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Title:      Emily of New Moon (1923)
Author:     Montgomery, L. M. (Lucy Maud), 1874-1942.
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Edition:    1
Language:   English
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Date first posted:          December 2002
Date most recently updated: December 2002

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A Project Gutenberg of Australia eBook

Title:      Emily of New Moon (1923)
Author:     Montgomery, L. M. (Lucy Maud), 1874-1942.







TO MR GEORGE BOYD MACMILLAN
ALLOA, SCOTLAND
IN RECOGNITION OF
A LONG AND STIMULATING FRIENDSHIP




Contents

THE HOUSE IN THE HOLLOW

A WATCH IN THE NIGHT

A HOP OUT OF KIN

A FAMILY CONCLAVE

DIAMOND CUT DIAMOND

NEW MOON

THE BOOK OF YESTERDAY

TRIAL BY FIRE

A SPECIAL PROVIDENCE

GROWING PAINS

ILSE

THE TANSY PATCH

A DAUGHTER OF EVE

FANCY FED

VARIOUS TRAGEDIES

CHECK FOR MISS BROWNELL

LIVING EPISTLES

FATHER CASSIDY

FRIENDS AGAIN

BY AERIAL POST

"ROMANTIC BUT NOT COMFORTABLE"

WYTHER GRANGE

DEALS WITH GHOSTS

A DIFFERENT KIND OF HAPPINESS

"SHE COULDN'T HAVE DONE IT"

ON THE BAY SHORE

THE VOW OF EMILY

A WEAVER OF DREAMS

SACRILEGE

WHEN THE CURTAIN LIFTED

EMILY'S GREAT MOMENT




THE HOUSE IN THE HOLLOW


The house in the hollow was "a mile from anywhere"--so Maywood
people said.  It was situated in a grassy little dale, looking as
if it had never been built like other houses but had grown up there
like a big, brown mushroom.  It was reached by a long, green lane
and almost hidden from view by an encircling growth of young
birches.  No other house could be seen from it although the village
was just over the hill.  Ellen Greene said it was the lonesomest
place in the world and vowed that she wouldn't stay there a day if
it wasn't that she pitied the child.

Emily didn't know she was being pitied and didn't know what
lonesomeness meant.  She had plenty of company.  There was Father--
and Mike--and Saucy Sal.  The Wind Woman was always around; and
there were the trees--Adam-and-Eve, and the Rooster Pine, and all
the friendly lady-birches.

And there was "the flash," too.  She never knew when it might come,
and the possibility of it kept her a-thrill and expectant.

Emily had slipped away in the chilly twilight for a walk.  She
remembered that walk very vividly all her life--perhaps because of
a certain eerie beauty that was in it--perhaps because "the flash"
came for the first time in weeks--more likely because of what
happened after she came back from it.

It had been a dull, cold day in early May, threatening to rain but
never raining.  Father had lain on the sitting-room lounge all day.
He had coughed a good deal and he had not talked much to Emily,
which was a very unusual thing for him.  Most of the time he lay
with his hands clasped under his head and his large, sunken, dark-
blue eyes fixed dreamily and unseeingly on the cloudy sky that was
visible between the boughs of the two big spruces in the front
yard--Adam-and-Eve, they always called those spruces, because of a
whimsical resemblance Emily had traced between their position, with
reference to a small apple-tree between them, and that of Adam and
Eve and the Tree of Knowledge in an old-fashioned picture in one of
Ellen Greene's books.  The Tree of Knowledge looked exactly like
the squat little apple-tree, and Adam and Eve stood up on either
side as stiffly and rigidly as did the spruces.

Emily wondered what Father was thinking of, but she never bothered
him with questions when his cough was bad.  She only wished she had
somebody to talk to.  Ellen Greene wouldn't talk that day either.
She did nothing but grunt, and grunts meant that Ellen was
disturbed about something.  She had grunted last night after the
doctor had whispered to her in the kitchen, and she had grunted
when she gave Emily a bedtime snack of bread and molasses.  Emily
did not like bread and molasses, but she ate it because she did not
want to hurt Ellen's feelings.  It was not often that Ellen allowed
her anything to eat before going to bed, and when she did it meant
that for some reason or other she wanted to confer a special
favour.

Emily expected the grunting attack would wear off over night, as it
generally did; but it had not, so no company was to be found in
Ellen.  Not that there was a great deal to be found at any time.
Douglas Starr had once, in a fit of exasperation, told Emily that
"Ellen Greene was a fat, lazy old thing of no importance," and
Emily, whenever she looked at Ellen after that, thought the
description fitted her to a hair.  So Emily had curled herself up
in the ragged, comfortable old wing-chair and read The Pilgrim's
Progress all the afternoon.  Emily loved The Pilgrim's Progress.
Many a time had she walked the straight and narrow path with
Christian and Christiana--although she never liked Christiana's
adventures half as well as Christian's.  For one thing, there was
always such a crowd with Christiana.  She had not half the
fascination of that solitary, intrepid figure who faced all alone
the shadows of the Dark Valley and the encounter with Apollyon.
Darkness and hobgoblins were nothing when you had plenty of
company.  But to be ALONE--ah, Emily shivered with the delicious
horror of it!

When Ellen announced that supper was ready Douglas Starr told Emily
to go out to it.

"I don't want anything to-night.  I'll just lie here and rest.  And
when you come in again we'll have a real talk, Elfkin."

He smiled up at her his old, beautiful smile, with the love behind
it, that Emily always found so sweet.  She ate her supper quite
happily--though it wasn't a good supper.  The bread was soggy and
her egg was underdone, but for a wonder she was allowed to have
both Saucy Sal and Mike sitting, one on each side of her, and Ellen
only grunted when Emily fed them wee bits of bread and butter.

Mike had such a cute way of sitting up on his haunches and catching
the bits in his paws, and Saucy Sal had HER trick of touching
Emily's ankle with an almost human touch when her turn was too long
in coming.  Emily loved them both, but Mike was her favourite.  He
was a handsome, dark-grey cat with huge owl-like eyes, and he was
so soft and fat and fluffy.  Sal was always thin; no amount of
feeding put any flesh on her bones.  Emily liked her, but never
cared to cuddle or stroke her because of her thinness.  Yet there
was a sort of weird beauty about her that appealed to Emily.  She
was grey-and-white--very white and very sleek, with a long, pointed
face, very long ears and very green eyes.  She was a redoubtable
fighter, and strange cats were vanquished in one round.  The
fearless little spitfire would even attack dogs and rout them
utterly.

Emily loved her pussies.  She had brought them up herself, as she
proudly said.  They had been given to her when they were kittens by
her Sunday-school teacher.

"A LIVING present is so nice," she told Ellen, "because it keeps on
getting nicer all the time."

But she worried considerably because Saucy Sal didn't have kittens.

"I don't know why she doesn't," she complained to Ellen Greene.
"Most cats seem to have more kittens than they know what to do
with."

After supper Emily went in and found that her father had fallen
asleep.  She was very glad of this; she knew he had not slept much
for two nights; but she was a little disappointed that they were
not going to have that "real talk."  "Real" talks with Father were
always such delightful things.  But next best would be a walk--a
lovely all-by-your-lonesome walk through the grey evening of the
young spring.  It was so long since she had had a walk.

"You put on your hood and mind you scoot back if it starts to
rain," warned Ellen.  "YOU can't monkey with colds the way some
kids can."

"Why can't I?" Emily asked rather indignantly.  Why must SHE be
debarred from "monkeying with colds" if other children could?  It
wasn't fair.

But Ellen only grunted.  Emily muttered under her breath for her
own satisfaction, "You are a fat old thing of no importance!" and
slipped upstairs to get her hood--rather reluctantly, for she loved
to run bareheaded.  She put the faded blue hood on over her long,
heavy braid of glossy, jet-black hair, and smiled chummily at her
reflection in the little greenish glass.  The smile began at the
corners of her lips and spread over her face in a slow, subtle,
very wonderful way, as Douglas Starr often thought.  It was her
dead mother's smile--the thing that had caught and held him long
ago when he had first seen Juliet Murray.  It seemed to be Emily's
only physical inheritance from her mother.  In all else, he
thought, she was like the Starrs--in her large, purplish-grey eyes
with their very long lashes and black brows, in her high, white
forehead--too high for beauty--in the delicate modelling of her
pale oval face and sensitive mouth, in the little ears that were
pointed just a wee bit to show that she was kin to tribes of
elfland.

"I'm going for a walk with the Wind Woman, dear," said Emily.  "I
wish I could take you, too.  Do you EVER get out of that room, I
wonder.  The Wind Woman is going to be out in the fields to-night.
She is tall and misty, with thin, grey, silky clothes blowing all
about her--and wings like a bat's--only you can see through them--
and shining eyes like stars looking through her long, loose hair.
She can fly--but to-night she will walk with me all over the
fields.  She's a GREAT friend of mine--the Wind Woman is.  I've
known her ever since I was six.  We're OLD, OLD friends--but not
quite so old as you and I, little Emily-in-the-glass.  We've been
friends ALWAYS, haven't we?"

With a blown kiss to little Emily-in-the-glass, Emily-out-of-the-
glass was off.

The Wind Woman was waiting for her outside--ruffling the little
spears of striped grass that were sticking up stiffly in the bed
under the sitting-room window--tossing the big boughs of Adam-and-
Eve--whispering among the misty green branches of the birches--
teasing the "Rooster Pine" behind the house--it really did look
like an enormous, ridiculous rooster, with a huge, bunchy tail and
a head thrown back to crow.

It was so long since Emily had been out for a walk that she was
half crazy with the joy of it.  The winter had been so stormy and
the snow so deep that she was never allowed out; April had been a
month of rain and wind; so on this May evening she felt like a
released prisoner.  Where should she go?  Down the brook--or over
the fields to the spruce barrens?  Emily chose the latter.

She loved the spruce barrens, away at the further end of the long,
sloping pasture.  That was a place where magic was made.  She came
more fully into her fairy birthright there than in any other place.
Nobody who saw Emily skimming over the bare field would have envied
her.  She was little and pale and poorly clad; sometimes she
shivered in her thin jacket; yet a queen might have gladly given a
crown for her visions--her dreams of wonder.  The brown, frosted
grasses under her feet were velvet piles.  The old mossy, gnarled
half-dead spruce-tree, under which she paused for a moment to look
up into the sky, was a marble column in a palace of the gods; the
far dusky hills were the ramparts of a city of wonder.  And for
companions she had all the fairies of the country-side--for she
could believe in them here--the fairies of the white clover and
satin catkins, the little green folk of the grass, the elves of the
young fir-trees, sprites of wind and wild fern and thistledown.
Anything might happen there--everything might come true.

And the barrens were such a splendid place in which to play hide
and seek with the Wind Woman.  She was so very REAL there; if you
could just spring quickly enough around a little cluster of
spruces--only you never could--you would SEE her as well as feel
her and hear her.  There she was--that WAS the sweep of her grey
cloak--no, she was laughing up in the very top of the taller trees--
and the chase was on again--till, all at once, it seemed as if the
Wind Woman were gone--and the evening was bathed in a wonderful
silence--and there was a sudden rift in the curdled clouds
westward, and a lovely, pale, pinky-green lake of sky with a new
moon in it.

Emily stood and looked at it with clasped hands and her little
black head upturned.  She must go home and write down a description
of it in the yellow account-book, where the last thing written had
been, "Mike's Biography."  It would hurt her with its beauty until
she wrote it down.  Then she would read it to Father.  She must not
forget how the tips of the trees on the hill came out like fine
black lace across the edge of the pinky-green sky.

And then, for one glorious, supreme moment, came "the flash."

Emily called it that, although she felt that the name didn't
exactly describe it.  It couldn't be described--not even to Father,
who always seemed a little puzzled by it.  Emily never spoke of it
to any one else.

It had always seemed to Emily, ever since she could remember, that
she was very, very near to a world of wonderful beauty.  Between it
and herself hung only a thin curtain; she could never draw the
curtain aside--but sometimes, just for a moment, a wind fluttered
it and then it was as if she caught a glimpse of the enchanting
realm beyond--only a glimpse--and heard a note of unearthly music.

This moment came rarely--went swiftly, leaving her breathless with
the inexpressible delight of it.  She could never recall it--never
summon it--never pretend it; but the wonder of it stayed with her
for days.  It never came twice with the same thing.  To-night the
dark boughs against that far-off sky had given it.  It had come
with a high, wild note of wind in the night, with a shadow wave
over a ripe field, with a greybird lighting on her window-sill in a
storm, with the singing of "Holy, holy, holy" in church, with a
glimpse of the kitchen fire when she had come home on a dark autumn
night, with the spirit-like blue of ice palms on a twilit pane,
with a felicitous new word when she was writing down a "description"
of something.  And always when the flash came to her Emily felt that
life was a wonderful, mysterious thing of persistent beauty.

She scuttled back to the house in the hollow, through the gathering
twilight, all agog to get home and write down her "description"
before the memory picture of what she had seen grew a little
blurred.  She knew just how she would begin it--the sentence seemed
to shape itself in her mind:  "The hill called to me and something
in me called back to it."

She found Ellen Greene waiting for her on the sunken front-
doorstep.  Emily was so full of happiness that she loved everything
at that moment, even fat things of no importance.  She flung her
arms around Ellen's knees and hugged them.  Ellen looked down
gloomily into the rapt little face, where excitement had kindled a
faint wild-rose flush, and said, with a ponderous sigh:

"Do you know that your pa has only a week or two more to live?"



A WATCH IN THE NIGHT


Emily stood quite still and looked up at Ellen's broad, red face--
as still as if she had been suddenly turned to stone.  She felt as
if she had.  She was as stunned as if Ellen had struck her a
physical blow.  The colour faded out of her little face and her
pupils dilated until they swallowed up the irises and turned her
eyes into pools of blackness.  The effect was so startling that
even Ellen Greene felt uncomfortable.

"I'm telling you this because I think it's high time you was told,"
she said.  "I've been at your pa for months to tell you, but he's
kept putting it off and off.  I says to him, says I, 'You know how
hard she takes things, and if you drop off suddent some day it'll
most kill her if she hasn't been prepared.  It's your duty to
prepare her,' and he says, says he, 'There's time enough yet,
Ellen.'  But he's never said a word, and when the doctor told me
last night that the end might come any time now, I just made up my
mind that I'D do what was right and drop a hint to prepare you.
Laws-a-massy, child, don't look like that!  You'll be looked after.
Your ma's people will see to that--on account of the Murray pride,
if for no other reason.  They won't let one of their own blood
starve or go to strangers--even if they have always hated your pa
like p'isen.  You'll have a good home--better'n you've ever had
here.  You needn't worry a mite.  As for your pa, you ought to be
thankful to see him at rest.  He's been dying by inches for the
last five years.  He's kept it from you, but he's been a great
sufferer.  Folks say his heart broke when your ma died--it came on
him so suddent-like--she was only sick three days.  That's why I
want you to know what's coming, so's you won't be all upset when it
happens.  For mercy's sake, Emily Byrd Starr, don't stand there
staring like that!  You give me the creeps!  You ain't the first
child that's been left an orphan and you won't be the last.  Try
and be sensible.  And don't go pestering your pa about what I've
told you, mind that.  Come you in now, out of the damp, and I'll
give you a cooky 'fore you go to bed."

Ellen stepped 'down as if to take the child's hand.  The power of
motion returned to Emily--she must scream if Ellen even touched her
NOW.  With one sudden, sharp, bitter little cry she avoided Ellen's
hand, darted through the door and fled up the dark staircase.

Ellen shook her head and waddled back to her kitchen.  "Anyhow,
I've done MY duty," she reflected.  "He'd have just kept saying
'time enough' and put it off till he was dead and then there'd have
been no managing her.  She'll have time now to get used to it, and
she'll brace up in a day or two.  I will say for her she's got
spunk--which is lucky, from all I've heard of the Murrays.  They
won't find it easy to overcrow HER.  She's got a streak of their
pride, too, and that'll help her through.  I wish I dared send some
of the Murrays word that he's dying, but I don't dast go that far.
There's no telling what HE'D do.  Well, I've stuck on here to the
last and I ain't sorry.  Not many women would 'a' done it, living
as they do here.  It's a shame the way that child's been brought
up--never even sent to school.  Well, I've told him often enough
what I've thought of it--it ain't on MY conscience, that's one
comfort.  Here, you Sal-thing, you git out!  Where's Mike, too?"

Ellen could not find Mike for the very good reason that he was
upstairs with Emily, held tightly in her arms, as she sat in the
darkness on her little cot-bed.  Amid her agony and desolation
there was a certain comfort in the feel of his soft fur and round
velvety head.

Emily was not crying; she stared straight into the darkness, trying
to face the awful thing Ellen had told her.  She did not doubt it--
something told her it was true.  Why couldn't she die, too?  She
couldn't go on living without Father.

"If I was God I wouldn't let things like this happen," she said.

She felt it was very wicked of her to say such a thing--Ellen had
told her once that it was the wickest thing any one could do to
find fault with God.  But she didn't care.  Perhaps if she were
wicked enough God would strike her dead and then she and Father
could keep on being together.

But nothing happened--only Mike got tired of being held so tightly
and squirmed away.  She was all alone now, with this terrible
burning pain that seemed all over her and yet was not of the body.
She could never get rid of it.  She couldn't help it by writing
about it in the old yellow account-book.  She had written there
about her Sunday-school teacher going away, and of being hungry
when she went to bed, and Ellen telling her she must be half-crazy
to talk of Wind Women and flashes; and after she had written down
all about them these things hadn't hurt her any more.  But this
couldn't be written about.  She could not even go to Father for
comfort, as she had gone when she burned her hand so badly, picking
up the red-hot poker by mistake.  Father had held her in his arms
all that night and told her stories and helped her to bear the
pain.  But Father, so Ellen had said, was going to die in a week or
two.  Emily felt as if Ellen had told her this years and years ago.
It surely couldn't be less than an hour since she had been playing
with the Wind Woman in the barrens and looking at the new moon in
the pinky-green sky.

"The flash will never come again--it can't," she thought.

But Emily had inherited certain things from her fine old ancestors--
the power to fight--to suffer,--to pity--to love very deeply--to
rejoice--to endure.  These things were all in her and looked out at
you through her purplish-grey eyes.  Her heritage of endurance came
to her aid now and bore her up.  She must not let Father know what
Ellen had told her--it might hurt him.  She must keep it all to
herself and LOVE Father, oh, so much, in the little while she could
yet have him.  She heard him cough in the room below: she must be
in bed when he came up; she undressed as swiftly as her cold
fingers permitted and crept into the little cot-bed which stood
across the open window.  The voices of the gentle spring night
called to her all unheeded--unheard the Wind Woman whistled by the
eaves.  For the fairies dwell only in the kingdom of Happiness;
having no souls they cannot enter the kingdom of Sorrow.

She lay there cold and tearless and motionless when her father came
into the room.  How very slowly he walked--how very slowly he took
off his clothes.  How was it she had never noticed these things
before?  But he was not coughing at all.  Oh, what if Ellen were
mistaken?--what if--a wild hope shot through her aching heart.  She
gave a little gasp.

Douglas Starr came over to her bed.  She felt his dear nearness as
he sat down on the chair beside her, in his old red dressing-gown.
Oh, how she loved him!  There was no other Father like him in all
the world--there never could have been--so tender, so understanding,
so wonderful!  They had always been such chums--they had loved each
other so much--it couldn't be that they were to be separated.

"Winkums, are you asleep?"

"No," whispered Emily.

"Are you sleepy, small dear?"

"No--no--not sleepy."

Douglas Starr took her hand and held it tightly.

"Then we'll have our talk, honey.  I can't sleep either.  I want to
tell you something."

"Oh--I know it--I know it!" burst out Emily.  "Oh, Father, I know
it!  Ellen told me."

Douglas Starr was silent for a moment.  Then he said under his
breath, "The old fool--the FAT old fool!"--as if Ellen's fatness
was an added aggravation of her folly.  Again, for the last time,
Emily hoped.  Perhaps it was all a dreadful mistake--just some more
of Ellen's fat foolishness.

"It--it isn't true, is it, Father?" she whispered.

"Emily, child," said her father, "I can't lift you up--I haven't
the strength--but climb up and sit on my knee--in the old way."

Emily slipped out of bed and got on her father's knee.  He wrapped
the old dressing-gown about her and held her close with his face
against hers.

"Dear little child--little beloved Emilykin, it is quite true," he
said.  "I meant to tell you myself to-night.  And now the old
absurdity of an Ellen has told you--brutally I suppose--and hurt
you dreadfully.  She has the brain of a hen and the sensibility of
a cow.  May jackals sit on her grandmother's grave!  _I_ wouldn't
have hurt you, dear."

Emily fought something down that wanted to choke her.

"Father, I can't--I can't bear it."

"Yes, you can and will.  You will live because there is something
for you to do, I think.  You have my gift--along with something I
never had.  You will succeed where I failed, Emily.  I haven't been
able to do much for you, sweetheart, but I've done what I could.
I've taught you something, I think--in spite of Ellen Greene.
Emily, do you remember your mother?"

"Just a little--here and there--like lovely bits of dreams."

"You were only four when she died.  I've never talked much to you
about her--I couldn't.  But I'm going to tell you all about her to-
night.  It doesn't hurt me to talk of her now--I'll see her so soon
again.  You don't look like her, Emily--only when you smile.  For
the rest, you're like your namesake, my mother.  When you were born
I wanted to call you Juliet, too.  But your mother wouldn't.  She
said if we called you Juliet then I'd soon take to calling her
'Mother' to distinguish between you, and she couldn't endure THAT.
She said her Aunt Nancy had once said to her, 'The first time your
husband calls you "Mother" the romance of life is over.'  So we
called you after my mother--HER maiden name was Emily Byrd.  Your
mother thought Emily the prettiest name in the world--it was quaint
and arch and delightful, she said.  Emily, your mother was the
sweetest woman ever made."

His voice trembled and Emily snuggled close.

"I met her twelve years ago, when I was sub-editor of the
Enterprise up in Charlottetown and she was in her last year at
Queen's.  She was tall and fair and blue-eyed.  She looked a little
like your Aunt Laura, but Laura was never so pretty.  Their eyes
were very much alike--and their voices.  She was one of the Murrays
from Blair Water.  I've never told you much about your mother's
people, Emily.  They live up on the old north shore at Blair Water
on New Moon Farm--always have lived there since the first Murray
came out from the Old Country in 1790.  The ship he came on was
called the New Moon and he named his farm after her."

"It's a nice name--the new moon is such a pretty thing," said
Emily, interested for a moment.

"There's been a Murray ever since at New Moon Farm.  They're a
proud family--the Murray pride is a byword along the north shore,
Emily.  Well, they had some things to be proud of, that cannot be
denied--but they carried it too far.  Folks call them 'the chosen
people' up there.

"They increased and multiplied and scattered all over, but the old
stock at New Moon Farm is pretty well run out.  Only your aunts,
Elizabeth and Laura, live there now, and their cousin, Jimmy
Murray.  They never married--could not find any one good enough for
a Murray, so it used to be said.  Your Uncle Oliver and your Uncle
Wallace live in Summerside, your Aunt Ruth in Shrewsbury, and your
Great-Aunt Nancy at Priest Pond."

"Priest Pond--that's an INTERESTING name--not a pretty name like
New Moon and Blair Water--but interesting," said Emily.  Feeling
Father's arm around her the horror had momentarily shrunk away.
For just a little while she ceased to believe it.

Douglas Starr tucked the dressing-gown a little more closely around
her, kissed her black head, and went on.

"Elizabeth and Laura and Wallace and Oliver and Ruth were old
Archibald Murray's children.  His first wife was their mother.
When he was sixty he married again--a young slip of a girl--who
died when your mother was born.  Juliet was twenty years younger
than her half-family, as she used to call them.  She was very
pretty and charming and they all loved and petted her and were very
proud of her.  When she fell in love with me, a poor young
journalist, with nothing in the world but his pen and his ambition,
there was a family earthquake.  The Murray pride couldn't tolerate
the thing at all.  I won't rake it all up--but things were said I
could never forget or forgive.  Your mother married me, Emily--and
the New Moon people would have nothing more to do with her.  Can
you believe that, in spite of it, she was never sorry for marrying
me?"

Emily put up her hand and patted her father's hollow cheek.

"Of COURSE she wouldn't be sorry.  Of COURSE she'd rather have you
than all the Murrays of any kind of a moon."

Father laughed a little--and there was just a note of triumph in
his laugh.

"Yes, she seemed to feel that way about it.  And we were so happy--
oh, Emilykin, there never were two happier people in the world.
You were the child of that happiness.  I remember the night you
were born in the little house in Charlottetown.  It was in May and
a west wind was blowing silvery clouds over the moon.  There was a
star or two here and there.  In our tiny garden--everything we had
was small except our love and our happiness--it was dark and
blossomy.  I walked up and down the path between the beds of
violets your mother had planted--and prayed.  The pale east was
just beginning to glow like a rosy pearl when someone came and told
me I had a little daughter.  I went in--and your mother, white and
weak, smiled just that dear, slow, wonderful smile I loved, and
said, 'We've--got--the--only--baby--of any importance--in--the--
world, dear.  Just--think--of that!'"

"I wish people could remember from the very moment they're born,"
said Emily.  "It would be so very interesting."

"I dare say we'd have a lot of uncomfortable memories," said her
father, laughing a little.  "It can't be very pleasant getting used
to living--no pleasanter than getting used to stopping it.  But you
didn't seem to find it hard, for you were a good wee kidlet, Emily.
We had four more happy years, and then--do you remember the time
your mother died, Emily?"

"I remember the funeral, Father--I remember it DISTINCTLY.  You
were standing in the middle of a room, holding me in your arms, and
Mother was lying just before us in a long, black box.  And you were
crying--and I couldn't think why--and I wondered why Mother looked
so white and wouldn't open her eyes.  And I leaned down and touched
her cheek--and oh, it was so cold.  It made me shiver.  And
somebody in the room said, 'Poor little thing!' and I was
frightened and put my face down on your shoulder."

"Yes, I recall that.  Your mother died very suddenly.  I don't
think we'll talk about it.  The Murrays all came to her funeral.
The Murrays have certain traditions and they live up to them very
strictly.  One of them is that nothing but candles shall be burned
for light at New Moon--and another is that no quarrel must be
carried past the grave.  They came when she was dead--they would
have come when she was ill if they had known, I will say that much
for them.  And they behaved very well--oh, very well indeed.  They
were not the Murrays of New Moon for nothing.  Your Aunt Elizabeth
wore her best black satin dress to the funeral.  For any funeral
but a Murray's the second best one would have done; and they made
no serious objection when I said your mother would be buried in the
Starr plot in Charlottetown cemetery.  They would have liked to
take her back to the old Murray burying-ground in Blair Water--they
had their own private burying-ground, you know--no indiscriminate
graveyard for THEM.  But your Uncle Wallace handsomely admitted
that a woman should belong to her husband's family in death as in
life.  And then they offered to take you and bring you up--to 'give
you your mother's place.'  I refused to let them have you--then.
Did I do right, Emily?"

"Yes--yes--yes!" whispered Emily, with a hug at every "yes."

"I told Oliver Murray--it was he who spoke to me about you--that as
long as I lived I would not be parted from my child.  He said, 'If
you ever change your mind, let us know.'  But I did not change my
mind--not even three years later when my doctor told me I must give
up work.  'If you don't, I give you a year,' he said, 'if you do,
and live out-of-doors all you can, I give you three--or possibly
four.'  He was a good prophet.  I came out here and we've had four
lovely years together, haven't we, small dear one?"

"Yes--oh, yes!"

"Those years and what I've taught you in them are the only legacy I
can leave you, Emily.  We've been living on a tiny income I have
from a life interest that was left me in an old uncle's estate--an
uncle who died before I was married.  The estate goes to a charity
now, and this little house is only a rented one.  From a worldly
point of view I've certainly been a failure.  But your mother's
people will care for you--I know that.  The Murray pride will
guarantee so much, if nothing else.  And they can't help loving
you.  Perhaps I should have sent for them before--perhaps I ought
to do it yet.  But I have pride of a kind, too--the Starrs are not
entirely traditionless--and the Murrays said some very bitter
things to me when I married your mother.  Will I send to New Moon
and ask them to come, Emily?"

"No!" said Emily, almost fiercely.

She did not want any one to come between her and Father for the few
precious days left.  The thought was horrible to her.  It would be
bad enough if they had to come--afterwards.  But she would not mind
anything much--then.

"We'll stay together to the very end, then, little Emily-child.  We
won't be parted for a minute.  And I want you to be brave.  You
mustn't be afraid of ANYTHING, Emily.  Death isn't terrible.  The
universe is full of love--and spring comes everywhere--and in death
you open and shut a door.  There are beautiful things on the other
side of the door.  I'll find your mother there--I've doubted many
things, but I've never doubted THAT.  Sometimes I've been afraid
that she would get so far ahead of me in the ways of eternity that
I'd never catch up.  But I feel NOW that she's waiting for me.  And
we'll wait for you--we won't hurry--we'll loiter and linger till
you catch up with us."

"I wish you--could take me right through the door with you,"
whispered Emily.

"After a little while you won't wish that.  You have yet to learn
how kind time is.  And life has something for you--I feel it.  Go
forward to meet it fearlessly, dear.  I know you don't feel like
that just now--but you will remember my words by and by."

"I feel just now," said Emily, who couldn't bear to hide anything
from Father, "that I don't like God any more."

Douglas Starr laughed--the laugh Emily liked best.  It was such a
dear laugh--she caught her breath over the dearness of it.  She
felt his arms tightening round her.

"Yes, you do, honey.  You can't help liking God.  He is Love
itself, you know.  You mustn't mix Him up with Ellen Greene's God,
of course."

Emily didn't know exactly what Father meant.  But all at once she
found that she wasn't afraid any longer--and the bitterness had
gone out of her sorrow, and the unbearable pain out of her heart.
She felt as if love was all about her and around her, breathed out
from some great, invisible, hovering Tenderness.  One couldn't be
afraid or bitter where love was--and love was everywhere.  Father
was going through the door--no, he was going to lift a curtain--she
liked THAT thought better, because a curtain wasn't as hard and
fast as a door--and he would slip into that world of which the
flash had given her glimpses.  He would be there in its beauty--
never very far away from her.  She could bear anything if she could
only feel that Father wasn't very far away from her--just beyond
that wavering curtain.

Douglas Starr held her until she fell asleep; and then in spite of
his weakness he managed to lay her down in her little bed.

"She will love deeply--she will suffer terribly--she will have
glorious moments to compensate--as I have had.  As her mother's
people deal with her, so may God deal with them," he murmured
brokenly.



A HOP OUT OF KIN


Douglas Starr lived two weeks more.  In after years when the pain
had gone out of their recollection, Emily thought they were the
most precious of her memories.  They were beautiful weeks--
beautiful and not sad.  And one night, when he was lying on the
couch in the sitting-room, with Emily beside him in the old wing-
chair, he went past the curtain--went so quietly and easily that
Emily did not know he was gone until she suddenly felt the strange
STILLNESS of the room--there was no breathing in it but her own.

"Father--Father!" she cried.  Then she screamed for Ellen.

Ellen Greene told the Murrays when they came that Emily had behaved
real well, when you took everything into account.  To be sure, she
had cried all night and hadn't slept a wink; none of the Maywood
people who came flocking kindly in to help could comfort her; but
when morning came her tears were all shed.  She was pale and quiet
and docile.

"That's right, now," said Ellen, "that's what comes of being
properly prepared.  Your pa was so mad at me for warning you that
he wasn't rightly civil to me since--and him a dying man.  But I
don't hold any grudge against him.  _I_ did my duty.  Mrs Hubbard's
fixing up a black dress for you, and it'll be ready by supper-time.
Your ma's people will be here to-night, so they've telegraphed, and
I'm bound they'll find you looking respectable.  They're well off
and they'll provide for you.  Your pa hasn't left a cent but there
ain't any debts, I'll say THAT for him.  Have you been in to see
the body?"

"Don't call him THAT," cried Emily, wincing.  It was horrible to
hear Father called THAT.

"Why not?  If you ain't the queerest child!  He makes a better-
looking corpse than I thought he would, what with being so wasted
and all.  He was always a pretty man, though too thin."

"Ellen Greene," said Emily, suddenly, "if you say any more of--
those things--about Father, I will put the black curse on you!"

Ellen Greene stared.

"I don't know what on earth you mean.  But that's no way to talk to
me, after all I've done for you.  You'd better not let the Murrays'
hear you talking like that or they won't want much to do with you.
The black curse indeed!  Well, here's gratitude!"

Emily's eyes smarted.  She was just a lonely, solitary little
creature and she felt very friendless.  But she was not at all
remorseful for what she had said to Ellen and she was not going to
pretend she was.

"Come you here and help me wash these dishes," ordered Ellen.
"It'll do you good to have something to take up your mind and then
you won't be after putting curses on people who have worked their
fingers to the bone for you."

Emily, with an eloquent glance at Ellen's hands, went and got a
dish-towel.

"Your hands are fat and pudgy," she said.  "The bones don't show at
all."

"Never mind sassing back!  It's awful, with your poor pa dead in
there.  But if your Aunt Ruth takes you she'll soon cure you of
that."

"Is Aunt Ruth going to take me?"

"I don't know, but she ought to.  She's a widow with no chick or
child, and well-to-do."

"I don't think I want Aunt Ruth to take me," said Emily,
deliberately, after a moment's reflection.

"Well, YOU won't have the choosing likely.  You ought to be
thankful to get a home anywhere.  Remember you're not of much
importance."

"I am important to myself," cried Emily proudly.

"It'll be some chore to bring YOU up," muttered Ellen.  "Your Aunt
Ruth is the one to do it, in my opinion.  SHE won't stand no
nonsense.  A fine woman she is and the neatest housekeeper on P. E.
Island.  You could eat off her floor."

"I don't want to eat off her floor.  I don't care if a floor is
dirty as long as the tablecloth is clean."

"Well, her tablecloths are clean too, I reckon.  She's got an
elegant house in Shrewsbury with bow windows and wooden lace all
round the roof.  It's very stylish.  It would be a fine home for
you.  She'd learn you some sense and do you a world of good."

"I don't want to learn sense and be done a world of good to," cried
Emily with a quivering lip.  "I--I want somebody to love me."

"Well, you've got to behave yourself if you want people to like
you.  You're not to blame so much--your pa has spoiled you.  I told
him so often enough, but he just laughed.  I hope he ain't sorry
for it now.  The fact is, Emily Starr, you're queer, and folks
don't care for queer children."

"How am I queer?" demanded Emily.

"You talk queer--and you act queer--and at times you look queer.
And you're too old for your age--though that ain't YOUR fault.  It
comes of never mixing with other children.  I've always threaped at
your father to send you to school--learning at home ain't the same
thing--but he wouldn't listen to me, of course.  I don't say but
what you are as far along in book learning as you need to be, but
what you want is to learn how to be like other children.  In one
way it would be a good thing if your Uncle Oliver would take you,
for he's got a big family.  But he's not as well off as the rest,
so it ain't likely he will.  Your Uncle Wallace might, seeing as he
reckons himself the head of the family.  He's only got a grown-up
daughter.  But his wife's delicate--or fancies she is."

"I wish Aunt Laura would take me," said Emily.  She remembered that
Father had said Aunt Laura was something like her mother.

"Aunt Laura!  SHE won't have no say in it--Elizabeth's boss at New
Moon.  Jimmy Murray runs the farm, but he ain't quite all there,
I'm told--"

"What part of him isn't there?" asked Emily curiously.

"Laws, it's something about his mind, child.  He's a bit simple--
some accident or other when he was a youngster, I've heard.  It
addled his head, kind of.  Elizabeth was mixed up in it some way--
I've never heard the rights of it.  I don't reckon the New Moon
people will want to be bothered with you.  They're awful set in
their ways.  You take my advice and try to please your Aunt Ruth.
Be polite--and well-behaved--mebbe she'll take a fancy to you.
There, that's all the dishes.  You'd better go upstairs and be out
of the way."

"Can I take Mike and Saucy Sal?" asked Emily.

"No, you can't."

"They'd be company for me," pleaded Emily.

"Company or no company, you can't have them.  They're outside and
they'll stay outside.  I ain't going to have them tracking all over
the house.  The floor's been scrubbed."

"Why didn't you scrub the floor when Father was alive?" asked
Emily.  "He liked things to be clean.  You hardly ever scrubbed it
then.  Why do you do it now?"

"Listen to her!  Was I to be always scrubbing floors with my
rheumatiz?  Get off upstairs and you'd better lie down awhile."

"I'm going upstairs, but I'm not going to lie down," said Emily.
"I've got a lot of thinking to do."

"There's one thing I'd advise you to do," said Ellen, determined to
lose no chance of doing her duty, "and that is to kneel down and
pray to God to make you a good and respectful and grateful child."

Emily paused at the foot of the stairs and looked back.

"Father said I wasn't to have anything to do with your God," she
said gravely.

Ellen gasped foolishly, but could not think of any reply to this
heathenish statement.  She appealed to the universe.

"Did any one ever hear the like!"

"I know what YOUR God is like," said Emily.  "I saw His picture in
that Adam-and-Eve book of yours.  He has whiskers and wears a
nightgown.  I don't like Him.  But I like Father's God."

"And what is your father's God like, if I may ask?" demanded Ellen
sarcastically.

Emily hadn't any idea what Father's God was like, but she was
determined not to be posed by Ellen.

"He is clear as the moon, fair as the sun, and terrible as an army
with banners," she said triumphantly.

"Well, you're bound to have the last word, but the Murrays will
teach you what's what," said Ellen, giving up the argument.
"They're strict Presbyterians and won't hold by any of your
father's awful notions.  Get off upstairs."

Emily went up to the south room, feeling very desolate.

"There isn't anybody in the world who loves me now," she said, as
she curled up on her bed by the window.  But she was determined she
would not cry.  The Murrays, who had hated her father, should not
see her crying.  She felt that she detested them all--except
perhaps Aunt Laura.  How very big and empty the world had suddenly
become.  Nothing was interesting any more.  It did not matter that
the little squat apple-tree between Adam-and-Eve had become a thing
of rose-and-snow beauty--that the hills beyond the hollow were of
green silk, purple-misted--that the daffodils were out in the
garden--that the birches were hung all over with golden tassels--
that the Wind Woman was blowing white young clouds across the sky.
None of these things had any charm or consolation for her now.  In
her inexperience she believed they never would have again.

"But I promised Father I'd be brave," she whispered, clenching her
little fists, "and I will.  And I WON'T let the Murrays see I'm
afraid of them--I won't BE afraid of them!"

When the far-off whistle of the afternoon train blew beyond the
hills, Emily's heart began to beat.  She clasped her hands and
lifted her face.

"Please help me, Father's God--NOT Ellen's God," she said.  "Help
me to be brave and not cry before the Murrays."

Soon after there was the sound of wheels below--and voices--loud,
decided voices.  Then Ellen came puffing up the stairs with the
black dress--a sleazy thing of cheap merino.

"Mrs Hubbard just got it done in time, thanks be.  I wouldn't 'a'
had the Murrays see you not in black for the world.  They can't say
I haven't done my duty.  They're all here--the New Moon people and
Oliver and his wife, your Aunt Addie, and Wallace and his wife,
your Aunt Eva, and Aunt Ruth--Mrs Dutton, HER name is.  There,
you're ready now.  Come along."

"Can't I put my Venetian beads on?" asked Emily.

"Did ever any mortal!  Venetian beads with a mourning dress!  Shame
on you!  Is this a time to be thinking of vanity?"

"It isn't vanity!" cried Emily.  "Father gave me those beads last
Christmas--and I want to show the Murrays that I've got SOMETHING!"

"No more of your nonsense!  Come along, I say!  Mind your manners--
there's a good deal depends on the impression you make on them."

Emily walked rigidly downstairs before Ellen and into the parlour.
Eight people were sitting around it--and she instantly felt the
critical gaze of sixteen stranger eyes.  She looked very pale and
plain in her black dress; the purple shadows left by weeping made
her large eyes look too large and hollow.  She was desperately
afraid, and she knew it--but she would not let the Murrays see it.
She held up her head and faced the ordeal before her gallantly.

"This," said Ellen, turning her around by the shoulder, "is your
Uncle Wallace."

Emily shuddered and put out a cold hand.  She did not like Uncle
Wallace--she knew that at once--he was black and grim and ugly,
with frowning, bristly brows and a stern, unpitying mouth.  He had
big pouches under his eyes, and carefully-trimmed black side-
whiskers.  Emily decided then and there that she did not admire
side-whiskers.

"How do you do, Emily?" he said coldly--and just as coldly he bent
forward and kissed her cheek.

A sudden wave of indignation swept over Emily's soul.  How DARED he
kiss her--he had hated her father and disowned her mother!  She
would have none of his kisses!  Flash-quick, she snatched her
handkerchief from her pocket and wiped her outraged cheek.

"Well--WELL!" exclaimed a disagreeable voice from the other side of
the room.

Uncle Wallace looked as if he would like to say a great many things
but couldn't think of them.  Ellen, with a grunt of despair,
propelled Emily to the next sitter.

"Your Aunt Eva," she said.

Aunt Eva was sitting huddled up in a shawl.  She had the fretful
face of the imaginary invalid.  She shook hands with Emily and said
nothing.  Neither did Emily.

"Your Uncle Oliver," announced Ellen.

Emily rather liked Uncle Oliver's appearance.  He was big and fat
and rosy and jolly-looking.  She thought she would not mind so much
if HE kissed her, in spite of his bristly white moustache.  But
Uncle Oliver had learned Uncle Wallace's lesson.

"I'll give you a quarter for a kiss," he whispered genially.  A
joke was Uncle Oliver's idea of being kind and sympathetic, but
Emily did not know this, and resented it.

"I don't SELL my kisses," she said, lifting her head as haughtily
as any Murray of them all could do.

Uncle Oliver chuckled and seemed infinitely amused and not a bit
offended.  But Emily heard a sniff across the room.

Aunt Addie was next.  She was as fat and rosy and jolly-looking as
her husband and she gave Emily's cold hand a nice, gentle squeeze.

"How are you, dear?" she said.

That "dear" touched Emily and thawed her a trifle.  But the next in
turn froze her up instantly again.  It was Aunt Ruth--Emily knew it
was Aunt Ruth before Ellen said so, and she knew it was Aunt Ruth
who had "well--welled" and sniffed.  She knew the cold, grey eyes,
the prim, dull brown hair, the short, stout figure, the thin,
pinched, merciless mouth.

Aunt Ruth held out the tips of her fingers, but Emily did not take
them.

"Shake hands with your Aunt," said Ellen in an angry whisper.

"She does not want to shake hands with me," said Emily, distinctly,
"and so I am not going to do it."

Aunt Ruth folded her scorned hands back on her black silk lap.

"You are a very ill-bred child," she said; "but of course it was
only what was to be expected."

Emily felt a sudden compunction.  Had she cast a reflection on her
father by her behaviour?  Perhaps after all she should have shaken
hands with Aunt Ruth.  But it was too late now--Ellen had already
jerked her on.

"This is your Cousin, Mr James Murray," said Ellen, in the
disgusted tone of one who gives up something as a bad job and is
only anxious to be done with it.

"Cousin Jimmy--Cousin Jimmy," said that individual.  Emily looked
steadily at him, and liked him at once without any reservations.

He had a little, rosy, elfish face with a forked grey beard; his
hair curled over his head in a most un-Murray-like mop of glossy
brown; and his large, brown eyes were as kind and frank as a
child's.  He gave Emily a hearty handshake, though he looked
askance at the lady across from him while doing it.

"Hello, pussy!" he said.

Emily began to smile at him, but her smile was, as always, so slow
in developing that Ellen had whisked her on before it was in full
flower, and it was Aunt Laura who got the benefit of it.  Aunt
Laura started and paled.

"Juliet's smile!" she said, half under her breath.  And again Aunt
Ruth sniffed.

Aunt Laura did not look like anyone else in the room.  She was
almost pretty, with her delicate features and the heavy coils of
pale, sleek, fair hair, faintly greyed, pinned closely all around
her head.  But it was her eyes that won Emily.  They were such
round blue, BLUE eyes.  One never quite got over the shock of their
blueness.  And when she spoke it was in a beautiful, soft voice.

"You poor, dear, little child," she said, and put her arm around
Emily for a gentle hug.

Emily returned the hug and had a narrow escape then from letting
the Murrays see her cry.  All that saved her was the fact that
Ellen suddenly pushed her on into the corner by the window.

"And this is your Aunt Elizabeth."

Yes, this was Aunt Elizabeth.  No doubt about that--and she had on
a stiff, black satin dress, so stiff and rich that Emily felt sure
it must be her very best.  This pleased Emily.  Whatever Aunt
Elizabeth thought of her father, at least she had paid him the
respect of her best dress.  And Aunt Elizabeth was quite fine
looking in a tall, thin, austere style, with clear-cut features and
a massive coronet of iron-grey hair under her black lace cap.  But
her eyes, though steel-blue, were as cold as Aunt Ruth's, and her
long, thin mouth was compressed severely.  Under her cool,
appraising glance Emily retreated into herself and shut the door of
her soul.  She would have liked to please Aunt Elizabeth--who was
"boss" at New Moon--but she felt she could not do it.

Aunt Elizabeth shook hands and said nothing--the truth being that
she did not know exactly what to say.  Elizabeth Murray would not
have felt "put about" before King or Governor-General.  The Murray
pride would have carried her through there; but she did feel
disturbed in the presence of this alien, level-gazing child who had
already shown that she was anything but meek and humble.  Though
Elizabeth Murray would never have admitted it, she did not want to
be snubbed as Wallace and Ruth had been.

"Go and sit on the sofa," ordered Ellen.

Emily sat on the sofa with her eyes cast down, a slight, black,
indomitable little figure.  She folded her hands on her lap and
crossed her ankles.  They should see she had manners.

Ellen had retreated to the kitchen, thanking her stars that THAT
was over.  Emily did not like Ellen but she felt deserted when
Ellen had gone.  She was alone now before the bar of Murray
opinion.  She would have given anything to be out of the room.  Yet
in the back of her mind a design was forming of writing all about
it in the old account-book.  It would be interesting.  She could
describe them all--she knew she could.  She had the very word for
Aunt Ruth's eyes--"stone-grey."  They were just like stones--as
hard and cold and relentless.  Then a pang tore through her heart.
Father could never again read what she wrote in the account-book.

Still--she felt that she would rather like to write it all out.
How could she best describe Aunt Laura's eyes?  They were such
beautiful eyes--just to call them "blue" meant nothing--hundreds of
people had blue eyes--oh, she had it--"wells of blue"--that was the
very thing.

And then the flash came!

It was the first time since the dreadful night when Ellen had met
her on the doorstep.  She had thought it could never come again--
and now in this most unlikely place and time it HAD come--she had
seen, with other eyes than those of sense, the wonderful world
behind the veil.  Courage and hope flooded her cold little soul
like a wave of rosy light.  She lifted her head and looked about
her undauntedly--"brazenly" Aunt Ruth afterwards declared.

"Yes, she WOULD write them all out in the account-book--describe
every last one of them--sweet Aunt Laura, nice Cousin Jimmy, grim
old Uncle Wallace, and moon-faced Uncle Oliver, stately Aunt
Elizabeth and detestable Aunt Ruth.

"She's a delicate-looking child," said Aunt Eva, suddenly, in her
fretful, colourless voice.

"Well, what else could you expect?" said Aunt Addie, with a sigh
that seemed to Emily to hold some dire significance.  "She's too
pale--if she had a little colour she wouldn't be bad-looking."

"I don't know who she looks like," said Uncle Oliver, staring at
Emily.

"She is not a Murray, that is plain to be seen," said Aunt
Elizabeth, decidedly and disapprovingly.

"They are talking about me just as if I wasn't here," thought
Emily, her heart swelling with indignation over the indecency of
it.

"I wouldn't call her a Starr either," said Uncle Oliver.  "Seems to
me she's more like the Byrds--she's got her grandmother's hair and
eyes."

"She's got old George Byrd's nose," said Aunt Ruth, in a tone that
left no doubt as to her opinion of George's nose.

"She's got her father's forehead," said Aunt Eva, also
disapprovingly.

"She has her mother's smile," said Aunt Laura, but in such a low
tone that nobody heard her.

"And Juliet's long lashes--hadn't Juliet very long lashes?" said
Aunt Addie.

Emily had reached the limit of her endurance.

"You make me feel as if I was made up of scraps and patches!" she
burst out indignantly.

The Murrays stared at her.  Perhaps they felt some compunction--
for, after all, none of them were ogres and all were human, more or
less.  Apparently nobody could think of anything to say, but the
shocked silence was broken by a chuckle from Cousin Jimmy--a low
chuckle, full of mirth and free from malice.

"That's right, puss," he said.  "Stand up to them--take your own
part."

"Jimmy!" said Aunt Ruth.

Jimmy subsided.

Aunt Ruth looked at Emily.

"When I was a little girl," she said, "I never spoke until I was
spoken to."

"But if nobody ever spoke until they were spoken to there would be
no conversation," said Emily argumentatively.

"I never answered back," Aunt Ruth went on severely.  "In those
days little girls were trained properly.  We were polite and
respectful to our elders.  We were taught our place and we kept
it."

"I don't believe you ever had much fun," said Emily--and then
gasped in horror.  She hadn't meant to say that out loud--she had
only meant to THINK it.  But she had such an old habit of thinking
aloud to Father.

"Fun!" said Aunt Ruth, in a shocked tone.  "I did not think of fun
when I was a little girl."

"No, I know," said Emily gravely.  Her voice and manner were
perfectly respectful, for she was anxious to atone for her
involuntary lapse.  Yet Aunt Ruth looked as if she would like to
box her ears.  This child was PITYING her--insulting her by being
sorry for HER--because of her prim, impeccable childhood.  It was
unendurable--especially in a Starr.  And that abominable Jimmy was
chuckling again!  Elizabeth should suppress him!

Fortunately Ellen Greene appeared at this juncture and announced
supper.

"You've got to wait," she whispered to Emily.  "There ain't room
for you at the table."

Emily was glad.  She knew she could not eat a bite under the Murray
eyes.  Her aunts and uncles filed out stiffly without looking at
her--all except Aunt Laura, who turned at the door and blew her a
tiny, furtive kiss.  Before Emily could respond Ellen Greene had
shut the door.

Emily was left all alone in the room that was filling with twilight
shadows.  The pride that had sustained her in the presence of the
Murrays suddenly failed her and she knew that tears were coming.
She went straight to the closed door at the end of the parlour,
opened it, and went in.  Her father's coffin stood in the centre of
the small room which had been a bedroom.  It was heaped with
flowers--the Murrays had done the proper thing in that as in all
else.  The great anchor of white roses Uncle Wallace had brought
stood up aggressively on the small table at the head.  Emily could
not see her father's face for Aunt Ruth's heavily-fragrant pillow
of white hyacinths lying on the glass, and she dared not move it.
But she curled herself up on the floor and laid her cheek against
the polished side of the casket.  They found her there asleep when
they came in after supper.  Aunt Laura lifted her up and said,

"I'm going to take the poor child up to bed--she's worn right out."

Emily opened her eyes and looked drowsily about her.

"Can I have Mike?" she said.

"Who is Mike?"

"My cat--my big grey cat."

"A cat!" exclaimed Aunt Elizabeth in a shocked tone.  "You must not
have a cat in your bedroom!"

"Why not--for once?" pleaded Laura.

"Certainly not!" said Aunt Elizabeth.  "A cat is a most unwholesome
thing in a sleeping compartment.  I'm surprised at you, Laura!
Take the child up to bed and see that there are plenty of
bedclothes.  It's a cold night--but let me hear no more talk of
sleeping with cats."

"Mike is a clean cat," said Emily.  "He washes himself--every day."

"Take her up to bed, Laura!" said Aunt Elizabeth, ignoring Emily.

Aunt Laura yielded meekly.  She carried Emily upstairs, helped her
undress, and tucked her into bed.  Emily was very sleepy.  But
before she was wholly asleep she felt something, soft and warm and
purry and companionable, snuggling down by her shoulder.  Aunt
Laura had sneaked down, found Mike and brought him up to her.  Aunt
Elizabeth never knew and Ellen Greene dared not say a word in
protest--for was not Laura a Murray of New Moon?



A FAMILY CONCLAVE


Emily wakened at daylight the next morning.  Through her low,
uncurtained window the splendour of the sunrise was coming in, and
one faint, white star was still lingering in the crystal-green sky
over the Rooster Pine.  A fresh sweet wind of lawn was blowing
around the eaves.  Ellen Greene was sleeping in the big bed and
snoring soundly.  Except for that the little house was very still.
It was the chance for which Emily had waited.

Very carefully she slipped from her bed, tiptoed across the room
and opened the door.  Mike uncoiled himself from the mat on the
middle of the floor and followed her, rubbing his warm sides
against her chilly little ankles.  Almost guiltily she crept down
the bare, dark staircase.  How the steps creaked--surely it would
waken everybody!  But nobody appeared and Emily got down and
slipped into the parlour, drawing a long breath of relief as she
closed the door.  She almost ran across the room to the other door.

Aunt Ruth's floral pillow still covered the glass of the casket.
Emily, with a tightening of the lips that gave her face an odd
resemblance to Aunt Elizabeth, lifted up the pillow and set it on
the floor.

"Oh, Father--Father!" she whispered, putting her hand to her throat
to keep something down.  She stood there, a little shivering,
white-clad figure, and looked at her father.  This was to be her
good-bye; she must say it when they were alone together--she would
not say it before the Murrays.

Father looked so beautiful.  All the lines of pain had vanished--
his face looked almost like a boy's except for the silver hair
above it.  And he was smiling--such a nice, whimsical, wise little
smile, as if he had suddenly discovered something lovely and
unexpected and surprising.  She had seen many nice smiles on his
face in life but never one just like this.

"Father, I didn't cry before them," she whispered.  "I'm sure I
didn't disgrace the Starrs.  Not shaking hands with Aunt Ruth
wasn't disgracing the Starrs, was it?  Because she didn't really
want me to--oh, Father, I don't think any of them like me, unless
perhaps Aunt Laura does a little.  And I'm going to cry a little
bit now, Father, because I can't keep it back ALL the time."

She laid her face on the cold glass and sobbed bitterly but
briefly.  She must say good-bye before any one found her.  Raising
her head she looked long and earnestly at the beloved face.

"Good-bye, dearest darling," she whispered chokingly.

Dashing away her blinding tears she replaced Aunt Ruth's pillow,
hiding her father's face from her for ever.  Then she slipped out,
intent on speedily regaining her room.  At the door she almost fell
over Cousin Jimmy, who was sitting on a chair before it, swathed in
a huge, checked dressing-gown, and nursing Mike.

"S-s-h!" he whispered, patting her on the shoulder.  "_I_ heard you
coming down and followed you.  _I_ knew what you wanted.  I've been
sitting here to keep them out if any of them came after you.  Here,
take this and hurry back to your bed, small pussy."

"This" was a roll of peppermint lozenges.  Emily clutched it and
fled, overcome with shame at being seen by Cousin Jimmy in her
nightgown.  She hated peppermints and never ate them, but the fact
of Cousin Jimmy Murray's kindness in giving them to her sent a
thrill of delight to her heart.  And he called her "small pussy,"
too--she liked that.  She had thought nobody would ever call her
nice pet names again.  Father had had so many of them for her--
"sweetheart" and "darling" and "Emily-child" and "dear wee kidlet"
and "honey" and "elfkin."  He had a pet name for every mood and she
had loved them all.  As for Cousin Jimmy, he was nice.  Whatever
part of him was missing it wasn't his heart.  She felt so grateful
to him that after she was safely in her bed again she forced
herself to eat one of the lozenges, though it took all her grit to
worry it down.

The funeral was held that forenoon.  For once the lonesome little
house in the hollow was filled.  The coffin was taken into the
parlour and the Murrays as mourners sat stiffly and decorously all
round it, Emily among them, pale and prim in her black dress.  She
sat between Aunt Elizabeth and Uncle Wallace and dared not move a
muscle.  No other Starr was present.  Her father had no near living
relatives.  The Maywood people came and looked at his dead face
with a freedom and insolent curiosity they would never have
presumed on in life.  Emily hated to have them looking at her
father like that.  They had no right--they hadn't been friendly to
him while he was alive--they had said harsh things of him--Ellen
Greene had sometimes repeated them.  Every glance that fell on him
hurt Emily; but she sat still and gave no outward sign.  Aunt Ruth
said afterwards that she had never seen a child so absolutely
devoid of all natural feeling.

When the service was over the Murrays rose and marched around the
coffin for a dutiful look of farewell.  Aunt Elizabeth took Emily's
hand and tried to draw her along with them, but Emily pulled it
back and shook her head.  She had said her good-bye already.  Aunt
Elizabeth seemed for a moment to be on the point of insisting; then
she grimly swept onward, alone, looking every inch a Murray.  No
scene must be made at a funeral.

Douglas Starr was to be taken to Charlottetown for burial beside
his wife.  The Murrays were all going but Emily was not to go.  She
watched the funeral procession as it wound up the long, grassy
hill, through the light grey rain that was beginning to fall.
Emily was glad it was raining; many a time she had heard Ellen
Greene say that happy was the corpse the rain fell on; and it was
easier to see Father go away in that soft, kind, grey mist than
through sparkling, laughing sunshine.

"Well, I must say the funeral went off fine," said Ellen Greene at
her shoulder.  "Everything's been done regardless.  If your father
was looking down from heaven at it, Emily, I'm sure he'd be
pleased."

"He isn't in heaven," said Emily.

"Good gracious!  Of all the children!"  Ellen could say no more.

"He isn't there YET.  He's only on the way.  He said he'd wait
around and go slow until I died, too, so that I could catch up with
him.  I hope I'll die soon."

"That's a wicked, wicked thing to wish," rebuked Ellen.

When the last buggy had disappeared Emily went back to the sitting-
room, got a book out of the bookcase, and buried herself in the
wing-chair.  The women who were tidying up were glad she was quiet
and out of the way.

"It's well she can read," said Mrs Hubbard gloomily.  "Some little
girls couldn't be so composed--Jennie Hood just screamed and
shrieked after they carried her mother out--the Hoods are all such
a FEELING people."

Emily was not reading.  She was thinking.  She knew the Murrays
would be back in the afternoon; and she knew her fate would
probably be settled then.  "We'll talk the matter over when we come
back," she had heard Uncle Wallace saying that morning after
breakfast.  Some instinct told her just what "the matter" was; and
she would have given one of her pointed ears to hear the discussion
with the other.  But she knew very well she would be sent out of
the way.  So she was not surprised when Ellen came to her in the
twilight and said:

"You'd better go upstairs, Emily.  Your aunts and uncles are coming
in here to talk over the business."

"Can't I help to get supper?" asked Emily, who thought that if she
were going and coming around the kitchen she might catch a word or
two.

"No.  You'd be more bother than help.  March, now."

Ellen waddled out to the kitchen, without waiting to see if Emily
marched.  Emily got up reluctantly.  How could she sleep to-night
if she did not know what was going to happen to her?  And she felt
quite sure she would not be told till morning, if then.

Her eyes fell on the oblong table in the centre of the room.  Its
cloth was of generous proportions, falling in heavy folds to the
floor.  There was a flash of black stockings across the rug, a
sudden disturbance of drapery, and then--silence.  Emily, on the
floor under the table, arranged her legs comfortably and sat
triumphant.  She would hear what was decided and nobody would be
any the wiser.

She had never been told that it was not considered strictly
honourable to eavesdrop, no occasion for such instruction ever
having arisen in her life with her father; and she considered that
it was a bit of pure luck that she had thought of hiding under the
table.  She could even see dimly through the cloth.  Her heart beat
so loudly in her excitement that she was afraid they would hear it;
there was no other sound save the soft, faraway singing of frogs
through the rain, that sounded through the open window.

In they came; down they sat around the room; Emily held her breath;
for a few minutes nobody spoke, though Aunt Eva sighed long and
heavily.  Then Uncle Wallace cleared his throat and said,

"Well, what is to be done with the child?"

Nobody was in a hurry to answer.  Emily thought they would NEVER
speak.  Finally Aunt Eva said with a whine,

"She's such a difficult child--so odd.  _I_ can't understand her at
all."

"I think," said Aunt Laura timidly, "that she has what one might
call an artistic temperament."

"She's a spoiled child," said Aunt Ruth very decidedly.  "There's
work ahead to straighten out HER manners, if you ask me."

(The little listener under the table turned her head and shot a
scornful glance at Aunt Ruth through the tablecloth.  "_I_ think
that your own manners have a slight curve."  Emily did not dare
even to murmur the words under her breath, but she shaped them with
her mouth; this was a great relief and satisfaction.)

"I agree with you," said Aunt Eva, "and I for one do not feel equal
to the task."

(Emily understood that this meant Uncle Wallace didn't mean to take
her and she rejoiced thereat.)

"The truth is," said Uncle Wallace, "Aunt Nancy ought to take her.
She has more of this world's goods than any of us."

"Aunt Nancy would never dream of taking her and you know it well
enough!" said Uncle Oliver.  "Besides, she's entirely too old to
have the bringing up of a child--her and that old witch Caroline.
Upon my soul, I don't believe either of them is human.  I would
like to take Emily--but I feel that I can hardly do it.  I've a
large family to provide for."

"She'll not likely live long to bother anyone," said Aunt Elizabeth
crisply.  "She'll probably die of consumption same as her father
did."

("I won't--I won't!" exclaimed Emily--at least she THOUGHT it with
such vim that it almost seemed that she exclaimed it.  She forgot
that she had wanted to die soon, so that she could overtake Father.
She wanted to live now, just to put the Murrays in the wrong.  "I
haven't ANY intention of dying.  I'm going to live--for ages--and
be a famous AUTHORESS--you'll just see if I don't, Aunt Elizabeth
Murray!")

"She IS a weedy-looking child," acknowledged Uncle Wallace.

(Emily relieved her outraged feelings by making a face at Uncle
Wallace through the tablecloth.  "If I ever possess a pig I am
going to name it after YOU," she thought--and then felt quite
satisfied with her revenge.)

"Somebody has to look after her as long as she's alive though, you
know," said Uncle Oliver.

("It would serve you all right if I did DIE and you suffered
terrible remorse for it all the rest of your lives," Emily thought.
Then in the pause that happened to follow, she dramatically
pictured out her funeral, selected her pall-bearers, and tried to
choose the hymn verse that she wanted engraved on her tombstone.
But before she could settle this Uncle Wallace began again.)

"Well, we are not getting anywhere.  We have to look after the
child--"

("I WISH you wouldn't call me 'THE CHILD,'" thought Emily
bitterly.)

"--and some of us must give her a home.  Juliet's daughter must not
be left to the mercy of strangers.  Personally, I feel that Eva's
health is not equal to the care and training of a child--"

"Of SUCH a child," said Aunt Eva.

(Emily stuck out her tongue at Aunt Eva.)

"Poor little soul," said Aunt Laura gently.

(Something frozen in Emily's heart melted at that moment.  She was
pitifully pleased over being called "poor little soul" so
tenderly.)

"I do not think you need pity her overmuch, Laura," said Uncle
Wallace decidedly.  "It is evident that she has very little
feeling.  I have not seen her shed a tear since we came here."

"Did you notice that she would not even take a last look at her
father?" said Aunt Elizabeth.

Cousin Jimmy suddenly whistled at the ceiling.

"She feels so much that she has to hide it," said Aunt Laura.

Uncle Wallace snorted.

"Don't you think WE might take her, Elizabeth?" Laura went on
timidly.

Aunt Elizabeth stirred restlessly.

"I don't suppose she'd be contented at New Moon, with three old
people like us."

("I would--I would!" thought Emily.)

"Ruth, what about you?" said Uncle Wallace.  "You're all alone in
that big house.  It would be a good thing for you to have some
company."

"I don't like her," said Aunt Ruth sharply.  "She is as sly as a
snake."

("I'm NOT!" thought Emily.)

"With wise and careful training many of her faults may be cured,"
said Uncle Wallace, pompously.

("I don't WANT them cured!"  Emily was getting angrier and angrier
all the time under the table.  "I like MY faults better than I do
YOUR--YOUR--" she fumbled mentally for a word--then triumphantly
recalled a phrase of her father's--"your ABOMINABLE virtues!")

"I doubt it," said Aunt Ruth, in a biting tone.  "What's bred in
the bone comes out in the flesh.  As for Douglas Starr, I think
that it was perfectly disgraceful for him to die and leave that
child without a cent."

"Did he do it on purpose?" asked Cousin Jimmy blandly.  It was the
first time he had spoken.

"He was a miserable failure," snapped Aunt Ruth.

"He wasn't--he wasn't!" screamed Emily, suddenly sticking her head
out under the tablecloth, between the end legs of the table.

For a moment the Murrays sat silent and motionless as if her
outburst had turned them to stone.  Then Aunt Ruth rose, stalked to
the table, and lifted the cloth, behind which Emily had retired in
dismay, realizing what she had done.

"Get up and come out of that, Em'ly Starr!" said Aunt Ruth.

"Em'ly Starr" got up and came out.  She was not specially
frightened--she was too angry to be that.  Her eyes had gone black
and her cheeks crimson.

"What a little beauty--what a regular little beauty!" said Cousin
Jimmy.  But nobody heard him.  Aunt Ruth had the floor.

"You shameless little eavesdropper!" she said.  "There's the Starr
blood coming out--a Murray would never have done such a thing.  You
ought to be whipped!"

"Father wasn't a failure!" cried Emily, choking with anger.  "You
had no right to call him a failure.  Nobody who was loved as much
as he was could be a failure.  I don't believe anybody EVER loved
you.  So it's YOU, that's a failure.  And I'm NOT going to die of
consumption."

"Do you realize what a shameful thing you have been guilty of?"
demanded Aunt Ruth, cold with anger.

"I wanted to hear what was going to become of me," cried Emily.  "I
didn't know it was such a dreadful thing to do--I didn't know you
were going to say such horrid things about me."

"Listeners never hear any good of themselves," said Aunt Elizabeth
impressively.  "Your mother would NEVER have done that, Emily."

The bravado all went out of poor Emily.  She felt guilty and
miserable--oh, so miserable.  She hadn't known--but it seemed she
had committed a terrible sin.

"Go upstairs," said Aunt Ruth.

Emily went, without a protest.  But before going she looked around
the room.

"While I was under the table," she said, "I made a face at Uncle
Wallace and stuck my tongue out at Aunt Eva."

She said it sorrowfully, desiring to make a clean breast of her
transgressions; but so easily do we misunderstand each other that
the Murrays actually thought that she was indulging in a piece of
gratuitous impertinence.  When the door had closed behind her they
all--except Aunt Laura and Cousin Jimmy--shook their heads and
groaned.

Emily went upstairs in a state of bitter humiliation.  She felt
that she had done something that gave the Murrays the right to
despise her, and they thought it was the Starr coming out in her--
and she had not even found out what her fate was to be.

She looked dismally at little Emily-in-the-glass.

"I didn't know--I didn't know," she whispered.  "But I'll know
after this," she added with sudden vim, "and I'll never, NEVER do
it again."

For a moment she thought she would throw herself on her bed and
cry.  She COULDN'T bear all the pain and shame that was burning in
her heart.  Then her eyes fell on the old yellow account-book on
her little table.  A minute later Emily was curled up on her bed,
Turk-fashion, writing eagerly in the old book with her little
stubby lead-pencil.  As her fingers flew over the faded lines her
cheeks flushed and her eyes shone.  She forgot the Murrays although
she was writing about them--she forgot her humiliation--although
she was describing what had happened; for an hour she wrote
steadily by the wretched light of her smoky little lamp, never
pausing, save now and then, to gaze out of the window into the dim
beauty of the misty night, while she hunted through her
consciousness for a certain word she wanted; when she found it she
gave a happy sigh and fell to again.

When she heard the Murrays coming upstairs she put her book away.
She had finished; she had written a description of the whole
occurrence and of that conclave ring of Murrays, and she had wound
up by a pathetic description of her own deathbed, with the Murrays
standing around imploring her forgiveness.  At first she depicted
Aunt Ruth as doing it on her knees in an agony of remorseful sobs.
Then she suspended her pencil--"Aunt Ruth couldn't EVER feel as bad
as THAT over anything," she thought--and drew her pencil through
the line.

In the writing, pain and humiliation had passed away.  She only
felt tired and rather happy.  It HAD been fun, finding words to fit
Uncle Wallace; and what exquisite satisfaction it had been to
describe Aunt Ruth as "a dumpy little woman."

"I wonder what my uncles and aunts would say if they knew what I
REALLY think of them," she murmured as she got into bed.



DIAMOND CUT DIAMOND


Emily, who had been pointedly ignored by the Murrays at breakfast,
was called into the parlour when the meal was over.

They were all there--the whole phalanx of them--and it occurred to
Emily as she looked at Uncle Wallace, sitting in the spring
sunshine, that she had not just found the exact word after all to
express his peculiar quality of grimness.

Aunt Elizabeth stood unsmilingly by the table with slips of paper
in her hand.

"Emily," she said, "last night we could not decide who should take
you.  I may say that none of us feel very much like doing so, for
you have behaved very badly in many respects--"

"Oh, Elizabeth--" protested Laura.  "She--she is our sister's
child."

Elizabeth lifted a hand regally.

"_I_ am doing this, Laura.  Have the goodness not to interrupt me.
As I was saying, Emily, we could not decide as to who should have
the care of you.  So we have agreed to Cousin Jimmy's suggestion
that we settle the matter by lot.  I have our names here, written
on these slips of paper.  You will draw one and the one whose name
is on it will give you a home."

Aunt Elizabeth held out the slips of paper.  Emily trembled so
violently that at first she could not draw one.  This was terrible--
it seemed as if she must blindly settle her own fate.

"Draw," said Aunt Elizabeth.

Emily set her teeth, threw back her head with the air of one who
challenges destiny, and drew.  Aunt Elizabeth took the slip from
the little shaking hand and held it up.  On it was her own name--
"Elizabeth Murray."  Laura Murray suddenly put her handkerchief to
her eyes.

"Well, that's settled," said Uncle Wallace, getting up with an air
of relief.  "And if I'm going to catch that train I've got to
hurry.  Of course, as far as the matter of expense goes, Elizabeth,
I'll do my share."

"We are not paupers at New Moon," said Aunt Elizabeth rather
coldly.  "Since it has fallen to me to take her, I shall do all
that is necessary, Wallace.  I do not shirk my duty."

"_I_ am her duty," thought Emily.  "Father said nobody ever liked a
duty.  So Aunt Elizabeth will never like me."

"You've got more of the Murray pride than all the rest of us put
together, Elizabeth," laughed Uncle Wallace.

They all followed him out--all except Aunt Laura.  She came up to
Emily, standing alone in the middle of the room, and drew her into
her arms.

"I'm so glad, Emily--I'm so glad," she whispered.  "Don't fret,
dear child.  I love you already--and New Moon is a nice place,
Emily."

"It has--a pretty name," said Emily, struggling for self-control.
"I've--always hoped--I could go with you, Aunt Laura.  I think I am
going to cry--but it's not because I'm sorry I'm going there.  My
manners are NOT as bad as you may think, Aunt Laura--and I wouldn't
have listened last night if I'd known it was wrong."

"Of course you wouldn't," said Aunt Laura.

"But I'm not a Murray, you know."

Then Aunt Laura said a queer thing--for a Murray.

"Thank heaven for that!" said Aunt Laura.

Cousin Jimmy followed Emily out and overtook her in the little
hall.  Looking carefully around to ensure privacy, he whispered.

"Your Aunt Laura is a great hand at making an apple turnover,
pussy."

Emily thought apple turnover sounded nice, though she did not know
what it was.  She whispered back a question which she would never
have dared ask Aunt Elizabeth or even Aunt Laura.

"Cousin Jimmy, when they make a cake at New Moon, will they let me
scrape out the mixing-bowl and eat the scrapings?"

"Laura will--Elizabeth won't," whispered Cousin Jimmy solemnly.

"And put my feet in the oven when they get cold?  And have a cooky
before I go to bed?"

"Answer same as before," said Cousin Jimmy.  "I'LL recite my poetry
to you.  It's very few people I do that for.  I've composed a
thousand poems.  They're not written down--I carry them here."
Cousin Jimmy tapped his forehead.

"Is it very hard to write poetry?" asked Emily, looking with new
respect at Cousin Jimmy.

"Easy as rolling off a log if you can find enough rhymes," said
Cousin Jimmy.

They all went away that morning except the New Moon people.  Aunt
Elizabeth announced that they would stay until the next day to pack
up and take Emily with them.

"Most of the furniture belongs to the house," she said, "so it
won't take us long to get ready.  There are only Douglas Starr's
books and his few personal belongings to pack."

"How shall I carry my cats?" asked Emily anxiously.

Aunt Elizabeth stared.

"Cats!  You'll take no cats, miss."

"Oh, I must take Mike and Saucy Sal!" cried Emily wildly.  "I can't
leave them behind.  I can't live without a cat."

"Nonsense!  There are barn cats at New Moon, but they are never
allowed in the house."

"Don't you like cats?" asked Emily wonderingly.

"No, I do NOT."

"Don't you like the FEEL of a nice, soft, fat cat?" persisted
Emily.

"No; I would as soon touch a snake."

"There's a lovely old wax doll of your mother's up there," said
Aunt Laura.  "I'll dress it up for you."

"I don't like dolls--they can't talk," exclaimed Emily.

"Neither can cats."

"Oh, can't they!  Mike and Saucy Sal can.  Oh, I MUST take them.
Oh, please, Aunt Elizabeth.  I LOVE those cats.  And they're the
only things left in the world that love me.  Please!"

"What's a cat more or less on two hundred acres?" said Cousin
Jimmy, pulling his forked beard.  "Take 'em along, Elizabeth."

Aunt Elizabeth considered for a moment.  She couldn't understand
why anybody should want a cat.  Aunt Elizabeth was one of those
people who never do understand anything unless it is told them in
plain language and hammered into their heads.  And THEN they
understand it only with their brains and not with their hearts.

"You may take ONE of your cats," she said at last, with the air of
a person making a great concession.  "One--and no more.  No, don't
argue.  You may as well learn first as last, Emily, that when _I_
say a thing I mean it.  That's enough, Jimmy."

Cousin Jimmy bit off something he had tried to say, stuck his hands
in his pockets, and whistled at the ceiling.

"When she won't, she won't--Murray-like.  We're all born with that
kink in us, small pussy, and you'll have to put up with it--more by
token that you're full of it yourself, you know.  Talk about your
not being Murray!  The Starr is only skin deep with you."

"It isn't--I'm ALL Starr--I WANT to be," cried Emily.  "And, oh,
how can I choose between Mike and Saucy Sal?"

This was indeed a problem.  Emily wrestled with it all day, her
heart bursting.  She liked Mike best--there was no doubt of that;
but she COULDN'T leave Saucy Sal to Ellen's tender mercies.  Ellen
had always hated Sal; but she rather liked Mike and she would be
good to him.  Ellen was going back to her own little house in
Maywood village and she wanted a cat.  At last in the evening,
Emily made her bitter decision.  She would take Saucy Sal.

"Better take the Tom," said Cousin Jimmy.  "Not so much bother with
kittens you know, Emily."

"Jimmy!" said Aunt Elizabeth sternly.  Emily wondered over the
sternness.  Why weren't kittens to be spoken of?  But she didn't
like to hear Mike called "the Tom."  It sounded insulting, someway.

And she didn't like the bustle and commotion of packing up.  She
longed for the old quiet and the sweet, remembered talks with her
father.  She felt as if he had been thrust far away from her by
this influx of Murrays.

"What's this?" said Aunt Elizabeth suddenly, pausing for a moment
in her packing.  Emily looked up and saw with dismay that Aunt
Elizabeth had in her hands the old account-book--that she was
opening it--that she was READING in it.  Emily sprang across the
floor and snatched the book.

"You mustn't read that, Aunt Elizabeth," she cried indignantly,
"that's mine--my own PRIVATE PROPERTY."

"Hoity-toity, Miss Starr," said Aunt Elizabeth, staring at her,
"let me tell you that I have a right to read your books.  I am
responsible for you now.  I am not going to have anything hidden or
underhanded, understand that.  You have evidently something there
that you are ashamed to have seen and I mean to see it.  Give me
that book."

"I'm NOT ashamed of it," cried Emily, backing away, hugging her
precious book to her breast.  "But I won't let you--or ANYBODY--see
it."

Aunt Elizabeth followed.

"Emily Starr, do you hear what I say?  Give me that book--at ONCE."

"No--no!"  Emily turned and ran.  She would NEVER let Aunt
Elizabeth see that book.  She fled to the kitchen stove--she
whisked off a cover--she crammed the book into the glowing fire.
It caught and blazed merrily.  Emily watched it in agony.  It
seemed as if part of herself were burning there.  But Aunt
Elizabeth should never see it--see all the little things she had
written and read to Father--all her fancies about the Wind Woman--
and Emily-in-the-glass--all her little cat dialogues--all the
things she had said in it last night about the Murrays.  She
watched the leaves shrivel and shudder, as if they were sentient
things, and then turn black.  A line of white writing came out
vividly on one.  "Aunt Elizabeth is very cold and HAWTY."  What if
Aunt Elizabeth had seen THAT?  What if she were seeing it now!
Emily glanced apprehensively over her shoulder.  No, Aunt Elizabeth
had gone back to the room and shut the door with what, in anybody
but a Murray, would have been called a bang.  The account-book was
a little heap of white film on the glowing coals.  Emily sat down
by the stove and cried.  She felt as if she had lost something
incalculably precious.  It was terrible to think that all those
dear things were gone.  She could never write them again--not just
the same; and if she could she wouldn't dare--she would never dare
to write ANYTHING again, if Aunt Elizabeth must see everything.
Father never insisted on seeing them.  She liked to read them to
HIM--but if she hadn't wanted to do it he would never have made
her.  Suddenly Emily, with tears glistening on her cheeks, wrote a
line in an imaginary account-book.

"Aunt Elizabeth is cold and hawty; and she is NOT FAIR."

Next morning, while Cousin Jimmy was tying the boxes at the back of
the double-seated buggy, and Aunt Elizabeth was giving Ellen her
final instructions, Emily said good-bye to everything--to the
Rooster Pine and Adam-and-Eve--"they'll miss me so when I'm gone;
there won't be any one here to love them," she said wistfully--to
the spider crack in the kitchen window--to the old wing-chair--to
the bed of striped grass--to the silver birch-ladies.  Then she
went upstairs to the window of her own old room.  That little
window had always seemed to Emily to open on a world of wonder.  In
the burned account-book there had been one piece of which she was
especially proud.  "A deskripshun of the vew from my Window."  She
had sat there and dreamed; at night she used to kneel there and say
her little prayers.  Sometimes the stars shone through it--
sometimes the rain beat against it--sometimes the little greybirds
and swallows visited it--sometimes airy fragrances floated in from
apple and lilac blossom--sometimes the Wind Woman laughed and
sighed and sang and whistled round it--Emily had heard her there in
the dark nights and in wild, white winter storms.  She did not say
good-bye to the Wind Woman, for she knew the Wind Woman would be at
New Moon, too; but she said good-bye to the little window and the
green hill she had loved, and to her fairy-haunted barrens and to
little Emily-in-the-glass.  There might be another Emily-in-the-
glass at New Moon, but she wouldn't be the same one.  And she
unpinned from the wall and stowed away in her pocket the picture of
the ball dress she had cut from a fashion sheet.  It was such a
wonderful dress--all white lace and wreaths of rosebuds, with a
long, long train of lace flounces that must reach clear across a
room.  Emily had pictured herself a thousand times wearing that
dress, sweeping, a queen of beauty, across a ballroom door.

Downstairs they were waiting for her.  Emily said good-bye to Ellen
Greene rather indifferently--she had never liked Ellen Greene at
any time, and since the night Ellen had told her her father was
going to die she had hated and feared her.

Ellen amazed Emily by bursting into tears and hugging her--begging
her not to forget her--asking her to write to her--calling her "my
blessed child."

"I am not your blessed child," said Emily, "but I will write to
you.  And will you be very good to Mike?"

"I b'lieve you feel worse over leaving that cat than you do over
leaving me," sniffed Ellen.

"Why, of course I do," said Emily, amazed that there could be any
question about it.

It took all her resolution not to cry when she bade farewell to
Mike, who was curled up on the sun-warm grass at the back door.

"Maybe I'll see you again sometime," she whispered as she hugged
him.  "I'm sure GOOD pussy cats go to heaven."

Then they were off in the double-seated buggy with its fringed
canopy, always affected by the Murrays of New Moon.  Emily had
never driven in anything so splendid before.  She had never had
many drives.  Once or twice her father had borrowed Mr Hubbard's
old buckboard and grey pony and driven to Charlottetown.  The
buckboard was rattly and the pony slow, but Father had talked to
her all the way and made the road a wonder.

Cousin Jimmy and Aunt Elizabeth sat in front, the latter very
imposing in black lace bonnet and mantle.  Aunt Laura and Emily
occupied the seat behind, with Saucy Sal between them in a basket,
shrieking piteously.

Emily glanced back as they drove up the grassy lane, and thought
the little, old, brown house in the hollow had a brokenhearted
look.  She longed to run back and comfort it.  In spite of her
resolution, the tears came into her eyes; but Aunt Laura put a kid-
gloved hand across Sal's basket and caught Emily's in a close,
understanding squeeze.

"Oh, I just love you, Aunt Laura," whispered Emily.

And Aunt Laura's eyes were very, very blue and deep and kind.



NEW MOON


Emily found the drive through the blossomy June world pleasant.
Nobody talked much; even Saucy Sal had subsided into the silence of
despair; now and then Cousin Jimmy made a remark, more to himself,
as it seemed, than to anybody else.  Sometimes Aunt Elizabeth
answered it, sometimes not.  She always spoke crisply and used no
unnecessary words.

They stopped in Charlottetown and had dinner.  Emily, who had had
no appetite since her father's death, could not eat the roast beef
which the boarding-house waitress put before her.  Whereupon Aunt
Elizabeth whispered mysteriously to the waitress who went away and
presently returned with a plateful of delicate cold chicken--fine
white slices, beautifully trimmed with lettuce frills.

"Can you eat THAT?" said Aunt Elizabeth sternly, as to a culprit at
the bar.

"I'll--try," whispered Emily.

She was too frightened just then to say more, but by the time she
had forced down some of the chicken she had made up her small mind
that a certain matter must be put right.

"Aunt Elizabeth," she said.

"Hey, what?" said Aunt Elizabeth, directing her steel-blue eyes
straight at her niece's troubled ones.

"I would like you to understand," said Emily, speaking very primly
and precisely so that she would be sure to get things right, "that
it was not because I did not like the roast beef I did not eat it.
I was not hungry at all; and I just et some of the chicken to
oblige you, not because I liked it any better."

"Children should eat what is put before them and never turn up
their noses at good, wholesome food," said Aunt Elizabeth severely.
So Emily felt that Aunt Elizabeth had not understood after all and
she was unhappy about it.

After dinner Aunt Elizabeth announced to Aunt Laura that they would
do some shopping.

"We must get some things for the child," she said.

"Oh, please don't call me 'the child,'" exclaimed Emily.  "It makes
me feel as if I didn't belong anywhere.  Don't you like my name,
Aunt Elizabeth?  Mother thought it so pretty.  And I don't need any
'things.'  I have two whole sets of underclothes--only one is
patched--"

"S-s-sh!" said Cousin Jimmy, gently kicking Emily's shins under the
table.

Cousin Jimmy only meant that it would be better if she let Aunt
Elizabeth buy "things" for her when she was in the humour for it;
but Emily thought he was rebuking her for mentioning such matters
as underclothes and subsided in scarlet confusion.  Aunt Elizabeth
went on talking to Laura as if she had not heard.

"She must not wear that cheap black dress in Blair Water.  You
could sift oatmeal through it.  It is nonsense expecting a child of
ten to wear black at all.  I shall get her a nice white dress with
a black sash for good, and some black-and-white-check gingham for
school.  Jimmy, we'll leave the child with you.  Look after her."

Cousin Jimmy's method of looking after her was to take her to a
restaurant down street and fill her up with ice-cream.  Emily had
never had many chances at ice-cream and she needed no urging, even
with lack of appetite, to eat two saucerfuls.  Cousin Jimmy eyed
her with satisfaction.

"No use my getting anything for you that Elizabeth could see," he
said.  "But she can't see what is inside of you.  Make the most of
your chance, for goodness alone knows when you'll get any more."

"Do you never have ice-cream at New Moon?"

Cousin Jimmy shook his head.

"Your Aunt Elizabeth doesn't like new-fangled things.  In the
house, we belong to fifty years ago, but on the farm she has to
give way.  In the house--candles; in the dairy, her grandmother's
big pans to set the milk in.  But, pussy, New Moon is a pretty good
place after all.  You'll like it some day."

"Are there any fairies there?" asked Emily, wistfully.

"The woods are full of 'em," said Cousin Jimmy.  "And so are the
columbines in the old orchard.  We grow columbines there on purpose
for the fairies."

Emily sighed.  Since she was eight she had known there were no
fairies anywhere nowadays; yet she hadn't quite given up the hope
that one or two might linger in old-fashioned, out-of-the-way
spots.  And where so likely as at New Moon?"

"Really-truly fairies?" she questioned.

"Why, you know, if a fairy was really-truly it wouldn't BE a
fairy," said Cousin Jimmy seriously.  "Could it, now?"

Before Emily could think this out the aunts returned and soon they
were all on the road again.  It was sunset when they came to Blair
Water--a rosy sunset that flooded the long, sandy sea-coast with
colour and brought red road and fir-darkened hill out in fleeting
clearness of outline.  Emily looked about her on her new
environment and found it good.  She saw a big house peering whitely
through a veil of tall old trees--no mushroom growth of yesterday's
birches but trees that had loved and been loved by three
generations--a glimpse of silver water glistening through the dark
spruces--that was the Blair Water itself, she knew--and a tall,
golden-white church spire shooting up above the maple woods in the
valley below.  But it was none of these that brought her the flash--
THAT came with the sudden glimpse of the dear, friendly, little
dormer window peeping through vines on the roof--and right over it,
in the opalescent sky, a real new moon, golden and slender.  Emily
was tingling all over with it as Cousin Jimmy lifted her from the
buggy and carried her into the kitchen.

She sat on a long wooden bench that was satin-smooth with age and
scrubbing, and watched Aunt Elizabeth lighting candles here and
there, in great, shining, brass candlesticks--on the shelf between
the windows, on the high dresser where the row of blue and white
plates began to wink her a friendly welcome, on the long table in
the corner.  And as she lighted them, elvish "rabbits' candles"
flashed up amid the trees outside the windows.

Emily had never seen a kitchen like this before.  It had dark
wooden walls and low ceiling, with black rafters crossing it, from
which hung hams and sides of bacon and bunches of herbs and new
socks and mittens, and many other things, the names and uses of
which Emily could not imagine.  The sanded floor was spotlessly
white, but the boards had been scrubbed away through the years
until the knots in them stuck up all over in funny little bosses,
and in front of the stove they had sagged, making a queer, shallow
little hollow.  In one corner of the ceiling was a large square
hole which looked black and spookish in the candlelight, and made
her feel creepy.  SOMETHING might pop down out of a hole like that
if one hadn't behaved just right, you know.  And candles cast such
queer wavering shadows.  Emily didn't know whether she liked the
New Moon kitchen or not.  It was an interesting place--and she
rather thought she would like to describe it in the old account-
book, if it hadn't been burned--but Emily suddenly found herself
trembling on the verge of tears.

"Cold?" said Aunt Laura kindly.  "These June evenings are chilly
yet.  Come into the sitting-room--Jimmy has kindled a fire in the
stove there."

Emily, fighting desperately for self-control, went into the
sitting-room.  It was much more cheerful than the kitchen.  The
floor was covered with gay-striped homespun, the table had a bright
crimson cloth, the walls were hung with pretty, diamond-patterned
paper, the curtains were of wonderful pale-red damask with a design
of white ferns scattered all over them.  They looked very rich and
imposing and Murray-like.  Emily had never seen such curtains
before.  But best of all were the friendly gleams and flickers from
the jolly hardwood fire in the open stove that mellowed the ghostly
candlelight with something warm and rosy-golden.  Emily toasted her
toes before it and felt reviving interest in her surroundings.
What lovely little leaded glass doors closed the china closets on
either side of the high, black, polished mantel!  What a funny,
delightful shadow the carved ornament on the sideboard cast on the
wall behind it--just like a negro's side-face, Emily decided.  What
mysteries might lurk behind the chintz-lined glass doors of the
bookcase!  Books were Emily's friends wherever she found them.  She
flew over to the bookcase and opened the door.  But before she
could see more than the backs of rather ponderous volumes, Aunt
Elizabeth came in, with a mug of milk and a plate whereon lay two
little oatmeal cakes.

"Emily," said Aunt Elizabeth sternly, "shut that door.  Remember
that after this you are not to meddle with things that don't belong
to you."

"I thought books belonged to everybody," said Emily.

"Ours don't," said Aunt Elizabeth, contriving to convey the
impression that New Moon books were in a class by themselves.
"Here is your supper, Emily.  We are all so tired that we are just
having a lunch.  Eat it and then we will go to bed."

Emily drank the milk and worried down the oatcakes, still gazing
about her.  How pretty the wallpaper was, with the garland of roses
inside the gilt diamond!  Emily wondered if she could "see it in
the air."  She tried--yes, she could--there it hung, a yard from
her eyes, a little fairy pattern, suspended in mid-air like a
screen.  Emily had discovered that she possessed this odd knack
when she was six.  By a certain movement of the muscles of her
eyes, which she could never describe, she could produce a tiny
replica of the wallpaper in the air before her--could hold it there
and look at it as long as she liked--could shift it back and forth,
to any distance she chose, making it larger or smaller as it went
farther away or came nearer.  It was one of her secret joys when
she went into a new room anywhere to "see the paper in the air."
And this New Moon paper made the prettiest fairy paper she had ever
seen.

"What are you staring at nothing in that queer way for?" demanded
Aunt Elizabeth, suddenly returning.

Emily shrank into herself.  She couldn't explain to Aunt Elizabeth--
Aunt Elizabeth would be like Ellen Greene and say she was "crazy."

"I--I wasn't staring at anything."

"Don't contradict.  I say you were," retorted Aunt Elizabeth.
"Don't do it again.  It gives your face an unnatural expression.
Come now--we will go upstairs.  You are to sleep with me."

Emily gave a gasp of dismay.  She had hoped it might be with Aunt
Laura.  Sleeping with Aunt Elizabeth seemed a very formidable
thing.  But she dared not protest.  They went up to Aunt
Elizabeth's big, sombre bedroom where there was dark, grim
wallpaper that could never be transformed into a fairy curtain, a
high black bureau, topped with a tiny swing-mirror, so far above
her that there could be no Emily-in-the-glass, tightly closed
windows with dark-green curtains, a high bedstead with a dark-green
canopy, and a huge, fat, smothering feather-bed, with high, hard
pillows.

Emily stood still, gazing about her.

"Why don't you get undressed?" asked Aunt Elizabeth.

"I--I don't like to undress before you," faltered Emily.

Aunt Elizabeth looked at Emily through her cold, spectacled eyes.

"Take off your clothes, AT ONCE," she said.

Emily obeyed, tingling with anger and shame.  It was abominable--
taking off her clothes while Aunt Elizabeth stood and watched her.
The outrage of it was unspeakable.  It was even harder to say her
prayers before Aunt Elizabeth.  Emily felt that it was not much
good to pray under such circumstances.  Father's God seemed very
far away and she suspected that Aunt Elizabeth's was too much like
Ellen Greene's.

"Get into bed," said Aunt Elizabeth, turning down the clothes.

Emily glanced at the shrouded window.

"Aren't you going to open the window, Aunt Elizabeth?"

Aunt Elizabeth looked at Emily as if the latter had suggested
removing the roof.

"Open the window--and let in the night air!" she exclaimed.
"Certainly not!"

"Father and I always had our window open," cried Emily.

"No wonder he died of consumption," said Aunt Elizabeth.  "Night
air is poison."

"What air is there at night but night air?" asked Emily.

"Emily," said Aunt Elizabeth icily, "get--into--bed."

Emily got in.

But it was utterly impossible to sleep, lying there in that
engulfing bed that seemed to swallow her up, with that cloud of
blackness above her and not a gleam of light anywhere--and Aunt
Elizabeth lying beside her, long and stiff and bony.

"I feel as if I was in bed with a griffin," thought Emily.  "Oh--
oh--oh--I'm going to cry--I know I am."

Desperately and vainly she strove to keep the tears back--they
WOULD come.  She felt utterly alone and lonely--there in that
darkness, with an alien, hostile world all around her--for it
seemed hostile now.  And there was such a strange, mysterious,
mournful sound in the air--far away, yet clear.  It was the murmur
of the sea, but Emily did not know that and it frightened her.  Oh,
for her little bed at home--oh, for Father's soft breathing in the
room--oh, for the dancing friendliness of well-known stars shining
down through her open window!  She MUST go back--she couldn't stay
here--she would never be happy here!  But there wasn't any "back"
to go to--no home--no father--.  A great sob burst from her--
another followed and then another.  It was no use to clench her
hands and set her teeth--and chew the inside of her cheeks--nature
conquered pride and determination and had her way.

"What are you crying for?" asked Aunt Elizabeth.

To tell the truth Aunt Elizabeth felt quite as uncomfortable and
disjointed as Emily did.  She was not used to a bedfellow; she
didn't want to sleep with Emily any more than Emily wanted to sleep
with her.  But she considered it quite impossible that the child
should be put off by herself in one of the big, lonely New Moon
rooms; and Laura was a poor sleeper, easily disturbed; children
always kicked, Elizabeth Murray had heard.  So there was nothing to
do but take Emily in with her; and when she had sacrificed comfort
and inclination to do her unwelcome duty this ungrateful and
unsatisfactory child was not contented.

"I asked you what you were crying for, Emily?" she repeated.

"I'm--homesick, I guess," sobbed Emily.

Aunt Elizabeth was annoyed.

"A nice home you had to be homesick for," she said sharply.

"It--it wasn't as elegant--as New Moon," sobbed Emily, "but--FATHER
was there.  I guess I'm Fathersick, Aunt Elizabeth.  Didn't you
feel awfully lonely when YOUR father died?"

Elizabeth Murray involuntarily remembered the ashamed, smothered
feeling of relief when old Archibald Murray had died--the handsome,
intolerant, autocratic old man who had ruled his family with a rod
of iron all his life and had made existence at New Moon miserable
with the petulant tyranny of the five years of invalidism that had
closed his career.  The surviving Murrays had behaved impeccably,
and wept decorously, and printed a long and flattering obituary.
But had one genuine feeling of regret followed Archibald Murray to
his tomb?  Elizabeth did not like the memory and was angry with
Emily for evoking it.

"I was resigned to the will of Providence," she said coldly.
"Emily, you must understand right now that you are to be grateful
and obedient and show your appreciation of what is being done for
you.  I won't have tears and repining.  What would you have done if
you had no friends to take you in?  Answer me that."

"I suppose I would have starved to death," admitted Emily--
instantly beholding a dramatic vision of herself lying dead,
looking exactly like the pictures she had seen in one of Ellen
Greene's missionary magazines depicting the victims of an Indian
famine.

"Not exactly--but you would have been sent to some orphanage where
you would have been half-starved, probably.  You little know what
you have escaped.  You have come to a good home where you will be
cared for and educated properly."

Emily did not altogether like the sound of being "educated
properly."  But she said humbly,

"I know it was very good of you to bring me to New Moon, Aunt
Elizabeth.  And I won't bother you long, you know.  I'll soon be
grown-up and able to earn my own living.  What do you think is the
earliest age a person can be called grown-up, Aunt Elizabeth?"

"You needn't think about that," said Aunt Elizabeth shortly.  "The
Murray women have never been under any necessity for earning their
own living.  All we require of you is to be a good and contented
child and to conduct yourself with becoming prudence and modesty."

This sounded terribly hard.

"I WILL be," said Emily, suddenly determining to be heroic, like
the girl in the stories she had read.  "Perhaps it won't be so very
hard after all, Aunt Elizabeth,"--Emily happened at this point to
recall a speech she had heard her father use once, and thought this
a good opportunity to work it in--"because, you know, God is good
and the devil might be worse."

Poor Aunt Elizabeth!  To have a speech like that fired at her in
the darkness of the night from that unwelcome little interloper
into her orderly life and peaceful bed!  Was it any wonder that for
a moment or so she was too paralysed to reply!  Then she exclaimed
in tones of horror, "Emily, NEVER say that again!"

"All right," said Emily meekly.  "But," she added defiantly under
her breath, "I'll go on thinking it."

"And now," said Aunt Elizabeth, "I want to say that I am not in the
habit of talking all night if you are.  I tell you to go to sleep,
and I EXPECT you to obey me.  Good night."

The tone of Aunt Elizabeth's good night would have spoiled the best
night in the world.  But Emily lay very still and sobbed no more,
though the noiseless tears trickled down her cheeks in the darkness
for some time.  She lay so still that Aunt Elizabeth imagined she
was asleep and went to sleep herself.

"I wonder if anybody in the world is awake but me," thought Emily,
feeling a sickening loneliness.  "If I only had Saucy Sal here!
She isn't so cuddly as Mike but she'd be better than nothing.  I
wonder where she is.  I wonder if they gave her any supper."

Aunt Elizabeth had handed Sal's basket to Cousin Jimmy with an
impatient, "Here--look to this cat," and Jimmy had carried it off.
Where had he put it?  Perhaps Saucy Sal would get out and go home--
Emily had heard cats always went back home.  She wished SHE could
get out and go home--she pictured herself and her cat running
eagerly along the dark, starlit roads to the little house in the
hollow--back to the birches and Adam-and-Eve and Mike, and the old
wing-chair and her dear little cot and the open window where the
Wind Woman sang to her and at dawn one could see the blue of the
mist on the homeland hills.

"Will it ever be morning?" thought Emily.  "Perhaps things won't be
so bad in the morning."

And then--she heard the Wind Woman at the window--she heard the
little, low, whispering murmur of the June night breeze--cooing,
friendly, lovesome.

"Oh, you're out there, are you, dearest one?" she whispered,
stretching out her arms.  "Oh, I'm so glad to hear you.  You're
such company, Wind Woman.  I'm not lonesome any more.  And the
flash came, too!  I was afraid it might never come at New Moon."

Her soul suddenly escaped from the bondage of Aunt Elizabeth's
stuffy feather-bed and gloomy canopy and sealed windows.  She was
out in the open with the Wind Woman and the other gipsies of the
night--the fireflies, the moths, the brooks, the clouds.  Far and
wide she wandered in enchanted reverie until she coasted the shore
of dreams and fell soundly asleep on the fat, hard pillow, while
the Wind Woman sang softly and luringly in the vines that clustered
over New Moon.



THE BOOK OF YESTERDAY


That first Saturday and Sunday at New Moon always stood out in
Emily's memory as a very wonderful time, so crowded was it with new
and generally delightful impressions.  If it be true that we "count
time by heart throbs" Emily lived two years in it instead of two
days.  Everything was fascinating from the moment she came down the
long, polished staircase into the square hall that was filled with
a soft, rosy light coming through the red glass panes of the front
door.  Emily gazed through the panes delightedly.  What a strange,
fascinating, red world she beheld, with a weird red sky that
looked, she thought, as if it belonged to the Day of Judgment.

There was a certain charm about the old house which Emily felt
keenly and responded to, although she was too young to understand
it.  It was a house which aforetime had had vivid brides and
mothers and wives, and the atmosphere of their loves and lives
still hung around it, not yet banished by the old-maidishness of
the regime of Elizabeth and Laura.

"Why--I'm going to LOVE New Moon," thought Emily, quite amazed at
the idea.

Aunt Laura was setting the breakfast table in the kitchen, which
seemed quite bright and jolly in the glow of morning sunshine.
Even the black hole in the ceiling had ceased to be spookish and
become only a commonplace entrance to the kitchen loft.  And on the
red-sandstone doorstep Saucy Sal was sitting, preening her fur as
contentedly as if she had lived at New Moon all her life.  Emily
did not know it, but Sal had already drunk deep the delight of
battle with her peers that morning and taught the barn cats their
place once and for all.  Cousin Jimmy's big yellow Tom had got a
fearful drubbing, and was minus several bits of his anatomy, while
a stuck-up, black lady-cat, who fancied herself considerably, had
made up her mind that if that grey-and-white, narrow-faced
interloper from goodness knew where was going to stay at New Moon,
SHE was not.

Emily gathered Sal up in her arms and kissed her joyously, to the
horror of Aunt Elizabeth, who was coming across the platform from
the cook-house with a plate of sizzling bacon in her hands.

"Don't ever let me see you kissing a cat again," she ordered.

"Oh, all right," agreed Emily cheerfully, "I'll only kiss her when
you don't see me after this."

"I don't want any of your pertness, miss.  You are not to kiss cats
at all."

"But Aunt Elizabeth, I didn't kiss her on her mouth, OF COURSE.  I
just kissed her between her ears.  It's nice--won't you just try it
for once and see for yourself?"

"That will do, Emily.  You have said quite enough."  And Aunt
Elizabeth sailed on into the kitchen majestically, leaving Emily
momentarily wretched.  She felt that she had offended Aunt
Elizabeth, and she hadn't the least notion why or how.

But the scene before her was too interesting to worry long about
Aunt Elizabeth.  Delicious smells were coming from the cook-house--
a little, slant-roofed building at the corner where the big
cooking-stove was placed in summer.  It was thickly overgrown with
hop vines, as most of the New Moon buildings were.  To the right
was the "new" orchard, very wonderful now in blossom, but a rather
commonplace spot after all, since Cousin Jimmy cultivated it in
most up-to-date fashion and had grain growing in the wide spaces
between the straight rows of trees that looked all alike.  But on
the other side of the barn lane, just behind the well, was the "old
orchard," where Cousin Jimmy said the columbines grew and which
seemed to be a delightful place where trees had come up at their
own sweet will, and grown into individual shapes and sizes, where
blue-eyed ivy twined about their roots and wild-briar roses rioted
over the grey paling fence.  Straight ahead, closing the vista
between the orchards, was a little slope covered with huge white
birches, among which were the big New Moon barns, and beyond the
new orchard a little, lovable red road looped lightly up and up,
over a hill, until it seemed to touch the vivid blue of the sky.

Cousin Jimmy came down from the barns, carrying brimming pails of
milk, and Emily ran with him to the dairy behind the cook-house.
Such a delightful spot she had never seen or imagined.  It was a
snow-white little building in a clump of tall balm-of-gileads.  Its
grey roof was dotted over with cushions of moss like fat green-
velvet mice.  You went down six sand-stone steps with ferns
crowding about them, and opened a white door with a glass panel in
it, and went down three more steps.  And then you were in a clean,
earthy-smelling, damp, cool place with an earthen floor and windows
screened by the delicate emerald of young hop vines, and broad
wooden shelves all around, whereon stood wide, shallow pans of
glossy brown ware, full of milk coated over with cream so rich that
it was positively yellow.

Aunt Laura was waiting for them and she strained the milk into
empty pans and then skimmed some of the full ones.  Emily thought
skimming was a lovely occupation and longed to try her hand at it.
She also longed to sit right down and write a description of that
dear dairy; but alas, there was no account-book; still, she could
write it in her head.  She squatted down on a little three-legged
stool in a dim corner and proceeded to do it, sitting so still that
Jimmy and Laura forgot her and went away and later had to hunt for
her a quarter of an hour.  This delayed breakfast and made Aunt
Elizabeth very cross.  But Emily had found just the right sentence
to define the clear yet dim green light that filled the dairy and
was so happy over it that she didn't mind Aunt Elizabeth's black
looks a bit.

After breakfast Aunt Elizabeth informed Emily that henceforth it
would be one of her duties to drive the cows to pasture every
morning.

"Jimmy has no hired man just now and it will save him a few
minutes."

"And don't be afraid," added Aunt Laura, "the cows know the way so
well they'll go of themselves.  You have only to follow and shut
the gates."

"I'm not afraid," said Emily.

But she was.  She knew nothing about cows; still, she was
determined that the Murrays should not suspect a Starr was scared.
So, her heart beating like a trip-hammer, she sallied valiantly
forth and found that what Aunt Laura had said was true and cows
were not such ferocious animals after all.  They went gravely on
ahead and she had only to follow, through the old orchard and then
through the scrub maple growth beyond, along a twisted ferny path
where the Wind Woman was purring and peeping around the maple
clumps.

Emily loitered by the pasture gate until her eager eyes had taken
in all the geography of the landscape.  The old pasture ran before
her in a succession of little green bosoms right down to the famous
Blair Water--an almost perfectly round pond, with grassy, sloping,
treeless margins.  Beyond it was the Blair Water valley, filled
with homesteads, and further out the great sweep of the white-
capped gulf.  It seemed to Emily's eyes a charming land of green
shadows, and blue waters.  Down in one corner of the pasture,
walled off by an old stone dyke, was the little private graveyard
where the dead-and-gone Murrays were buried.  Emily wanted to go
and explore it, but was afraid to trust herself in the pasture.

"I'll go as soon as I get better acquainted with the cows," she
resolved.

Off to the right, on the crest of a steep little hill, covered with
young birches and firs, was a house that puzzled and intrigued
Emily.  It was grey and weather-worn, but it didn't look old.  It
had never been finished; the roof was shingled but the sides were
not, and the windows were boarded over.  Why had it never been
finished?  And it was meant to be such a pretty little house--a
house you could love--a house where there would be nice chairs and
cosy fires and bookcases and lovely, fat, purry cats and unexpected
corners; then and there she named it the Disappointed House, and
many an hour thereafter did she spend finishing that house,
furnishing it as it should be furnished, and inventing the proper
people and animals to live in it.

To the left of the pasture-field was another house of a quite
different type--a big, old house, tangled over with vines, flat-
roofed, with mansard windows, and a general air of indifference and
neglect about it.  A large, untidy lawn, overgrown with unpruned
shrubs and trees, straggled right down to the pond, where enormous
willows drooped over the water.  Emily decided that she would ask
Cousin Jimmy about these houses when she got a good chance.

She felt that, before she went back, she must slip along the
pasture fence and explore a certain path which she saw entering the
grove of spruce and maple further down.  She did--and found that it
led straight into Fairyland--along the bank of a wide, lovely
brook--a wild, dear, little path with lady-ferns beckoning and
blowing along it, the shyest of elfin June-bells under the firs,
and little whims of loveliness at every curve.  She breathed in the
tang of fir-balsam and saw the shimmer of gossamers high up in the
boughs, and everywhere the frolic of elfin lights and shadows.
Here and there the young maple branches interlaced as if to make a
screen for dryad faces--Emily knew all about dryads, thanks to her
father--and the great sheets of moss under the trees were meet for
Titania's couch.

"This is one of the places where dreams grow," said Emily happily.

She wished the path might go on forever, but presently it veered
away from the brook, and when she had scrambled over a mossy, old
board fence she found herself in the "front garden" of New Moon,
where Cousin Jimmy was pruning some spirea bushes.

"Oh, Cousin Jimmy, I've found the dearest little road," said Emily
breathlessly.

"Coming up through Lofty John's bush?"

"Isn't it our bush?" asked Emily, rather disappointed.

"No, but it ought to be.  Fifty years ago Uncle Archibald sold that
jog of land to Lofty John's father--old Mike Sullivan.  He built a
little house down near the pond and lived there till he quarrelled
with Uncle Archibald--which wasn't long, of course.  Then he moved
his house across the road--and Lofty John lives there now.
Elizabeth has tried to buy the land back from him--she's offered
him far more than it's worth--but Lofty John won't sell--just for
spite, seeing that he has a good farm of his own and this piece
isn't much good to him.  He only pastures a few young cattle on it
through the summer, and what was cleared is all growing up with
scrub maple.  It's a thorn in Elizabeth's side and likely to be as
long as Lofty John nurses his spite."

"Why is he called Lofty John?"

"Because he's a high and lofty fellow.  But never mind him.  I want
to show you round my garden, Emily.  It's mine.  Elizabeth bosses
the farm; but she lets me run the garden--to make up for pushing me
into the well."

"DID she do that?"

"Yes.  She didn't mean to, of course.  We were just children--I was
here on a visit--and the men were putting a new hood on the well
and cleaning it.  It was open--and we were playing tag around it.
I made Elizabeth mad--forget what I said--'twasn't hard to make her
mad you understand--and she made to give me a bang on the head.  I
saw it coming--and stepped back to get out of the way--and down I
went, head first.  Don't remember anything more about it.  There
was nothing but mud at the bottom--but my head struck the stones at
the side.  I was took up for dead--my head all cut up.  Poor
Elizabeth was--"  Cousin Jimmy shook his head, as if to intimate
that it was impossible to describe how or what poor Elizabeth was.
"I got about after a while, though--pretty near as good as new.
Folks say I've never been quite right since--but they only say that
because I'm a poet, and because nothing ever worries me.  Poets are
so scarce in Blair Water folks don't understand them, and most
people worry so much, they think you're not right if you don't
worry."

"Won't you recite some of your poetry to me, Cousin Jimmy?" asked
Emily eagerly.

"When the spirit moves me I will.  It's no use to ask me when the
spirit don't move me."

"But how am I to know when the spirit moves you, Cousin Jimmy?"

"I'll begin of my own accord to recite my compositions.  But I'll
tell you this--the spirit generally moves me when I'm boiling the
pigs' potatoes in the fall.  Remember that and be around."

"Why don't you write your poetry down?"

"Paper's too scarce at New Moon.  Elizabeth has some pet economies
and writing-paper of any kind is one of them.

"But haven't you any money of your own, Cousin Jimmy?"

"Oh, Elizabeth pays me good wages.  But she puts all my money in
the bank and just doles out a few dollars to me once in a while.
She says I'm not fit to be trusted with money.  When I came here to
work for her she paid me my wages at the end of the month and I
started for Shrewsbury to put it in the bank.  Met a tramp on the
road--a poor, forlorn creature without a cent.  I gave HIM the
money.  Why not?  _I_ had a good home and a steady job and clothes
enough to do me for years.  I s'pose it was the foolishest thing I
ever did--and the nicest.  But Elizabeth never got over it.  SHE'S
managed my money ever since.  But come you now, and I'll show you
my garden before I have to go and sow turnips."

The garden was a beautiful place, well worthy Cousin Jimmy's pride.
It seemed like a garden where no frost could wither or rough wind
blow--a garden remembering a hundred vanished summers.  There was a
high hedge of clipped spruce all around it, spaced at intervals by
tall Lombardies.  The north side was closed in by a thick grove of
spruce against which a long row of peonies grew, their great red
blossoms splendid against its darkness.  One big spruce grew in the
centre of the garden and underneath it was a stone bench, made of
flat shore stones worn smooth by long polish of wind and wave.  In
the south-east corner was an enormous clump of lilacs, trimmed into
the semblance of one large drooping-boughed tree, gloried over with
purple.  An old summer-house, covered with vines, filled the south-
west corner.  And in the north-west corner there was a sundial of
grey stone, placed just where the broad red walk that was bordered
with striped grass, and picked out with pink conchs, ran off into
Lofty John's bush.  Emily had never seen a sundial before and hung
over it enraptured.

"Your great-great-grandfather, Hugh Murray, had that brought out
from the Old Country," said Cousin Jimmy.  "There isn't as fine a
one in the Maritime Provinces.  And Uncle George Murray brought
those conchs from the Indies.  He was a sea-captain."

Emily looked about her with delight.  The garden was lovely and the
house quite splendid to her childish eyes.  It had a big front
porch with Grecian columns.  These were thought very elegant in
Blair Water, and went far to justify the Murray pride.  A
schoolmaster had said they gave the house a classical air.  To be
sure, the classical effect was just now rather smothered in hop-
vines that rioted over the whole porch and hung in pale-green
festoons above the rows of potted scarlet geraniums that flanked
the steps.

Emily's heart swelled with pride.

"It's a noble house," she said.

"And what about my garden?" demanded Cousin Jimmy jealously.

"It's fit for a queen," said Emily, gravely and sincerely.

Cousin Jimmy nodded, well pleased, and then a strange sound crept
into his voice and an odd look into his eyes.

"There is a spell woven round this garden.  The blight shall spare
it and the green worm pass it by.  Drought dares not invade it and
the rain comes here gently."

Emil