He held her fast and hard, and seemed to possess her through every
pore of her body.  Not now the old, procreative way of possession.
He held her fast, and possessed her through every pore in her body.
Then he laid her in her own bed, to sleep.

When she awoke, the sun was shining, and Philip lay dead in a pool
of blood.

Somehow she did not mind.  She was only thinking of Alan.  After
all, she belonged to the man who could keep her.  To the only man
who knew how to keep her, and could only possess her through all
the pores of her body, so that there was no recoil from him.  Not
just through one act, one function holding her.  But as a cloud
holds a shower.

The men that were just functional men: let them pass and perish.
She wanted her contentment like life itself, through every pore,
through every bit of her.  The man who could hold her as the wind
held her, as the air held her, all surrounded.  The man whose aura
permeated into every vein, through all her pores, as the scent of a
pine-tree when one stands beneath it.  A man, not like a faun or a
satyr or an angel or a demon, but like the Tree of Life itself,
implacable and unquestionable and permeating, voiceless, abiding.

In the afternoon she went to walk by herself.  She climbed uphill,
steep, past the New Castle, and up through the pine-woods, climbing
upwards to the Old Castle.  There it stood, among dense trees, its
old, rose-red stone walls broken and silent.  Two men, queer, wild
ruffians with bundles on their backs, stood in the broken, roofless
hall, looking round.

"Yes," the elder one, with the round beard, was saying, "There are
no more Dukes of Baden, and counts and barons and peers of the
realm are as much in ruin as this place.  Soon we shall be all
alike, Lumpen, tramps."

"Also no more ladies," said the younger one, in a lower voice.
"Every tramp can have his lady."

Katherine heard him, with a pang of fear.  Knowing the castle, she
climbed the stairs and round the balustrade above the great hall,
looking out far over the country.  The sun was sinking.  The Rhine
was a dim magnesium ribbon, away on the plain.  Across was the
Russian Chapel; below, on the left, the town, and the Lichtenthal.
No more gamblers, no more cosmopolitan play.  Evening and the dark
round hills going lonely, snow on the Merkur hill.

Mercury!  Hermes!  The messenger!  Even as she thought it, standing
there on the wall, Alan came along and stood beside her, and she
felt at ease.  The two men down below were looking up at her.  They
watched in silence, not knowing the way up.  They were in the cold
shadow of the hall below.  A little, lingering sun, reddish, caught
her where she was, above.

Again, for the last time, she looked over the land: the sun sinking
below the Rhine, the hills of Germany this side, and the frozen
stillness of the winter afternoon.  "Yes, let us go," she heard the
elder man's voice.  "We are hardly men or women any more.  We are
more like the men and women who have drunk in this hall, living
after our day."

"Only we eat and smile still, and the men want the women still."

"No!  No!  A man forgets his trouser-lining when he sees the ghost
and the woman together."

The two tramps turned and departed, heavy-shod, up the hill.

Katherine felt Alan's touch on her arm, and she climbed down from
the old, broken castle.  He led her through the woods, past the red
rocks.  The sun had sunk, the trees were blue.  He lingered again
under a great pine-tree, in the shadow.  And again, as he pressed
her fast, and pressed his cold face against her, it was as if the
wood of the tree itself were growing round her, the hard, live wood
compressing and almost devouring her, the sharp needles brushing
her face, the limbs of the living tree enveloping her, crushing her
in the last, final ecstasy of submission, squeezing from her the
last drop of her passion, like the cold, white berries of the
mistletoe on the Tree of Life.



JIMMY AND THE DESPERATE WOMAN


"He is very fine and strong somewhere, but he does need a level-
headed woman to look after him."

That was the FRIENDLY feminine verdict upon him.  It flattered him,
it pleased him, it galled him.

Having divorced a very charming and clever wife, who had held this
opinion for ten years, and at last had got tired of the level-
headed protective game, his gall was uppermost.

"I want to throw Jimmy out on the world, but I know the poor little
man will go and fall on some woman's bosom.  That's the worst of
him.  If he could only stand alone for ten minutes.  But he can't.
At the same time, there IS something fine about him, something
rare."

This had been Clarissa's summing-up as she floated away in the arms
of the rich young American.  The rich young American got rather
angry when Jimmy's name was mentioned.  Clarissa was now HIS wife.
But she did sometimes talk as if she were still married to Jimmy.

Not in Jimmy's estimation, however.  That worm had turned.  Gall
was uppermost.  Gall and wormwood.  He knew exactly what Clarissa
thought--and said--about him.  And the "something fine, something
rare, something strong" which he was supposed to have "about him"
was utterly outbalanced, in his feelings at least, by the "poor
little man" nestled upon "some woman's bosom", which he was
supposed to BE.

"I am NOT," he said to himself, "a poor little man nestled upon
some woman's bosom.  If I could only find the right sort of woman,
she should nestle on mine."

Jimmy was now thirty-five, and this point, to nestle or to be
nestled, was the emotional crux and turning-point.

He imagined to himself some really WOMANLY woman, to whom he should
be ONLY "fine and strong", and not for one moment "the poor little
man".  Why not some simple uneducated girl, some Tess of the
D'Urbervilles, some wistful Gretchen, some humble Ruth gleaning an
aftermath?  Why not?  Surely the world was full of such!

The trouble was he never met them.  He only met sophisticated
women.  He really never had a chance of meeting "real" people.  So
few of us ever do.  Only the people we DON'T meet are the "real"
people, the simple, genuine, direct spontaneous, unspoilt souls.
Ah, the simple, genuine, unspoilt people we DON'T meet!  What a
tragedy it is!

Because, of course, they must be there!  Somewhere!  Only we never
come across them.

Jimmy was terribly handicapped by his position.  It brought him
into contact with so many people.  Only never the right sort.
Never the "real" people: the simple, genuine, unspoilt, etc., etc.

He was editor of a high-class, rather high-brow, rather successful
magazine, and his rather personal, very candid editorials brought
him shoals, swarms, hosts of admiring acquaintances.  Realise that
he was handsome, and could be extraordinarily "nice", when he
liked, and was really very clever, in his own critical way, and you
see how many chances he had of being adored and protected.

In the first place his good looks: the fine, clean lines of his
face, like the face of the laughing faun in one of the faun's
unlaughing, moody moments.  The long, clean lines of the cheeks,
the strong chin and the slightly arched, full nose, the beautiful
dark-grey eyes with long lashes, and the thick black brows.  In his
mocking moments, when he seemed most himself, it was a pure Pan
face, with thick black eyebrows cocked up, and grey eyes with a
sardonic goaty gleam, and nose and mouth curling with satire.  A
good-looking, smooth-skinned satyr.  That was Jimmy at his best.
In the opinion of his men friends.

In his own opinion, he was a sort of Martyred Saint Sebastian, at
whom the wicked world shot arrow after arrow--Mater Dolorosa
nothing to him--and he counted the drops of blood as they fell:
when he could keep count.  Sometimes--as for instance when Clarissa
said she was really departing with the rich young American, and
should she divorce Jimmy, or was Jimmy going to divorce her?--then
the arrows assailed him like a flight of starlings flying straight
at him, jabbing at him, and the drops of martyred blood simply
spattered down, he couldn't keep count.

So, naturally, he divorced Clarissa.

In the opinion of his men friends, he was, or should be, a
consistently grinning faun, satyr, or Pan-person.  In his own
opinion, he was a Martyred Saint Sebastian with the mind of Plato.
In the opinion of his woman friends, he was a fascinating little
man with a profound understanding of life and the capacity really
to understand a woman and to make a woman feel a queen; which of
course was to make a woman feel her REAL self . . .

He might, naturally, have made rich and resounding marriages,
especially after the divorce.  He didn't.  The reason was,
secretly, his resolve never to make any woman feel a queen any
more.  It was the turn of the women to make him feel a king.

Some unspoilt, unsophisticated, wild-blooded woman, to whom he
would be a sort of Solomon of wisdom, beauty, and wealth.  She
would need to be in reduced circumstances to appreciate his wealth,
which amounted to the noble sum of three thousand pounds and a
little week-ending cottage in Hampshire.  And to be unsophisticated
she would have to be a woman of the people.  Absolutely.

At the same time, not just the "obscure vulgar simplican".

He received many letters, many, many, many, enclosing poems,
stories, articles, or more personal unbosomings.  He read them all:
like a solemn rook pecking and scratching among the litter.

And one--not one letter, but one correspondent--might be THE one--
Mrs Emilia Pinnegar, who wrote from a mining village in Yorkshire.
She was, of course, unhappily married.

Now Jimmy had always had a mysterious feeling about these dark and
rather dreadful mining villages in the north.  He himself had
scarcely set foot north of Oxford.  He felt that these miners up
there must be the real stuff.  And Pinnegar was a name, surely!
And Emilia!

She wrote a poem, with a brief little note, that, if the editor of
the Commentator thought the verses of no value, would he simply
destroy them.  Jimmy, as editor of the Commentator, thought the
verses quite good and admired the brevity of the note.  But he
wasn't sure about printing the poem.  He wrote back, Had Mrs
Pinnegar nothing else to submit?

Then followed a correspondence.  And at length, upon request, this
from Mrs Pinnegar:

"You ask me about myself, but what shall I say?  I am a woman of
thirty-one, with one child, a girl of eight, and I am married to a
man who lives in the same house with me, but goes to another woman.
I try to write poetry, if it is poetry, because I have no other way
of expressing myself at all, and even if it doesn't matter to
anybody besides myself, I feel I must and will express myself, if
only to save myself from developing cancer or some disease that
women have.  I was a school-teacher before I was married, and I got
my certificates at Rotherham College.  If I could, I would teach
again, and live alone.  But married teachers can't get jobs any
more, they aren't allowed--"


              THE COAL MINER

                By His Wife

     The donkey-engine's beating noise
     And the rattle, rattle of the sorting screens
     Come down on me like the beat of his heart,
     And mean the same as his breathing means.

     The burning big pit-hill with fumes
     Fills the air like the presence of that fair-haired man.
     And the burning fire burning deeper and deeper
     Is his will insisting since time began.

     As he breathes the chair goes up and down
     In the pit-shaft; he lusts as the wheel-fans spin
     The sucking air: he lives in the coal
     Underground: and his soul is a strange engine.

     That is the manner of man he is.
     I married him and I should know.
     The mother earth from bowels of coal
     Brought him forth for the overhead woe.


This was the poem that the editor of the Commentator hesitated
about.  He reflected, also, that Mrs Pinnegar didn't sound like one
of the nestling, unsophisticated rustic type.  It was something
else that still attracted him: something desperate in a woman,
something tragic.


              THE NEXT EVENT

     If at evening, when the twilight comes,
     You ask me what the day has been,
     I shall not know.  The distant drums
     Of some new-comer intervene

     Between me and the day that's been.
     Some strange man leading long columns
     Of unseen soldiers through the green
     Sad twilight of these smoky slums.

     And as the darkness slowly numbs
     My senses, everything I've seen
     Or heard the daylight through, becomes
     Rubbish behind an opaque screen.

     Instead, the sound of muffled drums
     Inside myself: I have to lean
     And listen as my strength succumbs,
     To hear what these oncomings mean.

     Perhaps the Death-God striking his thumbs
     On the drums in a deadly rat-ta-ta-plan.
     Or a strange man marching slow as he strums
     The tune of a new weird hope in Man.

     What does it matter!  The day that began
     In coal-dust is ending the same, in crumbs
     Of darkness like coal.  I live if I can;
     If I can't, then I welcome whatever comes.


This poem sounded so splendidly desperate, the editor of the
Commentator decided to print it, and, moreover, to see the
authoress.  He wrote, Would she care to see him, if he happened to
be in her neighbourhood?  He was going to lecture in Sheffield.
She replied, Certainly.

He gave his afternoon lecture, on Men in Books and Men in Life.
Naturally, men in books came first.  Then he caught a train to
reach the mining village where the Pinnegars lived.

It was February, with gruesome patches of snow.  It was dark when
he arrived at Mill Valley, a sort of thick, turgid darkness full of
menace, where men speaking in a weird accent went past like ghosts,
dragging their heavy feet and emitting the weird scent of the coal-
mine underworld.  Weird and a bit gruesome it was.

He knew he had to walk uphill to the little market-place.  As he
went, he looked back and saw the black valleys with bunches of
light, like camps of demons it seemed to him.  And the demonish
smell of sulphur and coal in the air, in the heavy, pregnant,
clammy darkness.

They directed him to New London Lane, and down he went down another
hill.  His skin crept a little.  The place felt uncanny and
hostile, hard, as if iron and minerals breathed into the black air.
Thank goodness he couldn't see much, or be seen.  When he had to
ask his way the people treated him in a "heave-half-a-brick-at-him"
fashion.

After much weary walking and asking, he entered a lane between
trees, in the cold slushy mud of the unfrozen February.  The mines,
apparently, were on the outskirts of the town, in some mud-sunk
country.  He could see the red, sore fires of the burning pit-hill
through the trees, and he smelt the sulphur.  He felt like some
modern Ulysses wandering in the realms of Hecate.  How much more
dismal and horrible, a modern Odyssey among mines and factories,
than any Sirens, Scyllas or Charybdises.

So he mused to himself as he waded through icy black mud, in a
black lane, under black trees that moaned an accompaniment to the
sound of the coal-mine's occasional hissing and chuffing, under a
black sky that quenched even the electric sparkle of the colliery.
And the place seemed unhabitated like a cold black jungle.

At last he came in sight of a glimmer.  Apparently, there were
dwellings.  Yes, a new little street, with one street-lamp, and the
houses all apparently dark.  He paused.  Absolute desertion.  Then
three children.

They told him the house, and he stumbled up a dark passage.  There
was light on the little backyard.  He knocked, in some trepidation.
A rather tall woman, looking down at him with a "Who are you?"
look, from the step above.

"Mrs Pinnegar?"

"Oh, is it you, Mr Frith?  Come in."

He stumbled up the step into the glaring light of the kitchen.
There stood Mrs Pinnegar, a tall woman with a face like a mask of
passive anger, looking at him coldly.  Immediately he felt his own
shabbiness and smallness.  In utter confusion, he stuck out his
hand.

"I had an awful time getting here," he said.  "I'm afraid I shall
make a frightful mess of your house."  He looked down at his boots.

"That's all right," she said.  "Have you had your tea?"

"No--but don't you bother about me."

There was a little girl with fair hair in a fringe over her
forehead, troubled blue eyes under the fringe, and two dolls.  He
felt easier.

"Is this your little girl?" he asked.  "She's awfully nice.  What
is her name?"

"Jane."

"How are you, Jane?" he said.  But the child only stared at him
with the baffled, bewildered, pained eyes of a child who lives with
hostile parents.

Mrs Pinnegar set his tea, bread and butter, jam, and buns.  Then
she sat opposite him.  She was handsome, dark straight brows and
grey eyes with yellow grains in them, and a way of looking straight
at you as if she were used to holding her own.  Her eyes were the
nicest part of her.  They had a certain kindliness, mingled, like
the yellow grains among the grey, with a relentless, unyielding
feminine will.  Her nose and mouth were straight, like a Greek
mask, and the expression was fixed.  She gave him at once the
impression of a woman who has made a mistake, who knows it, but who
will not change: who cannot now change.

He felt very uneasy.  Being a rather small, shambling man, she made
him aware of his physical inconspicuousness.  And she said not a
word, only looked down on him, as he drank his tea, with that
changeless look of a woman who is holding her own against Man and
Fate.  While, from the corner across the kitchen, the little girl
with her fair hair and her dolls, watched him also in absolute
silence, from her hot blue eyes.

"This seems a pretty awful place," he said to her.

"It is.  It's absolutely awful," the woman said.

"You ought to get away from it," he said.

But she received this in dead silence.

It was exceedingly difficult to make any headway.  He asked about
Mr Pinnegar.  She glanced at the clock.

"He comes up at nine," she said.

"Is he down the mine?"

"Yes.  He's on the afternoon shift."

There was never a sound from the little girl.

"Doesn't Jane ever talk?" he asked.

"Not much," said her mother, glancing round.

He talked a little about his lectures, about Sheffield, about
London.  But she was not really interested.  She sat there rather
distant, very laconic, looking at him with those curious unyielding
eyes.  She looked to him like a woman who has had her revenge, and
is left stranded on the reefs where she wrecked her opponent.
Still unrelenting, unregretting, unyielding, she seemed rather
undecided as to what her revenge had been, and what it had all been
about.

"You ought to get away from here," he said to her.

"Where to?" she asked.

"Oh"--he made a vague gesture--"anywhere, so long as it is QUITE
away."

She seemed to ponder this, under her portentous brow.

"I don't see what difference it would make," she said.  Then
glancing round at her child:  "I don't see what difference anything
would make, except getting out of the world altogether.  But
there's HER to consider."  And she jerked her head in the direction
of the child.

Jimmy felt definitely frightened.  He wasn't used to this sort of
grimness.  At the same time he was excited.  This handsome, laconic
woman, with her soft brown hair and her unflinching eyes with their
gold flecks, seemed to be challenging him to something.  There was
a touch of challenge in her remaining gold-flecked kindness.
Somewhere, she had a heart.  But what had happened to it?  And why?

What had gone wrong with her?  In some way, she must have gone
against herself.

"Why don't you come and live with me?" he said, like the little
gambler he was.

The queer, conflicting smile was on his face.  He had taken up her
challenge, like a gambler.  The very sense of a gamble, in which he
could not lose desperately, excited him.  At the same time, he was
scared of her, and determined to get beyond his scare.

She sat and watched him, with the faintest touch of a grim smile on
her handsome mouth.

"How do you mean, live with you?" she said.

"Oh--I mean what it usually means," he said, with a little puff of
self-conscious laughter.

"You're evidently not happy here.  You're evidently in the wrong
circumstances altogether.  You're obviously NOT just an ordinary
woman.  Well, then, break away.  When I say, Come and live with me,
I mean just what I say.  Come to London and live with me, as my
wife, if you like, and then if we want to marry, when you get a
divorce, why, we can do it."

Jimmy made this speech more to himself than to the woman.  That was
how he was.  He worked out all his things inside himself, as if it
were all merely an interior problem of his own.  And while he did
so, he had an odd way of squinting his left eye and wagging his
head loosely, like a man talking absolutely to himself, and turning
his eyes inwards.

The woman watched him in a sort of wonder.  This was something she
was NOT used to.  His extraordinary manner, and his extraordinary
bald proposition, roused her from her own tense apathy.

"Well!" she said.  "That's got to be thought about.  What about
HER?"--and again she jerked her head towards the round-eyed child
in the corner.  Jane sat with a completely expressionless face, her
little red mouth fallen a little open.  She seemed in a sort of
trance: as if she understood like a grown-up person, but, as a
child, sat in a trance, unconscious.

The mother wheeled round in her chair and stared at her child.  The
little girl stared back at her mother, with hot, troubled, almost
guilty blue eyes.  And neither said a word.  Yet they seemed to
exchange worlds of meaning.

"Why, of course," said Jimmy, twisting his head again; "she'd come,
too."

The woman gave a last look at her child, then turned to him, and
started watching HIM with that slow, straight stare.

"It's not"--he began, stuttering--"it's not anything SUDDEN and
unconsidered on my part.  I've been considering it for quite a long
time--ever since I had the first poem, and your letter."

He spoke still with his eyes turned inwards, talking to himself."
And the woman watched him unflinchingly.

"Before you ever saw me?" she asked, with a queer irony.

"Oh, of course.  Of course before I ever saw you.  Or else I never
SHOULD have seen you.  From the very first, I had a definite
feeling--"

He made odd, sharp gestures, like a drunken man, and he spoke like
a drunken man, his eyes turned inward, talking to himself.  The
woman was no more than a ghost moving inside his own consciousness,
and he was addressing her there.

The actual woman sat outside looking on in a sort of wonder.  This
was really something new to her.

"And now you see me, do you want me, really, to come to London?"

She spoke in a dull tone of incredulity.  The thing was just a
little preposterous to her.  But why not?  It would have to be
something a little preposterous, to get her out of the tomb she was
in.

"Of course I do!" he cried, with another scoop of his head and
scoop of his hand.  "NOW I do ACTUALLY want you, now I actually see
you."  He never looked at her.  His eyes were still turned in.  He
was still talking to himself, in a sort of drunkenness with
himself.

To her, it was something extraordinary.  But it roused her from
apathy.

He became aware of the hot blue eyes of the hot-cheeked little girl
fixed upon him from the distant corner.  And he gave a queer little
giggle.

"Why, it's more than I could ever have hoped for," he said, "to
have you and Jane to live with me!  Why, it will mean LIFE to me."
He spoke in an odd, strained voice, slightly delirious.  And for
the first time he looked up at the woman and, apparently, STRAIGHT
at her.  But, even as he seemed to look straight at her, the
curious cast was in his eye, and he was only looking at himself,
inside himself, at the shadows inside his own consciousness.

"And when would you like me to come?" she asked, rather coldly.

"Why, as soon as possible.  Come back with me to-morrow, if you
will.  I've got a little house in St John's Wood, WAITING for you.
Come with me to-morrow.  That's the simplest."

She watched him for some time, as he sat with ducked head.  He
looked like a man who is drunk--drunk with himself.  He was going
bald at the crown, his rather curly black hair was thin.

"I couldn't come to-morrow, I should need a few days," she said.

She wanted to see his face again.  It was as if she could not
remember what his face was like, this strange man who had appeared
out of nowhere, with such a strange proposition.

He lifted his face, his eyes still cast in that inturned, blind
look.  He looked now like a Mephistopheles who has gone blind.
With his black brows cocked up, Mephistopheles, Mephistopheles
blind and begging in the street.

"Why, of course it's wonderful that it's happened like this for
me," he said, with odd pouting emphasis, pushing out his lips.  "I
was finished, absolutely finished.  I was finished while Clarissa
was with me.  But after she'd gone, I was ABSOLUTELY finished.  And
I thought there was no chance for me in the world again.  It seems
to me perfectly marvellous that this has happened--that I've come
across you--" he lifted his face sightlessly--"and Jane--Jane--why
she's REALLY too good to be true."  He gave a slight hysterical
laugh.  "She really is."

The woman, and Jane, watched him with some embarrassment.

"I shall have to settle up here, with Mr Pinnegar," she said,
rather coldly musing.  "Do you want to see him?"

"Oh, I--" he said, with a deprecating gesture, "I don't CARE.  But
if you think I'd better--why, certainly--"

"I do think you'd better," she said.

"Very well, then, I WILL.  I'll see him whenever you like."

"He comes in soon after nine," she said.

"All right, I'll see him then.  Much better.  But I suppose I'd
better see about finding a place to sleep first.  Better not leave
it too late."

"I'll come with you and ask for you."

"Oh, you'd better not, really.  If you tell me where to go--"

He had taken on a protective tone: he was protecting her against
herself and against scandal.  It was his manner, his rather Oxfordy
manner, more than anything else, that went beyond her.  She wasn't
used to it.

Jimmy plunged out into the gulfing blackness of the Northern night,
feeling how horrible it was, but pressing his hat on his brow in a
sense of strong adventure.  He was going through with it.

At the baker's shop, where she had suggested he should ask for a
bed, they would have none of him.  Absolutely they didn't like the
looks of him.  At the Pub, too, they shook their heads: didn't
want to have anything to do with him.  But, in a voice more
expostulatingly Oxford than ever, he said:

"But look here--you can't ask a man to sleep under one of these
hedges.  Can't I see the landlady?"

He persuaded the landlady to promise to let him sleep on the big,
soft settee in the parlour, where the fire was burning brightly.
Then, saying he would be back about ten, he returned through mud
and drizzle up New London Lane.

The child was in bed, a saucepan was boiling by the fire.  Already
the lines had softened a little in the woman's face.

She spread a cloth on the table.  Jimmy sat in silence, feeling
that she was hardly aware of his presence.  She was absorbed, no
doubt, in the coming of her husband.  The stranger merely sat on
the sofa, and waited.  He felt himself wound up tight.  And once he
was really wound up, he could go through with anything.

They heard the nine-o'clock whistle at the mine.  The woman then
took the saucepan from the fire and went into the scullery.  Jimmy
could smell the smell of potatoes being strained.  He sat quite
still.  There was nothing for him to do or to say.  He was wearing
his big black-rimmed spectacles, and his face, blank and
expressionless in the suspense of waiting, looked like the death-
mask of some sceptical philosopher, who could wait through the
ages, and who could hardly distinguish life from death at any time.

Came the heavy-shod tread up the house entry, and the man entered,
rather like a blast of wind.  The fair moustache stuck out from the
blackish, mottled face, and the fierce blue eyes rolled their
whites in the coal-blackened sockets.

"This gentleman is Mr Frith," said Emily Pinnegar.

Jimmy got up, with a bit of an Oxford wriggle, and held out his
hand, saying:  "How do you do?"

His grey eyes, behind the spectacles, had an uncanny whitish gleam.

"My hand's not fit to shake hands," said the miner.  "Take a seat."

"Oh, nobody minds coal-dust," said Jimmy, subsiding on to the sofa.
"It's clean dirt."

"They say so," said Pinnegar.

He was a man of medium height, thin, but energetic in build.

Mrs Pinnegar was running hot water into a pail from the bright
brass tap of the stove, which had a boiler to balance the oven.
Pinnegar dropped heavily into a wooden armchair, and stooped to
pull off his ponderous grey pit-boots.  He smelled of the strange,
stale underground.  In silence he pulled on his slippers, then
rose, taking his boots into the scullery.  His wife followed with
the pail of hot water.  She returned and spread a coarse roller-
towel on the steel fender.  The man could be heard washing in the
scullery, in the semi-dark.  Nobody said anything.  Mrs Pinnegar
attended to her husband's dinner.

After a while, Pinnegar came running in, naked to the waist, and
squatted plumb in front of the big red fire, on his heels.  His
head and face and the front part of his body were all wet.  His
back was grey and unwashed.  He seized the towel from the fender
and began to rub his face and head with a sort of brutal vigour,
while his wife brought a bowl, and with a soapy flannel silently
washed his back, right down to the loins, where the trousers were
rolled back.  The man was entirely oblivious of the stranger--this
washing was part of the collier's ritual, and nobody existed for
the moment.  The woman, washing her husband's back, stooping there
as he kneeled with knees wide apart, squatting on his heels on the
rag hearthrug, had a peculiar look on her strong, handsome face, a
look sinister and derisive.  She was deriding something or
somebody; but Jimmy could not make out whom or what.

It was a new experience for him to sit completely and brutally
excluded, from a personal ritual.  The collier vigorously rubbed
his own fair short hair, till it all stood on end, then he stared
into the red-hot fire, oblivious, while the red colour burned in
his cheeks.  Then again he rubbed his breast and his body with the
rough towel, brutally, as if his body were some machine he was
cleaning, while his wife, with a peculiar slow movement, dried his
back with another towel.

She took away the towel and bowl.  The man was dry.  He still
squatted with his hands on his knees, gazing abstractedly, blankly
into the fire.  That, too, seemed part of his daily ritual.  The
colour flushed in his cheeks, his fair moustache was rubbed on end.
But his hot blue eyes stared hot and vague into the red coals,
while the red glare of the coal fell on his breast and naked body.

He was a man of about thirty-five, in his prime, with a pure smooth
skin and no fat on his body.  His muscles were not large, but
quick, alive with energy.  And as he squatted bathing abstractedly
in the glow of the fire, he seemed like some pure-moulded engine
that sleeps between its motions, with incomprehensible eyes of dark
iron-blue.

He looked round, always averting his face from the stranger on the
sofa, shutting him out of consciousness.  The wife took out a
bundle from the dresser-cupboard, and handed it to the out-
stretched, work-scarred hand of the man on the hearth.  Curious,
that big, horny, work-battered clean hand, at the end of the suave,
thin naked arm.

Pinnegar unrolled his shirt and undervest in front of the fire,
warmed them for a moment in the glow, vaguely, sleepily, then
pulled them over his head.  And then at last he rose, with his
shirt hanging over his trousers, and in the same abstract, sleepy
way, shutting the world out of his consciousness, he went out again
to the scullery, pausing at the same dresser-cupboard to take out
his rolled-up day trousers.

Mrs Pinnegar took away the towels and set the dinner on the table--
rich, oniony stew out of a hissing brown stew-jar, boiled potatoes,
and a cup of tea.  The man returned from the scullery, in his clean
flannelette shirt and black trousers, his fair hair neatly brushed.
He planked his wooden armchair beside the table, and sat heavily
down, to eat.

Then he looked at Jimmy, as one wary, probably hostile man looks at
another.

"You're a stranger in these parts, I gather?" he said.  There was
something slightly formal, even a bit pompous, in his speech.

"An absolute stranger," replied Jimmy, with a slight aside grin.

The man dabbed some mustard on his plate, and glanced at his food
to see if he would like it.

"Come from a distance, do you?" he asked, as he began to eat.  As
he ate, he seemed to become oblivious again of Jimmy, bent his head
over his plate, and ate.  But probably he was ruminating something
all the time, with barbaric wariness.

"From London," said Jimmy, warily.

"London!" said Pinnegar, without looking from his plate.

Mrs Pinnegar came and sat, in ritualistic silence, in her tail-
backed rocking-chair under the light.

"What brings you this way, then?" asked Pinnegar, stirring his tea.

"Oh!"  Jimmy writhed a little on the sofa.  "I came to see Mrs
Pinnegar."

The miner took a hasty gulp of tea.

"You're acquainted then, are you?" he said, still without looking
round.  He sat with his side-face to Jimmy.

"Yes, we are NOW," explained Jimmy.  "I didn't know Mrs Pinnegar
till this evening.  As a matter of fact, she sent me some poems for
the Commentator--I'm the editor--and I thought they were good, so I
wrote and told her so.  Then I felt I wanted to come and see her,
and she was willing, so I came."

The man reached out, cut himself a piece of bread, and swallowed a
large mouthful.

"You thought her poetry was good?" he said, turning at last to
Jimmy and looking straight at him, with a stare something like the
child's, but aggressive.  "Are you going to put it in your
magazine?"

"Yes, I think I am," said Jimmy.

"I never read but one of her poems--something about a collier she
knew all about, because she'd married him," he said, in his
peculiar harsh voice, that had a certain jeering clang in it, and a
certain indomitableness.

Jimmy was silent.  The other man's harsh fighting-voice made him
shrink.

"I could never get on with the Commentator myself," said Pinnegar,
looking round for his pudding, pushing his meat-plate aside.
"Seems to me to go a long way round to get nowhere."

"Well, probably it DOES," said Jimmy, squirming a little.  "But so
long as the WAY is interesting!  I don't see that anything gets
anywhere at present--certainly no periodical."

"I don't know," said Pinnegar.  "There's some facts in the
Liberator--and there's some ideas in the Janus.  I can't see the
use myself, of all these feelings folk say they have.  They get you
nowhere."

"But," said Jimmy, with a slight pouf of laughter, "where do you
WANT to get?  It's all very well talking about getting somewhere,
but where, where in the world to-day do you WANT to get?  In
general, I mean.  If you want a better job in the mine--all right,
go ahead and get it.  But when you begin to talk about getting
somewhere in LIFE--why, you've got to know what you're talking
about."

"I'm a man, aren't I?" said the miner, going very still and hard.

"But what do you MEAN, when you say you're a man?" snarled Jimmy,
really exasperated.  "What do you mean?  Yes, you ARE a man.  But
what about it?"

"Haven't I the right to say I won't be made use of?" said the
collier, slow, harsh, and heavy.

"You've got a right to SAY it," retorted Jimmy, with a pouf of
laughter.  "But it doesn't MEAN anything.  We're all made use of,
from King George downwards.  We have to be.  When you eat your
pudding you're making use of hundreds of people--including your
wife."

"I know it.  I know it.  It makes no difference, though.  I'm not
going to be made use of."

Jimmy shrugged his shoulders.

"Oh, all right!" he said.  "That's just a phrase, like any other."

The miner sat very still in his chair, his face going hard and
remote.  He was evidently thinking over something that was stuck
like a barb in his consciousness, something he was trying to harden
over, as the skin sometimes hardens over a steel splinter in the
flesh.

"I'm nothing but made use of," he said, now talking hard and final,
to himself, and staring out into space.  "Down the pit, I'm made
use of, and they give me a wage, such as it is.  At the house, I'm
made use of, and my wife sets the dinner on the table as if I was a
customer in a shop."

"But what do you EXPECT?" cried Jimmy, writhing in his chair.

"Me?  What do I expect?  I expect nothing.  But I tell you what--"
he turned, and looked straight and hard into Jimmy's eyes--"I'm not
going to put up with anything, either."

Jimmy saw the hard finality in the other man's eyes, and squirmed
away from it.

"If you KNOW what you're not going to put up with--" he said.

"I don't want my wife writing poetry!  And sending it to a parcel
of men she's never seen.  _I_ don't want my wife sitting like Queen
Boadicea, when I come home, and a face like a stone wall with holes
is it.  I don't know what's wrong with her.  She doesn't know
herself.  But she does as she likes.  Only, mark you, I do the
same."

"Of course!" cried Jimmy, though there was no of course about it.

"She's told you I've got another woman?"

"Yes."

"And I'll tell you for why.  If I give in to the coal face, and go
down the mine every day to eight hours' slavery, more or less,
somebody's got to give in to me."

"Then," said Jimmy, after a pause, "if you mean you want your wife
to submit to you--well, that's the problem.  You have to marry the
woman who WILL submit."

It was amazing, this from Jimmy.  He sat there and lectured the
collier like a Puritan Father, completely forgetting the
disintegrating flutter of Clarissa, in his own background.

"I want a wife who'll please me, who'll want to please me," said
the collier.

"Why should YOU be pleased, any more than anybody else?" asked the
wife coldly.

"My child, my little girl wants to please me--if her mother would
let her.  But the women hang together.  I tell you"--and here he
turned to Jimmy, with a blaze in his dark blue eyes--"I want a
woman to please me, a woman who's anxious to please me.  And if I
can't find her in my own home, I'll find her out of it."

"I hope she pleases you," said the wife, rocking slightly.

"Well," said the man, "she does."

"Then why don't you go and live with her altogether?" she said.

He turned and looked at her.

"Why don't I?" he said.  "Because I've got my home.  I've got my
house, I've got my wife, let her be what she may, as a woman to
live with.  And I've got my child.  Why should I break it all up?"

"And what about me?" she asked, coldly and fiercely.

"You?  You've got a home.  You've got a child.  You've got a man
who works for you.  You've got what you want.  You do as you like--"

"Do I?" she asked, with intolerable sarcasm.

"Yes.  Apart from the bit of work in the house, you do as you like.
If you want to go, you can go.  But while you live in my house, you
must respect it.  You bring no men here, you see."

"Do YOU respect your home?" she said.

"Yes!  I do!  If I get another woman--who pleases me--I deprive you
of nothing.  All I ask of you is to do your duty as a housewife."

"Down to washing your back!" she said, heavily sarcastic; and,
Jimmy thought, a trifle vulgar.

"Down to washing my back, since it's got to be washed," he said.

"What about the other woman?  Let her do it."

"This is my home."

The wife gave a strange movement, like a mad woman.

Jimmy sat rather pale and frightened.  Behind the collier's
quietness he felt the concentration of almost cold anger and an
unchanging will.  In the man's lean face he could see the bones,
the fixity of the male bones, and it was as if the human soul, or
spirit, had gone into the living skull and skeleton, almost
invulnerable.

Jimmy, for some strange reason, felt a wild anger against this bony
and logical man.  It was the hard-driven coldness, fixity, that he
could not bear.

"Look here!" he cried, in a resonant Oxford voice, his eyes glaring
and casting inwards behind his spectacles.  "You say Mrs Pinnegar
is FREE--free to do as she pleases.  In that case, you have no
objection if she comes with me right away from here."

The collier looked at the pale, strange face of the editor in
wonder.  Jimmy kept his face slightly averted, and sightless,
seeing nobody.  There was a Mephistophelian tilt about the
eyebrows, and a Martyred Sebastian straightness about the mouth.

"Does she WANT to?" asked Pinnegar, with devastating incredulity.
The wife smiled faintly, grimly.  She could see the vanity of her
husband in his utter inability to believe that she could prefer the
other man to him.

"That," said Jimmy, "you must ask her yourself.  But it's what I
came here for: to ask her to come and live with me, and bring the
child."

"You came without having seen her, to ask her that?" said the
husband, in growing wonder.

"Yes," said Jimmy, vehemently, nodding his head with drunken
emphasis.  "Yes!  Without ever having seen her!"

"You've caught a funny fish this time, with your poetry," he said,
turning with curious husband-familiarity to his wife.  She hated
this offhand husband-familiarity.

"What sort of fish have YOU caught?" she retorted.  "And what did
you catch HER with?"

"Bird-lime!" he said, with a faint, quick grin.

Jimmy was sitting in suspense.  They all three sat in suspense, for
some time.

"And what are you saying to him?" said the collier at length.

Jimmy looked up, and the malevolent half-smile on his face made him
look rather handsome again, a mixture of faun and Mephisto.  He
glanced curiously, invitingly, at the woman who was watching him
from afar.

"I say yes!" she replied, in a cool voice.

The husband became very still, sitting erect in his wooden armchair
and staring into space.  It was as if he were fixedly watching
something fly away from him, out of his own soul.  But he was not
going to yield at all, to any emotion.

He could not now believe that this woman should WANT to leave him.
Yet she did.

"I'm sure it's all for the best," said Jimmy, in his Puritan-Father
voice.  "You don't mind, really"--he drawled uneasily--"if she
brings the child.  I give you my word I'll do my very best for it."

The collier looked at him as if he were very far away.  Jimmy
quailed under the look.  He could see that the other man was
relentlessly killing the emotion in himself, stripping himself, as
it were, of his own flesh, stripping himself to the hard
unemotional bone of the human male.

"I give her a blank cheque," said Pinnegar, with numb lips.  "She
does as she pleases."

"So much for fatherly love, compared with selfishness," she said.

He turned and looked at her with that curious power of remote
anger.  And immediately she became still, quenched.

"I give you a blank cheque, as far as I'm concerned," he repeated
abstractedly.

"It IS blank indeed!" she said, with her first touch of bitterness.

Jimmy looked at the clock.  It was growing late: he might be shut
out of the public-house.  He rose to go, saying he would return in
the morning.  He was leaving the next day, at noon, for London.

He plunged into the darkness and mud of that black, night-ridden
country.  There was a curious elation in his spirits, mingled with
fear.  But then he always needed an element of fear, really, to
elate him.  He thought with terror of those two human beings left
in that house together.  The frightening state of tension!  He
himself could never bear an extreme tension.  He always had to
compromise, to become apologetic and pathetic.  He would be able to
manage Mrs Pinnegar that way.  Emily!  He must get used to saying
it.  Emily!  The Emilia was absurd.  He had never known an Emily.

He felt really scared, and really elated.  He was doing something
big.  It was not that he was in LOVE with the woman.  But, my God,
he wanted to take her away from that man.  And he wanted the
adventure of her.  Absolutely the adventure of her.  He felt really
elated, really himself, really manly.

But in the morning he returned rather sheepishly to the collier's
house.  It was another dark, drizzling day, with black trees, black
road, black hedges, blackish brick houses, and the smell and the
sound of collieries under a skyless day.  Like living in some weird
underground.

Unwillingly he went up that passage-entry again, and knocked at the
back door, glancing at the miserable little back garden with its
cabbage-stalks and its ugly sanitary arrangements.

The child opened the door to him: with her fair hair, flushed
cheeks, and hot, dark-blue eyes.

"Hello, Jane!" he said.

The mother stood tall and square, by the table, watching him with
portentous eyes, as he entered.  She was handsome, but her skin was
not very good: as if the battle had been too much for her health.
Jimmy glanced up at her smiling his slow, ingratiating smile, that
always brought a glow of success into a woman's spirit.  And as he
saw her gold-flecked eyes searching in his eyes, without a bit of
kindliness, he thought to himself:  "My God, however am I going to
sleep with that woman!"  His will was ready, however, and he would
manage it somehow.

And when he glanced at the motionless, bony head and lean figure of
the collier seated in the wooden armchair by the fire, he was the
more ready.  He must triumph over that man.

"What train are you going by?" asked Mrs Pinnegar.

"By the twelve thirty."  He looked up at her as he spoke, with the
wide, shining, childlike, almost coy eyes that were his peculiar
asset.  She looked down at him in a sort of interested wonder.  She
seemed almost fascinated by his childlike, shining, inviting dark-
grey eyes, with their long lashes: such an absolute change from
that resentful unyielding that looked out always from the back of
her husband's blue eyes.  Her husband always seemed like a menace
to her, in his thinness, his concentration, his eternal unyielding.
And this man looked at one with the wide, shining, fascinating eyes
of a young Persian kitten, something at once bold and shy and coy
and strangely inviting.  She fell at once under their spell.

"You'll have dinner before you go," she said.

"No!" he cried in panic, unwilling indeed to eat before that other
man.  "No, I ate a fabulous breakfast.  I will get a sandwich when
I change in Sheffield: REALLY!"

She had to go out shopping.  She said she would go out to the
station with him when she got back.  It was just after eleven.

"But look here," he said, addressing also the thin abstracted man
who sat unnoticing, with a newspaper, "we've got to get this thing
settled.  I WANT Mrs Pinnegar to come and live with me, her and the
child.  And she's coming!  So don't you think, now, it would be
better if she came right along with me to-day!  Just put a few
things in a bag and come along.  Why drag the thing out?"

"I tell you," replied the husband, "she has a blank cheque from me
to do as she likes."

"All right, then!  Won't you do that?  Won't you come along with me
now?" said Jimmy, looking up at her exposedly, but casting his eyes
a bit inwards.  Throwing himself with deliberate impulsiveness on
her mercy.

"I can't!" she said decisively.  "I can't come to-day."

"But why not--really?  Why not, while I'm here?  You have that
blank cheque, you can do as you please--"

"The blank cheque won't get me far," she said rudely; "I can't come
to-day, anyhow."

"When can you come, then?" he said, with that queer, petulant
pleading.  "The sooner the better, surely."

"I can come on Monday," she said abruptly.

"Monday!"  He gazed up at her in a kind of panic, through his
spectacles.  Then he set his teeth again, and nodded his head up
and down.  "All right, then!  To-day is Saturday.  Then Monday!"

"If you'll excuse me," she said, "I've got to go out for a few
things.  I'll walk to the station with you when I get back."

She bundled Jane into a little sky-blue coat and bonnet, put on a
heavy black coat and black hat herself, and went out.

Jimmy sat very uneasily opposite the collier, who also wore
spectacles to read.  Pinnegar put down the newspaper and pulled the
spectacles off his nose, saying something about a Labour
Government.

"Yes," said Jimmy.  "After all, best be logical.  If you ARE
democratic, the only logical thing is a Labour Government.  Though,
personally, one Government is as good as another, to me."

"Maybe so!" said the collier.  "But SOMETHING'S got to come to an
end, sooner or later."

"Oh, a great deal!" said Jimmy, and they lapsed into silence.

"Have you been married before?" asked Pinnegar, at length.

"Yes.  My wife and I are divorced."

"I suppose you want me to divorce MY wife?" said the collier.

"Why--yes!--that would be best--"

"It's the same to me," said Pinnegar; "divorce or no divorce.  I'll
LIVE with another woman, but I'll never MARRY another.  Enough is
as good as a feast.  But if she wants a divorce, she can have it."

"It would certainly be best," said Jimmy.

There was a long pause.  Jimmy wished the woman would come back.

"I look on you as an instrument," said the miner.  "Something had
to break.  You are the instrument that breaks it."

It was strange to sit in the room with this thin, remote, wilful
man.  Jimmy was a bit fascinated by him.  But, at the same time, he
hated him because he could not be in the same room with him without
being under his spell.  He felt himself dominated.  And he hated
it.

"My wife," said Pinnegar, looking up at Jimmy with a peculiar,
almost humorous, teasing grin, "expects to see me go to the dogs
when she leaves me.  It is her last hope."

Jimmy ducked his head and was silent, not knowing what to say.  The
other man sat still in his chair, like a sort of infinitely patient
prisoner, looking away out of the window and waiting.

"She thinks," he said again, "that she has some wonderful future
awaiting her somewhere, and you're going to open the door."

And again the same amused grin was in his eyes.

And again Jimmy was fascinated by the man.  And again he hated the
spell of this fascination.  For Jimmy wanted to be, in his own
mind, the strongest man among men, but particularly among women.
And this thin, peculiar man could dominate him.  He knew it.  The
very silent unconsciousness of Pinnegar dominated the room,
wherever he was.

Jimmy hated this.

At last Mrs Pinnegar came back, and Jimmy set off with her.  He
shook hands with the collier.

"Good-bye!" he said.

"Good-bye!" said Pinnegar, looking down at him with those amused
blue eyes, which Jimmy knew he would never be able to get beyond.

And the walk to the station was almost a walk of conspiracy against
the man left behind, between the man in spectacles and the tall
woman.  They arranged the details for Monday.  Emily was to come by
the nine o'clock train: Jimmy would meet her at Marylebone, and
instal her in his house in St John's Wood.  Then, with the child,
they would begin a new life.  Pinnegar would divorce his wife, or
she would divorce him: and then, another marriage.

Jimmy got a tremendous kick out of it all on the journey home.  He
felt he had really done something desperate and adventurous.  But
he was in too wild a flutter to analyse any results.  Only, as he
drew near London, a sinking feeling came over him.  He was
desperately tired after it all, almost too tired to keep up.

Nevertheless, he went after dinner and sprang it all on Severn.

"You damn fool!" said Severn, in consternation.  "What did you do
it for?"

"Well," said Jimmy, writhing.  "Because _I_ WANTED to."

"Good God!  The woman sounds like the head of Medusa.  You're a
hero of some stomach, I must say!  Remember Clarissa?"

"Oh," writhed Jimmy.  "But this is different."

"Ay, her name's Emma, or something of that sort, isn't it?"

"Emily!" said Jimmy briefly.

"Well, you're a fool, anyway, so you may as well keep on acting in
character.  I've no doubt, by playing weeping-willow, you'll
outlive all the female storms you ever prepare for yourself.  I
never yet did see a weeping-willow uprooted by a gale, so keep on
hanging your harp on it, and you'll be all right.  Here's luck!
But for a man who was looking for a little Gretchen to adore him,
you're a corker!"

Which was all that Severn had to say.  But Jimmy went home with his
knees shaking.  On Sunday morning he wrote an anxious letter.  He
didn't know how to begin it:  Dear Mrs Pinnegar and Dear Emily
seemed either too late in the day or too early.  So he just plunged
in, without dear anything.

"I want you to have this before you come.  Perhaps we have been
precipitate.  I only beg you to decide FINALLY, for yourself,
before you come.  Don't come, please, unless you are absolutely
sure of yourself.  If you are IN THE LEAST unsure, wait a while,
wait till you are quite certain, one way or the other.

"For myself, if you don't come I shall understand.  But please send
me a telegram.  If you do come, I shall welcome both you and the
child.  Yours ever--J.F."

He paid a man his return fare, and three pounds extra, to go on the
Sunday and deliver this letter.

The man came back in the evening.  He had delivered the letter.
There was no answer.

Awful Sunday night: tense Monday morning!

A telegram:  "Arrive Marylebone 12.50 with Jane.  Yours ever.
Emily."

Jimmy set his teeth and went to the station.  But when he felt her
looking at him, and so met her eyes: and after that saw her coming
slowly down the platform, holding the child by the hand, her slow
cat's eyes smouldering under her straight brows, smouldering at
him: he almost swooned.  A sickly grin came over him as he held out
his hand.  Nevertheless he said:

"I'm AWFULLY glad you came."

And as he sat in the taxi, a perverse but intense desire for her
came over him, making him almost helpless.  He could feel, so
strongly, the presence of that other man about her, and this went
to his head like neat spirits.  That other man!  In some subtle,
inexplicable way, he was actually bodily present, the husband.  The
woman moved in his aura.  She was hopelessly married to him.

And this went to Jimmy's head like neat whisky.  Which of the two
would fall before him with a greater fall--the woman, or the man,
her husband?



THE LAST LAUGH


There was a little snow on the ground, and the church clock had
just struck midnight.  Hampstead in the night of winter for once
was looking pretty, with clean white earth and lamps for moon, and
dark sky above the lamps.

A confused little sound of voices, a gleam of hidden yellow light.
And then the garden door of a tall, dark Georgian house suddenly
opened, and three people confusedly emerged.  A girl in a dark blue
coat and fur turban, very erect: a fellow with a little dispatch-
case, slouching: a thin man with a red beard, bareheaded, peering
out of the gateway down the hill that swung in a curve downwards
towards London.

"Look at it!  A new world!" cried the man in the beard, ironically,
as he stood on the step and peered out.

"No, Lorenzo!  It's only white-wash!" cried the young man in the
overcoat.  His voice was handsome, resonant, plangent, with a weary
sardonic touch.  As he turned back his face was dark in shadow.

The girl with the erect, alert head, like a bird, turned back to
the two men.

"What was that?" she asked, in her quick, quiet voice.

"Lorenzo says it's a new world.  I say it's only white-wash," cried
the man in the street.

She stood still and lifted her woolly, gloved finger.  She was deaf
and was taking it in.

Yes, she had got it.  She gave a quick, chuckling laugh, glanced
very quickly at the man in the bowler hat, then back at the man in
the stucco gateway, who was grinning like a satyr and waving good-
bye.

"Good-bye, Lorenzo!" came the resonant, weary cry of the man in the
bowler hat.

"Good-bye!" came the sharp, night-bird call of the girl.

The green gate slammed, then the inner door.  The two were alone in
the street, save for the policeman at the corner.  The road curved
steeply downhill.

"You'd better mind how you STEP!" shouted the man in the bowler
hat, leaning near the erect, sharp girl, and slouching in his walk.
She paused a moment, to make sure what he had said.

"Don't mind me, I'm quite all right.  Mind yourself!" she said
quickly.  At that very moment he gave a wild lurch on the slippery
snow, but managed to save himself from falling.  She watched him on
tiptoes of alertness.  His bowler hat bounced away in the thin
snow.  They were under a lamp near the curve.  As he ducked for his
hat he showed a bald spot, just like a tonsure, among his dark,
thin, rather curly hair.  And when he looked up at her, with his
thick black brows sardonically arched, and his rather hooked nose
self-derisive, jamming his hat on again, he seemed like a satanic
young priest.  His face had beautiful lines, like a faun, and a
doubtful martyred expression.  A sort of faun on the Cross, with
all the malice of the complication.

"Did you hurt yourself?" she asked in her quick, cool, unemotional
way.

"No!" he shouted derisively.

"Give me the machine, won't you?" she said, holding out her woolly
hand.  "I believe I'm safer."

"Do you WANT it?" he shouted.

"Yes, I'm sure I'm safer."

He handed her the little brown dispatch-case, which was really a
Marconi listening machine for her deafness.  She marched erect as
ever.  He shoved his hands deep in his overcoat pockets and
slouched along beside her, as if he wouldn't make his legs firm.
The road curved down in front of them, clean and pale with snow
under the lamps.  A motorcar came churning up.  A few dark figures
slipped away into the dark recesses of the houses, like fishes
among rocks above a sea-bed of white sand.  On the left was a tuft
of trees sloping upwards into the dark.

He kept looking around, pushing out his finely shaped chin and his
hooked nose as if he were listening for something.  He could still
hear the motor-car climbing on to the Heath.  Below was the yellow,
foul-smelling glare of the Hampstead Tube Station.  On the right
the trees.

The girl, with her alert pink-and-white face, looked at him
sharply, inquisitively.  She had an odd nymph-like inquisitiveness,
sometimes like a bird, sometimes a squirrel, sometimes a rabbit:
never quite like a woman.  At last he stood still, as if he would
go no farther.  There was a curious, baffled grin on his smooth,
cream-coloured face.

"James," he said loudly to her, leaning towards her ear.  "Do you
hear somebody LAUGHING?"

"Laughing?" she retorted quickly.  "Who's laughing?"

"I don't know.  SOMEBODY!" he shouted, showing his teeth at her in
a very odd way.

"No, I hear nobody," she announced.

"But it's most EXTRAORDINARY!" he cried, his voice slurring up and
down.  "Put on your machine."

"Put it on?" she retorted.  "What for?"

"To see if you can HEAR it," he cried.

"Hear what?"

"The LAUGHING.  Somebody laughing.  It's most EXTRAORDINARY."

She gave her odd little chuckle and handed him her machine.  He
held it while she opened the lid and attached the wires, putting
the band over her head and the receivers at her ears, like a
wireless operator.  Crumbs of snow fell down the cold darkness.
She switched on: little yellow lights in glass tubes shone in the
machine.  She was connected, she was listening.  He stood with his
head ducked, his hands shoved down in his overcoat pockets.

Suddenly he lifted his face and gave the weirdest, slightly
neighing laugh, uncovering his strong, spaced teeth, and arching
his black brows, and watching her with queer, gleaming, goat-like
eyes.

She seemed a little dismayed.

"There!" he said.  "Didn't you hear it?"

"I heard YOU!" she said, in a tone which conveyed that THAT was
enough.

"But didn't you hear IT!" he cried, unfurling his lips oddly again.

"No!" she said.

He looked at her vindictively, and stood again with ducked head.
She remained erect, her fur hat in her hand, her fine bobbed hair
banded with the machine-band and catching crumbs of snow, her odd,
bright-eyed, deaf nymph's face lifted with blank listening.

"There!" he cried, suddenly jerking up his gleaming face.  "You
mean to tell me you can't--"  He was looking at her almost
diabolically.  But something else was too strong for him.  His face
wreathed with a startling, peculiar smile, seeming to gleam, and
suddenly the most extraordinary laugh came bursting out of him,
like an animal laughing.  It was a strange, neighing sound, amazing
in her ears.  She was startled, and switched her machine quieter.

A large form loomed up: a tall, clean-shaven young policeman.

"A radio?" he asked laconically.

"No, it's my machine.  I'm deaf!" said Miss James quickly and
distinctly.  She was not the daughter of a peer for nothing.

The man in the bowler hat lifted his face and glared at the fresh-
faced young policeman with a peculiar white glare in his eyes.

"Look here!" he said distinctly.  "Did you hear someone laughing?"

"Laughing?  I heard you, sir."

"No, NOT me."  He gave an impatient jerk of his arm, and lifted his
face again.  His smooth, creamy face seemed to gleam, there were
subtle curves of derisive triumph in all its lines.  He was careful
not to look directly at the young policeman.  "The most
extraordinary laughter I ever heard," he added, and the same touch
of derisive exultation sounded in his tones.

The policeman looked down on him cogitatingly.

"It's perfectly all right," said Miss James coolly.  "He's not
drunk.  He just hears something that we don't hear."

"Drunk!" echoed the man in the bowler hat, in profoundly amused
derision.  "If I were merely drunk--"  And off he went again in the
wild, neighing, animal laughter, while his averted face seemed to
flash.

At the sound of the laughter something roused in the blood of the
girl and of the policeman.  They stood nearer to one another, so
that their sleeves touched and they looked wonderingly across at
the man in the bowler hat.  He lifted his black brows at them.

"Do you mean to say you heard nothing?" he asked.

"Only you," said Miss James.

"Only you, sir!" echoed the policeman.

"What was it like?" asked Miss James.

"Ask me to DESCRIBE it!" retorted the young man, in extreme
contempt.  "It's the most marvellous sound in the world."

And truly he seemed wrapped up in a new mystery.

"Where does it come from?" asked Miss James, very practical.

"Apparently," it answered in contempt, "from over there."  And he
pointed to the trees and bushes inside the railings over the road.

"Well, let's go and see!" she said.  "I can carry my machine and go
on listening."

The man seemed relieved to get rid of the burden.  He shoved his
hands in his pockets again and sloped off across the road.  The
policeman, a queer look flickering on his fresh young face, put his
hand round the girl's arm carefully and subtly, to help her.  She
did not lean at all on the support of the big hand, but she was
interested, so she did not resent it.  Having held herself all her
life intensely aloof from physical contact, and never having let
any man touch her, she now, with a certain nymph-like voluptuousness,
allowed the large hand of the young policeman to support her as they
followed the quick wolf-like figure of the other man across the road
uphill.  And she could feel the presence of the young policeman,
through all the thickness of his dark-blue uniform, as something
young and alert and bright.

When they came up to the man in the bowler hat, he was standing
with his head ducked, his ears pricked, listening beside the iron
rail inside which grew big black holly trees tufted with snow, and
old, ribbed, silent English elms.

The policeman and the girl stood waiting.  She was peering into the
bushes with the sharp eyes of a deaf nymph, deaf to the world's
noises.  The man in the bowler hat listened intensely.  A lorry
rolled downhill, making the earth tremble.

"There!" cried the girl, as the lorry rumbled darkly past.  And she
glanced round with flashing eyes at her policeman, her fresh soft
face gleaming with startled life.  She glanced straight into the
puzzled, amused eyes of the young policeman.  He was just enjoying
himself.

"Don't you see?" she said, rather imperiously.

"What is it, Miss?" answered the policeman.

"I mustn't point," she said.  "Look where I look."

And she looked away with brilliant eyes, into the dark holly
bushes.  She must see something, for she smiled faintly, with
subtle satisfaction, and she tossed her erect head in all the pride
of vindication.  The policeman looked at her instead of into the
bushes.  There was a certain brilliance of triumph and vindication
in all the poise of her slim body.

"I always knew I should see him," she said triumphantly to herself.

"Whom do you see?" shouted the man in the bowler hat.

"Don't you see him too?" she asked, turning round her soft, arch,
nymph-like face anxiously.  She was anxious for the little man to
see.

"No, I see nothing.  What do you see, James?" cried the man in the
bowler hat, insisting.

"A man."

"Where?"

"There.  Among the holly bushes."

"Is he there now?"

"No!  He's gone."

"What sort of a man?"

"I don't know."

"What did he look like?"

"I can't tell you."

But at that instant the man in the bowler hat turned suddenly, and
the arch, triumphant look flew to his face.

"Why, he must be THERE!" he cried, pointing up the grove.  "Don't
you hear him laughing?  He must be behind those trees."

And his voice, with curious delight, broke into a laugh again, as
he stood and stamped his feet on the snow, and danced to his own
laughter, ducking his head.  Then he turned away and ran swiftly up
the avenue lined with old trees.

He slowed down as a door at the end of a garden path, white with
untouched snow, suddenly opened, and a woman in a long-fringed
black shawl stood in the light.  She peered out into the night.
Then she came down to the low garden gate.  Crumbs of snow still
fell.  She had dark hair and a tall dark comb.

"Did you knock at my door?" she asked of the man in the bowler hat.

"I?  No!"

"Somebody knocked at my door."

"Did they?  Are you sure?  They can't have done.  There are no
footmarks in the snow."

"Nor are there!" she said.  "But somebody knocked and called
something."

"That's very curious," said the man.  "Were you expecting someone?"

"No.  Not exactly expecting anyone.  Except that one is always
expecting Somebody, you know."  In the dimness of the snow-lit
night he could see her making big, dark eyes at him.

"Was it someone laughing?" he said.

"No.  It was no one laughing, exactly.  Someone knocked, and I ran
to open, hoping as one always hopes, you know--"

"What?"

"Oh--that something wonderful is going to happen."

He was standing close to the low gate.  She stood on the opposite
side.  Her hair was dark, her face seemed dusky, as she looked up
at him with her dark, meaningful eyes.

"Did you wish someone would come?" he asked.

"Very much," she replied, in her plangent Jewish voice.  She must
be a Jewess.

"No matter who?" he said, laughing.

"So long as it was a man I could like," she said, in a low,
meaningful, falsely shy voice.

"Really!" he said.  "Perhaps after all it was I who knocked--
without knowing."

"I think it was," she said.  "It must have been."

"Shall I come in?" he asked, putting his hand on the little gate.

"Don't you think you'd better?" she replied.

He bent down, unlatching the gate.  As he did so the woman in the
black shawl turned, and, glancing over her shoulder, hurried back
to the house, walking unevenly in the snow, on her high-heeled
shoes.  The man hurried after her, hastening like a hound to catch
up.

Meanwhile the girl and the policeman had come up.  The girl stood
still when she saw the man in the bowler hat going up the garden
walk after the woman in the black shawl with the fringe.

"Is he going in?" she asked quickly.

"Looks like it, doesn't it?" said the policeman.

"Does he know that woman?"

"I can't say.  I should say he soon will," replied the policeman.

"But who is she?"

"I couldn't say who she is."

The two dark, confused figures entered the lighted doorway, then
the door closed on them.

"He's gone," said the girl outside on the snow.  She hastily began
to pull off the band of her telephone receiver, and switched off
her machine.  The tubes of secret light disappeared, she packed up
the little leather case.  Then, pulling on her soft fur cap, she
stood once more ready.

The slightly martial look which her long dark-blue military-seeming
coat gave her was intensified, while the slightly anxious,
bewildered look on her face had gone.  She seemed to stretch
herself, to stretch her limbs free.  And the inert look had left
her full soft cheeks.  Her cheeks were alive with the glimmer of
pride and a new dangerous surety.

She looked quickly at the tall young policeman.  He was clean-
shaven, fresh-faced, smiling oddly under his helmet, waiting in
subtle patience, a few yards away.  She saw that he was a decent
young man, one of the waiting sort.

The second of ancient fear was followed at once in her by a blithe,
unaccustomed sense of power.

"Well!" she said.  "I should say it's no use waiting."  She spoke
decisively.

"You don't have to wait for him, do you?" asked the policeman.

"Not at all.  He's much better where he is."  She laughed an odd,
brief laugh.  Then glancing over her shoulder, she set off down the
hill, carrying her little case.  Her feet felt lighter, her legs
felt long and strong.  She glanced over her shoulder again.  The
young policeman was following her, and she laughed to herself.  Her
limbs felt so lithe and so strong, if she wished she could easily
run faster than he.  If she wished she could easily kill him, even
with her hands.

So it seemed to her.  But why kill him?  He was a decent young
fellow.  She had in front of her eyes the dark face among the holly
bushes, with the brilliant, mocking eyes.  Her breast felt full of
power, and her legs felt long and strong and wild.  She was
surprised herself at the strong, bright, throbbing sensation
beneath her breasts, a sensation of triumph and rosy anger.  Her
hands felt keen on her wrists.  She who had always declared she had
not a muscle in her body!  Even now, it was not muscle, it was a
sort of flame.

Suddenly it began to snow heavily, with fierce frozen puffs of
wind.  The snow was small, in frozen grains, and hit sharp on her
face.  It seemed to whirl round her as if she herself were whirling
in a cloud.  But she did not mind.  There was a flame in her, her
limbs felt flamey and strong, amid the whirl.

And the whirling snowy air seemed full of presences, full of
strange unheard voices.  She was used to the sensation of noises
taking place which she could not hear.  This sensation became very
strong.  She felt something was happening in the wild air.

The London air was no longer heavy and clammy, saturated with
ghosts of the unwilling dead.  A new, clean tempest swept down from
the Pole, and there were noises.

Voices were calling.  In spite of her deafness she could hear
someone, several voices, calling and whistling, as if many people
were hallooing through the air:

"He's come back!  Aha!  He's come back!"

There was a wild, whistling, jubilant sound of voices in the storm
of snow.  Then obscured lightning winked through the snow in the
air.

"Is that thunder and lightning?" she asked of the young policeman,
as she stood still, waiting for his form to emerge through the veil
of whirling snow.

"Seems like it to me," he said.

And at that very moment the lightning blinked again, and the dark,
laughing face was near her face, it almost touched her cheek.

She started back, but a flame of delight went over her.

"There!" she said.  "Did you see that?"

"It lightened," said the policeman.

She was looking at him almost angrily.  But then the clean, fresh
animal look of his skin, and the tame-animal look in his frightened
eyes amused her, she laughed her low, triumphant laugh.  He was
obviously afraid, like a frightened dog that sees something
uncanny.

The storm suddenly whistled louder, more violently, and, with a
strange noise like castanets, she seemed to hear voices clapping
and crying:

"He is here!  He's come back!"

She nodded her head gravely.

The policeman and she moved on side by side.  She lived alone in a
little stucco house in a side street down the hill.  There was a
church and a grove of trees and then the little old row of houses.
The wind blew fiercely, thick with snow.  Now and again a taxi went
by, with its lights showing weirdly.  But the world seemed empty,
uninhabited save by snow and voices.

As the girl and the policeman turned past the grove of trees near
the church, a great whirl of wind and snow made them stand still,
and in the wild confusion they heard a whirling of sharp, delighted
voices, something like seagulls, crying:

"He's here!  He's here!"

"Well, I'm jolly glad he's back," said the girl calmly.

"What's that?" said the nervous policeman, hovering near the girl.

The wind let them move forward.  As they passed along the railings
it seemed to them the doors of the church were open, and the
windows were out, and the snow and the voices were blowing in a
wild career all through the church.

"How extraordinary that they left the church open!" said the girl.

The policeman stood still.  He could not reply.

And as they stood they listened to the wind and the church full of
whirling voices all calling confusedly.

"NOW I hear the laughing," she said suddenly.

It came from the church: a sound of low, subtle, endless laughter,
a strange, naked sound.

"Now I hear it!" she said.

But the policeman did not speak.  He stood cowed, with his tail
between his legs, listening to the strange noises in the church.

The wind must have blown out one of the windows, for they could see
the snow whirling in volleys through the black gap, and whirling
inside the church like a dim light.  There came a sudden crash,
followed by a burst of chuckling, naked laughter.  The snow seemed
to make a queer light inside the building, like ghosts moving, big
and tall.

There was more laughter, and a tearing sound.  On the wind, pieces
of paper, leaves of books, came whirling among the snow through the
dark window.  Then a white thing, soaring like a crazy bird, rose
up on the wind as if it had wings, and lodged on a black tree
outside, struggling.  It was the altar-cloth.

There came a bit of gay, trilling music.  The wind was running over
the organ-pipes like pan-pipes, quickly up and down.  Snatches of
wild, gay, trilling music, and bursts of the naked low laughter.

"Really!" said the girl.  "This is most extraordinary.  Do you hear
the music and the people laughing?"

"Yes, I hear somebody on the organ!" said the policeman.

"And do you get the puff of warm wind?  Smelling of spring.  Almond
blossom, that's what it is!  A most marvellous scent of almond
blossom.  ISN'T it an extraordinary thing!"

She went on triumphantly past the church, and came to the row of
little old houses.  She entered her own gate in the little railed
entrance.

"Here I am!" she said finally.  "I'm home now.  Thank you very much
for coming with me."

She looked at the young policeman.  His whole body was white as a
wall with snow, and in the vague light of the arc-lamp from the
street his face was humble and frightened.

"Can I come in and warm myself a bit?" he asked humbly.  She knew
it was fear rather than cold that froze him.  He was in mortal
fear.

"Well!" she said.  "Stay down in the sitting-room if you like.  But
don't come upstairs, because I am alone in the house.  You can make
up the fire in the sitting-room, and you can go when you are warm."

She left him on the big, low couch before the fire, his face bluish
and blank with fear.  He rolled his blue eyes after her as she left
the room.  But she went up to her bedroom and fastened her door.

In the morning she was in her studio upstairs in her little house,
looking at her own paintings and laughing to herself.  Her canaries
were talking and shrilly whistling in the sunshine that followed
the storm.  The cold snow outside was still clean, and the white
glare in the air gave the effect of much stronger sunshine than
actually existed.

She was looking at her own paintings, and chuckling to herself over
their comicalness.  Suddenly they struck her as absolutely absurd.
She quite enjoyed looking at them, they seemed to her so grotesque.
Especially her self-portrait, with its nice brown hair and its
slightly opened rabbit-mouth and its baffled uncertain rabbit-eyes.
She looked at the painted face and laughed in a long, rippling
laugh, till the yellow canaries like faded daffodils almost went
mad in an effort to sing louder.  The girl's long, rippling laugh
sounded through the house uncannily.

The house-keeper, a rather sad-faced young woman of a superior sort--
nearly all people in England are of the superior sort, superiority
being an English ailment--came in with an inquiring and rather
disapproving look.

"Did you call, Miss James?" she asked loudly.

"No.  No, I didn't call.  Don't shout, I can hear quite well,"
replied the girl.

The housekeeper looked at her again.

"You knew there was a young man in the sitting-room?" she said.

"No.  Really!" cried the girl.  "What, the young policeman?  I'd
forgotten all about him.  He came in in the storm to warm himself.
Hasn't he gone?"

"No, Miss James."

"How extraordinary of him!  What time is it?  Quarter to nine!  Why
didn't he go when he was warm?  I must go and see him, I suppose."

"He says he's lame," said the housekeeper censoriously and loudly.

"Lame!  That's extraordinary.  He certainly wasn't last night.  But
don't shout.  I can hear quite well."

"Is Mr. Marchbanks coming in to breakfast, Miss James?" said the
housekeeper, more and more censorious.

"I couldn't say.  But I'll come down as soon as mine is ready.
I'll be down in a minute, anyhow, to see the policeman.
Extraordinary that he is still here."

She sat down before her window, in the sun, to think a while.  She
could see the snow outside, the bare, purplish trees.  The air all
seemed rare and different.  Suddenly the world had become quite
different: as if some skin or integument had broken, as if the old,
mouldering London sky had crackled and rolled back, like an old
skin, shrivelled, leaving an absolutely new blue heaven.

"It really is extraordinary!" she said to herself.  "I certainly
saw that man's face.  What a wonderful face it was!  I shall never
forget it.  Such laughter!  He laughs longest who laughs last.  He
certainly will have the last laugh.  I like him for that: he will
laugh last.  Must be someone really extraordinary!  How very nice
to be the one to laugh last.  He certainly will.  What a wonderful
being!  I suppose I must call him a being.  He's not a person
exactly.

"But how wonderful of him to come back and alter all the world
immediately!  ISN'T that extraordinary.  I wonder if he'll have
altered Marchbanks.  Of course Marchbanks never SAW him.  But he
heard him.  Wouldn't that do as well, I wonder!--I WONDER!"

She went off into a muse about Marchbanks.  She and he were SUCH
friends.  They had been friends like that for almost two years.
Never lovers.  Never that at all.  But FRIENDS.

And after all, she had been in love with him: in her head.  This
seemed now so funny to her: that she had been, in her head, so much
in love with him.  After all, life was too absurd.

Because now she saw herself and him as such a funny pair.  He so
funnily taking life terribly seriously, especially his own life.
And she so ridiculously DETERMINED to save him from himself.  Oh,
how absurd!  DETERMINED to save him from himself, and wildly in
love with him in the effort.  The determination to save him from
himself.

Absurd!  Absurd!  Absurd!  Since she had seen the man laughing
among the holly bushes--SUCH extraordinary, wonderful laughter--she
had seen her own ridiculousness.  Really, what fantastic silliness,
saving a man from himself!  Saving anybody.  What fantastic
silliness!  How much more amusing and lively to let a man go to
perdition in his own way.  Perdition was more amusing than
salvation anyhow, and a much better place for most men to go to.

She had never been in love with any man, and only spuriously in
love with Marchbanks.  She saw it quite plainly now.  After all,
what nonsense it all was, this being-in-love business.  Thank
goodness she had never made the humiliating mistake.

No, the man among the holly bushes had made her see it all so
plainly: the ridiculousness of being in love, the infra dig.
business of chasing a man or being chased by a man.

"Is love REALLY so absurd and infra dig.?" she said aloud to
herself.

"Why, of course!" came a deep, laughing voice.

She started round, but nobody was to be seen.

"I expect it's that man again!" she said to herself.  "It really IS
remarkable, you know.  I consider it's a remarkable thing that I
never really wanted a man, ANY man.  And there I am over thirty.
It IS curious.  Whether it's something wrong with me, or right with
me, I can't say.  I don't know till I've proved it.  But I believe,
if that man kept on laughing something would happen to me."

She smelt the curious smell of almond blossom in the room, and
heard the distant laugh again.

"I do wonder why Marchbanks went with that woman last night--that
Jewish-looking woman.  Whatever could he want of her?--or she of
him?  So strange, as if they both had made up their minds to
something!  How extraordinarily puzzling life is!  So messy, it all
seems.

"Why does nobody laugh in life like that man?  He DID seem so
wonderful.  So scornful!  And so proud!  And so real!  With those
laughing, scornful, amazing eyes, just laughing and disappearing
again.  I can't imagine him chasing a Jewish-looking woman.  Or
chasing any woman, thank goodness.  It's all so messy.  My
policeman would be messy if one would let him: like a dog.  I do
dislike dogs, really I do.  And men do seem so doggy!--"

But even while she mused, she began to laugh again to herself with
a long, low chuckle.  How wonderful of that man to come and laugh
like that and make the sky crack and shrivel like an old skin!
Wasn't he wonderful!  Wouldn't it be wonderful if he just touched
her.  Even touched her.  She felt, if he touched her, she herself
would emerge new and tender out of the old, hard skin.  She was
gazing abstractedly out of the window.

"There he comes, just now," she said abruptly.  But she meant
Marchbanks, not the laughing man.

There he came, his hands still shoved down in his overcoat pockets,
his head still rather furtively ducked in the bowler hat, and his
legs still rather shambling.  He came hurrying across the road, not
looking up, deep in thought, no doubt.  Thinking profoundly, with
agonies of agitation, no doubt about his last night's experience.
It made her laugh.

She, watching from the window above, burst into a long laugh, and
the canaries went off their heads again.

He was in the hall below.  His resonant voice was calling, rather
imperiously:

"James!  Are you coming down?"

"No," she called.  "You come up."

He came up two at a time, as if his feet were a bit savage with the
stairs for obstructing him.

In the doorway he stood staring at her with a vacant, sardonic
look, his grey eyes moving with a queer light.  And she looked back
at him with a curious, rather haughty carelessness.

"Don't you want your breakfast?" she asked.  It was his custom to
come and take breakfast with her each morning.

"No," he answered loudly.  "I went to a tea-shop."

"Don't shout," she said.  "I can hear you quite well."

He looked at her with mockery and a touch of malice.

"I believe you always could," he said, still loudly.

"Well, anyway, I can now, so you needn't shout," she replied.

And again his grey eyes, with the queer, greyish phosphorescent
gleam in them, lingered malignantly on her face.

"Don't look at me," she said calmly.  "I know all about
everything."

He burst into a pouf of malicious laughter.

"Who taught you--the policeman?" he cried.

"Oh, by the way, he must be downstairs!  No, he was only
incidental.  So, I suppose, was the woman in the shawl.  Did you
stay all night?"

"Not entirely.  I came away before dawn.  What did you do?"

"Don't shout.  I came home long before dawn."  And she seemed to
hear the long, low laughter.

"Why, what's the matter?" he said curiously.  "What have you been
doing?"

"I don't quite know.  Why?--are you going to call me to account?"

"Did you hear that laughing?"

"Oh yes.  And many more things.  And saw things too."

"Have you seen the paper?"

"No.  Don't shout, I can hear."

"There's been a great storm, blew out the windows and doors of the
church outside here, and pretty well wrecked the place."

"I saw it.  A leaf of the church Bible blew right in my face: from
the Book of Job--"  She gave a low laugh.

"But what else did you see?" he cried loudly.

"I saw HIM."

"Who?"

"Ah, that I can't say."

"But what was he like?"

"That I can't tell you.  I don't really know."

"But you must know.  Did your policeman see him too?"

"No, I don't suppose he did.  My policeman!"  And she went off into
a long ripple of laughter.  "He is by no means mine.  But I MUST go
downstairs and see him."

"It's certainly made you very strange," Marchbanks said.  "You've
got no SOUL, you know."

"Oh, thank goodness for that!" she cried.  "My policeman has one,
I'm sure.  MY POLICEMAN!"  And she went off again into a long peal
of laughter, the canaries pealing shrill accompaniment.

"What's the matter with you?" he said.

"Having no soul.  I never had one really.  It was always fobbed off
on me.  Soul was the only thing there was between you and me.
Thank goodness it's gone.  Haven't you lost yours?  The one that
seemed to worry you, like a decayed tooth?"

"But what are you TALKING about?" he cried.

"I don't know," she said.  "It's all so extraordinary.  But look
here, I MUST go down and see my policeman.  He's downstairs in the
sitting-room.  You'd better come with me."

They went down together.  The policeman in his waistcoat and
shirtsleeves was lying on the sofa, with a very long face.

"Look here!" said Miss James to him.  "Is it true you're lame?"

"It is true.  That's why I'm here.  I can't walk," said the fair-
haired young man as tears came to his eyes.

"But how did it happen?  You weren't lame last night," she said.

"I don't know how it happened--but when I woke up and tried to
stand up, I couldn't do it."  The tears ran down his distressed
face.

"How very extraordinary!" she said.  "What can we do about it?"

"Which foot is it?" asked Marchbanks.  "Let us have a look at it."

"I don't like to," said the poor devil.

"You'd better," said Miss James.

He slowly pulled off his stocking, and showed his white left foot
curiously clubbed, like the weird paw of some animal.  When he
looked at it himself, he sobbed.

And as he sobbed, the girl heard again the low, exulting laughter.
But she paid no heed to it, gazing curiously at the weeping young
policeman.

"Does it hurt?" she asked.

"It does if I try to walk on it," wept the young man.

"I'll tell you what," she said.  "We'll telephone for a doctor, and
he can take you home in a taxi."

The young fellow shamefacedly wiped his eyes.

"But have you no idea how it happened?" asked Marchbanks anxiously.

"I haven't myself," said the young fellow.

At that moment the girl heard the low, eternal laugh right in her
ear.  She started, but could see nothing.

She started round again as Marchbanks gave a strange, yelping cry,
like a shot animal.  His white face was drawn, distorted in a
curious grin, that was chiefly agony but partly wild recognition.
He was staring with fixed eyes at something.  And in the rolling
agony of his eyes was the horrible grin of a man who realises he
had made a final, and this time fatal, fool of himself.

"Why," he yelped in a high voice, "I knew it was he!"  And with a
queer shuddering laugh he pitched forward on the carpet and lay
writhing for a moment on the floor.  Then he lay still, in a weird,
distorted position, like a man struck by lightening.

Miss James stared with round, staring brown eyes.

"Is he dead?" she asked quickly.

The young policeman was trembling so that he could hardly speak.
She could hear his teeth chattering.

"Seems like it," he stammered.

There was a faint smell of almond blossom in the air.



IN LOVE


"Well, my dear!" said Henrietta.  "If I had such a worried look on
my face, when I was going down to spend the weekend with the man I
was engaged to--and going to be married to in a month--well!  I
should either try and change my face, or hide my feelings, or
something."

"You shut up!" said Hester curtly.  "Don't look at my face, if it
doesn't please you."

"Now, my dear Hester, don't go into one of your tempers!  Just look
in the mirror, and you'll see what I mean."

"Who cares what you mean!  You're not responsible for my face,"
said Hester desperately, showing no intention of looking in the
mirror, or of otherwise following her sister's kind advice.

Henrietta, being the younger sister, and mercifully unengaged,
hummed a tune lightly.  She was only twenty-one, and had not the
faintest intention of jeopardising her peace of mind by accepting
any sort of fatal ring.  Nevertheless, it WAS nice to see Hester
"getting off", as they say; for Hester was nearly twenty-five,
which is serious.

The worst of it was, lately Hester had had her famous "worried"
look on her face, when it was a question of the faithful Joe: dark
shadows under the eyes, drawn lines down the cheeks.  And when
Hester looked like that, Henrietta couldn't help feeling the most
horrid jangled echo of worry and apprehension in her own heart, and
she hated it.  She simply couldn't stand that sudden feeling of
fear.

"What I mean to say," she continued, "IS--that it's jolly unfair to
Joe, if you go down looking like that.  Either put a better face on
it, or--"  But she checked herself.  She was going to say "don't
go".  But really, she did hope that Hester would go through with
this marriage.  Such a weight off her, Henrietta's, mind.

"Oh, hang!" cried Hester.  "Shut up!"  And her dark eyes flashed a
spark of fury and misgiving at the young Henrietta.

Henrietta sat down on the bed, lifted her chin, and composed her
face like a meditating angel.  She really was intensely fond of
Hester, and the worried look was such a terribly bad sign.

"Look here, Hester!" she said.  "Shall I come down to Markbury with
you?  _I_ don't mind, if you'd like me to."

"My dear girl," cried Hester in desperation, "what earthly use do
you think that would be?"

"Well, I thought it might take the edge off the intimacy, if that's
what worries you."

Hester re-echoed with a hollow, mocking laugh.

"Don't be such a CHILD, Henrietta, really!" she said.

And Hester set off alone, down to Wiltshire, where her Joe had just
started a little farm, to get married on.  After being in the
artillery, he had got sick and tired of business: besides, Hester
would never have gone into a little suburban villa.  Every woman
sees her home through a wedding ring.  Hester had only taken a
squint through her engagement ring, so far.  But Ye Gods! not
Golders Green, not even Harrow!

So Joe had built a little brown wooden bungalow--largely with his
own hands: and at the back was a small stream with two willows, old
ones.  At the sides were brown sheds, and chicken-runs.  There were
pigs in a hog-proof wire fence, and two cows in a field, and a
horse.  Joe had thirty-odd acres, with only a youth to help him.
But of course, there would be Hester.

It all looked very new and tidy.  Joe was a worker.  He too looked
rather new and tidy, very healthy and pleased with himself.  He
didn't even see the "worried look".  Or if he did, he only said:

"You're looking a bit fagged, Hester.  Going up to the City takes
it out of you, more than you know.  You'll be another girl down
here."

"Shan't I just!" cried Hester.

She did like it, too!--the lots of white and yellow hens, and the
pigs so full of pep!  And the yellow thin blades of willow leaves
showering softly down at the back of her house from the leaning old
trees.  She liked it awfully: especially the yellow leaves on the
earth.

She told Joe she thought it was all lovely, topping, fine!  And he
was awfully pleased.  Certainly HE looked fit enough.

The mother of the helping youth gave them dinner at half-past
twelve.  The afternoon was all sunshine and little jobs to do,
after she had dried the dishes for the mother of the youth.

"Not long now, miss, before you'll be cooking at this range: and a
good little range it is."

"Not long now, no!" echoed Hester, in the hot little wooden
kitchen, that was over-heated from the range.

The woman departed.  After tea, the youth also departed and Joe and
Hester shut up the chickens and the pigs.  It was nightfall.
Hester went in and made the supper, feeling somehow a bit of a
fool, and Joe made a fire in the living-room, he feeling rather
important and luscious.

He and Hester would be alone in the bungalow, till the youth
appeared next morning.  Six months ago, Hester would have enjoyed
it.  They were so perfectly comfortable together, he and she.  They
had been friends, and his family and hers had been friends for
years, donkey's years.  He was a perfectly decent boy, and there
would never have been anything messy to fear from him.  Nor from
herself.  Ye Gods, no!

But now, alas, since she had promised to marry him, he had made the
wretched mistake of falling "in love" with her.  He had never been
that way before.  And if she had known he would get this way now,
she would have said decidedly:  Let us remain friends, Joe, for
this sort of thing is a come-down.  Once he started cuddling and
petting, she couldn't stand him.  Yet she felt she ought to.  She
imagined she even ought to like it.  Though where the OUGHT came
from, she could not see.

"I'm afraid, Hester," he said sadly, "you're not in love with me as
I am with you."

"Hang it all!" she cried.  "If I'm not, you ought to be jolly well
thankful, that's all I've got to say."

Which double-barrelled remark he heard, but did not register.  He
never liked looking anything in the very pin-point middle of the
eye.  He just left it, and left all her feelings comfortably in the
dark.  Comfortably for him, that is.

He was extremely competent at motor-cars and farming and all that
sort of thing.  And surely she, Hester, was as complicated as a
motorcar!  Surely she had as many subtle little valves and magnetos
and accelerators and all the rest of it, to her make-up!  If only
he would try to handle HER as carefully as he handled his car!  She
needed starting, as badly as ever any automobile did.  Even if a
car had a self-starter, the man had to give it the right twist.
Hester felt she would need a lot of cranking up, if ever she was to
start off on the matrimonial road with Joe.  And he, the fool, just
sat in a motionless car and pretended he was making heaven knows
how many miles an hour.

This evening she felt really desperate.  She had been quite all
right doing things with him, during the afternoon, about the place.
Then she liked being with him.  But now that it was evening and
they were alone, the stupid little room, the cosy fire, Joe, Joe's
pipe, and Joe's smug sort of hypocritical face, all was just too
much for her.

"Come and sit here, dear," said Joe persuasively, patting the sofa
at his side.  And she, because she believed a NICE girl would have
been only too delighted to go and sit "there", went and sat beside
him.  But she was boiling.  What cheek!  What cheek of him even to
have a sofa!  She loathed the vulgarity of sofas.

She endured his arm round her waist, and a certain pressure of his
biceps which she presumed was cuddling.  He had carefully knocked
his pipe out.  But she thought how smug and silly his face looked,
all its natural frankness and straight-forwardness had gone.  How
ridiculous of him to stroke the back of her neck!  How idiotic he
was, trying to be lovey-dovey!  She wondered what sort of sweet
nothings Lord Byron, for example, had murmured to his various
ladies.  Surely not so blithering, not so incompetent!  And how
monstrous of him, to kiss her like that.

"I'd infinitely rather you'd play to me, Joe," she snapped.

"You don't want me to play to you to-night, do you, dear?" he said.

"Why not to-night?  I'd love to hear some Tchaikowsky, something to
stir me up a bit."

He rose obediently and went to the piano.  He played quite well.
She listened.  And Tchaikowsky might have stirred her up all right.
The music itself, that is.  If she hadn't been so desperately aware
that Joe's love-making, if you can call it such, became more
absolutely impossible after the sound of the music.

"That was fine!" she said.  "Now do me my favourite nocturne."

While he concentrated on the fingering, she slipped out of the
house.

Oh! she gasped a sigh of relief to be in the cool October air.  The
darkness was dim.  In the west was a half moon freshly shining, and
all the air was motionless, dimness lay like a haze on the earth.

Hester shook her hair, and strode away from the bungalow, which was
a perfect little drum, re-echoing to her favourite nocturne.  She
simply rushed to get out of ear-shot.

Ah! the lovely night!  She tossed her short hair again, and felt
like Mazeppa's horse, about to dash away into the infinite.  Though
the infinite was only a field belonging to the next farm.  But
Hester felt herself seething in the soft moonlight.  Oh! to rush
away over the edge of the beyond! if the beyond, like Joe's bread-
knife, did have an edge to it.  "I know I'm an idiot," she said to
herself.  But that didn't take away the wild surge of her limbs.
Oh!  If there were only some other solution, instead of Joe and his
spooning.  Yes, SPOONING!  The word made her lose the last shred of
her self-respect, but she said it aloud.

There was, however, a bunch of strange horses in this field, so she
made her way cautiously back through Joe's fence.  It was just like
him, to have such a little place that you couldn't get away from
the sound of his piano, without trespassing on somebody else's
ground.

As she drew near the bungalow, however, the drumming of Joe's piano
suddenly ceased.  Oh, Heaven!  She looked wildly round.  An old
willow leaned over the stream.  She stretched, crouching, and with
the quickness of a long cat, climbed up into the net of cool-bladed
foliage.

She had scarcely shuffled and settled into a tolerable position
when he came round the corner of the house and into the moonlight,
looking for her.  How dare he look for her!  She kept as still as a
bat among the leaves, watching him as he sauntered with erect,
tiresomely manly figure and lifted head, staring round in the
darkness.  He looked for once very ineffectual, insignificant, and
at a loss.  Where was his supposed male magic?  Why was he so slow
and unequal to the situation?

There!  He was calling softly and self-consciously:  "Hester!
Hester!  Where have you put yourself?"

He was angry really.  Hester kept still in her tree, trying not to
fidget.  She had not the faintest intention of answering him.  He
might as well have been on another planet.  He sauntered vaguely
and unhappily out of sight.

Then she had a qualm.  "Really, my girl, it's a bit thick, the way
you treat him!  Poor old Joe!"

Immediately something began to hum inside her:  "I hear those
tender voices calling Poor Old Joe!"

Nevertheless, she didn't want to go indoors to spend the evening
tête-à-tête--my word!--with him.

"Of course it's absurd to think I could possibly fall in love like
that.  I would rather fall into one of his pig-troughs.  It's so
frightfully common.  As a matter of fact, it's just a proof that he
doesn't love me."

This thought went through her like a bullet.  "The very fact of his
being in love with me proves that he doesn't love me.  No man that
loved a woman could be in love with her like that.  It's so
insulting to her."

She immediately began to cry, and fumbling in her sleeve for her
hanky, she nearly fell out of the tree.  Which brought her to her
senses.

In the obscure distance she saw him returning to the house, and she
felt bitter.  "Why did he start all this mess?  I never wanted to
marry anybody, and I certainly never bargained for anybody falling
in love with me.  Now I'm miserable, and I feel abnormal.  Because
the majority of girls must like this in-love business, or men
wouldn't do it.  And the majority must be normal.  So I'm abnormal,
and I'm up a tree.  I loathe myself.  As for Joe, he's spoilt all
there was between us, and he expects me to marry him on the
strength of it.  It's perfectly sickening!  What a mess life is.
How I loathe messes!"

She immediately shed a few more tears, in the course of which she
heard the door of the bungalow shut with something of a bang.  He
had gone indoors, and he was going to be righteously offended.  A
new misgiving came over her.

The willow tree was uncomfortable.  The air was cold and damp.  If
she caught another chill she'd probably snuffle all winter long.
She saw the lamplight coming from the window of the bungalow, and
she said "Damn!" which meant, in her case, that she was feeling
bad.

She slid down out of the tree, and scratched her arm and probably
damaged one of her nicest pair of stockings.  "Oh, hang!" she said
with emphasis, preparing to go into the bungalow and have it out
with poor old Joe.  "I will NOT call him Poor Old Joe!"

At that moment she heard a motor-car slow down in the lane, and
there came a low, cautious toot from a hooter.  Headlights shone at
a standstill near Joe's new iron gate.

"The cheek of it!  The unbearable cheek of it!  There's that young
Henrietta come down on me!"

She flew along Joe's cinder-drive like a Mænad.

"Hello, Hester!" came Henrietta's young voice, coolly floating from
the obscurity of the car.  "How's everything?"

"What cheek!" cried Hester.  "What amazing cheek!"  She leaned on
Joe's iron gate and panted.

"How's everything?" repeated Henrietta's voice blandly.

"What do you mean by it?" demanded Hester, still panting.

"Now, my girl, don't go off at a tangent!  We weren't coming in
unless you came out.  You needn't think we want to put our noses in
your affairs.  We're going down to camp on Bonamy.  Isn't the
weather too divine!"

Bonamy was Joe's pal, also an old artillery man, who had set up a
"farm" about a mile farther along the land.  Joe was by no means a
Robinson Crusoe in his bungalow.

"Who are you, anyway?" demanded Hester.

"Same old birds," said Donald, from the driver's seat.  Donald was
Joe's brother.  Henrietta was sitting in front, next to him.

"Same as ever," said Teddy, poking his head out of the car.  Teddy
was a second cousin.

"Well," said Hester, sort of climbing down.  "I suppose you may as
well come in, now you ARE here.  Have you eaten?"

"Eaten, yes," said Donald.  "But we aren't coming in this trip,
Hester; don't you fret."

"Why not?" flashed Hester, up in arms.

"'Fraid of brother Joe," said Donald.

"Besides, Hester," said Henrietta anxiously, "you know you don't
want us."

"Henrietta, don't be a fool!" flashed Hester.

"WELL, Hester--!" remonstrated the pained Henrietta.

"Come on in, and no more nonsense!" said Hester.

"Not this trip, Hester," said Donald.

"No, sir!" said Teddy.

"But what idiots you all are!  Why not?" cried Hester.

"'Fraid of our elder brother," said Donald.

"All right," said Hester.  "Then I'll come along with you."

She hastily opened the gate.

"Shall I just have a peep?  I'm pining to see the house," said
Henrietta, climbing with a long leg over the door of the car.

The night was now dark, the moon had sunk.  The two girls crunched
in silence along the cinder track to the house.

"You'd say, if you'd rather I didn't come in--or if Joe'd rather,"
said Henrietta anxiously.  She was very much disturbed in her young
mind, and hoped for a clue.  Hester walked on without answering.
Henrietta laid her hand on her sister's arm.  Hester shook it off,
saying:

"My dear Henrietta, do be normal!"

And she rushed up the three steps to the door, which she flung
open, displaying the lamp-lit living-room, Joe in an arm-chair by
the low fire, his back to the door.  He did not turn round.

"Here's Henrietta!" cried Hester, in a tone which meant:  "HOW'S
THAT?"

He got up and faced round, his brown eyes in his stiff face very
angry.

"How did YOU get here?" he asked rudely.

"Came in a car," said young Henrietta, from her Age of Innocence.

"With Donald and Teddy--they're just outside the gate," said
Hester.  "The old gang!"

"Coming in?" asked Joe, with greater anger in his voice.

"I suppose you'll go out and invite them," said Hester.

Joe said nothing, just stood like a block.

"I expect you'll think it's awful of me to come intruding," said
Henrietta meekly.  "We're just going on to Bonamy's."  She gazed
innocently round the room.  "But it's an adorable little place,
awfully good taste in a cottagey sort of way.  I like it awfully.
Can I warm my hands?"

Joe moved from in front of the fire.  He was in his slippers.
Henrietta dangled her long red hands, red from the night air,
before the grate.

"I'll rush right away again," she said.

"Oh-h," drawled Hester curiously.  "Don't do that!"

"Yes, I must.  Donald and Teddy are waiting."

The door stood wide open, the headlights of the car could be seen
in the lane.

"Oh-h!"  Again that curious drawl from Hester.  "I'll tell them
you're staying the night with me.  I can do with a bit of company."

Joe looked at her.

"What's the game?" he said.

"No game at all!  Only now Tatty's come, she may as well stay."

"Tatty" was the rather infrequent abbreviation of "Henrietta".

"Oh, but Hester!" said Henrietta.  "I'm going on to Bonamy's with
Donald and Teddy."

"Not if I want you to stay here!" said Hester.

Henrietta looked all surprised, resigned helplessness.

"What's the game?" repeated Joe.  "Had you fixed up to come down
here to-night?"

"No, Joe, really!" said Henrietta, with earnest innocence.  "I
hadn't the faintest idea of such a thing, till Donald suggested it,
at four o'clock this afternoon.  Only the weather was too perfectly
divine, we had to go out somewhere, so we thought we'd descend on
Bonamy.  I hope HE won't be frightfully put out as well."

"And if we had arranged it, it wouldn't have been a crime," struck
in Hester.  "And, anyway, now you're here you might as well all
camp here."

"Oh no, Hester!  I know Donald will never come inside the gate.  He
was angry with me for making him stop, and it was I who tooted.  It
wasn't him, it was me.  The curiosity of Eve, I suppose.  Anyhow,
I've put my foot in it, as usual.  So now I'd better clear out as
fast as I can.  Good night!"

She gathered her coat round her with one arm and moved vaguely to
the door.

"In that case, I'll come along with you," said Hester.

"But Hester!" cried Henrietta.  And she looked inquiringly at Joe.

"I know as little as you do," he said, "what's going on."

His face was wooden and angry, Henrietta could make nothing of him.

"Hester!" cried Henrietta.  "Do be sensible!  What's gone wrong!
Why don't you at least EXPLAIN, and give everybody a chance!  Talk
about being normal!--you're always flinging it at ME!"

There was a dramatic silence.

"What's happened?" Henrietta insisted, her eyes very bright and
distressed, her manner showing that she was determined to be
sensible.

"Nothing, of course!" mocked Hester.

"Do YOU know, Joe?" said Henrietta, like another Portia, turning
very sympathetically to the man.

For a moment Joe thought how much nicer Henrietta was than her
sister.

"I only know she asked me to play the piano, and then she dodged
out of the house.  Since then, her steering-gear's been out of
order."

"Ha-ha-ha!" laughed Hester falsely and melodramatically.  "I like
that.  I like my dodging out of the house!  I went for a breath of
fresh air.  I should like to know whose steering-gear is out of
order, talking about my dodging out of the house!"

"You dodged out of the house," said Joe.

"Oh, did I?  And why should I, pray?"

"I suppose you have your own reasons."

"I have too.  And very good reasons."

There was a moment of stupefied amazement. . . .  Joe and Hester
had known each other so well, for such a long time.  And now look
at them!

"But why did you, Hester?" asked Henrietta, in her most breathless,
naïve fashion.

"Why did I what?"

There was a low toot from the motor-car in the lane.

"They're calling me!  Good-bye!" cried Henrietta, wrapping her coat
round her and turning decisively to the door.

"If you go, my girl, I'm coming with you," said Hester.

"But why?" cried Henrietta in amazement.  The horn tooted again.
She opened the door and called into the night:

"Half a minute!"  Then she closed the door again, softly, and
turned once more in her amazement to Hester.

"But why, Hester?"

Hester's eyes almost squinted with exasperation.  She could hardly
bear even to glance at the wooden and angry Joe.

"Why?"

"Why?" came the soft reiteration of Henrietta's question.

All the attention focused on Hester, but Hester was a sealed book.

"Why?"

"She doesn't know herself," said Joe, seeing a loop-hole.

Out rang Hester's crazy and melodramatic laugh.

"Oh, doesn't she!"  Her face flew into sudden strange fury.  "Well,
if you want to know, I absolutely CAN'T STAND your making love to
me, if that's what you call the business."

Henrietta let go the door-handle and sank weakly into a chair.

The worst had come to the worst.  Joe's face became purple, then
slowly paled to yellow.

"Then," said Henrietta in a hollow voice, "you can't marry him."

"I couldn't possibly marry him if he kept on being IN LOVE with
me."  She spoke the two words with almost snarling emphasis.

"And you couldn't possibly marry him if he WASN'T," said the
guardian angel, Henrietta.

"Why not," cried Hester.  "I could stand him all right till he
started being in love with me.  Now, he's simply out of the
question."

There was a pause, out of which came Henrietta's:

"After all, Hester, a man's SUPPOSED to be in love with the woman
he wants to marry."

"Then he'd better keep it to himself, that's all I've got to say."

There was a pause.  Joe, silent as ever, looked more wooden and
sheepishly angry.

"But Hester!  Hasn't a man GOT to be in love with you--?"

"Not with me!  You've not had it to put up with, my girl."

Henrietta sighed helplessly.

"Then you can't marry him, that's obvious.  What an awful pity!"

A pause.

"Nothing can be so perfectly humiliating as a man making love to
you," said Hester.  "I LOATHE it."

"Perhaps it's because it's the wrong man," said Henrietta sadly,
with a glance at the wooden and sheepish Joe.

"I don't believe I could stand that sort of thing, with ANY man.
Henrietta, do you know what it is, being stroked and cuddled?  It's
too perfectly awful and ridiculous."

"Yes!" said Henrietta, musing sadly.  "As if one were a perfectly
priceless meat-pie, and the dog licked it tenderly before he
gobbled it up.  It IS rather sickening, I agree."

"And what's so awful, a perfectly decent man will go and get that
way.  Nothing is so awful as a man who has fallen in love," said
Hester.

"I know what you mean, Hester.  So doggy!" said Henrietta sadly.

The motor-horn tooted exasperatedly.  Henrietta rose like a Portia
who has been a failure.  She opened the door and suddenly yelled
fiercely into the night:

"Go on without me.  I'll walk.  Don't wait."

"How long will you be?" came a voice.

"I don't know.  If I want to come, I'll walk," she yelled.

"Come back for you in an hour."

"Right," she shrieked, and slammed the door in their distant faces.
Then she sat down dejectedly, in the silence.  She was going to
stand by Hester.  That FOOL, Joe, standing there like a mutton-
head!

They heard the car start, and retreat down the lane.

"Men are awful!" said Henrietta dejectedly.

"Anyhow, you're mistaken," said Joe with sudden venom to Hester.
"I'm not in love with you, Miss Clever."

The two women looked at him as if he were Lazarus risen.

"And I never was in love with you, that way," he added, his brown
eyes burning with a strange fire of self-conscious shame and anger,
and naked passion.

"Well, what a liar you must be then.  That's all I can say!"
replied Hester coldly.

"Do you mean," said young Henrietta acidly, "that you put it all
on?"

"I thought she expected it of me," he said, with a nasty little
smile that simply paralysed the two young women.  If he had turned
into a boa-constrictor, they would not have been more amazed.  That
sneering little smile!  Their good-natured Joe!

"I thought it was expected of me," he repeated, jeering.

Hester was horrified.

"Oh, but how beastly of you to do it!" cried Henrietta to him.

"And what a lie!" cried Hester.  "He liked it."

"Do you think he did, Hester?" said Henrietta.

"I liked it in a way," he said impudently.  "But I shouldn't have
liked it, if I thought she didn't."

Hester flung out her arms.

"Henrietta," she cried, "why can't we kill him?"

"I wish we could," said Henrietta.

"What are you to do when you know a girl's rather strict, and you
like her for it--and you're not going to be married for a month--
and--and you--and you've got to get over the interval somehow--and
what else does Rudolf Valentino do for you?--you like HIM--"

"He's dead, poor dear.  But I loathed him, REALLY," said Hester.

"You didn't seem to," said he.

"Well, anyhow, you aren't Rudolf Valentino, and I loathe YOU in the
rôle."

"You won't get a chance again.  I loathe YOU altogether."

"And I'm extremely relieved to hear it, my boy."

There was a lengthy pause, after which Henrietta said with
decision:

"Well, that's that!  Will you come along to Bonamy's with me,
Hester, or shall I stay here with you?"

"_I_ don't care, my girl," said Hester with bravado.

"Neither do I care what you do," said he.  "But I call it pretty
rotten of you, not to tell me right out, at first."

"I thought it was real with you then, and I didn't want to hurt
you," said Hester.

"You look as if you didn't want to hurt me," he said.

"Oh, now," she said, "since it was all pretence, it doesn't
matter."

"I should say it doesn't," he retorted.

There was a silence.  The clock, which was intended to be their
family clock, ticked rather hastily.

"Anyway," he said, "I consider you've let me down."

"I like that!" she cried, "considering what you've played off on
me!"

He looked her straight in the eye.  They knew each other so well.

Why had he tried that silly love-making game on her?  It was a
betrayal of their simple intimacy.  He saw it plainly, and
repented.

And she saw the honest, patient love for her in his eyes, and the
queer, quiet central desire.  It was the first time she had seen
it, that quiet, patient, central desire of a young man who has
suffered during his youth, and seeks now almost with the slowness
of age.  A hot flush went over her heart.  She felt herself
responding to him.

"What have you decided, Hester?" said Henrietta.

"I'll stay with Joe, after all," said Hester.

"Very well," said Henrietta.  "And I'll go along to Bonamy's."  She
opened the door quietly, and was gone.

Joe and Hester looked at one another from a distance.

"I'm sorry, Hester," said he.

"You know, Joe," she said, "I don't mind what you do, if you love
me REALLY."



THE MAN WHO LOVED ISLANDS


First Island


There was a man who loved islands.  He was born on one, but it
didn't suit him, as there were too many other people on it, besides
himself.  He wanted an island all of his own: not necessarily to be
alone on it, but to make it a world of his own.

An island, if it is big enough, is no better than a continent.  It
has to be really quite small, before it FEELS LIKE an island; and
this story will show how tiny it has to be, before you can presume
to fill it with your own personality.

Now circumstances so worked out, that this lover of islands, by the
time he was thirty-five, actually acquired an island of his own.
He didn't own it as freehold property, but he had a ninety-nine
years' lease of it, which, as far as a man and an island are
concerned, is as good as everlasting.  Since, if you are like
Abraham, and want your offspring to be numberless as the sands of
the sea-shore, you don't choose an island to start breeding on.
Too soon there would be overpopulation, overcrowding, and slum
conditions.  Which is a horrid thought, for one who loves an island
for its insulation.  No, an island is a nest which holds one egg,
and one only.  This egg is the islander himself.

The island acquired by our potential islander was not in the remote
oceans.  It was quite near at home, no palm-trees nor boom of surf
on the reef, nor any of that kind of thing; but a good solid
dwelling-house, rather gloomy, above the landing-place, and beyond,
a small farmhouse with sheds, and a few outlying fields.  Down on
the little landing bay were three cottages in a row, like
coastguards' cottages, all neat and white-washed.

What could be more cozy and home-like?  It was four miles if you
walked all round your island, through the gorse and the blackthorn
bushes, above the steep rocks of the sea and down in the little
glades where the primroses grew.  If you walked straight over the
two humps of hills, the length of it, through the rocky fields
where the cows lay chewing, and through the rather sparse oats, on
into the gorse again, and so to the low cliffs' edge, it took you
only twenty minutes.  And when you came to the edge, you could see
another, bigger island lying beyond.  But the sea was between you
and it.  And as you returned over the turf where the short,
downland cowslips nodded you saw to the east still another island,
a tiny one this time, like the calf of the cow.  This tiny island
also belonged to the islander.

Thus it seems that even islands like to keep each other company.

Our islander loved his island very much.  In early spring, the
little ways and glades were a snow of blackthorn, a vivid white
among the celtic stillness of close green and grey rock, blackbirds
calling out in the whiteness their first long, triumphant calls.
After the blackthorn and the nestling primroses came the blue
apparition of hyacinths, like elfin lakes and slipping sheets of
blue, among the bushes and under the glade of trees.  And many
birds with nests you could peep into, on the island all your own.
Wonderful what a great world it was!

Followed summer, and the cowslips gone, the wild roses faintly
fragrant through the haze.  There was a field of hay, the foxgloves
stood looking down.  In a little cove, the sun was on the pale
granite where you bathed, and the shadow was in the rocks.  Before
the mist came stealing, and you went home through the ripening
oats, the glare of the sea fading from the high air as the foghorn
started to moo on the other island.  And then the sea-fog went, it
was autumn, and oat-sheaves lying prone; the great moon, another
island, rose golden out of the sea, and, rising higher, the world
of the sea was white.

So autumn ended with rain, and winter came, dark skies and dampness
and rain, but rarely frost.  The island, your island, cowered dark,
holding away from you.  You could feel, down in the wet, sombre
hollows, the resentful spirit coiled upon itself, like a wet dog
coiled in gloom, or a snake that is neither asleep nor awake.  Then
in the night, when the wind left off blowing in great gusts and
volleys, as at sea, you felt that your island was a universe,
infinite and old as the darkness; not an island at all, but an
infinite dark world where all the souls from all the other bygone
nights lived on, and the infinite distance was near.

Strangely, from your little island in space, you were gone forth
into the dark, great realms of time, where all the souls that never
die veer and swoop on their vast, strange errands.  The little
earthly island has dwindled, like a jumping-off place, into
nothingness, for you have jumped off, you know not how, into the
dark wide mystery of time, where the past is vastly alive, and the
future is not separated off.

This is the danger of becoming an islander.  When, in the city, you
wear your white spats and dodge the traffic with the fear of death
down your spine, then you are quite safe from the terrors of
infinite time.  The moment is your little islet in time, it is the
spatial universe that careers round you.

But once isolate yourself on a little island in the sea of space,
and the moment begins to heave and expand in great circles, the
solid earth is gone, and your slippery, naked dark soul finds
herself out in the timeless world, where the chariots of the so-
called dead dash down the old streets of centuries, and souls crowd
on the footways that we, in the moment, call bygone years.  The
souls of all the dead are alive again, and pulsating actively
around you.  You are out in the other infinity.

Something of this happened to our islander.  Mysterious "feelings"
came upon him, that he wasn't used to; strange awarenesses of old,
far-gone men, and other influences; men of Gaul, with big
moustaches, who had been on his island, and had vanished from the
face of it, but not out of the air of night.  They were there
still, hurtling their big, violent, unseen bodies through the
night.  And there were priests, with golden knives and mistletoe;
then other priests with a crucifix; then pirates with murder on the
sea.

Our islander was uneasy.  He didn't believe, in the daytime, in any
of this nonsense.  But at night it just was so.  He had reduced
himself to a single point in space, and, a point being that which
has neither length nor breadth, he had to step off it into
somewhere else.  Just as you must step into the sea, if the waters
wash your foothold away, so he had, at night, to step off into the
otherworld of undying time.

He was uncannily aware, as he lay in the dark, that the blackthorn
grove that seemed a bit uncanny even in the realm of space and day,
at night was crying with old men of an invisible race, around the
altar stone.  What was a ruin under the hornbeam trees by day, was
a moaning of bloodstained priests with crucifixes, on the ineffable
night.  What was a cave and hidden beach between coarse rocks,
became in the invisible dark the purple-lipped imprecation of
pirates.

To escape any more of this sort of awareness, our islander daily
concentrated upon his material island.  Why should it not be the
Happy Isle at last?  Why not the last small isle of the Hesperides,
the perfect place, all filled with his own gracious, blossom-like
spirit?  A minute world of pure perfection, made by man, himself.

He began, as we begin all our attempts to regain Paradise, by
spending money.  The old, semi-feudal dwelling-house he restored,
let in more light, put clear lovely carpets on the floor, clear,
flower-petal curtains at the sullen windows, and wines in the
cellars of rock.  He brought over a buxom housekeeper from the
world, and a soft-spoken, much-experienced butler.  These too were
to be islanders.

In the farm-house he put a bailiff, with two farm-hands.  There
were Jersey cows, tinkling a slow bell, among the gorse.  There was
a call to meals at midday, and the peaceful smoking of chimneys at
evening, when rest descended.

A jaunty sailing-boat with a motor accessory rode in the shelter in
the bay, just below the row of three white cottages.  There was
also a little yawl, and two row-boats drawn up on the sand.  A
fishing net was drying on its supports, a boat-load of new white
planks stood crisscross, a woman was going to the well with a
bucket.

In the end cottage lived the skipper of the yacht, and his wife and
son.  He was a man from the other, large island, at home on this
sea.  Every fine day he went out fishing, with his son, every fine
day there was fresh fish on the island.

In the middle cottage lived an old man and wife, a very faithful
couple.  The old man was a carpenter, and man of many jobs.  He was
always working, always the sound of his plane or his saw: lost in
his work, he was another kind of islander.

In the third cottage was the mason, a widower with a son and two
daughters.  With the help of his boy, this man dug ditches and
built fences, raised buttresses and erected a new outbuilding, and
hewed stone from the little quarry.  His daughters worked at the
big house.

It was a quiet, busy little world.  When the islander brought you
over as his guest, you met first the dark-bearded, thin, smiling
skipper, Arnold, then his boy Charles.  At the house, the smooth-
lipped butler who had lived all over the world valeted you, and
created that curious creamy-smooth, disarming sense of luxury
around you which only a perfect and rather untrustworthy servant
can create.  He disarmed you and had you at his mercy.  The buxom
housekeeper smiled and treated you with the subtly respectful
familiarity, that is only dealt out to the true gentry.  And the
rosy maid threw a glance at you, as if you were very wonderful,
coming from the great outer world.  Then you met the smiling but
watchful bailiff, who came from Cornwall, and the shy farm-hand
from Berkshire, with his clean wife and two little children, then
the rather sulky farm-hand from Suffolk.  The mason, a Kent man,
would talk to you by the yard, if you let him.  Only the old
carpenter was gruff and elsewhere absorbed.

Well then, it was a little world to itself, and everybody feeling
very safe, and being very nice to you, as if you were really
something special.  But it was the islander's world, not yours.  He
was the Master.  The special smile, the special attention was to
the Master.  They all knew how well off they were.  So the islander
was no longer Mr So-and-So.  To everyone on the island, even to
you yourself, he was "the Master".

Well, it was ideal.  The Master was no tyrant.  Ah no!  He was a
delicate, sensitive, handsome Master, who wanted everything perfect
and everybody happy.  Himself, of course, to be the fount of this
happiness and perfection.

But in his way, he was a poet.  He treated his guests royally, his
servants liberally.  Yet he was shrewd, and very wise.  He never
came the boss over his people.  Yet he kept his eye on everything,
like a shrewd; blue-eyed young Hermes.  And it was amazing what a
lot of knowledge he had at hand.  Amazing what he knew about Jersey
cows, and cheese-making, ditching and fencing, flowers and
gardening, ships and the sailing of ships.  He was a fount of
knowledge about everything, and this knowledge he imparted to his
people in an odd, half-ironical, half-portentous fashion, as if he
really belonged to the quaint, half-real world of the gods.

They listened to him with their hats in their hands.  He loved
white clothes; or creamy white; and cloaks, and broad hats.  So, in
fine weather, the bailiff would see the elegant tall figure in
creamy-white serge coming like some bird over the fallow, to look
at the weeding of the turnips.  Then there would be a doffing of
hats, and a few minutes of whimsical, shrewd, wise talk, to which
the bailiff answered admiringly, and the farm-hands listened in
silent wonder, leaning on their hoes.  The bailiff was almost
tender, to the Master.

Or, on a windy morning, he would stand with his cloak blowing in
the sticky sea-wind, on the edge of the ditch that was being dug to
drain a little swamp, talking in the teeth of the wind to the man
below; who looked up at him with steady and inscrutable eyes.

Or at evening in the rain he would be seen hurrying across the
yard, the broad hat turned against the rain.  And the farm-wife
would hurriedly exclaim:  "The Master!  Get up, John, and clear him
a place on the sofa."  And then the door opened, and it was a cry
of:  "Why of all things, if it isn't the Master!  Why, have ye
turned out then of a night like this, to come across to the like of
we?"  And the bailiff took his cloak, and the farm-wife his hat,
the two farm-hands drew their chairs to the back, he sat on the
sofa and took a child up near him.  He was wonderful with children,
talked to them simply wonderful, made you think of Our Saviour
Himself, said the woman.

Always he was greeted with smiles, and the same peculiar deference,
as if he were a higher, but also frailer being.  They handled him
almost tenderly, and almost with adulation.  But when he left, or
when they spoke of him, they had often a subtle, mocking smile on
their faces.  There was no need to be afraid of "the Master".  Just
let him have his own way.  Only the old carpenter was sometimes
sincerely rude to him; so he didn't care for the old man.

It is doubtful whether any of them really liked him, man to man, or
even woman to man.  But then it is doubtful if he really liked any
of them, as man to man, or man to woman.  He wanted them to be
happy, and the little world to be perfect.  But any one who wants
the world to be perfect must be careful not to have real likes and
dislikes.  A general good-will is all you can afford.

The sad fact is, alas, that general good-will is always felt as
something of an insult, by the mere object of it; and so it breeds
a quite special brand of malice.  Surely general good-will is a
form of egoism, that it should have such a result!

Our islander, however, had his own resources.  He spent long hours
in his library, for he was compiling a book of reference to all the
flowers mentioned in the Greek and Latin authors.  He was not a
great classical scholar: the usual public-school equipment.  But
there are such excellent translations nowadays.  And it was so
lovely, tracing flower after flower as it blossomed in the ancient
world.

So the first year on the island passed by.  A great deal had been
done.  Now the bills flooded in, and the Master, conscientious in
all things, began to study them.  The study left him pale and
breathless.  He was not a rich man.  He knew he had been making a
hole in his capital, to get the island into running order.  When he
came to look, however, there was hardly anything left but hole.
Thousands and thousands of pounds had the island swallowed into
nothingness.

But surely the bulk of the spending was over!  Surely the island
would now begin to be self-supporting, even if it made no profit!
Surely he was safe.  He paid a good many of the bills, and took a
little heart.  But he had had a shock, and the next year, the
coming year, there must be economy, frugality.  He told his people
so, in simple and touching language.  And they said:  "Why surely!
Surely!"

So, while the wind blew and the rain lashed outside, he would sit
in his library with the bailiff over a pipe and a pot of beer,
discussing farm projects.  He lifted his narrow handsome face, and
his blue eye became dreamy.  "WHAT a wind!"  It blew like cannon
shots.  He thought of his island, lashed with foam, and
inaccessible, and he exulted . . .  No, he must not lose it.  He
turned back to the farm projects with the zest of genius, and his
hands flicked white emphasis, while the bailiff intoned:  "Yes,
Sir!  Yes, Sir!  You're right, Master!"

But the man was hardly listening.  He was looking at the Master's
blue lawn shirt and curious pink tie with the fiery red stone, at
the enamel sleeve-links, and at the ring with the peculiar scarab.
The brown searching eyes of the man of the soil glanced repeatedly
over the fine, immaculate figure of the Master, with a sort of
slow, calculating wonder.  But if he happened to catch the Master's
bright, exalted glance, his own eye lit up with a careful
cordiality and deference, as he bowed his head slightly.

Thus between them they decided what crops should be sown, what
fertilizers should be used in different places, which breed of pigs
should be imported, and which line of turkeys.  That is to say, the
bailiff, by continually cautiously agreeing with the Master, kept
out of it, and let the young man have his own way.

The Master knew what he was talking about.  He was brilliant at
grasping the gist of a book, and knowing how to apply his
knowledge.  On the whole, his ideas were sound.  The bailiff even
knew it.  But in the man of the soil there was no answering
enthusiasm.  The brown eyes smiled their cordial deference, but the
thin lips never changed.  The Master pursed his own flexible mouth
in a boyish versatility, as he cleverly sketched in his ideas to
the other man, and the bailiff made eyes of admiration, but in his
heart he was not attending, he was only watching the Master as he
would have watched a queer, alien animal, quite without sympathy,
not implicated.

So, it was settled, and the Master rang for Elvery, the butler, to
bring a sandwich.  He, the Master, was pleased.  The butler saw it,
and came back with anchovy and ham sandwiches, and a newly opened
bottle of vermouth.  There was always a newly opened bottle of
something.

It was the same with the mason.  The Master and he discussed the
drainage of a bit of land, and more pipes were ordered, more
special bricks, more this, more that.

Fine weather came at last, there was a little lull in the hard work
on the island.  The Master went for a short cruise in his yacht.
It was not really a yacht, just a neat little bit of a yawl.  They
sailed along the coast of the mainland, and put in at the ports.
At every port some friend turned up, the butler made elegant little
meals in the cabin.  Then the Master was invited to villas and
hotels, his people disembarked him as if he were a prince.

And oh, how expensive it turned out!  He had to telegraph to the
bank for money.  And he went home again, to economize.

The marsh-marigolds were blazing in the little swamp where the
ditches were being dug for drainage.  He almost regretted, now, the
work in hand.  The yellow beauties would not blaze again.

Harvest came, and a bumper crop.  There must be a harvest-home
supper.  The long barn was now completely restored and added to.
The carpenter had made long tables.  Lanterns hung from the beams
of the high-pitched roof.  All the people of the island were
assembled.  The bailiff presided.  It was a gay scene.

Towards the end of the supper the Master, in a velvet jacket,
appeared with his guests.  Then the bailiff rose and proposed:
"The Master!  Long life and health to the Master!"  All the people
drank the health with great enthusiasm and cheering.  The Master
replied with a little speech:  They were on an island in a little
world of their own.  It depended on them all to make this world a
world of true happiness and content.  Each must do his part.  He
hoped he himself did what he could, for his heart was in his
island, and with the people of his island.

The butler responded:  As long as the island had such a Master, it
could not but be a little heaven for all the people on it.--This
was seconded with virile warmth by the bailiff and the mason, the
skipper was beside himself.  Then there was dancing, the old
carpenter was fiddler.

But under all this, things were not well.  The very next morning
came the farm-boy to say that a cow had fallen over the cliff.  The
Master went to look.  He peered over the not very high declivity,
and saw her lying dead, on a green ledge under a bit of late-
flowering broom.  A beautiful, expensive creature, already looking
swollen.  But what a fool, to fall so unnecessarily!

It was a question of getting several men to haul her up the bank:
and then of skinning and burying her.  No one would eat the meat.
How repulsive it all was!

This was symbolic of the island.  As sure as the spirits rose in
the human breast, with a movement of joy, an invisible hand struck
malevolently out of the silence.  There must not be any joy, nor
even any quiet peace.  A man broke a leg, another was crippled with
rheumatic fever.  The pigs had some strange disease.  A storm drove
the yacht on a rock.  The mason hated the butler, and refused to
let his daughter serve at the house.

Out of the very air came a stony, heavy malevolence.  The island
itself seemed malicious.  It would go on being hurtful and evil for
weeks at a time.  Then suddenly again one morning it would be fair,
lovely as a morning in Paradise, everything beautiful and flowing.
And everybody would begin to feel a great relief, and a hope for
happiness.

Then as soon as the Master was opened out in spirit like an open
flower, some ugly blow would fall.  Somebody would send him an
anonymous note, accusing some other person on the island.  Somebody
else would come hinting things against one of his servants.

"Some folks thinks they've got an easy job out here, with all the
pickings they make!" the mason's daughter screamed at the suave
butler, in the Master's hearing.  He pretended not to hear.

"My man says this island is surely one of the lean kine of Egypt,
it would swallow a sight of money, and you'd never get anything
back out of it," confided the farm-hand's wife to one of the
Master's visitors.

The people were not contented.  They were not islanders.  "We feel
we're not doing right by the children," said those who had
children.  "We feel we're not doing right by ourselves," said those
who had no children.  And the various families fairly came to hate
one another.

Yet the island was so lovely.  When there was a scent of honey-
suckle, and the moon brightly flickering down on the sea, then even
the grumblers felt a strange nostalgia for it.  It set you
yearning, with a wild yearning; perhaps for the past, to be far
back in the mysterious past of the island, when the blood had a
different throb.  Strange floods of passion came over you, strange
violent lusts and imaginations of cruelty.  The blood and the
passion and the lust which the island had known.  Uncanny dreams,
half-dreams, half-evocated yearnings.

The Master himself began to be a little afraid of his island.  He
felt here strange violent feelings he had never felt before, and
lustful desires that he had been quite free from.  He knew quite
well now that his people didn't love him at all.  He knew that
their spirits were secretly against him, malicious, jeering,
envious, and lurking to down him.  He became just as wary and
secretive with regard to them.

But it was too much.  At the end of the second year, several
departures took place.  The housekeeper went.  The Master always
blamed self-important women most.  The mason said he wasn't going
to be monkeyed about any more, so he took his departure, with his
family.  The rheumatic farm-hand left.

And then the year's bills came in, the Master made up his accounts.
In spite of good crops, the assets were ridiculous, against the
spending.  The island had again lost, not hundreds but thousands of
pounds.  It was incredible.  But you simply couldn't believe it!
Where had it all gone?

The Master spent gloomy nights and days, going through accounts in
the library.  He was thorough.  It became evident, now the
housekeeper had gone, that she had swindled him.  Probably
everybody was swindling him.  But he hated to think it, so he put
the thought away.

He emerged, however, pale and hollow-eyed from his balancing of
unbalanceable accounts, looking as if something had kicked him in
the stomach.  It was pitiable.  But the money had gone, and there
was an end of it.  Another great hole in his capital.  How could
people be so heartless?

It couldn't go on, that was evident.  He would soon be bankrupt.
He had to give regretful notice to his butler.  He was afraid to
find out how much his butler had swindled him.  Because the man was
such a wonderful butler, after all.  And the farm-bailiff had to
go.  The Master had no regrets in that quarter.  The losses on the
farm had almost embittered him.

The third year was spent in rigid cutting down of expenses.  The
island was still mysterious and fascinating.  But it was also
treacherous and cruel, secretly, fathomlessly malevolent.  In spite
of all its fair show of white blossom and bluebells, and the lovely
dignity of foxgloves bending their rose-red bells, it was your
implacable enemy.

With reduced staff, reduced wages, reduced splendour, the third
year went by.  But it was fighting against hope.  The farm still
lost a good deal.  And once more, there was a hole in that remnant
of capital.  Another hole, in that which was already a mere remnant
round the old holes.  The island was mysterious in this also: it
seemed to pick the very money out of your pocket, as if it were an
octopus with invisible arms stealing from you in every direction.

Yet the Master still loved it.  But with a touch of rancour now.

He spent, however, the second half of the fourth year intensely
working on the mainland, to be rid of it.  And it was amazing how
difficult he found it to dispose of an island.  He had thought that
everybody was pining for such an island as his; but not at all.
Nobody would pay any price for it.  And he wanted now to get rid of
it, as a man who wants a divorce at any cost.

It was not till the middle of the fifth year that he transferred
it, at a considerable loss to himself, to an hotel company who were
willing to speculate in it.  They were to turn it into a handy
honeymoon-and-golf island!

Then, take that island which didn't know when it was well off!  Now
be a honeymoon-and-golf island!


Second Island


The islander had to move.  But he was not going to the mainland.
Oh, no!  He moved to the smaller island, which still belonged to
him.  And he took with him the faithful old carpenter and wife, the
couple he never really cared for; also a widow and daughter, who
had kept house for him the last year; also an orphan lad, to help
the old man.

The small island was very small; but, being a hump of rock in the
sea, it was bigger than it looked.  There was a little track among
rocks and bushes, winding and scrambling up and down around the
islet, so that it took you twenty minutes to do the circuit.  It
was more than you would have expected.

Still, it was an island.  The islander moved himself, with all his
books, into the commonplace six-roomed house up to which you had to
scramble from the rocky landing-place.  There were also two joined-
together cottages.  The old carpenter lived in one, with his wife
and the lad, the widow and daughter lived in the other.

At last all was in order.  The Master's books filled two rooms.  It
was already autumn, Orion lifting out of the sea.  And in the dark
nights, the Master could see the lights on his late island, where
the hotel company were entertaining guests who would advertise the
new resort for honeymoon-golfers.

On his hump of rock, however, the Master was still master.  He
explored the crannies, the odd handbreadths of grassy level, the
steep little cliffs where the last harebells hung, and the seeds of
summer were brown above the sea, lonely and untouched.  He peered
down the old well.  He examined the stone pen where the pig had
been kept.  Himself, he had a goat.

Yes, it was an island.  Always, always, underneath among the rocks
the celtic sea sucked and washed and smote its feathery greyness.
How many different noises of the sea! deep explosions, rumblings,
strange long sighs and whistling noises; then voices, real voices
of people clamouring as if they were in a market, under the waters;
and again, the far-off ringing of a bell, surely an actual bell!
then a tremulous trilling noise, very long and alarming, and an
undertone of hoarse gasping.

On this island there were no human ghosts, no ghosts of any ancient
race.  The sea, and the spume and the wind and the weather, had
washed them all out, washed them out, so there was only the sound
of the sea itself, its own ghost, myriad-voiced, communing and
plotting and shouting all winter long.  And only the smell of the
sea, with a few bristly bushes of gorse and coarse tufts of
heather, among the grey, pellucid rocks, in the grey, more pellucid
air.  The coldness, the greyness, even the soft, creeping fog of
the sea! and the islet of rock humped up in it all, like the last
point in space.

Green star Sirius stood over the sea's rim.  The island was a
shadow.  Out at sea a ship showed small lights.  Below, in the
rocky cove, the row-boat and the motor-boat were safe.  A light
shone in the carpenter's kitchen.  That was all.

Save, of course, that the lamp was lit in the house, where the
widow was preparing supper, her daughter helping.  The islander
went in to his meal.  Here he was no longer the Master, he was an
islander again and he had peace.  The old carpenter, the widow and
daughter were all faithfulness itself.  The old man worked while
ever there was light to see, because he had a passion for work.
The widow and her quiet, rather delicate daughter of thirty-three
worked for the Master, because they loved looking after him, and
they were infinitely grateful for the haven he provided them.  But
they didn't call him "the Master".  They gave him his name:  "Mr
Cathcart, Sir!" softly, and reverently.  And he spoke back to them
also softly, gently, like people far from the world, afraid to make
a noise.

The island was no longer a "world".  It was a sort of refuge.  The
islander no longer struggled for anything.  He had no need.  It was
as if he and his few dependents were a small flock of sea-birds
alighted on this rock, as they travelled through space, and keeping
together without a word.  The silent mystery of travelling birds.

He spent most of his day in his study.  His book was coming along.
The widow's daughter could type out his manuscript for him, she was
not uneducated.  It was the one strange sound on the island, the
typewriter.  But soon even its spattering fitted in with the sea's
noises, and the wind's.

The months went by.  The islander worked away in his study, the
people of the island went quietly about their concerns.  The goat
had a little black kid with yellow eyes.  There were mackerel in
the sea.  The old man went fishing in the row-boat, with the lad.
When the weather was calm enough, they went off in the motor-boat
to the biggest island, for the post.  And they brought supplies,
never a penny wasted.  And the days went by, and the nights,
without desire, without ennui.

The strange stillness from all desire was a kind of wonder to the
islander.  He didn't want anything.  His soul at last was still in
him, his spirit was like a dim-lit cave under water, where strange
sea-foliage expands upon the watery atmosphere, and scarcely sways,
and a mute fish shadowily slips in and slips away again.  All still
and soft and uncrying, yet alive as rooted sea-weed is alive.

The islander said to himself:  "Is this happiness?"  He said to
himself:  "I am turned into a dream.  I feel nothing, or I don't
know what I feel.  Yet it seems to me I am happy."

Only he had to have something upon which his mental activity could
work.  So he spent long, silent hours in his study, working not
very fast, nor very importantly, letting the writing spin softly
from him as if it were drowsy gossamer.  He no longer fretted
whether it were good or not, what he produced.  He slowly, softly
spun it like gossamer, and, if it were to melt away as gossamer in
autumn melts, he would not mind.  It was only the soft evanescence
of gossamery things which now seemed to him permanent.  The very
mist of eternity was in them.  Whereas stone buildings, cathedrals
for example, seemed to him to howl with temporary resistance,
knowing they must fall at last; the tension of their long endurance
seemed to howl forth from them all the time.

Sometimes he went to the mainland and to the city.  Then he went
elegantly, dressed in the latest style, to his club.  He sat in a
stall at the theatre, he shopped in Bond Street.  He discussed
terms for publishing his book.  But over his face was that
gossamery look of having dropped out of the race of progress, which
made the vulgar city people feel they had won it over him, and made
him glad to go back to his island.

He didn't mind if he never published his book.  The years were
blending into a soft mist, from which nothing obtruded.  Spring
came.  There was never a primrose on his island, but he found a
winter-aconite.  There were two little sprayed bushes of
blackthorn, and some wind-flowers.  He began to make a list of the
flowers on his islet, and that was absorbing.  He noted a wild
currant bush, and watched for the elder flowers on a stunted little
tree, then for the first yellow rags of the broom, and wild roses.
Bladder campion, orchids, stitchwort, celandine, he was prouder of
them than if they had been people on his island.  When he came
across the golden saxifrage, so inconspicuous in a damp corner, he
crouched over it in a trance, he knew not for how long, looking at
it.  Yet it was nothing to look at.  As the widow's daughter found,
when he showed it her.

He had said to her, in real triumph:

"I found the golden saxifrage this morning."

The name sounded splendid.  She looked at him with fascinated brown
eyes, in which was a hollow ache that frightened him a little.

"Did you, Sir?  Is it a nice flower?"

He pursed his lips and tilted his brows.

"Well--not showy exactly.  I'll show it you if you like."

"I should like to see it."

She was so quiet, so wistful.  But he sensed in her a persistency
which made him uneasy.  She said she was so happy: really happy.
She followed him quietly, like a shadow, on the rocky track where
there was never room for two people to walk side by side.  He went
first, and could feel her there, immediately behind him, following
so submissively, gloating on him from behind.

It was a kind of pity for her which made him become her lover:
though he never realized the extent of the power she had gained
over him, and how SHE willed it.  But the moment he had fallen, a
jangling feeling came upon him, that it was all wrong.  He felt a
nervous dislike of her.  He had not wanted it.  And it seemed to
him, as far as her physical self went, she had not wanted it
either.  It was just her will.  He went away, and climbed at the
risk of his neck down to a ledge near the sea.  There he sat for
hours, gazing all jangled at the sea, and saying miserably to
himself:  "We didn't want it.  We didn't really want it."

It was the automatism of sex that had caught him again.  Not that
he hated sex.  He deemed it, as the Chinese do, one of the great
life-mysteries.  But it had become mechanical, automatic, and he
wanted to escape that.  Automatic sex shattered him, and filled him
with a sort of death.  He thought he had come through, to a new
stillness of desirelessness.  Perhaps beyond that, there was a new
fresh delicacy of desire, an unentered frail communion of two
people meeting on untrodden ground.

But be that as it might, this was not it.  This was nothing new or
fresh.  It was automatic, and driven from the will.  Even she, in
her true self, hadn't wanted it.  It was automatic in her.

When he came home, very late, and saw her face white with fear and
apprehension of his feeling against her, he pitied her, and spoke
to her delicately, reassuringly.  But he kept himself remote from
her.

She gave no sign.  She served him with the same silence, the same
hidden hunger to serve him, to be near where he was.  He felt her
love following him with strange, awful persistency.  She claimed
nothing.  Yet now, when he met her bright, brown, curiously vacant
eyes, he saw in them the mute question.  The question came direct
at him, with a force and a power of will he never realized.

So he succumbed, and asked her again.

"Not," she said, "if it will make you hate me."

"Why should it?" he replied, nettled.  "Of course not."

"You know I would do anything on earth for you."

It was only afterwards, in his exasperation, he remembered what she
had said, and was more exasperated.  Why should she pretend to do
this FOR HIM?  Why not for herself?  But in his exasperation, he
drove himself deeper in.  In order to achieve some sort of
satisfaction, which he never did achieve, he abandoned himself to
her.  Everybody on the island knew.  But he did not care.

Then even what desire he had left him, and he felt only shattered.
He felt that only with her will had she wanted him.  Now he was
shattered and full of self-contempt.  His island was smirched and
spoiled.  He had lost his place in the rare, desireless levels of
Time to which he had at last arrived, and he had fallen right back.
If only it had been true, delicate desire between them, and a
delicate meeting on the third rare place where a man might meet a
woman, when they were both true to the frail, sensitive, crocus
flame of desire in them.  But it had been no such thing: automatic,
an act of will, not of true desire, it left him feeling humiliated.

He went away from the islet, in spite of her mute reproach.  And he
wandered about the continent, vainly seeking a place where he could
stay.  He was out of key; he did not fit in the world any more.

There came a letter from Flora--her name was Flora--to say she was
afraid she was going to have a child.  He sat down as if he were
shot, and he remained sitting.  But he replied to her:  "Why be
afraid?  If it is so, it is so, and we should rather be pleased
than afraid."

At this very moment, it happened there was an auction of islands.
He got the maps, and studied them.  And at the auction he bought,
for very little money, another island.  It was just a few acres of
rock away in the north, on the outer fringe of the isles.  It was
low, it rose out of the great ocean.  There was not a building, not
even a tree on it.  Only northern sea-turf, a pool of rain-water, a
bit of sedge, rock, and sea-birds.  Nothing else.  Under the
weeping wet western sky.

He made a trip to visit his new possession.  For several days,
owing to the seas, he could not approach it.  Then, in a light sea-
mist, he landed, and saw it hazy, low, stretching apparently a long
way.  But it was illusion.  He walked over the wet, springy turf,
and dark-grey sheep tossed away from him, spectral, bleating
hoarsely.  And he came to the dark pool, with the sedge.  Then on
in the dampness, to the grey sea sucking angrily among the rocks.

This was indeed an island.

So he went home to Flora.  She looked at him with guilty fear, but
also with a triumphant brightness in her uncanny eyes.  And again
he was gentle, he reassured her, even he wanted her again, with
that curious desire that was almost like toothache.  So he took her
to the mainland, and they were married, since she was going to have
his child.

They returned to the island.  She still brought in his meals, her
own along with them.  She sat and ate with him.  He would have it
so.  The widowed mother preferred to stay in the kitchen.  And
Flora slept in the guest-room of his house, mistress of his house.

His desire, whatever it was, died in him with nauseous finality.
The child would still be months coming.  His island was hateful to
him, vulgar, a suburb.  He himself had lost all his finer
distinction.  The weeks passed in a sort of prison, in humiliation.
Yet he stuck it out, till the child was born.  But he was
meditating escape.  Flora did not even know.

A nurse appeared, and ate at table with them.  The doctor came
sometimes, and, if the sea were rough, he too had to stay.  He was
cheery over his whisky.

They might have been a young couple in Golders Green.

The daughter was born at last.  The father looked at the baby, and
felt depressed, almost more than he could bear.  The millstone was
tied round his neck.  But he tried not to show what he felt.  And
Flora did not know.  She still smiled with a kind of half-witted
triumph in her joy, as she got well again.  Then she began again to
look at him with those aching, suggestive, somehow impudent eyes.
She adored him so.

This he could not stand.  He told her that he had to go away for a
time.  She wept, but she thought she had got him.  He told her he
had settled the best part of his property on her, and wrote down
for her what income it would produce.  She hardly listened, only
looked at him with those heavy, adoring, impudent eyes.  He gave
her a cheque-book, with the amount of her credit duly entered.
This did arouse her interest.  And he told her, if she got tired of
the island, she could choose her home wherever she wished.

She followed him with those aching, persistent brown eyes, when he
left, and he never even saw her weep.

He went straight north, to prepare his third island.


The Third Island


The third island was soon made habitable.  With cement and the big
pebbles from the shingle beach, two men built him a hut, and roofed
it with corrugated iron.  A boat brought over a bed and table, and
three chairs, with a good cupboard, and a few books.  He laid in a
supply of coal and paraffin and food--he wanted so little.

The house stood near the flat shingle bay where he landed, and
where he pulled up his light boat.  On a sunny day in August the
men sailed away and left him.  The sea was still and pale blue.  On
the horizon he saw the small mail-steamer slowly passing
northwards, as if she were walking.  She served the outer isles
twice a week.  He could row out to her if need be, in calm weather,
and he could signal her from a flagstaff behind his cottage.

Half a dozen sheep still remained on the island, as company; and he
had a cat to rub against his legs.  While the sweet, sunny days of
the northern autumn lasted, he would walk among the rocks, and over
the springy turf of his small domain, always coming to the
ceaseless, restless sea.  He looked at every leaf, that might be
different from another, and he watched the endless expansion and
contraction of the water-tossed sea-weed.  He had never a tree, not
even a bit of heather to guard.  Only the turf, and tiny turf-
plants, and the sedge by the pool, the seaweed in the ocean.  He
was glad.  He didn't want trees or bushes.  They stood up like
people, too assertive.  His bare, low-pitched island in the pale
blue sea was all he wanted.

He no longer worked at his book.  The interest had gone.  He liked
to sit on the low elevation of his island, and see the sea; nothing
but the pale, quiet sea.  And to feel his mind turn soft and hazy,
like the hazy ocean.  Sometimes, like a mirage, he would see the
shadow of land rise hovering to northwards.  It was a big island
beyond.  But quite without substance.

He was soon almost startled when he perceived the steamer on the
near horizon, and his heart contracted with fear, lest it were
going to pause and molest him.  Anxiously he watched it go, and not
till it was out of sight did he feel truly relieved, himself again.
The tension of waiting for human approach was cruel.  He did not
want to be approached.  He did not want to hear voices.  He was
shocked by the sound of his own voice, if he inadvertently spoke to
his cat.  He rebuked himself for having broken the great silence.
And he was irritated when his cat would look up at him and mew
faintly, plaintively.  He frowned at her.  And she knew.  She was
becoming wild, lurking in the rocks, perhaps fishing.

But what he disliked most was when one of the lumps of sheep opened
its mouth and baa-ed its hoarse, raucous baa.  He watched it, and
it looked to him hideous and gross.  He came to dislike the sheep
very much.

He wanted only to hear the whispering sound of the sea, and the
sharp cries of the gulls, cries that came out of another world to
him.  And best of all, the great silence.

He decided to get rid of the sheep, when the boat came.  They were
accustomed to him now, and stood and stared at him with yellow or
colourless eyes, in an insolence that was almost cold ridicule.
There was a suggestion of cold indecency about them.  He disliked
them very much.  And when they jumped with staccato jumps off the
rocks, and their hoofs made the dry, sharp hit, and the fleece
flopped on their square backs--he found them repulsive, degrading.

The fine weather passed, and it rained all day.  He lay a great
deal on his bed, listening to the water trickling from his roof
into the zinc water-butt, looking through the open door at the
rain, the dark rocks, the hidden sea.  Many gulls were on the
island now: many sea-birds of all sorts.  It was another world of
life.  Many of the birds he had never seen before.  His old impulse
came over him, to send for a book, to know their names.  In a
flicker of the old passion, to know the name of everything he saw,
he even decided to row out to the steamer.  The names of these
birds! he must know their names, otherwise he had not got them,
they were not quite alive to him.

But the desire left him, and he merely watched the birds as they
wheeled or walked around him, watched them vaguely, without
discrimination.  All interest had left him.  Only there was one
gull, a big handsome fellow, who would walk back and forth, back
and forth in front of the open door of the cabin, as if he had some
mission there.  He was big, and pearl-grey, and his roundnesses
were as smooth and lovely as a pearl.  Only the folded wings had
shut black pinions, and on the closed black feathers were three
very distinct white dots, making a pattern.  The islander wondered
very much, why this bit of trimming on the bird out of the far,
cold seas.  And as the gull walked back and forth, back and forth
in front of the cabin, strutting on pale-dusky gold feet, holding
up his pale yellow beak, that was curved at the tip, with curious
alien importance, the man wondered over him.  He was portentous, he
had a meaning.

Then the bird came no more.  The island, which had been full of sea-
birds, the flash of wings, the sound and cut of wings and sharp
eerie cries in the air, began to be deserted again.  No longer they
sat like living eggs on the rocks and turf, moving their heads, but
scarcely rising into flight round his feet.  No longer they ran
across the turf among the sheep, and lifted themselves upon low
wings.  The host had gone.  But some remained, always.

The days shortened, and the world grew eerie.  One day the boat
came: as if suddenly, swooping down.  The islander found it a
violation.  It was torture to talk to those two men, in their
homely clumsy clothes.  The air of familiarity around them was very
repugnant to him.  Himself, he was neatly dressed, his cabin was
neat and tidy.  He resented any intrusion, the clumsy homeliness,
the heavy-footedness of the two fishermen was really repulsive to
him.

The letters they had brought, he left lying unopened in a little
box.  In one of them was his money.  But he could not bear to open
even that one.  Any kind of contact was repulsive to him.  Even to
read his name on an envelope.  He hid the letters away.

And the hustle and horror of getting the sheep caught and tied and
put in the ship made him loathe with profound repulsion the whole
of the animal creation.  What repulsive god invented animals, and
evil-smelling men?  To his nostrils, the fishermen and the sheep
alike smelled foul; an uncleanness on the fresh earth.

He was still nerve-wracked and tortured when the ship at last
lifted sail and was drawing away, over the still sea.  And
sometimes days after, he would start with repulsion, thinking he
heard the munching of sheep.

The dark days of winter drew on.  Sometimes there was no real day
at all.  He felt ill, as if he were dissolving, as if dissolution
had already set in inside him.  Everything was twilight, outside,
and in his mind and soul.  Once, when he went to the door, he saw
black heads of men swimming in his bay.  For some moments he
swooned unconscious.  It was the shock, the horror of unexpected
human approach.  The horror in the twilight!  And not till the
shock had undermined him and left him disembodied, did he realize
that the black heads were the heads of seals swimming in.  A sick
relief came over him.  But he was barely conscious, after the
shock.  Later on, he sat and wept with gratitude, because they were
not men.  But he never realized that he wept.  He was too dim.
Like some strange, ethereal animal, he no longer realized what he
was doing.

Only he still derived his single satisfaction from being alone,
absolutely alone, with the space soaking into him.  The grey sea
alone, and the footing of his sea-washed island.  No other contact.
Nothing human to bring its horror into contact with him.  Only
space, damp, twilit, sea-washed space!  This was the bread of his
soul.

For this reason, he was most glad when there was a storm, or when
the sea was high.  Then nothing could get at him.  Nothing could
come through to him from the outer world.  True, the terrific
violence of the wind made him suffer badly.  At the same time, it
swept the world utterly out of existence for him.  He always liked
the sea to be heavily rolling and tearing.  Then no boat could get
at him.  It was like eternal ramparts round his island.

He kept no track of time, and no longer thought of opening a book.
The print, the printed letters, so like the depravity of speech,
looked obscene.  He tore the brass label from his paraffin stove.
He obliterated any bit of lettering in his cabin.

His cat had disappeared.  He was rather glad.  He shivered at her
thin, obtrusive call.  She had lived in the coal shed.  And each
morning he had put her a dish of porridge, the same as he ate.  He
washed her saucer with repulsion.  He did not like her writhing
about.  But he fed her scrupulously.  Then one day she did not come
for her porridge: she always mewed for it.  She did not come again.

He prowled about his island in the rain, in a big oil-skin coat,
not knowing what he was looking at, nor what he went out to see.
Time had ceased to pass.  He stood for long spaces, gazing from a
white, sharp face, with those keen, far-off blue eyes of his,
gazing fiercely and almost cruelly at the dark sea under the dark
sky.  And if he saw the labouring sail of a fishing boat away on
the cold waters, a strange malevolent anger passed over his
features.

Sometimes he was ill.  He knew he was ill, because he staggered as
he walked, and easily fell down.  Then he paused to think what it
was.  And he went to his stores and took out dried milk and malt,
and ate that.  Then he forgot again.  He ceased to register his own
feelings.

The days were beginning to lengthen.  All winter the weather had
been comparatively mild, but with much rain, much rain.  He had
forgotten the sun.  Suddenly, however, the air was very cold, and
he began to shiver.  A fear came over him.  The sky was level and
grey, and never a star appeared at night.  It was very cold.  More
birds began to arrive.  The island was freezing.  With trembling
hands he made a fire in his grate.  The cold frightened him.

And now it continued, day after day, a dull, deathly cold.
Occasional crumblings of snow were in the air.  The days were
greyly longer, but no change in the cold.  Frozen grey daylight.
The birds passed away, flying away.  Some he saw lying frozen.  It
was as if all life were drawing away, contracting away from the
north, contracting southwards.  "Soon", he said to himself, "it
will all be gone, and in all these regions nothing will be alive."
He felt a cruel satisfaction in the thought.

Then one night there seemed to be a relief: he slept better, did
not tremble half awake, and writhe so much, half-conscious.  He had
become so used to the quaking and writhing of his body, he hardly
noticed it.  But when for once it slept deep, he noticed that.

He awoke in the morning to a curious whiteness.  His window was
muffled.  It had snowed.  He got up and opened his door, and
shuddered.  Ugh! how cold!  All white, with a dark leaden sea, and
black rocks curiously speckled with white.  The foam was no longer
pure.  It seemed dirty.  And the sea ate at the whiteness of the
corpse-like land.  Crumbles of snow were silting down the dead air.

On the ground the snow was a foot deep, white and smooth and soft,
windless.  He took a shovel to clear round his house and shed.  The
pallor of morning darkened.  There was a strange rumbling of far-
off thunder, in the frozen air, and through the newly-falling snow,
a dim flash of lightning.  Snow now fell steadily down, in the
motionless obscurity.

He went out for a few minutes.  But it was difficult.  He stumbled
and fell in the snow, which burned his face.  Weak, faint, he
toiled home.  And when he recovered, he took the trouble to make
hot milk.

It snowed all the time.  In the afternoon again there was a muffled
rumbling of thunder, and flashes of lightning blinking reddish
through the falling snow.  Uneasy, he went to bed and lay staring
fixedly at nothing.

Morning seemed never to come.  An eternity long he lay and waited
for one alleviating pallor on the night.  And at last it seemed the
air was paler.  His house was a cell faintly illuminated with white
light.  He realized the snow was walled outside his window.  He got
up, in the dead cold.  When he opened his door, the motionless snow
stopped him in a wall as high as his breast.  Looking over the top
of it, he felt the dead wind slowly driving, saw the snow-powder
lift and travel like a funeral train.  The blackish sea churned and
champed, seeming to bite at the snow, impotent.  The sky was grey,
but luminous.

He began to work in a frenzy, to get at his boat.  If he was to be
shut in, it must be by his own choice, not by the mechanical power
of the elements.  He must get to the sea.  He must be able to get
at his boat.

But he was weak, and at times the snow overcame him.  It fell on
him, and he lay buried and lifeless.  Yet every time, he struggled
alive before it was too late, and fell upon the snow with the
energy of fever.  Exhausted, he would not give in.  He crept
indoors and made coffee and bacon.  Long since he had cooked so
much.  Then he went at the snow once more.  He must conquer the
snow, this new, white brute force which had accumulated against
him.

He worked in the awful, dead wind, pushing the snow aside, pressing
it with his shovel.  It was cold, freezing hard in the wind, even
when the sun came out for a while, and showed him his white,
lifeless surroundings, the black sea rolling sullen, flecked with
dull spume, away to the horizons.  Yet the sun had power on his
face.  It was March.

He reached the boat.  He pushed the snow away, then sat down under
the lee of the boat, looking at the sea, which nearly swirled to
his feet, in the high tide.  Curiously natural the pebbles looked,
in a world gone all uncanny.  The sun shone no more.  Snow was
falling in hard crumbs, that vanished as if by miracle as they
touched the hard blackness of the sea.  Hoarse waves rang in the
shingle, rushing up at the snow.  The wet rocks were brutally
black.  And all the time the myriad swooping crumbs of snow,
demonish, touched the dark sea and disappeared.

During the night there was a great storm.  It seemed to him he
could hear the vast mass of the snow striking all the world with a
ceaseless thud; and over it all, the wind roared in strange hollow
volleys, in between which came a jump of blindfold lightning, then
the low roll of thunder heavier than the wind.  When at last the
dawn faintly discoloured the dark, the storm had more or less
subsided, but a steady wind drove on.  The snow was up to the top
of his door.

Sullenly, he worked to dig himself out.  And he managed, through
sheer persistency, to get out.  He was in the tail of a great
drift, many feet high.  When he got through, the frozen snow was
not more than two feet deep.  But his island was gone.  Its shape
was all changed, great heaping white hills rose where no hills had
been, inaccessible, and they fumed like volcanoes, but with snow
powder.  He was sickened and overcome.

His boat was in another, smaller drift.  But he had not the
strength to clear it.  He looked at it helplessly.  The shovel
slipped from his hands, and he sank in the snow, to forget.  In the
snow itself, the sea resounded.

Something brought him to.  He crept to his house.  He was almost
without feeling.  Yet he managed to warm himself, just that part of
him which leaned in snow-sleep over the coal fire.  Then again, he
made hot milk.  After which, carefully, he built up the fire.

The wind dropped.  Was it night again?  In the silence, it seemed
he could hear the panther-like dropping of infinite snow.  Thunder
rumbled nearer, crackled quick after the bleared reddened
lightning.  He lay in bed in a kind of stupor.  The elements!  The
elements!  His mind repeated the word dumbly.  You can't win
against the elements.

How long it went on, he never knew.  Once, like a wraith, he got
out, and climbed to the top of a white hill on his unrecognizable
island.  The sun was hot.  "It is summer", he said to himself, "and
the time of leaves."  He looked stupidly over the whiteness of his
foreign island, over the waste of the lifeless sea.  He pretended
to imagine he saw the wink of a sail.  Because he knew too well
there would never again be a sail on that stark sea.

As he looked, the sky mysteriously darkened and chilled.  From far
off came the mutter of the unsatisfied thunder, and he knew it was
the signal of the snow rolling over the sea.  He turned, and felt
its breath on him.



GLAD GHOSTS


I knew Carlotta Fell in the early days before the war.  Then she
was escaping into art, and was just "Fell".  That was at our famous
but uninspired school of art, the Thwaite, where I myself was
diligently murdering my talent.  At the Thwaite they always gave
Carlotta the Still-life prizes.  She accepted them calmly, as one
of our conquerors, but the rest of the students felt vicious about
it.  They called it buttering the laurels, because Carlotta was
Hon., and her father a well-known peer.

She was by way of being a beauty too.  Her family was not rich, yet
she had come into five hundred a year of her own, when she was
eighteen; and that, to us, was an enormity.  Then she appeared in
the fashionable papers, affecting to be wistful, with pearls,
slanting her eyes.  Then she went and did another of her beastly
still-lives, a cactus-in-a-pot.

At the Thwaite, being snobs, we were proud of her too.  She showed
off a bit, it is true, playing bird of paradise among the pigeons.
At the same time, she WAS thrilled to be with us, and out of her
own set.  Her wistfulness and yearning "for something else" was
absolutely genuine.  Yet she was not going to hobnob with us
either, at least not indiscriminately.

She was ambitious, in a vague way.  She wanted to coruscate,
somehow or other.  She had a family of clever and "distinguished"
uncles, who had flattered her.  What then?

Her cactuses-in-a-pot were admirable.  But even she didn't expect
them to start a revolution.  Perhaps she would rather glow in the
wide if dirty skies of life than in the somewhat remote and
unsatisfactory ether of Art.

She and I were "friends" in a bare, stark, but real sense.  I was
poor, but I didn't really care.  She didn't really care either.
Whereas I did care about some passionate vision which, I could
feel, lay embedded in the half-dead body of this life.  The quick
body within the dead.  I could FEEL it.  And I wanted to get at it,
if only for myself.

She didn't know what I was after.  Yet she could feel that I was
It, and, being an aristocrat of the Kingdom of It, as well as the
realm of Great Britain, she was loyal--loyal to me because of It,
the quick body which I imagined within the dead.

Still, we never had much to do with one another.  I had no money.
She never wanted to introduce me to her own people.  I didn't want
it either.  Sometimes we had lunch together, sometimes we went to a
theatre, or we drove in the country, in some car that belonged to
neither of us.  We never flirted or talked love.  I don't think she
wanted it, any more than I did.  She wanted to marry into her own
surroundings, and I knew she was of too frail a paste to face my
future.

Now I come to think of it, she was always a bit sad when we were
together.  Perhaps she looked over seas she would never cross.  She
belonged finally, fatally, to her own class.  Yet I think she hated
them.  When she was in a group of people who talked "smart", titles
and beau monde and all that, her rather short nose would turn up,
her wide mouth press into discontent, and a languor of bored
irritation come even over her broad shoulders.  Bored irritation,
and a loathing of climbers, a loathing of the ladder altogether.
She hated her own class: yet it was also sacrosanct to her.  She
disliked, even to me, mentioning the titles of her friends.  Yet
the very hurried resentment with which she said, when I asked her:
Who is it--?

"Lady Nithsdale, Lord Staines--old friends of my mother," proved
that the coronet was wedged into her brow, like a ring of iron
grown into a tree.

She had another kind of reverence for a true artist: perhaps more
genuine, perhaps not; anyhow, more free and easy.

She and I had a curious understanding in common: an inkling,
perhaps, of the unborn body of life hidden within the body of this
half-death which we call life: and hence a tacit hostility to the
commonplace world, its inert laws.  We were rather like two
soldiers on a secret mission into enemy country.  Life, and people,
was an enemy country to us both.  But she would never declare
herself.

She always came to me to find out what I thought, particularly in a
moral issue.  Profoundly, fretfully discontented with the
conventional moral standards, she didn't know how to take a stand
of her own.  So she came to me.  She had to try to get her own
feelings straightened out.  In that she showed her old British
fibre.  I told her what, as a young man, I thought: and usually she
was resentful.  She did so want to be conventional.  She would even
act quite perversely, in her determination to be conventional.  But
she always had to come back to me, to ask me again.  She depended
on me morally.  Even when she disagreed with me, it soothed her,
and restored her to know my point of view.  Yet she disagreed with
me.

We had then a curious abstract intimacy, that went very deep, yet
showed no obvious contact.  Perhaps I was the only person in the
world with whom she felt, in her uneasy self, at home, at peace.
And to me, she was always of my own INTRINSIC sort, of my own
species.  Most people are just another species to me.  They might
as well be turkeys.

But she would always ACT according to the conventions of her class,
even perversely.  And I knew it.

So, just before the war she married Lord Lathkill.  She was twenty-
one.  I did not see her till war was declared; then she asked me to
lunch with her and her husband, in town.  He was an officer in a
Guards regiment, and happened to be in uniform, looking very
handsome and well set-up, as if he expected to find the best of
life served up to him for ever.  He was very dark, with dark eyes
and fine black hair, and a very beautiful, diffident voice, almost
womanish in its slow, delicate inflections.  He seemed pleased and
flattered at having Carlotta for a wife.

To me he was beautifully attentive, almost deferential, because I
was poor, and of the other world, those poor devils of outsiders.
I laughed at him a little, and laughed at Carlotta, who was a bit
irritated by the gentle delicacy with which he treated me.

She was elated too.  I remember her saying:

"We need war, don't you think?  Don't you think men need the fight,
to keep life chivalrous and put martial glamour into it?"

And I remember saying:  "I think we need some sort of fight; but my
sort isn't the war sort."  It was August, we could take it lightly.

"What's your sort?" she asked quickly.

"I don't know: single-handed, anyhow," I said, with a grin.  Lord
Lathkill made me feel like a lonely sansculotte, he was so
completely unostentatious, so very willing to pay all the attention
to me, and yet so subtly complacent, so unquestionably sure of his
position.  Whereas I was not a very sound earthenware pitcher which
had already gone many times to the well.

He was not conceited, not half as CONCEITED as I was.  He was
willing to leave me all the front of the stage, even with Carlotta.
He felt so sure of some things, like a tortoise in a glittering,
polished tortoise-shell that mirrors eternity.  Yet he was not
quite easy with me.

"You are Derbyshire?" I said to him, looking into his face.  "So am
I!  I was born in Derbyshire."

He asked me with a gentle, uneasy sort of politeness, where?  But
he was a bit taken aback.  And his dark eyes, brooding over me, had
a sort of fear in them.  At the centre they were hollow with a
certain misgiving.  He was so sure of CIRCUMSTANCES, and not by any
means sure of the man in the middle of the circumstances.  Himself!
Himself!  That was already a ghost.

I felt that he saw in me something crude but real, and saw himself
as something in its own way perfect, but quite unreal.  Even his
love for Carlotta, and his marriage, was a circumstance that was
inwardly unreal to him.  One could tell by the curious way in which
he waited, before he spoke.  And by the hollow look, almost a touch
of madness, in his dark eyes, and in his soft, melancholy voice.

I could understand that she was fascinated by him.  But God help
him if ever circumstances went against him!

She had to see me again, a week later, to talk about him.  So she
asked me to the opera.  She had a box, and we were alone, and the
notorious Lady Perth was two boxes away.  But this was one of
Carlotta's conventional perverse little acts, with her husband in
France.  She only wanted to talk to me about him.

So she sat in the front of her box, leaning a little to the
audience and talking sideways to me.  Anyone would have known at
once there was a liaison between us, how dangereuse they would
never have guessed.  For there, in the full view of the world--her
world at least, not mine--she was talking sideways to me, saying in
a hurried, yet stony voice:

"What do you think of Luke?"

She looked up at me heavily, with her sea-coloured eyes, waiting
for my answer.

"He's tremendously charming," I said, above the theatreful of
faces.

"Yes, he's that!" she replied, in the flat, plangent voice she had
when she was serious, like metal ringing flat, with a strange far-
reaching vibration.  "Do you think he'll be happy?"

"BE happy!" I ejaculated.  "When, BE happy?"

"With me," she said, giving a sudden little snirt of laughter, like
a schoolgirl, and looking up me shyly, mischievously, anxiously.

"If you make him," I said, still casual.

"How can I make him?"

She said it with flat plangent earnestness.  She was always like
that, pushing me deeper in than I wanted to go.

"Be happy yourself, I suppose: and quite sure about it.  And then
TELL him you're happy, and tell him he is, too, and he'll be it."

"Must I do all that?" she said rapidly.  "Not otherwise?"

I knew I was frowning at her, and she was watching my frown.

"Probably not," I said roughly.  "He'll never make up his mind
about it himself."

"How did you know?" she asked, as if it had been a mystery.

"I didn't.  It only seems to me like that."

"Seems to you like that," she re-echoed, in that sad, clean
monotone of finality, always like metal.  I appreciate it in her,
that she does not murmur or whisper.  But I wished she left me
alone, in that beastly theatre.

She was wearing emeralds, on her snow-white skin, and leaning
forward gazing fixedly down into the auditorium, as a crystal-gazer
into a crystal.  Heaven knows if she saw all those little facets of
faces and plastrons.  As for me, I knew that, like a sansculotte, I
should never be king till breeches were off.

"I had terrible work to make him marry me," she said, in her swift,
clear, low tones.

"Why?"

"He was frightfully in love with me.  HE IS!  But he thinks he's
unlucky. . . ."

"Unlucky, how?  In cards or in love?" I mocked.

"In both," she said briefly, with sudden cold resentment at my
flippancy.  There was over her eyes a glaze of fear.  "It's in
their family."

"What did you say to him?" I asked, rather laboured feeling the
dead weight.

"I promised to have luck for two," she said.  "And war was declared
a fortnight later."

"Ah, well!" I said.  "That's the world's luck, not yours."

"Quite!" she said.

There was a pause.

"Is his family supposed to be unlucky?" I asked.

"The Worths?  Terribly!  They really are!"

It was interval, and the box door had opened.  Carlotta always had
her eye, a good half of it at least, on the external happenings.
She rose, like a reigning beauty--which she wasn't, and never
became--to speak to Lady Perth, and out of spite, did not introduce
me.

Carlotta and Lord Lathkill came, perhaps a year later, to visit us
when we were in a cottage in Derbyshire, and he was home on leave.
She was going to have a child, and was slow, and seemed depressed.
He was vague, charming, talking about the country and the history
of the lead-mines.  But the two of them seemed vague, as if they
never got anywhere.

The last time I saw them was when the war was over, and I was
leaving England.  They were alone at dinner, save for me.  He was
still haggard, with a wound in the throat.  But he said he would
soon be well.  His slow, beautiful voice was a bit husky now.  And
his velvety eyes were hardened, haggard, but there was weariness,
emptiness in the hardness.

I was poorer than ever, and felt a little weary myself.  Carlotta
was struggling with his silent emptiness.  Since the war, the
melancholy fixity of his eyes was more noticeable, the fear at the
centre was almost monomania.  She was wilting and losing her
beauty.

There were twins in the house.  After dinner, we went straight up
to look at them, to the night nursery.  They were two boys, with
their father's fine dark hair, both of them.

He had put out his cigar, and leaned over the cots, gazing in
silence.  The nurse, dark-faced and faithful, drew back.  Carlotta
glanced at her children; but more helplessly, she gazed at him.

"Bonny children!  Bonny boys, aren't they, nurse?" I said softly.

"Yes, sir!" she said quickly.  "They are!"

"Ever think I'd have twins, roistering twins?" said Carlotta,
looking at me.

"I never did," said I.

"Ask Luke whether it's bad luck or bad management," she said, with
that schoolgirl's snirt of laughter, looking up apprehensively at
her husband.

"Oh, I!" he said, turning suddenly and speaking loud, in his
wounded voice.  "I call it amazing good luck, myself!  Don't know
what other people think about it."  Yet he had the fine, wincing
fear in his body, of an injured dog.

After that, for years I did not see her again.  I heard she had a
baby girl.  Then a catastrophe happened: both the twins were killed
in a motor-car accident in America, motoring with their aunt.

I learned the news late, and did not write to Carlotta.  What could
I say?

A few months later, crowning disaster, the baby girl died of some
sudden illness.  The Lathkill ill-luck seemed to be working surely.

Poor Carlotta!  I had no further news of her, only I heard that she
and Lord Lathkill were both living in seclusion, with his mother,
at the place in Derbyshire.

When circumstances brought me to England, I debated within myself,
whether I should write or not to Carlotta.  At last I sent a note
to the London address.

I had a reply from the country:  "So glad you are within reach
again!  When will you come and see us?"

I was not very keen on going to Riddings.  After all, it was Lord
Lathkill's place, and Lady Lathkill, his mother, was old and of the
old school.  And I always something of a sansculotte, who will only
be king when breeches are off.

"Come to town," I wrote, "and let us have lunch together."

She came.  She looked older, and pain had drawn horizontal lines
across her face.

"You're not a bit different," she said to me.

"And you're only a little bit," I said.

"Am I!" she replied, in a deadened, melancholic voice.  "Perhaps!
I suppose while we live we've got to live.  What do you think?"

"Yes, I think it.  To be the living dead, that's awful."

"Quite!" she said, with terrible finality.

"How is Lord Lathkill?" I asked.

"Oh," she said.  "It's finished him, as far as living is concerned.
But he's very willing for ME to live."

"And you, are you willing?" I said.

She looked up into my eyes, strangely.

"I'm not sure," she said.  "I need help.  What do you think about
it?"

"Oh, God, live if you can!"

"Even take help?" she said, with her strange involved simplicity.

"Ah, certainly."

"Would you recommend it?"

"Why, yes!  You are a young thing--" I began.

"Won't you come down to Riddings?" she said quickly.

"And Lord Lathkill--and his mother?" I asked.

"They want you."

"Do you want me to come?"

"I want you to, yes!  Will you?"

"Why, yes, if you want me."

"When, then?"

"When you wish."

"Do you mean it?"

"Why, of course."

"You're not afraid of the Lathkill ill-luck?"

"_I_!" I exclaimed in amazement; such amazement, that she gave her
schoolgirl snirt of laughter.

"Very well, then," she said.  "Monday?  Does that suit you?"

We made arrangements, and I saw her off at the station.

I knew Riddings, Lord Lathkill's place, from the outside.  It was
an old Derbyshire stone house, at the end of the village of
Middleton: a house with three sharp gables, set back not very far
from the high road, but with a gloomy moor for a park behind.

Monday was a dark day over the Derbyshire hills.  The green hills
were dark, dark green, the stone fences seemed almost black.  Even
the little railway station, deep in the green, cleft hollow, was of
stone, and dark and cold, and seemed in the underworld.

Lord Lathkill was at the station.  He was wearing spectacles, and
his brown eyes stared strangely.  His black hair fell lank over his
forehead.

"I'm so awfully glad you've come," he said.  "It is cheering
Carlotta up immensely."

Me, as a man myself, he hardly seemed to notice.  I was something
which had arrived, and was expected.  Otherwise he had an odd,
unnatural briskness of manner.

"I hope I shan't disturb your mother, Lady Lathkill," I said as he
tucked me up in the car.

"On the contrary," he sang, in his slow voice, "she is looking
forward to your coming as much as we both are.  Oh no, don't look
on mother as too old-fashioned, she's not so at all.  She's
tremendously up to date in art and literature and that kind of
thing.  She has her leaning towards the uncanny--spiritualism, and
that kind of thing--nowadays, but Carlotta and I think that if it
gives her an interest, all well and good."

He tucked me up most carefully in the rugs, and the servant put a
foot-warmer at my feet.

"Derbyshire, you know, is a cold county," continued Lord Lathkill,
"especially among the hills."

"It's a very dark county," I said.

"Yes, I suppose it is, to one coming from the tropics.  We, of
course, don't notice it; we rather like it."

He seemed curiously smaller, shrunken, and his rather long cheeks
were sallow.  His manner, however, was much more cheerful, almost
communicative.  But he talked, as it were, to the faceless air, not
really to me.  I wasn't really there at all.  He was talking to
himself.  And when once he looked at me, his brown eyes had a
hollow look, like gaps with nothing in them except a haggard,
hollow fear.  He was gazing through the windows of nothingness, to
see if I were really there.

It was dark when we got to Riddings.  The house had no door in the
front, and only two windows upstairs were lit.  It did not seem
very hospitable.  We entered at the side, and a very silent
manservant took my things.

We went upstairs in silence, in the dead-seeming house.  Carlotta
had heard us, and was at the top of the stairs.  She was already
dressed; her long white arms were bare; she had something
glittering on a dull green dress.

"I was so afraid you wouldn't come," she said, in a dulled voice,
as she gave me her hand.  She seemed as if she would begin to cry.
But of course she wouldn't.  The corridor, dark-panelled and with
blue carpet on the floor, receded dimly, with a certain dreary
gloom.  A servant was diminishing in the distance, with my bags,
silently.  There was a curious, unpleasant sense of the fixity of
the materials of the house, the obscene triumph of dead matter.
Yet the place was warm, central-heated.  Carlotta pulled herself
together and said, dulled:  "Would you care to speak to my mother-
in-law before you go to your room?  She would like it."

We entered a small drawing-room abruptly.  I saw the water-colours
on the walls and a white-haired lady in black bending round to look
at the door as she rose cautiously.

"This is Mr. Morier, Mother-in-law," said Carlotta, in her dull,
rather quick way, "on his way to his room."

The dowager Lady Lathkill came a few steps forward, leaning from
heavy hips, and gave me her hand.  Her crest of hair was snow
white, and she had curious blue eyes, fixed, with a tiny dot of a
pupil, peering from her pink, soft-skinned face of an old and well-
preserved woman.  She wore a lace fichu.  The upper part of her
body was moderately slim, leaning forward slightly from her heavy
black-silk hips.

She murmured something to me, staring at me fixedly for a long
time, but as a bird does, with shrewd, cold far-distant sight.  As
a hawk, perhaps, looks shrewdly far down, in his search.  Then,
muttering, she presented to me the other two people in the room: a
tall, short-faced, swarthy young woman with the hint of a black
moustache; and a plump man in a dinner-jacket, rather bald and
ruddy, with a little grey moustache, but yellow under the eyes.  He
was Colonel Hale.

They all seemed awkward, as if I had interrupted them at a séance.
I didn't know what to say: they were utter strangers to me.

"Better come and choose your room, then," said Carlotta, and I
bowed dumbly, following her out of the room.  The old Lady Lathkill
still stood planted on her heavy hips, looking half round after us
with her ferret's blue eyes.  She had hardly any eyebrows, but they
were arched high up on her pink, soft forehead, under the crest of
icily white hair.  She had never emerged for a second from the
remote place where she unyieldingly kept herself.

Carlotta, Lord Lathkill and I tramped in silence down the corridor
and round a bend.  We could none of us get a word out.  As he
suddenly rather violently flung open a door at the end of the wing,
he said, turning round to me with a resentful, hang-dog air:

"We did you the honour of offering you our ghost room.  It doesn't
look much, but it's our equivalent for a royal apartment."

It was a good-sized room with faded, red-painted panelling showing
remains of gilt, and the usual big, old mahogany furniture, and a
big pinky-faded carpet with big, whitish, faded roses.  A bright
fire was burning in the stone fire-place.

"Why?" said I, looking at the stretches of the faded, once handsome
carpet.

"Why what?" said Lord Lathkill.  "Why did we offer you this room?"

"Yes!  No!  Why is it your equivalent for a royal apartment?"

"Oh, because our ghost is as rare as sovereignty in her visits, and
twice as welcome.  Her gifts are infinitely more worth having."

"What sort of gifts?"

"The family fortune.  She invariably restores the family fortune.
That's why we put you here, to tempt her."

"What temptation should _I_ be?--especially to restoring your
family fortunes.  I didn't think they needed it, anyhow."

"Well!" he hesitated.  "Not exactly in money: we can manage
modestly that way; but in everything else but money--"

There was a pause.  I was thinking of Carlotta's "luck for two".
Poor Carlotta!  She looked worn now.  Especially her chin looked
worn, showing the edge of the jaw.  She had sat herself down in a
chair by the fire, and put her feet on the stone fender, and was
leaning forward, screening her face with her hand, still careful of
her complexion.  I could see her broad, white shoulders, showing
the shoulder-blades, as she leaned forward, beneath her dress.  But
it was as if some bitterness had soaked all the life out of her,
and she was only weary, or inert, drained of her feelings.  It
grieved me, and the thought passed through my mind that a man
should take her in his arms and cherish her body, and start her
flame again.  If she would let him, which was doubtful.

Her courage was fallen, in her body; only her spirit fought on.
She would have to restore the body of her life, and only a living
body could do it.

"What ABOUT your ghost?" I said to him.  "Is she really ghastly?"

"Not at all!" he said.  "She's supposed to be lovely.  But I have
no experience, and I don't know anybody who has.  We hoped you'd
come, though, and tempt her.  Mother had a message about you, you
know."

"No, I didn't know."

"Oh yes!  When you were still in Africa.  The medium said:  'There
is a man in Africa.  I can only see M, a double M.  He is thinking
of your family.  It would be good if he entered your family.'
Mother was awfully puzzled, but Carlotta said 'Mark Morier' at
once."

"That's not why I asked you down," said Carlotta quickly, looking
round, shading her eyes with her hand as she looked at me.

I laughed, saying nothing.

"But, of course," continued Lord Lathkill, "you NEEDN'T have this
room.  We have another one ready as well.  Would you like to see
it?"

"How does your ghost manifest herself?" I said, parrying.

"Well, I hardly know.  She seems to be a very grateful PRESENCE,
and that's about all I do know.  She was apparently quite persona
grata to everyone she visited.  Gratissima, apparently!"

"Benissimo!" said I.

A servant appeared in the doorway, murmuring something I could not
hear.  Everybody in the house, except Carlotta and Lord Lathkill,
seemed to murmur under their breath.

"What's she say?" I asked.

"If you will stay in this room?  I told her you might like a room
on the front.  And if you'll take a bath?" said Carlotta.

"Yes!" said I.  And Carlotta repeated to the maidservant.

"And for heaven's sake speak to me loudly," said I to that elderly
correct female in her starched collar, in the doorway.

"Very good, sir!" she piped up.  "And shall I make the bath hot or
medium?"

"Hot!" said I, like a cannon-shot.

"Very good, sir!" she piped up again, and her elderly eyes twinkled
as she turned and disappeared.

Carlotta laughed, and I sighed.

We were six at table.  The pink Colonel with the yellow creases
under his blue eyes sat opposite me, like an old boy with a liver.
Next him sat Lady Lathkill, watching from her distance.  Her pink,
soft old face, naked-seeming, with its pin-point blue eyes, was a
real modern witch-face.

Next me, on my left, was the dark young woman, whose slim, swarthy
arms had an indiscernible down on them.  She had a blackish neck,
and her expressionless yellow-brown eyes said nothing, under level
black brows.  She was inaccessible.  I made some remarks, without
result.  Then I said:

"I didn't hear your name when Lady Lathkill introduced me to you."

Her yellow-brown eyes stared into mine for some moments before she
said:

"Mrs Hale!"  Then she glanced across the table.  "Colonel Hale is
my husband."

My face must have signalled my surprise.  She stared into my eyes
very curiously, with a significance I could not grasp, a long, hard
stare.  I looked at the bald, pink head of the Colonel bent over
his soup, and I returned to my own soup.

"Did you have a good time in London?" said Carlotta.

"No," said I.  "It was dismal."

"Not a good word to say for it?"

"Not one."

"No nice people?"

"Not my sort of nice."

"What's your sort of nice?" she asked, with a little laugh.

The other people were stone.  It was like talking into a chasm.

"Ah!  If I knew myself, I'd look for them!  But not sentimental,
with a lot of soppy emotions on top, and nasty ones underneath."

"Who are you thinking of?"  Carlotta looked up at me as the man
brought the fish.  She had a crushed sort of roguishness.  The
other diners were images.

"I?  Nobody.  Just everybody.  No, I think I was thinking of the
Obelisk Memorial Service."

"Did you go to it?"

"No, but I fell into it."

"Wasn't it moving?"

"Rhubarb, senna, that kind of moving!"

She gave a little laugh, looking up into my face, from the fish.

"What was wrong with it?"

I noticed that the Colonel and Lady Lathkill each had a little dish
of rice, no fish, and that they were served second--oh, humility!--
and that neither took the white wine.  No, they had no wine-
glasses.  The remoteness gathered about them, like the snows on
Everest.  The dowager peered across at me occasionally, like a
white ermine of the snow, and she had that cold air about her, of
being good, and containing a secret of goodness: remotely,
ponderously, fixedly knowing better.  And I, with my chatter, was
one of those fabulous fleas that are said to hop upon glaciers.

"Wrong with it?  IT was wrong, all wrong.  In the rain, a soppy
crowd, with soppy bare heads, soppy emotions, soppy chrysanthemums
and prickly laurustinus!  A steam of wet mob-emotions!  Ah, no, it
shouldn't be allowed."

Carlotta's face had fallen.  She again could feel death in her
bowels, the kind of death the war signifies.

"Wouldn't you have us honour the dead?" came Lady Lathkill's
secretive voice across at me, as if a white ermine had barked.

"Honour the dead!"  My mind opened in amazement.  "Do you think
they'd be honoured?"

I put the question in all sincerity.

"They would understand the INTENTION was to honour them," came her
reply.

I felt ashamed.

"If I were dead, would I be honoured if a great, steamy wet crowd
came after me with soppy chrysanthemums and prickly laurustinus?
Ugh!  I'd run to the nethermost ends of Hades.  Lord, how I'd run
from them!"

The manservant gave us roast mutton, and Lady Lathkill and the
Colonel chestnuts in sauce.  Then he poured the burgundy.  It was
good wine.  The pseudo-conversation was interrupted.

Lady Lathkill ate in silence, like an ermine in the snow, feeding
on his prey.  Sometimes she looked round the table, her blue eyes
peering fixedly, completely uncommunicative.  She was very watchful
to see that we were all properly attended to; "The currant jelly
for Mr. Morier," she would murmur, as if it were her table.  Lord
Lathkill, next her, ate in complete absence.  Sometimes she
murmured to him, and he murmured back, but I never could hear what
they said.  The Colonel swallowed the chestnuts in dejection, as if
all were weary duty to him now.  I put it down to his liver.

It was an awful dinner-party.  I never could hear a word anybody
said, except Carlotta.  They all let their words die in their
throats, as if the larynx were the coffin of sound.

Carlotta tried to keep her end up, the cheerful hostess sort of
thing.  But Lady Lathkill somehow, in silence and apparent
humility, had stolen the authority that goes with hostess, and she
clung on to it grimly, like a white ermine sucking a rabbit.
Carlotta kept glancing miserably at me, to see what I thought.  I
didn't think anything.  I just felt frozen within the tomb.  And I
drank the good, good warm burgundy.

"Mr. Morier's glass!" murmured Lady Lathkill, and her blue eyes
with their black pin-points rested on mine a moment.

"Awfully nice to drink good burgundy!" said I pleasantly.

She bowed her head slightly, and murmured something inaudible.

"I beg your pardon?"

"Very glad you like it!" she repeated, with distaste at having to
say it again, out loud.

"Yes, I do.  It's good."

Mrs. Hale, who had sat tall and erect and alert, like a black she-
fox, never making a sound, looked round at me to see what sort of
specimen I was.  She was just a bit intrigued.

"Yes, thanks," came a musical murmur from Lord Lathkill.  "I think
I WILL take some more."

The man, who had hesitated, filled his glass.

"I'm awfully sorry I can't drink wine," said Carlotta absently.
"It has the wrong effect on me."

"I should say it has the wrong effect on everybody," said the
Colonel, with an uneasy attempt to be there.  "But some people like
the effect, and some don't."

I looked at him in wonder.  Why was he chipping in?  He looked as
if he'd liked the effect well enough, in his day.

"Oh no!" retorted Carlotta coldly.  "The effect on different people
is quite different."

She closed with finality, and a further frost fell on the table.

"Quite so," began the Colonel, trying, since he'd gone off the deep
end, to keep afloat.

But Carlotta turned abruptly to me.

"Why is it, do you think, that the effect is so different on
different people?"

"And on different occasions," said I, grinning through my burgundy.
"Do you know what they say?  They say that alcohol, if it has an
effect on your psyche, takes you back to old states of consciousness,
and old reactions.  But some people it doesn't stimulate at all,
there is only a nervous reaction of repulsion."

"There's certainly a nervous reaction of repulsion in me," said
Carlotta.

"As there is in all higher natures," murmured Lady Lathkill.

"Dogs hate whisky," said I.

"That's quite right," said the Colonel.  "Scared of it!"

"I've often thought," said I, "about those old states of
consciousness.  It's supposed to be an awful retrogression,
reverting back to them.  Myself, my desire to go onwards takes me
back a little."

"Where to?" said Carlotta.

"Oh, I don't know!  To where you feel it a bit warm, and like
smashing the glasses, don't you know?


     "J'avons bien bu et nous boirons!
     Cassons les verres nous les payerons!
     Compagnons!  Voyez vous bien!
     Voyez vous bien!
     Voyez! voyez! voyez vous bien
     Que les d'moiselles sont belles
     Où nous allons!"


I had the effrontery to sing this verse of an old soldier's song
while Lady Lathkill was finishing her celery and nut salad.  I sang
it quite nicely, in a natty, well-balanced little voice, smiling
all over my face meanwhile.  The servant, as he went round for Lady
Lathkill's plate, furtively fetched a look at me.  Look! thought I.
You chicken that's come untrussed!

The partridges had gone, we had swallowed the flan, and were at
dessert.  They had accepted my song in complete silence.  Even
Carlotta!  My flan had gone down in one gulp, like an oyster.

"You're quite right!" said Lord Lathkill, amid the squashing of
walnuts.  "I mean the state of mind of a Viking, shall we say, or
of a Catiline conspirator, might be frightfully good for us, if we
could recapture it."

"A Viking!" said I, stupefied.  And Carlotta gave a wild snirt of
laughter.

"Why not a Viking?" he asked in all innocence.

"A Viking!" I repeated, and swallowed my port.  Then I looked round
at my black-browed neighbour.

"Why do you never say anything?" I asked.

"What should I say?" she replied, frightened at the thought.

I was finished.  I gazed into my port as if expecting the ultimate
revelation.

Lady Lathkill rustled her finger-tips in the finger-bowl, and laid
down her napkin decisively.  The Colonel, old buck, rose at once to
draw back her chair.  Place aux hommes!  I bowed to my neighbour,
Mrs. Hale, a most disconcerting bow, and she made a circuit to get
by me.

"You won't be awfully long?" said Carlotta, looking at me with her
slow, hazel-green eyes, between mischief and wistfulness and utter
depression.

Lady Lathkill steered heavily past me as if I didn't exist,
perching rather forward, with her crest of white hair, from her big
hips.  She seemed abstracted, concentrated on something, as she
went.

I closed the door, and turned to the men.


     "Dans la première auberge
     J'eus b'en bu!"


sang I in a little voice.

"Quite right," said Lord Lathkill.  "You're quite right."

And we sent the port round.

"This house," I said, "needs a sort of spring-cleaning."

"You're quite right," said Lord Lathkill.

"There's a bit of a dead smell!" said I.  "We need Bacchus, and
Eros, to sweeten it up, to freshen it."

"You think Bacchus and Eros?" said Lord Lathkill, with complete
seriousness; as if one might have telephoned for them.

"In the best sense," said I.  As if we were going to get them from
Fortnum and Mason's, at least.

"What exactly is the best sense?" asked Lord Lathkill.

"Ah!  The flame of life!  There's a dead smell here."

The Colonel fingered his glass with thick, inert fingers uneasily.

"Do you think so?" he said, looking up at me heavily.

"Don't you?"

He gazed at me with blank, glazed blue eyes, that had deathly
yellow stains underneath.  Something was wrong with him, some sort
of breakdown.  He should have been a fat, healthy, jolly old boy.
Not very old either: probably not quite sixty.  But with this
collapse on him, he seemed, somehow, to smell.

"You know," he said, staring at me with a sort of gruesome
challenge, then looking down at his wine, "there's more things than
we're aware of happening to us!"  He looked up at me again,
shutting his full lips under his little grey moustache, and gazing
with a glazed defiance.

"Quite!" said I.

He continued to gaze at me with glazed, gruesome defiance.

"Ha!"  He made a sudden movement, and seemed to break up, collapse
and become brokenly natural.  "There, you've said it.  I married my
wife when I was a kid of twenty."

"Mrs. Hale?" I exclaimed.

"Not this one"--he jerked his head towards the door--"my first
wife."  There was a pause; he looked at me with shamed eyes, then
turned his wine-glass round and his head dropped.  Staring at his
twisting glass, he continued:  "I married her when I was twenty,
and she was twenty-eight.  You might say, she married me.  Well,
there it was!  We had three children--I've got three married
daughters--and we got on all right.  I suppose she mothered me, in
a way.  And I never thought a thing.  I was content enough, wasn't
tied to her apron-strings, and she never asked questions.  She was
always fond of me, and I took it for granted.  I took it for
granted.  Even when she died--I was away in Salonika--I took it for
granted, if you understand me.  It was part of the rest of things--
war--life--death.  I knew I should feel lonely when I got back.
Well, then I got buried--shell dropped, and the dug-out caved in--
and that queered me.  They sent me home.  And the minute I saw the
Lizard light--it was evening when we got up out of the Bay--I
realised that Lucy had been waiting for me.  I could feel her
there, at my side, more plainly than I feel you now.  And do you
know, at that moment I woke up to her, and she made an awful
impression on me.  She seemed, if you get me, tremendously
powerful, important; everything else dwindled away.  There was the
Lizard light blinking a long way off, and that meant home.  And all
the rest was my wife, Lucy: as if her skirts filled all the
darkness.  In a way, I was frightened; but that was because I
couldn't quite get myself into line.  I felt:  Good God!  I never
knew her!  And she was this tremendous thing!  I felt like a child,
and as weak as a kitten.  And, believe me or not, from that day to
this she's never left me.  I know quite well she can hear what I'm
saying.  But she'll let me tell you.  I knew that at dinner-time."

"But what made you marry again?" I said.

"She made me!"  He went a trifle yellow on his cheek-bones.  "I
could feel her telling me:  'Marry!  Marry!'  Lady Lathkill had
messages from her too; she was her great friend in life.  I didn't
think of marrying.  But Lady Lathkill had the same message, that I
must marry.  Then a medium described the girl in detail: my present
wife.  I knew her at once, friend of my daughters.  After that the
messages became more insistent, waking me three and four times in
the night.  Lady Lathkill urged me to propose, and I did it, and
was accepted.  My present wife was just twenty-eight, the age Lucy
had been--"

"How long ago did you marry the present Mrs. Hale?"

"A little over a year ago.  Well, I thought I had done what was
required of me.  But directly after the wedding, such a state of
terror came over me--perfectly unreasonable--I became almost
unconscious.  My present wife asked me if I was ill, and I said I
was.  We got to Paris.  I felt I was dying.  But I said I was going
out to see a doctor, and I found myself kneeling in a church.  Then
I found peace--and Lucy.  She had her arms round me, and I was like
a child at peace.  I must have knelt there for a couple of hours in
Lucy's arms.  I NEVER felt like that when she was alive: why, I
couldn't stand that sort of thing!  It's all come on after--after--
And now, I daren't offend Lucy's spirit.  If I do, I suffer
tortures till I've made peace again, till she folds me in her arms.
Then I can live.  But she won't let me go near the present Mrs.
Hale.  I--I--I daren't go near her."

He looked up at me with fear, and shame, and shameful secrecy, and
a sort of gloating showing in his unmanned blue eyes.  He had been
talking as if in his sleep.

"Why did your dead wife urge you to marry again?" I said.

"I don't know," he replied.  "I don't know.  She was older than I
was, and all the cleverness was on her side.  She was a very clever
woman, and I was never much in the intellectual line myself.  I
just took it for granted she liked me.  She never showed jealousy,
but I think now, perhaps she was jealous all the time, and kept it
under.  I don't know.  I think she never felt quite straight about
having married me.  It seems like that.  As if she had something on
her mind.  Do you know, while she was alive, I never gave it a
thought.  And now I'm aware of nothing else but her.  It's as if
her spirit wanted to live in my body, or at any rate--I don't
know--"

His blue eyes were glazed, almost fishy, with fear and gloating
shame.  He had a short nose, and full, self-indulgent lips, and a
once-comedy chin.  Eternally a careless boy of thirteen.  But now,
care had got him in decay.

"And what does your present wife say?" I asked.

He poured himself some more wine.

"Why," he replied, "except for her, I shouldn't mind so much.  She
says nothing.  Lady Lathkill has explained everything to her, and
she agrees that--that--a spirit from the other side is more
important than mere pleasure--you know what I mean.  Lady Lathkill
says that this is a preparation for my next incarnation, when I am
going to serve Woman, and help Her to take Her place."

He looked up again, trying to be proud in his shame.

"Well, what a damned curious story!" exclaimed Lord Lathkill.
"Mother's idea for herself--she had it in a message too--is that
she is coming on earth the next time to save the animals from the
cruelty of man.  That's why she hates meat at table, or anything
that has to be killed."

"And does Lady Lathkill encourage you in this business with your
dead wife?" said I.

"Yes.  She helps me.  When I get as you might say at cross-purposes
with Lucy--with Lucy's spirit, that is--Lady Lathkill helps to put
it right between us.  Then I'm all right, when I know I'm loved."

He looked at me stealthily, cunningly.

"Then you're all wrong," said I, "surely."

"And do you mean to say," put in Lord Lathkill, "that you don't
live with the present Mrs. Hale at all?  Do you mean to say you
never HAVE lived with her?"

"I've got a higher claim on me," said the unhappy Colonel.

"My God!" said Lord Lathkill.

I looked in amazement: the sort of chap who picks up a woman and
has a good time with her for a week, then goes home as nice as pie,
and now look at him!  It was obvious that he had a terror of his
black-browed new wife, as well as of Lucy's spirit.  A devil and a
deep blue sea with a vengenace!

"A damned curious story!" mused Lord Lathkill.  "I'm not so sure I
like it.  Something's wrong somewhere.  We shall have to go
upstairs."

"Wrong!" said I.  "Why, Colonel, don't you turn round and quarrel
with the spirit of your first wife, fatally and finally, and get
rid of her?"

The Colonel looked at me, still diminished and afraid, but perking
up a bit, as we rose from table.

"How would you go about it?" he said.

"I'd just face her, wherever she seemed to be, and say:  'Lucy, go
to blazes!'"

Lord Lathkill burst into a loud laugh, then was suddenly silent as
the door noiselessly opened, and the dowager's white hair and
pointed, uncanny eyes peered in, then entered.

"I think I left my papers in here, Luke," she murmured.

"Yes, mother.  There they are.  We're just coming up."

"Take your time."

He held the door, and ducking forward, she went out again,
clutching some papers.  The Colonel had blenched yellow on his
cheek-bones.

We went upstairs to the small drawing-room.

"You were a long time," said Carlotta, looking in all our faces.
"Hope the coffee's not cold.  We'll have fresh if it is."

She poured out, and Mrs. Hale carried the cups.  The dark young
woman thrust out her straight, dusky arm, offering me sugar, and
gazing at me with her unchanging, yellow-brown eyes.  I looked back
at her, and being clairvoyant in this house, was conscious of the
curves of her erect body, the sparse black hairs there would be on
her strong-skinned dusky thighs.  She was a woman of thirty, and
she had had a great dread lest she should never marry.  Now she was
as if mesmerised.

"What do you do usually in the evenings?" I said.

She turned to me as if startled, as she nearly always did when
addressed.

"We do nothing," she replied.  "Talk; and sometimes Lady Lathkill
reads."

"What does she read?"

"About spiritualism."

"Sounds pretty dull."

She looked at me again, but she did not answer.  It was difficult
to get anything out of her.  She put up no fight, only remained in
the same swarthy, passive, negative resistance.  For a moment I
wondered that no men made love to her: it was obvious they didn't.
But then, modern young men are accustomed to being attracted,
flattered, impressed: they expect an effort to please.  And Mrs.
Hale made none: didn't know how.  Which for me was her mystery.
She was passive, static, locked up in a resistant passivity that
had fire beneath it.

Lord Lathkill came and sat by us.  The Colonel's confession had had
an effect on him.

"I'm afraid," he said to Mrs. Hale, "you have a thin time here."

"Why?" she asked.

"Oh, there is so little to amuse you.  Do you like to dance?"

"Yes," she said.

"Well, then," he said, "let us go downstairs and dance to the
Victrola.  There are four of us.  You'll come, of course?" he said
to me.

Then he turned to his mother.

"Mother, we shall go down to the morning-room and dance.  Will you
come?  Will you, Colonel?"

The dowager gazed at her son.

"I will come and look on," she said.

"And I will play the pianola, if you like," volunteered the
Colonel.  We went down and pushed aside the chintz chairs and the
rugs.  Lady Lathkill sat in a chair, the Colonel worked away at the
pianola.  I danced with Carlotta, Lord Lathkill with Mrs. Hale.

A quiet soothing came over me, dancing with Carlotta.  She was very
still and remote, and she hardly looked at me.  Yet the touch of
her was wonderful, like a flower that yields itself to the morning.
Her warm, silken shoulder was soft and grateful under my hand, as
if it knew me with that second knowledge which is part of one's
childhood, and which so rarely blossoms again in manhood and
womanhood.  It was as if we had known each other perfectly, as
children, and now, as man and woman met in the full, further
sympathy.  Perhaps, in modern people, only after long suffering and
defeat, can the naked intuition break free between woman and man.

She, I knew, let the strain and the tension of all her life depart
from her then, leaving her nakedly still, within my arm.  And I
only wanted to be with her, to have her in my touch.

Yet after the second dance she looked at me, and suggested that she
should dance with her husband.  So I found myself with the strong,
passive shoulder of Mrs. Hale under my hand, and her inert hand in
mine, as I looked down at her dusky, dirty-looking neck--she wisely
avoided powder.  The duskiness of her mesmerised body made me see
the faint dark sheen of her thighs, with intermittent black hairs.
It was as if they shone through the silk of her mauve dress, like
the limbs of a half-wild animal that is locked up in its own
helpless dumb winter, a prisoner.

She knew, with the heavy intuition of her sort, that I glimpsed her
crude among the bushes, and felt her attraction.  But she kept
looking away over my shoulder, with her yellow eyes, towards Lord
Lathkill.

Myself or him, it was a question of which got there first.  But she
preferred him.  Only for some things she would rather it were me.

Luke had changed curiously.  His body seemed to have come alive, in
the dark cloth of his evening suit; his eyes had a devil-may-care
light in them, his long cheeks a touch of scarlet, and his black
hair fell loose over his forehead.  He had again some of that
Guardsman's sense of well-being and claim to the best in life,
which I had noticed the first time I saw him.  But now it was a
little more florid, defiant, with a touch of madness.

He looked down at Carlotta with uncanny kindness and affection.
Yet he was glad to hand her over to me.  He, too, was afraid of
her: as if with her his bad luck had worked.  Whereas, in a throb
of crude brutality, he felt it would not work with the dark young
woman.  So, he handed Carlotta over to me with relief, as if, with
me, she would be safe from the doom of his bad luck.  And he, with
the other woman, would be safe from it too.  For the other woman
was outside the circle.

I was glad to have Carlotta again: to have that inexpressible
delicate and complete quiet of the two of us, resting my heart in a
balance now at last physical as well as spiritual.  Till now, it
had always been a fragmentary thing.  Now, for this hour at least,
it was whole, a soft, complete, physical flow, and a unison deeper
even than childhood.

As she danced she shivered slightly, and I seemed to smell frost in
the air.  The Colonel, too, was not keeping the rhythm.

"Has it turned colder?" I said.

"I wonder," she answered, looking up at me with a slow beseeching.
Why, and for what was she beseeching me?  I pressed my hand a
little closer, and her small breasts seemed to speak to me.  The
Colonel recovered the rhythm again.

But at the end of the dance she shivered again, and it seemed to me
I too was chilled.

"Has it suddenly turned colder?" I said, going to the radiator.  It
was quite hot.

"It seems to me it has," said Lord Lathkill in a queer voice.

The Colonel was sitting abjectly on the music-stool, as if broken.

"Shall we have another?  Shall we try a tango?" said Lord Lathkill.
"As much of it as we can manage?"

"I--I--" the Colonel began, turning round on the seat, his face
yellow.  "I'm not sure--"

Carlotta shivered.  The frost seemed to touch my vitals.  Mrs. Hale
stood stiff, like a pillar of brown rock-salt, staring at her
husband.

"We had better leave off," murmured Lady Lathkill, rising.

Then she did an extraordinary thing.  She lifted her face, staring
to the other side, and said suddenly, in a clear, cruel sort of
voice:

"Are you here, Lucy?"

She was speaking across to the spirits.  Deep inside me leaped a
jump of laughter.  I wanted to howl with laughter.  Then instantly
I went inert again.  The chill gloom seemed to deepen suddenly in
the room, everybody was overcome.  On the piano-seat the Colonel
sat yellow and huddled, with a terrible hang-dog look of guilt on
his face.  There was a silence, in which the cold seemed to creak.
Then came again the peculiar bell-like ringing of Lady Lathkill's
voice:

"Are you here?  What do you wish us to do?"

A dead and ghastly silence, in which we all remained transfixed.
Then from somewhere came two slow thuds, and a sound of drapery
moving.  The Colonel, with mad fear in his eyes, looked round at
the uncurtained windows, and crouched on his seat.

"We must leave this room," said Lady Lathkill.

"I'll tell you what, mother," said Lord Lathkill curiously; "you
and the Colonel go up, and we'll just turn on the Victrola."

That was almost uncanny of him.  For myself, the cold effluence of
these people had paralysed me.  Now I began to rally.  I felt that
Lord Lathkill was sane, it was these other people who were mad.

Again from somewhere indefinite came two slow thuds.

"We must leave this room," repeated Lady Lathkill in monotony.

"All right, mother.  You go.  I'll just turn on the Victrola."

And Lord Lathkill strode across the room.  In another moment the
monstrous barking howl of the opening of a jazz tune, an event far
more extraordinary than thuds, poured from the unmoving bit of
furniture called a Victrola.

Lady Lathkill silently departed.  The Colonel got to his feet.

"I wouldn't go if I were you, Colonel," said I.  "Why not dance?
I'll look on this time."

I felt as if I were resisting a rushing, cold, dark current.

Lord Lathkill was already dancing with Mrs. Hale, skating
delicately along, with a certain smile of obstinacy, secrecy, and
excitement kindled on his face.  Carlotta went up quietly to the
Colonel, and put her hand on his broad shoulder.  He let himself be
moved into the dance, but he had no heart in it.

There came a heavy crash, out of the distance.  The Colonel stopped
as if shot: in another moment he would go down on his knees.  And
his face was terrible.  It was obvious he really felt another
presence, other than ours, blotting us out.  The room seemed dree
and cold.  It was heavy work, bearing up.

The Colonel's lips were moving, but no sound came forth.  Then,
absolutely oblivious of us, he went out of the room.

The Victrola had run down.  Lord Lathkill went to wind it up again,
saying:

"I suppose mother knocked over a piece of furniture."

But we were all of us depressed, in abject depression.

"Isn't it awful!" Carlotta said to me, looking up beseechingly.

"Abominable!" said I.

"What do you think there is in it?"

"God knows.  The only thing is to stop it, as one does hysteria.
It's on a par with hysteria."

"Quite," she said.

Lord Lathkill was dancing, and smiling very curiously down into his
partner's face.  The Victrola was at its loudest.

Carlotta and I looked at one another, with hardly the heart to
start again.  The house felt hollow and gruesome.  One wanted to
get out, to get away from the cold, uncanny blight which filled the
air.

"Oh, I say, keep the ball rolling," called Lord Lathkill.

"Come," I said to Carlotta.

Even then she hung back a little.  If she had not suffered, and
lost so much, she would have gone upstairs at once to struggle in
the silent wrestling of wills with her mother-in-law.  Even now,
THAT particular fight drew her, almost the strongest.  But I took
her hand.

"Come," I said.  "Let us dance it down.  We'll roll the ball the
opposite way."

She danced with me, but she was absent, unwilling.  The empty gloom
of the house, the sense of cold, and of deadening opposition,
pressed us down.  I was looking back over my life, and thinking how
the cold weight of an unliving spirit was slowly crushing all
warmth and vitality out of everything.  Even Carlotta herself had
gone numb again, cold and resistant even to me.  The thing seemed
to happen wholesale in her.

"One has to choose to live," I said, dancing on.  But I was
powerless.  With a woman, when her spirit goes inert in opposition,
a man can do nothing.  I felt my life-flow sinking in my body.

"This house is awfully depressing," I said to her, as we
mechanically danced.  "Why don't you DO something?  Why don't you
get out of this tangle?  Why don't you break it?"

"How?" she said.

I looked down at her, wondering why she was suddenly hostile.

"You needn't fight," I said.  "You needn't fight it.  Don't get
tangled up in it.  Just side-step, on to another ground."

She made a pause of impatience before she replied:

"I don't see where I am to side-step to, precisely."

"You do," said I.  "A little while ago, you were warm and unfolded
and good.  Now you are shut up and prickly, in the cold.  You
needn't be.  Why not stay warm?"

"It's nothing I do," she said coldly.

"It is.  Stay warm to me.  I am here.  Why clutch in a tug-of-war
with Lady Lathkill?"

"Do I clutch in a tug-of-war with my mother-in-law?"

"You know you do."

She looked up at me, with a faint little shadow of guilt and
beseeching, but with a moue of cold obstinacy dominant.

"Let's have done," said I.

And in cold silence we sat side by side on the lounge.

The other two danced on.  They at any rate were in unison.  One
could see from the swing of their limbs.  Mrs. Hale's yellow-brown
eyes looked at me every time she came round.

"Why does she look at me?" I said.

"I can't imagine," said Carlotta, with a cold grimace.

"I'd better go upstairs and see what's happening," she said,
suddenly rising and disappearing in a breath.

Why should she go?  Why should she rush off to the battle of wills
with her mother-in-law?  In such a battle, while one has any life
to lose, one can only lose it.  There is nothing positively to be
done, but to withdraw out of the hateful tension.

The music ran down.  Lord Lathkill stopped the Victrola.

"Carlotta gone?" he said.

"Apparently."

"Why didn't you stop her?"

"Wild horses wouldn't stop her."

He lifted his hand with a mocking gesture of helplessness.

"The lady loves her will," he said.  "Would you like to dance?"

I looked at Mrs. Hale.

"No," I said.  "I won't butt in.  I'll play the pianola.  The
Victrola's a brute."

I hardly noticed the passage of time.  Whether the others danced or
not, I played, and was unconscious of almost everything.  In the
midst of one rattling piece, Lord Lathkill touched my arm.

"Listen to Carlotta.  She says closing time," he said, in his old
musical voice, but with the sardonic ring of war in it now.

Carlotta stood with her arms dangling, looking like a penitent
schoolgirl.

"The Colonel has gone to bed.  He hasn't been able to manage a
reconciliation with Lucy," she said.  "My mother-in-law thinks we
ought to let him try to sleep."

Carlotta's slow eyes rested on mine, questioning, penitent--or so I
imagined--and somewhat sphinx-like.

"Why, of course," said Lord Lathkill.  "I wish him all the sleep in
the world."

Mrs. Hale said never a word.

"Is mother retiring too?" asked Luke.

"I think so."

"Ah! then supposing we up and look at the supper-tray."

We found Lady Lathkill mixing herself some nightcap brew over a
spirit-lamp: something milky and excessively harmless.  She stood
at the sideboard stirring her potations, and hardly noticed us.
When she had finished she sat down with her steaming cup.

"Colonel Hale all right, mother?" said Luke, looking across at her.

The dowager, under her uplift of white hair, stared back at her
son.  There was an eye-battle for some moments, during which he
maintained his arch, debonair ease, just a bit crazy.

"No," said Lady Lathkill, "he is in great trouble."

"Ah!" replied her son.  "Awful pity we can't do anything for him.
But if flesh and blood can't help him, I'm afraid I'm a dud.
Suppose he didn't mind our dancing?  Frightfully good for US!
We've been forgetting that we're flesh and blood, mother."

He took another whisky and soda, and gave me one.  And in a
paralysing silence Lady Lathkill sipped her hot brew, Luke and I
sipped our whiskies, the young woman ate a little sandwich.  We all
preserved an extraordinary aplomb, and an obstinate silence.

It was Lady Lathkill who broke it.  She seemed to be sinking
downwards, crouching into herself like a skulking animal.

"I suppose," she said, "we shall all go to bed?"

"You go mother.  We'll come along in a moment."

She went, and for some time we four sat silent.  The room seemed to
become pleasanter, the air was more grateful.

"Look here," said Lord Lathkill at last.  "What do you think of
this ghost business?"

"I?" said I.  "I don't like the atmosphere it produces.  There may
be ghosts, and spirits, and all that.  The dead must be somewhere;
there's no such place as nowhere.  But they don't affect me
particularly.  Do they you?"

"Well," he said, "no, not directly.  Indirectly I suppose it does."

"I think it makes a horribly depressing atmosphere, spiritualism,"
said I.  "I want to kick."

"Exactly!  And ought one?" he asked in his terribly sane-seeming
way.

This made me laugh.  I knew what he was up to.

"I don't know what you mean by OUGHT," said I.  "If I really want
to kick, if I know I can't stand a thing, I kick.  Who's going to
authorise me, if my own genuine feeling doesn't?"

"Quite," he said, staring at me like an owl, with a fixed,
meditative stare.

"Do you know," he said, "I suddenly thought at dinner-time, what
corpses we all were, sitting eating our dinners.  I thought it when
I saw you look at those little Jerusalem artichoke things in a
white sauce.  Suddenly it struck me, you were alive and twinkling,
and we were all bodily dead.  Bodily dead, if you understand.
Quite alive in other directions, but bodily dead.  And whether we
ate vegetarian or meat made no difference.  We were bodily dead."

"Ah, with a slap in the face," said I, "we come to life!  You or I
or anybody."

"I DO understand poor Lucy," said Luke.  "Don't you?  She forgot to
be flesh and blood while she was alive, and now she can't forgive
herself, nor the Colonel.  That must be pretty rough, you know, not
to realise it till you're dead, and you haven't, so to speak,
anything left to go on.  I mean, it's awfully important to be flesh
and blood."

He looked so solemnly at us, we three broke simultaneously into an
uneasy laugh.

"Oh, but I DO mean it," he said.  "I've only realised how very
extraordinary it is to be a man of flesh and blood, alive.  It
seems so ordinary, in comparison, to be dead, and merely spirit.
That seems so commonplace.  But fancy having a living face, and
arms, and thighs.  Oh, my God, I'm glad I've realised in time!"

He caught Mrs. Hale's hand, and pressed her dusky arm against his
body.

"Oh, but if one had died without realising it!" he cried.  "Think
how ghastly for Jesus, when He was risen and wasn't touchable!  How
very awful, to have to say Noli me tangere!  Ah, touch me, touch me
ALIVE!"

He pressed Mrs. Hale's hand convulsively against his breast.  The
tears had already slowly gathered in Carlotta's eyes and were
dropping on to her hands in her lap.

"Don't cry, Carlotta," he said.  "Really, don't.  We haven't killed
one another.  We're too decent, after all.  We've almost become two
spirits side by side.  We've almost become two ghosts to one
another, wrestling.  Oh, but I want you to get back your body, even
if I can't give it to you.  I want my flesh and blood, Carlotta,
and I want you to have yours.  We've suffered so much the other
way.  And the children, it is as well they are dead.  They were
born of our will and our disembodiment.  Oh, I feel like the Bible.
Clothe me with flesh again, and wrap my bones with sinew, and let
the fountain of blood cover me.  My spirit is like a naked nerve on
the air."

Carlotta had ceased to weep.  She sat with her head dropped, as if
asleep.  The rise and fall of her small, slack breasts was still
heavy, but they were lifting on a heaving sea of rest.  It was as
if a slow, restful dawn were rising in her body, while she slept.
So slack, so broken she sat, it occurred to me that in this
crucifixion business the crucified does not put himself alone on
the cross.  The woman is nailed even more inexorably up, and
crucified in the body even more cruelly.

It is a monstrous thought.  But the deed is even more monstrous.
Oh, Jesus, didn't you know that you couldn't be crucified alone?--
that the two thieves crucified along with you were the two women,
your wife and mother!  You called them two thieves.  But what would
they call you, who had their women's bodies on the cross?  The
abominable trinity on Calvary!

I felt an infinite tenderness for my dear Carlotta.  She could not
yet be touched.  But my soul streamed to her like warm blood.  So
she sat slack and drooped, as if broken.  But she was not broken.
It was only the great release.

Luke sat with the hand of the dark young woman pressed against his
breast.  His face was warm and fresh, but he too breathed heavily,
and stared unseeing.  Mrs. Hale sat at his side erect and mute.
But she loved him, with erect, black-faced, remote power.

"Morier!" said Luke to me.  "If you can help Carlotta, you will,
won't you?  I can't do any more for her now.  We are in mortal fear
of each other."

"As much as she'll let me," said I, looking at her drooping figure,
that was built on such a strong frame.

The fire rustled on the hearth as we sat in complete silence.  How
long it lasted I cannot say.  Yet we were none of us startled when
the door opened.

It was the Colonel, in a handsome brocade dressing-gown, looking
worried.

Luke still held the dark young woman's hand clasped against his
thigh.  Mrs. Hale did not move.

"I thought you fellows might help me," said the Colonel, in a
worried voice, as he closed the door.

"What is wrong, Colonel?" said Luke.

The Colonel looked at him, looked at the clasped hands of Luke and
the dark young woman, looked at me, looked at Carlotta, without
changing his expression of anxiety, fear, and misery.  He didn't
care about us.

"I can't sleep," he said.  "It's gone wrong again.  My head feels
as if there was a cold vacuum in it, and my heart beats, and
something screws up inside me.  I know it's Lucy.  She hates me
again.  I can't stand it."

He looked at us with eyes half-glazed, obsessed.  His face seemed
as if the flesh were breaking under the skin, decomposing.

"Perhaps, poor thing," said Luke, whose madness seemed really sane
this night, "perhaps you hate HER."

Luke's strange concentration instantly made us feel a tension, as
of hate, in the Colonel's body.

"I?"  The Colonel looked up sharply, like a culprit.  "I!  I
wouldn't say that, if I were you."

"Perhaps that's what's the matter," said Luke, with mad, beautiful
calm.  "Why can't you feel kindly towards her, poor thing!  She
must have been done out of a lot while she lived."

It was as if he had one foot in life and one in death, and knew
both sides.  To us it was like madness.

"I--I!" stammered the Colonel; and his face was a study.
Expression after expression moved across it: of fear, repudiation,
dismay, anger, repulsion, bewilderment, guilt.  "I was good to
her."

"Ah, yes," said Luke.  "Perhaps YOU were good to her.  But was your
body good to poor Lucy's body, poor dead thing!"

He seemed to be better acquainted with the ghost than with us.

The Colonel gazed blankly at Luke, and his eyes went up and down,
up and down, up and down, up and down.

"My body!" he said blankly.

And he looked down amazedly at his little round stomach, under the
silk gown, and his stout knee, in its blue-and-white pyjama.

"My body!" he repeated blankly.

"Yes," said Luke.  "Don't you see, you may have been awfully good
to her.  But her poor woman's body, were you ever good to that?"

"She had everything she wanted.  She had three of my children,"
said the Colonel dazedly.

"Ah yes, that may easily be.  But your body of a man, was it ever
good to her body of a woman?  That's the point.  If you understand
the marriage service: with my body I thee worship.  That's the
point.  No getting away from it."

The queerest of all accusing angels did Lord Lathkill make, as he
sat there with the hand of the other man's wife clasped against his
thigh.  His face was fresh and naïve, and the dark eyes were bright
with a clairvoyant candour, that was like madness, and perhaps was
supreme sanity.

The Colonel was thinking back, and over his face a slow
understanding was coming.

"It may be," he said.  "It may be.  Perhaps, that way, I despised
her.  It may be, it may be."

"I know," said Luke.  "As if she weren't worth noticing, what you
did to her.  Haven't I done it myself?  And don't I know now, it's
a horrible thing to do, to oneself as much as to her?  Her poor
ghost, that ached, and never had a real body!  It's not so easy to
worship with the body.  Ah, if the Church taught us THAT sacrament:
with my body I thee worship! that would easily make up for any
honouring and obeying the woman might do.  But that's why she
haunts you.  You ignored and disliked her body, and she was only a
living ghost.  Now she wails in the afterworld, like a still-
wincing nerve."

The Colonel hung his head, slowly pondering.  Pondering with all
his body.  His young wife watched the sunken, bald head in a kind
of stupor.  His day seemed so far from her day.  Carlotta had
lifted her face; she was beautiful again, with the tender before-
dawn freshness of a new understanding.

She was watching Luke, and it was obvious he was another man to
her.  The man she knew, the Luke who was her husband was gone, and
this other strange, uncanny creature had taken his place.  She was
filled with wonder.  Could one so change, as to become another
creature entirely?  Ah, if it were so!  If she herself could cease
to be!  If that woman who was married to Luke, married to him in an
intimacy of misfortune that was like a horror, could only cease to
be, and let a new, delicately-wild Carlotta take her place!

"It may be," said the Colonel, lifting his head.  "It may be."
There seemed to come a relief over his soul, as he realised.  "I
didn't worship her with my body.  I think maybe I worshipped other
women that way; but maybe I never did.  But I thought I was good to
her.  And I thought she didn't want it."

"It's no good thinking.  We all want it," asserted Luke.  "And
before we die, we know it.  I say, before we die.  It may be after.
But everybody wants it, let them say and do what they will.  Don't
you agree, Morier?"

I was startled when he spoke to me.  I had been thinking of
Carlotta: how she was looking like a girl again, as she used to
look at the Thwaite, when she painted cactuses-in-a-pot.  Only now,
a certain rigidity of the will had left her, so that she looked
even younger than when I first knew her, having now a virginal,
flower-like STILLNESS which she had not had then.  I had always
believed that people could be born again: if they would only let
themselves.

"I'm sure they do," I said to Luke.

But I was thinking, if people were born again, the old
circumstances would not fit the new body.

"What about yourself, Luke?" said Carlotta abruptly.

"I!" he exclaimed, and the scarlet showed in his cheek.  "I!  I'm
not fit to be spoken about.  I've been moaning like the ghost of
disembodiment myself, ever since I became a man."

The Colonel said never a word.  He hardly listened.  He was
pondering, pondering.  In this way, he, too, was a brave man.

"I have an idea what you mean," he said.  "There's no denying it, I
didn't like her body.  And now, I suppose it's too late."

He looked up bleakly: in a way, willing to be condemned, since he
knew vaguely that something was wrong.  Anything better than the
blind torture.

"Oh, I don't know," said Luke.  "Why don't you, even now, love her
a little with your real heart?  Poor disembodied thing!  Why don't
you take her to your warm heart, even now, and comfort her inside
there?  Why don't you be kind to her poor ghost, bodily?"

The Colonel did not answer.  He was gazing fixedly at Luke.  Then
he turned, and dropped his head, alone in a deep silence.  Then,
deliberately, but not lifting his head, he pulled open his dressing-
gown at the breast, unbuttoned the top of his pyjama jacket, and
sat perfectly still, his breast showing white and very pure, so
much younger and purer than his averted face.  He breathed with
difficulty, his white breast rising irregularly.  But in the deep
isolation where he was, slowly a gentleness of compassion came over
him, moulding his elderly features with strange freshness, and
softening his blue eye with a look it had never had before.
Something of the tremulous gentleness of a young bridegroom had
come upon him, in spite of his baldness, his silvery little
moustache, the weary marks of his face.

The passionate, compassionate soul stirred in him and was pure, his
youth flowered over his face and eyes.

We sat very still, moved also in the spirit of compassion.  There
seemed a presence in the air, almost a smell of blossom, as if time
had opened and gave off the perfume of spring.  The Colonel gazed
in silence into space, his smooth white chest, with the few dark
hairs, open and rising and sinking with life.

Meanwhile his dark-faced young wife watched as if from afar.  The
youngness that was on him was not for her.

I knew that Lady Lathkill would come.  I could feel her far off in
her room, stirring and sending forth her rays.  Swiftly I steeled
myself to be in readiness.  When the door opened I rose and walked
across the room.

She entered with characteristic noiselessness, peering in round the
door, with her crest of white hair, before she ventured bodily in.
The Colonel looked at her swiftly, and swiftly covered his breast,
holding his hand at his bosom, clutching the silk of his robe.

"I was afraid," she murmured, "that Colonel Hale might be in
trouble."

"No," said I.  "We are all sitting very peacefully.  There is no
trouble."

Lord Lathkill also rose.

"No trouble at all, I assure you, mother!" he said.

Lady Lathkill glanced at us both, then turned heavily to the
Colonel.

"She is unhappy to-night?" she asked.

The Colonel winced.

"No," he said hurriedly.  "No, I don't think so."  He looked up at
her with shy, wincing eyes.

"Tell me what I can do," she said in a very low tone, bending
towards him.

"Our ghost is walking to-night, mother," said Lord Lathkill.
"Haven't you felt the air of spring, and smelt the plum-blossom?
Don't you feel us all young?  Our ghost is walking, to bring Lucy
home.  The Colonel's breast is quite extraordinary, white as plum-
blossom, mother, younger-looking than mine, and he's already taken
Lucy into his bosom, in his breast, where he breathes like the wind
among trees.  The Colonel's breast is white and extraordinarily
beautiful, mother.  I don't wonder poor Lucy yearned for it, to go
home into it at last.  It's like going into an orchard of plum-
blossom for a ghost."

His mother looked round at him, then back at the Colonel, who was
still clutching his hand over his chest, as if protecting
something.

"You see, I didn't understand where I'd been wrong," he said,
looking up at her imploringly.  "I never realised that it was my
body which had not been good to her."

Lady Lathkill curved sideways to watch him.  But her power was
gone.  His face had come smooth with the tender glow of
compassionate life, that flowers again.  She could not get at him.

"It's no good, mother.  You know our ghost is walking.  She's
supposed to be absolutely like a crocus, if you know what I mean:
harbinger of spring in the earth.  So it says in my great-
grandfather's diary: for she rises with silence like a crocus at
the feet, and violets in the hollows of the heart come out.  For
she is of the feet and the hands, the thighs and breast, the face
and the all-concealing belly, and her name is silent, but her odour
is of spring, and her contact is the all-in-all."  He was quoting
from his great-grandfather's diary, which only the sons of the
family read.  And as he quoted he rose curiously on his toes, and
spread his fingers, bringing his hands together till the finger-
tips touched.  His father had done that before him, when he was
deeply moved.

Lady Lathkill sat down heavily in the chair next the Colonel.

"How do you feel?" she asked him, in a secretive mutter.

He looked round at her, with the large blue eyes of candour.

"I never knew what was wrong," he said, a little nervously.  "She
only wanted to be looked after a bit, not to be a homeless,
houseless ghost.  It's all right!  She's all right here."  He
pressed his clutched hand on his breast.  "It's all right; it's all
right.  She'll be all right now."

He rose, a little fantastic in his brocade gown, but once more
manly, candid, and sober.

"With your permission," he said, "I will retire."--He made a little
bow.--"I am glad you helped me.  I didn't know--didn't know."

But the change in him, and his secret wondering were so strong in
him, he went out of the room scarcely being aware of us.

Lord Lathkill threw up his arms, and stretched quivering.

"Oh, pardon, pardon," he said, seeming, as he stretched, quivering,
to grow bigger and almost splendid, sending out rays of fire to the
dark young woman.  "Oh, mother, thank you for my limbs, and my
body!  Oh, mother, thank you for my knees and my shoulders at this
moment!  Oh, mother, thank you that my body is straight and alive!
Oh, mother, torrents of spring, torrents of spring, whoever said
that?"

"Don't you forget yourself, my boy?" said his mother.

"Oh no, dear no!  Oh, mother dear, a man has to be in love in his
thighs, the way you ride a horse.  Why don't we stay in love that
way all our lives?  Why do we turn into corpses with consciousness?
Oh, mother of my body, thank you for my body, you strange woman
with white hair!  I don't know much about you, but my body came
from you, so thank you, my dear.  I shall think of you to-night!"

"Hadn't we better go?" she said, beginning to tremble.

"Why, yes," he said, turning and looking strangely at the dark
woman.  "Yes, let us go; let us go!"

Carlotta gazed at him, then, with strange, heavy, searching look,
at me.  I smiled to her, and she looked away.  The dark young woman
looked over her shoulder as she went out.  Lady Lathkill hurried
past her son, with head ducked.  But still he laid his hand on her
shoulder, and she stopped dead.

"Good night, mother; mother of my face and my thighs.  Thank you
for the night to come, dear mother of my body."

She glanced up at him rapidly, nervously, then hurried away.  He
stared after her, then switched off the light.

"Funny old mother!" he said.  "I never realised before that she was
the mother of my shoulders and my hips, as well as my brain.
Mother of my thighs!"

He switched off some of the lights as we went, accompanying me to
my room.

"You know," he said, "I can understand that the Colonel is happy,
now the forlorn ghost of Lucy is comforted in his heart.  After
all, he married her!  And she must be content at last: he has a
beautiful chest, don't you think?  Together they will sleep well.
And then he will begin to live the life of the living again.  How
friendly the house feels tonight!  But, after all, it is my old
home.  And the smell of plum-blossom--don't you notice it?  It is
our ghost, in silence like a crocus.  There, your fire has died
down!  But it's a nice room!  I hope our ghost will come to you.  I
think she will.  Don't speak to her.  It makes her go away.  She,
too, is a ghost of silence.  We talk far too much.  But now I am
going to be silent too, and a ghost of silence.  Good night!"

He closed the door softly and was gone.  And softly, in silence, I
took off my things.  I was thinking of Carlotta, and a little
sadly, perhaps, because of the power of circumstance over us.  This
night I could have worshipped her with my body, and she, perhaps,
was stripped in the body to be worshipped.  But it was not for me,
at this hour, to fight against circumstances.

I had fought too much, even against the most imposing
circumstances, to use any more violence for love.  Desire is a
sacred thing, and should not be violated.

"Hush!" I said to myself.  "I will sleep, and the ghost of my
silence can go forth, in the subtle body of desire, to meet that
which is coming to meet it.  Let my ghost go forth, and let me not
interfere.  There are many intangible meetings, and unknown
fulfilments of desire."

So I went softly to sleep, as I wished to, without interfering with
the warm, crocus-like ghost of my body.

And I must have gone far, far down the intricate galleries of
sleep, to the very heart of the world.  For I know I passed on
beyond the strata of images and words, beyond the iron veins of
memory, and even the jewels of rest, to sink in the final dark like
a fish, dumb, soundless, and imageless, yet alive and swimming.

And at the very core of the deep night the ghost came to me, at the
heart of the ocean of oblivion, which is also the heart of life.
Beyond hearing, or even knowledge of contact, I met her and knew
her.  How I know it I don't know.  Yet I know it with eyeless,
wingless knowledge.

For man in the body is formed through countless ages, and at the
centre is the speck, or spark upon which all his formation has
taken place.  It is even not himself, deep beyond his many depths.
Deep from him calls to deep.  And according as deep answers deep,
man glistens and surpasses himself.

Beyond all the pearly mufflings of consciousness, of age upon age
of consciousness, deep calls yet to deep, and sometimes is
answered.  It is calling and answering, new-awakened God calling
within the deep of man, and new God calling answer from the other
deep.  And sometimes the other deep is a woman, as it was with me,
when my ghost came.

Women were not unknown to me.  But never before had woman come, in
the depths of night, to answer my deep with her deep.  As the ghost
came, came as a ghost of silence, still in the depth of sleep.

I know she came.  I know she came even as a woman, to my man.  But
the knowledge is darkly naked as the event.  I only know, it was
so.  In the deep of sleep a call was called from the deeps of me,
and answered in the deeps, by a woman among women.  Breasts or
thighs or face.  I remember not a touch, no, nor a movement of my
own.  It is all complete in the profundity of darkness.  Yet I know
it was so.

I awoke towards dawn, from far, far away.  I was vaguely conscious
of drawing nearer and nearer, as the sun must have been drawing
towards the horizon, from the complete beyond.  Till at last the
faint pallor of mental consciousness coloured my waking.

And then I was aware of a pervading scent, as of plum-blossom, and
a sense of extraordinary silkiness--though where, and in what
contact, I could not say.  It was as the first blemish of dawn.

And even with so slight a conscious registering, IT seemed to
disappear.  Like a whale that has sounded to the bottomless seas.
That knowledge of IT, which was the mating of the ghost and me,
disappeared from me, in its rich weight of certainty, as the scent
of the plum-blossom moved down the lanes of my consciousness, and
my limbs stirred in a silkiness for which I have no comparison.

As I became aware, I also became uncertain.  I wanted to be certain
of IT, to have definite evidence.  And as I sought for evidence, IT
disappeared, my perfect knowledge was gone.  I no longer knew in
full.

Now as the daylight slowly amassed, in the windows from which I had
put back the shutters, I sought in myself for evidence, and in the
room.

But I shall never know.  I shall never know if it was a ghost, some
sweet spirit from the innermost of the ever-deepening cosmos; or a
woman, a very woman, as the silkiness of my limbs seems to attest;
or a dream, a hallucination!  I shall never know.  Because I went
away from Riddings in the morning on account of the sudden illness
of Lady Lathkill.

"You will come again," Luke said to me.  "And in any case, you will
never really go away from us."

"Good-bye," she said to me.  "At last it was perfect!"

She seemed so beautiful, when I left her, as if it were the ghost
again, and I was far down the deeps of consciousness.

The following autumn, when I was overseas once more, I had a letter
from Lord Lathkill.  He wrote very rarely.

"Carlotta has a son," he said, "and I an heir.  He has yellow hair,
like a little crocus, and one of the young plum trees in the
orchard has come out of all season into blossom.  To me he is flesh
and blood of our ghost itself.  Even mother doesn't look over the
wall, to the other side, any more.  It's all this side for her now.

"So our family refuses to die out, by the grace of our ghost.  We
are calling him Gabriel.

"Dorothy Hale also is a mother, three days before Carlotta.  She
has a black lamb of a daughter, called Gabrielle.  By the bleat of
the little thing, I know its father.  Our own is a blue-eyed one,
with the dangerous repose of a pugilist.  I have no fears of our
family misfortune for him, ghost-begotten and ready-fisted.

"The Colonel is very well, quiet, and self-possessed.  He is
farming in Wiltshire, raising pigs.  It is a passion with him, the
crème de la crème of swine.  I admit, he has golden sows as elegant
as a young Diane de Poictiers, and young hogs like Perseus in the
first red-gold flush of youth.  He looks me in the eye, and I look
him back, and we understand.  He is quiet, and proud now, and very
hale and hearty, raising swine ad maiorem gloriam Dei.  A good
sport!

"I am in love with this house and its inmates, including the plum-
blossom-scented one, she who visited you, in all the peace.  I
cannot understand why you wander in uneasy and distant parts of the
earth.  For me, when I am at home, I am there.  I have peace upon
my bones, and if the world is going to come to a violent and
untimely end, as prophets aver, I feel the house of Lathkill will
survive, built upon our ghost.  So come back, and you'll find we
shall not have gone away. . . ."



NONE OF THAT


I met Luis Colmenares in Venice, not having seen him for years.  He
is a Mexican exile living on the scanty remains of what was once
wealth, and eking out a poor and lonely existence by being a
painter.  But his art is only a sedative to him.  He wanders about
like a lost soul, mostly in Paris or in Italy, where he can live
cheaply.  He is rather short, rather fat, pale, with black eyes,
which are always looking the other way, and a spirit the same,
always averted.

"Do you know who is in Venice?" he said to me.  "Cuesta!  He is in
the Hôtel Romano.  I saw him bathing yesterday on the Lido."

There was a world of gloomy mockery in this last sentence.

"Do you mean Cuesta, the bull-fighter?" I asked.

"Yes.  Don't you know, he retired?  Do you remember?  An American
woman left him a lot of money.  Did you ever see him?"

"Once," said I.

"Was it before the revolution?  Do you remember, he retired and
bought a hacienda very cheap from one of Madero's generals, up in
Chihuahua?  It was after the Carranzista, and I was already in
Europe."

"How does he look now?" I said.

"Enormously fat, like a yellow, round, small whale in the sea.  You
saw him?  You know he was rather short and rather fat always.  I
think his mother was a Mixtec Indian woman.  Did you ever know
him?"

"No," said I.  "Did you?"

"Yes.  I knew him in the old days, when I was rich, and thought I
should be rich for ever."

He was silent, and I was afraid he had shut up for good.  It was
unusual for him to be even as communicative as he had been.  But it
was evident that having seen Cuesta, the toreador whose fame once
rang through Spain and through Latin America, had moved him deeply.
He was in a ferment, and could not quite contain himself.

"But he wasn't interesting, was he?" I said.  "Wasn't he just a--a
bullfighter--a brute?"

Colmenares looked at me out of his own blackness.  He didn't want
to talk.  Yet he had to.

"He was a brute, yes," he admitted grudgingly.  "But not just a
brute.  Have you seen him when he was at his best?  Where did you
see him?  I never liked him in Spain, he was too vain.  But in
Mexico he was very good.  Have you seen him play with the bull, and
play with death?  He was marvellous.  Do you remember him, what he
looked like?"

"Not very well," said I.

"Short, and broad, and rather fat, with rather a yellow colour, and
a pressed-in nose.  But his eyes, they were marvellous, also rather
small, and yellow, and when he looked at you, so strange and cool,
you felt your inside melting.  Do you know that feeling?  He looked
into the last little place of you, where you keep your courage.  Do
you understand?  And you felt yourself melting.  Do you know what I
mean?"

"More or less, perhaps," said I.

Colmenares' black eyes were fixed on my face, dilated and gleaming,
but not really seeing me at all.  He was seeing the past.  Yet a
curious force streamed out of his face; one understood him by the
telepathy of passion, inverted passion.

"And in the bull-ring he was marvellous.  He would stand with his
back to the bull, and pretend to be adjusting his stockings, while
the bull came charging on him.  And with a little glance over his
shoulder, he would make a small movement, and the bull had passed
him without getting him.  Then he would smile a little, and walk
after it.  It is marvellous that he was not killed hundreds of
times, but I saw him bathing on the Lido to-day, like a fat,
yellow, small whale.  It is extraordinary!  But I did not see his
eyes. . . ."

A queer look of abstracted passion was on Colmenares' fat, pale,
clean-shaven face.  Perhaps the toreador had cast a spell over him,
as over so many people in the old and the new world.

"It is strange that I have never seen eyes anywhere else like his.
Did I tell you, they were yellow, and not like human eyes at all?
They didn't look at you.  I don't think they ever looked at
anybody.  He only looked at the little bit inside your body where
you keep your courage.  I don't think he could see people, any more
than an animal can: I mean see them personally, as I see you and
you see me.  He was an animal, a marvellous animal.  I have often
thought, if human beings had not developed minds and speech, they
would have become marvellous animals like Cuesta, with those
marvellous eyes, much more marvellous than a lion's or a tiger's.
Have you noticed a lion or a tiger never sees you personally?  It
never really looks at you.  But also it is afraid to look at the
last little bit of you, where your courage lives inside you.  But
Cuesta was not afraid.  He looked straight at it, and it melted."

"And what was he like, in ordinary life?" said I.

"He did not talk, was very silent.  He was not clever at all.  He
was not even clever enough to be a general.  And he could be very
brutal and disgusting.  But usually he was quiet.  But he was
always SOMETHING.  If you were in a room with him, you always
noticed him more than anybody, more than women or men, even very
clever people.  He was stupid, but he made you physically aware of
him; like a cat in the room.  I tell you, that little bit of you
where you keep your courage was enchanted by him; he put over you
an enchantment."

"Did he do it on purpose?"

"Well!  It is hard to say.  But he knew he could do it.  To some
people, perhaps, he could not do it.  But he never saw such people.
He only saw people who were in his enchantment.  And of course, in
the bull-ring, he mesmerised everybody.  He could draw the natural
magnetism of everybody to him--everybody.  And then he was
marvellous, he played with death as if it were a kitten, so quick,
quick as a star, and calm as a flower, and all the time, laughing
at death.  It is marvellous he was never killed.  But he retired
very young.  And then suddenly it was he who killed the bull, with
one hand, one stroke.  He was very strong.  And the bull sank down
at his feet, heavy with death.  The people went mad!  And he just
glanced at them, with his yellow eyes, in a cool, beautiful
contempt, as if he were an animal that wrapped the skin of death
round him.  Ah, he was wonderful!  And to-day I saw him bathing on
the Lido, in an American bathing-suit, with a woman.  His bathing-
suit was just a little more yellow than he is.  I have held the
towel when he was being rubbed down and massaged often.  He had the
body of an Indian, very smooth, with hardly any hair, and creamy-
yellow.  I always thought it had something childish about it, so
soft.  But also, it had the same mystery as his eyes, as if you
could never touch it, as if, when you touched it, still it was not
he.  When he had no clothes on, he was naked.  But it seemed he
would have many, many more nakednesses before you really came to
HIM.  Do you understand me at all?  Or does it seem to you
foolish?"

"It interests me," I said.  "And women, of course, fell for him by
the thousand?"

"By the million!  And they were mad because of him.  Women went
mad, once they felt him.  It was not like Rudolf Valentino,
sentimental.  It was madness, like cats in the night which howl, no
longer knowing whether they are on earth or in hell or in paradise.
So were the women.  He could have had forty beautiful women every
night, and different ones each night, from the beginning of the
year to the end."

"But he didn't, naturally?"

"Oh no!  At first, I think, he took many women.  But later, when I
knew him, he took none of those that besieged him.  He had two
Mexican women whom he lived with, humble women, Indians.  And all
the others he spat at, and spoke of them with terrible, obscene
language.  I think he would have liked to whip them, or kill them,
for pursuing him."

"Only he must enchant them when he was in the bull-ring," said I.

"Yes.  But that was like sharpening his knife on them."

"And when he retired--he had plenty of money--how did he amuse
himself?"

"He was rich, he had a big hacienda, and many people like slaves to
work for him.  He raised cattle.  I think he was very proud to be
haciendado and padrón of so many people, with a little army of his
own.  I think he was proud, living like a king.  I had not heard of
him for years.  Now, suddenly, he is in Venice with a Frenchwoman
who talks bad Spanish--"

"How old is he?"

"How old?  He is about fifty, or a little less."

"So young!  And will you speak to him?"

"I don't know.  I can't make up my mind.  If I speak to him, he
will think I want money."

There was a certain note of hatred now in Colmenares' voice.

"Well, why shouldn't he give you money?  He is still rich, I
suppose?"

"Rich, yes!  He must always be rich.  He has got American money.
An American woman left him half a million dollars.  Did you ever
hear of it?"

"No.  Then why shouldn't he give you money?  I suppose you often
gave him some, in the past?"

"Oh, that--that is QUITE the past.  He will never give me anything--
or a hundred francs, something like that!  Because he is mean.
Did you never hear of the American woman who left him half a
million dollars, and committed suicide?"

"No.  When was it?"

"It was a long time ago--about 1914 or 1913.  I had already lost
all my money.  Her name was Ethel Cane.  Did you never hear of
her?"

"I don't think I did," I said, feeling it remiss not to have heard
of the lady.

"Ah!  You should have known her.  She was extraordinary.  I had
known her in Paris, even before I came back to Mexico and knew
Cuesta well.  She was almost as extraordinary as Cuesta: one of
those American women, born rich, but what we should call
provincial.  She didn't come from New York or Boston, but somewhere
else.  Omaha or something.  She was blonde, with thick, straight,
blonde hair, and she was one of the very first to wear it short,
like a Florentine page-boy.  Her skin was white, and her eyes very
blue, and she was not thin.  At first, there seemed something
childish about her--do you know that look, rather round cheeks and
clear eyes, so false-innocent?  Her eyes especially were warm and
naïve and false-innocent, but full of light.  Only sometimes they
were bloodshot.  Oh, she was extraordinary!  It was only when I
knew her better I noticed how her blonde eyebrows gathered together
above her nose, in a diabolic manner.  She was much too much a
personality to be a lady, and she had all that terrible American
energy!  Ah, energy!  She was a dynamo.  In Paris she was married
to a dapper little pink-faced American who got yellow at the gills,
bilious, running after her when she would not have him.  He painted
pictures and wanted to be modern.  She knew all the people, and had
all sorts come to her, as if she kept a human menagerie.  And she
bought old furniture and brocades; she would go mad if she saw
someone get a piece of velvet brocade with the misty bloom of years
on it, that she coveted.  She coveted such things with lust, and
would go into a strange sensual trance, looking at some old worm-
eaten chair.  And she would go mad if someone else got it, and not
she: that nasty old wormy chair of the quattrocento!  Things!  She
was mad about 'things'.  But it was only for a time.  She always
got tired, especially of her own enthusiasms.

"That was when I knew her in Paris.  Then I think she divorced that
husband, and, when the revolutions in Mexico became quieter, she
came to Mexico.  I think she was fascinated by the idea of
Carranza.  If ever she heard of a man who seemed to have a dramatic
sort of power in him, she must know that man.  It was like her lust
for brocade and old chairs and a perfect æsthetic setting.  Now it
was to know the most dangerous man, especially if he looked like a
prophet or a reformer.  She was a socialist also, at this time.
She no longer was in love with chairs.

"She found me again in Mexico: she knew thousands of people, and
whenever one of them might be useful to her, she remembered him.
So she remembered me, and it was nothing to her that I was now
poor.  I knew she thought of me as 'that little Luis Something',
but she had a certain use for me, and found, perhaps, a certain
little flavour in me.  At least she asked me often to dinner, or to
drive with her.  She was curious, quite reckless and a dare-devil,
yet shy and awkward out of her own milieu.  It was only in intimacy
that she was unscrupulous and dauntless as a devil incarnate.  In
public, and in strange places, she was very uneasy, like one who
has a bad conscience towards society, and is afraid of it.  And for
that reason she could never go out without a man to stand between
her and all the others.

"While she was in Mexico, I was that man.  She soon discovered that
I was satisfactory.  I would perform all the duties of a husband
without demanding any of the rights.  Which was what she wanted.  I
think she was looking round for a remarkable and epoch-making
husband.  But, of course, it would have to be a husband who would
be a fitting instrument for her remarkable and epoch-making energy
and character.  She was extraordinary, but she could only work
through individuals, through others.  By herself she could
accomplish nothing.  She lay on a sofa and mused and schemed, with
the energy boiling inside her.  Only when she had a group, or a few
real individuals, or just one man, then she could start something,
and make them all dance in a tragi-comedy, like marionettes.

"But in Mexico, men do not care for women who will make them dance
like puppets.  In Mexico, women must run in the dust like the
Indian women, with meek little heads.  American women are not very
popular.  Their energy, and their power to make other people do
things, are not in request.  The men would rather go to the devil
in their own way than be sent there by the women, with a little
basket in which to bring home the goods.

"So Ethel found not a cold shoulder, but a number of square, fat
backs turned to her.  They didn't want her.  The revolutionaries
would not take any notice of her at all.  They wanted no women
interfering.  General Isidor Garabay danced with her, and expected
her immediately to become his mistress.  But, as she said, she was
having NONE OF THAT.  She had a terrible way of saying 'I'm having
none of that!'--like hitting a mirror with a hammer.  And as nobody
wanted to get into trouble over her, they were having none of her.

"At first, of course, when the generals saw her white shoulders and
blonde hair and innocent face, they thought at once:  'Here is a
TYPE for us!'  They were not deceived by her innocent look.  But
they were deceived by what looked like her helplessness.  The blood
would come swelling into her neck and face, her eyes would go hot,
her whole figure would swell with repellent energy, and she would
say something very American and very crushing, in French, or in
American.  None of THAT!  Stop THAT!

"She, too, had a lot of power.  She could send out of her body a
repelling energy, to compel people to submit to her will.  Men in
Europe or the United States nearly always crumpled up before her.
But in Mexico she had come to the wrong shop.  The men were a law
to themselves.  While she was winning and rather lovely, with her
blue eyes so full of light and her white skin glistening with
energetic health, they expected her to become at once their
mistress.  And when they saw, very quickly, that she was having
NONE OF THAT, they turned on their heels and showed her their fat
backs.  Because she was clever, and remarkable, and had wonderful
energy and a wonderful power for making people dance while she
pulled the strings, they didn't care a bit.  They, too, wanted NONE
OF THAT.  They would, perhaps, have carried her off and shared her
as a mistress, except for the fear of trouble with the American
Government.

"So, soon, she began to be bored, and to think of returning to New
York.  She said that Mexico was a place without a soul and without
a culture, and it had not even brain enough to be mechanically
efficient.  It was a city and a land of naughty little boys doing
obscene little things, and one day it would learn its lesson.  I
told her that history is the account of a lesson which nobody ever
learns, and she told me the world certainly HAD progressed.  Only
not in Mexico, she supposed.  I asked her why she had come, then,
to Mexico.  And she said she had thought there was something doing,
and she would like to be in it.  But she found it was only naughty
and mostly cowardly little boys letting off guns and doing mediocre
obscenities, so she would leave them to it.  I told her I supposed
it was life.  And she replied that since it was not good enough for
her, it was not life to her.

"She said all she wanted was to live the life of the imagination
and get it acted on.  At that time, I thought this ridiculous.  I
thought she was just trying to find somebody to fall in love with.
Later, I saw she was right.  She had an imaginary picture of
herself as an extraordinary and potent woman who would make a
stupendous change in the history of man.  Like Catherine of Russia,
only cosmopolitan, not merely Russian.  And it is true, she WAS an
extraordinary woman, with tremendous power of will, and truly
amazing energy, even for an American woman.  She was like a
locomotive-engine stoked up inside and bursting with steam, which
it has to let off by rolling a lot of trucks about.  But I did not
see how this was to cause a change in the tide of mortal affairs.
It was only a part of the hubbub of traffic.  She sent the trucks
bouncing against one another with a clash of buffers, and sometimes
she derailed some unfortunate item of the rolling-stock.  But I did
not see how this was to change the history of mankind.  She seemed
to have arrived just a little late, as some heroes, and heroines
also, to-day, always do.

"I wondered always, why she did not take a lover.  She was a
woman between thirty and forty, very healthy and full of this
extraordinary energy.  She saw many men, and was always drawing
them out, always on the qui vive to start them rolling down some
incline.  She attracted men, in a certain way.  Yet she had no
lover.

"I wondered even with regard to myself.  We were friends, and a
great deal together.  Certainly I was under her spell.  I came
running as soon as I thought she wanted me.  I did the things she
suggested I should do.  Even among my own acquaintances, when I
found everybody laughing at me and disliking me for being at the
service of an American woman, and I tried to rebel against her, and
put her in her place, as the Mexicans say--which means to them, in
bed with no clothes on--still, the moment I saw her, with a look
and a word she won me round.  She was very clever.  She flattered
me, of course.  She made me feel intelligent.  She drew me out.
There was her cleverness.  She made ME clever.  I told her all
about Mexico: all my life: all my ideas of history, philosophy.  I
sounded awfully clever and original, to myself.  And she listened
with such attention, which I thought was deep interest in what I
was saying.  But she was waiting for something she could fasten on,
so that she could 'start something'.  That was her constant
craving, to 'start something'.  But, of course, I thought she was
interested in ME.

"She would lie on a large couch that was covered with old sarapes--
she began to buy them as soon as she came to Mexico--herself
wrapped in a wonderful black shawl that glittered all over with
brilliant birds and flowers in vivid colour, a very fine specimen
of the embroidered shawls our Mexican ladies used to wear at a bull-
fight or in an open-air fiesta: and there, with her white arms
glistening through the long fringe of the shawl, the old Italian
jewellery rising on her white, dauntless breast, and her short,
thick, blonde hair falling like yellow metal, she would draw me
out, draw me out.  I never talked so much in my life before or
since.  Always talk!  And I believe I talked very well, really,
really very clever.  But nothing besides talk!  Sometimes I stayed
till after midnight.  And sometimes she would snort with impatience
or boredom, rather like a horse, flinging back her head and shaking
that heavy blonde hair.  And I think some part of her wanted me to
make love to her.

"But I didn't.  I couldn't.  I was there, under her influence, in
her power.  She could draw me out in talk, marvellously.  I'm sure
I was very clever indeed.  But any other part of me was stiff,
petrified.  I couldn't even touch her.  I couldn't even take her
hand in mine.  It was a physical impossibility.  When I was away
from her, I could think of her white, healthy body with a
voluptuous shiver.  I could even run to her apartment, intending to
kiss her, and make her my mistress that very night.  But the moment
I was in her presence, it left me.  I could not touch her.  I was
averse from touching her.  Physically, for some reason, I hated
her.

"And I felt within myself, it was because she was repelling me and
because she was always hating men, hating all active maleness in a
man.  She only wanted passive maleness, and then this 'talk', this
life of the imagination, as she called it.  Inside herself she
seethed, and she thought it was because she wanted to be made love
to, very much made love to.  But it wasn't so.  She seethed against
all men, with repulsion.  She was cruel to the body of a man.  But
she excited his mind, his spirit.  She loved to do that.  She loved
to have a man hanging round, like a servant.  She loved to
stimulate him, especially his mind.  And she, too, when the man was
not there, she thought she wanted him to be her lover.  But when he
was there, and he wanted to gather for himself that mysterious
fruit of her body, she revolted against him with a fearful hate.  A
man must be ABSOLUTELY her servant, and only that.  That was what
she meant by the life of the imagination.

"And I was her servant.  Everybody jeered at me.  But I said to
myself.  I would make her my mistress.  I almost set my teeth to do
it.  That was when I was away from her.  When I came to her, I
could not even touch her.  When I tried to make myself touch her,
something inside me began to shudder.  It was impossible.  And I
knew it was because, with her inner body, she was repelling me,
always really repelling me.

"Yet she wanted me too.  She was lonely: lonesome, she said.  She
was lonesome, and she would have liked to get me making love to her
external self.  She would even, I think, have become my mistress,
allowed me to take her sometimes for a little, miserable
humiliating moment, then quickly have got rid of me again.  But I
couldn't do it.  Her inner body NEVER wanted me.  And I couldn't
just be her prostitute.  Because immediately she would have
despised me, and insulted me if I had persisted in trying to get
some satisfaction of her.  I knew it.  She had already had two
husbands, and she was a woman who always ached to tell ALL,
everything.  She had told me too much.  I had seen one of her
American husbands.  I did not choose to see myself in a similar
light: or plight.

"No, she wanted to live the life of the imagination.  She said the
imagination could master everything; so long, of course, as one was
not shot in the head, or had an eye put out.  Talking of the
Mexican atrocities, and of the famous case of raped nuns, she said
it was all nonsense that a woman was broken because she had been
raped.  She could rise above it.  The imagination could rise above
ANYTHING, that was not real organic damage.  If one lived the life
of the imagination, one could rise above any experience that ever
happened to one.  One could even commit murder, and rise above
that.  By using the imagination, and by using cunning, a woman can
justify herself in anything, even the meanest and most bad things.
A woman uses her imagination on her own behalf, and she becomes
more innocent to herself than an innocent child, no matter what bad
things she has done."

"Men do that, too," I interrupted.  "It's the modern dodge.  That's
why everybody to-day is innocent.  To the imagination all things
are pure, if you did them yourself."

Colmenares looked at me with quick, black eyes, to see if I were
mocking him.  He did not care about me and my interruptions.  He
was utterly absorbed in his recollections of that woman, who had
made him so clever, and who had made him her servant, and from whom
he had never had any satisfaction.

"And then what?" I asked him.  "Then did she try her hand on
Cuesta?"

"Ah!" said Colmenares, rousing, and glancing at me suspiciously
again.  "Yes!  That was what she did.  And I was jealous.  Though I
couldn't bring myself to touch her, yet I was excruciated with
jealousy, because she was interested in someone else.  She was
interested in someone besides myself, and my vanity suffered
tortures of jealousy.  Why was I such a fool?  Why, even now, could
I kill that fat, yellow pig Cuesta?  A man is always a fool."

"How did she meet the bull-fighter?" I asked.  "Did you introduce
him to her?"

"She went once to the bull-fight, because everyone was talking
about Cuesta.  She did not care for such things as the bull-ring;
she preferred the modern theatre, Duse and Reinhardt, and 'things
of the imagination'.  But now she was going back to New York, and
she had never seen a bull-fight, so she must see one.  I got seats
in the shade--high up, you know--and went with her.

"At first she was very disgusted, and very contemptuous, and a
little bit frightened, you know, because a Mexican crowd in a bull-
ring is not very charming.  She was afraid of people.  But she sat
stubborn and sulky, like a sulky child, saying:  'Can't they do
anything more subtle than this, to get a thrill?  It's on such a
low level!'

"But when Cuesta at last began to play with a bull, she began to
get excited.  He was in pink and silver, very gorgeous, and looking
very ridiculous, as usual.  Till he began to play; and then there
really was something marvellous in him, you know, so quick and so
light and so playful--do you know?  When he was playing with a bull
and playing with death in the ring, he was the most playful thing I
have ever seen: more playful than kittens or leopard cubs: and you
know how they play; do you?  Oh, marvellous!  More gay and light
than if they had lots of wings all over them, all wings of playing!
Well, he was like that, playing with death in the ring, as if he
had all kinds of gay little wings to spin him with the quickest,
tiniest, most beautiful little movements, quite unexpected, like a
soft leopard cub.  And then at the end, when he killed the bull and
the blood squirted past him, ugh! it was as if all his body
laughed, and still the same soft, surprised laughter like a young
thing, but more cruel than anything you can imagine.  He fascinated
me, but I always hated him.  I would have liked to stick him as he
stuck the bulls.

"I could see that Ethel was trying not to be caught by his spell.
He had the most curious charm, quick and unexpected like play, you
know, like leopard kittens, or slow sometimes, like tiny little
bears.  And yet the perfect cruelty.  It was the joy in cruelty!
She hated the blood and messiness and dead animals.  Ethel hated
all that.  It was not the life of the imagination.  She was very
pale, and very silent.  She leaned forward and hardly moved,
looking white and obstinate and subdued.  And Cuesta had killed
three bulls before she made any sign of any sort.  I did not speak
to her.  The fourth bull was a beauty, full of life, curling and
prancing like a narcissus-flower in January.  He was a very special
bull, brought from Spain, and not so stupid as the others.  He
pawed the ground and blew the breath on the ground, lowering his
head.  And Cuesta opened his arms to him with a little smile, but
endearing, lovingly endearing, as a man might open his arms to a
little maiden he really loves, but, really, for her to come to his
body, his warm, open body, to come softly.  So he held his arms out
to the bull, with love.  And that was what fascinated the women.
They screamed and they fainted, longing to go into the arms of
Cuesta, against his soft, round body, that was more yearning than a
fico.  But the bull, of course, rushed past him, and only got two
darts sticking in his shoulder.  That was the love.

"Then Ethel shouted, Bravo!  Bravo! and I saw that she, too, had
gone mad.  Even Cuesta heard her, and he stopped a moment and
looked at her.  He saw her leaning forward, with her short, thick
hair hanging like yellow metal, and her face dead-white, and her
eyes glaring to his, like a challenge.  They looked at one another,
for a second, and he gave a little bow, then turned away.  But he
was changed.  He didn't play so unconsciously any more: he seemed
to be thinking of something, and forgetting himself.  I was afraid
he would be killed; but so afraid!  He seemed absent-minded, and
taking risks too great.  When the bull came after him over the
gangway barrier, he even put his hand on its head as he vaulted
back, and one horn caught his sleeve and tore it just a little.
Then he seemed to be absent-mindedly looking at the tear, while the
bull was almost touching him again.  And the bull was mad.  Cuesta
was a dead man it seemed, for sure: yet he seemed to wake up and
WAKED himself just out of reach.  It was like an awful dream, and
it seemed to last for hours.  I think it must have been a long
time, before the bull was killed.  He killed him at last, as a man
takes his mistress at last because he is almost tired of playing
with her.  But he liked to kill his own bull.

"Ethel was looking like death, with beads of perspiration on her
face.  And she called to him:  'That's enough!  That's enough now!
Ya es bastante!  Basta!'  He looked at her, and heard what she
said.  They were both alike there, they heard and saw in a flash.
And he lifted his face, with the rather squashed nose and the
yellow eyes, and he looked at her, and though he was so far away,
he seemed quite near.  And he was smiling like a small boy.  But I
could see he was looking at the little place in her body, where she
kept her courage.  And she was trying to catch his look on her
imagination, not on her naked body inside.  And they both found it
difficult.  When he tried to look at her, she set her imagination
in front of him, like a mirror they put in front of a wild dog.
And when she tried to catch him in her imagination, he seemed to
melt away, and was gone.  So neither really had caught the other.

"But he played with two more bulls, and killed them, without ever
looking at her.  And she went away when the people were applauding
him, and did not look at him.  Neither did she speak to me of him.
Neither did she go to any more bull-fights.

"It was Cuesta who spoke to me of her, when I met him at Clavel's
house.  He said to me in his very coarse Spanish:  'And what about
your American skirt?'  I told him, there was nothing to say about
her.  She was leaving for New York.  So he told me to ask her if
she would like to come and say good-bye to Cuesta, before she went.
I said to him:  'But why should I mention your name to her, She has
never mentioned yours to me.'  He made an obscene joke to me.

"And it must have been because I was thinking of him that she said
that evening:  'Do you know Cuesta?'  I told her I did, and she
asked me what I thought of him.  I told her I thought he was a
marvellous beast, but he wasn't really a man.  'But he is a beast
with imagination,' she said to me.  'Couldn't one get a response
out of him?'  I told her I didn't know, but I didn't want to try.
I would leave Cuesta to the bullring.  I would never dream of
trying my imagination on him.  She said, always ready with an
answer:  'But wasn't there a marvellous THING in him, something
quite exceptional?'  I said, maybe!  But so has a rattlesnake a
marvellous thing in him: two things, one in his mouth, one in his
tail.  But I didn't want to try to get response out of a
rattlesnake.  She wasn't satisfied, though.  She was tortured.  I
said to her:  'Anyhow, you are leaving on Thursday.'  'No, I've put
it off,' she said.  'Till when?'  'Indefinite,' she said.

"I could tell she was tormented.  She had been tormented ever since
she had been to the bull-fight, because she couldn't get past
Cuesta.  She couldn't get past him, as the Americans say.  He
seemed like a fat, squat, yellow-eyed demon just smiling at her,
and dancing ahead of her.  'Why don't you bring him here?' she said
at last, though she didn't want to say it.--'But why?  What is the
good of bringing him here?  Would you bring a criminal here, or a
yellow scorpion?'--'I would if I wanted to find out about it.'--
'But what is there to find out about Cuesta?  He is just a sort of
beast.  He is less than a man.'--'Maybe he's a schwarze Bestie,'
she said, 'and I'm a blonde Bestie.  Anyway, bring him.'

"I always did what she wanted me, though I never wanted to myself.
So it was now.  I went to a place where I knew Cuesta would be, and
he asked me:  'How is the blonde skirt?  Has she gone yet?'  I
said, 'No.  Would you like to see her?'  He looked at me with his
yellow eyes, and that pleasant look which was really hate
undreaming.  'Did she tell you to ask me?' he said.  'No,' I said.
'We were talking of you, and she said, bring the fabulous animal
along and let us see what he really is.'--'He is the animal for her
meat, this one,' he said, in his vulgar way.  Then he pretended he
wouldn't come.  But I knew he would.  So I said I would call for
him.

"We were going in the evening, after tea, and he was dressed to
kill, in a light French suit.  We went in his car.  But he didn't
take flowers or anything.  Ethel was nervous and awkward, offering
us cocktails and cigarettes, and speaking French, though Cuesta
didn't understand any French at all.  There was another old
American woman there, for chaperon.

"Cuesta just sat on a chair, with his knees apart and his hands
between his thighs, like an Indian.  Only his hair, which was done
up in his little pigtail, and taken back from his forehead, made
him look like a woman, or a Chinaman; and his flat nose and little
yellow eyes made him look like a Chinese idol, maybe a god or a
demon, as you please.  He just sat and said nothing, and had that
look on his face which wasn't a smile, and wasn't a grimace, it was
nothing.  But to me it meant rhapsodic hate.

"She asked him in French if he liked his profession, and how long
he had been doing it, and if he got a great kick out of it, and was
he a pure-blood Indian?--all that kind of thing.  I translated to
him as short as possible, Ethel flushing with embarrassment.  He
replied just as short, to me, in his coarse, flat sort of voice, as
if he knew it was mere pretence.  But he looked at her, straight
into her face, with that strange, far-off sort of stare, yet very
vivid, taking no notice of her, yet staring right into her: as if
all that she was putting forward to him was merely window-dressing,
and he was just looking way in, to the marshes and the jungle in
her, where she didn't even look herself.  It made one feel as if
there was a mountain behind her, Popocatepetl, that he was staring
at, expecting a mountain-lion to spring down off a tree on the
slopes of the mountain, or a snake to lean down from a bough.  But
the mountain was all she stood for, and the mountain-lion or the
snake was her own animal self, that he was watching for, like a
hunter.

"We didn't stay long, but when we left she asked him to come in
whenever he liked.  He wasn't really the person to have calling on
one: and he knew it, as she did.  But he thanked her, and hoped he
would one day be able to receive her at her--meaning his--humble
house in the Guadalupe Road, where everything was her own.  She
said:  'Why, sure, I'll come one day.  I should love to.'  Which he
understood, and bowed himself out like some quick but lurking
animal: quick as a scorpion, with silence of venom the same.

"After that he would call fairly often, at about five o'clock, but
never alone, always with some other man.  And he never said
anything, always responded to her questions in the same short way,
and always looked at her when he was speaking to the other man.  He
never once SPOKE to her--always spoke to his interpreter, in his
flat, coarse Spanish.  And he always looked at her when he was
speaking to someone else.

"She tried every possible manner in which to touch his imagination:
but never with any success.  She tried the Indians, the Aztecs, the
history of Mexico, politics, Don Porfirio, the bull-ring, love,
women, Europe, America--and all in vain.  All she got out of him
was Verdad!  He was utterly uninterested.  He actually HAD no
mental imagination.  Talk was just noise to him.  The only spark
she roused was when she talked of money.  Then the queer half-smile
deepened on his face, and he asked his interpreter if the Señora
was very rich.  To which Ethel replied she didn't really know what
he meant by rich: he must be rich himself.  At which he asked the
interpreter friend if she had more than a million American dollars.
To which she replied that perhaps she had--but she wasn't sure.
And he looked at her so strangely, even more like a yellow scorpion
about to sting.

"I asked him later, what made him put such a crude question?  Did
he think of offering to marry her?  'Marry a ----?' he replied,
using an obscene expression.  But I didn't know even then what he
really intended.  Yet I saw he had her on his mind.

"Ethel was gradually getting into a state of tension.  It was as if
something tortured her.  She seemed like a woman who would go
insane.  I asked her:  'Why, whatever's wrong with you?'  'I'll
tell you, Luis,' she said, 'but don't you say anything to anybody,
mind.  It's Cuesta!  I don't know whether I want him or not.'--'You
don't know whether he wants YOU or not,' said I.--'I can handle
that,' she said, 'if I know about myself: if I know my own mind.
But I don't.  My mind says he's a nada-nada, a dumb-bell, no brain,
no imagination, no anything.  But my body says he marvellous, and
he's got something I haven't got, and he's stronger than I am, and
he's more an angel or a devil than a man, and I'm too merely human
to get him--and all that, till I feel I shall just go crazy, and
take an overdose of drugs.  What am I to DO with my body, I tell
you?  What am I to DO with it?  I've got to master it.  I've got to
be MORE than that man.  I've got to get all round him, and past
him.  I've GOT to.'--'Then just take the train to New York to-
night, and forget him,' I said.--'I can't!  That's side-tracking.
I WON'T sidetrack my body.  I've got to get the best of it.  I've
got to.'--'Well,' I said, 'you're a point or two beyond me.  If
it's a question of getting all round Cuesta, and getting past him,
why, take the train, and you'll forget him in a fortnight.  Don't
fool yourself you're in love with the fellow.'--'I'm afraid he's
stronger than I am,' she cried out.--'And what then?  He's stronger
than I am, but that doesn't prevent me sleeping.  A jaguar even is
stronger than I am, and an anaconda could swallow me whole.  I tell
you, it's all in a day's march.  There's a kind of animal called
Cuesta.  Well, what of it?'

"She looked at me, and I could tell I made no impression on her.
She despised me.  She sort of wanted to go off the deep end about
something.  I said to her:  'God's love; Ethel, cut out the Cuesta
caprice!  It's not even good acting.'  But I might just as well
have mewed, for all the notice she took of me.

"It was as if some dormant Popocatepetl inside her had begun to
erupt.  She didn't love the fellow.  Yet she was in a blind kill-me-
quick sort of state, neither here nor there, nor hot or cold, not
desirous nor undesirous, but just simply INSANE.  In a certain kind
of way, she seemed to want him.  And in a very definite kind of way
she seemed NOT to want him.  She was in a kind of hysterics, lost
her feet altogether.  I tried might and main to get her away to the
United States.  She'd have come sane enough, once she was there.
But I thought she'd kill me, when she found I'd been trying to
interfere.  Oh, she was not quite in her mind, that's sure.

"'If my body is stronger than my imagination, I shall kill myself,'
she said.--'Ethel,' I said, 'people who talk of killing themselves
always call a doctor if they cut their finger.  What's the quarrel
between your body and your imagination?  Aren't they the same
thing?'--'No!' she said.  'If the imagination has the body under
control, you can do anything, it doesn't matter what you do,
physically.  If my body was under the control of my imagination, I
could take Cuesta for my lover, and it would be an imaginative act.
But if my body acted without my imagination, I--I'd kill myself.'--
'But what do you mean by your body acting without your imagination?'
I said.  'You are not a child.  You've been married twice.  You
know what it means.  You even have two children.  You must have
had at least several lovers.  If Cuesta is to be another of your
lovers, I think it is deplorable, but I think it only shows
you are very much like the other woman who fall in love with him.
If you've fallen in love with him, your imagination has nothing to
do but accept the fact and put as many roses on the ass's head as
you like.'  She looked at me very solemnly, and seemed to think
about it.  Then she said:  'But my imagination has not fallen in
love with him.  He wouldn't meet me imaginatively.  He's a brute.
And once I start, where's it going to end?  I'm afraid my body has
fallen--not fallen in love with him, but fallen FOR him.  It's
abject!  And if I can't get my body on its feet again, and either
forget him or else get him to make it an imaginative act with me--
I--I shall kill myself.'--'All right,' said I.  'I don't know what
you are talking about, imaginative acts and unimaginative acts.
The act is always the same.'--'It isn't!' she cried, furious with
me.  'It is either imaginative or else it's IMPOSSIBLE--to me.'
Well, I just spread my hands.  What could I say, or do?  I simply
hated her way of putting it.  Imaginative act!  Why, I would hate
performing an imaginative act with a woman.  Damn it, the act is
either real, or let it alone.  But now I knew why I had never
touched her, or even kissed her, not once: because I couldn't stand
that imaginative sort of bullying from her.  It is death to a man.

"I said to Cuesta:  'Why do you go to Ethel?  Why don't you stay
away, and make her go back to the United States?  Are you in love
with her?'  He was obscene, as usual.  'Am I in love with a
cuttlefish, that is all arms and eyes, and no legs or tail!  That
blonde is a cuttlefish.  She is an octopus, all arms and eyes and
beak, and a lump of jelly.'--'Then why don't you leave her alone?'--
'Even cuttlefish is good when it's cooked in sauce,' he said.
'You had much better leave her alone,' I said.--'Leave her alone
yourself, my esteemed Señor,' he said to me.  And I knew I had
better go no further.

"She said to him one evening, when only I was there--and she said
it in Spanish, direct to him:  'Why do you never come alone to see
me?  Why do you always come with another person?  Are you afraid?'
He looked at her, and his eyes never changed.  But he said, in his
usual flat, meaningless voice:  'It is because I cannot speak,
except Spanish.'--'But we could understand one another,' she said,
giving one of her little violent snorts of impatience and
embarrassed rage.  'Who knows!' he replied, imperturbably.

"Afterwards, he said to me:  'What does she want?  She hates a man
as she hates a red-hot iron.  A white devil, as sacred as the
communion wafer!'--'Then why don't you leave her alone?' I said.--
'She is so rich,' he smiled.  'She has all the world in her
thousand arms.  She is as rich as God.  The Archangels are poor
beside her, she is so rich and so white-skinned and white-souled.'--
'Then all the more, why don't you leave her alone?'  But he did
not answer me.

"He went alone, however, to see her.  But always in the early
evening.  And he never stayed more than half an hour.  His car,
well-known everywhere, waited outside: till he came out in his
French-grey suit and glistening brown shoes, his hat rather on the
back of his head.

"What they said to one another, I don't know.  But she became
always more distraught and absorbed, as if she were brooding over a
single idea.  I said to her:  'Why take it seriously?  Dozens of
women have slept with Cuesta, and think no more of it.  Why take
him seriously?'--'I don't,' she said.  'I take myself seriously,
that's the point.'--'Let it be the point.  Go on taking yourself
seriously, and leave him out of the question altogether.'

"But she was tired of my playing the wise uncle, and I was tired of
her taking herself seriously.  She took herself so seriously, it
seemed to me she would deserve what she got, playing the fool with
Cuesta.  Of course she did not love him at all.  She only wanted to
see if she could make an impression on him, make him yield to her
will.  But all the impression she made on him was to make him call
her a squid and an octopus and other nice things.  And I could see
their 'love' did not go forward at all.

"'Have you made love to her?' I asked him.--'I have not touched the
zopilote,' he said.  'I hate her bare white neck.'

"But still he went to see her: always, for a very brief call,
before sundown.  She asked him to come to dinner with me.  He said
he could never come to dinner, nor after dinner, as he was always
engaged from eight o'clock in the evening onwards.  She looked at
him as much as to tell him she knew it was a lie and a subterfuge,
but he never turned a hair.  He was, she put it, utterly
unimaginative: an impervious animal.

"'You, however, come one day to your poor house in the Guadalupe
Road,' he said--meaning his house.  He had said it, suggestively,
several times.

"'But you are always engaged in the evening,' she said.

"'Come, then, at night--come at eleven, when I am free,' he said,
with supreme animal impudence, looking into her eyes.

"'Do you receive calls so late?' she said, flushing with anger and
embarrassment and obstinacy.

"'At times,' he said.  'When it is very special.'

"A few days later, when I called to see her as usual, I was told
she was ill, and could see no one.  The next day, she was still not
to be seen.  She had had a dangerous nervous collapse.  The third
day, a friend rang me up to say Ethel was dead.

"The thing was hushed up.  But it was known she had poisoned
herself.  She left a note to me, in which she merely said:  'It is
as I told you.  Good-bye.  But my testament holds good.'

"In her will, she had left half her fortune to Cuesta.  The will
had been made some ten days before her death--and it was allowed to
stand.  He took the money--"

Colmenares' voice tailed off into silence.

"Her body had got the better of her imagination, after all," I
said.

"It was worse than that," he said.

"How?"

He was a long time before he answered.  Then he said:  "She
actually went to Cuesta's house that night, way down there beyond
the Volador market.  She went by appointment.  And there in his
bedroom he handed her over to half a dozen of his bull-ring gang,
with orders not to bruise her.  Yet at the inquest there were a few
deep, strange bruises, and the doctors made reports.  Then
apparently the visit to Cuesta's house came to light, but no
details were ever told.  Then there was another revolution, and in
the hubbub this affair was dropped.  It was too shady, anyhow.
Ethel had certainly encouraged Cuesta at her apartment."

"But how do you know he handed her over like that?"

"One of the men told me himself.  He was shot afterwards."



THE ROCKING-HORSE WINNER


There was a woman who was beautiful, who started with all the
advantages, yet she had no luck.  She married for love, and the
love turned to dust.  She had bonny children, yet she felt they had
been thrust upon her, and she could not love them.  They looked at
her coldly, as if they were finding fault with her.  And hurriedly
she felt she must cover up some fault in herself.  Yet what it was
that she must cover up she never knew.  Nevertheless, when her
children were present, she always felt the centre of her heart go
hard.  This troubled her, and in her manner she was all the more
gentle and anxious for her children, as if she loved them very
much.  Only she herself knew that at the centre of her heart was a
hard little place that could not feel love, no, not for anybody.
Everybody else said of her:  "She is such a good mother.  She
adores her children."  Only she herself, and her children
themselves, knew it was not so.  They read it in each other's eyes.

There were a boy and two little girls.  They lived in a pleasant
house, with a garden, and they had discreet servants, and felt
themselves superior to anyone in the neighbourhood.

Although they lived in style, they felt always an anxiety in the
house.  There was never enough money.  The mother had a small
income, and the father had a small income, but not nearly enough
for the social position which they had to keep up.  The father went
in to town to some office.  But though he had good prospects, these
prospects never materialised.  There was always the grinding sense
of the shortage of money, though the style was always kept up.

At last the mother said, "I will see if _I_ can't make something."
But she did not know where to begin.  She racked her brains, and
tried this thing and the other, but could not find anything
successful.  The failure made deep lines come into her face.  Her
children were growing up, they would have to go to school.  There
must be more money, there must be more money.  The father, who was
always very handsome and expensive in his tastes, seemed as if he
never WOULD be able to do anything worth doing.  And the mother,
who had a great belief in herself, did not succeed any better, and
her tastes were just as expensive.

And so the house came to be haunted by the unspoken phrase:  There
must be more money!  There must be more money!  The children could
hear it all the time, though nobody said it aloud.  They heard it
at Christmas, when the expensive and splendid toys filled the
nursery.  Behind the shining modern rocking-horse, behind the smart
doll's-house, a voice would start whispering:  "There MUST be more
money!  There MUST be more money!"  And the children would stop
playing, to listen for a moment.  They would look into each other's
eyes, to see if they had all heard.  And each one saw in the eyes
of the other two that they too had heard.  "There MUST be more
money!  There MUST be more money!"

It came whispering from the springs of the still-swaying rocking-
horse, and even the horse, bending his wooden, champing head, heard
it.  The big doll, sitting so pink and smirking in her new pram,
could hear it quite plainly, and seemed to be smirking all the more
self-consciously because of it.  The foolish puppy, too, that took
the place of the teddy-bear, he was looking so extraordinarily
foolish for no other reason but that he heard the secret whisper
all over the house:  "There MUST be more money."

Yet nobody ever said it aloud.  The whisper was everywhere, and
therefore no one spoke it.  Just as no one ever says:  "We are
breathing!" in spite of the fact that breath is coming and going
all the time.

"Mother!" said the boy Paul one day.  "Why don't we keep a car of
our own?  Why do we always use uncle's, or else a taxi?"

"Because we're the poor members of the family," said the mother.

"But why ARE we, mother?"

"Well--I suppose," she said slowly and bitterly, "it's because your
father has no luck."

The boy was silent for some time.

"Is luck money, mother?" he asked, rather timidly.

"No, Paul!  Not quite.  It's what causes you to have money."

"Oh!" said Paul vaguely.  "I thought when Uncle Oscar said filthy
lucker, it meant money."

"Filthy lucre does mean money," said the mother.  "But it's lucre,
not luck."

"Oh!" said the boy.  "Then what IS luck, mother?"

"It's what causes you to have money.  If you're lucky you have
money.  That's why it's better to be born lucky than rich.  If
you're rich, you may lose your money.  But if you're lucky, you
will always get more money."

"Oh!  Will you!  And is father not lucky?"

"Very unlucky, I should say," she said bitterly.

The boy watched her with unsure eyes.

"Why?" he asked.

"I don't know.  Nobody ever knows why one person is lucky and
another unlucky."

"Don't they?  Nobody at all?  Does NOBODY know?"

"Perhaps God!  But He never tells."

"He ought to, then.  And aren't you lucky either, mother?"

"I can't be, if I married an unlucky husband."

"But by yourself, aren't you?"

"I used to think I was, before I married.  Now I think I am very
unlucky indeed."

"Why?"

"Well--never mind!  Perhaps I'm not really," she said.

The child looked at her, to see if she meant it.  But he saw, by
the lines of her mouth, that she was only trying to hide something
from him.

"Well, anyhow," he said stoutly, "I'm a lucky person."

"Why?" said his mother, with a sudden laugh.

He stared at her.  He didn't even know why he had said it.

"God told me," he asserted, brazening it out.

"I hope He did, dear!" she said, again with a laugh, but rather
bitter.

"He did, mother!"

"Excellent!" said the mother, using one of her husband's
exclamations.

The boy saw she did not believe him; or rather, that she paid no
attention to his assertion.  This angered him somewhere, and made
him want to compel her attention.

He went off by himself, vaguely, in a childish way, seeking for the
clue to "luck".  Absorbed, taking no heed of other people, he went
about with a sort of stealth, seeking inwardly for luck.  He wanted
luck, he wanted it, he wanted it.  When the two girls were playing
dolls, in the nursery, he would sit on his big rocking-horse,
charging madly into space, with a frenzy that made the little girls
peer at him uneasily.  Wildly the horse careered, the waving dark
hair of the boy tossed, his eyes had a strange glare in them.  The
little girls dared not speak to him.

When he had ridden to the end of his mad little journey, he climbed
down and stood in front of his rocking-horse, staring fixedly into
its lowered face.  Its red mouth was slightly open, its big eye was
wide and glassy bright.

"Now!" he would silently command the snorting steed.  "Now take me
to where there is luck!  Now take me!"

And he would slash the horse on the neck with the little whip he
had asked Uncle Oscar for.  He KNEW the horse could take him to
where there was luck, if only he forced it.  So he would mount
again, and start on his furious ride, hoping at last to get there.
He knew he could get there.

"You'll break your horse, Paul!" said the nurse.

"He's always riding like that!  I wish he'd leave off!" said his
elder sister Joan.

But he only glared down on them in silence.  Nurse gave him up.
She could make nothing of him.  Anyhow he was growing beyond her.

One day his mother and his Uncle Oscar came in when he was on one
of his furious rides.  He did not speak to them.

"Hallo! you young jockey!  Riding a winner?" said his uncle.

"Aren't you growing too big for a rocking-horse?  You're not a very
little boy any longer, you know," said his mother.

But Paul only gave a blue glare from his big, rather close-set
eyes.  He would speak to nobody when he was in full tilt.  His
mother watched him with an anxious expression on her face.

At last he suddenly stopped forcing his horse into the mechanical
gallop, and slid down.

"Well, I got there!" he announced fiercely, his blue eyes still
flaring, and his sturdy long legs straddling apart.

"Where did you get to?" asked his mother.

"Where I wanted to go to," he flared back at her.

"That's right, son!" said Uncle Oscar.  "Don't you stop till you
get there.  What's the horse's name?"

"He doesn't have a name," said the boy.

"Gets on without all right?" asked the uncle.

"Well, he has different names.  He was called Sansovino last week."

"Sansovino, eh?  Won the Ascot.  How did you know his name?"

"He always talks about horse-races with Bassett," said Joan.

The uncle was delighted to find that his small nephew was posted
with all the racing news.  Bassett, the young gardener who had been
wounded in the left foot in the war, and had got his present job
through Oscar Cresswell, whose batman he had been, was a perfect
blade of the "turf".  He lived in the racing events, and the small
boy lived with him.

Oscar Cresswell got it all from Bassett.

"Master Paul comes and asks me, so I can't do more than tell him,
sir," said Bassett, his face terribly serious, as if he were
speaking of religious matters.

"And does he ever put anything on a horse he fancies?"

"Well--I don't want to give him away--he's a young sport, a fine
sport, sir.  Would you mind asking him himself?  He sort of takes a
pleasure in it, and perhaps he'd feel I was giving him away, sir,
if you don't mind."

Bassett was serious as a church.

The uncle went back to his nephew, and took him off for a ride in
the car.

"Say, Paul, old man, do you ever put anything on a horse?" the
uncle asked.

The boy watched the handsome man closely.

"Why, do you think I oughtn't to?" he parried.

"Not a bit of it!  I thought perhaps you might give me a tip for
the Lincoln."

The car sped on into the country, going down to Uncle Oscar's place
in Hampshire.

"Honour bright?" said the nephew.

"Honour bright, son!" said the uncle.

"Well, then, Daffodil."

"Daffodil!  I doubt it, sonny.  What about Mirza?"

"I only know the winner," said the boy.  "That's Daffodil!"

"Daffodil, eh?"  There was a pause.  Daffodil was an obscure horse
comparatively.

"Uncle!"

"Yes, son?"

"You won't let it go any further, will you?  I promised Bassett."

"Bassett be damned, old man!  What's he got to do with it?"

"We're partners!  We've been partners from the first!  Uncle, he
lent me my first five shillings, which I lost.  I promised him,
honour bright, it was only between me and him: only you gave me
that ten-shilling note I started winning with, so I thought you
were lucky.  You won't let it go any further, will you?"

The boy gazed at his uncle from those big, hot, blue eyes, set
rather close together.  The uncle stirred and laughed uneasily.

"Right you are, son!  I'll keep your tip private.  Daffodil, eh!
How much are you putting on him?"

"All except twenty pounds," said the boy.  "I keep that in
reserve."

The uncle thought it a good joke.

"You keep twenty pounds in reserve, do you, you young romancer?
What are you betting, then?"

"I'm betting three hundred," said the boy gravely.  "But it's
between you and me, Uncle Oscar!  Honour bright?"

The uncle burst into a roar of laughter.

"It's between you and me all right, you young Nat Gould," he said,
laughing.  "But where's your three hundred?"

"Bassett keeps it for me.  We're partners."

"You are, are you!  And what is Bassett putting on Daffodil?"

"He won't go quite as high as I do, I expect.  Perhaps he'll go a
hundred and fifty."

"What, pennies?" laughed the uncle.

"Pounds," said the child, with a surprised look at his uncle.
"Bassett keeps a bigger reserve than I do."

Between wonder and amusement, Uncle Oscar was silent.  He pursued
the matter no further, but he determined to take his nephew with
him to the Lincoln races.

"Now, son," he said, "I'm putting twenty on Mirza, and I'll put
five for you on any horse you fancy.  What's your pick?"

"Daffodil, uncle!"

"No, not the fiver on Daffodil!"

"I should if it was my own fiver," said the child.

"Good!  Good!  Right you are!  A fiver for me and a fiver for you
on Daffodil."

The child had never been to a race-meeting before, and his eyes
were blue fire.  He pursed his mouth tight, and watched.  A
Frenchman just in front had put his money on Lancelot.  Wild with
excitement, he flayed his arms up and down, yelling 'Lancelot!
Lancelot/' in his French accent.

Daffodil came in first, Lancelot second, Mirza third.  The child,
flushed and with eyes blazing, was curiously serene.  His uncle
brought him five five-pound notes: four to one.

"What am I to do with these?" he cried, waving them before the
boy's eyes.

"I suppose we'll talk to Bassett," said the boy.  "I expect I have
fifteen hundred now: and twenty in reserve: and this twenty."

His uncle studied him for some moments.

"Look here, son!" he said.  "You're not serious about Bassett and
that fifteen hundred, are you?"

"Yes, I am.  But it's between you and me, uncle!  Honour bright!"

"Honour bright all right, son!  But I must talk to Bassett."

"If you'd like to be a partner, uncle, with Bassett and me, we
could all be partners.  Only you'd have to promise, honour bright,
uncle, not to let it go beyond us three.  Bassett and I are lucky,
and you must be lucky, because it was your ten shillings I started
winning with . . ."

Uncle Oscar took both Bassett and Paul into Richmond Park for an
afternoon, and there they talked.

"It's like this, you see, sir," Bassett said.  "Master Paul would
get me talking about racing events, spinning yarns, you know, sir.
And he was always keen on knowing if I'd made or if I'd lost.  It's
about a year since, now, that I put five shillings on Blush of Dawn
for him: and we lost.  Then the luck turned, with that ten
shillings he had from you: that we put on Singhalese.  And since
that time, it's been pretty steady, all things considering.  What
do you say, Master Paul?"

"We're all right when we're SURE," said Paul.  "It's when we're not
quite sure that we go down."

"Oh, but we're careful then," said Bassett.

"But when are you SURE?" smiled Uncle Oscar.

"It's Master Paul, sir," said Bassett, in a secret, religious
voice.  "It's as if he had it from heaven.  Like Daffodil now, for
the Lincoln.  That was as sure as eggs."

"Did you put anything on Daffodil?" asked Oscar Cresswell.

"Yes, sir.  I made my bit."

"And my nephew?"

Bassett was obstinately silent, looking at Paul.

"I made twelve hundred, didn't I, Bassett?  I told uncle I was
putting three hundred on Daffodil."

"That's right," said Bassett, nodding.

"But where's the money?" asked the uncle.

"I keep it safe locked up, sir.  Master Paul, he can have it any
minute he likes to ask for it."

"What, fifteen hundred pounds?"

"And twenty!  And FORTY, that is, with the twenty he made on the
course."

"It's amazing!" said the uncle.

"If Master Paul offers you to be partners, sir, I would, if I were
you: if you'll excuse me," said Bassett.

Oscar Cresswell thought about it.

"I'll see the money," he said.

They drove home again, and sure enough, Bassett came round to the
garden-house with fifteen hundred pounds in notes.  The twenty
pounds reserve was left with Joe Glee, in the Turf Commission
deposit.

"You see, it's all right, uncle, when I'm sure!  Then we go strong,
for all we're worth.  Don't we, Bassett?"

"We do that, Master Paul."

"And when are you sure?" said the uncle, laughing.

"Oh, well, sometimes I'm ABSOLUTELY sure, like about Daffodil,"
said the boy; "and sometimes I have an idea; and sometimes I
haven't even an idea, have I, Bassett?  Then we're careful, because
we mostly go down."

"You do, do you!  And when you're sure, like about Daffodil, what
makes you sure, sonny?"

"Oh, well, I don't know," said the boy uneasily.  "I'm sure, you
know, uncle; that's all."

"It's as if he had it from heaven, sir," Bassett reiterated.

"I should say so!" said the uncle.

But he became a partner.  And when the Leger was coming on, Paul
was "sure" about Lively Spark, which was a quite inconsiderable
horse.  The boy insisted on putting a thousand on the horse,
Bassett went for five hundred, and Oscar Cresswell two hundred.
Lively Spark came in first, and the betting had been ten to one
against him.  Paul had made ten thousand.

"You see," he said, "I was absolutely sure of him."

Even Oscar Cresswell had cleared two thousand.

"Look here, son," he said, "this sort of thing makes me nervous."

"It needn't, uncle!  Perhaps I shan't be sure again for a long
time."

"But what are you going to do with your money?" asked the uncle.

"Of course," said the boy, "I started it for mother.  She said she
had no luck, because father is unlucky, so I thought if _I_ was
lucky, it might stop whispering."

"What might stop whispering?"

"Our house!  I HATE our house for whispering."

"What does it whisper?"

"Why--why"--the boy fidgeted--"why, I don't know!  But it's always
short of money, you know, uncle."

"I know it, son, I know it."

"You know people send mother writs, don't you, uncle?"

"I'm afraid I do," said the uncle.

"And then the house whispers like people laughing at you behind
your back.  It's awful, that is!  I thought if I was lucky--"

"You might stop it," added the uncle.

The boy watched him with big blue eyes, that had an uncanny cold
fire in them, and he said never a word.

"Well then!" said the uncle.  "What are we doing?"

"I shouldn't like mother to know I was lucky," said the boy.

"Why not, son?"

"She'd stop me."

"I don't think she would."

"Oh!"--and the boy writhed in an odd way--"I DON'T want her to
know, uncle."

"All right, son!  We'll manage it without her knowing."

They managed it very easily.  Paul, at the other's suggestion,
handed over five thousand pounds to his uncle, who deposited it
with the family lawyer, who was then to inform Paul's mother that a
relative had put five thousand pounds into his hands, which sum was
to be paid out a thousand pounds at a time, on the mother's
birthday, for the next five years.

"So she'll have a birthday present of a thousand pounds for five
successive years," said Uncle Oscar.  "I hope it won't make it all
the harder for her later."

Paul's mother had her birthday in November.  The house had been
"whispering" worse than ever lately, and even in spite of his luck,
Paul could not bear up against it.  He was very anxious to see the
effect of the birthday letter, telling his mother about the
thousand pounds.

When there were no visitors, Paul now took his meals with his
parents, as he was beyond the nursery control.  His mother went
into town nearly every day.  She had discovered that she had an odd
knack of sketching furs and dress materials, so she worked secretly
in the studio of a friend who was the chief "artist" for the
leading drapers.  She drew the figures of ladies in furs and ladies
in silk and sequins for the newspaper advertisements.  This young
woman artist earned several thousand pounds a year, but Paul's
mother only made several hundreds, and she was again dissatisfied.
She so wanted to be first in something, and she did not succeed,
even in making sketches for drapery advertisements.

She was down to breakfast on the morning of her birthday.  Paul
watched her face as she read her letters.  He knew the lawyer's
letter.  As his mother read it, her face hardened and became more
expressionless.  Then a cold, determined look came on her mouth.
She hid the letter under the pile of others, and said not a word
about it.

"Didn't you have anything nice in the post for your birthday,
mother?" said Paul.

"Quite moderately nice," she said, her voice cold and absent.

She went away to town without saying more.

But in the afternoon Uncle Oscar appeared.  He said Paul's mother
had had a long interview with the lawyer, asking if the whole five
thousand could not be advanced at once, as she was in debt.

"What do you think, uncle?" said the boy.

"I leave it to you, son."

"Oh, let her have it, then!  We can get some more with the other,"
said the boy.

"A bird in the hand is worth two in the bush, laddie!" said Uncle
Oscar.

"But I'm sure to KNOW for the Grand National; or the Lincolnshire;
or else the Derby.  I'm sure to know for ONE of them," said Paul.

So Uncle Oscar signed the agreement, and Paul's mother touched the
whole five thousand.  Then something very curious happened.  The
voices in the house suddenly went mad, like a chorus of frogs on a
spring evening.  There were certain new furnishings, and Paul had a
tutor.  He was REALLY going to Eton, his father's school, in the
following autumn.  There were flowers in the winter, and a
blossoming of the luxury Paul's mother had been used to.  And yet
the voices in the house, behind the sprays of mimosa and almond-
blossom, and from under the piles of iridescent cushions, simply
trilled and screamed in a sort of ecstasy:  "There MUST be more
money!  Oh-h-h!  There MUST be more money!  Oh, now, now-w!
now-w-w--there MUST be more money!--more than ever!  More than
ever!"

It frightened Paul terribly.  He studied away at his Latin and
Greek with his tutors.  But his intense hours were spent with
Bassett.  The Grand National had gone by: he had not "known", and
had lost a hundred pounds.  Summer was at hand.  He was in agony
for the Lincoln.  But even for the Lincoln he didn't "know", and he
lost fifty pounds.  He became wild-eyed and strange, as if
something were going to explode in him.

"Let it alone, son!  Don't you bother about it!" urged Uncle Oscar.
But it was as if the boy couldn't really hear what his uncle was
saying.

"I've got to know for the Derby!  I've GOT to know for the Derby!"
the child reiterated, his big blue eyes blazing with a sort of
madness.

His mother noticed how overwrought he was.

"You'd better go to the seaside.  Wouldn't you like to go now to
the seaside, instead of waiting?  I think you'd better," she said,
looking down at him anxiously, her heart curiously heavy because of
him.

But the child lifted his uncanny blue eyes.

"I couldn't possibly go before the Derby, mother!" he said.  "I
couldn't possibly!"

"Why not?" she said, her voice becoming heavy when she was opposed.
"Why not?  You can still go from the seaside to see the Derby with
your Uncle Oscar, if that's what you wish.  No need for you to wait
here.  Besides, I think you care too much about these races.  It's
a bad sign.  My family has been a gambling family, and you won't
know till you grow up how much damage it has done.  But it has done
damage.  I shall have to send Bassett away, and ask Uncle Oscar not
to talk racing to you, unless you promise to be reasonable about
it: go away to the seaside and forget it.  You're all nerves!"

"I'll do what you like, mother, so long as you don't send me away
till after the Derby," the boy said.

"Send you away from where?  Just from this house?"

"Yes," he said, gazing at her.

"Why, you curious child, what makes you care about this house so
much, suddenly?  I never knew you loved it!"

He gazed at her without speaking.  He had a secret within a secret,
something he had not divulged, even to Bassett or to his Uncle
Oscar.

But his mother, after standing undecided and a little bit sullen
for some moments, said:

"Very well, then!  Don't go to the seaside till after the Derby, if
you don't wish it.  But promise me you won't let your nerves go to
pieces!  Promise you won't think so much about horse-racing and
EVENTS, as you call them!"

"Oh no!" said the boy, casually.  "I won't think much about them,
mother.  You needn't worry.  I wouldn't worry, mother, if I were
you."

"If you were me and I were you," said his mother, "I wonder what we
SHOULD do!"

"But you know you needn't worry, mother, don't you?" the boy
repeated.

"I should be awfully glad to know it," she said wearily.

"Oh, well, you CAN, you know.  I mean you OUGHT to know you needn't
worry!" he insisted.

"Ought I?  Then I'll see about it," she said.

Paul's secret of secrets was his wooden horse, that which had no
name.  Since he was emancipated from a nurse and a nursery
governess, he had had his rocking-horse removed to his own bedroom
at the top of the house.

"Surely you're too big for a rocking-horse!" his mother had
remonstrated.

"Well, you see, mother, till I can have a REAL horse, I like to
have SOME sort of animal about," had been his quaint answer.

"Do you feel he keeps you company?" she laughed.

"Oh yes!  He's very good, he always keeps me company, when I'm
there," said Paul.

So the horse, rather shabby, stood in an arrested prance in the
boy's bedroom.

The Derby was drawing near, and the boy grew more and more tense.
He hardly heard what was spoken to him, he was very frail, and his
eyes were really uncanny.  His mother had sudden strange seizures
of uneasiness about him.  Sometimes, for half an hour, she would
feel a sudden anxiety about him that was almost anguish.  She
wanted to rush to him at once, and know he was safe.

Two nights before the Derby, she was at a big party in town, when
one of her rushes of anxiety about her boy, her first-born, gripped
her heart till she could hardly speak.  She fought with the
feeling, might and main, for she believed in common-sense.  But it
was too strong.  She had to leave the dance and go downstairs to
telephone to the country.  The children's nursery governess was
terribly surprised and startled at being rung up in the night.

"Are the children all right, Miss Wilmot?"

"Oh yes, they are quite all right."

"Master Paul?  Is he all right?"

"He went to bed as right as a trivet.  Shall I run up and look at
him?"

"No!" said Paul's mother reluctantly.  "No!  Don't trouble.  It's
all right.  Don't sit up.  We shall be home fairly soon."  She did
not want her son's privacy intruded upon.

"Very good," said the governess.

It was about one o'clock when Paul's mother and father drove up to
their house.  All was still.  Paul's mother went to her room and
slipped off her white fur cloak.  She had told her maid not to wait
up for her.  She heard her husband downstairs, mixing a whisky-and-
soda.

And then, because of the strange anxiety at her heart, she stole
upstairs to her son's room.  Noiselessly she went along the upper
corridor.  Was there a faint noise?  What was it?

She stood, with arrested muscles, outside his door, listening.
There was a strange, heavy, and yet not loud noise.  Her heart
stood still.  It was a soundless noise, yet rushing and powerful.
Something huge, in violent, hushed motion.  What was it?  What in
God's Name was it?  She ought to know.  She felt that she KNEW the
noise.  She knew what it was.

Yet she could not place it.  She couldn't say what it was.  And on
and on it went, like a madness.

Softly, frozen with anxiety and fear, she turned the door-handle.

The room was dark.  Yet in the space near the window, she heard and
saw something plunging to and fro.  She gazed in fear and
amazement.

Then suddenly she switched on the light, and saw her son, in his
green pyjamas, madly surging on his rocking-horse.  The blaze of
light suddenly lit him up, as he urged the wooden horse, and lit
her up, as she stood, blonde, in her dress of pale green and
crystal, in the doorway.

"Paul!" she cried.  "Whatever are you doing?"

"It's Malabar!" he screamed, in a powerful, strange voice.  "It's
Malabar!"

His eyes blazed at her for one strange and senseless second, as he
ceased urging his wooden horse.  Then he fell with a crash to the
ground, and she, all her tormented motherhood flooding upon her,
rushed to gather him up.

But he was unconscious, and unconscious he remained, with some
brain-fever.  He talked and tossed, and his mother sat stonily by
his side.

"Malabar!  It's Malabar!  Bassett, Bassett, I KNOW: it's Malabar!"

So the child cried, trying to get up and urge the rocking-horse
that gave him his inspiration.

"What does he mean by Malabar?" asked the heart-frozen mother.

"I don't know," said the father, stonily.

"What does he mean by Malabar?" she asked her brother Oscar.

"It's one of the horses running for the Derby," was the answer.

And, in spite of himself, Oscar Cresswell spoke to Bassett, and
himself put a thousand on Malabar: at fourteen to one.

The third day of the illness was critical: they were watching for a
change.  The boy, with his rather long, curly hair, was tossing
ceaselessly on the pillow.  He neither slept nor regained
consciousness, and his eyes were like blue stones.  His mother sat,
feeling her heart had gone, turned actually into a stone.

In the evening, Oscar Cresswell did not come, but Bassett sent a
message, saying could he come up for one moment, just one moment?
Paul's mother was very angry at the intrusion, but on second
thoughts she agreed.  The boy was the same.  Perhaps Bassett might
bring him to consciousness.

The gardener, a shortish fellow with a little brown moustache and
sharp little brown eyes, tiptoed into the room, touched his
imaginary cap to Paul's mother, and stole to the bedside, staring
with glittering, smallish eyes at the tossing, dying child.

"Master Paul!" he whispered.  "Master Paul!  Malabar came in first
all right, a clean win.  I did as you told me.  You've made over
seventy thousand pounds, you have; you've got over eighty thousand.
Malabar came in all right, Master Paul."

"Malabar!  Malabar!  Did I say Malabar, mother?  Did I say Malabar?
Do you think I'm lucky, mother?  I knew Malabar, didn't I?  Over
eighty thousand pounds!  I call that lucky, don't you, mother?
Over eighty thousand pounds!  I knew, didn't I know I knew?
Malabar came in all right.  If I ride my horse till I'm sure, then
I tell you, Basset, you can go as high as you like.  Did you go for
all you were worth, Bassett?"

"I went a thousand on it, Master Paul."

"I never told you, mother, that if I can ride my horse, and GET
THERE, then I'm absolutely sure--oh, absolutely!  Mother, did I
ever tell you?  I AM lucky!"

"No, you never did," said the mother.

But the boy died in the night.

And even as he lay dead, his mother heard her brother's voice
saying to her:  "My God, Hester, you're eighty-odd thousand to the
good, and a poor devil of a son to the bad.  But, poor devil, poor
devil, he's best gone out of a life where he rides his rocking-
horse to find a winner."



THE LOVELY LADY


At seventy-two, Pauline Attenborough could still sometimes be
mistaken, in the half-light, for thirty.  She really was a
wonderfully-preserved woman, of perfect chic.  Of course it helps a
great deal to have the right frame.  She would be an exquisite
skeleton, and her skull would be an exquisite skull, like that of
some Etruscan woman with feminine charm still in the swerve of the
bone and the pretty, naïve teeth.

Mrs Attenborough's face was of the perfect oval and slightly flat
type that wears best.  There is no flesh to sag.  Her nose rode
serenely, in its finely-bridged curve.  Only the big grey eyes were
a tiny bit prominent, on the surface of her face, and they gave her
away most.  The bluish lids were heavy, as if they ached sometimes
with the strain of keeping the eyes beneath them arch and bright;
and at the corners of the eyes were fine little wrinkles which
would slacken into haggardness, then be pulled up tense again to
that bright, gay look like a Leonardo woman who really could laugh
outright.

Her niece Cecilia was perhaps the only person in the world who was
aware of the invisible little wire which connected Pauline's eye-
wrinkles with Pauline's willpower.  Only Cecilia consciously
watched the eyes go haggard and old and tired, and remain so, for
hours; until Robert came home.  Then ping!--the mysterious little
wire that worked between Pauline's will and her face went taut, the
weary, haggard, prominent eyes suddenly began to gleam, the eyelids
arched, the queer, curved eyebrows which floated in such frail
arches on Pauline's forehead began to gather a mocking significance,
and you had the REAL lovely lady, in all her charm.

She really had the secret of everlasting youth; that is to say, she
could don her youth again like an eagle.  But she was sparing of
it.  She was wise enough not to try being young for too many
people.  Her son Robert, in the evenings, and Sir Wilfrid Knipe
sometimes in the afternoon to tea; then occasional visitors on
Sunday, when Robert was home--for these she was her lovely and
changeless self, that age could not wither, nor custom stale; so
bright and kindly and yet subtly mocking, like Mona Lisa, who knew
a thing or two.  But Pauline knew more, so she needn't be smug at
all.  She could laugh that lovely, mocking Bacchante laugh of hers,
which was at the same time never malicious, always good-naturedly
tolerant, both of virtues and vices--the former, of course, taking
much more tolerating.  So she suggested, roguishly.

Only with her niece Cecilia she did not trouble to keep up the
glamour.  Ciss was not very observant, anyhow; and, more than that,
she was plain; more still, she was in love with Robert; and most of
all, she was thirty, and dependent on her aunt Pauline.  Oh,
Cecilia--why make music for her?

Cecilia, called by her aunt and by her cousin Robert just Ciss,
like a cat spitting, was a big, dark-complexioned, pug-faced young
woman who very rarely spoke, and when she did couldn't get it out.
She was the daughter of a poor Congregational clergyman who had
been, while he lived, brother to Ronald, Aunt Pauline's husband.
Ronald and the Congregational minister were both well dead, and
Aunt Pauline had had charge of Ciss for the last five years.

They lived all together in a quite exquisite though rather small
Queen Anne house some twenty-five miles out of town, secluded in a
little dale, and surrounded by small but very quaint and pleasant
grounds.  It was an ideal place and an ideal life for Aunt Pauline,
at the age of seventy-two.  When the kingfishers flashed up the
little stream in her garden, going under the alders, something
still flashed in her heart.  She was that kind of woman.

Robert, who was two years older than Ciss, went every day to town,
to his chambers in one of the Inns.  He was a barrister, and, to
his secret but very deep mortification, he earned about a hundred
pounds a year.  He simply COULDN'T get above that figure, though it
was rather easy to get below it.  Of course, it didn't matter.
Pauline had money.  But then, what was Pauline's was Pauline's, and
though she could give almost lavishly, still, one was always aware
of having a LOVELY and UNDESERVED present made to one.  Presents
are so much nicer when they're undeserved, Aunt Pauline would say.

Robert, too, was plain, and almost speechless.  He was medium
sized, rather broad and stout, though not fat.  Only his creamy,
clean-shaven face was rather fat, and sometimes suggestive of an
Italian priest, in its silence and its secrecy.  But he had grey
eyes like his mother, but very shy and uneasy, not bold like hers.
Perhaps Ciss was the only person who fathomed his awful shyness and
malaise, his habitual feeling that he was in the wrong place:
almost like a soul that has got into a wrong body.  But he never
did anything about it.  He went up to Chambers, and read law.  It
was, however, all the weird old processes that interested him.  He
had, unknown to everybody but his mother, a quite extraordinary
collection of old Mexican legal documents--reports of processes and
trials, pleas, accusations: the weird and awful mixture of
ecclesiastical law and common law in seventeenth-century Mexico.
He had started a study in this direction through coming across the
report of a trial of two English sailors, for murder, in Mexico, in
1620, and he had gone on, when the next document was an accusation
against a Don Miguel Estrada for seducing one of the nuns of the
Sacred Heart Convent in Oaxaca in 1680.

Pauline and her son Robert had wonderful evenings with these old
papers.  The lovely lady knew a little Spanish.  She even looked a
trifle Spanish herself, with a high comb and a marvellous dark-
brown shawl embroidered in thick silvery silk embroidery.  So she
would sit at the perfect old table, soft as velvet in its deep
brown surface, a high comb in her hair, ear-rings with dropping
pendants in her ears, her arms bare and still beautiful, a few
strings of pearls round her throat, a puce velvet dress on and this
or another beautiful shawl, and by candlelight she looked, yes, a
Spanish high-bred beauty of thirty-two or three.  She set the
candles to give her face just the chiaroscuro she knew suited her;
her high chair that rose behind her face was done in old green
brocade, against which her face emerged like a Christmas rose.

They were always three at table, and they always drank a bottle of
champagne: Pauline two glasses, Ciss two glasses, Robert the rest.
The lovely lady sparkled and was radiant.  Ciss, her black hair
bobbed, her broad shoulders in a very nice and becoming dress that
Aunt Pauline had helped her to make, stared from her aunt to her
cousin and back again, with rather confused, mute hazel eyes, and
played the part of an audience suitably impressed.  She WAS
impressed, somewhere, all the time.  And even rendered speechless
by Pauline's brilliancy, even after five years.  But at the bottom
of her consciousness was the data of as weird a document as Robert
ever studied: all the things she knew about her aunt and her
cousin.

Robert was always a gentleman, with an old-fashioned, punctilious
courtesy that covered his shyness quite completely.  He was, and
Ciss knew it, more confused than shy.  He was worse than she was.
Cecilia's own confusion dated from only five years back.  Robert's
must have started before he was born.  In the lovely lady's womb he
must have felt VERY confused.

He paid all his attention to his mother, drawn to her as a humble
flower to the sun.  And yet, priest-like, he was all the time
aware, with the tail of his consciousness, that Ciss was there, and
that she was a bit shut out of it, and that something wasn't right.
He was aware of the third consciousness in the room.  Whereas to
Pauline, her niece Cecilia was an appropriate part of her own
setting, rather than a distinct consciousness.

Robert took coffee with his mother and Ciss in the warm drawing-
room, where all the furniture was so lovely, all collectors' pieces--
Mrs Attenborough had made her own money, dealing privately in
pictures and furniture and rare things from barbaric countries--and
the three talked desultorily till about eight or half-past.  It was
very pleasant, very cosy, very homely even; Pauline made a real
home cosiness out of so much elegant material.  The chat was
simple, and nearly always bright.  Pauline was her REAL self,
emanating a friendly mockery and an odd, ironic gaiety--till there
came a little pause.

At which Ciss always rose and said good-night, and carried out the
coffee-tray, to prevent Burnett from intruding any more.

And then! ah, then, the lovely, glowing intimacy of the evening,
between mother and son, when they deciphered manuscripts and
discussed points, Pauline with that eagerness of a girl for which
she was famous.  And it was quite genuine.  In some mysterious way
she had SAVED UP her power for being thrilled, in connection with a
man.  Robert, solid, rather quiet and subdued, seemed like the
elder of the two--almost like a priest with a young girl pupil.
And that was rather how he felt.

Ciss had a flat for herself just across the courtyard, over the old
coach-house and stables.  There were no horses.  Robert kept his
car in the coach-house.  Ciss had three very nice rooms up there,
stretching along in a row one after the other, and she had got used
to the ticking of the stable clock.

But sometimes she did not go to her rooms.  In the summer she would
sit on the lawn, and from the open window of the drawing-room
upstairs she would hear Pauline's wonderful, heart-searching laugh.
And in winter the young woman would put on a thick coat and walk
slowly to the little balustraded bridge over the stream, and then
look back at the three lighted windows of that drawing-room where
mother and son were so happy together.

Ciss loved Robert, and she believed that Pauline intended the two
of them to marry--when she was dead.  But poor Robert, he was so
convulsed with shyness already, with man or woman.  What would he
be when his mother was dead?--in a dozen more years.  He would be
just a shell, the shell of a man who had never lived.

The strange, unspoken sympathy of the young with one another, when
they are overshadowed by the old, was one of the bonds between
Robert and Ciss.  But another bond, which Ciss did not know how to
draw tight, was the bond of passion.  Poor Robert was by nature a
passionate man.  His silence and his agonised, though hidden,
shyness were both the result of a secret physical passionateness.
And how Pauline could play on this!  Ah, Ciss was not blind to the
eyes which he fixed on his mother--eyes fascinated yet humiliated,
full of shame.  He was ashamed that he was not a man.  And he did
not love his mother.  He was fascinated by her.  Completely
fascinated.  And for the rest, paralysed in a life-long confusion.

Ciss stayed in the garden till the lights leapt up in Pauline's
bedroom--about ten o'clock.  The lovely lady had retired.  Robert
would now stay another hour or so, alone.  Then he, too, would
retire.  Ciss, in the dark outside, sometimes wished she could
creep up to him and say:  "Oh, Robert!  It's all wrong!"  But Aunt
Pauline would hear.  And, anyhow, Ciss couldn't do it.  She went
off to her own rooms, once more, once more, and so for ever.

In the morning coffee was brought up on a tray to each of the rooms
of the three relatives.  Ciss had to be at Sir Wilfrid Knipe's at
nine o'clock, to give two hours' lessons to his little grand-
daughter.  It was her sole serious occupation, except that she
played the piano for the love of it.  Robert set off to town about
nine.  And as a rule, Aunt Pauline appeared to lunch, though
sometimes not till tea-time.  When she appeared, she looked fresh
and young.  But she was inclined to fade rather rapidly, like a
flower without water, in the daytime.  Her hour was the candle
hour.

So she always rested in the afternoon.  When the sun shone, if
possible she took a sun-bath.  This was one of her secrets.  Her
lunch was very light; she could take her sun-and-air-bath before
noon or after, as it pleased her.  Often it was in the afternoon,
when the sun shone very warmly into a queer little yew-walled
square just behind the stables.  Here Ciss stretched out the lying-
chair and rugs, and put the light parasol handy in the silent
little enclosure of thick dark yew-hedges beyond the old red walls
of the unused stables.  And hither came the lovely lady with her
book.  Ciss then had to be on guard in one of her own rooms, should
her aunt, who was very keen-eared, hear a footstep.

One afternoon it occurred to Cecilia that she herself might while
away this rather long afternoon hour by taking a sun-bath.  She was
growing restive.  The thought of the flat roof of the stable
buildings, to which she could climb from a loft at the end, started
her on a new adventure.  She often went on to the roof; she had to,
to wind up the stable clock, which was a job she had assumed to
herself.  Now she took a rug, climbed out under the heavens, looked
at the sky and the great elm-tops, looked at the sun, then took off
her things and lay down perfectly securely, in a corner of the roof
under the parapet, full in the sun.

It was rather lovely, to bask all one's length like this in warm
sun and air.  Yes, it was very lovely!  It even seemed to melt some
of the hard bitterness of her heart, some of that core of unspoken
resentment which never dissolved.  Luxuriously, she spread herself,
so that the sun should touch her limbs fully, fully.  If she had no
other lover, she should have the sun!  She rolled over voluptuously.

And suddenly her heart stood still in her body, and her hair almost
rose on end as a voice said very softly, musingly, in her ear:

"No, Henry dear!  It was not my fault you died instead of marrying
that Claudia.  No, darling.  I was quite, quite willing for you to
marry her, unsuitable though she was."

Cecilia sank down on her rug, powerless and perspiring with dread.
That awful voice, so soft, so musing, yet so unnatural.  Not a
human voice at all.  Yet there must, there MUST be someone on the
roof!  Oh, how unspeakably awful!

She lifted her weak head and peeped across the sloping leads.
Nobody!  The chimneys were too narrow to shelter anybody.  There
was nobody on the roof.  Then it must be someone in the trees, in
the elms.  Either that, or--terror unspeakable--a bodiless voice!
She reared her head a little higher.

And as she did so, came the voice again:

"No, darling!  I told you you would tire of her in six months.  And
you see it was true, dear.  It was true, true, true!  I wanted to
spare you that.  So it wasn't I who made you feel weak and
disabled, wanting that very silly Claudia--poor thing, she looked
so woebegone afterwards!--wanting her and not wanting her.  You got
yourself into that perplexity, my dear.  I only warned you.  What
else could I do?  And you lost your spirit and died without ever
knowing me again.  It was bitter, bitter--"

The voice faded away.  Cecilia subsided weakly on to her rug, after
the anguished tension of listening.  Oh, it was awful.  The sun
shone, the sky was blue, all seemed so lovely and afternoony and
summery.  And yet, oh, horror!--she was going to be forced to
believe in the supernatural!  And she loathed the supernatural,
ghosts and voices and rappings and all the rest.

But that awful, creepy, bodiless voice, with its rusty sort of
whispers of an overtone!  It had something so fearfully familiar in
it, too!  And yet was so utterly uncanny.  Poor Cecilia could only
lie there unclothed, and so all the more agonisingly helpless,
inert, collapsed in sheer dread.

And then she heard the thing sigh!--a deep sigh that seemed weirdly
familiar, yet was not human.  "Ah well, ah well! the heart must
bleed.  Better it should bleed than break.  It is grief, grief!
But it wasn't my fault, dear.  And Robert could marry our poor,
dull Ciss tomorrow, if he wanted her.  But he doesn't care about
it, so why force him into anything?"  The sounds were very uneven,
sometimes only a husky sort of whisper.  Listen!  Listen!

Cecilia was about to give vent to loud and piercing screams of
hysteria, when the last two sentences arrested her.  All her
caution and her cunning sprang alert.  It was Aunt Pauline!  It
MUST be Aunt Pauline, practising ventriloquism, or something like
that.  What a devil she was!

Where was she?  She must be lying down there, right below where
Cecilia herself was lying.  And it was either some fiend's trick of
ventriloquism, or else thought-transference.  The sounds were very
uneven; sometimes quite inaudible, sometimes only a brushing sort
of noise.  Ciss listened intently.  No, it could not be
ventriloquism.  It was worse: some form of thought-transference
that conveyed itself like sound.  Some horror of that sort!
Cecilia still lay weak and inert, too terrified to move; but she
was growing calmer with suspicion.  It was some diabolic trick of
that unnatural woman.

But WHAT a devil of a woman!  She even knew that she, Cecilia, had
mentally accused her of killing her son Henry.  Poor Henry was
Robert's elder brother, twelve years older than Robert.  He had
died suddenly when he was twenty-two, after an awful struggle with
himself, because he was passionately in love with a young and very
good-looking actress, and his mother had humorously despised him
for the attachment.  So he had caught some sudden ordinary disease,
but the poison had gone to his brain and killed him before he ever
regained consciousness.  Ciss knew the few facts from her own
father.  And lately she had been thinking that Pauline was going to
kill Robert as she had killed Henry.  It was clear murder: a mother
murdering her sensitive sons, who were fascinated by her: the
Circe!

"I suppose I may as well get up," murmured the dim, unbreathing
voice.  "Too much sun is as bad as too little.  Enough sun, enough
love-thrill, enough proper food, and not too much of any of them,
and a woman might live for ever.  I verily believe, for ever.  If
she absorbs as much vitality as she expends.  Or perhaps a trifle
more!"

It was certainly Aunt Pauline!  How--how terrible!  She, Ciss, was
hearing Aunt Pauline's thoughts.  Oh, how ghastly!  Aunt Pauline
was sending out her thoughts in a sort of radio, and she, Ciss, had
to HEAR what her aunt was thinking.  How ghastly!  How insufferable!
One of them would surely have to die.

She twisted and lay inert and crumpled, staring vacantly in front
of her.  Vacantly!  Vacantly!  And her eyes were staring almost
into a hole.  She was staring in it unseeing, a hole going down in
the corner, from the lead gutter.  It meant nothing to her.  Only
it frightened her a little more.

When suddenly, out of the hole came a sigh and a last whisper:  "Ah
well! Pauline!  Get up, it's enough for to-day."  Good God!  Out of
the hole of the rain-pipe!  The rain-pipe was acting as a speaking-
tube!  Impossible!  No, quite possible.  She had read of it even in
some book.  And Aunt Pauline, like the old and guilty woman she was
talked aloud to herself.  That was it!

A sullen exultance sprang in Ciss's breast.  THAT was why she would
never have anybody, not even Robert, in her bedroom.  That was why
she never dozed in a chair, never sat absent-minded anywhere, but
went to her room, and kept to her room, except when she roused
herself to be alert.  When she slackened off she talked to herself!
She talked in a soft little crazy voice to herself.  But she was
not crazy.  It was only her thoughts murmuring themselves aloud.

So she had qualms about poor Henry!  Well she might have!  Ciss
believed that Aunt Pauline had loved her big, handsome, brilliant
first-born much more than she loved Robert, and that his death had
been a terrible blow and a chagrin to her.  Poor Robert had been
only ten years old when Henry died.  Since then he had been the
substitute.

Ah, how awful!

But Aunt Pauline was a strange woman.  She had left her husband
when Henry was a small child, some years even before Robert was
born.  There was no quarrel.  Sometimes she saw her husband again,
quite amiably, but a little mockingly.  And she even gave him
money.

For Pauline earned all her own.  Her father had been a Consul in
the East and in Naples, and a devoted collector of beautiful exotic
things.  When he died, soon after his grandson Henry was born, he
left his collection of treasures to his daughter.  And Pauline, who
had really a passion and a genius for loveliness, whether in
texture or form or colour, had laid the basis of her fortune on her
father's collection.  She had gone on collecting, buying where she
could, and selling to collectors or to museums.  She was one of the
first to sell old, weird African figures to the museums, and ivory
carvings from New Guinea.  She bought Renoir as soon as she saw his
pictures.  But not Rousseau.  And all by herself she made a
fortune.

After her husband died she had not married again.  She was not even
KNOWN to have had lovers.  If she did have lovers, it was not among
the men who admired her most and paid her devout and open
attendance.  To these she was a "friend".

Cecilia slipped on her clothes and caught up her rug, hastening
carefully down the ladder to the loft.  As she descended she heard
the ringing, musical call:  "All right, Ciss"--which meant that the
lovely lady was finished, and returning to the house.  Even her
voice was wonderfully young and sonorous, beautifully balanced and
self-possessed.  So different from the little voice in which she
talked to herself.  THAT was much more the voice of an old woman.

Ciss hastened round to the yew enclosure, where lay the comfortable
chaise longue with the various delicate rugs.  Everything Pauline
had was choice, to the fine straw mat on the floor.  The great yew
walls were beginning to cast long shadows.  Only in the corner
where the rugs tumbled their delicate colours was there hot, still
sunshine.

The rugs folded up, the chair lifted away, Cecilia stooped to look
at the mouth of the rain-pipe.  There it was, in the corner, under
a little hood of masonry and just projecting from the thick leaves
of the creeper on the wall.  If Pauline, lying there, turned her
face towards the wall, she would speak into the very mouth of the
tube.  Cecilia was reassured.  She had heard her aunt's thoughts
indeed, but by no uncanny agency.

That evening, as if aware of something, Pauline was a little
quieter than usual, though she looked her own serene, rather
mysterious self.  And after coffee she said to Robert and Ciss:

"I'm so sleepy.  The sun has made me so sleepy.  I feel full of
sunshine like a bee.  I shall go to bed, if you don't mind.  You
two sit and have a talk."

Cecilia looked quickly at her cousin.

"Perhaps you'd rather be alone?" she said to him.

"No--no," he replied.  "Do keep me company for a while, if it
doesn't bore you."

The windows were open, the scent of honeysuckle wafted in, with the
sound of an owl.  Robert smoked in silence.  There was a sort of
despair in his motionless, rather squat body.  He looked like a
caryatid bearing a weight.

"Do you remember Cousin Henry?" Cecilia asked him suddenly.

He looked up in surprise.

"Yes.  Very well," he said.

"What did he look like?" she said, glancing into her cousin's big,
secret-troubled eyes, in which there was so much frustration.

"Oh, he was handsome: tall, and fresh-coloured, with mother's soft
brown hair."  As a matter of fact, Pauline's hair was grey.  "The
ladies admired him very much; and he was at all the dances."

"And what kind of character had he?"

"Oh, very good-natured and jolly.  He liked to be amused.  He was
rather quick and clever, like mother, and very good company."

"And did he love your mother?"

"Very much.  She loved him too--better than she does me, as a
matter of fact.  He was so much more nearly her idea of a man."

"Why was he more her idea of a man?"

"Tall--handsome--attractive, and very good company--and would, I
believe, have been very successful at law.  I'm afraid I am merely
negative in all those respects."

Ciss looked at him attentively, with her slow-thinking hazel eyes.
Under his impassive mask she knew he suffered.

"Do you think you are so much more negative than he?" she said.

He did not lift his face.  But after a few moments he replied:

"My life, certainly, is a negative affair."

She hesitated before she dared ask him:

"And do you mind?"

He did not answer her at all.  Her heart sank.

"You see, I'm afraid my life is as negative as yours is," she said.
"And I'm beginning to mind bitterly.  I'm thirty."

She saw his creamy, well-bred hand tremble.

"I suppose," he said, without looking at her, "one will rebel when
it is too late."

That was queer, from him.

"Robert!" she said.  "Do you like me at all?"

She saw his dusky-creamy face, so changeless in its folds, go pale.

"I am very fond of you," he murmured.

"Won't you kiss me?  Nobody ever kisses me," she said pathetically.

He looked at her, his eyes strange with fear and a certain
haughtiness.  Then he rose, and came softly over to her, and kissed
her gently on the cheek.

"It's an awful shame, Ciss!" he said softly.

She caught his hand and pressed it to her breast.

"And sit with me sometimes in the garden," she said, murmuring with
difficulty.  "Won't you?"

He looked at her anxiously and searchingly.

"What about mother?"

Ciss smiled a funny little smile, and looked into his eyes.  He
suddenly flushed crimson, turning aside his face.  It was a painful
sight.

"I know," he said.  "I am no lover of women."

He spoke with sarcastic stoicism, against himself, but even she did
not know the shame it was to him.

"You never try to be," she said.

Again his eyes changed uncannily.

"Does one have to try?" he said.

"Why, yes.  One never does anything if one doesn't try."

He went pale again.

"Perhaps you are right," he said.

In a few minutes she left him, and went to her rooms.  At least she
had tried to take off the everlasting lid from things.

The weather continued sunny, Pauline continued her sun-baths, and
Ciss lay on the roof eavesdropping, in the literal sense of the
word.  But Pauline was not to be heard.  No sound came up the pipe.
She must be lying with her face away into the open.  Ciss listened
with all her might.  She could just detect the faintest, faintest
murmur away below, but no audible syllable.

And at night, under the stars, Cecilia sat and waited in silence,
on the seat which kept in view the drawing-room windows and the
side door into the garden.  She saw the light go up in her aunt's
room.  She saw the lights at last go out in the drawing-room.  And
she waited.  But he did not come.  She stayed on in the darkness
half the night, while the owl hooted.  But she stayed alone.

Two days she heard nothing; her aunt's thoughts were not revealed;
and at evening nothing happened.  Then, the second night, as she
sat with heavy, helpless persistence in the garden, suddenly she
started.  He had come out.  She rose and went softly over the grass
to him.

"Don't speak!" he murmured.

And in silence, in the dark, they walked down the garden and over
the little bridge to the paddock, where the hay, cut very late, was
in cock.  There they stood disconsolate under the stars.

"You see," he said, "how can I ask for love, if I don't feel any
love in myself?  You know I have a real regard for you--"

"How CAN you feel any love, when you never feel anything?" she
said.

"That is true," he replied.

And she waited for what next.

"And how can I marry?" he said.  "I am a failure even at making
money.  I can't ask my mother for money."

She sighed deeply.

"Then don't bother yet about marrying," she said.  "Only love me a
little.  Won't you?"

He gave a short laugh.

"It sounds so atrocious, to say it is hard to begin," he said.

She sighed again.  He was so stiff to move.

"Shall we sit down a minute?" she said.  And then, as they sat on
the hay, she added:  "May I touch you?  Do you mind?"

"Yes, I mind.  But do as you wish," he replied, with that mixture
of shyness and queer candour which made him a little ridiculous, as
he knew quite well.  But in his heart there was almost murder.

She touched his black, always tidy, hair, with her fingers.

"I suppose I shall rebel one day," he said again suddenly.

They sat some time, till it grew chilly.  And he held her hand
fast, but he never put his arms round her.  At last she rose, and
went indoors, saying good-night.

The next day, as Cecilia lay stunned and angry on the roof, taking
her sun-bath, and becoming hot and fierce with sunshine, suddenly
she started.  A terror seized her in spite of herself.  It was the
voice.

"Caro, caro, tu non l'hai visto!" it was murmuring away, in a
language Cecilia did not understand.  She lay and writhed her limbs
in the sun, listening intently to words she could not follow.
Softly, whisperingly, with infinite caressiveness and yet with that
subtle, insidious arrogance under its velvet, came the voice,
murmuring in Italian:  "Bravo, si, molto bravo, poverino, ma uomo
come te non sarà mai, mai, mai!"  Oh, especially in Italian
Cecilia heard the poisonous charm of the voice, so caressive, so
soft and flexible, yet so utterly egoistic.  She hated it with
intensity as it sighed and whispered out of nowhere.  Why, why
should it be so delicate, so subtle and flexible and beautifully
controlled, when she herself was so clumsy?  Oh, poor Cecilia, she
writhed in the afternoon sun, knowing her own clownish clumsiness
and lack of suavity, in comparison.

"No, Robert dear, you will never be the man your father was, though
you have some of his looks.  He was a marvellous lover, soft as a
flower yet piercing as a humming-bird.  Cara, cara mia bellissima,
ti ho aspettato come l'agonissante aspetta la morte, morte
deliziosa, quasi quasi troppo deliziosa per una mera anima humana.
He gave himself to a woman as he gave himself to God.  Mauro!
Mauro!  How you loved me!  How you loved me!"

The voice ceased in reverie, and Cecilia knew what she had guessed
before--that Robert was not the son of her Uncle Ronald, but of
some Italian.

"I am disappointed in you, Robert.  There is no poignancy in you.
Your father was a Jesuit, but he was the most perfect and poignant
lover in the world.  You are a Jesuit like a fish in a tank.  And
that Ciss of yours is the cat fishing for you.  It is less edifying
even than poor Henry."

Cecilia suddenly bent her mouth down to the tube, and said in a
deep voice:

"Leave Robert alone!  Don't kill him as well."

There was dead silence in the hot July afternoon that was lowering
for thunder.  Cecilia lay prostrate, her heart beating in great
thumps.  She was listening as if her whole soul were an ear.  At
last she caught the whisper:

"Did someone speak?"

She leaned again to the mouth of the tube:

"Don't kill Robert as you killed me," she said, with slow
enunciation, and a deep but small voice.

"Ah!" came the sharp little cry.  "Who is that speaking?"

"Henry," said the deep voice.

There was dead silence.  Poor Cecilia lay with all the use gone out
of her.  And there was dead silence.  Till at last came the
whisper:

"I didn't kill Henry.  No, no!  No, no!  Henry, surely you can't
blame me!  I loved you, dearest; I only wanted to help you."

"You killed me!" came the deep, artificial, accusing voice.  "Now
let Robert live.  Let him go!  Let him marry!"

There was a pause.

"How very, very awful!" mused the whispering voice.  "Is it
possible, Henry, you are a spirit, and you condemn me?"

"Yes, I condemn you!"

Cecilia felt all the pent-up rage going down that rain-pipe.  At
the same time, she almost laughed.  It was awful.

She lay and listened and listened.  No sound!  As if time had
ceased, she lay inert in the weakening sun, till she heard a far-
off rumble of thunder.  She sat up.  The sky was yellowing.
Quickly she dressed herself, went down, and out to the corner of
the stables.

"Aunt Pauline!" she called discreetly.  "Did you hear thunder?"

"Yes.  I am going in.  Don't wait," came a feeble voice.

Cecilia retired, and from the loft watched, spying, as the figure
of the lovely lady, wrapped in a lovely wrap of old blue silk, went
rather totteringly to the house.

The sky gradually darkened.  Cecilia hastened in with the rugs.
Then the storm broke.  Aunt Pauline did not appear to tea.  She
found the thunder trying.  Robert also did not arrive till after
tea, in the pouring rain.  Cecilia went down the covered passage to
her own house, and dressed carefully for dinner, putting some white
columbines at her breast.

The drawing-room was lit with a softly-shaded lamp.  Robert,
dressed, was waiting, listening to the rain.  He too seemed
strangely crackling and on edge.  Cecilia came in, with the white
flowers nodding at her dusky breast.  Robert was watching her
curiously, a new look on his face.  Cecilia went to the bookshelves
near the door, and was peering for something, listening acutely.
She heard a rustle, then the door softly opening.  And as it
opened, Ciss suddenly switched on the strong electric light by the
door.

Her aunt, in a dress of black lace over ivory colour, stood in the
doorway.  Her face was made up, but haggard with a look of
unspeakable irritability, as if years of suppressed exasperation
and dislike of her fellow-men had suddenly crumpled her into an old
witch.

"Oh, aunt!" cried Cecilia.

"Why, mother, you're a little old lady!" came the astounded voice
of Robert--like an astonished boy, as if it were a joke.

"Have you only just found it out?" snapped the old woman
venomously.

"Yes!  Why, I thought--" his voice tailed out in misgiving.

The haggard, old Pauline, in a frenzy of exasperation, said:

"Aren't we going down?"

She had not even noticed the excess of light, a thing she shunned.
And she went downstairs almost tottering.

At table she sat with her face like a crumpled mask of unspeakable
irritability.  She looked old, very old, and like a witch.  Robert
and Cecilia fetched furtive glances at her.  And Ciss, watching
Robert, saw that he was so astonished and repelled by his mother's
looks that he was another man.

"What kind of a drive home did you have?" snapped Pauline, with an
almost gibbering irritability.

"It rained, of course," he said.

"How clever of you to have found that out!" said his mother, with
the grisly grin of malice that had succeeded her arch smile.

"I don't understand," he said, with quiet suavity.

"It's apparent," said his mother, rapidly and sloppily eating her
food.

She rushed through the meal like a crazy dog, to the utter
consternation of the servant.  And the moment it was over she
darted in a queer, crab-like way upstairs.  Robert and Cecilia
followed her, thunderstruck, like two conspirators.

"You pour the coffee.  I loathe it!  I'm going.  Good-night!" said
the old woman, in a succession of sharp shots.  And she scrambled
out of the room.

There was a dead silence.  At last he said:

"I'm afraid mother isn't well.  I must persuade her to see a
doctor."

"Yes," said Cecilia.

The evening passed in silence.  Robert and Ciss stayed on in the
drawing-room, having lit a fire.  Outside was cold rain.  Each
pretended to read.  They did not want to separate.  The evening
passed with ominous mysteriousness, yet quickly.

At about ten o'clock the door suddenly opened, and Pauline
appeared, in a blue wrap.  She shut the door behind her, and came
to the fire.  Then she looked at the two young people in hate, real
hate.

"You two had better get married quickly," she said, in an ugly
voice.  "It would look more decent; such a passionate pair of
lovers!"

Robert looked up at her quietly.

"I thought you believed that cousins should not marry, mother," he
said.

"I do.  But you're not cousins.  Your father was an Italian
priest."  Pauline held her daintily-slippered foot to the fire, in
an old coquettish gesture.  Her body tried to repeat all the old
graceful gestures.  But the nerve had snapped, so it was a rather
dreadful caricature.

"Is that really true, mother?" he asked.

"True!  What do you think?  He was a distinguished man, or he
wouldn't have been my lover.  He was far too distinguished a man to
have had you for a son.  But that joy fell to me."

"How unfortunate all round," he said slowly.

"Unfortunate for you?  YOU were lucky.  It was MY misfortune," she
said acidly to him.

She was really a dreadful sight, like a piece of lovely Venetian
glass that has been dropped and gathered up again in horrible,
sharp-edged fragments.

Suddenly she left the room again.

For a week it went on.  She did not recover.  It was as if every
nerve in her body had suddenly started screaming in an insanity of
discordance.  The doctor came, and gave her sedatives, for she
never slept.  Without drugs she never slept at all, only paced back
and forth in her room, looking hideous and evil, reeking with
malevolence.  She could not bear to see either her son or her
niece.  Only when either of them came she asked, in pure malice:

"Well!  When's the wedding?  Have you celebrated the nuptials yet?"

At first Cecilia was stunned by what she had done.  She realised
vaguely that her aunt, once a definite thrust of condemnation had
penetrated her beautiful armour, had just collapsed, squirming,
inside her shell.  It was too terrible.  Ciss was almost terrified
into repentance.  Then she thought:  "This is what she always was.
Now let her live the rest of her days in her true colours."

But Pauline would not live long.  She was literally shrivelling
away.  She kept her room, and saw no one.  She had her mirrors
taken away.

Robert and Cecilia sat a good deal together.  The jeering of the
mad Pauline had not driven them apart, as she had hoped.  But
Cecilia dared not confess to him what she had done.

"Do you think your mother ever loved anybody?" Ciss asked him
tentatively, rather wistfully, one evening.

He looked at her fixedly.

"Herself!" he said at last.

"She didn't even LOVE herself," said Ciss.  "It was something else.
What was it?"  She lifted a troubled, utterly puzzled face to him.

"Power," he said curtly.

"But what power?" she asked.  "I don't understand."

"Power to feed on other lives," he said bitterly.  "She was
beautiful, and she fed on life.  She has fed on me as she fed on
Henry.  She put a sucker into one's soul, and sucked up one's
essential life."

"And don't you forgive her?"

"No."

"Poor Aunt Pauline!"

But even Ciss did not mean it.  She was only aghast.

"I KNOW I've got a heart," he said, passionately striking his
breast.  "But it's almost sucked dry.  I KNOW I've got a soul,
somewhere.  But it's gnawed bare.  I HATE people who want power
over others."

Ciss was silent.  What was there to say?

And two days later Pauline was found dead in her bed, having taken
too much veronal, for her heart was weakened.

From the grave even she hit back at her son and her niece.  She
left Robert the noble sum of one thousand pounds, and Ciss one
hundred.  All the rest, with the nucleus of her valuable antiques,
went to form the "Pauline Attenborough Museum".



THE END




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