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Title: Kangaroo
Author: D.H. Lawrence
* A Project Gutenberg of Australia eBook *
eBook No.: 0200631.txt
Language:  English
Date first posted: September 2002
Date most recently updated: September 2002

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Title:      Kangaroo
Author:     D.H. Lawrence


5. COO-EE.
14. BITS.


A bunch of workmen were lying on the grass of the park beside Macquarie
Street, in the dinner hour. It was winter, the end of May, but the sun
was warm, and they lay there in shirt-sleeves, talking. Some were eating
food from paper packages. They were a mixed lot--taxi-drivers, a group
of builders who were putting a new inside into one of the big houses
opposite, and then two men in blue overalls, some sort of mechanics.
Squatting and lying on the grassy bank beside the broad tarred road
where taxis and hansom cabs passed continually, they had that air of
owning the city which belongs to a good Australian.

Sometimes, from the distance behind them, came the faintest squeal of
singing from out of the "fortified" Conservatorium of Music. Perhaps it
was one of these faintly wafted squeals that made a blue-overalled
fellow look round, lifting his thick eyebrows vacantly. His eyes
immediately rested on two figures approaching from the direction of the
conservatorium, across the grass-lawn. One was a mature, handsome,
fresh-faced woman, who might have been Russian. Her companion was a
smallish man, pale-faced, with a dark beard. Both were well-dressed, and
quiet, with that quiet self-possession which is almost unnatural
nowadays. They looked different from other people.

A smile flitted over the face of the man in the overalls--or rather a
grin. Seeing the strange, foreign-looking little man with the beard and
the absent air of self-possession walking unheeding over the grass, the
workman instinctively grinned. A comical-looking bloke! Perhaps a

The foreign-looking little stranger turned his eyes and caught the
workman grinning. Half-sheepishly, the mechanic had eased round to nudge
his mate to look also at the comical-looking bloke. And the bloke caught
them both. They wiped the grin off their faces. Because the little bloke
looked at them quite straight, so observant, and so indifferent. He saw
that the mechanic had a fine face, and pleasant eyes, and that the grin
was hardly more than a city habit. The man in the blue overalls looked
into the distance, recovering his dignity after the encounter.

So the pair of strangers passed on, across the wide asphalt road to one
of the tall houses opposite. The workman looked at the house into which
they had entered.

"What d'you make of them, Dug?" asked the one in the overalls.

"Dunnow! Fritzies, most likely."

"They were talking English."

"Would be, naturally--what yer expect?"

"I don't think they were German."

"Don't yer, Jack? Mebbe they weren't then."

Dug was absolutely unconcerned. But Jack was piqued by the funny little

Unconsciously he watched the house across the road. It was a
more-or-less expensive boarding-house. There appeared the foreign little
bloke dumping down a gladstone bag at the top of the steps that led from
the porch to the street, and the woman, the wife apparently, was coming
out and dumping down a black hat-box. Then the man made another
excursion into the house, and came out with another bag, which he
likewise dumped down at the top of the steps. Then he had a few words
with the wife, and scanned the street.

"Wants a taxi," said Jack to himself.

There were two taxis standing by the kerb near the open grassy slope of
the park, opposite the tall brown houses. The foreign-looking bloke came
down the steps and across the wide asphalt road to them. He looked into
one, and then into the other. Both were empty. The drivers were lying on
the grass smoking an after-luncheon cigar.

"Bloke wants a taxi," said Jack.

"Could ha' told YOU that," said the nearest driver. But nobody moved.

The stranger stood on the pavement beside the big, cream-coloured taxi,
and looked across at the group of men on the grass. He did not want to
address them.

"Want a taxi?" called Jack.

"Yes. Where are the drivers?" replied the stranger, in unmistakable
English: English of the old country.

"Where d'you want to go?" called the driver of the cream-coloured taxi,
without rising from the grass.

"Murdoch Street."

"Murdoch Street? What number?"


"Neighbour of yours, Jack," said Dug, turning to his mate.

"Taking it furnished, four guineas a week," said Jack in a tone of

"All right," said the driver of the cream-coloured taxi, rising at last
from the grass. "I'll take you."

"Go across to 120 first," said the little bloke, pointing to the house.
"There's my wife and the bags. But look!" he added quickly. "You're not
going to charge me a shilling each for the bags."

"What bags? Where are they?"

"There at the top of the steps."

"All right, I'll pull across and look at 'em."

The bloke walked across, and the taxi at length curved round after him.
The stranger had carried his bags to the foot of the steps: two
ordinary-sized gladstones, and one smallish square hat-box. There they
stood against the wall. The taxi-driver poked out his head to look at
them. He surveyed them steadily. The stranger stood at bay.

"Shilling apiece, them bags," said the driver laconically.

"Oh no. The tariff is three-pence," cried the stranger.

"Shilling apiece, them bags," repeated the driver. He was one of the
proletariat that has learnt the uselessness of argument.

"That's not just, the tariff is threepence."

"All right, if you don't want to pay the fare, don't engage the car,
that's all. Them bags is a shilling apiece."

"Very well, I don't want to pay so much."

"Oh, all right. If you don't, you won't. But they'll cost you a shilling
apiece on a taxi, an' there you are."

"Then I don't want a taxi."

"Then why don't you say so. There's no harm done. I don't want to charge
you for pulling across here to look at the bags. If you don't want a
taxi, you don't. I suppose you know your own mind."

Thus saying he pushed off the brakes and the taxi slowly curved round on
the road to resume its previous stand.

The strange little bloke and his wife stood at the foot of the steps
beside the bags, looking angry. And then a hansom-cab came
clock-clocking slowly along the road, also going to draw up for the
dinner hour at the quiet place opposite. But the driver spied the angry

"Want a cab, sir?"

"Yes, but I don't think you can get the bags on."

"How many bags?"

"Three. These three," and he kicked them with his toe, angrily.

The hansom-driver looked down from his Olympus. He was very red-faced,
and a little bit humble.

"Them three? Oh yes! Easy! Easy! Get 'em on easy. Get them on easy, no
trouble at all." And he clambered down from his perch, and resolved into
a little red-faced man, rather beery and henpecked-looking. He stood
gazing at the bags. On one was printed the name: "R.L. Somers."

"R.L. SOMERS! All right, you get in, sir and madam. You get in. Where
d'you want to go? Station?"

"No. Fifty-one Murdoch Street."

"All right, all right, I'll take you. Fairish long way, but we'll be
there under an hour."

Mr. Somers and his wife got into the cab. The cabby left the doors flung
wide open, and piled the three bags there like a tower in front of his
two fares. The hat-box was on top, almost touching the brown hairs of
the horse's tail, and perching gingerly.

"If you'll keep a hand on that, now, to steady it," said the cabby.

"All right," said Somers.

The man climbed to his perch, and the hansom and the extraneous tower
began to joggle away into the town. The group of workmen were still
lying on the grass. But Somers did not care about them. He was safely
jogging with his detested baggage to his destination.

"Aren't they VILE!" said Harriet, his wife.

"It's God's Own Country, as they always tell you," said Somers. "The
hansom-man was quite nice."

"But the taxi-drivers! And the man charged you eight shillings on
Saturday for what would be two shillings in London!"

"He rooked me. But there you are, in a free country, it's the man who
makes you pay who is free--free to charge you what he likes, and you're
forced to pay it. That's what freedom amounts to. They're free to
charge, and you are forced to pay."

In which state of mind they jogged through the city, catching a glimpse
from the top of a hill of the famous harbour spreading out with its many
arms and legs. Or at least they saw one bay with warships and steamers
lying between the houses and the wooded, bank-like shores, and they saw
the centre of the harbour, and the opposite squat cliffs--the whole low
wooded table-land reddened with suburbs and interrupted by the pale
spaces of the many-lobed harbour. The sky had gone grey, and the low
table-land into which the harbour intrudes squatted dark-looking and
monotonous and sad, as if lost on the face of the earth: the same
Australian atmosphere, even here within the area of huge, restless,
modern Sydney, whose million inhabitants seem to slip like fishes from
one side of the harbour to another.

Murdoch Street was an old sort of suburb, little squat bungalows with
corrugated iron roofs, painted red. Each little bungalow was set in its
own hand-breadth of ground, surrounded by a little wooden palisade
fence. And there went the long street, like a child's drawing, the
little square bungalows dot-dot-dot, close together and yet apart, like
modern democracy, each one fenced round with a square rail fence. The
street was wide, and strips of worn grass took the place of kerb-stones.
The stretch of macadam in the middle seemed as forsaken as a desert, as
the hansom clock-clocked along it.

Fifty-one had its name painted by the door. Somers had been watching
these names. He had passed "Elite" and "Tres Bon" and "The Angels'
Roost' and "The Better 'Ole'". He rather hoped for one of the Australian
names, Wallamby or Wagga-Wagga. When he had looked at the house and
agreed to take it for three months, it had been dusk, and he had not
noticed the name. He hoped it would not be U-An-Me, or even Stella

"Forestin," he said, reading the flourishing T as an F. "What language
do you imagine that is?"

"It's T, not F," said Harriet.

"Torestin," he said, pronouncing it like Russian. "Must be a native

"No," said Harriet. "It means 'To rest in'." She didn't even laugh at
him. He became painfully silent.

Harriet didn't mind very much. They had been on the move for four
months, and she felt if she could but come to anchor somewhere in a
corner of her own, she wouldn't much care where it was, or whether it
was called Torestin or Angels Roost or even Tres Bon.

It was, thank heaven, quite a clean little bungalow, with just
commonplace furniture, nothing very preposterous. Before Harriet had
even taken her hat off she removed four pictures from the wall, and the
red plush tablecloth from the table. Somers had disconsolately opened
the bags, so she fished out an Indian sarong of purplish shot colour, to
try how it would look across the table. But the walls were red, of an
awful deep bluey red, that looks so fearful with dark-oak fittings and
furniture: or dark-stained jarrah, which amounts to the same thing; and
Somers snapped, looking at the purple sarong--a lovely thing in itself:

"Not with red walls."

"No, I suppose not," said Harriet, disappointed. "We can easily
colour-wash them white--or cream."

"What, start colour-washing walls?"

"It would only take half a day."

"That's what we come to a new land for--to God's Own Country--to start
colour-washing walls in a beastly little suburban bungalow? That we've
hired for three months and mayn't live in three weeks!"

"Why not? You must have walls."

"I suppose you must," he said, going away to inspect the two little
bedrooms, and the kitchen, and the outside. There was a scrap of garden
at the back, with a path down the middle, and a fine Australian tree at
the end, a tree with pale bark and no leaves, but big tufts of red,
spikey flowers. He looked at the flowers in wonder. They were apparently
some sort of bean flower, in sharp tufts, like great red spikes of stiff
wisteria, curving upwards, not dangling. They looked handsome against
the blue sky: but again, extraneous. More like scarlet cockatoos perched
in the bare tree, than natural growing flowers. Queer burning red, and
hard red flowers! They call it coral tree.

There was a little round summer-house also, with a flat roof and steps
going up. Somers mounted, and found that from the lead-covered roof of
the little round place he could look down the middle harbour, and even
see the low gateway, the low headlands with the lighthouse, opening to
the full Pacific. There was the way out to the open Pacific, the white
surf breaking. A tramp steamer was just coming in, under her shaft of
black smoke.

But near at hand nothing but bungalows--street after street. This was
one of the old-fashioned bits of Sydney. A little further off the
streets of proper brick houses clustered. But here on this hill the
original streets of bungalow places remained almost untouched, still
hinting at the temporary shacks run up in the wilderness.

Somers felt a little uneasy because he could look down into the whole
range of his neighbours' gardens and back premises. He tried not to look
at them. But Harriet had come climbing after him to survey the world,
and she began:

"Isn't it lovely up here! Do you see the harbour?--and the way we came
in! Look, look, I remember looking out of the porthole and seeing that
lighthouse, just as we came in--and those little brown cliffs. Oh, but
it's a wonderful harbour. What it must have been when it was first
discovered. And now all these little dog-kennelly houses, and
everything. But this next garden is lovely; have you seen the--what are
they, the lovely flowers?"


"But did ever you see such dahlias! Are you sure they're dahlias?
They're like pink chrysanthemums--and like roses--oh, lovely! But all
these little dog-kennels--awful piggling suburban place--and sort of
lousy. Is this all men can do with a new country? Look at those tin

"What do you expect them to do. Rome was not built in a day."

"Oh, but they might make it nice. Look at all the little backs: like
chicken houses with chicken runs. They call this making a new country,
do they?"

"Well, how would you start making a new country yourself?" asked Somers,
a little impatiently.

"I wouldn't have towns--and corrugated iron--and millions of little
fences--and empty tins."

"No, you'd have old chateaus and Tudor manors."

They went down, hearing a banging at the back door, and seeing a
tradesman with a basket on his arm. And for the rest of the day they
were kept busy going to the door to tell the inexhaustible tradespeople
that they were now fixed up with grocer and butcher and baker and all
the rest. Night came on, and Somers sat on his tub of a summer-house
looking at the lights glittering thick in swarms in the various hollows
down to the water, and the lighthouses flashing in the distance, and
ship lights on the water, and the dark places thinly sprinkled with
lights. It wasn't like a town, it was like a whole country, with towns
and bays and darknesses. And all lying mysteriously within the
Australian underdark, that peculiar lost, weary aloofness of Australia.
There was the vast town of Sydney. And it didn't seem to be real, it
seemed to be sprinkled on the surface of a darkness into which it never

Somers sighed and shivered and went down to the house. It was chilly.
Why had he come? Why, oh why? What was he looking for? Reflecting for a
moment, he imagined he knew what he had come for. But he wished he had
not come to Australia, for all that.

He was a man with an income of four hundred a year, and a writer of
poems and essays. In Europe, he had made up his mind that everything was
done for, played out, finished, and he must go to a new country. The
newest country: young Australia. Now he had tried Western Australia, and
had looked at Adelaide and Melbourne. And the vast, uninhabited land
frightened him. It seemed so hoary and lost, so unapproachable. The sky
was pure, crystal pure and blue, of a lovely pale blue colour: the air
was wonderful, new and unbreathed: and there were great distances. But
the bush, the grey, charred bush. It scared him. As a poet, he felt
himself entitled to all kinds of emotions and sensations which an
ordinary man would have repudiated. Therefore he let himself feel all
sorts of things about the bush. It was so phantom-like, so ghostly, with
its tall pale trees and many dead trees, like corpses, partly charred by
bush fires: and then the foliage so dark, like grey-green iron. And then
it was so deathly still. Even the few birds seemed to be swamped in
silence. Waiting, waiting--the bush seemed to be hoarily waiting. And he
could not penetrate into its secret. He couldn't get at it. Nobody could
get at it. What was it waiting for?

And then one night at the time of the full moon he walked alone into the
bush. A huge electric moon, huge, and the tree-trunks like naked pale
aborigines among the dark-soaked foliage, in the moonlight. And not a
sign of life--not a vestige.

Yet something. Something big and aware and hidden! He walked on, had
walked a mile or so into the bush, and had just come to a clump of tall,
nude, dead trees, shining almost phosphorescent with the moon, when the
terror of the bush overcame him. He had looked so long at the vivid
moon, without thinking. And now, there was something among the trees,
and his hair began to stir with terror, on his head. There was a
presence. He looked at the weird, white, dead trees, and into the hollow
distances of the bush. Nothing! Nothing at all. He turned to go home.
And then immediately the hair on his scalp stirred and went icy cold
with terror. What of? He knew quite well it was nothing. He knew quite
well. But with his spine cold like ice, and the roots of his hair
seeming to freeze, he walked on home, walked firmly and without haste.
For he told himself he refused to be afraid, though he admitted the icy
sensation of terror. But then to experience terror is not the same thing
as to admit fear into the conscious soul. Therefore he refused to be

But the horrid thing in the bush! He schemed as to what it would be. It
must be the spirit of the place. Something fully evoked to-night,
perhaps provoked, by that unnatural West-Australian moon. Provoked by
the moon, the roused spirit of the bush. He felt it was watching, and
waiting. Following with certainty, just behind his back. It might have
reached a long black arm and gripped him. But no, it wanted to wait. It
was not tired of watching its victim. An alien people--a victim. It was
biding its time with a terrible ageless watchfulness, waiting for a
far-off end, watching the myriad intruding white men.

This was how Richard Lovat Somers figured it out to himself, when he got
back into safety in the scattered township in the clearing on the
hill-crest, and could see far off the fume of Perth and Fremantle on the
sea-shore, and the tiny sparkling of a farther-off lighthouse on an
island. A marvellous night, raving with moonlight--and somebody burning
off the bush in a ring of sultry red fire under the moon in the
distance, a slow ring of creeping red fire, like some ring of fireflies,
upon the far-off darkness of the land's body, under the white blaze of
the moon above.

It is always a question whether there is any sense in taking notice of a
poet's fine feelings. The poet himself has misgivings about them. Yet a
man ought to feel something, at night under such a moon.

Richard S. had never quite got over that glimpse of terror in the
Westralian bush. Pure foolishness, of course, but there's no telling
where a foolishness may nip you. And, now that night had settled over
Sydney, and the town and harbour were sparkling unevenly below, with
reddish-seeming sparkles, whilst overhead the marvellous Southern Milky
Way was tilting uncomfortably to the south, instead of crossing the
zenith; the vast myriads of swarming stars that cluster all along the
milky way, in the Southern sky, and the Milky Way itself leaning heavily
to the south, so that you feel all on one side if you look at it; the
Southern sky at night, with that swarming Milky Way all bushy with
stars, and yet with black gaps, holes in the white star-road, while
misty blotches of star-mist float detached, like cloud-vapours, in the
side darkness, away from the road; the wonderful Southern night-sky,
that makes a man feel so lonely, alien: with Orion standing on his head
in the west, and his sword-belt upside down, and his Dog-star prancing
in mid-heaven, high above him; and with the Southern Cross
insignificantly mixed in with the other stars, democratically
inconspicuous; well then, now that night had settled down over Sydney,
and all this was happening overhead, for R.L. Somers and a few more
people, our poet once more felt scared and anxious. Things seemed so
different. Perhaps everything WAS different from all he had known.
Perhaps if St. Paul and Hildebrand and Darwin had lived south of the
equator, we might have known the world all different, quite different.
But it is useless iffing. Sufficient that Somers went indoors into his
little bungalow, and found his wife setting the table for supper, with
cold meat and salad.

"The only thing that's really cheap," said Harriet, "is meat. That huge
piece cost two shillings. There's nothing to do but to become savage and
carnivorous--if you can."

"The kangaroo and the dingo are the largest fauna in Australia," said
Somers. "And the dingo is probably introduced."

"But it's very good meat," said Harriet.

"I know that," said he.

The hedge between number fifty-one and number fifty was a rather weary
hedge with a lot of dead branches in it, on the Somers' side. Yet it
grew thickly, with its dark green, slightly glossy leaves. And it had
little pinky-green flowers just coming out: sort of pink pea-flowers.
Harriet went nosing round for flowers. Their garden was just trodden
grass with the remains of some bushes and a pumpkin vine. So she went
picking sprigs from the intervening hedge, trying to smell a bit of
scent in them, but failing. At one place the hedge was really thin, and
so of course she stood to look through into the next patch.

"Oh, but these dahlias are really marvellous. You MUST come and look,"
she sang out to Somers.

"Yes, I know, I've seen them," he replied rather crossly, knowing that
the neighbours would hear her. Harriet was so blithely unconscious of
people on the other side of hedges. As far as she was concerned, they
ought not to be there: even if they were in their own garden.

"You must come and look, though. Lovely! Real plum colour, and the
loveliest velvet. You must come."

He left off sweeping the little yard, which was the job he had set
himself for the moment, and walked across the brown grass to where
Harriet stood peeping through the rift in the dead hedge, her head tied
in a yellow, red-spotted duster. And of course, as Somers was peeping
beside her, the neighbour who belonged to the garden must come backing
out of the shed and shoving a motor-cycle down the path, smoking a short
little pipe meanwhile. It was the man in blue overalls, the one named
Jack. Somers knew him at once, though there were now no blue overalls.
And the man was staring hard at the dead place in the hedge, where the
faces of Harriet and Richard were seen peeping. Somers then behaved as
usual on such occasions, just went stony and stared unseeing in another
direction; as if quite unaware that the dahlias had an owner with a
motor-cycle: any other owner than God, indeed. Harriet nodded a confused
and rather distant "Good morning." The man just touched his cap, very
cursory, and nodded, and said good morning across his pipe, with his
teeth clenched, and strode round the house with his machine.

"Why must you go yelling for other people to hear you?" said Somers to

"Why shouldn't they hear me!" retorted Harriet.

The day was Saturday. Early in the afternoon Harriet went to the little
front gate because she heard a band: or the rudiments of a band. Nothing
would have kept her indoors when she heard a trumpet, not six wild
Somerses. It was some very spanking Boy Scouts marching out. There were
only six of them, but the road was hardly big enough to hold them.
Harriet leaned on the gate in admiration of their dashing broad hats and
thick calves. As she stood there she heard a voice:

"Would you care for a few dahlias? I believe you like them."

She started and turned. Bold as she was in private, when anybody
addressed her in the open, any stranger, she wanted to bolt. But it was
the fifty neighbour, the female neighbour, a very good-looking young
woman, with loose brown hair and brown eyes and a warm complexion. The
brown eyes were now alert with question and with offering, and very
ready to be huffy, or even nasty, if the offering were refused. Harriet
was too well-bred.

"Oh, thank you very much," she said, "but isn't it a pity to cut them?"

"Oh, not at all. My husband will cut you some with pleasure.
Jack!--Jack!" she called.

"Hello!" came the masculine voice.

"Will you cut a few dahlias for Mrs--er--I don't know your name"--she
flashed a soft, warm, winning look at Harriet, and Harriet flushed
slightly. "For the people next door," concluded the offerer.

"Somers--S-O-M-E-R-S." Harriet spelled it out.

"Oh, Somers!" exclaimed the neighbour woman, with a gawky little jerk,
like a schoolgirl. "Mr. and Mrs. Somers," she reiterated, with a little

"That's it," said Harriet.

"I saw you come yesterday, and I wondered--we hadn't heard the name of
who was coming." She was still rather gawky and schoolgirlish in her
manner, half shy, half brusque.

"No, I suppose not," said Harriet, wondering why the girl didn't tell
her own name now.

"That's your husband who has the motor-bike?" said Harriet.

"Yes, that's right. That's him. That's my husband, Jack, Mr. Callcott."

"Mr. Callcott, oh!" said Harriet, as if she were mentally abstracted
trying to spell the word.

Somers, in the little passage inside his house, heard all this with
inward curses. "That's done it!" he groaned to himself. He'd got
neighbours now.

And sure enough, in a few minutes came Harriet's gushing cries of joy
and admiration: "Oh, how lovely! how marvellous! but can they really be
dahlias? I've never seen such dahlias! they're really too beautiful! But
you shouldn't give them me, you shouldn't."

"Why not?" cried Mrs. Callcott in delight.

"So many. And isn't it a pity to cut them?" This, rather wistfully, to
the masculine silence of Jack.

"Oh no, they want cutting as they come, or the blooms get smaller," said
Jack, masculine and benevolent.

"And scent!--they have scent!" cried Harriet, sniffing at her velvety

"They have a little--not much though. Flowers don't have much scent in
Australia," deprecated Mrs. Callcott.

"Oh, I must show them to my husband," cried Harriet, half starting from
the fence. Then she lifted up her voice:

"Lovat!" she called. "Lovat! You MUST come. Come here! Come and see!


"Come. Come and see."

This dragged the bear out of his den: Mr. Somers, twisting sour smiles
of graciousness on his pale, bearded face, crossed the verandah and
advanced towards the division fence, on the other side of which stood
his Australian neighbour in shirt-sleeves, with a comely young wife very
near to him, whilst on this side stood Harriet with a bunch of pink and
purple ragged dahlias, and an expression of joyous friendliness, which
Somers knew to be false, upon her face.

"Look what Mrs. Callcott has given me! Aren't they exquisite?" cried
Harriet, rather exaggerated.

"Awfully nice," said Somers, bowing slightly to Mrs. Callcott, who
looked uneasy, and to Mr. Callcott--otherwise Jack.

"Got here all right in the hansom, then?" said Jack.

Somers laughed--and he could be charming when he laughed--as he met the
other man's eye.

"My wrist got tired, propping up the luggage all the way," he replied.

"Ay, there's not much waste ground in a hansom. You can't run up a spare
bed in the parlour, so to speak. But it saved you five bob."

"Oh, at least ten, between me and a Sydney taxi driver."

"Yes, they'll do you down if they can--that is, if you let 'em. I have a
motor-bike, so I can afford to let 'em get the wind up. Don't depend on
'em, you see. That's the point."

"It is, I'm afraid."

The two men looked at each other curiously. And Mrs. Callcott looked at
Somers with bright, brown, alert eyes, like a bird that has suddenly
caught sight of something. A new sort of bird to her was this little man
with a beard. He wasn't handsome and impressive like his wife. No, he
was odd. But then he had a touch of something, the magic of the old
world that she had never seen, the old culture, the old glamour. She
thought that, because he had a beard and wore a little green
house-jacket, he was probably a socialist.

The Somers now had neighbours: somewhat to the chagrin of Richard Lovat.
He had come to this new country, the youngest country on the globe, to
start a new life and flutter with a new hope. And he started with a
rabid desire not to see anything and not to speak one single word to any
single body--except Harriet, whom he snapped at hard enough. To be sure,
the mornings sometimes won him over. They were so blue and pure: the
blue harbour like a lake among the land, so pale blue and heavenly, with
its hidden and half-hidden lobes intruding among the low, dark-brown
cliffs, and among the dark-looking tree-covered shores, and up to the
bright red suburbs. But the land, the ever-dark bush that was allowed to
come to the shores of the harbour! It was strange that, with the finest
of new air dimming to a lovely pale blue in the distance, and with the
loveliest stretches of pale blue water, the tree-covered land should be
so gloomy and lightless. It is the sun-refusing leaves of the gum-trees
that are like dark, hardened flakes of rubber.

He was not happy, there was no pretending he was. He longed for Europe
with hungry longing: Florence, with Giotto's pale tower: or the Pincio
at Rome: or the woods in Berkshire--heavens, the English spring with
primroses under the bare hazel bushes, and thatched cottages among plum
blossom. He felt he would have given anything on earth to be in England.
It was May--end of May--almost bluebell time, and the green leaves
coming out on the hedges. Or the tall corn under the olives in Sicily.
Or London Bridge, with all the traffic on the river. Or Bavaria with
gentian and yellow globe flowers, and the Alps still icy. Oh God, to be
in Europe, lovely, lovely Europe that he had hated so thoroughly and
abused so vehemently, saying it was moribund and stale and finished. The
fool was himself. He had got out of temper, and so had called Europe
moribund: assuming that he himself, of course, was not moribund, but
sprightly and chirpy and too vital, as the Americans would say, for
Europe. Well, if a man wants to make a fool of himself, it is as well to
let him.

Somers wandered disconsolate through the streets of Sydney, forced to
admit that there were fine streets, like Birmingham for example; that
the parks and the Botanical Gardens were handsome and well-kept; that
the harbour, with all the two-decker brown ferry-boats sliding
continuously from the Circular Quay, was an extraordinary place. But oh,
what did he care about it all! In Martin Place he longed for
Westminster, in Sussex Street he almost wept for Covent Garden and St.
Martin's Lane, at the Circular Quay he pined for London Bridge. It was
all London without being London. Without any of the lovely old glamour
that invests London. This London of the Southern hemisphere was all, as
it were, made in five minutes, a substitute for the real thing. Just a
substitute--as margarine is a substitute for butter. And he went home to
the little bungalow bitterer than ever, pining for England.

But if he hated the town so much, why did he stay? Oh, he had a fanciful
notion that if he was really to get to know anything at all about a
country, he must live for a time in the principal city. So he had
condemned himself to three months at least. He told himself to comfort
himself that at the end of three months he would take the steamer across
the Pacific, homewards, towards Europe. He felt a long navel string
fastening him to Europe, and he wanted to go back, to go home. He would
stay three months. Three month's penalty for having forsworn Europe.
Three months in which to get used to this Land of the Southern Cross.
Cross indeed! A new crucifixion. And then away, homewards!

The only time he felt at all happy was when he had reassured himself
that by August, he would be taking his luggage on to a steamer. That
soothed him.

He understood now that the Romans had preferred death to exile. He could
sympathise now with Ovid on the Danube, hungering for Rome and blind to
the land around him, blind to the savages. So Somers felt blind to
Australia, and blind to the uncouth Australians. To him they were
barbarians. The most loutish Neapolitan loafer was nearer to him in
pulse than these British Australians with their aggressive familiarity.
He surveyed them from an immense distance, with a kind of horror.

Of course he was bound to admit that they ran their city very well, as
far as he could see. Everything was very easy, and there was no fuss.
Amazing how little fuss and bother there was--on the whole. Nobody
seemed to bother, there seemed to be no policemen and no authority, the
whole thing went by itself, loose and easy, without any bossing. No real
authority--no superior classes--hardly even any boss. And everything
rolling along as easily as a full river, to all appearances.

That's where it was. Like a full river of life, made up of drops of
water all alike. Europe is really established upon the aristocratic
principle. Remove the sense of class distinction, of higher and lower,
and you have anarchy in Europe. Only nihilists aim at the removal of all
class distinction, in Europe.

But in Australia, it seemed to Somers, the distinction was already gone.
There was really no class distinction. There was a difference of money
and of "smartness". But nobody felt BETTER than anybody else, or higher;
only better-off. And there is all the difference in the world between
feeling BETTER than your fellow man, and merely feeling BETTER-OFF.

Now Somers was English by blood and education, and though he had no
antecedents whatsoever, yet he felt himself to be one of the RESPONSIBLE
members of society, as contrasted with the innumerable IRRESPONSIBLE
members. In old, cultured, ethical England this distinction is radical
between the responsible members of society and the irresponsible. It is
even a categorical distinction. It is a caste distinction, a distinction
in the very being. It is the distinction between the proletariat and the
ruling classes.

But in Australia nobody is supposed to rule, and nobody does rule, so
the distinction falls to the ground. The proletariat appoints men to
administer the law, not to rule. These ministers are not really
responsible, any more than the housemaid is responsible. The proletariat
is all the time responsible, the only source of authority. The will of
the people. The ministers are merest instruments.

Somers for the first time felt himself immersed in real democracy--in
spite of all disparity in wealth. The instinct of the place was
absolutely and flatly democratic, a terre democratic. Demos was here his
own master, undisputed, and therefore quite calm about it. No need to
get the wind up at all over it; it was a granted condition of Australia,
that Demos was his own master.

And this was what Richard Lovat Somers could not stand. You may be the
most liberal Englishman, and yet you cannot fail to see the categorical
difference between the responsible and the irresponsible classes. You
cannot fail to admit the necessity for RULE. Either you admit yourself
an anarchist, or you admit the necessity for RULE--in England. The
working classes in England feel just the same about it as do the upper
classes. Any working man who sincerely feels himself a responsible
member of society feels it his duty to exercise authority in some way or
other. And the irresponsible working man likes to feel there is a strong
boss at the head, if only so that he can grumble at him satisfactorily.
Europe is established on the instinct of authority: "Thou shalt." The
only alternative is anarchy.

Somers was a true Englishman, with an Englishman's hatred of anarchy,
and an Englishman's instinct for authority. So he felt himself at a
discount in Australia. In Australia authority was a dead letter. There
was no giving of orders here; or, if orders were given, they would not
be received as such. A man in one position might make a suggestion to a
man in another position, and this latter might or might not accept the
suggestion, according to his disposition. Australia was not yet in a
state of anarchy. England had as yet at least nominal authority. But let
the authority be removed, and then! For it is notorious, when it comes
to constitutions, how much there is in a name.

Was all that stood between Australia and anarchy just a name?--the name
of England, Britain, Empire, Viceroy, or Governor General, or Governor?
The shadow of the old sceptre, the mere sounding of a name? Was it just
the hollow word "Authority", sounding across seven thousand miles of
sea, that kept Australia from Anarchy? Australia--Authority--Anarchy: a
multiplication of the alpha.

So Richard Lovat cogitated as he roamed about uneasily. Not that he knew
all about it. Nobody knows all about it. And those that fancy they know
ALMOST all about it are usually most wrong. A man must have SOME ideas
about the thing he's up against, otherwise he's a simple wash-out.

But Richard WAS wrong. Given a good temper and a genuinely tolerant
nature--both of which the Australians seem to have in a high degree--you
can get on for quite a long time without "rule". For quite a long time
the thing just goes by itself.

Is it merely running down, however, like a machine running on but
gradually running down?

Ah, questions!


THE Somers-Callcott acquaintance did not progress very rapidly, after
the affair of the dahlias. Mrs. Callcott asked Mrs. Somers across to
look at their cottage, and Mrs. Somers went. Then Mrs. Somers asked Mrs.
Callcott back again. But both times Mr. Somers managed to be out of the
way, and managed to cast an invisible frost over the rencontre. He was
not going to be dragged in, no, he was not. He very much wanted to
borrow a pair of pincers and a chopper for an hour, to pull out a few
nails, and to split his little chunks of kindling that the dealer had
sent too thick. And the Callcotts were very ready to lend anything, if
they were only asked for it. But no, Richard Lovat wasn't going to ask.
Neither would he buy a chopper, because the travelling expenses had
reduced him to very low water. He preferred to wrestle with the chunks
of jarrah every morning.

Mrs. Somers and Mrs. Callcott continued, however, to have a few friendly
words across the fence. Harriet learned that Jack was foreman in a
motor-works place, that he had been wounded in the jaw in the war, that
the surgeons had not been able to extract the bullet, because there was
nothing for it to "back up against"--and so he had carried the chunk of
lead in his gizzard for ten months, till suddenly it had rolled into his
throat and he had coughed it out. The jeweller had wanted Mrs. Callcott
to have it mounted in a brooch or a hatpin. It was a round ball of lead,
from a shell, as big as a marble, and weighing three or four ounces.
Mrs. Callcott had recoiled from this suggestion, so an elegant little
stand had been made, like a little lamp-post on a polished wood base,
and the black little globe of lead dangled by a fine chain like an
arc-lamp from the top of the toy lamp-post. It was now a mantelpiece

All this Harriet related to the indignant Lovat, though she wisely
suppressed the fact that Mrs. Callcott had suggested that "perhaps Mr.
Somers might like to have a look at it."

Lovat was growing more used to Australia--or to the "cottage" in Murdoch
Road, and the view of the harbour from the tub-top of his summer-house.
You couldn't call that all "Australia"--but then one man can't bite off
a continent in a mouthful, and you must start to nibble somewhere. He
and Harriet took numerous trips in the ferry steamers to the many nooks
and corners of the harbour. One day their ferry steamer bumped into a
collier that was heading for the harbour outlet--or rather, their ferry
boat headed across the nose of the collier, so the collier bumped into
them and had his nose put out of joint. There was a considerable amount
of yelling, but the ferry boat slid flatly away towards Manly, and
Harriet's excitement subsided.

It was Sunday, and a lovely sunny day of Australian winter. Manly is the
bathing suburb of Sydney--one of them. You pass quite close to the wide
harbour gate, The Heads, on the ferry steamer. Then you land on the
wharf, and walk up the street, like a bit of Margate with sea-side shops
and restaurants, till you come out on a promenade at the end, and there
is the wide Pacific rolling in on the yellow sand: the wide fierce sea,
that makes all the built-over land dwindle into non-existence. At least
there was a heavy swell on, so the Pacific belied its name and crushed
the earth with its rollers. Perhaps the heavy, earth-despising swell is
part of its pacific nature.

Harriet, of course, was enraptured, and declared she could not be happy
till she had lived beside the Pacific. They bought food and ate it by
the sea. Then Harriet was chilled, so they went to a restaurant for a
cup of soup. When they were again in the street Harriet realized that
she hadn't got her yellow scarf: her big, silky yellow scarf that was so
warm and lovely. She declared she had left it in the eating-house, and
they went back at once for it. The girls in the eating-house--the
waitresses--said, in their cheeky Cockney Australian that they "hedn't
seen it", and that the "next people who kyme arfter must 'ev tyken it".

Anyhow, it was gone--and Harriet furious, feeling as if there had been a
thief in the night. In this unhappy state of affairs Somers suggested
they should sit on the tram-car and go somewhere. They sat on the
tram-car and ran for miles along a coast with ragged bush loused over
with thousands of small promiscuous bungalows, built of everything from
patchwork of kerosene tin up to fine red brick and stucco, like Margate.
Not far off the Pacific boomed. But fifty yards inland started these
bits of swamp, and endless promiscuity of "cottages".

The tram took them five or six miles, to the terminus. This was the end
of everywhere, with new "stores"--that is, flyblown shops with
corrugated iron roofs--and with a tramshelter, and little house-agents'
booths plastered with signs--and more "cottages"; that is, bungalows of
corrugated iron or brick--and bits of swamp or "lagoon" where the sea
had got in and couldn't get out. The happy couple had a drink of sticky
aerated waters in one of the "stores", then walked up a wide sand-road
dotted on either side with small bungalows, beyond the backs of which
lay a whole aura of rusty tin cans chucked over the back fence. They
came to the ridge of sand, and again the pure, long-rolling Pacific.

"I love the sea," said Harriet.

"I wish," said Lovat, "it would send a wave about fifty feet high round
the whole coast of Australia."

"You are so bad-tempered," said Harriet. "Why don't you see the lovely

"I do, by contrast."

So they sat on the sands, and he peeled pears and buried the peel in the
yellow sand. It was winter, and the shore was almost deserted. But the
sun was warm as an English May.

Harriet felt she absolutely must live by the sea, so they wandered along
a wide, rutted space of deep sand, looking at the "cottages" on either
side. They had impossible names. But in themselves, many of them were
really nice. Yet there they stood like so many forlorn chicken-houses,
each on its own oblong patch of land, with a fence between it and its
neighbour. There was something indescribably weary and dreary about it.
The very ground the houses stood on seemed weary and drabbled, almost
asking for rusty tin cans. And so many pleasant little bungalows set
there in an improvised road, wide and weary--and then the effort had
lapsed. The tin shacks were almost a relief. They did not call for
geraniums and lobelias, as did the pretty Hampstead Garden Suburb
"cottages". And these latter might call, but they called in vain. They
got bits of old paper and tins.

Yet Harriet absolutely wanted to live by the sea, so they stopped before
each bungalow that was to be let furnished. The estate agents went in
for abbreviations. On the boards at the corner of the fences it said
either "4 Sale" or "2 Let". Probably there was a colonial intention of
jocularity. But it was almost enough for Somers. He would have died
rather than have put himself into one of those cottages.

The road ended on the salt pool where the sea had ebbed in. Across was a
state reserve--a bit of aboriginal Australia, with gum trees and empty
spaces beyond the flat salt waters. Near at hand a man was working away,
silently loading a boat with beach-sand, upon the lagoon. To the right
the sea was rolling on the shore, and spurting high on some brown rocks.
Two men in bathing suits were running over the spit of sand from the
lagoon to the surf, where two women in "waders", those rubber
paddling-drawers into which we bundle our children at the seaside, were
paddling along the fringe of the foam. A blond young man wearing a
jacket over his bathing suit walked by with two girls. He had huge
massive legs, astonishing. And near at hand Somers saw another youth
lying on the warm sand-hill in the sun. He had rolled in the dry sand
while he was wet, so he was hardly distinguishable. But he lay like an
animal on his face in the sun, and again Somers wondered at the thick
legs. They seemed to run to leg, these people. Three boys, one a lad of
fifteen or so, came out of the warm lagoon in their bathing suits to
roll in the sand and play. The big lad crawled on all fours and the
little one rode on his back, and pitched off into the sand. They were
extraordinarily like real young animals, mindless as opossums, lunging

This was Sunday afternoon. The sun was warm. The lonely man was just
pushing off his boat on the lagoon. It sat deep in the water, half full
of sand. Somers and Harriet lay on the sand-bank. Strange it was. And it
HAD a sort of fascination. Freedom! That's what they always say. "You
feel free in Australia." And so you do. There is a great relief in the
atmosphere, a relief from tension, from pressure. An absence of control
or will or form. The sky is open above you, and the air is open around
you. Not the old closing-in of Europe.

But what then? The VACANCY of this freedom is almost terrifying. In the
openness and the freedom this new chaos, this litter of bungalows and
tin cans scattered for miles and miles, this Englishness all crumbled
out into formlessness and chaos. Even the heart of Sydney itself--an
imitation of London and New York, without any core or pith of meaning.
Business going on full speed: but only because it is the other end of
English and American business.

The absence of any inner meaning: and at the same time the great sense
of vacant spaces. The sense of irresponsible freedom. The sense of
do-as-you-please liberty. And all utterly uninteresting. What is more
hopelessly uninteresting than accomplished liberty? Great swarming,
teeming Sydney flowing out into these myriads of bungalows, like shallow
waters spreading, undyked. And what then? Nothing. No inner life, no
high command, no interest in anything, finally.

Somers turned over and shut his eyes. New countries were more
problematic than old ones. One loved the sense of release from old
pressure and old tight control, from the old world of water-tight
compartments. This was Sunday afternoon, but with none of the surfeited
dreariness of English Sunday afternoons. It was still a raw loose world.
All Sydney would be out by the sea or in the bush, a roving, unbroken
world. They all rushed from where they were to somewhere else, on
holidays. And to-morrow they'd all be working away, with just as little
meaning, working without any meaning, playing without any meaning; and
yet quite strenuous at it all. It was just dazing. Even the rush for
money had no real pip in it. They really cared very little for the power
that money can give. And except for the sense of power, that had no real
significance here. When all is said and done, even money is not much
good where there is no genuine culture. Money is a means to rising to a
higher, subtler, fuller state of consciousness, or nothing. And when you
flatly don't want a fuller consciousness, what good is your money to
you? Just to chuck about and gamble with. Even money is a European
invention--European and American. It has no real magic in Australia.

Poor Richard Lovat wearied himself to death struggling with the problem
of himself, and calling it Australia. There was no actual need for him
to struggle with Australia: he must have done it in the hedonistic
sense, to please himself. But it wore him to rags.

Harriet sat up and began dusting the sand from her coat--Lovat did
likewise. Then they rose to be going back to the tram-car. There was a
motor-car standing on the sand of the road near the gate of the end
house. The end house was called St. Columb, and Somers' heart flew to
Cornwall. It was quite a nice little place, standing on a bluff of sand
sideways above the lagoon.

"I wouldn't mind that," said Harriet, looking up at St. Columb.

But Somers did not answer. He was shut against any of these humiliating
little bungalows. "Love's Harbour" he was just passing by, and it was "4
Sale". It would be. He ploughed grimly through the sand.
"Arcady"--"Stella Maris"--"Racketty-Coo."

"I say!" called a voice from behind.

It was Mrs. Callcott running unevenly over the sand after them, the
colour high in her cheeks. She wore a pale grey crepe de chine dress and
grey suede shoes. Some distance behind her Jack Callcott was following,
in his shirt-sleeves.

"Fancy you being here!" gasped Mrs. Callcott, and Harriet was so
flustered she could only cry:

"Oh, how do you do!"--and effusively shake hands, as if she were meeting
some former acquaintance on Piccadilly. The shaking hands quite put Mrs.
Callcott off her track. She felt it almost an affront, and went red. Her
husband sauntered up and put his hands in his pockets, to avoid

"Ha, what are YOU doing here," he said to the Somers pair. "Wouldn't you
like a cup of tea?"

Harriet glanced at Richard Lovat. He was smiling faintly.

"Oh, we should LOVE it," she replied to Mr. Callcott. "But where?--have
you got a house here?"

"My sister has the end house," said he.

"Oh, but--will she want us?" cried Harriet, backing out.

The Callcotts stood for a moment silent.

"Yes, if you like to come," said Jack. And it was evident he was aware
of Somers' desire to avoid contact.

"Well, I should be awfully grateful," said Harriet. "Wouldn't you,

"Yes," he said, smiling to himself, feeling Jack's manly touch of
contempt for all this hedging.

So off they went to "St. Columb". The sister was a brown-eyed Australian
with a decided manner, kindly, but a little suspicious of the two
newcomers. Her husband was a young Cornishman, rather stout and short
and silent. He had his hair cut round at the back, in a slightly rounded
line above a smooth, sunburnt, reddened nape of the neck. Somers found
out later that this young Cornishman--his name was Trewhella--had
married his brother's widow. Mrs. Callcott supplied Harriet later on
with all the information concerning her sister-in-law. The first
Trewhella, Alfred John, had died two years ago, leaving his wife with a
neat sum of money and this house, "St. Columb", and also with a little
girl named Gladys, who came running in shaking her long brown hair just
after the Somers appeared. So the present Trewhellas were a
newly-married couple. The present husband, William James, went round in
a strange, silent fashion helping his wife Rose to prepare tea.

The bungalow was pleasant, a large room facing the sea, with verandahs
and other little rooms opening off. There were many family photographs,
and a framed medal and ribbon and letter praising the first Trewhella.
Mrs. Trewhella was alert and watchful, and decided to be genteel. So the
party sat around in the basket chairs and on the settles under the
windows, instead of sitting at table for tea. And William James silently
but willingly carried round the bread and butter and the cakes.

He was a queer young man, with an Irish-looking face, rather pale, an
odd kind of humour in his grey eye and in the corners of his pursed
mouth. But he spoke never a word. It was hard to decide his
age--probably about thirty--a little younger than his wife. He seemed
silently pleased about something--perhaps his marriage. Somers noticed
that the whites of his eyes were rather bloodshot. He had been in
Australia since he was a boy of fifteen--he had come with his
brother--from St. Columb, near Newquay--St. Columb Major. So much Somers

"Well, how do you like Sydney?" came the inevitable question from Mrs.

"The harbour, I think, is wonderful," came Somers' invariable answer.

"It is a fine harbour, isn't it. And Sydney is a fine town. Oh yes, I've
lived there all my life."

The conversation languished. Callcott was silent, and William James
seemed as if he were never anything else. Even the little girl fluttered
into a whisper and went still again. Everybody was a little embarrassed,
rather stiff: too genteel, or not genteel enough. And the men seemed
absolute logs.

"You don't think much of Australia, then?" said Jack to Somers.

"Why," answered the latter, "how am I to judge! I haven't even seen the
fringe of it."

"Oh, it's mostly fringe," said Jack. "But it hasn't made a good
impression on you?"

"I don't know yet. My feelings are mixed. The COUNTRY seems to me to
have a fascination--strange --."

"But you don't take to the Aussies, at first sight. Bit of a collision
between their aura and yours," smiled Jack.

"Maybe that's what it is," said Somers. "That's a useful way of putting
it. I can't help my aura colliding, can I?"

"Of course you can't. And if it's a tender sort of aura, of course it
feels the bump."

"Oh, don't talk about it," cried Harriet. "He must be just one big bump,
by the way he grumbles."

They all laughed--perhaps a trifle uneasily.

"I thought so," said Jack. "What made you come here? Thought you'd like
to write about it?"

"I thought I might like to live here--and write here," replied Somers

"Write about the bushrangers and the heroine lost in the bush and
wandering into a camp of bullies?" said Jack.

"Maybe," said Somers.

"Do you mind if I ask you what sort of things you do write?" said Jack,
with some delicacy.


"Essays about what?"

"Oh--rubbish mostly."

There was a moment's pause.

"Oh, Lovat, don't be so silly. You KNOW you don't think your essays
rubbish," put in Harriet. "They're about life, and democracy, and
equality, and all that sort of thing," Harriet explained.

"Oh, yes?" said Jack. "I'd like to read some."

"Well," hesitated Harriet, "He can lend you a volume--you've got some
with you, haven't you?" she added, turning to Somers.

"I've got one," admitted that individual, looking daggers at her.

"Well, you'll lend it to Mr. Callcott, won't you?"

"If he wants it. But it will only bore him."

"I might rise up to it, you know," said Jack laconically, "if I bring
all my mental weight to bear on it."

Somers flushed, and laughed at the contradiction in metaphor.

"It's not the loftiness," he said, rather amused. "It's that people just
don't care to hear some things."

"Well, let me try," said Jack. "We're a new country--and we're out to

"That's exactly what we're not," broke out William James, with a Cornish
accent and a blurt of a laugh. "We're out to show to everybody that we
know everything there is to be known."

"That's some of us," said Jack.

"And most of us," said William James.

"Have it your own way, boy. But let us speak for the minority. And
there's a minority that knows we've got to learn a big lesson--and
that's willing to learn it."

Again there was silence. The women seemed almost effaced.

"There's one thing," thought Somers to himself, "when these Colonials DO
speak seriously, they speak like men, not like babies." He looked up at

"It's the world that's got to learn a lesson," he said. "Not only
Australia." His tone was acid and sinister. And he looked with his hard,
pale blue eyes at Callcott. Callcott's eyes, brown and less
concentrated, less hard, looked back curiously at the other man.

"Possibly it is," he said. "But my job is Australia."

Somers watched him. Callcott had a pale, clean-shaven, lean face with
close-shut lips. But his lips weren't bitten in until they just formed a
slit, as they so often are in Colonials. And his eyes had a touch of
mystery, of aboriginal darkness.

"Do you care very much for Australia?" said Somers, a little wistfully.

"I believe I do," said Jack. "But if I was out of a job like plenty of
other unlucky diggers, I suppose I should care more about getting a

"But you care very much about your Australia?"

"My Australia? Yes, I own about seven acres of it, all told. I suppose I
care very much about that. I pay my taxes on it, all right."

"No, but the future of Australia."

"You'll never see me on a platform shouting about it."

The Lovats said they must be going.

"If you like to crowd in," said Jack, "we can take you in the car. We
can squeeze in Mr. Somers in front, and there'll be plenty of room for
the others at the back, if Gladys sits on her Dad's knee."

This time Somers accepted at once. He felt the halting refusals were
becoming ridiculous.

They left at sunset. The west, over the land, was a clear gush of light
up from the departed sun. The east, over the Pacific, was a tall concave
of rose-coloured clouds, a marvellous high apse. Now the bush had gone
dark and spectral again, on the right hand. You might still imagine
inhuman presences moving among the gum trees. And from time to time, on
the left hand, they caught sight of the long green rollers of the
Pacific, with the star-white foam, and behind that the dusk-green sea
glimmered over with smoky rose, reflected from the eastern horizon where
the bank of flesh-rose colour and pure smoke-blue lingered a long time,
like magic, as if the sky's rim were cooling down. It seemed to Somers
characteristic of Australia, this far-off flesh-rose bank of colour on
the sky's horizon, so tender and unvisited, topped with the smoky,
beautiful blueness. And then the thickness of the night's stars
overhead, and one star very brave in the last effulgence of sunset,
westward over the continent. As soon as night came, all the raggletaggle
of amorphous white settlements disappeared, and the continent of the
Kangaroo reassumed its strange, unvisited glamour, a kind of virgin
sensual aloofness.

Somers sat in front between Jack and Victoria Callcott, because he was
so slight. He made himself as small as he could, like the ham in the
sandwich. When he looked her way, he found Victoria watching him under
her lashes, and as she met his eyes, she flared into a smile that filled
him with wonder. She had such a charming, innocent look, like an
innocent girl, naive and a little gawky. Yet the strange exposed smile
she gave him in the dusk. It puzzled him to know what to make of it.
Like an offering--and yet innocent. Perhaps like the sacred prostitutes
of the temple: acknowledgement of the sacredness of the act. He chose
not to think of it, and stared away across the bonnet of the car at the
fading land.

Queer, thought Somers, this girl at once sees perhaps the most real me,
and most women take me for something I am not at all. Queer to be
recognized at once, as if one were of the same family.

He had to admit that he was flattered also. She seemed to see the wonder
in him. And she had none of the European women's desire to make a
conquest of him, none of that feminine rapacity which is so hateful in
the old world. She seemed like an old Greek girl bringing an offering to
the altar of the mystic Bacchus. The offering of herself.

Her husband sat steering the car and smoking his short pipe in silence.
He seemed to have something to think about. At least he had considerable
power of silence, a silence which made itself felt. Perhaps he knew his
wife much better than anyone else. At any rate he did not feel it
necessary to keep an eye on her. If she liked to look at Somers with a
strange, exposed smile, that was her affair. She could do as she liked
in that direction, so far as he, Jack Callcott, was concerned. She was
his wife: she knew it, and he knew it. And it was quite established and
final. So long as she did not betray what was between her and him, as
husband and wife, she could do as she liked with the rest of herself.
And he could, quite rightly, trust her to be faithful to that
undefinable relation which subsisted between them as man and wife. He
didn't pretend and didn't want to occupy the whole field of her

And in just the same way, that bond which connected himself with her, he
would always keep unbroken for his part. But that did not mean that he
was sworn body and soul to his wife. Oh no. There was a good deal of him
which did not come into the marriage bond, and with all this part of
himself he was free to make the best he could, according to his own
idea. He loved her, quite sincerely, for her naive sophisticated
innocence which allowed him to be unknown to her, except in so far as
they were truly and intimately related. It was the innocence which has
been through the fire, and knows its own limitations. In the same way he
quite consciously chose not to know anything more about her than just so
much as entered into the absolute relationship between them. He quite
definitely did not want to absorb her, or to occupy the whole field of
her nature. He would trust her to go her own way, only keeping her to
the pledge that was between them. What this pledge consisted in he did
not try to define. It was something indefinite: the field of contact
between their two personalities. Where their two personalities met and
joined, they were one, and pledged to permanent fidelity. But that part
in each of them which did not belong to the other was free from all
enquiry or even from knowledge. Each silently consented to leave the
other in large part unknown, unknown in word and deed and very being.
They didn't WANT to know--too much knowledge would be like shackles.

Such marriage is established on a very subtle sense of honour and of
individual integrity. It seems as if each race and continent has its own
marriage instinct. And the instinct that develops in Australia will
certainly not be the same as the instinct that develops in America. And
each people must follow its own instinct, if it is to live, not matter
whether the marriage law be universal or not.

The Callcotts had come to no agreement, verbally, as to their marriage.
They had not thought it out. They were Australians, of strongly,
subtly-developed desire for freedom, and with considerable indifference
to old formulae and the conventions based thereon. So they took their
stand instinctively and calmly. Jack had defined his stand as far as he
found necessary. If his wife was good to him and satisfied him in so far
as HE went, then he was pledged to trust her to do as she liked outside
his ken, outside his range. He would make a cage for nobody. This he
openly propounded to his mates: to William James, for example, and later
to Somers. William James said yes, but thought the more. Somers was
frankly disturbed, not liking the thought of applying the same
prescription to his own marriage.

They put down the Trewhellas at their house in North Sydney, and went on
to Murdoch Road over the ferry. Jack had still to take the car down to
the garage in town. Victoria said she would prepare the high tea which
takes the place of dinner and supper in Australia, against his return.
So Harriet boldly invited them to this high tea--a real substantial meal
in her own house. Victoria was to help her prepare it, and Jack was to
come straight back to Torestin. Victoria was as pleased as a lamb with
two tails over this arrangement, and went in to change her dress.

Somers knew why Harriet had launched this invitation. It was because she
had had a wonderfully successful cooking morning. Like plenty of other
women Harriet had learned to cook during war-time, and now she loved it,
once in a while. This had been one of the whiles. Somers had stoked the
excellent little stove, and peeled the apples and potatoes and onions
and pumpkin, and looked after the meat and the sauces, while Harriet had
lashed out in pies and tarts and little cakes and baked custard. She now
surveyed her prize Beeton shelf with love, and began to whisk up a
mayonnaise for potato salad.

Victoria appeared in a pale gauze dress of pale pink with little dabs of
gold--a sort of tea-party dress--and with her brown hair loosely knotted
behind, and with innocent sophistication pulled a bit untidy over her
womanly forehead, she looked winsome. Her colour was very warm, and she
was gawkily excited. Harriet put on an old yellow silk frock, and Somers
changed into a dark suit. For tea there was cold roast pork with
first-class brown crackling on it, and potato salad, beetroot, and
lettuce, and apple chutney; then a dressed lobster--or crayfish, very
good, pink and white; and then apple pie and custard-tarts and cakes and
a dish of apples and passion fruits and oranges, a pine-apple and some
bananas: and of course big cups of tea, breakfast-cups.

Victoria and Harriet were delighted, Somers juggled with colour-schemes
on the table, the one central room in the bungalow was brilliantly
lighted, and the kettle sang on the hearth. After months of India, with
all the Indian decorum and two silent men-servants waiting at table: and
after the old-fashioned gentility of the P. and O. steamer, Somers and
Harriet felt this show rather a come-down maybe, but still good fun.
Victoria felt it was almost "society". They waited for Jack.

Jack arrived bending forward rather in the doorway, a watchful look on
his pale, clean-shaven face, and that atmosphere of silence about him
which is characteristic of many Australians.

"Kept you waiting?" he asked.

"We were just ready for you," said Harriet.

Jack had to carve the meat, because Somers was so bad at it and didn't
like doing it. Harriet poured the great cups of tea. Callcott looked
with a quick eye round the table to see exactly what he wanted to eat,
and Victoria peeped through her lashes to see exactly how Harriet
behaved. As Harriet always behaved in the vaguest manner possible, and
ate her sweets with her fish-fork and her soup with her pudding spoon, a
study of her table manners was not particularly profitable.

To Somers it was like being back twenty-five years, back in an English
farm-house in the Midlands, at Sunday tea. He had gone a long way from
the English Midlands, and got out of the way of them. Only to find them
here again, with hardly a change. To Harriet it was all novel and fun.
But Richard Lovat felt vaguely depressed.

The pleasant heartiness of the life he had known as a boy now depressed
him. He hated the promiscuous mixing in of all the company, the lack of
reserve in manner. He had preferred India for that: the gulf between the
native servants and the whites kept up a sort of tone. He had learned to
be separate, to talk across a slight distance. And that was an immense
relief to him, because it was really more his nature. Now he found
himself soused again in the old familiar jolly and cosy, spirit of his
childhood and boyhood, and he was depressed.

Jack, of course, had a certain reserve. But of a different sort. Not a
physical reserve. He did keep his coat on, but he might as well have sat
there in his shirt-sleeves. His very silence was, so to speak, in its

There was a curious battle in silence going on between the two men. To
Harriet, all this familiar shirt-sleeve business was just fun, the
charades. In her most gushing genial moments she was still only
masquerading inside her class--the "upper" class of Europe. But Somers
was of the people himself, and he had that alert INSTINCT of the common
people, the instinctive knowledge of what his neighbour was wanting and
thinking, and the instinctive necessity to answer. With the other
classes, there is a certain definite breach between individual and
individual, and not much goes across except what is intended to go
across. But with the common people, and with most Australians, there is
no breach. The communication is silent and involuntary, the give and
take flows like waves from person to person, and each one knows: unless
he is foiled by speech. Each one knows in silence, reciprocates in
silence, and the talk as a rule just babbles on, on the surface. This is
the common people among themselves. But there is this difference in
Australia. Each individual seems to feel himself pledged to put himself
aside, to keep himself at least half out of count. The whole geniality
is based on a sort of code of "You put yourself aside, and I'll put
myself aside." This is done with a watchful will: a sort of duel. And
above this, a great geniality. But the continual holding most of himself
aside, out of count, makes a man go blank in his withheld self. And
that, too, is puzzling.

Probably this is more true of the men than of the women. Probably women
change less, from land to land, play fewer "code' tricks with
themselves. At any rate, Harriet and Victoria got on like a house on
fire, and as they were both beautiful women, and both looking well as
they talked, everything seemed splendid. But Victoria was really paying
just a wee bit of homage all the time, homage to the superior class.

As for the two men: Somers SEEMED a gentleman, and Jack didn't want to
be a gentleman. Somers SEEMED a real gentleman. And yet Jack recognized
in him at once the intuitive response which only subsists, normally,
between members of the same class: between the common people. Perhaps
the best of the upper classes have the same intuitive understanding of
their fellow-man: but there is always a certain reserve in the response,
a preference for the non-intuitive forms of communication, for
deliberate speech. What is not said is supposed not to exist: that is
almost code of honour with the other classes. With the true common
people, only that which is NOT said is of any vital significance.

Which brings us back to Jack and Somers. The one thing Somers had kept,
and which he possessed in a very high degree, was the power of intuitive
communication with others. Much as he wanted to be alone, to stand clear
from the weary business of unanimity with everybody, he had never chosen
really to suspend this power of intuitive response: not till he was
personally offended, and then it switched off and became a blank wall.
But the smallest act of real kindness would call it back to life again.

Jack had been generous, and Somers liked him. Therefore he could not
withhold his soul from responding to him, in a measure. And Jack, what
did he want? He saw this other little fellow, a gentleman, apparently,
and yet different, not exactly a gentleman. And he wanted to know him,
to talk to him. He wanted to get at the bottom of him. For there was
something about Somers--he might be a German, he might be a bolshevist,
he might be anything, and he MUST be something, because he was
different, a gentleman and not a gentleman. He was different because,
when he looked at you, he knew you more or less in your own terms, not
as an outsider. He looked at you as if he were one of your own sort. He
answered you intuitively as if he were one of your own sort. And yet he
had the speech and the clear definiteness of a gentleman. Neither one
thing nor the other. And he seemed to know a lot, Jack was sure that
Somers knew a lot, and could tell him a lot, if he would but let it out.

If he had been just a gentleman, of course, Jack would never have
thought of wanting him to open out. Because a gentleman has nothing to
open towards a man of the people. He can only talk, and the working man
can only listen across a distance. But seeing that this little fellow
was born a gentleman and not a gentleman; seeing he was just like one of
yourselves, and yet had all the other qualities of a gentleman: why, you
might just as well get the secret out of him.

Somers knew the attitude, and was not going to be drawn. He talked
freely and pleasantly enough--but never as Jack wanted. He knew well
enough what Jack wanted: which was that they should talk together as man
to man--as pals, you know, with a little difference. But Somers would
never be pals with any man. It wasn't in his nature. He talked
pleasantly and familiarly--fascinating to Victoria, who sat with her
brown eyes watching him, while she clung to Jack's arm on the sofa. When
Somers was talking and telling, it was fascinating, and his quick,
mobile face changed and seemed full of magic. Perhaps it was difficult
to locate any definite SOMERS, any one individual in all this ripple of
animation and communication. The man himself seemed lost in the bright
aura of his rapid consciousness. This fascinated Victoria: she of course
imagined some sort of God in the fiery bush. But Jack was mistrustful.
He mistrusted all this bright quickness. If there was an individual
inside the brightly-burning bush of consciousness, let him come out, man
to man. Even if it was a sort of God in the bush, let him come out, man
to man. Otherwise let him be considered a sort of mountebank, a
show-man, too clever by half.

Somers knew pretty well Jack's estimation of him. Jack, sitting there
smoking his little short pipe, with his lovely wife in her pink
georgette frock hanging on to his side, and the watchful look on his
face, was the manly man, the consciously manly man. And he had just a
bit of contempt for the brilliant little fellow opposite, and he felt
just a bit uneasy because the same little fellow laughed at his
"manliness", knowing it didn't go right through. It takes more than
"manliness" to make a man.

Somers' very brilliance had an overtone of contempt in it, for the other
man. The women, of course, not demanding any orthodox "manliness",
didn't mind the knock at Jack's particular sort. And to them Somers'
chief fascination lay in the fact that he was never "pals". They were
too deeply women to care for the sham of pals.

So Jack went home after a whisky and soda with his nose a little bit out
of joint. The little man was never going to be pals, that was the first
fact to be digested. And he couldn't be despised as a softy, he was too
keen; he just laughed at the other man's attempt at despising him. Yet
Jack did want to get at him, somehow or other.


"What do you think of things in general?" Callcott asked of Somers one
evening, a fortnight or so after their first encounter. They were
getting used to one another: and they liked one another, in a separated
sort of way. When neither of them was on the warpath, they were quite
happy together. They played chess together now and then, a wild and
haphazard game. Somers invented quite brilliant attacks, and rushed in
recklessly, occasionally wiping Jack off the board in a quarter of an
hour. But he was very careless of his defence. The other man played at
this. To give Callcott justice, he was more accustomed to draughts than
to chess, and Somers had never played draughts, not to remember. So Jack
played a draughts game, aiming at seizing odd pieces. It wasn't Somers'
idea of chess, so he wouldn't take the trouble to defend himself. His
men fell to this ambush, and he lost the game. Because at the end, when
he had only one or two pieces to attack, Jack was very clever at
cornering, having the draughts moves off by heart.

"But it isn't chess," protested Somers.

"You've lost, haven't you?" said Jack.

"Yes. And I shall always lose that way. I can't piggle with those
draughtsmen dodges."

"Ah well, if I can win that way, I have to do it. I don't know the game
as well as you do," said Jack. And there was a quiet sense of victory,
"done you down", in his tones. Somers required all his dignity not to
become angry. But he shrugged his shoulders.

Sometimes, too, if he suggested a game, Callcott would object that he
had something he must do. Lovat took the slight rebuff without
troubling. Then an hour or an hour and a half later, Callcott would come
tapping at the door, and would enter saying:

"Well, if you are ready for a game."

And Lovat would unsuspectingly acquiesce. But on these occasions Jack
had been silently, secretly accumulating his forces; there was a
silence, almost a stealth in his game. And at the same time his bearing
was soft, as it were submissive, and Somers was put quite off his guard.
He began to play with his usual freedom. And then Jack wiped the floor
with his little neighbour: simply wiped the floor with him, and left him
gasping. One, two, three games--it was the same every time.

"But I can't see the board," cried Somers, startled. "I can hardly
distinguish black from white."

He was really distressed. It was true what he said. He was as if
stupefied, as if some drug had been injected straight into his brain.
For his life he could not gather his consciousness together--not till he
realised the state he was in. And then he refused to try. Jack gave a
quiet little laugh. There was on his face a subtle little smile of
satisfaction. He had done his high-flying opponent down. He was the
better man.

After the first evening that this had taken place, Somers was much more
wary of his neighbour, much less ready to open towards him than he had
suggested a game, Somers played, but coldly, without the recklessness
and the laughter which were the chief charm of his game. And Jack was
once more snubbed, put back into second place. Then once he was reduced,
Somers began to relent, and the old guerilla warfare started again.

The moment Somers heard this question of Jack's: "What do you think of
things in general?"--he went on his guard.

"The man is trying to draw me, to fool me," he said to himself. He knew
by a certain quiet, almost sly intention in Jack's voice, and a certain
deference in his bearing. It was this false deference he was most wary
of. This was the Judas approach.

"How in general?" he asked. "Do you mean the cosmos?"

"No," said Jack, foiled in his first move. He had been through the
Australian high-school course, and was accustomed to think for himself.
Over a great field he was quite indifferent to thought, and hostile to
consciousness. It seemed to him more manly to be unconscious, even
blank, to most of the great questions. But on his own subjects,
Australian politics, Japan, and machinery, he thought straight and manly
enough. And when he met a man whose being puzzled him, he wanted to get
at the bottom of that, too. He looked up at Somers with a searching,
penetrating, inimical look, that he tried to cover with an appearance of
false deference. For he was always aware of the big empty spaces of his
own consciousness; like his country, a vast empty "desert" at the centre
of him.

"No," he repeated. "I mean the world--economics and politics. The
welfare of the world."

"It's no good asking me," said Somers. "Since the war burst my bubble of
humanity I'm a pessimist, a black pessimist about the present human

"You think it's going to the bad?" said Jack, still drawing him with the
same appearance of deference, of wanting to hear.

"Yes, I do. Faster or slower. Probably I shall never see any great
change in my lifetime, but the tendency is all downhill, in my opinion.
But then I'm a pessimist, so you needn't bother about my opinion."

Somers wanted to let it all go at that. But Callcott persisted.

"Do you think there'll be more wars? Do you think Germany will be in a
position to fight again very soon?"

"Bah, you bolster up an old bogey out here. Germany is the bogey of
yesterday, not of to-morrow."

"She frightened us out of our sleep before," said Jack, resentful.

"And now, for the time being, she's done. As a war-machine she's done,
and done for ever. So much scrap-iron, her iron fist."

"You think so?" said Jack, with all the animosity of a returned hero who
wants to think his old enemy the one and only bugbear, and who feels
quite injured if you tell him there's no more point in his old hate.

"That's my opinion. Of course I may be wrong."

"Yes, you may," said Jack.

"Sure," said Somers. And there was silence. This time Somers smiled a
little to himself.

"And what do you consider, then, is the bogey of to-morrow?" asked Jack
at length, in a rather small, unwilling voice.

"I don't really know. What should you say?"

"Me? I wanted to hear what you have to say."

"And I'd rather hear what you have to say," laughed Somers.

There was a pause. Jack seemed to be pondering. At last he came out with
his bluff, manly Australian self.

"If you ask me," he said, "I should say that Labour is the bogey you
speak of."

Again Somers knew that this was a draw. "He wants to find out if I'm
socialist or anti," he thought to himself.

"You think Labour is a menace to society?" he returned.

"Well," Jack hedged. "I won't say that Labour is the menace, exactly.
Perhaps the state of affairs forces Labour to be the menace."

"Oh, quite. But what's the state of affairs?"

"That's what nobody seems to know."

"So it's quite safe to lay the blame on," laughed Somers. He looked with
real dislike at the other man, who sat silent and piqued and rather
diminished: "Coming here just to draw me and get to know what's inside
me!" he said to himself angrily. And he would carry the conversation no
further. He would not even offer Jack a whisky and soda. "No," he
thought to himself. "If he trespasses on my hospitality, coming creeping
in here, into my house, just to draw me and get the better of me,
underhandedly, then I'll pour no drink for him. He can go back to where
he came from." But Somers was mistaken. He only didn't understand Jack's
way of leaving seven-tenths of himself out of any intercourse. Richard
wanted the whole man there, openly. And Jack wanted his own way, of
seven-tenths left out.

So that after a while Jack rose slowly, saying:

"Well, I'll be turning in. It's work to-morrow for some of us."

"If we're lucky enough to have jobs," laughed Somers.

"Or luckier still, to have the money so that we don't need a job,"
returned Jack.

"Think how bored most folks would be on a little money and no settled
occupation," said Somers.

"Yes, I might be myself," said Jack, honestly admitting it, and at the
same time slightly despising the man who had no job, and therefore no
significance in life.

"Why, of course."

When Callcott came over to Torestin, either Victoria came with him, or
she invited Harriet across to Wyewurk. Wyewurk was the name of Jack's
bungalow. It had been built by a man who had inherited from an aunt a
modest income, and who had written thus permanently his retort against
society on his door.

"Wyewurk?" said Jack. "Because you've jolly well got to."

The neighbours nearly always spoke of their respective homes by their
elegant names. "Won't Mrs. Somers go across to Wyewurk, Vicky said.
She's making a blouse or something, sewing some old bits of rag
together--or new bits--and I expect she'll need a pageful of advice
about it." This was what Jack had said. Harriet had gone with apparent
alacrity, but with real resentment. She had never in all her life had
"neighbours", and she didn't know what neighbouring really meant. She
didn't care for it, on trial. Not after she and Victoria had said and
heard most of the things they wanted to say and hear. But they liked
each other also. And though Victoria could be a terribly venomous little
cat, once she unsheathed her claws and became rather "common", still, so
long as her claws were sheathed her paws were quite velvety and pretty,
she was winsome and charming to Harriet, a bit deferential before her,
which flattered the other woman. And then, lastly, Victoria had quite a
decent piano, and played nicely, whereas Harriet had a good voice, and
played badly. So that often, as the two men played chess or had one of
their famous encounters, they would hear Harriet's strong, clear voice
singing Schubert or Schumann or French or English folk songs, whilst
Victoria played. And both women were happy, because though Victoria was
fond of music and had an instinct for it, her knowledge of songs was
slight, and to be learning these old English and old French melodies, as
well as the German and the Italian songs, was a real adventure and a
pleasure to her.

They were still singing when Jack returned.

"Still at it!" he said manfully, from the background chewing his little

Harriet looked round. She was just finishing the joyous moan of Plaisir
d'amour, a song she loved because it tickled her so. "Dure toute la
vie--i- i--ie--i--e," she sang the concluding words at him, laughing in
his face.

"You're back early," she said.

"Felt a mental twilight coming on," he said, "so thought we'd better
close down for the night."

Harriet divined that, to use her expression, Somers had been
"disagreeable to him".

"Don't you sing?" she cried.

"Me! Have you ever heard a cow at a gate when she wants to come in and
be milked?"

"Oh, he does!" cried Victoria. "He sang a duet at the Harbour Lights

"There!" cried Harriet. "How exciting! What duet did he sing?"

"Larboard Watch ahoy!"

"Oh! Oh! I know that," cried Harriet remembering a farmer friend of
Somers', who had initiated her into the thrilling harmony, down in

"There wasn't a soul left in the hall, when we'd finished, except
Victoria and the other chap's wife," said Jack.

"Oh, what a fib. They applauded like anything, and made you give an

"Ay, and we didn't know another bally duet between us, so we had to sing
Larboard Watch over again. It was Larboard Alarum Clock by the time we
got to the end of it, it went off with such a rattle."

"Oh, do let us sing it," said Harriet. "You must help me when I go
wrong, because I don't know it well."

"What part do you want to sing?" said Jack.

"Oh, I sing the first part."

"Nay," said Jack. "I sing that part myself. I'm a high tenor, I am, once
I get the wind up."

"I couldn't possibly sing the alto," said Harriet.

"Oh, Jack, do sing the alto," said Victoria. "Go on, do! I'll help you."

"Oh well, if you'll go bail for me, I don't care what I do," said Jack.

And very shortly Somers heard a gorgeous uproar in Wyewurk. Harriet
breaking down occasionally and being picked up. She insisted on keeping
on till she had it perfect, and the other two banged and warbled away
with no signs of fatigue. So that they were still hailing the Larboard
Watch Ahoy when the clock struck eleven.

Then when silence did ensue for a moment, Mrs. Callcott came flying over
to Torestin.

"Oh, Mr. Somers, won't you come and have a drink with Jack? Mrs. Somers
is having a glass of hop bitters."

When Somers entered the living room of Wyewurk, Jack looked up at him
with a smile and a glow in his dark eyes, almost like love.

"Beer?" he said.

"What's the alternative?"

"Nothing but gas-water."

"Then beer."

Harriet and Victoria were still at the piano, excitedly talking songs.
Harriet was teaching Victoria to pronounce the words of a Schubert song:
for there was still one person in the world unacquainted with: "Du bist
wie eine Blume." And Victoria was singing it in a wavering, shy little

"Let's drink our beer by the kitchen fire," said Jack. "Then we shall be
able to hear ourselves speak, which is more than we can do in this

Somers solemnly followed into the tiny kitchen, and they sat in front of
the still hot stove.

"The women will keep up the throat-stretching for quite a time yet,"
said Jack.

"If we let them. It's getting late."

"Oh, I've just started my second awakening--feel as sharp as a new

"Talking about pessimism," he resumed after a pause. "There's some of us
here that feels things are pretty shaky, you know." He spoke in a
subdued, important sort of voice.

"What is shaky--Australian finance?"

"Ay, Australian everything."

"Well, it's pretty much the same in every country. Where there's such a
lot of black smoke there's not a very big fire. The world's been going
to the dogs ever since it started to toddle, apparently."

"Ay, I suppose it has. But it'll get there one day. At least Australia

"What kind of dogs?"

"Maybe financial smash, and then hell to pay all round. Maybe, you know.
We've got to think about it."

Somers watched him for some moments with serious eyes. Jack seemed as if
he were a little bit drunk. Yet he had only drunk a glass of lager beer.
He wasn't drunk. But his face had changed, it had a kind of eagerness,
and his eyes glowed big. Strange, he seemed, as if in a slight ecstasy.

"It may be," said Somers slowly. "I am neither a financier nor a
politician. It seems as if the next thing to come a cropper were
capital: now there are no more kings to speak of. It may be the middle
classes are coming smash--which is the same thing as finance--as
capital. But also it may not be. I've given up trying to know."

"What will be will be, eh," said Jack with a smile.

"I suppose so, in this matter."

"Ay, but, look here, I believe it's right what you say. The middle
classes ARE coming down. What do they sit on?--they sit on money, on
capital. And this country is as good as bankrupt, so then what have they
left to stand on?"

"They say most countries are really bankrupt. But if they agree among
themselves to carry on, the word doesn't amount to much."

"Oh, but it does. It amounts to a hell of a lot, here in this country.
If it ever came to the push, and the state was bankrupt, there'd be no
holding New South Wales in."

"The state never will be bankrupt."

"Won't it? Won't there be a financial smash, a proper cave-in, before
we're much older? Won't there? We'll see. But look here, do you care if
there is?"

"I don't know what it means, so I can't say. Theoretically I don't mind
a bit if international finance goes bust: if it can go bust."

"Never mind about theoretically. You'd like to see the power of money,
the power of capital, BROKE. Would you or wouldn't you?"

Somers watched the excited, handsome face opposite him, and answered

"Theoretically, yes. Actually, I really don't know."

"Oh to hell with your theoretically. Drown it. Speak like a man with
some feeling in your guts. You either would or wouldn't. Don't leave
your shirt-tail hanging out, with a theoretically. Would you or wouldn't

Somers laughed.

"Why, yes, I would," he said, "and be damned to everything."

"Shake," cried Jack, stretching over. And he took Somers' small hand
between both his own. "I knew," he said in a broken voice, "that we was

Somers was rather bewildered.

"But you know," he said, "I never take any part in politics at all. They
aren't my affair."

"They're not! They're not! You're quite right. You're quite right, you
are. You're a damned sight too good to be mixing up in any dirty
politics. But all I want is that your feelings should be the same as
mine, and they are, thank my stars, they are."

By this time Somers was almost scared.

"But why should you care?" he said, with some reserve. The other however
did not heed him.

"You're not with the middle classes, as you call them, the money-men, as
I call them, and I know you're not. And if you're not with them you're
against them."

"My father was a working-man. I come from the working people. My
sympathy is with them, when it's with anybody, I assure you."

Jack stared at Somers wide-eyed, a smile gathering round his mouth.

"Your father was a working-man, was he? Is that really so? Well, that IS
a surprise! And yet," he changed his tone, "no, it isn't. I might have
known. Of course I might. How should I have felt for you as I did, the
very first minute I saw you, if it hadn't been so. Of course you're one
of us: same flesh and blood, same clay. Only you've had the advantages
of a money-man. But you've stuck true to your flesh and blood, which is
what most of them don't do. They turn into so much dirt, like the
washings in the pan, a lot of dirt to a very little gold. Well, well,
and your father was a working man! And you now being as you are!
Wonderful what we may be, isn't it?"

"It is indeed," said Somers, who was infinitely more amazed at the
present Jack, than ever Jack could be at him.

"Well, well, that brings us a great deal nearer than ever, that does,"
said Callcott, looking at Somers with glowing, smiling eyes which the
other man could not quite understand, eyes with something desirous, and
something perhaps fanatical in them. Somers could not understand. As for
the being brought nearer to Callcott, that was apparently entirely a
matter of Jack's own feeling. Somers himself had never felt more alone
and far off. Yet he trembled at the other man's strange fervour. He
vibrated helplessly in some sort of troubled response.

The vibration from the two men had by this time quite penetrated into
the other room and into the consciousness of the two women. Harriet came
in all wondering and full of alert curiosity. She looked from one to the
other, saw the eyes of both men shining, saw the puzzled, slightly
scared look on her husband's face, and the glowing handsomeness on
Jack's, and she wondered more than ever.

"What are you two men talking about?" she asked pointedly. "You look
very much moved about something."

"Moved!" laughed Jack, "We're doing fifty miles an hour, and not turning
a hair."

"I'm glad I'm not going with you then," said Harriet. "It's much too
late at night for me for that sort of thing."

Victoria went over to her husband and stood close at his side, ruffling
up his brown, short, crisp, bright hair.

"Doesn't he talk nonsense, Mrs. Somers, doesn't he talk nonsense," the
young wife crooned, in her singing, contralto voice, as she looked down
at him.

Harriet started at the sudden revelation of palpitating intimacy. She
wanted to go away, quick. So did Somers. But neither Jack nor Victoria
wanted them to go.

Jack was looking up at Victoria with a curious smile, touched with a
leer. It gave his face, his rather long, clean-shaven face with the
thick eyebrows, most extraordinarily the look of an old mask. One of
those old Greek masks that give a fixed mockery to every feeling.
Leering up at his young wife with the hearty leer of a player masked as
a faun that is at home, on its own ground. Both Harriet and Somers felt
amazed, as if they had strayed into the wrong wood.

"You talk all the sense, don't you, kiddie?" he said, with a strong
Australian accent again. And as he spoke with his face upturned to her,
his Adam's apple moved in his strong white throat as if it chuckled.

"Of course I do," she crooned in her mocking, crooning contralto. "Of
course I do."

He put his arm round her hips. They continued to look into each other's

"It's awfully late. We shall have simply to fly to bed. I'm so sleepy
now. Good-night. Thank you so much for the singing. I enjoyed it
awfully. Good-night!"

Victoria looked up with a brightly-flushed face, entirely unashamed, her
eyes glowing like an animal's. Jack relaxed his grip of her, but did not
rise. He looked at the Somers pair with eyes gone dusky, as if unseeing,
and the mask-like smile lingering on his face like the reflection from
some fire, curiously natural, not even grotesque.

"Find your way across all right?" he said. "Good-night! Good-night!" But
he was as unaware of them, actually, as if they did not exist within his

"Well," said Harriet, as they closed the door of Torestin. "I think they
might have waited just TWO minutes before they started their love
making. After all, one doesn't want to be implicated, does one?"

"One emphatically doesn't," said Somers.

"Really, it was as if he'd got his arm round all the four of us!
Horrid!" said Harriet resentfully.

"He felt he had, I'm sure," said Somers.

It was a period when Sydney was again suffering from a bubonic plague
scare: a very mild scare, some fifteen cases to a million people,
according to the newspapers. But the town was placarded with notices
"Keep your town clean," and there was a stall in Martin Place where you
could write your name down and become a member of a cleanliness league,
or something to that effect.

The battle was against rats, fleas, and dirt. The plague affects rats
first, said the notices, then fleas, and then man. All citizens were
called upon to wage war with the vermin mentioned. Alas, there was no
need to call on Somers to wage the war. The first morning they had
awakened in Torestin, it was to a slight uneasy feeling of
uncleanliness. Harriet, who hated the thought of contamination, found
the apples gnawed, when she went to take one to eat before breakfast.
And rat dirts, she said, everywhere.

Then had started such a cleaning, such a scouring, such a stopping of
holes, as Torestin had never known. Somers sourly re-christened the
house Toscrubin. And after that, every night he had the joyful business
of setting two rat-traps, those traps with the powerful fly-back
springs. Which springs were a holy terror to him, for he knew his
fingers would break like pipe-stems if the spring flew back on them. And
almost every morning he had the nauseous satisfaction of finding a rat
pinned by its nose in the trap, its eyes bulging out, a blot of deep red
blood just near. Sometimes two rats. They were not really ugly, save for
their tails. Smallish rats, perhaps only half grown, and with black,
silky fur. Not like the brown rats he had known in the English country.

But big or little, ugly or not ugly, they were very objectionable to
him, and he hated to have to start the day by casting one or more
corpses gingerly, by the tip of the tail, into the garbage tin. He
railed against the practice of throwing cans and everything
promiscuously on to any bit of waste ground. It seemed to his embittered
fancy that Sydney harbour, and all the coast of New South Wales, was
moving with this pest. It reminded him of the land of Egypt, under the
hand of the Lord: plagues of mice and rats and rabbits and snails and
all manner of crawling things. And then he would say: "Perhaps it must
be so in a new country." For all that, the words "new country" had
become like acid between his teeth. He was always recalling what
Flinders Petrie says somewhere: "A colony is no younger than the parent
country." Perhaps it is even older, one step further gone.

This evening--or rather midnight--he went to the back kitchen to put
every scrap of any sort of food beyond rat-reach, and to bait the two
traps with bits of cheese-rind. Then he bent back the two murderous
springs, and the traps were ready. He washed his hands hard from the
contamination of them. Then he went into the garden, even climbed the
tub-like summer house, to have a last look at the world. There was a big
slip of very bright moon risen, and the harbour was faintly distinct.

Now that night had fallen, the wind was from the land, and cold. He
turned to go indoors. And as he did so he heard a motor-car run quickly
along the road, and saw the bright lights come to a stop at the gate of
Wyewurk. Wyewurk was in darkness already. But a man left the car and
came along the path to the house, giving a peculiar whistle as he did
so. He went round to the back door and knocked sharply, once, twice, in
a peculiar way. Then he whistled and knocked again. After which he must
have heard an answer, for he waited quietly.

In a few minutes more the lights switched on and the door opened; Jack
was there in his pyjamas.

"That you, Jaz boy?" he said in a quiet tone. "Why the blazes didn't you
come half an hour sooner, or half a minute later? You got me just as I'd
taken the jump, and I fell all over the bloomin' hedge. Come in. You'll
make a nervous wreck of me between you."

The figure entered. It was William James, the brother-in-law. Somers
heard him go again in about ten minutes. But Harriet did not notice.


The following evening Somers could feel waves of friendliness coming
across the hedge, from Victoria. And she kept going out to the gate to
look for Jack, who was late returning home. And as she went, she always
looked long towards the verandah of Torestin, to catch sight of the

Somers felt the yearning and amicable advance in the atmosphere. For
some time he disregarded it. Then at last he went out to look at the
nightfall. It was early June. The sun had set beyond the land, casting a
premature shadow of night. But the eastern sky was very beautiful, full
of pure, pure light, the light of the southern seas, next the Antarctic.
There was a great massive cloud settling low, and it was all gleaming, a
golden, physical glow. Then across the upper sky trailed a thin line of
little dark clouds, like a line of porpoises swimming in the extremely
beautiful clarity.

"Isn't it a lovely evening again?" Victoria called to him as he stood on
the summer-house top.

"Very lovely. Australia never ceases to be a wonderland for me, at
nightfall," he answered.

"Aha!" she said. "You are fond of the evening?"

He had come down from his point of vantage, and they stood near together
by the fence.

"In Europe I always like morning best--much best. I can't say what it is
I find so magical in the evening here."

"No!" she replied, looking upwards round the sky. "It's going to rain."

"What makes you think so?" he asked.

"It looks like it--and it feels like it. I expect Jack will be here
before it comes on."

"He's late to-night, is he?"

"Yes. He said he might be. Is it six o'clock?"

"No, it's only a little after five."

"Is it? I needn't be expecting him yet, then. He won't be home till
quarter past six." She was silent for a while. "We shall soon have the
shortest day," she said. "I am glad when it has gone. I always miss Jack
so much when the evening comes, and he isn't home. You see I was used to
a big family, and it seems a bit lonely to me yet, all alone in the
cottage. That's why we're so glad to have you and Mrs. Somers next door.
We get on so well, don't we? Yes, it's surprising. I always felt nervous
of English people before. But I love Mrs. Somers. I think she's lovely."

"You haven't been married long?" asked Somers.

"Not quite a year. It seems a long time in some ways. I wouldn't be
without Jack, not for anything. But I do miss my family. We were six of
us all at home together, and it makes such a difference, being all

"Was your home in Sydney?"

"No, on the South Coast--dairy-farming. No, my father was a surveyor, so
was his father before him. Both in New South Wales. Then he gave it up
and started this farm down south. Oh yes, I liked it--I love home. I
love going down home. I've got a cottage down there that father gave me
when I got married. You must come down with us some time when the people
that are in it go. It's right on the sea. Do you think you and Mrs.
Somers would like it?"

"I'm sure we should."

"And will you come with us for a week-end? The people in it are leaving
next week. We let it furnished."

"We should like to very much indeed," said Somers, being polite over it
because he felt a little unsure still, whether he wanted to be so
intimate. But Victoria seemed so wistful.

"We feel so ourselves with you and Mrs. Somers," said Victoria. "And yet
you're so different from us, and yet we feel so much ourselves with

"But we're not different," he protested.

"Yes, you are--coming from home. It's mother who always called England
home. She was English. She always spoke so prettily. She came from
Somerset. Yes, she died about five years ago. Then I was mother of the
family. Yes, I am the eldest, except Alfred. Yes, they're all at home.
Alfred is a mining engineer--there are coal mines down the South Coast.
He was with Jack in the war, on the same job. Jack was a Captain and
Alfred was a Lieutenant. But they drop all the army names now. That's
how I came to know Jack: through Alfred. Jack always calls him Fred."

"You didn't know him before the war?"

"No, not till he came home. Alfred used to talk about him in his
letters, but I never thought then I should marry him. They are great
friends yet, the two of them."

The rain that she had prophesied now began to fall--big straight drops,
that resounded on the tin roofs of the houses.

"Won't you come in and sit with us till Jack comes?" asked Somers.
"You'll feel dreary, I know."

"Oh, don't think I said it for that," said Victoria.

"Come round, though," said Somers. And they both ran indoors out of the
rain. Lightning had started to stab in the south-western sky, and clouds
were shoving slowly up.

Victoria came round and sat talking, telling of her home on the south
coast. It was only about fifty miles from Sydney, but it seemed another
world to her. She was so quiet and simple, now, that both the Somers
felt drawn to her, and glad that she was sitting with them.

They were talking still of Europe. Italy, Switzerland, England,
Paris--the wonderworld to Victoria, who had never been out of New South
Wales in her life, in spite of her name--which name her father had given
her to annoy all his neighbours, because he said the State of Victoria
was run like a paradise compared to New South Wales--although he too
never went a yard out of his home state, if he could help it; they were
talking still of Europe when they heard Jack's voice calling from the
opposite yard.

"Hello," cried Victoria, running out. "Are you there, Jack?" I was
listening for the motor-bike. I remember now, you went by tram."

Sometimes she seemed a little afraid of him--physically afraid--though
he was always perfectly good-humoured with her. And this evening she
sounded like that--as if she feared his coming home, and wanted the
Somers to shelter her.

"You've found a second home over there, apparently," said Jack,
advancing towards the fence. "Well, how's things?"

It was dark, so they could not see his face. But he sounded different.
There was something queer, unknown about him.

"I'll come over for a game of chess to-night, old man, if you'll say the
word," he said to Somers. "And the ladies can punish the piano again
meanwhile, if they feel like it. I bought something to sweeten the
melodies with, and give us a sort of breathing-space now and then: sort
of little ear-rest, you know."

"That means a pound of chocolates," said Victoria, like a greedy child.
"And Mrs. Somers will come and help me to eat them. Good!" And she ran
in home. Somers thought of a picture advertisement in the Bulletin.

"Madge: I can't think what you see in Jack. He is so unintellectual."

"Gladys: Oh, but he always brings a pound of Billyer's chocolates."

Or else: "Sweets to the Sweet. Give her Billyer's chocolates"; or else:
"Billyer's chocolates sweeten the home."

The game of chess was a very quiet one. Jack was pale and subdued,
silent, tired, thought Somers, after his long day and short night.
Somers too played without any zest. And yet they were satisfied, just
sitting there together, a curious peaceful ease in being together.
Somers wondered at it, the rich, full peace that there seemed to be
between him and the other man. It was something he was not used to. As
if one blood ran warm and rich between them. "Then shall thy peace be as
a river."

"There was nothing wrong at the Trewhellas', was there, that made
William James come so late?" asked Somers.

Jack looked up with a tinge of inquiry in his dark eyes at this
question: as if he suspected something behind it. Somers flushed

"No, nothing wrong," said Jack.

"I beg your pardon for asking," said Somers hastily. "I heard a whistle
when I'd just done setting the rat-traps, and I looked out, and heard
you speak to him. That's how I knew who it was. I only wondered if
anything was wrong."

"No, nothing wrong," repeated Jack laconically.

"That's all right," said Somers. "It's your move. Mind your queen."

"Mind my queen, eh? She takes some minding, that lady does. I feel I
need a special eye at the end of my nose, to keep track of her. Come out
of it, old lady. I'm not very bright at handling royalty, that's a

Somers was now silent. He felt he had made a faux pas, and was rebuffed.
They played for some time, Jack talking to himself mostly in that
facetious strain which one just had to get used to in him, though Somers
occasionally found it tiring.

Then after a time Jack put his hands into his lap, and looked up at

"You mustn't think I get the wind up, you know," he said, "if you ask me
a question. You can ask me what you like, you know. And when I can tell
you, I'll tell you. I know you'd never come shoving your nose in like a
rat from under the skirting board when nobody's looking."

"Even if I SEEM to," said Somers, ironically.

"No, no, you don't seem to. And when I CAN tell you, I'll do so. _I_
know I can trust you."

Somers looked up wondering, and met the meditative dark eyes of the
other man resting on his face.

"There's some of us chaps," said Jack, "who've been through the war and
had a lick at Paris and London, you know, who can tell a man by the
smell of him, so to speak. If we can't see the COLOUR of his aura, we
can jolly well size up the QUALITY of it. And that's what we go by. Call
it instinct or what you like. If I like a man, slap out, at the first
sight, I'd trust him into hell, I would."

"Fortunately you haven't anything VERY risky to trust him with," laughed

"I don't know so much about that," said Jack. "When a man feels he likes
a chap, and trusts him, he's risking all he need, even by so doing.
Because none of us likes to be taken in, and to have our feelings thrown
back in our faces, as you may say, do we?"

"We don't," said Somers grimly.

"No, we don't. And you know what it means to HAVE them thrown back in
your face. And so do I. There's a lot of the people here that I wouldn't
trust with a thank-you, I wouldn't. But then there's some that I would.
And mind you, taking all for all, I'd rather trust an Aussie, I'd rather
trust an Australian than an Englishman, I would, and a lot rather. Yet
there's some of the rottenest people in Sydney that you'd find even if
you sifted hell over. Rotten--absolute yellow rotten. And many of them
in public positions, too. Simply white-anting society, that's what
they're doing. Talk about public affairs in Sydney, talk about
undercurrents of business in Sydney: the wickedest crew on God's earth,
bar none. All the underhanded tricks of a Chink, a blooming yellow
Chinaman, and all the barefaced fair talk of an Englishman. There you
are. And yet, I'm telling you, I'd rather trust even a Sydney man, and
he's a special sort of wombat, than an Englishman."

"So you've told me before: for my good, I suppose," laughed Somers, not
without irony.

"No, now don't you go running away with any wrong ideas," said Jack,
suddenly reaching out his hand and laying it on Somers' arm. "I'm not
hinting at anything. If I was I'd ask you to kick me out of your house.
I should deserve it. No, you're an Englishman. You're a European,
perhaps I ought to say, for you've lived about all over that old
continent, and you've studied it, and you've got tired of it. And you've
come to Australia. Your instinct brought you here, however much you may
rebel against rats and tin cans and a few other things like that. Your
instinct brought you here--and brought you straight up against me. Now
that I call fate."

He looked at Somers with dark, burning, questioning eyes.

"I suppose following one's deepest instinct IS one's fate," said Somers,
rather flatly.

"There--you know what I mean, you see. Well then, instinct brings us
together. I knew it the minute I set eyes on you when I saw you coming
across from the Botanical Gardens, and you wanted a taxi. And then when
I heard the address, 51 Murdoch Street, I said to myself, 'That chap is
coming into my life.' And it is so. I'm a believer in fate, absolute."

"Yes," said Somers, non-committal.

"It's fate that you left Europe and came to Australia, bit by bit, and
unwilling to come, as you say yourself. It's fate that brings you to
Sydney, and makes me see you that dinner-hour coming from the Botanical
Gardens. It's fate that brings you to this house. And it's fate that
sets you and me here at this minute playing chess."

"If you call it playing chess," laughed Somers.

Jack looked down at the board.

"I'm blest if I know whose move it is," he said. "But never mind. I say
that fate meant you and Mrs. Somers to come here: her as much as you. I
say fate meant me and you and Victoria and her to mean a lot to one
another. And when I feel my fate, I absolutely give myself up to it.
That's what I say. Do you think I'm right?"

His hand, which held Somers' arm lightly, now gripped the biceps of that
arm hard, while he looked into the other man's face.

"I should say so," said Somers, rather uncomfortably.

Jack hardly heeded the words. He was watching the face.

"You're a stranger here. You're from the old country. You're different
from us. But you're a man we want, and you're a man we've got to keep. I
know it. What? What do you say? I can trust you, can't I?"

"What with?" asked Somers.

"What with?" Jack hesitated. "Why everything!" he blurted. "Everything!
Body and soul and money and every blessed thing. I can trust you with
EVERYTHING! Isn't that right?"

Somers looked with troubled eyes into the dark, dilated glowing eyes of
the other man.

"But I don't know what it means," he stammered. "EVERYTHING! It means so
much, that it means nothing."

Jack nodded his head slowly.

"Oh yes it does," he reiterated. "Oh yes it does."

"Besides," said Somers, "why should you trust me with ANYTHING, let
alone everything. You've no occasion to trust me at all--except--as one
neighbour trusts another, in common honour."

"Common honour!" Jack just caught up the words, not heeding the sense.
"It's more than common honour. It's most uncommon honour. But look
here," he seemed to rouse himself. "Supposing I came to you, to ask you
things, and tell you things, you'd answer me man to man, wouldn't
you?--with common honour? You'd treat everything I say with common
honour, as between man and man?"

"Why, yes, I hope so."

"I know you would. But for the sake of saying it, say it. I can trust
you, can't I? Tell me now, can I trust you?"

Somers watched him. Was it any good making reservations and
qualifications? The man was in earnest. And according to standards of
commonplace honour, the so-called honour of man to man, Somers felt that
he would trust Callcott, and that Callcott might trust him. So he said


A light leaped into Jack's eyes.

"That means you trust me, of course?" he said.

"Yes," replied Somers.

"Done!" said Jack, rising to his feet and upsetting the chessmen. Somers
also pushed his chair, and rose to his feet, thinking they were going
across to the next house. But Jack came to him and flung an arm round
his shoulders and pressed him close, trembling slightly, and saying
nothing. Then he let go, and caught Somers by the hand.

"This is fate," he said, "and we'll follow it up." He seemed to cling to
the other man's hand. And on his face was a strange light of purpose and
of passion, a look at once exalted and dangerous.

"I'll soon bring the others to see it," he said.

"But you know I don't understand," said Somers, withdrawing his hand and
taking off his spectacles.

"I know," said Jack. "But I'll let you know everything in a day or two.
Perhaps you wouldn't mind if William James--if Jaz came here one
evening--or you wouldn't mind having a talk with him over in my shack."

"I don't mind talking to anybody," said the bewildered Somers.

"Right you are."

They still sat for some time by the fire, silent; Jack was pondering.
Then he looked up at Somers.

"You and me," he said in a quiet voice, "in a way we're mates and in a
way we're not. In a way--it's different."

With which cryptic remark he left it. And in a few minutes the women
came running in with the sweets, to see if the men didn't want a

On Sunday morning Jack asked Somers to walk with him across to the
Trewhellas. That is, they walked to one of the ferry stations, and took
the ferry steamer to Mosman's Bay. Jack was a late riser on Sunday
morning. The Somers, who were ordinary half-past seven people, rarely
saw any signs of life in Wyewurk before half-past ten on the
Sabbath--then it was Jack in trousers and shirt, with his shirt-sleeves
rolled up, having a look at his dahlias while Vicky prepared breakfast.

So the two men did not get a start till eleven o'clock. Jack rolled
along easily beside the smaller, quieter Somers. They were an odd
couple, ill-assorted. In a colonial way, Jack was handsome, well-built,
with strong, heavy limbs. He filled out his expensively tailored suit
and looked a man who might be worth anything from five hundred to five
thousand a year. The only lean, delicate part about him was his face.
See him from behind, his broad shoulders and loose erect carriage and
brown nape of the neck, and you expected a good square face to match. He
turned, and his long lean rather pallid face really didn't seem to
belong to his strongly animal body. For the face wasn't animal at all,
except perhaps in a certain slow, dark, lingering look of the eyes,
which reminded one of some animal or other, some patient, enduring
animal with an indomitable but naturally passive courage.

Somers, in a light suit of thin cloth, made by an Italian tailor, and an
Italian hat, just looked a foreign sort of little bloke--but a
gentleman. The chief difference was that he looked sensitive all over,
his body, even its clothing, and his feet, even his brown shoes, all
equally sensitive with his face. Whereas Jack seemed strong and
insensitive in the body, only his face vulnerable. His feet might have
been made of leather all the way through, tramping with an insentient
tread. Whereas Somers put down his feet delicately, as if they had a
life of their own, mindful of each step of contact with the earth. Jack
strode along: Somers seemed to hover along. There was decision in both
of them, but oh, of such different quality. And each had a certain
admiration of the other, and a very definite tolerance. Jack just barely
tolerated the quiet finesse of Somers, and Somers tolerated with
difficulty Jack's facetious familiarity and heartiness.

Callcott met quite a number of people he knew, and greeted them all
heartily. "Hello Bill, old man, how's things?" "New boots pinchin' yet,
Ant'ny? Hoppy sort of look about you this morning. Right 'o! So long,
Ant'ny!" "Different girl again, boy! go on, Sydney's full of yer
sisters. All right, goodbye, old chap." The same breezy intimacy with
all of them, and the moment they had passed by, they didn't exist for
him any more than the gull that had curved across in the air. They
seemed to appear like phantoms, and disappear in the same instant, like
phantoms. Like so many Flying Dutchmen the Australian's acquaintances
seemed to steer slap through his consciousness, and were gone on the
wind. What was the consecutive thread in the man's feelings? Not his
feeling for any particular human beings, that was evident. His friends,
even his loves, were just a series of disconnected, isolated moments in
his life. Somers always came again upon this gap in the other man's
continuity. He felt that if he knew Jack for twenty years, and then went
away, Jack would say: "Friend o' mine, Englishman, rum sort of bloke,
but not a bad sort. Dunno where he's hanging out just now. Somewhere on
the surface of the old humming-top, I suppose."

The only consecutive thing was that facetious attitude, which was the
attitude of taking things as they come, perfected. A sort of ironical
stoicism. Yet the man had a sort of passion, and a passionate identity.
But not what Somers called human. And threaded on this ironical

They found Trewhella dressed and expecting them. Trewhella was a coal
and wood merchant, on the north side. He lived quite near the wharf, had
his sheds at the side of the house, and in the front a bit of garden
running down to the practically tideless bay of the harbour. Across the
bit of blue water were many red houses, and new, wide streets of single
cottages, seaside-like, disappearing rather forlorn over the brow of the
low hill.

William James, or Jas, Jaz, as Jack called him, was as quiet as ever.
The three men sat on a bench just above the brown rocks of the water's
edge, in the lovely sunshine, and watched the big ferry steamer slip in
and discharge its stream of summer-dressed passengers, and embark
another stream: watched the shipping of the middle harbour away to the
right, and the boats loitering on the little bay in front. A motor-boat
was sweeping at a terrific speed, like some broom sweeping the water,
past the little round fort away in the open harbour, and two tall white
sailing boats, all wing and no body, were tacking across the pale blue
mouth of the bay. The inland sea of the harbour was all bustling with
Sunday morning animation: and yet there seemed space, and loneliness.
The low, coffee-brown cliffs opposite, too low for cliffs, looked as
silent and as aboriginal as if white men had never come.

The little girl Gladys came out shyly. Somers now noticed that she wore

"Hello kiddie!" said Jack, "Come here and make a footstool of your
uncle, and see what your Aunt Vicky's been thinking of. Come on then,
amble up this road."

He took her on his knee, and fished out of his pocket a fine sort of
hat-band that Victoria had contrived with ribbon and artificial flowers
and wooden beads. Gladys sat for a moment shyly on her uncle's knee, and
he held her there as if she were a big pillow he was scarcely conscious
of holding. Her stepfather sat exactly as if the child did not exist, or
were not present. It was neutrality brought to a remarkable pitch. Only
Somers seemed actually aware that the child was a little human
being--and to him she seemed so absent that he didn't know what to make
of her.

Rose came out bringing beer and sausage rolls, and the girl vanished
away again, seemed to evaporate. Somers felt uncomfortable, and wondered
what he had been brought for.

"You know Cornwall, do you?" said William James, the Cornish singsong
still evident in his Australian speech. He looked with his light-grey,
inscrutable eyes at Somers.

"I lived for a time near Padstow," said Somers.

"Padstow! Ay, I've been to Padstow," said William James. And they talked
for a while of the bleak, lonely northern coast of Cornwall, the black
huge cliffs, with the gulls flying away below, and the sea boiling, and
the wind blowing in huge volleys: and the black Cornish nights, with
nothing but the violent weather outside.

"Oh, I remember it, I remember it," said William James. "Though I was a
half-starved youngster on a bit of a farm out there, you know, for
everlasting chasing half a dozen heifers from the cliffs, where the
beggars wanted to fall over and kill themselves, and hunting for a dozen
sheep among the gorsebushes, and wading up to my knees in mud most part
of the year, and then in summer, in the dry times, having to haul water
for a mile over the rocks in a wagon, because the well had run dry. And
at the end of it my father gave me one new suit in two years, and
sixpence a week. Ay, that was a life for you. I suppose if I was there
still he'd be giving me my keep and five shillin' a week--if he could
open his heart as wide as two half-crowns, which I'm doubting very

"You have money out here, at least," said Somers. "But there was a great
fascination for me, in Cornwall."

"Fascination! And where do you find the fascination? In a little
Wesleyan chapel of a Sunday night, and a girl with her father waiting
for her with a strap if she's not in by nine o'clock? Fascination, did
you say?"

"It had a great fascination for me--a magic--a magic in the atmosphere."

"All the fairy tales they'll tell you," said William James, looking at
the other man with a smile of slow ridicule. "Why ye didn't go and
believe them, did ye?"

"More or less. I could more easily have believed them there than
anywhere else I've been."

"Ay, no doubt. And that shows what sort of a place it be. Lot of damn
silly nonsense." He stirred on his seat impatiently.

"At any rate, you're well out of it. You're set up all right here," said
Somers, who was secretly amused. The other man did not answer for some

"Maybe I am," he said at last, "I'm not pining to go back and work for
my father, I tell you, on a couple of pasties and a lot of abuse. No,
after that, I'd like you to tell me what's wrong with Australia."

"I'm sure I don't know," said Somers, "Probably nothing at all."

Again William James was silent. He was a short, thick man, with a little
felt hat that sat over his brow with a half humorous flap. He had his
knees wide apart, and his hands clasped between them. And he looked for
the most part down at the ground. When he did cock his eye at Somers, it
was with a look of suspicion marked with humour and troubled with a
certain desire. The man was restless, desirous, craving
something--heaven knows what.

"You thinking of settling out here then, are you?" he asked.

"No," said Somers. "But I don't say I won't. It depends."

William James fidgeted, tapping his feet rapidly on the ground, though
his body was silent. He was not like Jack. He too, was sensitive all
over, though his body looked so thick it was silently alive, and his
feet were still uneasy. He was young too, with a youth that troubled
him. And his nature was secretive, maybe treacherous. It was evident
Jack only half liked him.

"You've got the money, you can live where you like and go where you
like," said William James, looking up at Somers. "Well, I might do the
same. If I cared to do it, I could live quietly on what I've got,
whether here or in England." Somers recognized the Cornishman in this.

"You could very easily have as much as I've got," he said laughing.

"The thing is, what's the good of a life of idleness?" said William

"What's the good of a life of work?" laughed Somers.

Shrewdly, with quick grey eye, Trewhella looked at the other man to see
if he were laughing at him.

"Yet I expect you've got some purpose in coming to Australia," said
William James, a trifle challenging.

"Maybe I had--or have--maybe it was just whim."

Again the other man looked shrewdly, to see if it were the truth.

"You aren't investing money out here, are you?"

"No, I've none to invest."

"Because if you was, I'd advise you not to." And he spat into the
distance, and kept his hands clasped tight.

All this time Jack sat silent and as if unconcerned, but listening

"Australians have always been croakers," he said now.

"What do you think of this Irish business?" asked William James.

"I? I really don't think much at all. I don't feel Ireland is my job,
personally. If I had to say, offhand, what I'd do myself, why, if I
could I'd just leave the Irish to themselves, as they want, and let them
wipe each other out or kiss and make friends as they please. They bore
me rather."

"And what about the Empire?"

"That again isn't my job. I'm only one man, and I know it. But
personally, I'd say to India and Australia and all of them the same--if
you want to stay in the Empire, stay; if you want to go out, go."

"And suppose they went out?"

"That's their affair."

"Supposing Australia said she was coming out of the Empire and governing
herself, and only keeping a sort of entente with Britain. What do you
think she'd make of it?"

"By the looks of things, I think she'd make a howling mess of it. Yet it
might do her good if she were thrown entirely on her own resources.
You've got to have something to keep you steady. England has really kept
the world steady so far--as steady as it's been. That's my opinion. Now
she's not keeping it very steady, and the world's sick of being bossed,
anyhow. Seems to me you may as well sink or swim on your own resources."

"Perhaps we're too likely to find ourselves sinking."

"Then you'll come to your senses, after you've sunk for the third time."

"What, about England? Cling to England again, you mean?"

"No, I don't. I mean you can't put the brotherhood of man on a wage

"That's what a good many people say here," put in Jack.

"You don't trust socialism then?" said Jaz, in a quiet voice.

"What sort of socialism? Trades unionism? Soviet?"

"Yes, any."

"I really don't care about politics. Politics is no more than your
country's housekeeping. If I had to swallow my whole life up in
housekeeping, I wouldn't keep house at all; I'd sleep under a hedge.
Same with a country and politics. I'd rather have no country than be
gulfed in politics and social stuff. I'd rather have the moon for a

Jaz was silent for a time, contemplating his knuckles.

"And that," he said, "is how the big majority of Australians feel, and
that's why they care nothing about Australia. It's cruel to the

"Anyhow, no sort of POLITICS will help the country," said Somers.

"If it won't, then nothing will," retorted Jaz.

"So you'd advise us all to be like seven-tenths of us here, not care a
blooming hang about anything except your dinner and which horse gets
in?" asked Jack, not without sarcasm.

Now Richard was silent, driven into a corner.

"Why," he said, "there's just this difference. The bulk of Australians
don't care about Australia--that is, you say they don't. And why don't
they? Because they care about nothing at all, neither in earth below or
heaven above. They just blankly don't care about anything, and they live
in defiance, a sort of slovenly defiance of care of any sort, human or
inhuman, good or bad. If they've got one belief left, now the war's
safely over, it's a dull, rock-bottom belief in obstinately not caring,
not caring about anything. It seems to me they think it manly, the only
manliness, not to care, not to think, not to attend to life at all, but
just to tramp blankly on from moment to moment, and over the edge of
death without caring a straw. The final manliness."

The other two men listened in silence, the distant colonial silence that
hears the voice of the old country passionately speaking against them.

"But if they're not to care about politics, what are they to care
about?" asked Jaz, in his small, insinuating voice.

There was a moment's pause. Then Jack added his question:

"Do you yourself really care about anything, Mr. Somers?"

Richard turned and looked him for a moment in the eyes. And then,
knowing the two men were trying to corner him, he said coolly:

"Why, yes. I care supremely."

"About what?" Jack's question was soft as a drop of water falling into
water, and Richard sat struggling with himself.

"That," he answered, "you either know or don't know. And if you don't
know, it would only be words my trying to tell."

There was a silence of check-mate.

"I'm afraid, for myself, I don't know," said Jack.

But Somers did not answer, and the talk, rather lamely, was turned off
to other things.

The two men went back to Murdoch Street rather silent, thinking their
own thoughts. Jack only blurted once:

"What do you make of Jaz, then?"

"I like him. He lives by himself and keeps himself pretty dark--which is
his nature."

"He's a cleverer man than you'd take him for--figures things out in a
way that surprises me. And he's better than a detective for getting to
know things. He's got one or two Cornish pals down town, you see--and
they tip one another the wink. They're like the Irish in many ways. And
they're not uncommonly unlike a Chink. I always feel as if Jaz had got a
bit of Chinese blood in him. That's what makes the women like him, I

"But do the women like him?"

"Rose does. I believe he'd make any woman like him, if he laid himself
out to do it. Got that quiet way with him, you know, and a sly sort of
touch-the-harp-gently, that's what they like on the quiet. But he's the
sort of chap I don't exactly fancy mixing my broth with, and drinking
out of the same can with."

Somers laughed at the avowal of antipathy between the two men.

They were not home till two o'clock. Somers found Harriet looking rather

"You've been a long time," she said. "What did you do?"

"Just talked."

"What about?"


"And did you like them?"

"Yes, quite well."

"And have you promised to see them again to-day?"


"Why, any of them--the Callcotts."


"Oh. They're becoming rather an institution."

"You like them too?"

"Yes, they're all right. But I don't want to spend my life with them.
After all, that sort of people isn't exactly my sort--and I thought you
used to pretend it wasn't yours."

"It isn't. But then no sort of people is my sort."

"Yes, it is. Any sort of people, so long as they make a fuss of you."

"Surely they make an even greater fuss of you."

"Do they! It's you they want, not me. And you go as usual, like a lamb
to the slaughter."

"Baa!" he said.

"Yes, baa! You should hear yourself bleat."

"I'll listen," he said.

But Harriet was becoming discontented. They had been in their house only
six weeks: and she had had enough of it. Yet it was paid for for three
months: at four guineas a week. And they were pretty short of money, and
would be for the rest of the year. He had already overdrawn.

Yet she began to suggest going away: away from Sydney. She felt
humiliated in that beastly little Murdoch Street.

"What did I tell you?" he retorted. "The very look of it humiliated me.
Yet you wanted it, and you said you liked it."

"I did like it--for the fun of it. But now there's all this intimacy and
neighbouring. I just can't stand it. I just can't."

"But you began it."

"No, I didn't; you began it. And your beastly sweetness and gentleness
with such people. I wish you kept a bit of it for me."

He went away in silence, knowing the uselessness of argument. And to
tell the truth he was feeling also a revulsion from all this
neighbouring, as Harriet called it, and all this talk. It was usually
the same. He started by holding himself aloof then gradually he let
himself get mixed in, and then he had revulsions. And to-day was one of
his revulsions. Coming home from Mosman's Bay, he had felt himself
dwindle to a cipher in Jack's consciousness. Then, last evening, there
had been all this fervour and protestation. And this morning all the
cross-examination by Trewhella. And he, Somers, had plainly said all he
thought. And now, as he walked home with Jack, Jack had no more use for
him than for the stump of cigar which he chewed between his lips merely
because he forgot to spit it away. Which state of affairs did not go at
all well with OUR friend's sense of self-importance.

Therefore, when he got home, his eyes opened once more to the delicacy
of Harriet's real beauty, which he knew as none else knew it, after
twelve years of marriage. And once more he realized her gay, undying
courage, her wonderful fresh zest in front of life. And all these other
little people seemed so common in comparison, so common. He stood still
with astonishment, wondering how he could have come to betray the
essential reality of his life and Harriet's to the common use of these
other people with their watchful, vulgar wills. That scene of last
evening: what right had a fellow like Callcott to be saying these things
to him? What right had he to put his arm round his, Richard's shoulder,
and give him a tight hug? Somers winced to think of it. And now Callcott
had gone off with his Victoria in Sunday clothes to some other outing.
Anything was as good as anything else: why not!

A gulf there was between them, really, between the Somers and the
Callcotts. And yet the easy way Callcott flung a flimsy rope of intimacy
across the gulf, and was embracing the pair of his neighbours in
mid-air, as it were, without a grain of common foothold. And Somers let
himself be embraced. So he sat pale and silent and mortified in the
kitchen that evening thinking of it all, and wishing himself far away,
in Europe.

"Oh, how I detest this treacly democratic Australia," he said. "It
swamps one with a sort of common emotion like treacle, and before one
knows where one is, one is caught like a fly on a flypaper, in one mess
with all the other buzzers. How I hate it! I want to go away."

"It isn't Australia," said Harriet. "Australia's lonely. It's just the
people. And it isn't even the people--if you would only keep your proper
distance, and not make yourself cheap to them and get into messes."

"No, it's the country. It's in the air. I want to leave it."

But he was not very emphatic. Harriet wanted to go down to the South
Coast, of which she had heard from Victoria.

"Think," she said, "it must be lovely there--with the mountain behind,
and steep hills, and blackberries, and lovely little bays of sand."

"There'll be no blackberries. It's end of June--which is their

"But there'll be the other things. Let's do that, and never mind the
beastly money for this pokey Torestin."

"They've asked us to go with them to Mullumbimby in a fortnight. Shall
we wait till then and look?"

Harriet sat in silence for some moments.

"We might," she said reluctantly. She didn't want to wait. But what
Victoria had told her of Mullumbimby, the township on the South Coast,
so appealed to her that she decided to abide by her opportunity.

And then curiously enough, for the next week the neighbours hardly saw
one another. It was as if the same wave of revulsion had passed over
both sides of the fence. They had fleeting glimpses of Victoria as she
went about the house. And when he could, Jack put in an hour at his
garden in the evening, tidying it up finally for the winter. But the
weather was bad, it rained a good deal; there were fogs in the morning,
and foghorns on the harbour; and the Somers kept their doors continually
blank and shut.

Somers went round to the shipping agents and found out about boats to
San Francisco, and talked of sailing in July, and of stopping at Tahiti
or at Fiji on the way, and of cabling for money for the fares. He
figured it all out. And Harriet mildly agreed. Her revulsion from
Australia had passed quicker than his, now that she saw herself escaping
from town and from neighbours to the quiet of a house by the sea, alone
with him. Still she let him talk. Verbal agreement and silent opposition
is perhaps the best weapon on such occasions.

Harriet would look at him sometimes wistfully, as he sat with his brow
clouded. She had a real instinctive mistrust of other people--all other
people. In her heart of hearts she said she wanted to live alone with
Somers, and know nobody, all the rest of her life. In Australia, where
one can be lonely, and where the land almost calls to one to be
lonely--and then drives one back again on one's fellow-men in a kind of
frenzy. Harriet would be quite happy, by the sea, with a house and a
little garden and as much space to herself as possible, knowing nobody,
but having Lovat always there. And he could write, and it would be

But he wouldn't be happy--and he said so--and she knew it. She saw it
like a doom on his brow.

"And why couldn't we be happy in this wonderful new country, living to
ourselves. We could have a cow, and chickens--and then the Pacific, and
this marvellous new country. Surely that is enough for any man. Why must
you have more?"

"Because I feel I MUST fight out something with mankind yet. I haven't
finished with my fellow-men. I've got a struggle with them yet."

"But what struggle? What's the good? What's the point of your struggle?
And what's your struggle for?"

"I don't know. But it's inside me, and I haven't finished yet. To make
some kind of an opening--some kind of a way for the afterwards."

"Ha, the afterwards will make its own way, it won't wait for you. It's a
kind of nervous obstinacy and self-importance in you. You DON'T like
people. You always turn away from them and hate them. Yet like a dog to
his vomit you always turn back. And it will be the same old game here
again as everywhere else. What are these people after all? Quite nice,
but just common and--and not in your line at all. But there you are. You
stick your head into a bush like an ostrich, and think you're doing

"I intend to move with men and get men to move with me before I die," he
said. Then he added hastily: "Or at any rate I'll try a bit longer yet.
When I make up my mind that it's really no good, I'll go with you and
we'll live alone somewhere together, and forget the world. And in
Australia too. Just like a business man retiring. I'll retire away from
the world, and forget it. But not yet. Not till I feel I've finished.
I've got to struggle with men and the world of men for a time yet. When
it's over I'll do as you say."

"Ah, you and your men, men! What do these Callcotts and these little
Trewhella people mean to you after all? Are they men? They are only
something you delude yourself about. And then you'll come a cropper, and
fall back on me. Just as it always is. You fall back on me, and I'm
expected to like it. I'm good enough to fall back on, when you've made a
fool of yourself with a lot of tuppenny little people, imagining you're
doing something in the world of MEN. Much men there is about it. Common
little street-people, that's all."

He was silent. He heard all she had to say: and he knew that as far as
the past went, it was all quite true. He had started off on his fiery
courses: always, as she said, to fall back rather the worse for the
attempt on her. She had no use at all for fiery courses and efforts with
the world of men. Let all that rubbish go.

"Well," he said. "It's my need to make these tries, yet. Wait till I've
exhausted the need, and we'll have a little place of our own and forget
the world, really. I know I can do it. I could almost do it now: and
here in Australia. The country appeals to me that way: to lose oneself
and have done with this side of life. But wait a bit longer."

"Ah, I suppose I shall have to," she said recklessly. "You'll have to go
on making a fool of yourself till you're tired. Wives are SUPPOSED to
have to take their husbands back a little damaged and repentant from
their LOVE AFFAIRS with other women. And I'm hanged if it wouldn't be
more fun than this business of seeing you come back once more fooled
from your attempts with MEN--the world of men, as you call it. If they
WERE real men I wouldn't mind. But look at your Jack Callcott. Really,
and you're supposed to have had some experience of life. 'Clip in, old
man!'" She imitated Jack's voice and manner. "And you stand it all and
think it's wonderful! Nay, men are too foolish for me to understand
them; I give them up."

He laughed, realizing that most of what she said was true.

"You see," he said, "I have the roots of my life with you. But I want if
possible to send out a new shoot in the life of mankind--the effort man
makes forever, to grow into new forms."

She looked at him. And somehow she wanted to cry, because he was so
silly in refusing to be finally disappointed in his efforts with
mankind, and yet his silliness was pathetic, in a way beautiful. But
then it WAS so silly--she wanted to shake him.

"Send out a new shoot then. Send it out. You do it in your writing
already!" she cried. "But getting yourself mixed up with these impudent
people won't send any shoots, don't you think it. They'll nip you in the
bud again, as they always do."

He pondered this also, stubbornly, and knew it was true. But he had set
his will on something, and wasn't going to give way.

"I want to do something with living people, somewhere, somehow, while I
live on the earth. I write, but I write alone. And I live alone. Without
any connection whatever with the rest of men."

"Don't swank, you don't live alone. You've got ME there safe enough, to
support you. Don't swank to me about being alone, because it insults me,
you see. I know how much alone you are, with me always there keeping you

And again he sulked and swallowed it, and obstinately held out.

"None the less," he retorted, "I do want to do something along with men.
I AM alone and cut off. As a man among men, I just have no place. I have
my life with you, I know: et praeterea nihil."

"Et praeterea nihil! And what more do you want? Besides, you liar,
haven't you your writing? Isn't that all you want, isn't that DOING all
there is to be done? Men! Much MEN there is about them! Bah, when it
comes to that, I have to be even the only man as well as the only

"That's the whole trouble," said he bitingly.

"Bah, you creature, you ought to be grateful," cried Harriet.

William James arrived one morning when the Callcotts were both out, and
brought a little basket of persimmons and passion fruits for Harriet. As
it happened, Somers also was out.

"I remember you said you like these date-plums, Mrs. Somers. Over at our
place we don't care for them, so if you like to have them you're
welcome. And these are about the last of the passion fruit, seemingly."

The persimmons were good big ones, of that lovely suave orange-red
colour which is perhaps their chief attraction, and they were just
beginning to go soft. Harriet of course was enchanted. William James
came in and sat down for a few minutes, wondering what had become of
Victoria. He looked round the room curiously. Harriet had, of course,
arranged it to her own liking, taken away all the pictures and
ornaments, hung a Tunis curtain behind the couch, stood two tall red
lacquer candlesticks on the mantelpiece, and altogether given the room
that air of pleasant distinction which a woman who knows how to do it
finds so easy, especially if she has a few shawls and cushion-covers and
bits of interesting brass or china. Harriet insisted on travelling with
a few such things. She was prepared to camp in a furnished bungalow or
cottage on any continent, but a few of her own things she must have
about her. Also she wore a dress of Bavarian peasant stuff, very thin
black woollen material, sprinkled all over with tiny pink roses with
green leaves. And on her feet she had heelless sandals of plaited strips
of leather, from Colombo. William James noticed every one of these
things. They had a glamour like magic for him.

"This is quite a pleasant room you have here," he said in his Cornish
voice, with the alert, subtle, faintly smiling look of wonder on his

"It isn't bad," said Harriet. "But a bit poky."

"Poky you call it? Do you remember the little stone holes they have for
rooms in those old stone Cornish cottages?"

"Yes--but we had a lovely one. And the great thick granite walls and the
low ceilings."

"Walls always letting the damp in, can't keep it out, because all the
chinks and spaces are just stuffed with plain earth, and a bit of mortar
smeared over the outside like butter scraped on bread. Don't I remember
it! I should think I do."

"Cornwall had a great charm for me."

"Well, I don't know where you found it, I'm sure. But I suppose you've
got a way of your own with a place, let it be Cornwall or where it may,
to make it look well. It all depends where you're born and where you
come from."

"Perhaps," said Harriet.

"I've never seen an Australian cottage looking like this, now. And yet
it isn't the number of things you've put into it."

"The number I've taken out," laughed Harriet.

William James sat there with his quiet slumberous-seeming body, watching
her: watching the quick radiance of her fair face, and the charm of her
bearing. There was something quick and sure and, as it were, beyond the
ordinary clay, about her, that exercised a spell over him. She was his
real Cornish idea of a lady: simple, living among people as if one of
themselves, and yet not one of themselves: a sort of magic about her. He
could almost see a glow in the air around her. And he could see that for
her he was just a nice fellow who lived in another world and on another
plane than herself, and that he could never come up or she come down.
She was the queen that slumbers somewhere in every Cornish imagination,
the queen ungrudged. And perhaps, in the true Celtic imagination
slumbers the glamorous king as well. The Celt needs the mystic glow of
real kingliness. Hence his loneliness in the democratic world of
industry, and his social perversity.

"I don't suppose Rose could ever learn to do this with a room, could she
now?" he asked, making a slight gesture with his hand. He sat with his
clear, queer, light grey eyes fixed on Harriet's face.

"I think so," cried Harriet; then she met the watchful eyes. "In her own
way she could. Every woman has her own way, you know."

"Yes, I do know," he answered.

"And you see," said Harriet, "we're more or less lazy people who have no
regular work in the world. If we had, perhaps we should live in a
different way."

William James shook his head.

"It's what's bred into you," he said, "that comes out. Now if I was a
really rich man, I think I could learn to carry it off with the best of
them, out here. But when it comes to being the real thing, why, I know
it would be beyond me, so there you are."

"But can one be sure?" she cried.

"I think I can. I can see the difference between common and uncommon. I
can do more than that. I can see the difference between gentlemen who
haven't got the gift, and those that have. Take Lord Washburn, for
example. He's a gentleman all right--he comes of an old family, they
tell me. But I doubt very much if he's any better than I am."

"Why should he be?" cried Harriet.

"What I mean is," said William James, "he hasn't got the gift, you

"The gift of what?" said Harriet, puzzled.

"How shall I put it? The gift that you've got, now: and that Mr. Somers
has as well: and that people out here don't have."

"But that may only be manner," said Harriet.

"No, it's more than manner. It's the gift of being superior, there now:
better than most folks. You understand me, I don't mean swank and money.
That'll never give it you. Neither is it THINKING yourself superior. The
people that are superior don't think it, and don't even seem to feel it,
in a way. And yet in a way they know it. But there aren't many of them
out here. And what there are go away. This place is meant for all one
dead level sort of people."

He spoke with curious sarcasm.

"But," said Harriet, "you are Australian yourself now, aren't you? Or
don't you feel it?"

"Oh yes, I suppose I feel it," he said shifting uneasily on his seat. "I
AM Australian. And I'm Australian partly because I know that in
Australia there WON'T be anybody any better than me. There now."

"But," laughed Harriet, "aren't you glad then?"

"Glad?" he said. "It's not a matter for gladness. It's a fact. But I'm
not one of the fools who think there's nobody any better than me in the
world. I know there are."

"How queer to hear you say so!"

"But this isn't the place for them. Here in Australia we don't want
them. We want the new-fashioned sort of people who are all dead-level as
good as one another. You're going to Mullumbimby this week-end with Jack
and Victoria, aren't you?"

"Yes. And I thought if we liked it we might stay down there for a
while--by the sea--away from the town."

"You please yourselves, of course. Perhaps better there than here.
But--it's no business of mine, you know that"--he shrugged his
shoulders. "But there's something comes over me when I see Mr. Somers
thinking he can live out here, and work with the Australians. I think
he's wrong--I really do. They'll drag him down to their level, and make
what use they can of him--and--well, in my opinion you'd both be sorry
for it."

"How strange that you should say so, you who are one of them."

"I am one of them, and I'm not. I'm not one of anybody. But I haven't
got only just the two eyes in my head that can tell the kettle from the
teapot. I've got another set of eyes inside me somewhere that can tell
real differences, when there are any. And that's what these people don't
seem to have at all. They've only got the outside eyes."

Harriet looked at him in wonder. And he looked at her--at her queer,
rather large, but thin-skinned, soft hands.

"You need a thick skin to live out here," he said.

But still she sat with her hands folded, lost in meditation.

"But Lovat wants so much to do something in the world, with other men,"
she said at last. "It's not MY urging, I assure you."

"He's making a mistake. He's making a mistake to come out here, tell him
from me. They'll take him at their own level, not at his."

"But perhaps he wants to be taken at their level," said Harriet, rather
bitterly, almost loving the short, thick man opposite for his quiet,
Cornish voice and his uncanny grey eyes, and his warning.

"If he does he makes the mistake of his life, tell him from me." And
William James rose to his feet. "You'll excuse me for stopping talking
like this, over things that's no business of mine," he added.

"It's awfully good of you," said Harriet.

"Well, it's not often I interfere with people's doings. But there was
just something about you and Mr. Somers--."

"Awfully good of you."

He had taken his little black felt hat. He had an almost Italian or
Spanish look about him--from one of the big towns, Barcelona or even

"I suppose I'll have to be getting along," he said.

She held out her hand to him to bid him good-bye. But he shook hands in
a loose, slack way, and was gone, leaving Harriet uneasy as if she had
received warning of a hidden danger.

She hastened to show Somers the persimmons when he came home, and to
tell of her visitor.

"And he's queer, Lovat, he's awfully queer--nice too. He told me we were
superior people, and that we made a mistake coming here, because they'd
bring us down to their level."

"Not if we don't let them."

"He says we can't help it."

"Why did he come to tell you that, I wonder."

They were going down to Mullumbimby in two days' time--and they had
hardly seen anything of Jack and Victoria since the Sunday at Mosman's
Bay. But Victoria called across the fence, rather hesitatingly:

"You're going with us on Saturday, aren't you, Mrs. Somers?"

"Oh yes, we're looking forward to it immensely--if it really suits you."

"I'm so glad. I thought perhaps you didn't want to go."

That same evening Jack and Victoria came across for a few minutes.

"Look at the lovely cacchi," said Harriet, giving the persimmons their
Italian name. "William James brought them me this morning."

"William James brought them!" cried Victoria and Jack in a breath. "Why,
whatever have you done to him?"

"Nothing," laughed Harriet. "I hope not, I'm sure."

"You must have given him a glad eye," said Jack. "Did he come in?"

"Yes, he came in and talked to me quite a long time. He said he would
see you to-morrow in town."

"Wonders never cease! I tell you, you've done it on him. What did he
talk to you about, then?"

"Oh. Australia. He said he didn't think we should really like it."

"He did, did he? Wanted to warn you off, so to speak."

"Perhaps," laughed Harriet.

"The little mingo. He's as deep as a five hundred feet boring, and I've
never got down to sweet water in him yet."

"Don't you trust him?" said Harriet.

"Trust him? Oh yes, he'd never pick my pocket."

"I didn't mean that."

"That's the only way I have of trusting folks," said Jack.

"Then you don't trust them far," mocked Harriet.

"Perhaps I don't. And perhaps I'm wise of it."


They went to Mullumbimby by the two o'clock train from Sydney on the
Friday afternoon, Jack having managed to get a day off for the occasion.
He was a sort of partner in the motor-works place where he was employed,
so it was not so difficult. And work was slack.

Harriet and Victoria were both quite excited. The Somers had insisted on
packing one basket of food for the house, and Victoria had brought some
dainties as well. There were few people in the train, so they settled
themselves right at the front, in one of those long open second-class
coaches with many cane seats and a passage down the middle.

"This is really for the coal miners," said Victoria. "You'll see they'll
get in when we get further down."

She was rather wistful, after the vague coolness that had subsisted
between the two households. She was so happy that Somers and Harriet
were coming with her and Jack. They made her feel--she could hardly
describe it--but so safe, so happy and safe. Whereas often enough, in
spite of the stalwart Jack, she felt like some piece of fluff blown
about on the air, now that she was taken from her own home. With Somers
and Harriet she felt like a child that is with its parents, so lovely
and secure, without any need ever to look round. Jack was a man, and
everything a man should be, in her eyes. But he was also like a piece of
driftwood drifting on the strange unknown currents in an unexplored
nowhere, without any place to arrive at. Whereas to Victoria, Harriet
seemed to be rooted right in the centre of everything, at last she could
come to perfect rest in her, like a bird in a tree that remains still
firm when the floods are washing everything else about.

If only Somers would let her rest in Harriet and him. But he seemed to
have a strange vindictiveness somewhere in his nature, that turned round
on her and terrified her worse than before. If he would only be fond of
her, that was what she wanted. If he would only be fond of her, and not
ever really leave her. Not love. When she thought of lovers she thought
of something quite different. Something rather vulgar, rather common,
more or less naughty. Ah no, he wasn't like that. And yet--since all men
are potential lovers to every woman--wouldn't it be terrible if he asked
for love. Terrible--but wonderful. Not a bit like Jack--not a bit. Would
Harriet mind? Victoria looked at Harriet with her quick, bright, shy
brown eyes. Harriet looked so handsome and distant: she was a little
afraid of her. Not as she was afraid of Somers. Afraid as one woman is
of another fierce woman. Harriet was fierce, Victoria decided. Somers
was demonish, but could be gentle and kind.

It came on to rain, streaming down the carriage windows. Jack lit a
cigarette, and offered one to Harriet. She, though she knew Somers
disliked it intensely when she smoked, particularly in a public place
like this long, open railway carriage, accepted, and sat by the closed
window smoking.

The train ran for a long time through Sydney, or the endless outsides of
Sydney. The town took almost as much leaving as London does. But it was
different. Instead of solid rows of houses, solid streets like London,
it was mostly innumerable detached bungalows and cottages, spreading for
great distances, scattering over hills, low hills and shallow inclines.
And then waste marshy places, and old iron, and abortive corrugated iron
"works"--all like the Last Day of creation, instead of a new country.
Away to the left they saw the shallow waters of the big opening where
Botany Bay is: the sandy shores, the factory chimneys, the lonely places
where it is still Bush. And the weary half established straggling of
more suburb.

"Como", said the station sign. And they ran on bridges over two arms of
water from the sea, and they saw what looked like a long lake with
wooded shores and bungalows: a bit like Lake Como, but oh, so unlike.
That curious sombreness of Australia, the sense of oldness, with the
forms all worn down low and blunt, squat. The squat-seeming earth. And
then they ran at last into real country, rather rocky, dark old rocks,
and sombre bush with its different pale-stemmed dull-leaved gumtrees
standing graceful, and various healthy-looking undergrowth, and great
spiky things like zuccas. As they turned south they saw tree-ferns
standing on one knobbly leg among the gums, and among the rocks ordinary
ferns and small bushes spreading in glades and up sharp hill-slopes. It
was virgin bush, and as if unvisited, lost, sombre, with plenty of
space, yet spreading grey for miles and miles, in a hollow towards the
west. Far in the west, the sky having suddenly cleared, they saw the
magical range of the Blue Mountains. And all this hoary space of bush
between. The strange, as it were, INVISIBLE beauty of Australia, which
is undeniably there, but which seems to lurk just beyond the range of
our white vision. You feel you can't SEE--as if your eyes hadn't the
vision in them to correspond with the outside landscape. For the
landscape is so unimpressive, like a face with little or no features, a
dark face. It is so aboriginal, out of our ken, and it hangs back so
aloof. Somers always felt he looked at it through a cleft in the
atmosphere; as one looks at one of the ugly-faced, distorted aborigines
with his wonderful dark eyes that have such an incomprehensible ancient
shine in them, across gulfs of unbridged centuries. And yet, when you
don't have the feeling of ugliness or monotony, in landscape or in
nigger, you get a sense of subtle, remote, FORMLESS beauty more poignant
than anything ever experienced before.

"Your wonderful Australia!" said Harriet to Jack. "I can't tell you how
it moves me. It feels as if no one had ever loved it. Do you know what I
mean? England and Germany and Italy and Egypt and India--they've all
been loved so passionately. But Australia feels as if it had never been
loved, and never come out into the open. As if man had never loved it,
and made it a happy country, a bride country--or a mother country."

"I don't suppose they ever have," said Jack.

"But they will?" asked Harriet. "Surely they will. I feel that if I were
Australian, I should love the very earth of it--the very sand and
dryness of it--more than anything."

"Where should we poor Australian wives be?" put in Victoria, leaning
forward her delicate, frail face--that reminded one of a flickering
butterfly in its wavering.

"Yes," said Harriet meditatively, as if they had to be considered, but
were not as important as the other question.

"I'm afraid most Australians come to hate the Australian earth a good
bit before they're done with it," said Jack. "If you call the land a
bride, she's the sort of bride not many of us are willing to tackle. She
drinks your sweat and your blood, and then as often as not lets you
down, does you in."

"Of course," said Harriet, "it will take time. And of course a LOT of
love. A lot of fierce love, too."

"Let's hope she gets it," said Jack. "They treat the country more like a
woman they pick up on the streets than a bride, to my thinking."

"I feel I could LOVE Australia," declared Harriet.

"Do you feel you could love an Australian?" asked Jack, very much to the

"Well," said Harriet, arching her eyes at him, "that's another matter.
From what I see of them I rather doubt it," she laughed, teasing him.

"I should say you would. But it's no good loving Australia if you can't
love the Australian."

"Yes, it is. If as you say Australia is like the poor prostitute, and
the Australian just bullies her to get what he can out of her and then
treats her like dirt."

"It's a good deal like that," said Jack.

"And then you expect me to approve of you."

"Oh, we're not all alike, you know."

"It always seems to me," said Somers, "that somebody will have to water
Australia with their blood before it's a real man's country. The soil,
the very plants seem to be waiting for it."

"You've got a lurid imagination, my dear man," said Jack.

"Yes, he has," said Harriet. "He's always so extreme."

The train jogged on, stopping at every little station. They were near
the coast, but for a long time the sea was not in sight. The land grew
steeper--dark, straight hills like cliffs, masked in sombre trees. And
then the first plume of colliery smoke among the trees on the hill-face.
But they were little collieries, for the most part, where the men just
walked into the face of the hill down a tunnel, and they hardly
disfigured the land at all. Then the train came out on the sea--lovely
bays with sand and grass and trees, sloping up towards the sudden hills
that were like a wall. There were bungalows dotted in most of the bays.
Then suddenly more collieries, and quite a large settlement of
bungalows. From the train they looked down on many many pale-grey zinc
roofs, sprinkled about like a great camp, close together, yet none
touching, and getting thinner towards the sea. The chimneys were faintly
smoking, there was a haze of smoke and a sense of home, home in the
wilds. A little way off, among the trees, plumes of white steam betrayed
more collieries.

A bunch of schoolboys clambered into the train with their satchels, at
home as schoolboys are. And several black colliers, with tin luncheon
boxes. Then the train ran for a mile and a half, to stop at another
little settlement. Sometimes they stopped at beautiful bays in a hollow
between hills, and no collieries, only a few bungalows. Harriet hoped
Mullumbimby was like that. She rather dreaded the settlements with the
many many iron roofs, and the wide, unmade roads of sandy earth running
between, down to the sea, or skirting swamp-like little creeks.

The train jogged on again--they were there. The place was half and half.
There were many tin roofs--but not SO many. There were the wide, unmade
roads running so straight as it were to nowhere, with little bungalow
homes half-lost at the side. But they were pleasant little bungalow
homes. Then quite near, inland, rose a great black wall of mountain, or
cliff, or tor, a vast dark tree-covered tor that reminded Harriet of
Matlock, only much bigger. The town trailed down from the foot of this
mountain towards the railway, a huddle of grey and red-painted iron
roofs. Then over the railway, towards the sea, it began again in a
scattered, spasmodic fashion, rather forlorn bungalows and new "stores"
and fields with rail fences, and more bungalows above the fields, and
more still running down the creek shallows towards the hollow sea, which
lay beyond like a grey mound, the strangest sight Harriet had ever seen.

Next to the railway was a field, with men and youths playing football
for their lives. Across the road from the football field was a barber's
shop, where a man on horseback was leaning chattering to the barber, a
young intelligent gentleman in eye-glasses. And on the broad grass of
the roadside grew the trees with the bright scarlet flowers perching
among the grey twigs.

Going towards the sea they were going away from the town that slid down
at the bush-covered foot of the dark tor. The sun was just sinking to
this great hill face, amid a curdle of grey-white clouds. The faintest
gold reflected in the more open eastern sky, in front. Strange and
forlorn, the wide sandy-rutted road with the broad grass margin and just
one or two bungalows. "Verdun" was the first, a wooden house painted
dark red. But some had quite wide grass round them, inside their fences,
like real lawns.

Victoria had to dart to the house-agent for the key. The other three
turned to the left, up another wide road cut in the almost nothingness,
past two straying bungalows perched on brick supports--then across a
piece of grass-land as yet unoccupied, where small boys were kicking a
football--then round the corner of another new road, where water lay in
a great puddle so that they had to climb on to the grass beside the
fence of a big red-painted bungalow. Across the road was a big bungalow
built with imitation timbered walls and a red corrugated roof and red
huge water-tanks. The sea roared loudly, but was not in sight. Next
along the forlorn little road nestled a real bright red-tiled roof among
a high bushy hedge, and with a white gate.

"I do hope it's that," said Harriet to herself. She was so yearning to
find another home.

Jack stood waiting at the corner on the tall bit of grassy land above
the muddy, cut-out road. There came Victoria running in her eager way
across the open space up the slight incline. Evening was beginning to

"Got 'em?" called Jack.

"Yes. Mrs. Wynne was just washing herself, so I had to wait a minute."
Victoria came panting up.

"Is that it?" said Harriet timidly at last, pointing to the bright red

"Yes, that's it," said Victoria, pleased and proprietary. A boy from the
big red bungalow called to ask if he should bring milk across. The big
red bungalow was a dairy. But Harriet followed eagerly on Jack's
footsteps across the road. She peeped over the white gate as he
unfastened it. A real lovely brick house, with a roof of bright red
tiles coming down very low over dark wooden verandahs, and huge round
rain-tanks, and a bit of grass and a big shed with double doors. Joy!
The gate was open, and she rushed in, under the tall, over-leaning hedge
that separated them from the neighbour, and that reached almost to touch
the side of her house. A wooden side verandah with bedsteads--old rusty
bedsteads patched with strip and rope--and then grass, a little front
all of grass, with loose hedges on either side--and the sea, the great
Pacific right there and rolling in huge white thunderous rollers not
forty yards away, under her grassy platform of a garden. She walked to
the edge of the grass. Yes, just down the low cliff, really only a bank,
went her own little path, as down a steep bank, and then was smooth
yellow sand, and the long sea swishing up its incline, and rocks to the
left, and incredible long rollers furling over and crushing down on the
shore. At her feet! At her very feet, the huge rhythmic Pacific.

She turned to the house. There it crouched, with its long windows and
its wide verandah and its various slopes of low, red-tiled roofs.
Perfect! Perfect! The sun had gone down behind the great front of black
mountain wall which she could still see over the hedge. The house inside
was dark, with its deep verandahs like dark eyelids half closed.
Somebody switched on a light. Long cottage windows, and a white ceiling
with narrow dark beams. She rushed indoors. Once more in search of a
home, to be alone with Lovat, where he would be happy. How the sea

Harriet liked the house immensely. It was beautifully built, solid, in
the good English fashion. It had a great big room with dark jarrah
timbering on the roof and the walls: it had a dark jarrah floor, and
doors, and some solid, satisfactory jarrah furniture, a big, real table
and a sideboard and strong square chairs with cane seats. The Lord had
sent her here, that was certain.

And how delighted Victoria was with her raptures. Jack whipped his coat
off and went to the shed for wood and coal, and soon had a lavish fire
in the open hearth. A boy came with milk, and another with bread and
fresh butter and eggs, ordered by Mrs. Wynne. The big black kettle was
on the fire. And Harriet took Lovat's arm, she was so moved.

Through the open seaward door, as they sat at the table, the near sea
was glimmering pale and greenish in the sunset, and breaking with a
crash of foam right, as it seemed, under the house. If the house had not
stood with its little grassy garden some thirty or forty feet above the
ocean, sometimes the foam would have flown to the doorstep, or to the
steps of the loggia. The great sea roaring at one's feet!

After the evening meal the women were busy making up beds and tidying
round, while the men sat by the fire. Jack was quiet, he seemed to
brood, and only smoke abstractedly, vaguely. He just sucked his pipe and
stared in the fire, while the sea boomed outside, and the voices of the
women were heard eager in the bedrooms. When one of the doors leading on
to the verandahs was opened, the noise of the sea came in frightening,
like guns.

The house had been let for seven months to a man and wife with eleven
children. When Somers got up at sunrise, in the morning, he could well
believe it. But the sun rose golden from a low fume of haze in the
north-eastern sea. The waves rolled in pale and bluey, glass-green,
wonderfully heavy and liquid. They curved with a long arch, then fell in
a great hollow thud, and a spurt of white foam and a long, soft,
snow-pure rush of forward flat foam. Somers watched the crest of fine,
bristling spume fly back from the head of the waves as they turned and
broke. The sea was all yellow-green light.

And through the light came a low, black tramp steamer, lurching up and
down on the waves, disappearing altogether in the lustrous water, save
for her bit of yellow-banded funnel and her mast-tips: then emerging
like some long, out-of-shape dolphin on a wave-top. She was like some
lost mongrel running over a furrowed land. She bellowed and barked
forlornly, and hung round on the up-and-down waves.

Somers saw what he wanted. At the south end of the shallow bay was a
long, high jetty straddling on great treetrunk poles out on to the sea,
and carrying a long line of little red coal-trucks, the sort that can be
tipped up. Beyond the straddling jetty was a spit of low, yellow-brown
land, grassy, with a stiff little group of trees like ragged Noah's ark
trees, and further in, a little farm-place with two fascinating big
gum-trees that stuck out their clots of foliage in dark tufts at the end
of slim, up-starting branches.

But the lines from the jetty ran inland for two hundred yards, to where
a tiny colliery was pluming steam and smoke from beyond a marsh-like
little creek. The steamer wanted to land. She saw the line of little
trucks full and ready. She bellowed like a miserable cow, sloping up and
down and turning round on the waters of the bay. Near the jetty the foam
broke high on some sheltering rocks. The steamer seemed to watch
yearningly, like a dog outside a shut door. A little figure walked along
the jetty, slowly, unconcernedly. The steamer bellowed again. The figure
reached the end of the jetty, and hung out a red flag. Then the steamer
shouted no more, but slowly, fearfully turned and slunk up and down the
waves back towards Sydney.

The jetty--the forlorn pale-brown grassy bank running out to sea, with
the clump of sharp, hard-pointed dark conifers, trees of the southern
hemisphere, stiff and mechanical; then the foreshore with yellow sand
and rollers; then two bungalows, and a bit of waste ground full of tins;
that was the southern aspect. Northwards, next door, was the big
imitation black and white bungalow, with a tuft of wind-blown trees and
half-dead hedge between it and the Somers' house. That was north. And
the sun was already sloping upwards and northwards. It gave Somers an
uneasy feeling, the northward travelling of the climbing sun: as if
everything had gone wrong. Inland, lit up dark grey with its plumy trees
in the morning light, was the great mountain or tor, with bare, greying
rock showing near the top, and above the ridge-top the pure blue sky, so
bright and absolutely unsullied, it was always a wonder. There was an
unspeakable beauty about the mornings, the great sun from the sea, such
a big, untamed, proud sun, rising into a sky of such tender delicacy,
blue, so blue, and yet so frail that even blue seems too coarse a colour
to describe it, more virgin than humanity can conceive; the land inward
lit up, the prettiness of many painted bungalows with tin roofs
clustering up the low up-slopes of the grey-treed bush; and then rising
like a wall, facing the light and still lightless, the tor face, with
its high-up rim so grey, having tiny trees feathering against the most
beautiful frail sky in the world. Morning!

But Somers turned to the house. It stood on one of the regulation lots,
probably fifty feet by a hundred and fifty. The bit of level grass in
front was only fifty feet wide, and perhaps about the same from the
house to the brim of the sea-bank, which dropped bushily down some forty
feet to the sand and the flat shore-rocks and the ocean. But this grassy
garden was littered with bits of rag, and newspapers, sea-shells, tins
and old sponges. And the lot next to it was a marvellous constellation
of tin cans in every stage of rustiness, if you peeped between the

"You'll take the ashes and the rubbish too?" said Somers to the
sanitary-man who came to take the sanitary tin of the earth-closet every
Monday morning.

"No," responded that individual briefly: a true Australian Cockney
answer, impossible to spell. A sort of neow sound.

"Does anybody take them?"

"Neow. We take no garbage."

"Then what do I do with them?"

"Do what you like with 'em." And he marched off with the can. It was not
rudeness. It was a kind of colonial humour.

After this Somers surveyed the cans and garbage of the next lot, under
the bushes and everywhere, with colonial hopelessness. But he began at
once to pick up rags and cans from his own grass.

The house was very pretty, and beautifully built. But it showed all
signs of the eleven children. On the verandah at the side, on either
side of the "visitors" door, was a bed: one a huge family iron bedstead
with an indescribably rusty, saggy wire mattress, the other a single
iron bedstead with the wire mattress all burst and so mended with a
criss-cross of ropes. These beds were screened from the sea-wind by
sacks, old pieces of awful carpeting, and pieces of linoleum tacked to
the side of the verandah. The same happened on the third side of the
house: two more rope-mended iron bedsteads, and a nailed-up lot of
unspeakable rags to screen from the wind.

The house had three little bedrooms, one opening from each of the side
verandahs, and one from the big central room. Each contained two saggy
single beds. That was five people. Remained seven, with the father and
mother. Three children must have gone into the huge bed by the side
entrance door, and the other four must have been sprinkled over the
other three outside, rope-mended beds.

The bungalow contained only the big room with five doors: one on each
side the fire-place, opening into the inner bedroom and the kitchen
respectively, and on each of the other three sides a door opening on to
the verandah. From the kitchen opened a little pantry and a zinc-floored
cubby-hole fitted with the inevitable Australian douche and a little
sinkhole to carry off the water. This was the bathroom. There it was,
all compact and nice, two outer bedrooms on the wings, and for the
central block, the big room in front, the bedroom and kitchen at the
back. The kitchen door opened on to the bit of grass at the back, near
the shed.

It was a well-built little place, amazing in a world of wood and tin
shacks. But Somers would not have liked to live in it with a
thirteen-people family. There were eleven white breakfast cups, of which
nine had smashed handles and broad tin substitutes quite cannily put on.
There were two saucers only. And all the rest to match: seven large
brown teapots, of which five had broken spouts: not one whole dish or
basin of any sort, except a sauce boat. And rats! Torestin was a clean
and ratless spot compared with Coo-ee. For the house was called Coo-ee,
to fetch the rats in, Jack said.

The women flew at the house with hot water and soda. Jack and Somers
spent the morning removing bedsteads into the shed, tearing down the
horrid rag-and-dirt screens, pulling out the nails with which these
screens had been held in place, and pulling out the hundreds of nails
which had nailed down the dirt-grey, thin-carpet as if forever to the
floor of the big room. Then they banged and battered this thin old
patternless carpet, and washed it with soda and water. And then they
banged and battered the two sofas, that were like sandbags, so full of
sand and dust. And they took down all the ugly, dirt-filmed pictures of
the Dana Gibson sort, and the "My refuge is in God" text.

"I should think so," said Jack. "Away from the muck they'd made down

Like demons the four of them flew at this Coo-ee house, and afternoon
saw Jack and Somers polishing floors with a stuff called glowax, and
Harriet and Victoria putting clean papers on all the shelves, and
arranging the battered remnant of well-washed white crockery.

"The crockery is the worst item here," said Victoria. "You pay
three-and-six and four shillings for one of these cups and saucers, and
four-and-six for a common brown quart jug, and twelve guineas for a
white dinner service."

Harriet looked at the horrid breakable stuff aghast.

"I feel like buying a tin mug at once," she said.

But Victoria did not bother. She took it all as it came. The people with
the eleven children had paid three and a half guineas a week for seven
months for the house.

At three o'clock Victoria's brother, a shy youth of seventeen, arrived
in a buggy and drove Jack and Victoria the four miles to the home of the
latter. Somers and Harriet had tea alone.

"But I love and adore the place," said Harriet. "Victoria says we can
have it for thirty shillings a week, and if they'd let you off even half
of the month for Torestin, we should be saving."

The Callcotts arrived home in the early dark.

"Oh, but doesn't the house smell different," cried Victoria.

"Beeswax and turps," said Jack. "Not a bad smell."

Again the evening passed quietly. Jack had not been his own boisterous
self at all. He was silent, and you couldn't get at him. Victoria looked
at him curiously, wondering, and tried to draw him out. He laughed and
was pleasant enough, but relapsed into silence, as if he were sad, or

In the morning sunlight Harriet and Somers were out first, after Somers
had made the fire, having a frightened dip in the sandy foam. They kept
far back from the great rollers, which, as the two sat in the dribbling
back-wash, reared up so huge and white and fanged in a front attack,
that Harriet always rose and ran, and it was long before she got really
wet. And then when they did venture to sit in a foot of water, up came a
sudden flush and flung them helpless rolling a dozen yards in, and
banged them against the pebbles. It was distinctly surprising. Somers
had never known that he weighed so little, that he was such a scrap of
unimportance. And he still dared not quite imagine the whole of the
blind, invisible force of that water. It was so different being in it,
even on the edge of it, from looking at it from the outside.

As they came trembling and panting up the bank to the grass-plot,
dripping and smelling so strong and sticky of the Pacific, they saw Jack
standing smoking and watching.

"Are you going to try it?" said Somers.

He shook his head, and lit a cigarette.

"No. It's past my bathing season," he said.

They ran to the little tub-house and washed the sand and salt and
sea-stickiness off with fresh water.

Somers wondered whether Jack was going to say anything to him or not. He
was not sure. Perhaps Jack himself was not sure. And Somers had that
shrinking feeling one has from going to see the doctor. In a quiet sort
of way, the two men kept clear of one another. They loitered about in
the sun and round the house during the morning, mending the broken
deck-chairs and doing little jobs. Victoria and Harriet were cooking
roast pork and apple sauce, and baking little cakes. It had already been
arranged that the Somers should come and live in Coo-ee, and Victoria
was quite happy and determined to leave a supply of nice eatables behind

In the afternoon they all went strolling down the sands, Somers and
Victoria, Jack and Harriet. They picked up big, iridescent abalone
shells, such as people had on their mantelpieces at home: and bits of
purplish coral stuff. And they walked across two fields to have a look
at an aeroplane which had come down with a broken propeller. Jack of
course had to talk about it to the people there, while Somers hung back
and tried to make himself invisible, as he always did when there were
strange onlookers.

Then the four turned home. Jack and Victoria were leaving by the seven
train next morning, Somers and Harriet were staying on a few days,
before they returned to Sydney to pack up. Harriet was longing to have
the house to themselves. So was Somers. He was also hoping that Jack
wouldn't talk to him, wouldn't want anything of him. And at the same
time he was waiting for some sort of approach.

The sea's edge was smoking with the fume of the waves like a mist, and
the high shore ahead, with the few painted red-roofed bungalows, was all
dim, like a Japanese print. Tier after tier of white-frost foam piled
breaking towards the shore, in a haste. The tide was nearly high. Somers
could hardly see beyond over the white wall-tops of the breaking waves,
only on the clear horizon, far away, a steamer like a small black
scratch, and a fantastic thread of smoke.

He lingered behind the rest, they were nearly home. They were at the
wide sandy place where the creek left off. Its still brackish waters
just sank into the sands, without ever running to meet the waves. And
beyond the sands was a sort of marsh, bushes and tall stark dead
gum-trees, and a few thin-tufted trees. Half wild ponies walked heavily
from the bush to the sands, and across to the slope where the low cliff
rose again. In the depths of the marsh-like level was the low chimney of
the mine, and tips of roofs: and beyond, a long range of wire-like trees
holding up tufts of foliage in handfuls, in front of the pale blue,
diminishing range of the hills in the distance. It was a weird scene,
full of definite detail, fascinating detail, yet all in the funeral-grey
monotony of the bush.

Somers turned to the piled-up, white-fronted sea again. On the tip of a
rock above him sat a little bird with hunched-up shoulders and a long
beak: an absurd silhouette. He went towards it, talking to it. It seemed
to listen to him: really to listen. That is another of the charms of
Australia: the birds are not really afraid, and one can really
communicate with them. In West Australia Somers could sit in the bush
and talk to the flocks of big, handsome, black-and-white birds that they
call magpies, but which are a sort of butcher bird, apparently. And they
would gurgle little answers in their throats, and cock their heads on
one side. Handsome birds they were, some with mottled grey breasts like
fish. And the boldest would even come and take pieces of bread from his
hands. Yet they were quite wild. Only they seemed to have a strange
power of understanding the human psyche.

Now this little kingfisher by the sea. It sat and looked at Somers, and
cocked its head and listened. It LIKED to be talked to. When he came
quite near, it sped with the straight low flight of kingfishers to
another boulder, and waited for him. It was beautiful too: with a sheeny
sea-green back and a pale breast touched with burnt yellow. A beautiful,
dandy little fellow. And there he waited for Somers like a little
penguin perching on a brown boulder. And Somers came softly near,
talking quietly. Till he could almost touch the bird. Then away it sped
a few yards, and waited. Sheeny greyish green, like the gum-leaves
become vivid: and yellowish breast, like the suave gum-tree trunks. And
listening, and waiting, and wanting to be talked to. Wanting the

The other three had disappeared from the sea-side. Somers walked slowly
on. Then suddenly he saw Jack running across the sand in a bathing suit,
and entering the shallow rim of a long, swift upwash. He went in
gingerly--then threw himself into a little swell, and rolled in the
water for a minute. Then he was rushing back, before the next big wave
broke. He had gone again by the time Somers came to climb the cliff-bank
to the house.

They had a cup of tea on the wooden verandah. The air had begun to waft
icily from the inland, but in the sheltered place facing the sea it was
still warm. This was only four o'clock--or to-day, five o'clock tea.
Proper tea was at six or half-past, with meat and pies and fruit salad.

The women went indoors with the cups. Jack was smoking his pipe. There
was something unnatural about his stillness.

"You had a dip after all," said Somers.

"Yes. A dip in and out."

Then silence again. Somers' thoughts wandered out to the gently
darkening sea, and the bird, and the whole of vast Australia lying
behind him flat and open to the sky.

"You like it down here?" said Jack.

"I do indeed."

"Let's go down to the rocks again, I like to be near the waves."

Somers rose and followed him. The house was already lit up. The sea was
bluey. They went down the steps cut in the earth of the bank top, and
between the bushes to the sand. The tide was full, and swishing against
a flat ledge of rocks. Jack went to the edge of this ledge, looking in
at the surging water, white, hissing, heavy. Somers followed again. Jack
turned his face to him.

"Funny thing it should go on doing this all the time, for no purpose,"
said Jack, amid all the noise.


Again they watched the heavy waves unfurl and fling the white challenge
of foam on the shore.

"I say," Jack turned his face. "I shan't be making a mistake if I tell
you a few things in confidence, shall I?"

"I hope not. But judge for yourself."

"Well, it's like this," shouted Jack--they had to shout at one another
in unnaturally lifted voices, because of the huge noise of the sea.
"There's a good many of us chaps as has been in France, you know--and
been through it all--in the army--we jolly well know you can't keep a
country going on the vote-catching system--as you said the other day. We
know it can't be done."

"It can't," said Somers, with a shout, "for ever."

"If you've got to command, you don't have to ask your men first if it's
right, before you give the command."

"Of course not," yelled Somers.

But Jack was musing for the moment.

"What?" he shouted, as he woke up.

"No," yelled Somers.

A further muse, amid the roar of the waves.

"Do the men know better than the officers, or do the officers know
better than the men?" he barked.

"Of course," said Somers.

"These damned politicians--they invent a cry--and they wait to see if
the public will take it up. And if it won't, they drop it. And if it
will, they make a mountain of it, if it's only an old flower-pot."

"They do," yelled Somers.

They stood close side by side, like two mariners in a storm, amid the
breathing spume of the foreshore, while darkness slowly sank. Right at
the tip of the flat, low rocks they stood, like pilots.

"It's no good," barked Jack, with his hands in his pockets.

"Not a bit."

"If you're an officer, you study what is best, for the cause and for the
men. You study your men. But you don't ask THEM what to do. If you do
you're a wash-out."


"And that's where it is in politics. You see the papers howling and
blubbering for a statesman. Why, if they'd got the finest statesman the
world ever saw, they'd chuck him on to the scrap heap the moment he
really wanted his own way, doing what he saw was the best. That's where
they've got anybody who's any good--on the scrap-heap."

"Same the world over."

"It's got to alter somewhere."

"It has."

"When you've been through the army, you know that what you depend on is
a GENERAL, and on DISCIPLINE, and on OBEDIENCE. And nothing else is the
slightest bit of good."

"But they say the civil world is NOT an army: it's the will of the
people," cried Somers.

"Will of my grandmother's old tom-cat. They've got no will, except to
stop anybody else from having any."

"I know."

"Look at Australia. Absolutely fermenting rotten with politicians and
the will of the people. Look at the country--going rottener every day,
like an old pear."

"All the democratic world the same."

"Of course it's the same. And you may well say Australian soil is
waiting to be watered with blood. It's waiting to be watered with our
blood, once England's got too soft to help herself, let alone us, and
the Japs come down this way. They'd squash us like a soft pear."

"I think it's quite likely."



"It's pretty well a certainty. And would you blame them? If you was
thirsty, wouldn't you pick a ripe pear if it hung on nobody's tree? Why,
of course you would. And who'd blame you."

"Blame myself if I didn't," said Somers.

"And then their coloured labour. I tell you, this country's too far from
Europe to risk it. They'll swallow us. As sure as guns is guns, if we
let in coloured labour, they'll swallow us. They hate us. All the other
colours hate the white. And they're only waiting till we haven't got the
pull over them. They're only waiting. And then what about poor little

"Heaven knows."

"There'll be the Labour Party, the Socialists, uniting with the workers
of the world. THEY'LL be the workers, if ever it comes to it. Those
black and yellow people'll make 'em work--not half. It isn't one side
only that can keep slaves. Why, the fools, the coloured races don't have
any FEELING for liberty. They only think you're a fool when you give it
to them, and if they got a chance, they'd drive you out to work in
gangs, and fairly laugh at you. All this world's-worker business is
simply playing their game."

"Of course," said Somers. "What is Indian Nationalism but a strong bid
for power--for tyranny. The Brahmins want their old absolute
caste-power--the most absolute tyranny--back again, and the Mohammedans
want their military tyranny. That's what they are lusting for--to wield
the rod again. Slavery for millions. Japan the same. And China, in part,
the same. The niggers the same. The real sense of liberty only goes with
white blood. And the ideal democratic liberty is an exploded ideal.
You've got to have wisdom and authority somewhere, and you can't get it
out of any further democracy."

"There!" said Jack. "That's what I mean. We'll be wiped out, wiped out.
And we know it. Look here, as man to man, you and me here: if you were
an Australian, wouldn't you do something if you could do something?"

"I would."

"Whether you got shot or whether you didn't! We went to France to get
ourselves shot, for something that didn't touch us very close either.
Then why shouldn't we run a bit of risk for what does touch us very
close. Why, you know, with things as they are, _I_ don't want Victoria
and me to have any children. I'd a jolly sight rather not--and I'll
watch it too."

"Same with me," yelled Somers.

Jack had come closer to him, and was now holding him by the arm.

"What's a man's life for, anyhow? Is it just to save up like rotten
pears on a shelf, in the hopes that one day it'll rot into a pink canary
or something of that?"

"No," said Somers.

"What we want in Australia," said Jack, "isn't a statesman, not yet.
It's a set of chaps with some guts in them, who'll obey orders when they
find a man who'll give the orders."


"And we've got such men--we've got them. But we want to see our way
clear. We don't never feel quite SURE enough over here. That's where it
is. We sound as sure as a gas-explosion. But it's all bang and no bump.
We'll never raise no lids. We shall only raise the roof--or our
politicians will--with shouting. Because we're never quite sure. We know
it when we meet you English people. You're a lot surer than we are. But
you're mostly bigger fools as well. It takes a fool to be sure of
himself, sometimes."


"And there's where it is. Most Englishmen are too big cocked-up fools
for us. And there you are. Their sureness may help them along to the end
of the road, but they haven't the wit to turn a corner: not a proper
corner. And we can see it. They can only go back on themselves."


"You're the only man I've met who seems to me sure of himself and what
he means. I may be mistaken, but that's how it seems to me. And William
James knows it too. But it's my belief William James doesn't want you to
come in, because it would spoil his little game."

"I don't understand."

"I know you don't. Now, look here. This is absolutely between ourselves,
now, isn't it?"




Jack was silent for a time. Then he looked round the almost dark shore.
The stars were shining overhead.

"Give me your hand then," said Jack.

Somers gave him his hand, and Jack clasped it fast, drawing the smaller
man to him and putting his arm round his shoulders and holding him near
to him. It was a tense moment for Richard Lovat. He looked at the dark
sea, and thought of his own everlasting gods, and felt the other man's
body next to his.

"Well now," he said in Somers' ear, in a soothed tone. "There's quite a
number of us in Sydney--and in the other towns as well--we're mostly
diggers back from the war--we've joined up into a kind of club--and
we're sworn in--and we're sworn to OBEY the leaders, no matter what the
command, when the time is ready--and we're sworn to keep silent till
then. We don't let out much, nothing of any consequence, to the general
run of the members."

Richard listened with his soul. Jack's eager, conspirator voice seemed
very close to his ear, and it had a kind of caress, a sort of embrace.
Richard was absolutely motionless.

"But who are your leaders?" he asked, thinking of course that it was his
own high destiny to be a leader.

"Why, the first club got fifty members to start with. Then we chose a
leader and talked things over. And then we chose a secretary and a
lieutenant. And every member quietly brought in more chaps. And as soon
as we felt we could afford it, we separated, making the next thirty or
so into a second club, with the lieutenant for a leader. Then we chose a
new lieutenant--and the new club chose a secretary and a lieutenant."

Richard didn't follow all this lieutenant and club business very well.
He was thinking of himself entering in with these men in a dangerous,
desperate cause. It seemed unreal. Yet there he was, with Jack's arm
round him. Jack would want him to be his "mate". Could he? His cobber.
Could he ever be mate to any man?

"You sort of have a lot of leaders. What if one of them let you down?"
he asked.

"None of them have yet. But we've arranged for that."


"I'll tell you later. But you get a bit of the hang of the thing, do

"I think so. But what do you call yourselves? How do you appear to the

"We call ourselves the digger clubs, and we go in chiefly for athletics.
And we do spend most of the time in athletics. But those that aren't
diggers can join, if a pal brings them in and vouches for them."

Richard was now feeling rather out of it. Returned soldiers, and clubs,
and athletics--all unnatural things to him. Was he going to join in with
this? How could he? He was so different from it all.

"And how do you work--I mean together?" he faltered.

"We have a special lodge of the leaders and lieutenants and secretaries
from all the clubs, and again in every lodge they choose a master,
that's the highest; and then a Jack, he's like a lieutenant; and a
Teller, he's the sort of secretary and president. We have lodges in all
the biggish places. And then all the masters of the lodges of the five
states of Australia keep in touch, and they choose five masters who are
called the Five, and these five agree among themselves which order they
shall stand in: first, second, third, fourth, and fifth. When once
they've chosen the first, then he has two votes towards the placing of
the other four. And so they settle it. And then they grade the five
Jacks and the five Tellers. I tell it you just in rough, you know."

"Yes. And what are you?"

"I'm a master."

Richard was still trying to see himself in connection with it all. He
tried to piece together all that Jack had been letting off at him.
Returned soldiers' clubs, chiefly athletics, with a more or less secret
core to each club, and all the secret cores working together secretly in
all the state under one chief head, and apparently with military
penalties for any transgression. It was not a bad idea. And the aim,
apparently, a sort of revolution and a seizing of political power.

"How long have you been started?" he asked.

"About eighteen months--nearly two years altogether."

Somers was silent, very much impressed, though his heart felt heavy. Why
did his heart feel so heavy? Politics--conspiracy--political power: it
was all so alien to him. Somehow, in his soul he always meant something
quite different, when he thought of action along with other men. Yet
Australia, the wonderful, lonely Australia, with her seven million
people only--it might begin here. And the Australians, so queer, so
absent, as it were, leaving themselves out all the time--they might be
capable of a beautiful unselfishness and steadfastness of purpose.
Only--his heart refused to respond.

"What is your aim, though? What do you want, finally?" he asked rather

Jack hesitated, and his grip on the other man's arm tightened.

"Well," he said. "It's like this. We don't talk a lot about what we
intend: we fix nothing. But we start certain talks, and we listen, so we
know more or less what most of the ordinary members feel like. Why, the
plan is more or less this. The Labour people, the reds, are always
talking about a revolution, and the Conservatives are always talking
about a disaster. Well, we keep ourselves fit and ready for as soon as
the revolution comes--or the disaster. Then we step in, you see, and we
are the revolution. We've got most of the trained fighting men behind
us, and we can MAKE the will of the people, don't you see: if the
members stand steady. We shall have 'Australia' for the word. We stand
for Australia, not for any of your parties."

Somers at once felt the idea was a good one. Australia is not too
big--seven millions or so, and the biggest part of the seven
concentrated in the five or six cities. Get hold of your cities and
you've got hold of Australia. The only thing he mistrusted was the
dryness in Jack's voice: a sort of that's-how-it's-got-to-be dryness,
sharp and authoritative.

"What d'yer think of it?" said Jack.

"Good idea," said Somers.

"I know that--if we can bite on to it. Feel like joining in, d'yer

Somers was silent. He was thinking of Jack even more than of the
venture. Jack was trying to put something over him--in some way, to get
a hold over him. He felt like an animal that is being lassooed. Yet here
was his chance, if he wanted to be a leader of men. He had only to give
himself, give himself up to it and to the men.

"Let me think about it a bit, will you?" he replied, "and I'll tell you
when I come up to Sydney."

"Right O!" said Jack, a twinge of disappointment in his acquiescence.
"Look before you leap, you know."

"Yes--for both sides. You wouldn't want me to jump in, and then squirm
because I didn't like it."

"Right you are, old man. You take your own time--I know you won't be
wagging your jaw to anybody."

"No. Not even to Harriet."

"Oh, bless you, no. We're not having the women in, if we can help it.
Don't believe in it, do you?"

"Not in real politics, I don't."

They stood a moment longer by the sea. Then Jack let go Somers' arm.

"Well," he said, "I'd rather die in a forlorn hope than drag my days out
in a forlorn mope. Besides, damn it, I do want to have a shot at
something, I do. These politicians absolutely get my wind up, running
the country. If I can't do better than that, then let me be shot, and

"I agree," said Somers.

Jack put his hand on his shoulder, and pressed it hard.

"I knew you would," he said, in moved tones. "We want a man like you,
you know--like a sort of queen bee to a hive."

Somers laughed, rather startled by the metaphor. He had thought of
himself as many things, but never as a queen bee to a hive of would-be
revolutionaries. The two men went up to the house.

"Wherever have you been?" said Victoria.

"Talking politics and red-hot treason," said Jack, rubbing his hands.

"Till you're almost frozen, I'm sure," said Victoria.

Harriet looked at the two men in curiosity and suspicion, but she said
nothing. Only next morning when the Callcotts had gone she said to

"What were you and Mr. Callcott talking about, really?"

"As he said, politics and hot treason. An idea that some of them have
got for making a change in the constitution."

"What sort of change?" asked Harriet.

"Why--don't bother me yet. I don't know myself."

"Is it so important you mustn't tell me?" she asked sarcastically.

"Or else so vague," he answered.

But she saw by the shut look on his face that he was not going to tell
her: that this was something he intended to keep apart from her: forever
apart. A part of himself which he was not going to share with her. It
seemed to her unnecessary, and a breach of faith on his part, wounding
her. If their marriage was a real thing, then anything very serious was
her matter as much as his, surely. Either her marriage with him was not
very important, or else this Jack Callcott stuff wasn't very important.
Which probably it wasn't. Yet she hated the hoity-toity way she was shut

"Pah!" she said. "A bit of little boys' silly showing off."

But he had this other cold side to his nature, that could keep a secret
cold and isolated till Doomsday. And for two or three years now, since
the war, he had talked like this about doing some work with men alone,
sharing some activity with men. Turning away from the personal life to
the hateful male impersonal activity, and shutting her out from this.

She continued bright through the day. Then at evening he found her
sitting on her bed with tears in her eyes and her hands in her lap. At
once his heart became very troubled: because after all she was all he
had in the world, and he couldn't bear her to be really disappointed or
wounded. He wanted to ask her what was the matter, and to try to comfort
her. But he knew it would be false. He knew that her greatest grief was
when he turned away from their personal human life of intimacy to this
impersonal business of male activity for which he was always craving. So
he felt miserable, but went away without saying anything. Because he was
determined, if possible, to go forward in this matter with Jack. He was
also determined that it was not a woman's matter. As soon as he could he
would tell her about it: as much as it was necessary for her to know.
But, once he had slowly and carefully weighed a course of action, he
would not hold it subject to Harriet's approval or disapproval. It would
be out of her sphere, outside the personal sphere of their two lives,
and he would keep it there. She emphatically opposed this principle of
her externality. She agreed with the necessity for impersonal activity,
but oh, she insisted on being identified with the activity, impersonal
or not. And he insisted that it could not and should not be: that the
pure male activity should be womanless, beyond woman. No man was beyond
woman. But in his one quality of ultimate maker and breaker, he was
womanless. Harriet denied this, bitterly. She wanted to share, to join
in, not to be left out lonely. He looked at her in distress, and did not
answer. It is a knot that can never be untied; it can only, like a navel
string, be broken or cut.

For the moment, however, he said nothing. But Somers knew from his
dreams what she was feeling: his dreams of a woman, a woman he loved,
something like Harriet, something like his mother, and yet unlike
either, a woman sullen and obstinate against him, repudiating him.
Bitter the woman was, grieved beyond words, grieved till her face was
swollen and puffy and almost mad or imbecile, because she had loved him
so much, and now she must see him betray her love. That was how the
dream woman put it: he had betrayed her great love, and she must go down
desolate into an everlasting hell, denied, and denying him absolutely in
return, a sullen, awful soul. The face reminded him of Harriet, and of
his mother, and of his sister, and of girls he had known when he was
younger--strange glimpses of all of them, each glimpse excluding the
last. And at the same time in the terrible face some of the look of that
bloated face of a madwoman which hung over Jane Eyre in the night in Mr.
Rochester's house.

The Somers of the dream was terribly upset. He cried tears from his very
bowels, and laid his hand on the woman's arm saying:

"But I love you. Don't you BELIEVE in me? Don't you BELIEVE in me?" But
the woman, she seemed almost old now--only shed a few bitter tears,
bitter as vitriol, from her distorted face, and bitterly, hideously
turned away, dragging her arm from the touch of his fingers; turned, as
it seemed to the dream-Somers, away to the sullen and dreary,
everlasting hell of repudiation.

He woke at this, and listened to the thunder of the sea with horror.
With horror. Two women in his life he had loved down to the quick of
life and death: his mother and Harriet. And the woman in the dream was
so awfully his mother, risen from the dead, and at the same time
Harriet, as it were, departing from this life, that he stared at the
night-paleness between the window-curtains in horror.

"They neither of them believed in me," he said to himself. Still in the
spell of the dream, he put it in the past tense, though Harriet lay
sleeping in the next bed. He could not get over it.

Then he tried to come right awake. In his full consciousness, he was a
great enemy of dreams. For his own private life, he found his dreams
were like devils. When he was asleep and off his guard, then his own
weaknesses, especially his old weaknesses that he had overcome in his
full, day-waking self, rose up again maliciously to take some
picturesque form and torment and overcome his sleeping self. He always
considered dreams as a kind of revenge which old weaknesses took on the
victorious healthy consciousness, like past diseases come back for a
phantom triumph. So he said to himself: "The dream is one of these
larvae of my past emotions. It means that the danger is passed, the evil
is overcome, so it has to resort to dreams to terrify me. In dreams the
diseases and evil weaknesses of the soul--and of our relations with
other souls--take form to triumph falsely over the living, healthy,
onward-struggling spirit. This dream means that the actual danger is
gone." So he strengthened his spirit, and in the morning when he got up,
and remembered, he was no longer afraid. A little uneasy still, maybe,
especially as to what Harriet would do. But surely his mother was not
hostile in death! And if she were a little bit hostile at this
forsaking, it was not permanent, it was only the remains of a weakness,
an unbelief which haunted the soul in life.

So he reasoned with himself. For he had an ingrained instinct or habit
of thought which made him feel that he could never take the move into
activity unless Harriet and his dead mother believed in him. They both
loved him: that he knew. They both believed in him terribly, in personal
being. In the individual man he was, and the son of man, they believed
with all the intensity of undivided love. But in the impersonal man, the
man that would go beyond them, with his back to them, away from them
into an activity that excluded them, in this man they did not find it so
easy to believe.

Harriet, however, said nothing for two days. She was happy in her new
house, delighted with the sea and the being alone, she loved her Coo-ee
bungalow, and loved making it look nice. She loved having Lovat alone
with her, and all her desires, as it were, in the hollow of her hand.
She was bright and affectionate with him. But underneath lurked this
chagrin of his wanting to go away from her, for his activity.

"You don't take Callcott and his politics seriously, do you?" she said
to him at evening.

"Yes," he said, rather hesitatingly.

"But what does he want?"

"To have another sort of government for the Commonwealth--with a sort of
Dictator: not the democratic vote-cadging sort."

"But what does that matter to you?"

"It does matter. If you can start a new life-form."

"You know quite well you say yourself life doesn't START with a form. It
starts with a new feeling, and ends with a form."

"I know. But I think there is a new feeling."

"In Callcott?" She had a very sceptical intonation.


"I very much doubt it. He's a returned war hero, and he wants a chance
of keeping on being a hero--or something like that."

"But even that is a new feeling," he persisted.

"Yah!" she said, rather wearily sceptical. "I'd rather even believe in
William James. There seems to me more real feeling even in him: deeper,
at any rate. Your Jacks are shallow really."

"Nay, he seemed a man to me."

"I don't know what you mean by your MEN. Really, I give it up, I don't
know what you do want. You change so. You've always said you despise
politics, and yet here you are." She tailed off as if it were hopeless.

"It's not the politics. But it IS a new life-form, a new social form.
We're pot-bound inside democracy and the democratic feeling."

"But you know what you've said yourself. You didn't change the Roman
Empire with a revolution. Christianity grew up for centuries without
having anything at all to do with politics--just a FEELING, and a

This was indeed what he had said himself, often enough: that a new
religious inspiration, and a new religious idea must gradually spring up
and ripen before there could be any constructive change. And yet he felt
that preaching and teaching were both no good, at the world's present
juncture. There must be action, brave, faithful action: and in the
action the new spirit would arise.

"You see," he said, "Christianity is a religion which preaches the
despising of the material world. And I don't believe in that part of it,
at least, any longer. I believe that the men with the real passion for
life, for truth, for LIVING and not for HAVING, I feel they now must
seize control of the material possessions, just to safeguard the world
from all the masses who want to seize material possessions for
themselves, blindly, and nothing else. The men with soul and with
passionate truth in them must control the world's material riches and
supplies: absolutely put possessions out of the reach of the mass of
mankind, and let life begin to live again, in place of this struggle for
existence, or struggle for wealth."

"Yah, I don't believe it's so all-important who controls the world's
material riches and supplies. That'll always be the same."

"It won't."

"It will. Conservatives or bolshevists or Labour Party--they're all
alike: they all want to grab and have things in their clutches, and
they're devilish with jealousy if they haven't got them. That's
politics. You've said thousands of times that politics are a game for
the base people with no human soul in them. Thousands of times you've
said it. And yet now--."

He was silent for a while.

"Now," he said slowly. "Now I see that you don't have only to give all
your possessions to the poor. You've got to HAVE no poor that can be
saved just by possessions. You've got to put the control of all supplies
into the hands of sincere, sensible men who are still men enough to know
that manhood isn't the same thing as goods. We don't want possessions.
Nobody wants possessions--more than just the immediate things: as you
say yourself, one trunk for you, one for me, and one for the household
goods. That's about all. We don't want anything else. And the world is
ours--Australia or India, Coo-ee or Ardnaree, or where you like. You
have got to teach people that, by withholding possessions and stopping
the mere frenzy for possession which runs the world to-day. You've got
to do that FIRST, not last."

"And you think Jack Callcott will do it?"

"I did think so, as he talked to me."

"Well, then let him. Why do you want to interfere? In my opinion he's
chiefly jealous because other people run the show, and he doesn't have a
look-in. Having once been a Captain with some power, he wants the same
again, and more. I'd rather trust William James to be disinterested."

"Nay, Jack Callcott is generous by nature, and I believe he'd be

"In his way, he's generous. But that isn't the same as being
disinterested, for all that. He wants to have his finger in the pie,
that's what he wants."

"To pull out plums? That's not true."

"Perhaps not to pull out money plums. But to be bossy. To be a Captain
once more, feeling his feet and being a boss over something."

"Why shouldn't he be?"

"Why not? I don't care if he bosses all Australia and New Zealand and
all the lot. But I don't see why you should call it disinterested.
Because it isn't."

He paused, struck.

"Am I disinterested?" he asked.

"Not"--she hesitated--"not when you want just POWER."

"But I don't want just power. I only see that somebody must have power,
so those should have it who don't want it selfishly, and who have some
natural gift for it, and some reverence for the sacredness of it."

"Ha!--power! power! What does it all mean, after all! And especially in
people like Jack Callcott. Where does he see any sacredness. He's a
sentimentalist, and as you say yourself, nothing is sacred then."

This discussion ended in a draw. Harriet had struck home once or twice,
and she knew it. That appeased her for the moment. But he stuck to his
essential position, though he was not so sure of the circumstantial

Harriet loved Coo-ee, and was determined to be happy there. She had at
last gradually realised that Lovat was no longer lover to her or
anybody, or even anything: and amidst the chagrin was a real relief.
Because he was her husband, that was undeniable. And if, as her husband,
he had to go on to other things, outside of marriage: well, that was his
affair. It only angered her when he thought these other
things--revolutions or governments or whatnot--higher than their
essential marriage. But then he would come to himself and acknowledge
that his marriage WAS the centre of his life, the core, the root,
however he liked to put it: and this other business was the inevitable
excursion into his future, into the unknown, onwards, which man by his
nature was condemned to make, even if he lost his life a dozen times in
it. Well, so be it. Let him make the excursion: even without her. But
she was not, if she could help it, going to have him setting off on a
trip that led nowhere. No, if he was to excurse ahead, it must be ahead,
and her instinct must be convinced as the needle of a mariner's compass
is convinced. And regarding this Australian business of Callcott's, she
had her doubts.

However, she had for the moment a home, where she felt for the moment as
rooted, as central as the tree of life itself. She wasn't a bit of
flotsam, and she wasn't a dog chained to a dog-kennel. Coo-ee might be
absurd--and she knew it was only a camp. But then where she camped with
Lovat Somers was now the world's centre to her, and that was enough.

She loved to wake in the morning and open the bedroom door--they had the
north bedroom, on the verandah, the room that had the sun all day long;
then she liked to lie luxuriously in bed and watch the lovely, broken
colours of the Australian dawn: always strange, mixed colours, never the
primary reds and yellows. The sun rose on the north-east--she could
hardly see it. But she watched the first yellow of morning, and then the
strange, strong smoky red-purple of floating pieces of cloud: then the
rose and mist blue of the horizon, and the sea all reddish, smoky
flesh-colour, moving under a film of gold like a glaze; then the sea
gradually going yellow, going primrose, with the foam breaking blue as
forget-me-nots or frost, in front. And on the near swing of the bluey
primrose, sticking up through the marvellous liquid pale yellow glaze,
the black fins of sharks. The triangular, black fins of sharks, like
small, hard sails of hell-boats, amid the swimming luminousness. Then
she would run out on the verandah. Sharks! Four or five sharks, skulking
in the morning glow, and so near, she could almost have thrown bread to
them. Sharks, slinking along quite near the coast, as if they were
walking on the land. She saw one caught in the heave of a breaker, and
lifted. And then she saw him start, saw the quick flurry of his tail as
he flung himself back. The land to him was horror--as to her the sea,
beyond that wall of ice-blue foam. She made Lovat come to look. He
watched them slowly, holding the brush in his hand. He had made the
fire, and was sweeping the hearth. Coffee was ready by the time Harriet
was dressed: and he was crouching making toast. They had breakfast
together on the front verandah, facing the sea, eastwards. And the
much-washed red-and-white tablecloth that had been in so many lands with
them and that they used out-doors, looked almost too strongly coloured
in the tender-seeming atmosphere. The coffee had a lot of chicory in it,
but the butter and milk were good, and the brownish honey, that also,
like the landscape, tasted queer, as if touched with unkindled smoke. It
seemed to Somers as if the people of Australia OUGHT to be dusky. Think
of Sicilian honey--like the sound of birds singing: and now this with a
dusky undertone to it. But good too--so good!


They went back to Sydney on the Thursday, for two days, to pack up and
return to Coo-ee. All the time, they could hear the sea. It seemed
strange that they felt the sea so far away, in Sydney. In Sydney itself,
there is no sea. It might be Birmingham. Even in Mullumbimby, a queer
raw little place, when Somers lifted his head and looked down Main
Street and saw, a mile away, the high level of the solid sea, it was
almost a shock to him. Half a mile inland, the influence of the sea has
disappeared, and the land-sense is so heavy, buried, that it is hard to
believe that the dull rumble in the air is the ocean. It sounds like a
coal-mine or something.

"You'll let Mr. Somers and me have a little chat to ourselves, Mrs.
Somers, won't you?" said Jack, appearing after tea.

"Willingly. I assure you _I_ don't want to be bothered with your
important affairs," said Harriet. None the less she went over rather
resentfully to Victoria, turned out of her own house. It wasn't that she
wanted to listen. She would really have hated to attend to all their
high-and-mighty revolution stuff. She didn't believe in
revolutions--they were vieux jeu, out of date.

"Well," said Jack, settling down in a wooden arm-chair and starting his
pipe. "You've thought it over, have you?"

"Over and over," laughed Somers.

"I knew you would."

He sucked his pipe and thought for a time.

"I've had a long talk with Kangaroo about you to-day," he said.

"Who's Kangaroo?"

"He's the First," replied Jack slowly. And again there was silence.
Somers kept himself well in hand, and said nothing.

"A lawyer--well up--I knew him in the army, though. He was one of my

Still Somers waited, without speaking.

"He'd like to see you. Should you care to have lunch with him and me in
town to-morrow?"

"Have you told him you've talked to me?"

"Oh yes--told him before I did it. He knows your writings--read all
you've written, apparently. He'd heard about you too from a chap on the
Naldera. That's the boat you came by, isn't it?"

"Yes," said Somers.

"Yes," echoed Jack. "He was all over me when I mentioned your name.
You'd like Kangaroo. He's a great chap."

"What's his name?"

"Cooley--Ben--Benjamin Cooley."

"They like him on the Bulletin, don't they? Didn't I see something about
Ben Cooley and his straight talk?"

"Yes. Oh, he can talk straight enough--and crooked enough as well, if it
comes to that. You'll come to lunch then? We lunch in his chambers."

Somers agreed. Jack was silent, as if he had not much more to say. After
a while he added reflectively:

"Yes, I'm glad to have brought you and Kangaroo together."

"Why do they call him Kangaroo?"

"Looks like one."

Again there was a silence, each man thinking his own thoughts.

"You and Kangaroo will catch on like wax, as far as ideas go," Jack
prognosticated. "But he's an unfeeling beggar, really. And that's where
you WON'T cotton on to him. That's where _I_ come in."

He looked at Somers with a faint smile.

"Come in to what?" laughed Somers.

Jack took his pipe from his mouth with a little flourish.

"In a job like this," he said, "a man wants a mate--yes, a mate--that he
can say ANYTHING to, and be absolutely himself with. Must have it. And
as far as I go--for me--you don't mind if I say it, do you?--Kangaroo
could never have a mate. He's as odd as any phoenix bird I've ever heard
tell of. You couldn't mate him to anything in the heavens above or in
the earth beneath or in the waters under the earth. No, there's no
female kangaroo of his species. Fine chap, for all that. But as lonely
as a nail in a post."

"Sounds something fatal and fixed," laughed Somers.

"It does. And he IS fatal and fixed. Those eyeglasses of his, you
know--they alone make a man into a sort of eye of God, rather glassy.
But my idea is, in a job like this, every man should have a mate--like
most of us had in the war. Mine was Victoria's brother--and still is, in
a way. But he got some sort of a sickness that seems to have taken all
the fight out of him. Fooling about with the wrong sort of women. Can't
get his pecker up again now, the fool. Poor devil an' all."

Jack sighed and resumed his pipe.

"Men fight better when they've got a mate. They'll stand anything when
they've got a mate," he went on again after a while. "But a mate's not
all that easy to strike. We're a lot of decent chaps, stick at nothing
once they wanted to put a thing through, in our lodge--and in my club.
But there's not one of them I feel's quite up to me--if you know what I
mean. Rattling good fellows--but nary one of 'em quite my cut."

"That's usually so," laughed Somers.

"It is," said Jack. Then he narrowed and diminished his voice. "Now I
feel," he said cautiously and intensely, "that if you and me was mates,
we could put any damn mortal thing through, if we had to knock the
bottom out of the blanky show to do it."

Somers dropped his head. He liked the man. But what about the cause?
What about the mistrust and reluctancy he felt? And at the same time,
the thrill of desire. What was offered? He wanted so much. To be mates
with Jack in this cause. Life and death mates. And yet he felt he
couldn't. Not quite. Something stopped him.

He looked up at Callcott. The other man's face was alert and waiting:
curiously naked a face too. Somers wished it had had even a moustache,
anything rather than this clean, all-clean bare flesh. If Jack had only
had a beard too--like a man--and not one of these clean-shaven
too-much-exposed faces. Alert, waiting face--almost lurking, waiting for
an answer.

"Could we ever be QUITE mates?" Somers asked gently.

Jack's dark eyes watched the other man fixedly. Jack himself wasn't
unlike a kangaroo, thought Somers: a long-faced, smooth-faced, strangely
watchful kangaroo with powerful hindquarters.

"Perhaps not as me and Fred Wilmot was. In a way you're higher up than I
am. But that's what I like, you know--a mate that's better than I am, a
mate who I FEEL is better than I am. That's what I feel about you: and
that's what makes me feel, if we was mates, I'd stick to you through
hell fire and back, and we'd clear some land between us. I KNOW if you
and me was mates, we could put any blooming thing through. There'd be
nothing to stop us."

"Not even Kangaroo?"

"Oh, he'd be our way, and we'd be his. He's a sensible chap." Somers was
tempted to give Jack his hand there and then, and pledge himself to a
friendship, or a comradeship, that nothing should ever alter. He wanted
to do it. Yet something withheld him as if an invisible hand were upon
him, preventing him.

"I'm not sure that I'm a mating man, either," he said slowly.

"You?" Jack eyed him. "You are and you aren't. If you'd once come
over--why man, do you think I wouldn't lay my life down for you?"

Somers went pale. He didn't want anybody laying down their lives for
him. "Greater love than this--." But he didn't want this great love. He
didn't BELIEVE in it: in that way of love.

"Let's leave it, Jack," he replied, laughing slowly and rising, giving
his hand to the other man. "Don't let us make any pledges yet. We're
friends, whatever else we are. As for being mates--wait till I feel
sure. Wait till I've seen Kangaroo. Wait till I see my way clear. I feel
I'm only six strides down the way yet, and you ask me to be at the end."

"At the start you mean," said Jack, gripping the other man's hand, and
rising too. "But take your time, old man." He laid his hand on Somers'
shoulder. "If you're slow and backward like a woman, it's because it's
your nature. Not like me, I go at it in jumps like a kangaroo. I feel I
could jump clean through the blooming tent-canvas sometimes." As he
spoke he was pale and tense with emotion, and his eyes were like black
holes, almost wounds in the pallor of his face.

Somers was in a dilemma. Did he want to mix and make with this man? One
part of him perhaps did. But not a very big part, since for his life he
could not help resenting it when Jack put his hand on his shoulder, or
called him "old man". It wasn't the commonness either. Jack's "common"
speech and manner was largely assumed--part of the colonial bluff. He
could be accurate enough if he chose--as Somers knew already, and would
soon know more emphatically. No, it was not the commonness, the vulgar
touch in the approach. Jack was sensitive enough, really. And the quiet,
well-bred appeal of upper-class young Englishmen, who have the same
yearning for intimate comradeship, combined with a sensitive delicacy
really finer than a woman's, this made Somers shrink just the same. He
half wanted to commit himself to this whole affection with a friend, a
comrade, a mate. And then, in the last issue, he didn't want it at all.
The affection would be deep and genuine enough: that he knew. But--when
it came to the point, he didn't want any more affection. All his life he
had cherished a beloved ideal of friendship--David and Jonathan. And
now, when true and good friends offered, he found he simply could not
commit himself, even to simple friendship. The whole trend of this
affection, this mingling, this intimacy, this truly beautiful love, he
found his soul just set against it. He couldn't go along with it. He
didn't want a friend, he didn't want loving affection, he didn't want
comradeship. No, his soul trembled when he tried to drive it along the
way, trembled and stood still, like Balaam's Ass. It did not want
friendship or comradeship, great or small, deep or shallow.

It took Lovat Somers some time before he would really admit and accept
this new fact. Not till he had striven hard with his soul did he come to
see the angel in the way; not till his soul, like Balaam's Ass, had
spoken more than once. And then, when forced to admit, it was a
revolution in his mind. He had all his life had this craving for an
absolute friend, a David to his Jonathan, Pylades to his Orestes: a
blood-brother. All his life he had secretly grieved over his
friendlessness. And now at last, when it really offered--and it had
offered twice before, since he had left Europe--he didn't want it, and
he realised that in his innermost soul he had never wanted it.

Yet he wanted SOME living fellowship with other men; as it was he was
just isolated. Maybe a living fellowship!--but not affection, not love,
not comradeship. Not mates and equality and mingling. Not
blood-brotherhood. None of that.

What else? He didn't know. He only knew he was never destined to be mate
or comrade or even friend with any man. Some other living relationship.
But what? He did not know. Perhaps the thing that the dark races know:
that one can still feel in India: the mystery of lordship. That which
white men have struggled so long against, and which is the clue to the
life of the Hindu. The mystery of lordship. The mystery of innate,
natural, sacred priority. The other mystic relationship between men,
which democracy and equality try to deny and obliterate. Not any
arbitrary caste or birth aristocracy. But the mystic recognition of
difference and innate priority, the joy of obedience and the sacred
responsibility of authority.

Before Somers went down to George Street to find Jack and to be taken by
him to luncheon with the Kangaroo, he had come to the decision, or to
the knowledge that mating or comradeship were contrary to his destiny.
He would never pledge himself to Jack, nor to this venture in which Jack
was concerned.

They arrived at Mr. Cooley's chambers punctually. It was a handsome
apartment with handsome jarrah furniture, dark and suave, and some very
beautiful rugs. Mr. Cooley came at once: and he WAS a kangaroo. His face
was long and lean and pendulous, with eyes set close together behind his
pince-nez: and his body was stout but firm. He was a man of forty or so,
hard to tell, swarthy, with short-cropped dark hair and a smallish head
carried rather forward on his large but sensitive, almost shy body. He
leaned forward in his walk, and seemed as if his hands didn't quite
belong to him. But he shook hands with a firm grip. He was really tall,
but his way of dropping his head, and his sloping shoulders, took away
from his height. He seemed not much taller than Somers, towards whom he
seemed to lean the sensitive tip of his long nose, hanging over him as
he scrutinised him sharply through his eye-glasses, and approaching him
with the front of his stomach.

"Very glad to see you," he said, in a voice half Australian, half

The luncheon was almost impressive: a round table with a huge bunch of
violets in a queer old copper bowl, Queen Anne silver, a tablecloth with
heavy point edging, Venetian wine-glasses, red and white wine in
Venetian wine-jugs, a Chinaman waiting at table, offering first a silver
dish of hors d'oeuvres and a handsome crayfish with mayonnaise.

"Why," said Somers, equivocally, "I might be anywhere."

Kangaroo looked at him sharply. Somers noticed that when he sat down,
his thighs in his dark grey, striped trousers were very thick, making
his shoulders seem almost slender; but though his stomach was stout, it
was firm.

"Then I hope you feel at home," said Kangaroo. "Because I am sure you
are at home anywhere." And he helped himself to olives, putting one in
his queer, pursed, thick-lipped mouth.

"For which reason I'm never at home, presumably."

"That may easily be the case. Will you take red or white wine?"

"White," said Somers, oblivious of the poised Chinaman.

"You have come to a homely country," said the Kangaroo, without the
ghost of a smile.

"Certainly to a very hospitable one."

"We rarely lock our doors," said Kangaroo.

"Or anything else," said Jack. "Though of course we may slay you in the
scullery if you say a word against us."

"I'm not going to be so indiscreet," said Somers.

"Leave the indiscretion to us. We believe in it. Indiscretion is the
better part of valour. You agree, Kangaroo?" said Jack, smiling over his
plate directly at his host.

"I don't think I'd care to see you turn discreet, boy," returned the
other. "Though your quotation isn't new."

"Even a crystal-gazer can't gaze to the bottom of a deep well, eh? Never
mind, I'm as shallow as a pie-dish, and proud of it. Red, please." This
to the Chink.

"That's why it's so nice knowing you," said Kangaroo.

"And you, of course, are a glass finger-bowl with a violet floating on
it, you're so transparent," said Jack.

"I think that describes me beautifully. Mr. Somers, help yourself to
wine, that's the most comfortable. I hope you are going to write
something for us. Australia is waiting for her Homer--or her

"Or even her Ally Sloper," said Jack, "if I may be permitted to be so

"If I were but blind," said Somers, "I might have a shot at Australian

"His eyes hurt him still, with looking at Sydney," said Jack.

There certainly is enough of it to look at," said Kangaroo.

"In acreage," said Jack.

"Pity it spreads over so much ground," said Somers.

"Oh, every man his little lot, and an extended tram-service.

"In Rome," said Somers, "they piled up huge houses, vast, and stowed
them away like grubs in a honeycomb."

"Who did the stowing?" asked Jack sarcastically.

"We don't like to have anybody overhead here," said Kangaroo. "We don't
even care to go upstairs, because we are then one storey higher than our
true, ground-floor selves."

"Prop us up on a dozen stumps, and we're cosy," said Jack. "Just a
little above the earth level, and no higher, you know. Australians in
their heart of hearts hate anything but a bungalow. They feel it's rock
bottom, don't you see. None of your stair-climbing shams and upstairs

"Good honest fellows," said Kangaroo, and it was impossible to know if
he were joking or not.

"Till it comes to business," said Jack.

Kangaroo then started a discussion of the much-mooted and at the moment
fashionable Theory of Relativity.

"Of course it's popular," said Jack. "It absolutely takes the wind out
of anybody's sails who wants to say "I'm IT." Even the Lord Almighty is
only relatively so and as it were."

"How nice for us all," laughed Somers. "It needed a Jew to lead us this
last step in liberty."

"Now we're all little ITS, chirping like so many molecules one with
another," said Jack, eyeing the roast duck with a shrewd gaze.

The luncheon passed frivolously. Somers was bored, but he had a shrewd
suspicion that the other two men really enjoyed it. They sauntered into
the study for coffee. It was a smallish room, with big, deep leather
chairs of a delicate brown colour, and a thick, bluey oriental carpet.
The walls even had an upper panelling of old embossed cordovan leather,
a bluish colouring with gilt, old and tarnished away. It was evident
that law pays, even in a new country.

Everybody waited for everybody to speak. Somers, of course, knew it was
not his business to begin.

"The indiscreet Callcott told you about our Kangaroo clubs," said the
host, smiling faintly. Somers thought that surely he had Jewish blood in
him. He stirred his little gold coffee-cup slowly.

"He gave me a very sketchy outline."

"It interested you?"


"I read your series of articles on Democracy," said Kangaroo. "In fact
they helped me to this attempt now."

"I thought not a soul read them," said Somers, "in that absurd
international paper published at the Hague, that they said was run
absolutely by spies and shady people."

"It may have been. But I was a subscriber, and I read your essays here
in Sydney. There was another man, too, writing on a new aristocracy. But
it seemed to me there was too much fraternising in his scheme, too much
reverence for the upper classes and passionate pity for the working
classes. He wanted them all to be kind to one another, aristocrats of
the spirit." Kangaroo smiled slowly. And when he smiled like that, there
came an exceedingly sweet charm into his face, for a moment his face was
like a flower. Yet he was quite ugly. And surely, thought Somers, it is
Jewish blood. The very best that is in the Jewish blood: a faculty for
pure disinterestedness, and warm, physically warm love, that seems to
make the corpuscles of the blood glow. And after the smile his face went
stupid and kangaroo-like, pendulous, with the eyes close together above
the long, drooping nose. But the shape of the head was very beautiful,
small, light, and fine. The man had surely Jewish blood. And he was
almost purely KIND, essential kindliness, embodied in an ancient,
unscrupulous shrewdness. He was so shrewd, so clever. And with a rogue
or a mean man, absolutely unscrupulous. But for any human being who
showed himself sincere and vulnerable, his heart was pure in kindness.
An extraordinary man. This pure kindliness had something Jehovah-like in
it. And in every difficulty and every stress, he would remember it, his
kindly love for real, vulnerable human beings. It had given his soul an
absolute direction, whatever he said about relativity. Yet once he felt
any man or woman was cold, mean, barren of this warmth which was in him,
then he became at once utterly unscrupulous in defeating the creature.
He was not angry or indignant. He was more like a real Jehovah. He had
only to turn on all the levers and forces of his clever, almost
fiendishly subtle will, and he could triumph. And he knew it. Somers had
once had a Jewish friend with this wonderful, Jehovah-like kindliness,
but also, without the shrewd fiendish subtlety of will. But it helped
him to understand Cooley.

"Yes--I think the man sent me his book," said Somers. "I forget his
name. I only remember there was a feverish adulation of Lord
Something-or-other, and a terrible cri du coeur about the mother of the
people, the poor elderly woman in a battered black bonnet and a shawl,
going out with sixpence ha'penny to buy a shillings-worth of necessaries
for the home."

"Just so," said Kangaroo, smiling again. "No doubt her husband drank. If
he did, who can wonder."

"The very sight of her makes one want to shove her out of the house--or
out of the world, for that matter," said Somers.

"Nay," said Jack. "She's enjoying her misery, dear old soul. Don't envy
her bits of pleasures.

"Not envy," laughed Somers. "But I begrudge them her."

"What would you do with her?" asked Kangaroo.

"I wouldn't do anything. She mostly creeps in the East End. where one
needn't bother about her. And she's as much at home there as an opossum
is in the bush. So don't bother me about her."

"Just so," smiled Kangaroo. "I'd like to provide public kitchens where
the children can get properly fed--and make the husband do a certain
amount of state labour to pay for it. And for the rest, leave them to go
their own way."

"But their minds, their souls, their spirits?" said Somers.

"They must more or less look after them themselves. I want to keep
ORDER. I want to remove physical misery as far as possible. That I am
sure of. And that you can only do by exerting strong, just POWER from
above. There I agree with you."

"You don't believe in education?"

"Not much. That is to say, in ninety per cent of the people it is
useless. But I do want those ninety per cent none the less to have full,
substantial lives: as even slaves had under certain masters and as our
people hardly have at all. That again, I think, is one of your ideas."

"It is," said Somers. But his heart sank. "You want a kind of benevolent
tyranny, then?"

"Not exactly. You see my tyrant would be so much circumscribed by the
constitution I should establish. But in a sense, he would be a tyrant.
Perhaps it would be nearer to say he would be a patriarch, or a pope:
representing as near as possible the wise, subtle spirit of life. I
should try to establish my state of Australia as a kind of Church, with
the profound reverence for life, for life's deepest urges, as the motive
power. Dostoevsky suggests this: and I believe it can be done."

"Perhaps it might be done here," blurted Somers. "Every continent has
its own way, and its own needs."

"I agree," said Kangaroo. "I have the greatest admiration for the Roman
Catholic Church, as an institution. But the creed and the theology are
not natural to me, quite. Not quite. I think we need something more
flexible, and a power less formal and dogmatic; more generous, shall I
say. A GENEROUS power, that sees all the issue here, not in the
after-life, and that does not concern itself with sin and repentance and
redemption. I should try to teach my people what it is truly to be a
MAN, and a woman. The salvation of souls seems too speculative a job. I
think if a man is truly a man, true to his own being, his soul saves
itself in that way. But no two people can save their souls alive, in the
same way. As far as possible, we must leave it to them. Fata volentem
ducunt, nolentem trahunt."

"I believe that too."

"Yet there must be law, and there must be authority. But law more human,
and authority much wiser. If a man loves life, and feels the sacredness
and the mystery of life, then he knows that life is full of strange and
subtle and even conflicting imperatives. And a wise man learns to
recognize the imperatives as they arise--or nearly so--and to obey. But
most men bruise themselves to death trying to fight and overcome their
own new, life-born needs, life's ever-strange new imperatives. The
secret of all life is in obedience: obedience to the urge that arises in
the soul, the urge that is life itself, urging us on to new gestures,
new embraces, new emotions, new combinations, new creations. It is a
subtle and conflicting urge away from the thing we are. And there lies
the pain. Because man builds himself in to his old house of life, builds
his own blood into the roads he lays down, and to break from the old
way, and to change his house of life, is almost like tearing him to
pieces: a sacrilege. Life is cruel--and above all things man needs to be
reassured and suggested into his new issues. And he needs to be relieved
from this terrible responsibility of governing himself when he doesn't
know what he wants, and has no aim towards which to govern himself. Man
again needs a father--not a friend or a brother sufferer, a suffering
Saviour. Man needs a quiet, gentle father who uses his authority in the
name of living life, and who is absolutely stern against anti-life. I
offer no creed. I offer myself, my heart of wisdom, strange warm cavern
where the voice of the oracle steams in from the unknown; I offer my
consciousness, which hears the voice; and I offer my mind and my will,
for the battle against every obstacle to respond to the voice of life,
and to shelter mankind from the madness and the evil of anti-life."

"You believe in evil?"

"Ah, yes. Evil is the great principle that opposes life in its new
urges. The principle of permanency, everlastingness is, in my opinion,
the root of evil. The Ten Commandments which Moses heard were the very
voice of life. But the tablets of stone he engraved them on are
millstones round our necks. Commandments should fade as flowers do. They
are no more divine than flowers are. But our divine flowers--look at
those hibiscus--they don't want to immortalise themselves into stone. If
they turned into stone on my table, my heart would almost stop beating,
and lose its hope and its joy. But they won't. They will quietly, gently
wither. And I love them for it. And so should all creeds, all gods,
quietly and gently curl up and wither as their evening approaches. That
is the only way of true holiness, in my opinion."

The man had a beautiful voice, when he was really talking. It was like a
flute, a wood-instrument. And his face, with that odd look of a sheep or
a kangaroo, took on an extraordinary beauty of its own, a glow as if it
were suffused with light. And the eyes shone with a queer, holy light,
behind the eyeglasses. And yet it was still the kangaroo face.

Somers watched the face, and dropped his head. He sat feeling rebuked.
He was so impatient and outrageous himself. And the steady loveliness of
this man's warm, wise heart was too much for him. He was abashed before

"Ah, yes," Kangaroo re-echoed. "There is a principle of evil. The
principle of resistance. Malignant resistance to the life principle. And
it uses the very life-force itself against life, and sometimes seems as
if it were absolutely winning. Not only Jesus rose from the dead. Judas
rose as well, and propagated himself on the face of the earth. He has
many children now. The life opposers. The life-resisters. The
life-enemies. But we will see who wins. We will see. In the name of
life, and the love of life, as man is almost invincible. I have found it

"I believe it also," said Somers.

They were silent, and Kangaroo sat there with the rapt look on his face:
a pondering, eternal look, like the eternity of the lamb of God grown
into a sheep. This rather wicked idea came into Somers' mind: the lamb
of God grown into a sheep. So the man sat there, with his wide-eyed,
rapt face sunk forward to his breast, very beautiful, and as eternal as
if it were a dream: so absolute.

A wonderful thing for a sculptor. For Kangaroo was really ugly: his
pendulous Jewish face, his forward shoulders, his round stomach in its
expensively tailored waistcoat and dark grey, striped trousers, his very
big thighs. And yet even his body had become beautiful, to Somers--one
might love it intensely, every one of its contours, its roundnesses and
downward-drooping heaviness. Almost a grotesque, like a Chinese Buddha.
And yet not a grotesque. Beautiful, beautiful as some half-tropical,
bulging flower from a tree.

Then Kangaroo looked with a teasing little smile at Somers.

"But you have your OWN idea of power, haven't you?" he said, getting up
suddenly, with quick power in his bulk, and gripping the other man's

"I thought I had," said Somers.

"Oh, you have, you have." There was a calm, easy tone in the voice,
slightly fat, very agreeable. Somers thrilled to it as he had never

"Why, the man is like a god, I love him," he said to his astonished
self. And Kangaroo was hanging forward his face and smiling heavily and
ambiguously to himself, knowing that Somers was with him.

"Tiger, tiger, burning bright
In the forests of the night"

he quoted in a queer, sonorous voice, like a priest. "The lion of your
might would be a tiger, wouldn't it. The tiger and the unicorn were
fighting for the crown. How about me for a unicorn?--if I tied a bayonet
on my nose?" He rubbed his nose with a heavy playfulness.

"Is the tiger your principle of evil?"

"The tiger? Oh dear, no. The jackal, the hyaena, and dear, deadly
humanity. No, no. The tiger stands on one side of the shield, and the
unicorn on the other, and they don't fight for the crown at all. They
keep it up between them. The pillars of the world! The tiger and the
kangaroo!" he boomed this out in a mock heroic voice, strutting with
heavy playfulness. Then he laughed, looking winsomely at Somers. Heaven,
what a beauty he had!

"Tiger, tiger, burning bright," he resumed, sing-song, abstracted. "I
knew you'd come. Ever since I read your first book of poems--how many
years is it ago?--ten?--eleven? I knew you'd come.

'Your hands are five-branded flames--
Noli me tangere.'

Of course you had to come."

"Well, here I am, anyhow," said Somers.

"You are. You ARE!" shouted the other, and Somers was quite scared. Then
Kangaroo laughed again. "Get up," he said. "Stand up and let me look at

The two men stood facing one another: Kangaroo large, with his full
stomach and his face hulking down, and his queer, glaring eyes: Somers
slight and aloof-looking. Cooley eyed him up and down.

"A little bit of a fellow--too delicate for rough me," he said, then
started quoting again:

'Your hands are five-branded flames--
Noli me tangere.'

I've got fat and bulky on all the poetry I never wrote. How do you do,
Mr. Somers? How do you like Australia, and its national animal, the
kangaroo?" Again he smiled with the sudden glow of warmth in his dark
eyes, startling and wonderful.

"Australia is a weird country, and it's national animal is beyond me,"
Somers said, smiling rather palely.

"Oh no, it isn't. You'll be patting it on the back as soon as you've
taken your hands out of your pockets."

He stood silent a long while, with feet apart, looking abstractedly at
Somers through his pince-nez.

"Ah, well," he sighed at last. "We shall see. We shall see. But I'm very
glad you came. You understand what I mean, I know, when I say we are
birds of the same feather. Aren't we?"

"In some ways I think we are."

"Yes. In the feathery line. When shall I see you again?"

"We are going back to the South Coast on Saturday."

"Then let me see you to-morrow. Let me call for you at your house--and
bring you back into town for dinner in the evening. May I do that?"

"Thank you," said Somers.

"What does 'thank you' mean? Danke! No, thank you."

"Yes, thank you," said Somers.

"Don't thank ME, man," suddenly shouted the other. "I'm the one to do
the thanking."

Somers felt simple startled amazement at these sudden shouts--loud
shouts, that you might almost hear in the street.

At last Jack and Somers left. Jack had felt it his business to keep
quiet: he knew his chief. But now he opened his mouth.

"What do you think of Kangaroo?" he asked.

"I'm beyond thinking," said Somers.

"I know, that's how he leaves you when he makes a set at you. But he's a
rattling fine sort, he is. He puts a heart into you when your chest's as
hollow as an old mustard tin. He's a wonder, is Kangaroo: and he keeps
on being a wonder."

"Yes, he's certainly a wonder."

"My, the brain the man has! I say, though, talking about tigers and
kangaroos reminded me of a thing I once saw. It was up in the North. I
was going along when I heard snarls out of some long buffalo grass that
made my hair stand on end. I had to see what it was, though, so into the
grass goes I. And there I saw a full-grown male kangaroo backed up
against a tree, with the flesh of one leg torn clean from the bone. He
was gasping, but he was still fighting. And the other was a great big
cat, we call 'em tiger-cats, as big as a smallish leopard, a
beauty--grey and black stripes, and straighter than a leopard. And
before you could breathe, a streak of black and grey shot at the 'roo's
throat, seemed to twist in mid air--and the 'roo slipped down to the
ground with his entrails ripped right out. I was so dumbfounded I took a
step in the grass, and that great hulking cat stopped and lifted his
face from his warm food that he'd started on without ever looking up. He
stood over the 'roo for ten seconds staring me in the eyes. Then the
skin wrinkled back from his snout, and the fangs were so white and clean
as death itself, and a low growl came out of his ugly throat. "Come on,
you swine," it said as plain as words. I didn't, you bet. I backed out
of that beastly grass.

"The next one I saw was a dead one. And beside him lay the boss' best
staghound, that had been trained to tackling wild boars since he was a
pup: dead as well. The cat had come fossicking round our camp on the
Madden River.

"My gad, though, but the size of the brute, and muscle like you couldn't
find in any other beast. I looked at the claws on the pads. They're as
sharp as a lancet, and they'd tear the guts out of a man before he could
squeak. It was good-bye 'roo, that time."

"They put that yarn in the Bulletin. And some chap wrote and said it was
a stiff 'un, and the wild cat must be descended from escaped tame cats,
because this country has no pussy aboriginal of any sort. Couldn't say
myself, except I saw that tiger-cat, and it didn't look much like the
son of a homely tissey, either. Wonder what put the thing in my head.
Perhaps Kangaroo's fat belly."

"He's not so very fat," said Somers.

"No, he's not got what you'd call a corporation and a whole urban
council in front of him. Neither is he flat just there, like you and

Kangaroo arrived the next day at Torestin with a large bunch of violets
in his hand: pale, expensive, late winter violets. He took off his hat
to Harriet and bowed quite deep, without shaking hands. He had been a
student at Munich.

"Oh, how do you do!" cried Harriet. "Please don't look at the horrid
room, we leave in the morning."

Kangaroo looked vacantly around. He was not interested, so he saw
nothing: he might as well have been blind.

"It's a very nice room," he said. "May I give you the violets? The poet
said you liked having them about."

She took them in her two hands, smelling their very faint fragrance.

"They're not like English violets--or those big dark fellows in Italy,"
he said. "But still we persuade ourselves that they ARE violets."

"They're lovely. I feel I could warm my hands over them," she said.

"And now they're quite happy violets," he replied, smiling his rare,
sweet smile at her. "Why are you taking the poet away from Sydney?"

"Lovat? He wants to go."

"Lovat! What a good name to call him by!" He turned to Somers, looking
at him closely. "May I call you Lovat?"

"Better that than 'the poet'," said Somers, lifting his nose slightly
with aversion.

The other man laughed, but softly and happily.

"His muse he's not in love with," he murmured to himself.

"No, he prefers his own name," said Somers.

"But supposing now," said Kangaroo, as if alert and interested, "your
name was Cooley: Benjamin Cooley--Ben, for short. You'd prefer even
Kangaroo to that."

"In Australia the kangaroo is the king of beasts," said Somers.

"The kangaroo is the king of beasts,
Inviting the other ones out to feasts,"

sang the big man continuing: "Won't you both come to dinner with the
king of beasts? Won't you come too, Mrs. Somers?"

"You know you only want Lovat, to talk your MAN'S stuff."

"I'm not a man, I'm a kangaroo. Besides, yesterday I hadn't seen you. If
I had known, my dear Somers, that your wife, who is at this moment in
her room hastily changing her dress, was such a beautiful person--I
don't say woman merely--I'd have invited you for her sake, and not for
your own."

"Then _I_ wouldn't have come," said Somers.

"Hear them, what a haughty pair of individuals! I suppose you expect the
king of beasts to go down on his knees to you, like the rest of
democratic kings to their constituents. Won't you get ready," Mrs.

"You are quite sure you want me to come?" said Harriet suspiciously.

"Why, if you won't come, I shall ask Lovat--dear Lovat, by the happiest
fluke in the world not Lovelace--to let me stay here to tea, dinner, or
supper--that is, to the next meal, whatever name it may bear."

At this Harriet disappeared to put on a proper dress.

"We will go as soon as you are ready," called Kangaroo. "We can all
squeeze into that automobile at your gate."

When Harriet reappeared the men rose. Kangaroo looked at her with

"What a remarkably beautiful person you are," he said. "But mind, I
don't say WOMAN. Dio liberi!" He scuttled hurriedly to the door.

They had a gay dinner. Kangaroo wasn't really witty. But he had such an
innocent charm, an extraordinary winsomeness, that it was much more
delicious than wit. His presence was so warm. You felt you were cuddled
cosily, like a child, on his breast, in the soft glow of his heart, and
that your feet were nestling on his ample, beautiful "tummy".

"I wonder you were never married," said Harriet to him.

"I've been married several times," he replied.

"Really!" she cried.

"First to Benny Cooley--then to immortal verse--after that to the
law--once to a haughty lady--and now I'm wedded to my ideals. This time
it is final. I don't take another wife."

"I don't care about the rest. But were you ever married, really?"

"To a woman? A mere woman? Why yes indeed. A young Baroness too. And
after seven months she told me she couldn't stand me for another minute,
and went off with Von Rumpeldorf."

"Is it true?"

"Quite true."

"And is there still a Mrs. Kangaroo?"

"Alas, no! Like the unicorn, the family knows no female."

"But why couldn't she stand you?" cried Harriet.

"Think of it now. Could ANY woman stand me?" he asked, with a slight

"I should have thought they'd have ADORED you," she cried.

"Of course they do. They can't stand me, though. And I thoroughly
sympathize with them."

Harriet looked at him thoughtfully.

"Yes," she said slowly. "You're too much like Abraham's bosom. One would
feel nowhere."

Kangaroo threw down his napkin and pushed back his chair and roared with
laughter--roared and roared with laughter. The Chinese man-servant stood
back perturbed. Harriet went very red--the dinner waited. Then suddenly
he became quiet, looking comically at Harriet, and still sitting back
from table. Then he opened his arms and held them outstretched, his head
on one side.

"The way to nowhere," he said, ironically.

She did not say any more, and he turned to the manservant.

"My glass is empty, John," he said.

"Ah well," he sighed, "if you please one woman you can't please all

"And you must please all women," said Harriet, thoughtfully. "Yes,
perhaps you must. Perhaps it is your mission."

"Mission! Good God! Now I'm a fat missionary. Dear Mrs. Somers, eat my
dinner, but don't swallow ME in a mouthful. Eating your host for hors
d'oeuvres. You're a dangerous ogre, a Medusa with her hair under her
hat. Let's talk of Peach Melba. Where have you had the very best Peach
Melba you ever tasted?"

After this he became quiet, and a little constrained, and when they had
withdrawn for coffee, the talk went subduedly, with a little difficulty.

"I suppose your husband will have told you, Mrs. Somers, of our
heaven-inspired scheme of saving Australia from the thieves, dingoes,
rabbits, rats and starlings, humanly speaking."

"No, he hasn't told me. He's only told me there was some political
business going on."

"He may as well put it that way as any other. And you advised him not to
have anything to do with it?"

"No," said Harriet, "I let him do as he likes."

"Wonderful woman! Even the wind bloweth where it listeth."

"So does he."

"With your permission."

"The wind has permission too," said Harriet. "Everything goes by
permission of something else, in this world." But she went rather red.

"Bravo, a Daniel come to judgement!" Then his voice changed, became
gentle and winning again. It was as if he had remembered to love her, in
his way of love. "It's not quite a political thing," he said. "We want
to take away the strain, the nervous tension out of life, and let folks
be happy again unconsciously, instead of unhappy consciously. You
wouldn't say that was wrong, would you?"

"No," she replied, rather unwilling.

"And if I have to be a fat old Kangaroo with--not an Abraham's bosom,
but a pouch to carry young Australia in--why--do you really resent it?"

Harriet laughed, glancing involuntarily at his lowest waistcoat button.
It seemed such a true figure.

"Why should I resent it? It's not my business."

"Let it be your business just a little bit. I want your sympathy."

"You mean you want Lovat?"

"Poor Lovat. Richard Lovat Somers! I do indeed want him. But just as
much I want your sympathy."

Harriet smiled enigmatically. She was being her most annoying. A look of
almost vicious anger came over the man's face as he leaned back in his
chair, seeming to make his brows narrower, and a convulsion seemed to go
through his belly. Then he recovered his calm, and seemed to forget. For
a long time he lay silent, with a strange hypnotic stillness, as if he
were thinking far away, quite far away. Both Harriet and Somers felt
spellbound. Then from the distance came his small voice:

"Man that is born of woman is sick of himself. Man that is born of woman
is tired of his day after day. And woman is like a mother with a
tiresome child: what is she to do with him? What is she to do with
him?--man, born of woman.

"But the men that are born like ants, out of the cold interval, and are
womanless, they are not sick of themselves. They are full of cold
energy, and they seethe with cold fire in the anthill, making new
corridors, new chambers--they alone know what for. And they have cold,
formic-acid females, as restless as themselves, and as active about the
ant-hill, and as identical with the dried clay of the building. And the
active, important, so-called females, and the active, cold-blooded,
energetic males, they shift twig after twig, and lay crumb of earth upon
crumb of earth, and the females deposit cold white eggs of young. This
is the world, and the people of the world. And with their cold, active
bodies the ant-men and the ant-women swarm over the face of the earth.

"And where then are the sons of men? Where are the sons of men, and man
that is born of woman? Man that is born of woman is a slave in the cold,
barren corridors of the ant-hill. Or if he goes out, the open spaces are
but spaces between ant-hill and ant-hill. And as he goes he hears voices
claiming him, saying: "Hello, here comes a brother ant." And they hail
him as a brother ant. And from this there is no escape. None. Not even
the lap of woman.

"But I am a son of man. I was once a man born of woman. And by the warm
heart of the mother that bore me, even if fifty wives denied me, I would
still go on fighting with a warm heart to break down the ant-hill. I can
fight them with their own weapons: the hard mandibles and the acid sting
of the cold ant. But that is not how I fight them. I fight them with the
warm heart. Deep calls to deep, and fire calls out fire. And for warmth,
for the fire of sympathy, to burn out the ant heap with the heat of
fiery, living hearts: that is what I stand for.

"And if I can make no one single woman happy, I will make none unhappy
either. But if I can let out the real fire of happiness from the heart
and bowels of man that is born of woman and woman that is born of man."
Then suddenly he broke off: "And whether I can or not, I LOVE them," he
shouted, in a voice suddenly become loud and passionate. "I love them. I
LOVE you, you woman born of man, I do, and I defy you to prevent me.
Fiery you are, and fiery am I, and fire should be friends with fire. And
when you make me angry, with your jealousy and mistrust like the ants, I
remember, I remind myself: "But see the beauty of the fire in her! And
think how the ants have tortured her and filled her with fear and with
horror!" And then the rage goes down again, and I know I love you, and I
know that fire loves fire, and that therefore you love me. And I chalk
up another mark against the ants, who have tortured you with their cold
energy and their conscious formic-acid that stings like fire. And I love
you because you've suffered from them as I have. And I love you because
you and your husband cherish the fire between you, sacred, apart from
the ants. A bas les fourmis.

"I have been like a man buried up to his neck in an ant-heap: so buried
in the daily world, and stung and stung and stung again, because I
wouldn't change and grow cold, till now their poison is innocuous, and
the formic-acid of social man has no effect on me. And I've kept my
warmth. And I will keep it, till I give it up to the unknown, out of my
poor fat body. And it is my banner, and my wife and my children and my
God--just a flicker that is in my heart like a fire, and that I live by.
I CAN'T speculate about God. I can't do it. It seems to me a cold,
antish trick. But the fire that is in my heart is God, and I will not
forswear it, no, not if you offer me all the world. And fire is full of
seeds--full of seeds--and let them scatter. I won't cherish it on a
domestic hearth. I say I won't. So don't bring that up against me. I
won't cherish it on the domestic hearth. I will use it against the ants,
while they swarm over everything. And I'll call fire to my fire, and set
the ant-heap at last in a blaze. Like kerosene poured in. It shall be
so. It shall be so. Don't oppose me. Believe the flame in your heart,
once and for all, and don't oppose me. Believe the flame of your own
heart, and be with me. Remember I am with you against the ants. Remember
that. And if I am Abraham's bosom--isn't it better than no bosom, in a
world that simmers with busy ants? And would you leave every young,
warm, naked thing on the ground for the ants to find. Would you?"

He looked at her searchingly. She was pale, and moved, but hostile. He
swung round in his chair, swinging his heavy hips over and lying

"Shall I tell you a thing a man told me. He had it from the lady's own
lips. It was when the Prince of Wales was in India just now. There had
been a show--and then a dinner given by the governor of the town--some
capital or other. The Prince sat next to the governor's lady, and he was
glum, silent, tortured by them all a bit beyond bearance. And the
governor's lady felt she ought to make conversation, ought to say
something to the poor devil, just for the show's sake and the occasion.
So she COULDN'T think what to tell him that would interest him. Then she
had a brilliant idea. 'Do you know what happened to me last week?' she
said. 'You've seen my adorable little Pekinese, Chu? She had
puppies--four darling queer little things--tiny little creepy-crawlies.
Of course we loved them. But in the night I thought I heard them
crying--I wasn't sure. But at last I went down. And what do you think!
There was a swarm of white ants, and they were just eating up the last
bits of them. Wasn't it awful.' The Prince went white as death. And just
then an ant happened to come on the tablecloth. He took his glass and
banged it over it, and never spoke another word all evening. Now that
story was told by the woman herself. And this was what she did to a poor
nerve-racked lad she was supposed to honour. Now I ask you, where was
the living heart in her? She was an ant, a white ant, too."

He rolled over in his chair, bitterly, with massive bitterness, turning
his back on Harriet. She sat with a pale, blenched face, and tears in
her eyes.

"How cruel!" she said. "But she must have been a fool."

"Vile! Vile! No fool! Quite brilliant ant-tactics. There was warmth in
the lad's heart, and she was out to do HER bit of the quenching. Oh, she
gave him her nip and sting. Ants, social ants. Social creatures!
Cold--I'm as cold as they are when it comes to them. And as cunning, and
QUITE as vicious. But that's not what I care for. I want to collect
together all the fire in all the burning hearts in Australia: that's
what I want. Collect the heart-fire, and the fire will be our fire.
That's what I do want; apart from all antics and ant-tricks. 'We have
lighted such a fire this day, Master Latimer.' Yes, and we'll light
another. You NEEDN'T be with me if you don't want to--if you're
frightened of losing your monopoly over your precious husband. Take him
home then--take him home."

And he rolled his back on her more than ever, finishing in a sudden gust
of anger and weariness. He lay there rolled in his chair, a big, queer,
heavy figure, with his face almost buried in the soft leather, and his
big hips sticking out. Her face was quivering, wanting to cry. Then
suddenly she broke into a laugh, saying rather shakily, venomously:

"Well, anyhow, you needn't turn the wrong end of you at me quite so

"How do you know it IS the wrong end of me?" he said, sitting up
suddenly and letting his head hang, scowling.

"Facon de parler," she said, laughing rather stiffly.

Somers was silent, and kept silent till the end. He was thankful that
Kangaroo was fighting the battle this time.

Their host sent them home in his motor-car. Neither of them had anything
to say. Then, as Harriet shut the door of Torestin, and they were quite
alone, she said:

"Yes, he's right. I absolutely believe in him. I don't care WHAT he does
with you."

"I do, though," said Somers.

The next day they went to Mullumbimby. And the day after that, each of
them wrote a letter to Kangaroo.

"Dear Kaiser Kangaroo," began Harriet, "I must thank you very much for
the dinner and the violets, which are still quite fresh and blue in
Coo-ee. I think you were very horrid to me, but also very nice, so I
hope you don't think the worst of me. I want to tell you that I DO
sympathize, and that I am awfully glad if I can be of any use to you in
any way. I have a holy terror of ants since I heard you, but I know what
you mean by the fire. Lovat will hand over my portion when he comes to
see you. But I shall make myself into a Fire Brigade, because I am sure
you will be kindling fires all over everywhere, under the table and in
the clothes-cupboard, and I, poor domestic wretch, shall have to be
rushing to put them out. Being only a poor domestic female, I really
don't feel safe with fires anywhere except in fire-places and in grates
with hearths. But I do want you to know you have my sympathy--and my
Lovat." She then signed herself Harriet Somers, and felt even more
fluttered than when she had signed the marriage register.

She received for answer:

"Dear Mrs. Somers: I am much honoured and very grateful for the
assurance of your sympathy. I have put a one-and-sixpenny government
stamp under your signature, to make your letter a legal document, and
have further forged the signatures of two witnesses to your deed of gift
of Lovat, so I am afraid there is no court of law in New South Wales in
which you could now substantiate a further claim over him. I am sorry to
take this mean advantage over you, but we lawyers know no scruples.

"I should be more than delighted if I could have the honour of
entertaining once more in Sydney--say next Thursday--a beautiful person
and remarkable woman (one and the same individual) who tells me to my
nose that I am a Jew and that my name, instead of Benjamin, should be
Abraham. Do please come again and call me Abraham's Bosom, but don't
fail to bring your husband, for the simple look of the thing."

"The Kangaroo is a fighting beast, I believe," said Somers, looking at
Harriet and laughing. He was not sorry when for once some other person
gave her a dig.

"I think he's rather foolish," she said briefly.

These days Somers, too, was filled with fury. As for loving mankind, or
having a fire of love in his heart, it was all rot. He felt almost
fierily cold. He liked the sea, the pale sea of green glass that fell in
such cold foam. Ice-fiery, fish-burning. He went out on to the low flat
rocks at low tide, skirting the deep pock-holes that were full of
brilliantly clear water and delicately-coloured shells and tiny, crimson
anemones. Strangely sea-scooped sharp sea-bitter rock-floor, all wet and
sea-savage. And standing at the edge looking at the waves, rather
terrifying, rolling at him, where he stood low and exposed, far out from
the sand-banks, and as he watched the gannets gleaming white, then
falling with a splash like white sky-sparrows into the waves, he wished
as he had never wished before that he could be cold, as sea-things are
cold, and murderously fierce. To have oneself exultantly ice-cold, not
one spark of this wretched warm flesh left, and to have all the
terrific, ice energy of a fish. To surge with that cold exultance and
passion of a sea thing! Now he understood the yearning in the
seal-woman's croon, as she went back to the sea, leaving her husband and
her children of warm flesh. No more cloying warmth. No more of this
horrible stuffy heat of human beings. To be an isolated swift fish in
the big seas, that are bigger than the earth; fierce with cold, cold
life, in the watery twilight before sympathy was created to clog us.

These were his feelings now. Mankind? Ha, he turned his face to the
centre of the seas, away from any land. The noise of waters, and
dumbness like a fish. The cold, lovely silence, before crying and
calling were invented. His tongue felt heavy in his mouth, as if it had
relapsed away from speech altogether.

He did not care a straw what Kangaroo said or felt, or what anybody said
or felt, even himself. He had no feelings, and speech had gone out of
him. He wanted to be cold, cold, and alone like a single fish, with no
feeling in his heart at all except a certain icy exultance and wild,
fish-like rapacity. "Homo sum!" All right. Who sets a limit to what a
man is? Man is also a fierce and fish-cold devil, in his hour, filled
with cold fury of desire to get away from the cloy of human life
altogether, not into death, but into that icily self-sufficient vigour
of a fish.


As a rule the jetty on its poles straddling a little way into the sea
was as deserted as if it were some relic left by an old invader. Then it
had spurts of activity, when steamer after steamer came blorting and
hanging miserably round, like cows to the cowshed on a winter afternoon.
Then a little engine would chuff along the pier, shoving a string of
tip-up trucks, and little men would saunter across the sky-line, and
there would be a fine dimness of black dust round the low, red ship and
the end of the jetty. Luckily it was far enough away, so that Harriet
need not fear for her beautiful white washing. She washed her linen
herself for the sheer joy of it, and loved nothing so much as thinking
of it getting whiter and whiter, like the Spenserian maid, in the sun
and sea, and visiting it on the grass every five minutes, and finding it
every time really whiter, till Somers said it would reach a point of
whiteness where the colours would break up, and she'd go out and find
pieces of rainbow on the grass and bushes, instead of towels and shirts.

"Shouldn't I be startled!" she said, accepting it as quite a possible
contingency, and adding thoughtfully: "No, not really."

One of these afternoons when Somers was walking down on the sands,
looking at the different shells, their sea-colours of pink and brown and
rainbow and brilliant violet and shrimp-red, and when the boats were
loading coal on the moderately quiet sea, he noticed the little engine
standing steaming on the jetty, just overhead where he was going to pass
under. Then his attention was drawn away to the men picking up the
rounded, sea-smooth pebbles of coal in one little place where the beach
was just a black slope of perfectly clean coal-pebbles: just like any
other pebbles. There were usually some men, or women or children,
picking here, putting the bigger pebbles of sea-coal into sacks. From
the edge of the small waves Somers heard one man talking to another, and
the English tones--unconsciously he expected a foreign language--and
particularly the peculiar educated-artisan quality, almost a kind of
uppishness that there is in the speech of Australian working men, struck
him as incongruous with their picking up the coal-cobs from the shore.
He watched them, in the chill of the shadow. Yes, they thought as much
of themselves as anybody. But one was palpably a Welshman, and loved
picking up something for nothing; and the other mixed his democratic
uppishness with a queer lousy quality, like a bushranger. "They are ten
times more foreign to me," said Somers, "than Italian scoundrels, or
even Indians. They are so FOREIGN to me. And yet their manner of life,
their ordinary way of living is almost exactly what I was used to as a
boy. Why are they so foreign to me?"

They silently objected to his looking, so he went on. He had come to the
huge, high timbers of the tall jetty. There stood the little engine
still overhead: and in the gloom among the timbers underneath water was
dripping down from her, which gave Somers a distaste for passing just
then. He looked up. There was the engine-driver in his dirty shirt and
dirty bare arms, talking to another man. The other man saluted--and to
Somers' surprise it was William James. He stood quite still, and a
surprised smile of recognition greeted the other man, who saluted.

"Why, what are you doing here?" called Somers.

William James came to the edge of the jetty, but could not hear, because
of the noise of the sea. His face had that small, subtle smile that was
characteristic of him, and which Somers was never quite sure of, whether
it was really jeering or in a cunning way friendly.

"Won't you come up a minute?" roared William James.

So Somers scrambled round up the banks, on to the railway track.

"I couldn't come down for the moment," said William James. "I'll have to
see the manager, then I'm off on this boat. We're ready to go. You heard
her blowing."

"Where are you going? Back to Sydney."

"Yes. I come down occasionally on this coal-business, and if I like I go
back on the collier. The sea is quiet, and I needn't wait for a train.
Well, an' how're you gettin' on, like? Pleased with it down here all by


"A bit lonely for you. I suppose you wouldn't like to know the manager
here--Mr. Thomas? He's a decent chap--from South Wales originally."

"No. I like it best when I don't know anybody."

"That's a compliment for some of us. However--I know what you mean. I
know what you mean. Jack tells me you saw Kangaroo. Made quite a fuss of
you, I hear. I knew he would. Oh, Kangaroo knew all about you: all he
wanted to know, anyhow. I say, if ye think of stoppin' down here, you
might get in a ton of coal. It looks as if this strike might come off.
That Arbitration Board's a fine failure, what?"

"As far as I can gather."

"Oh, bound to be. Bound to be. They talk about scraps of paper, why,
every agreement that's ever come to in this country, you could wrap your
next red herring in it, for all it's worth."

"I suppose it's like Ireland, they don't want to agree."

"That's about it. The Labour people want this revolution of theirs.
What?"--and he looked at Somers with a long, smiling, sardonic leer,
like a wink. "There's a certain fact," he continued, "as far as any
electioneering success goes, they're out of the running for a spell.
What do you think of Trades Unions, one way and another?"

"I dislike them on the whole rather intensely. They're just the nastiest
profiteering side of the working man--they make a fool of him too, in my

"Just my opinion. They make a fool of him. Wouldn't it be nice to have
them for bosses of the whole country? They very nearly are. But I doubt
very much if they'll ever cover the last lap--what?"

"Not if Kangaroo can help it," said Somers.

"No!" William James flashed a quick look at him from his queer grey
eyes. "What did you make of him then? Could you make him out?"

"Not quite. I never met anyone like him. The wonder to me is, he seems
to have as much spare time for entertaining and amusing his guests, as
if he had no work at all on hand."

"Oh, that was just a special occasion. But he's a funny sort of Saviour,
isn't he? Not much crown of thorns about him. Why, he'd look funny on a
cross, what?"

"He's no intention of being on one, I think," said Somers stiffly.

"Oh, I don't know. If the wrong party got hold of him. There's many
mites in a pound of cheese, they say."

"Then I'll toast my cheese."

"Ha-ha! Oh yes, I like a bit of toasted cheese myself--or a Welsh
rabbit, as well as any man."

"But you don't think they'd ever let him down, do you?--these

"No-o," said William James. "I doubt if they'd ever let him down. But if
he happened to FALL down, you know, they'd soon forget him."

"You don't sound a very warm follower yourself."

"Oh, warm isn't my way, in anything. I like to see what I'm about. I can
see that Kangaroo's a wonder. Oh yes, he's a world wonder. And I'd
rather be in with him than anybody, if it was only for the sake of the
spree, you know. Bound to be a spree some time--and before long, I
should say, things going as they are. I wouldn't like to be left out of
the fun."

"But you don't feel any strong devotion to your leader?"

"Why, no; I won't say it's exactly strong devotion. But I think he's a
world wonder. He's not quite the SHAPE of a man that I should throw away
my eyes for, that's all I mean." Again William James looked at Somers
with that long, perhaps mocking little smile in his grey eyes.

"I thought even his shape beautiful, when he talked to me."

"Oh yes, it's wonderful what a spell he can cast over you. But I'm a
stuggy fellow myself, maybe that's how it is I can't ever quite see him
in the same light as the thin chaps do. But that's just the looks of the
thing. I can see there isn't another man in the world like him, and I'd
cross the seas to join in with him, if only for the fun of the thing!"

"But what about the end of the fun?" asked Somers.

"Oh, that I don't know. And nobody does, for that matter."

"But surely if one believes--."

"One believes a lot, and one believes very little, seems to me. Taking
all in all, seems to me we live from hand to mouth, as far as beliefs

"You never WOULD believe," said Somers, laughing.

"Not till I was made to," replied Jaz, twisting his face in his
enigmatic smile.

Somers looked at the thick, stocky, silent figure in the well-made dark
clothes that didn't in the least belong to him. There was something
about him like a prisoner in prison uniform, in his town clothes--and
something of that in his bearing. A stocky, silent, unconquerable
prisoner. And in his imprisoned soul another kind of mystery, another
sort of appeal.

The two men stood still in the cold wind that came up the sands to the
south-west. To the left, as they faced the wind, went the black railway
track on the pier, and the small engine stood dribbling. On the right
the track ran curiously black past a little farm-place with a corrugated
iron roof, and past a big field where the stubble of maize or beans
stood ragged and sere, on into the little hollow of bush, where the mine
was, beyond the stagnant creek. It was curious how intensely black,
velvety and unnatural, the railway-track looked on this numb
coast-front. The steamer hooted again.

"Cold it is up here," said Somers.

"It is cold. He's coming now, though," replied William James.

They stood together still another minute, looking down the pale sands at
the foam and the dark-blue sea, the sere grass scattered with bungalows.

It was a strange, different bond of sympathy united them, from that that
subsisted between Somers and Jack, or Somers and Kangaroo. Hardly
sympathy at all, but an ancient sort of root-knowledge.

"Well, good-bye," said Somers, wanting to be gone before the manager
came up with the papers. He shook hands with William James--but as
usual, Jaz gave him a slack hand. Their eyes met--and the look,
something like a taunt, in Trewhella's secretive grey eye, made Somers
stiffen his back, and a kind of haughtiness flew into his soul.

"Different men, different ways, Mr. Trewhella," he said.

William James did not answer, but smiled rather stubbornly. It seemed to
Somers the man would be smiling that stubborn, taunting smile till the
crack of doom.

"I told Mrs. Somers what I think about it," said Jaz, with a very
Cornish accent. "I doubt if she'll ever do much more believin' than I
shall." And the taunt was forked this time.

"She says she believes entirely in Kangaroo."

"Does she now? Who did she tell it to?"


Trewhella still stood with that faint grin on his face, short and stocky
and erect like a little post left standing. Somers looked at him again,
frowning, and turned abruptly down the bank. The smile left the face of
the Cornishman, and he just looked obstinate, indifferent, and curiously
alone, as if he stood there all alone in the world. He watched Somers
emerge on the sands below, and go walking slowly among the sea-ragged
flat shelves of the coast-bed rocks, his head dropping, looking in the
pools, his hands in his pockets. And the obstinate light never changed
in the eyes of the watcher, not even when he turned to the approaching

Perhaps it was this meeting which made Somers want to see Kangaroo once
more. Everything had suddenly become unreal to him. He went to Sydney
and to Cooley's rooms. But during the first half hour, the revulsion
from the First persisted. Somers disliked his appearance, and the
kangaroo look made him feel devilish. And then the queer, slow manner of
approach. Kangaroo was not really ready for his visitor, and he seemed
dense, heavy, absent, clownish. It was that kangarooish clownishness
that made a vicious kind of hate spring into Somers' face. He talked in
a hard, cutting voice.

"Whom can you depend on, in this world?" he was saying. "Look at these
Australians--they're awfully nice, but they've got no inside to them.
They're hollow. How are you going to build on such hollow stalks? They
may well call them corn-stalks. They're marvellous and manly and
independent and all that, outside. But inside, they are not. When
they're QUITE alone, they don't exist."

"Yet many of them have been alone a long time, in the bush," said
Kangaroo, watching his visitor with slow, dumb, unchanging eyes.

"Alone, what sort of alone? Physically alone. And they've just gone
hollow. They're never alone in spirit: quite, quite alone in spirit. And
the people who are are the only people you can depend on."

"Where shall I find them?"

"Not here. It seems to me, least of all here. The Colonies make for
OUTWARDNESS. Everything is outward--like hollow stalks of corn. The life
makes this inevitable: all that struggle with bush and water and
what-not, all the mad struggle with the material necessities and
conveniences--the inside soul just withers and goes into the outside,
and they're all just lusty robust stalks of people."

"The corn-stalks bear the corn. I find them generous to
recklessness--the greatest quality. The old world is cautious and
forever bargaining about its soul. Here they don't bother to bargain."

They've no soul to bargain about. But they're even more full of conceit.
What do you expect to do with such people. Build a straw castle?"

"You see I believe in them--perhaps I know them a little better than you

"Perhaps you do. It'll be cornstalk castle, for all that. What DO you
expect to build on?"

"They're generous--generous to recklessness," shouted Kangaroo. "And I
love them. I love them. Don't you come here carping to me about them.
They are my children, I love them. If I'm not to believe in their
generosity, am I to believe in your cautious, old-world carping, do you
think, I WON'T!" he shouted fiercely. "I WON'T. Do you hear that!" And
he sat hulked in his chair glowering like some queer dark god at bay.
Somers paused, and his heart failed.

"Then make me believe in them and their generosity," he said dryly.
"They're nice. But they haven't got the last everlasting central bit of
soul, solitary soul, that makes a man himself. The central bit of
himself. They all merge to the outside, away from the centre. And what
can you do, PERMANENTLY, with such people? You can have a fine
corn-stalk blaze. But as for anything permanent--.

"I tell you I HATE permanency," barked Kangaroo. "The phoenix rises out
of the ashes." He rolled over angrily in his chair.

"Let her! Like Rider Haggard's 'She', I don't feel like risking it a
second time," said Somers, like the venomous serpent he was.

"Generous, generous men!" Kangaroo muttered to himself. "At least you
can get a blaze out of them. Not like European wet matches, that will
never again strike alight--as you've said yourself."

"But a blaze for what? What's your blaze for?"

"I don't care," yelled Kangaroo, springing with sudden magnificent
swiftness to his feet, and facing Somers, and seizing him by the
shoulders and shaking him till his head nearly fell off, yelling all the
time: "I don't care, I tell you, I don't care. Where there's fire
there's change. And where the fire is love, there's creation. Seeds of
fire. That's enough for me! Fire, and seeds of fire, and love. That's
all I care about. Don't carp at me, I tell you. Don't carp at me with
your old, European, damp spirit. If you can't take fire, WE CAN. That's
all. Generous, passionate men--and you dare to carp at them. You. What
have you to show?" And he went back to his chair like a great, sulky

Somers sat rather stupefied than convinced. But he found himself again
WANTING to be convinced, wanting to be carried away. The desire hankered
in his heart. Kangaroo had become again beautiful: huge and beautiful
like some god that sways and seems clumsy, then suddenly flashes with
all the agility of thunder and lightning. Huge and beautiful as he sat
hulked in his chair. Somers DID wish he would get up again, and carry
him quite away.

But where to? Where to? Where is one carried to when one is carried
away? He had a bitter mistrust of seventh heavens and all heavens in
general. But then the experience. If Kangaroo had got up at that moment
Somers would have given him heart and soul and body, for the asking, and
damn all consequences. He longed to do it. He knew that by just going
over and laying a hand on the great figure of the sullen god he could
achieve it. Kangaroo would leap like a thunder-cloud and catch him
up--catch him up and away into a transport. A transport that should last
for life. He knew it.

But alas, it was just too late. In some strange way Somers felt he had
come to the end of transports: they had no more mystery for him; at
least this kind: or perhaps no more charm. Some bubble or other had
burst in his heart. All his body and fibres wanted to go over and touch
the other great being into a storm of response. But his soul wouldn't.
The coloured bubble had burst.

Kangaroo sat up and adjusted his eyeglasses.

"Don't you run away with the idea, though," he said, "that I am just an
emotional fool." His voice was almost menacing, and with a strange cold,
intellectual quality that Somers had never heard before.

"I believe in the one fire of love. I believe it is the one inspiration
of all creative activity. I trust myself entirely to the fire of love.
This I do with my reason also. I don't discard my reason. I use it at
the service of love, like a sharp weapon. I try to keep it very
sharp--and very dangerous. Where I don't love, I use only my will and my
wits. Where I love, I trust to love alone." The voice came cold and

Somers sat rather blank. The change frightened him almost as something
obscene. This was the reverse to the passionate thunder-god.

"But is love the only inspiration of creative activity?" he asked,
rather feebly.

"This is the first time I have heard it questioned. Do you know of any

Somers thought he did, but he was not going to give himself away to that
sharp weapon of a voice, so he did not answer.

"IS there any other inspirational force than the force of love?"
continued Kangaroo. "There is no other. Love makes the trees flower and
shed their seed, love makes the animals mate and birds put on their best
feather, and sing their best songs. And all that man has ever created on
the face of the earth, or ever will create--if you will allow me the use
of the word create, with regard to man's highest productive activities."

"It's the word I always use myself," said Somers.

"Naturally, since you know how to think inspiredly. Well then, all that
man ever has created or ever will create, while he remains man, has been
created in the inspiration and by the force of love. And not only
man--all the living creatures are swayed to creation, to new creation,
to the creation of song and beauty and lovely gesture, by love. I will
go further. I believe the sun's attraction for the earth is a form of

"Then why doesn't the earth fly into the sun?" said Somers.

"For the same reason. Love is mutual. Each attracts the other. But in
natural love each tries at the same time to withhold the other, to keep
the other true to its own beloved nature. To any true lover, it would be
the greatest disaster if the beloved broke down from her own nature and
self and began to identify herself with him, with his nature and self. I
say, to any genuine lover this is the greatest disaster, and he tries by
every means in his power to prevent this. The earth and sun, on their
plane, have discovered a perfect equilibrium. But man has not yet begun.
His lesson is so much harder. His consciousness is at once so
complicated and so cruelly limited. This is the lesson before us. Man
has loved the beloved for the sake of love, so far, but rarely, rarely
has he CONSCIOUSLY known that he could only love her for her own
separate, strange self: forever strange and a joyful mystery to him.
Lovers henceforth have got to KNOW one another. A terrible mistake, and
a self-delusion. True lovers only learn that as they know less, and
less, and less of each other, the mystery of each grows more startling
to the other. The tangible unknown: that is the magic, the mystery, and
the grandeur of love, that it puts the tangible unknown in our arms, and
against our breast: the beloved. We have made a fatal mistake. We have
got to know so much ABOUT things, that we think we know the actuality,
and contain it. The sun is as much outside us, and as eternally unknown,
as ever it was. And the same with each man's beloved: like the sun. What
do the facts we know ABOUT a man amount to? Only two things we can know
of him, and this by pure soul-intuition: we can know if he is true to
the flame of life and love which is inside his heart, or if he is false
to it. If he is true, he is friend. If he is wilfully false, and
inimical to the fire of life and love in his own heart, then he is my
enemy as well as his own."

Somers listened. He seemed to see it all and hear it all with marvellous
clarity. And he believed that it was all true.

"Yes," he said, "I believe that is all true."

"What is it then that you disbelieve?"

"I don't quite believe that love is the one and only exclusive force or
mystery of living inspiration. I don't quite believe that. There is
something else."

Kangaroo looked at him for once overbearingly and with a sort of

"Tell me what it is," he replied briefly.

"I am not very clear myself. And, you see, what I want to say, you don't
want to hear."

"Yes, I do," snapped Kangaroo.

"With your ears and your critical mind only."

"Say it anyhow, say it."

Richard sat feeling very stupid. The communicative soul is like the ass,
you can lead him to the water, but you can't make him drink.

"Why," he said, "it means an end of us and what we are, in the first
place. And then a re-entry into us of the great God, who enters us from
below, not from above."

Kangaroo sat bunched up like some creature watching round-eyed out of a
darker corner.

"How do you mean, enters us from below?" he barked.

"Not through the spirit. Enters us from the lower self, the dark self,
the phallic self, if you like."

"Enters us from the phallic self?" snapped Kangaroo sharply.

"Sacredly. The god you can never see or visualise, who stands dark on
the threshold of the phallic me."

"The phallic you, my dear young friend, what is that but love?"

Richard shook his head in silence.

"No," he said, in a slow, remote voice. "I know your love, Kangaroo.
Working everything from the spirit, from the head. You work the lower
self as an instrument of the spirit. Now it is time for the spirit to
leave us again; it is time for the Son of Man to depart, and leave us
dark, in front of the unspoken God: who is just beyond the dark
threshold of the lower self, my lower self. There is a great God on the
threshold of my lower self, whom I fear while he is my glory. And the
spirit goes out like a spent candle."

Kangaroo watched with a heavy face like a mask.

"It is time for the spirit to leave us," he murmured in a somnambulist
voice. "Time for the spirit to leave us."

Somers, who had dropped his face, hiding it as he spoke, watched the
other man from under his brows. Kangaroo, who still sat impassive, like
a frozen, antagonised Buddha, gave himself a jerk of recovery.

"Ah well!" he sighed, with a weary, impatient, condescending sigh. "I
was never able to follow mysticism and metaphysics. One of my many
limitations. I don't know what you mean."

"But what is your 'love' but a mystical thing?" asked Richard

"My love? Why, that is something I FEEL, as plain as toothache."

"Well, so do I feel the other: and love has become like cardboard to
me," said Richard, still indignant.

"Like cardboard? Well, I don't quite see love like cardboard, dear boy.
For you ARE a dear boy, in spite of yourself. Oh yes, you are. There's
some demon inside you makes you perverse, and won't let you be the dear,
beautiful thing you are. But I'm going to exorcise that demon."

Somers gave a short laugh, the very voice of the demon speaking.

"Oh yes I am," said Kangaroo, in a steely voice. "I'm going to exorcise
that demon, and release your beautiful Andromeda soul."

"Try," ejaculated Richard dryly, turning aside his face in distaste.

Kangaroo leapt to his feet and stood towering over the little enemy as
if he would stoop over him and smother him in violent warmth and drive
out the demon in that way. But Richard sat cold and withheld, and
Kangaroo had not the power to touch him.

"I'm going to try," shouted the lawyer, in his slightly husky roar.
"You've made it my prerogative by telling me to try. I'm going to love
you, and you won't get away from that. I'm the hound of heaven after
you, my boy, and I'm fatal to the hell hound that's leading you. Do you
know I love you?--that I loved you long before I met you?"

Richard, curled narrow in his chair like a snake, glanced up at the big
man projecting over him. A sort of magnetic effusion seemed to come out
of Kangaroo's body, and Richard's hand was almost drawn in spite of
himself to touch the other man's body. He had deliberately to refrain
from laying his hand on the near, generous stomach of the Kangaroo,
because automatically his hand would have lifted and sought that rest.
But he prevented himself, and the eyes of the two men met. Kangaroo
searched Lovat's eyes: but they seemed to be of cloudy blue like
hell-smoke, impenetrable and devilish. Kangaroo watched a long time: but
the other man was the unchangeable. Kangaroo turned aside suddenly.

"Ah well," he said. "I can see there is a beast in the way. There is a
beast in your eyes, Lovat, and if I can't conquer him then--then, woe
betide you, my dear. But I love you, you see."

"Sounds like a threat," laughed Somers.

Kangaroo leaned and laid his hand gently on Lovat's shoulder.

"Don't say that," his voice was small now, and very gentle. I loved you
before I knew you. My soul cries for you. And you hurt me with the demon
that is in you."

Richard became very pale, and was silent for some moments. The hand sank
heavier, nearer, on his shoulder.

"You see," said Somers, trying hard to be fair, "what you call my demon
is what I identify myself with. It's my best me, and I stick to it. I
think love, all this love of ours, is a devilish thing now: a slow
poison. Really, I know the dark god at the lower threshold--even if I
have to repeat it like a phrase. And in the sacred dark men meet and
touch, and it is a great communion. But it isn't this love. There's no
love in it. But something deeper. Love seems to me somehow trivial: and
the spirit seems like something that belongs to paper. I can't help
it--I know another God."

The pressure of the hand became inert.

"But aren't you merely inventing other terms for the same thing that I
mean, and that I call love?" said Kangaroo, in a strange, toneless
voice, looking aside.

"Does it seem to you that I am?" asked Lovat, gently and

The strange, great passionate cloud of Kangaroo still hung there,
hovering over the pale, sharp isolation of Somers, who lay looking up.
And then it seemed as if the glow and vibration left Kangaroo's body,
the cloud became grey and heavy. He sighed, and removed his hand, and
turned away.

"Ah well?" he said. "Ah well!"

Somers rose, trembling now, and feeling frail.

"I'll go," he said.

"Yes, do go," said Kangaroo.

And without another word Somers went, leaving the other man sunk in a
great heap in his chair, as if defeated. Somers did not even pity him.
His heart felt queer and cave-like and devoid of emotion.

He was spending the night at the Callcotts. Harriet, too, was there. But
he was in no hurry to get back there. It was a clear and very starry
night. He took the tram-car away from the centre of the town, then
walked. As was always the case with him, in this country, the land and
the world disappeared as night fell, as if the day had been an illusion,
and the sky came bending down. There was the Milky Way, in clouds of
star-fume, bending down right in front of him, right down till it seemed
as if he would walk on to it, if he kept going. The pale, fumy drift of
the Milky Way drooped down and seemed so near, straight in front, that
it seemed the obvious road to take. And one would avoid the strange dark
gaps, gulfs, in the way overhead. And one would look across to the
floating isles of star-fume, to the south, across the gulfs where the
sharp stars flashed like lighthouses, and one would be in a new way
denizen of a new plane, walking by oneself. There would be a real new
way to take. And the mechanical earth quite obliterated, sunk out.

Only he saw, on the sea's high black horizon, the various reddish
sore-looking lights of a ship. There they were--the signs of the ways of
men--hot-looking and weary. He turned quickly away from the marks of the
far-off ship, to look again at the downward slope of the great hill of
the Milky Way. He wanted so much to get out of this lit-up cloy of
humanity, and the exhaust of love, and the fretfulness of desire. Why
not swing away into cold separation? Why should desire always be
fretting, fretting like a tugged chain? Why not break the bond and be
single, take a fierce stoop and a swing back, as when a gannet plunges
like a white, metallic arrow into the sea, raising a burst of spray,
disappearing, completing the downward curve of the parabola in the
invisible underwater where it seizes the object of desire, then away,
away with success upwards, back flashing into the air and white space?
Why not? Why want to urge, urge, urge oneself down the causeways of
desirous love, hard pavements of love? Even like Kangaroo. Why shouldn't
meeting be a stoop as a gannet stoops into the sea, or a hawk, or a
kite, in a swift rapacious parabola downwards, to touch at the lowermost
turn of the curve, then up again?

It is a world of slaves: all love-professing. Why unite with them? Why
pander to them? Why go with them at all? Why not strike at communion out
of the unseen, as the gannet strikes into the unseen underwater, or the
kite from above at a mouse? One seizure, and away again, back away into
isolation. A touch, and away. Always back, away into isolation. Why be
cloyed and clogged down like billions of fish in water, or billions of
mice on land? It is a world of slaves. Then why not gannets in the upper
air, having two worlds? Why only one element? If I am to have a meeting
it shall be down, down in the invisible, and the moment I re-emerge it
shall be alone. In the visible world I am alone, an isolate instance. My
meeting is in the underworld, the dark. Beneath every gannet that jumps
from the water ten thousand fish are swimming still. But they are
swimming in a shudder of silver fear. That is the magic of the ocean.
Let them shudder the huge ocean aglimmer.

He arrived at Wyewurk at last, and found a little party. William James
was there, and Victoria had made, by coincidence, a Welsh rarebit. The
beer was on the table.

"Just in time," said Jack. "As well you're not half an hour later, or
there might a' been no booze. How did you come--tram?"

"Yes--and walked part of the way."

"What kind of an evening did you have?" said Harriet.

He looked at her. A chill fell upon the little gathering, from his

"We didn't agree," he replied.

"I knew you wouldn't--not for long, anyhow," she replied. "I don't see
you agreeing and playing second fiddle for long."

"Do you see me as a fiddler at all?"

"I've seen you fiddling away hard enough many times," retorted Harriet.
"Why, what else do you do, all your life, but fiddle some tune or

He did not reply, and there was a pause. His face was pale and very
definite, as if it were some curious seashell.

"What did you get the wind up about, between you?" said Jack soothingly,
pouring Somers a glass of beer.

"No wind. We're only not the same pair of shoes."

"I could have told you that before you went," said Jaz with quiet
elation in his tones.

Victoria looked at Somers with dark, bright eyes. She was quite
fascinated by him, as an Australian bird by some adder.

"Isn't Mr. Somers queer?" she said. "He doesn't seem to mind a bit."

Somers looked at her quickly, a smile round his eyes, and a curious,
smiling devil inside them, cold as ice.

"Oh yes, he minds. Don't take any notice of his pretence. He's only in a
bad temper," cried Harriet. "I know him by now. He's been in a temper
for days."

"Oh why?" cried Victoria. "I thought he was lovely this afternoon when
he was here."

"Yes," said Harriet grimly. "Lovely! You should live with him."

But again Victoria looked at his clear, fixed face, with the false smile
round the eyes, and her fascination did not diminish.

"What an excellent Welsh rarebit," he said. "If there were a little red

"Red pepper?" cried Victoria. "There is!" And she sprang up to get it
for him. As she handed it to him he looked into her dilated, dark bright
eyes, and thanked her courteously. When he was in this state his voice
and tone in speaking were very melodious. Of course it set Harriet on
edge. But Victoria stood fluttering with her hands over the table,

"What are you feeling for?" asked Jack.

She only gave a little blind laugh, and remembered that she was going to
sit down. So she sat down, and then wondered what it was she was going
to do after that.

"So you don't cotton on to Kangaroo either?" said Jack easily.

"I have the greatest admiration for him."

"You're not alone there. But you don't fall over yourself, loving him."

"I only trip, and recover my balance for the moment."

Jaz gave a loud laugh, across his cheese.

"That's good!" he said.

"You trip, and recover your balance," said Jack. "You're a wary one. The
rest of us falls right in, flop, and are never heard of again. And how
did you part then?"

"We parted in mutual esteem. I said I would go, and he asked me please
to do so as quickly as possible."

Jack made round eyes, and even Jaz left off eating.

Did you QUARREL?" cried Harriet.

"Oh yes, violently. But, of course, not vulgarly. We parted, as I said,
in mutual esteem, bowing each other out."

"You ARE awful. You only went on purpose to upset him. I knew that all
along. Why must you be so spiteful?" said Harriet. "You're never happy
unless you're upsetting somebody's apple-cart."

"Am I doomed to agree with everybody, then?"

"No. But you needn't SET OUT to be disagreeable. And to Mr. Cooley
especially, who likes you and is such a warm, big man. You ought to be
flattered that he CARES what you think. No, you have to go and try and
undermine him. Ah--why was I ever pestered with such a viperish husband
as you!" said Harriet.

Victoria made alert, frightened eyes. But Somers sat on with the same
little smile and courteous bearing.

"I am, of course, immensely flattered at his noticing me," he replied.
"Otherwise, naturally, I should have resented being told to leave. As it
was I didn't resent it a bit."

"Didn't you!" cried Harriet. "I know you and your pretences. That is
what has put you in such a temper."

"But you remember I've been in a temper for days," he replied calmly and
gravely. "Therefore there could be no putting."

"Oh, it only made you worse. I'm tired of your temper, really."

"But Mr. Somers isn't in a temper at all!" cried Victoria. "He's nicer
than any of us, really. Jack would be as angry as anything if I said all
those things to him. Shouldn't you, Jack?" And she cuddled his arm.

"You'd be shut up in the coal-shed for the night before you got half way
through with it, if ever you started trying it on," he replied, with
marital humour.

"No, I shouldn't either: or it would be the last door you'd shut on ME,
so there. But anyhow you'd be in a waxy old temper."

And she smiled at Somers as she cuddled her husband's arm.

"If my hostess says I'm nice," said Somers, "I am not going to feel
guilty whatever my WIFE may say."

"Oh yes, you do feel guilty," said Harriet.

"Your hostess doesn't find any fault with you at all," cried Victoria.
She was looking very pretty, in a brown chiffon dress. "She thinks
you're the nicest of anybody here, there."

"What?" cried Jack. "When I'm here as well?"

"Whether you're here or not. You're not very nice to me to-night, and
William James never is. But Mr. Somers is AWFULLY nice." She blushed
suddenly quite vividly, looking under her long lashes at him. He smiled
a little more intensely to himself.

"I tell you what, Mrs. Somers," said Jack. "We'd better make a swap of
it, till they alter their opinion. You and me had better strike up a
match, and let them two elope with one another for a bit."

"And what about William James?" cried Victoria, with hurried, vivid

"Oh nobody need trouble themselves about William James," replied that
individual. "It's about time he was rolling home."

"No," said Harriet, in answer to Jack. "I'm striking off no more
matches, thank you. The game's not worth the candle."

"Why, maybe you've only struck on the rough side, you know," said Jack.
"You might strike on the smooth next time."

"No," said Harriet. "I'm going to bed, and leave you all to your
striking and your bad tempers. Good-night!"

She rose roughly. Victoria jumped up to accompany her to her room. The
Somers had had a room each in Torestin, so Victoria had put them each
separately into a nice little room in her house.

"Is it right," said Jack, "that you got the wind up to-night?"

"No," said Somers. "At least we only quite lovingly agreed to differ.
Nothing else."

"I thought it would be like that," said Jack. "He thinks the world of
you, I can see that."

William James stood ready to leave. He looked at Somers cunningly, as if
reading into him with his light-grey, sceptical eyes.

"Mr. Somers doesn't care to commit himself so easily," he said.

"No," said Jack. "You blighters from the old country are so mighty
careful of risking yourselves. That's what I'm not. When I feel a thing
I jump up and go for it, and damn the consequences. There's always
plenty of time to think about a thing after you've done it. And then if
you're fool enough to wish you hadn't done it, why, that shows you
SHOULDN'T have. I don't go in for regrets, myself. I do what I want. And
if I wanted to do a thing, then it's ALL RIGHT when it's done. All a
man's got to do is to keep his mouth shut and his fist ready, and go
down on his knees to NOTHING. Then he can damn well do as he pleases.
And all he asks is that other folks shall do as they please, men or
women. Damn all this careful stunt. I'll step along as far as the tram
with you, Jaz, I feel like walking the Welsh rabbit down into his
burrow. Vicky prefers Mr. Somers to me pro tem.--and I don't begrudge it
her. Why should I?"

Victoria was putting away the dishes, and seemed not to hear. The two
men went. Somers still sat in his chair. He was truly in a devil of a
temper, with everybody and everything: a wicked, fiendish mood that made
him LOOK quite handsome, as fate would have it. He had heard Jack's
hint. He knew Victoria was attracted to him: that she imagined no
nonsense about love, she was too remote from the old world, and too
momentary for that. The moment--that was all her feelings were to her.
And at this moment she was fascinated, and when she said, in her
slightly contralto voice:

"You're not in a temper with ME, though, are you Mr. Somers?" she was so
comely, like a maiden just ready for love, and like a comely, desirous
virgin offering herself to the wayfarer, in the name of the god of
bright desire, that Somers stretched out his hand and stroked her hot
cheek very delicately with the tips of his fingers, replying:

"I could never be angry with you. You're much too winsome."

She looked at him with her dark eyes dilated into a glow, a glow of
offering. He smiled faintly, rising to his feet, and desire in all his
limbs like a power. The moment--and the power of the moment. Again he
felt his limbs full of desire, like a power. And his days of anger
seemed to culminate now in this moment, like bitter smouldering that at
last leaps into flame. Not love--just weapon-like desire. He knew it.
The god Bacchus. Iacchos! Iacchos! Bacchanals with weapon hands. She had
the sacred glow in her eyes. Bacchus, the true Bacchus. Jack would not
begrudge the god. And the fire was very clean and steely, after the
smoke. And he felt the velvety fire from her face in his finger-tips.

And still his old stubborn self intervened. He decided almost
involuntarily. Perhaps it was fear.

"Good-night," he said to her. "Jack will be back in a moment. You look
bonnie to-night."

And he went to his room. When he had shut the door, he wondered if it
was merely a sort of cowardice. Honour? No need as far as Jack was
concerned, apparently. And Harriet? She was too honest a female. She
would know that the dishonour, as far as she felt it, lay in the desire,
not in the act. For her, too, honour did not consist in a pledged word
kept according to pledge, but in a genuine feeling faithfully followed.
He had not to reckon with honour there.

What then? Why not follow the flame, the moment sacred to Bacchus? Why
not, if it was the way of life? He did not know why not. Perhaps only
old moral habit, or fear, as Jack said, of committing himself. Perhaps
only that. It was Victoria's high moment; all her high moments would
have this Bacchic, weapon-like momentaneity: since Victoria was
Victoria. Why then deny it?

The pagan way, the many gods, the different service, the sacred moments
of Bacchus. Other sacred moments: Zeus and Hera, for example, Ares and
Aphrodite, all the great moments of the gods. Why not know them all, all
the great moments of the gods, from the major moment with Hera to the
swift short moments of Io or Leda or Ganymede? Should not a man know the
whole range? And especially the bright, swift, weapon-like Bacchic
occasion, should not any man seize it when it offered?

But his heart of hearts was stubbornly puritanical. And his innermost
soul was dark and sullen, black with a sort of scorn. These moments bred
in the head and born in the eye: he had enough of them. These flashes of
desire for a visual object would no longer carry him into action. He had
no use for them. There was a downslope into Orcus, and a vast, phallic,
sacred darkness, where one was enveloped into the greater god as in an
Egyptian darkness. He would meet there or nowhere. To the visual
travesty he would lend himself no more.

Pondering and turning recklessly he heard Jack come back. Then he began
to doze. He did not sleep well in Australia, it seemed as if the
aboriginal daimon entered his body as he slept, to destroy its old
constitution. Sleep was almost pain, and too full of dreams. This night
he woke almost at once from a vivid little dream. The fact of the
soonness troubled him too, for at home he never dreamed till morning.

But the dream had been just this. He was standing in the living room at
Coo-ee, bending forward doing some little thing by the couch, perhaps
folding the newspaper, making the room tidy at the last moment before
going to bed, when suddenly a violent darkness came over him, he felt
his arms pinned, and he heard a man's voice speaking mockingly behind
him, with a laugh. It was as if he saw the man's face too--a stranger, a
rough, strong sort of Australian. And he realised with horror: "Now they
have put a sack over my head, and fastened my arms, and I am in the
dark, and they are going to steal my little brown handbag from the
bedroom, which contains all the money we have." The shock of intense
reality made him fight his way out of the depths of the first sleep, but
it was some time before he could really lay hold of facts, like: "I am
not at Coo-ee. I am not at Mullumbimby. I am in Sydney at Wyewurk, and
the Callcotts are in the next room." So he came really awake. But if the
thing had really happened, it could hardly have happened to him more
than in this dream.

In the morning they were returning to the South Coast. But Jack said to
Somers, a little sarcastically:

"You aren't altogether pleased with us, then?"

Somers hesitated before replying:

"I'm not altogether pleased with myself, am I?"

"You don't have to be so particular, in this life," said Jack.

"I may have to be."

"You can't have it all perfect beforehand, you know. You've got to sink
a few times before you can swim."

"Sink in what?"

"Why, it seems to me you want to have a thing all ready in your hand,
know all about it, before you'll try it. And there's some things you
can't do that with. You've just got to flop into them, like when you
chuck a dog into water."

Somers received this rebuke rather sourly. This was the first wintry day
they had really had. There was a cold fog in Sydney in the morning, and
rain in the fog. In the hills it would be snow--away in the Blue
Mountains. But the fog lifted, and the rain held off, and there was a
wash of yellowish sunshine.

Harriet of course had to talk to a fellow-passenger in the train,
because Lovat was his glummest. It was a red-moustached Welshman with a
slightly injured look in his pale blue eyes, as if everything hadn't
been as good to him as he thought it ought, considering his merit. He
said his name was Evans, and he kept a store. He had been sixteen years
in the country.

And is it VERY hot in the summer?" said Harriet. "I suppose it is."

"Yes," he said, "it's very hot. I've known the days when I've had to lie
down at two o'clock in the afternoon, and not been able to move.
Overpowered, that's what it is, overpowered."

Harriet was suitably impressed, having tried heat in India.

"And do you think it takes one long to get used to this country?" she
asked after a while.

"Well, I should say it takes about four or five years for your blood
properly to thin down. You can't say you've begun, under two years."

"Four or five years!" re-echoed Harriet. But what she was really turning
over in her mind was this phrase: "For your blood to thin down." To thin
down! how queer! Lovat also heard the sentence, and realized that his
blood took this thinning very badly, and still about four years of
simmering ahead, apparently, if he stayed in this country. And when the
blood had finished its thinning, what then? He looked at Mr. Evans, with
the sharp pale nose and the reddish hair and the injured look in his
pale-blue eyes. Mr. Evans seemed to find it sweet still to talk to
people from the "old country". "You're from the old country?"--the
inevitable question. The thinning down had left him looking as if he
felt he lacked something. Yet he wouldn't go back to South Wales. Oh no,
he wouldn't go back.

"The blood is thinner out here than in the old country." The Australians
seemed to accept this as a scientific fact. Richard felt he didn't want
his blood thinned down to the Australian constituency. Yet no doubt in
the night, in his sleep, the metabolic change was taking place fast and

It was raining a little in the late afternoon when Somers and Harriet
got back to Coo-ee. With infinite relief she stepped across her own

"Ah!" she said, taking a long breath. "Thank God to be back." She looked
round, and went to rearrange on the sofa the cushions that they had
whacked so hard to get the dust out.

Somers went to the edge of the grass to be near the sea. It was raving
in long, rasping lines of hissing breakers--not very high ones, but very
long. The sky hung grey, with veils of dark rain out to sea, and in the
south a blackness of much rain blowing nearer in the wind. At the end of
the jetty, in the mist of the sea-wind's spray, a long, heavy
coal-steamer was slowly toiling to cast loose and get away. The waves
were so long and the current so strong, they would hardly let her turn
and get clear of the misty-black jetty.

Under the dark-grey sky the sea looked bright, but coldly bright, with
its yellow-green waves and its ramparts of white foam. There were
usually three white ramparts, one behind the other, of rasping surf: and
sometimes four. Then the long swish and surge of the shoreward wash. The
coast was quite deserted: the steep sand wet as the backwash slid away:
the rocks wet with rain: the low, long black steamer still laboured in
the fume of the wind, indistinctly.

Somers turned indoors, and suddenly began taking off his clothes. In a
minute he was running naked in the rain which fell with lovely freshness
on his skin. Ah, he felt so stuffy after that sort of emotional heat in
town. Harriet in amazement saw him whitely disappearing over the edge of
the low cliff-bank, and came to the edge to look.

He ran quickly over the sands, where the wind blew cold but velvety, and
the raindrops fell loosely. He walked straight into the fore-wash, and
fell into an advancing ripple. At least it looked a ripple, but was
enough to roll him over so that he went under and got a little taste of
the Pacific. Ah, the fresh cold wetness!--the fresh cold wetness! The
water rushed in the back-wash and the sand melted under him, leaving him
stranded like a fish. He turned again to the water. The walls of surf
were some distance off, but near enough to look rather awful as they
raced in high white walls shattering towards him. And above the ridge of
the raving whiteness the dimness of the labouring steamer, as if it were
perched on a bough.

Of course he did not go near the surf. No, the last green ripples of the
broken swell were enough to catch him by the scruff of the neck and
tumble him rudely up the beach, in a pell-mell. But even the blow did
one good, as the sea struck one heavily on the back, if one were
fleeing; full on the chest, if one were advancing.

It was raining quite heavily as he walked out, and the skies hung low
over the sea, dark over the green and white vigour of the ocean. The
shore was so foam-white it almost suggested sun. The rain felt almost

Harriet came walking across the grass with a towel.

"What a good idea!" she said. "If I'd known I'd have come. I wish I

But he ignored the towel, and went into the little wash-place and under
the shower, to wash off the sticky, strong Pacific. Harriet came along
with the towel, and he put his hand to her face and nodded to her. She
knew what he meant, and went wondering, and when he had rubbed the wet
off himself he came to her.

To the end she was more wondering than anything. But when it was the
end, and the night was falling outside, she laughed and said to him:

"That was done in style. That was chic. Straight from the sea, like
another creature."

Style and chic seemed to him somewhat ill suited to the occasion, but he
brought her a bowl of warm water and went and made the tea. The wind was
getting noisier, and the sea was shut out but still calling outside the
house. They had tea and toast and quince jam, and one of the seven brown
teapots with a bit off the spout shone quite nicely and brightly at a
corner of the little red-and-white check tea-cloth, which itself
occupied a corner of the big, polished jarrah table. But, thank God, he
felt cool and fresh and detached, not cosy and domestic. He was so
thankful not to be feeling cosy and "homely". The room felt as
penetrable to the outside influence as if it were a sea-shell lying on
the beach, cool with the freshness and insistence of the sea, not a
snug, cosy box to be secured inside.

And Jack Callcott's rebuke stuck in his throat. Perhaps after all he was
just a Pommy, prescribing things with overmuch emphasis, and wanting to
feel God-Almighty in the face of unborn events. A Pommy is a newcomer in
Australia, from the Old Country.

Teacher: Why did you hit him, Georgie?

Georgie: Please miss, he called me a Pommy.

Aussie (with a discoloured eye): Well, you're one, ain'cher? Can I help
it that ch'are one?

Pommy is supposed to be short for pomegranate. Pomegranate, pronounced
invariably pommygranate, is a near enough rhyme to immigrant, in a
naturally rhyming country. Furthermore, immigrants are known in their
first months, before their blood "thins down," by their round and ruddy
cheeks. So we are told. Hence again, pomegranate, and hence Pommy. Let
etymologists be appeased: it is the authorised derivation.

Perhaps, said Somers to himself, I am just a Pommy and a fool. If my
blood had thinned down, I shouldn't make all this fuss over sharing in
with Kangaroo or being mates with Jack Callcott. If I am not a ruddy
Pommy, I am a green one. Of course they take the thing as it comes to
them, and they expect me to do the same. Yet there I am hopping and
hissing like a fish in a frying-pan. Putting too much "soul" into it.
Far too much. When your blood has thinned down, out here, there's
nothing but the merest sediment of a soul left, and your wits and your
feelings are clear of it. You take things as they come, as Jack says.
Isn't that the sanest way to take them, instead of trying to drive them
through the exact hole in the hedge that you've managed to poke your
head through? Oh, you unlearn a lot as your blood thins down. But
there's an awful lot to be unlearnt. And when you've unlearnt it, you
never say so. In the first place, because it's dead against the sane old
British tradition. And in the second place, because you don't really
care about telling what you feel, once your blood has thinned down and
is clear of soul.

"Thin, you Australian burgundy," said Somers to his own body, when he
caught a glimpse of it unawares, reflected in the glass as he was going
to bed. "You're thin enough as a bottle, but the wine needs a lot of
maturing. I've made a fool of myself latterly."

Yet he said to himself: "Do I want my blood to thin down like
theirs?--that peculiar emptiness that is in them, because of the
thinning that's gone out of them? Do I want this curious transparent
blood of the antipodes, with its momentaneous feelings, and its sort of
ABSENTNESS? But of course till my blood has thinned down I shan't see
with their eyes. And how in the name of heaven is this world-brotherhood
mankind going to see with one eye, eye to eye, when the very blood is of
different thickness on different continents, and with the difference in
blood, the inevitable psychic difference? Different vision!"


Richard Lovat Somers registered a new vow: not to take things with too
overwhelming an amount of emotional seriousness, but to accept
everything that came along with a certain sang froid, and not to sit
frenziedly in judgment before he had heard the case. He had come to the
end of his own tether, so why should he go off into tantrums if other
folks strayed about with the broken bits of their tethers trailing from
their ankles? Is it better to be savagely tugging at the end of your
rope, or to wander at random tetherless? Matter of choice!

But the day of the absolute is over, and we're in for the strange gods
once more. "But when you get to the end of your tether you've nothing to
do but die"--so sings an out-of-date vulgar song. But is it so? Why not
all? When you come to the end of your tether you break the rope. When
you come to the end of the lane you straggle on into the bush and beat
about till you find a new way through, and no matter if you raise vipers
or goannas or wallabies, or even only a stink. And if you see a man
beating about for a new track you don't immediately shout, "Perverted
wretch!" or "Villain!" or "Vicious creature!" or even merely "The fool,"
or mildly: "Poor dear!" You have to let him try. Anything is better than
stewing in your own juice, or grinding at the end of your tether, or
tread-milling away at a career. Better a "wicked creature" any day, than
a mechanical tread-miller of a careerist. Better anything on earth than
the millions of human ants.

In this way Mr. Somers had to take himself to task, for his Pommy
stupidity and his pommigrant superiority, and kick himself rather
severely, looking at the ends of the tether he presumed he had just
broken. Why should people who are tethered to a post be so God-Almighty
puffed up about their posts? It seems queer. Yet there they are, going
round and round at the ends of their tethers, and being immensely sniffy
about the people who stray loose trailing the broken end of their old
rope, and looking for a new way through the bush. Yet so men are. They
will set up inquisitions and every manner of torture chamber to COMPEL
people to refrain from breaking their tethers. But once man has broken
any old particular hobble-line, not God Himself can safely knot it
together again.

Somers now left off standing on his head in front of the word love, and
looking at it calmly, decided he didn't care vastly either way. Harriet
had on her dressing-table tray a painted wooden heart, painted red with
dots round it, a Black Forest trifle which she had bought in Baden-Baden
for a penny. On it was the motto:

Dem Mutigen gehort die Welt.

That was the motto to have on one's red heart: not Love or Hope or any
of those aspiring emotions: "The world belongs to the courageous." To be
sure, it was a rather two-edged motto just now for Germany. And Somers
was not quite sure that it was the "world" that he wanted.

Yes it was. Not the tuppenny social world of present mankind: but the
genuine world, full of life and eternal creative surprises, including of
course destructive surprises: since destruction is part of creation.
Somers did want the world. He did want to take it away from all the
teeming human ants, human slaves, and all the successful, empty
careerists. He wanted little that the present society can give. But the
lovely other world that is in spite of the social man of to-day: that he
wanted, to clear it, to free it.--Freedom! Not for this subnormal
slavish humanity of democratic antics. But for the world itself, and the

Mut! Muth! A good word. Better even than "courage". Virtue, virtus,
manliness. Mut--manliness. Not braggaccio or insolence. De l'audace, at
de l'audace, at encore de l'audace! Danton's word. But it was more than
daring. It was Mut, profound manliness, that is not afraid of anything
except of being cowardly or barren.

Dem Mutigen gehort die Welt.
To the manly brave belongs the world.

Somers wrote to Kangaroo, and enclosed the red wooden heart, which had a
little loop of ribbon so that it could be hung on the wall.

"Dear Kangaroo--I send you my red heart (never mind that it is wood, the
wood once lived and was the tree of life) with its motto. I hope you
will accept it, after all my annoying behaviour. It is not the love, but
the Mut that I believe in, and join you in. Love may be an ingredient in
Mut, so you have it all your own way. Anyhow, I send you my red
motto-heart, and if you don't want it you can send it back--I will be
your follower, in reverence for your virtue--Virtus. And you may command

The following day came the answer, in Kangaroo's difficult scrawl:

"Dear Lovat--Love is in your name, notwithstanding. I accept the red
heart gladly, and when I win, I will wear it for my Order of Merit,
pinned on my swelling chest.

"But you are the one person in the world I can never command. I knew it
would be so. Yet I am unspeakably glad to have your approval, and
perhaps your allegiance.

"Come and see me as soon as it is your wish to do so: I won't invite
you, lest worse befall me. For you are either a terrible disappointment
to me, or a great blessing in store. I wait for you."

Somers also wrote to Jack, to ask him to come down with Victoria for the
week-end. But Jack replied that he couldn't get away this week-end,
there was so much doing. Somers then invited him for the following one.

The newspapers were at this time full of the pending strike of
coal-miners and shearers: that is, the Australian papers. The European
papers were in a terrific stew about finance, and the German debt, and
the more imposing Allied debt to America. Bolshevism, Communism, Labour,
had all sunk into a sort of insignificance. The voice of mankind was
against them for the time being, not now in hate and fear, as
previously, but in a kind of bitter contempt: the kind of feeling one
has when one has accepted a glib individual as a serious and remarkable
man, only to find that he is a stupid vulgarian. Communism was a bubble
that would never even float free and iridescent from the nasty pipe of
the theorist.

What then? Nothing evident. There came dreary and fatuous letters from
friends in England, refined young men of the upper middle-class writing
with a guarded kind of friendliness, gentle and sweet, of course, but as
dozy as ripe pears in their laisser aller heaviness. That was what it
amounted to: they were over-ripe, they had been in the sun of prosperity
too long, and all their tissues were soft and sweetish. How could they
react with any sharpness to any appeal on earth? They wanted just to
hang against the warmest wall they could find, as long as ever they
could, till some last wind of death or disturbance shook them down into
earth, mushy and overripe. A sardonic letter from a Jewish friend in
London, amusing but a bit dreadful. Letters from women in London,
friendly but irritable. "I have decided I am a comfort-loving
conventional person, with just a dash of the other thing to keep me
fidgety"--then accounts of buying old furniture, and gossip about
everybody: "Verden Grenfel in a restaurant with TWO bottles of
champagne, so he must be affluent just now." A girl taking her honeymoon
trip to Naples by one of the Orient boats, third class: "There are 800
people on board, but room for another 400, so that on account of the
missing 400 we have a six-berth cabin to ourselves. It is a bit noisy
and not luxurious, but clean and comfortable, and you can imagine what
it is to me, to be on the glorious sea, and to go ashore at wonderful
Gibraltar, and to see the blue hills of Spain in the distance. Frederick
is struggling with a mass of Italian irregular verbs at the moment." And
in spite of all Somers' love of the Mediterranean, the thought of
sitting on a third class deck with eight hundred emigrants, including
babies, made him almost sick. "The glorious sea--wonderful Gibraltar."
It takes quite a good eyesight even to SEE the sea from the deck of a
liner, let alone out of the piled mass of humanity on the third-class
deck. A letter from Germany, about a wedding and a pending journey into
Austria and friends, written with a touch of philosophy that comes to a
man when he's fallen down and bumped himself, and strokes the bruise. A
cheque for fifteen pounds seventeen shillings and fourpence, from a
publisher: "Kindly acknowledge." A letter from a farming friend who had
changed places: "A Major Ashworth has got the farm, and has spent about
600 pounds putting it in order. He has started as a poultry-farm, but
has had bad luck in losing 400 chicks straight away, with the cold
weather. I hope our spell of bad luck doesn't still hang over the place.
I wish you would come back to England for the summer. Viv talks of
getting a caravan, and then we might get two. Cold and wet weather for
weeks. All work and no play, not good enough." A letter from Paris,
artist friends: "I have sold one of the three pictures that are in the
last Salon." A letter from Somers' sister: "Louis has been looking round
everywhere to buy a little farm, but there doesn't seem to be a bit of
land to be got anywhere. What do you think of our coming to Australia? I
wish you would look for something for us, for we are terribly fed up
with this place, nothing doing at all." A letter from Sicily: "I have
had my father and stepmother over from New York. I had got them rooms
here, but when I said so, the face of Anna, my stepmother, was a sight.
She took me aside and told me that father was spoiling the trip entirely
by his economies, and that she had set her heart on the Villa Igeia.
Then Dad took me aside and said that he didn't wish to be reckless, but
he didn't want to thwart Anna's wishes entirely, and was there nothing
in the way of compromise? It ended by their staying two days here, and
Anna said she thought it was very nice FOR ME. Then they went to the
Palmes, which is entirely up to Anna's ideas of luxury, and she is

Somers had fourteen letters by this mail. He read them with a sort of
loathing, one after the other, piling them up on his left hand for
Harriet, and throwing the envelopes in the fire. By the time he had done
he wished that every mail-boat would go down that was bringing any
letter to him, that a flood would rise and cover Europe entirely, that
he could have a little operation performed that would remove from him
for ever his memory of Europe and everything in it--and so on. Then he
went out and looked at the Pacific. He hadn't even the heart to bathe,
and he felt so trite, with all those letters; he felt quite capable of
saying "Good dog" to the sea: to quote one of the quips from the
Bulletin. The sea that had been so full of potency, before the postman
rode up on his pony and whistled with his policeman's whistle for Somers
to come to the gate for that mass of letters. Never had Richard Lovat
Somers felt so filled with spite against everybody he had ever known in
the old life, as now.

"And there was I, knave, fool, and ninny, whining to go back to Europe,
and abusing Australia for not being like it. That horrible, horrible
staleness of Europe, and all their trite consciousness, and their
dreariness. The dreariness? The sterility of their feelings? And here
was I carping at Kangaroo and at Jack Callcott, who are golden wonders
compared with anything I have known in the old world. Australia has got
some real, positive indifference to "questions", but Europe is one big
wriggling question and nothing else. A tangle of quibbles. I'd rather be
shot here next week, than quibble the rest of my life away in
over-upholstered Europe."

He left off kicking himself, and went down to the shore to get away from
himself. After all, he knew the endless water would soon make him
forget. It had a language which spoke utterly without concern of him,
and this utter unconcern gradually soothed him of himself and his world.
He began to forget.

There had been a squall in the night. At the tip of the rock-shelves
above the waves men and youths, with bare, reddish legs, were fishing
with lines for blackfish. They looked like animal creatures perching
there, and like creatures they were passive or darting in their
movements. A big albatross swung slowly down the surf: albatross or
mollyhawk, with wide, waving wings.

The sea had thrown up, all along the surf-line, queer glittery creatures
that looked like thin blown glass. They were bright transparent bladders
of the most delicate ink-blue, with a long crest of deeper blue, and
blind ends of translucent purple. And they had bunches of blue, blue
strings, and one long blue string that trailed almost a yard across the
sand, straight and blue and translucent. They must have been some sort
of little octopus, with the bright glass bladder, big as smallish narrow
pears, with a blue frill along the top to float them, and the strings to
feel with--and perhaps the long string to anchor by. Who knows? Yet
there they were, soft, brilliant, like pouches of frailest sea-glass. It
reminded Somers of the glass they blow at Butano, at Venice. But there
they never get the lovely soft texture and the colour.

The sky was tufted with cloud, and in the afternoon veils of rain swept
here and there across the sea, in a changing wind. But then it cleared
again, and Somers and Harriet walked along the sands, watching the blue
sky mirror purple and the white clouds mirror warm on the wet sand. The
sea talked and talked all the time, in its disintegrative, elemental
language. And at last it talked its way into Somers' soul, and he forgot
the world again, the babel. The simplicity came back, and with it the
inward peace. The world had left him again. He had been thinking, in his
anger of the morning, that he would get Jack to teach him to shoot with
a rifle and a revolver, so that he might take his part. He had never
shot with a gun in his life, so he had thought it was high time to
begin. But now he went back on his thoughts. What did he want with guns
or revolvers? Nothing. He had nothing to do with them, as he had nothing
to do with so much that is in the world of man. When he was truly
himself he had a quiet stillness in his soul, an inward trust. Faith,
undefined and undefinable. Then he was at peace with himself. Not
content, but peace like a river, something flowing and full. A stillness
at the very core.

But faith in what? In himself, in mankind, in the destiny of mankind?
No, no. In Providence, in Almighty God? No, not even that. He tried to
think of the dark God he declared he served. But he didn't want to. He
shrank away from the effort. The fair morning seaward world, full of
bubbles of life.

So again came back to him the ever-recurring warning that SOME men must
of their own choice and will listen only to the living life that is a
rising tide in their own being, and listen, listen, listen for the
injunctions, and give heed and know and speak and obey all they can.
Some men must live by this unremitting inwardness, no matter what the
rest of the world does. They must not let the rush of the world's
"outwardness" sweep them away: or if they are swept away, they must
struggle back. Somers realised that he had had a fright against being
swept away, because he half wanted to be swept away: but that now, thank
God, he was flowing back. Not like the poor, weird "ink-bubbles", left
high and dry on the sands.

Now he could remember the frenzied outward rushing of the vast masses of
people, away from themselves, without being driven mad by it. But it
seemed strange to him that they should rush like this in their vast
herds, outwards, outwards, always frenziedly outwards, like souls with
hydrophobia rushing away from the pool of water. He himself, when he was
caught up in the rush, felt tortured and maddened, it was an agony of
irritation to him till he could feel himself drifting back again like a
creature into the sea. The sea of his own inward soul, his own
unconscious faith, over which his will had no exercise. Why did the mass
of people not want this stillness and this peace with their own being?
Why did they want cinemas and excitements? Excitements are as nauseous
as sea-sickness. Why does the world want them?

It is their problem. They must go their way. But some men, some women
must stay by their own inmost being, in peace, and without envy. And
there in the stillness listen, listen, and try to know, and try to obey.
From the innermost, not from the outside. It is so lovely, the peace.
But poor dear Richard, he was only resting and basking in the old
sunshine just now, after his fray. The fight would come again, and only
in the fight would his soul burn its way once more to the knowledge, the
intense knowledge of his "dark god". The other was so much sweeter and
easier, while it lasted.

At tea-time it began to rain again. Somers sat on the verandah looking
at the dark green sea, with its films of floating yellow light between
the ruffled waves. Far back, in the east, was a cloud that was a
rainbow. It was a piece of rainbow, but not sharp, in a band; it was a
tall fume far back among the clouds of the sea-wall.

"Who is there that you feel you are with, besides me--or who feel
themselves with you?" Harriet was asking.

"No one," he replied. And at the same moment he looked up and saw the
rainbow fume beyond the sea. But it was on a dark back ground, like a
coloured darkness. The rainbow was always a symbol to him--a good
symbol: of this peace. A pledge of unbroken faith, between the universe
and the innermost. And the very moment he said "No one," he saw the
rainbow for an answer.

Many times in his life he had seen a rainbow. The last had been on his
arrival in Sydney. For some reason he felt absolutely wretched and
dismal on that Saturday morning when the ship came into Sydney harbour.
He had an unspeakable desire not to get out of the ship, not to go down
on to the quay and into that town. The having to do it was a violation
of himself. When he came on deck after breakfast and the ship had
stopped, it was pouring with rain, the P. and O. wharf looked black and
dismal, empty. It might almost have been an abandoned city. He walked
round to the starboard side, to look towards the unimposing hillock of
the city and the Circular Quay. Black, all black and unutterably dismal
in the pouring rain, even the green grass of the Botanical Gardens, and
the bits of battlement of the Conservatorium. Unspeakably forlorn. Yet
over it all, spanning the harbour, the most magnificent great rainbow.
His mood was so miserable he didn't want to see it. But it was
unavoidable. A huge, brilliant, supernatural rainbow, spanning all

He was thinking of this, and still watching the dark-green,
yellow-reflecting sea, that was like a northern sea, a Whitby sea, and
watching the far-off fume of a dark rainbow apparition, when Harriet
heard somebody at the door. It was William James, who had an hour to
wait for his train, and thought they wouldn't mind if he looked in. They
were pleased, and Harriet brought him a cup and plate.

Thank goodness he, too, came in a certain stillness of spirit, saying
very little, but being a quiet, grateful presence. When the tea was
finished he and Somers sat back on the verandah out of the wind, and
watched the yellow, cloudy evening sink. They hardly spoke, but lay
lying back in the deckchairs.

"I was wondering," said Somers, "whom Kangaroo depends on mostly for his

William James looked back at him, with quiet, steady eyes.

"On the diggers--the returned soldiers chiefly: and the sailors."

"Of what class?"

"Of any class. But there aren't many rich ones. Mostly like me and Jack,
not quite simple working men. A few doctors and architects and that

"And do you think it means much to them?"

Jaz shifted his thick body uneasily in his chair.

You never can tell," he said.

"That's true," said Somers. "I don't really know how much Jack Callcott
cares. I really can't make out."

"He cares as much as about anything," said Jaz. "Perhaps a bit more.
It's more exciting."

"Do you think it IS the excitement they care about chiefly?"

"I should say so. You can die in Australia if you don't get a bit of
excitement." There was silence for a minute or two.

"In my opinion," said Somers, "it has to go deeper than excitement."
Again Jaz shifted uneasily in his chair.

"Oh, well--they don't set much store on deepness over here. It's easy
come, easy go, as a rule. Yet they're staunch chaps while the job lasts,
you know. They are true to their mates, as a rule."

"I believe they are. It's the afterwards."

"Oh, well--afterwards is afterwards, as Jack always says." Again the two
men were silent.

"If they cared deeply--" Somers began slowly--but he did not continue,
it seemed fatuous. Jaz did not answer for some time.

"You see, it hasn't come to that with them," he said. "It might,
perhaps, once they'd actually done the thing. It might come home to them
then; they might HAVE to care. It might be a force-put. THEN they'd need
a man."

"They've got Kangaroo," said Somers.

"You think Kangaroo would get them over the fence?" said Jaz carefully,
looking up at Somers.

"He seems as if he would. He's a wonderful person. And there seems no
alternative to him."

"Oh yes, he's a wonderful person. Perhaps a bit too much of a wonder. A
hatchet doesn't look anything like so spanking as a lawn-mower, does it
now, but it'll make a sight bigger clearing."

"That's true," said Somers, laughing. "But Kangaroo isn't a lawn-mower."

"Oh, I don't say so," smiled Jaz fidgeting on his chair. "I should like
to hear your rock-bottom opinion of him though."

"I should like to hear yours," said Somers, "You know him much better
than I do. I haven't got a rock-bottom opinion of him yet."

"It's not a matter of the time you've known him," said Jaz. He was
manifestly hedging, and trying to get at something. "You know I belong
to his gang, don't you?"

"Yes," said Somers, wondering at the word "gang".

"And for that reason I oughtn't to criticize him, ought I?"

Somers reflected for some moments.

"There's no oughts, if you FEEL critical," he answered.

"I think you feel critical of him yourself at times," said Jaz, looking
up with a slow, subtle smile of cunning: like a woman's disconcerting
intuitive knowledge. It laid Somers' soul bare for the moment. He
reflected. He had pledged no allegiance to Kangaroo.

"Yet," he said aloud to Jaz, "if I HAD joined him I wouldn't want to
hinder him."

"No, we don't want to hinder him. But we need to know where we are.
Supposing you were in my position--and you DIDN'T feel sure of things! A
man has to look things in the face. You yourself, now--you're holding
back, aren't you?"

"I suppose I am," said Richard, "But then I hold back from everything."

Jaz looked at him searchingly.

You don't like to commit yourself?" he said, with a sly smile.

"Not altogether that. I'd commit myself, if I could. It's just something
inside me shakes its head and holds back."

Jaz studied his knuckles for some time.

"Yes," he said slowly. "Perhaps you can afford to stand out. You've got
your life in other things. Some of us feel we haven't got any life if
we're not--if we're not mixed up in something." He paused, and Richard
waited. "But the point is this--" Jaz looked up again with his
light-grey, serpent's eyes. "Do you yourself see Kangaroo pulling it
off?" There was a subtle mockery in the question.


"Why--you know. This revolution, and this new Australia. Do you see him
figuring on the Australian postage stamps--and running the country like
a new Jerusalem?"

"The eyes watched Richard fixedly.

"If he's got a proper backing, why not?" Somers answered.

"I don't say why not. I ask you, WILL HE? Won't you say how you feel?"

Richard sat quite still, not even thinking, but suspending himself. And
in the suspense his heart went sad, oh so empty, inside him. He looked
at Jaz, and the two men read the meaning in each other's eyes.

"You think he won't?" said Jaz, triumphing.

"No, I think he won't," said Richard. "There now. I knew you felt like

"And yet," said Richard, "if men were men still--if they had any of that
belief in love they pretend to have--if they were FIT to follow
Kangaroo," he added fiercely, feeling grief in his heart.

Jaz dropped his head and studied his knuckles, a queer, blank smile
setting round his mouth.

"You have to take things as they are," he said in a small voice.

Richard sat silent, his heart for the moment broken again.

"And," added Jaz, looking up with a slow, subtle smile, "if men aren't
what Kangaroo wants them to be, why should they be? If they don't want a
new Jerusalem, why should they have it? It's another catch. They like to
hear Kangaroo's sweet talk--and they'll probably follow him if he'll
bring off a good big row, and they think he can make it all pretty
afterwards." Again he smiled, but bitterly, mockingly. "I don't know why
I say these things to you, I'm sure. But it's as well for a man to get
to the bottom of what he thinks, isn't it? And I feel, you know, that
you and me think alike, if we allow ourselves to think."

Richard looked at him, but never answered. He felt somehow treacherous.

"Kangaroo's clever," resumed Jaz. "He's a Jew, and he's damn clever.
Maybe he's the cleverest. I'll tell you why. You're not offended now at
what I say, are you?"

"What's the good of being offended by anything, if it's a genuine

"Well now, that's what I mean. And I say Kangaroo is cleverer than the
Red people, because he can make it look as if it would be all rosy
afterwards, you know, everything as good as apple pie. I tell you what.
All these Reds and I.W.W.'s and all, why don't they make their
revolution? Because they're frightened of it when they've made it.
They're not frightened of hanging all the capitalists and such. But
they're frightened to death of having to keep things going afterwards.
They're frightened to death." Jaz smiled to himself with a chuckle.
"Nothing frightens them so much as the thought of having to look after
things when their revolution is made. It frightens them to death. And
that's why they won't make their grand revolution. Never. Unless
somebody shoves them into it. That's why they've got this new cry: Make
the revolution by degrees, through winning in politics. But that's no
revolution, you know. It's the same old thing with a bit of difference,
such a small bit of difference that you'd never notice it if you weren't
made to."

"I think that's true," said Richard. "Nobody's more frightened of a Red
revolution than the Reds themselves. They just absolutely funk it."

"There now--that's the word--they funk it. Yet, you know, they're all
ready for it. And if you got them started, if you could, they'd make a
clearance, like they did in Russia. And we could do with that, don't you

"I do," said Richard, sighing savagely.

"Well now, my idea's this. Couldn't we get Kangaroo--to join the
Reds--the I.W.W.'s and all? Couldn't we get him to use all his men to
back Red Labour in this country, and blow a cleavage through the old
system. Because, you know he's got the trump cards in his hands. These
Diggers' Clubs, they've got all the army men, dying for another scrap.
And then a sort of secret organisation has ten times the hold over men
than just a Labour Party, or a Trades Union. He's damned clever, he's
got a wonderful scheme ready. But he'll spoil it, because he'll want it
all to happen without hurting anybody. Won't he now?"

"Except a few."

"Oh yes--maybe four of his enemies. But he wants to blow the house up
without breaking the windows. He thinks he can turn the country
upside-down without spilling milk, let alone blood. Now the Reds, let
them loose, would make a hole in things. Only they'll never move on
their own responsibility. They haven't got the guts, the stomach, the

"You're so clever, Jaz. I wonder you're not a leader yourself."

"Me?" A slow ironical smile wreathed his face. "You're being sarcastic
with me, Mr. Somers."
"Not at all. I think you're amazing."

Jaz only smiled sceptically still.

"You take what I mean, though, do you?"

"I do."

"And what do you think of it?"

"Very clever."

"But isn't it feasible? You get Kangaroo, with his Diggers--the
cleverest idea in the country, really--to quietly come in with the Reds,
and explode a revolution over here. You could soon do it, in the cities:
and the country couldn't help itself. You let the Reds appear in the
front, and take all the shine. You keep a bit of a brake on them. You
let them call a Soviet, or whatever they want, and get into a real mess
over it. And then Kangaroo steps in with the balm of Gilead and the New
Jerusalem. But let them play Old Tommy Jenkins first with Capital and
State Industries and the free press and religious sects. And then
Kangaroo steps in like a redeeming angel, and reminds us that it's God's
Own Country, so we're God's Own People, and makes us feel good again.
Like Solomon, when David has done the dirty work."

"The only point," said Somers smiling, "is that an Australian Lenin and
an Australian Trotsky might pop up in the scrimmage, and then Kangaroo
could take to the bush again.

Jaz shook his head.

"They wouldn't," he said. "There's nobody with any grip. And you'd see,
in this country, people would soon want to be good again, because it
costs them least effort."

"Perhaps Kangaroo is right, and they don't want to be anything BUT

Jaz shook his head.

"It's not goodness they're after just now," he said. "They want to rip
things up, or they want nothing. They aren't ready to come under
Kangaroo's loving wing just yet. They'd as leave be under King George's
thumb, they can peep out easier. It seems to me, it's SPITE that's at
the bottom, with most men. And they've got to let it out before
anything's any good."

Somers began to feel tired now.

"But after all, Jaz," he said, "what have I got to do with it?"

"You can put it to Kangaroo. You can make him see it. And you can keep
him to it, if you promise him you'll stick to him."

"Me a power behind the throne?" protested the truly sceptical Richard.

"I take it you don't want to sit on the throne yourself," smiled Jaz.
"And Kangaroo's got more the figure. But what do you think of it?"

Somers was silent. He now was smiling subtly and ironically, and Jaz was
watching him sharply, like a man who wants something. Jaz waited.

"I'm afraid, Jaz," said Somers, "that, like Nietzsche, I no longer
believe in great events. The war was a great event--and it made
everything more pretty. I doubt if I care about the mass of mankind,
Jaz. You make them more than ever distasteful to me.

"Oh, you know, you needn't commit yourself. You've only to be friendly
with Kangaroo, and work him into it. You know you said yourself you'd
give anything to have a clearance made, in the world."

"I know. Sometimes I feel I'd give anything, soul and body, for a smash
up in this social-industrial world we're in. And I would. And then when
I realise people--just people--the same people after it as before--why,
Jaz, then I don't care any more, and feel it's time to turn to the

"You feel there's any gods to turn to, do you?" asked Jaz, with the
sarcasm of disappointment.

"I feel it would probably be like Messina before and after the
earthquake. Before the earthquake it was what is called a fine town, but
commercial, low, and hateful. You felt you'd be glad if it was wiped
out. After the earthquake it was horrible heaps of mortar and rubble,
and now it's rows and rows of wood and tin shanties, streets of them,
and more commercial, lower than ever, and infinitely more ugly. That
would probably be the world after your revolution. No, Jaz, I leave
mankind to its own contrivances, and turn to the gods."

"But you'll say a word to Kangaroo?" said Jaz, persistent.

"Yes, if I feel like it," said Richard.

Darkness had almost fallen, and Somers shivered as he rose to go

Next morning, when Somers had made the coffee, he and Harriet sat on the
loggia at breakfast. It rained in the night, and the sea was whitish,
sluggish, with soft, furry waves that had no plunge. The last thin flush
of foam behaved queerly, running along with a straight, swift splash,
just as when a steel rope rips out of water, as a tug hauls suddenly,
jerking up a white splash that runs along its length.

"What had William James so much to say about?" asked Harriet, on the

"Why don't you have the strength of mind not to ask?" he replied. "You
know it's better you left it alone: that I'm not supposed to blab."

She gave him one fierce look, then went pale with anger. She was silent
for some time. Then she burst out:

"Pah, as if I cared to know! What is all their revolution bosh to me!
There have been revolutions enough, in my opinion, and each one more
foolish than the last. And this will be the most foolish of the lot. And
what have YOU got to do with revolutions, you petty and conceited
creature? You and revolutions! You're not big enough, not grateful
enough to do anything real. I give you my energy and my life, and you
want to put me aside as if I was a charwoman. Acknowledge ME first,
before you can be any good." With which she swallowed her coffee and
rose from the table.

He finished too, and got up to carry in the cups and do the few chores
that remained for his share. He always got up in the morning, made the
fire, swept the room, and tidied roughly. Then he brought in coal and
wood, made the breakfast, and did any little out-door job. After
breakfast he helped to wash up, and settled the fire. Then he considered
himself free to his own devices. Harriet could see to the rest.

His devices were not very many. He tried to write, that being his job.
But usually, nowadays, when he tapped his unconscious, he found himself
in a seethe of steady fury, general rage. He didn't hate anybody in
particular, nor even any class or body of men. He loathed politicians,
and the well-bred darling young men of the well-to-do middle classes
made his bile stir. But he didn't fret himself about them specially. The
off-hand self-assertive working people of Australia made him feel
diabolic on their score sometimes. But as a rule the particulars were
not in evidence, all the rocks were submerged, and his bile swirled
diabolically for no particular reason at all. He just felt generally
diabolical, and tried merely to keep enough good sense not to turn his
temper in any particular direction.

"You think that nothing but goodness and virtue and wonderfulness comes
out of you," was one of Harriet's accusations against him. "You don't
know how small and mean and ugly you are to other people."

"Which means I am small and ugly and mean in her eyes," he thought to
himself. "All because of this precious gratitude which I am supposed to
feel towards her, I suppose. Damn her and her gratitude. When she
thwarts me and puts me in a temper I DON'T feel anything but spite. Damn
her impudent gratitude."

But Harriet was not going to be ignored: no, she was not. She was not
going to sink herself to the level of a convenience. She didn't really
want protestations of gratitude or love. They only puzzled her and
confused her. But she wanted him INWARDLY to keep a connection with her.
Silently, he must maintain the flow between him and her, and safeguard
it carefully. It is a thing which a man cannot do with his head: it
isn't REMEMBERING. And it is a thing which a woman cannot explain or
understand, because it is quite irrational. But it is one of the deepest
realities in life. When a man and woman truly come together, when there
is a marriage, then an unconscious, vital connection is established
between them, like a throbbing blood-circuit. A man may forget a woman
entirely with his head, and fling himself with energy and fervour into
whatever job he is tackling, and all is well, all is good, if he does
not break that inner vital connection which is the mystery of marriage.
But let him once get out of unison, out of conjunction, let him inwardly
break loose and come apart, let him fall into that worst of male vices,
the vice of abstraction and mechanisation, and have a concert of working
ALONE and of himself, then he commits the breach. He hurts the woman and
he hurts himself, though neither may know why. The greatest hero that
ever existed was heroic only whilst he kept the throbbing inner union
with something, God, or Fatherland, or woman. The most immediate is
woman, the wife. But the most grovelling wife-worshippers are the
foulest of traitors and renegades to the inner unison. A man must strive
onward, but from the root of marriage, marriage with God, with wife,
with mankind. Like a tree that is rooted, always growing and flowering
away from its root, so is a vitally active man. But let him take some
false direction, and there is torture through the whole organism, roots
and all. The woman suffers blindly from the man's mistaken direction,
and reacts blindly.

Now in this revolution stunt, and his insistence on "male" activity,
Somers had upturned the root flow, and Harriet was a devil to him--quite
rightly--for he knew that inside himself he was devilish. She tried to
keep her kindness and happiness. But no, it was false when the inner
connection was betrayed. So her silent rage accumulated, and it was no
good playing mental tricks of suppression with it. As for him, he was
forced to recognize the devil in his own belly. He just felt devilish.
While Harriet went about trying to be fair and happy, he realised that
it was awful for him to be there, as black inside as an ink-bottle;
however, he practised being nice. Theoretically he was grateful to her,
and all that. But nothing conjured away that bellyful of black
devilishness with which he was enceinte. He really felt like a woman who
is with child by a corrosive fiend. In his lower man, just girning and
demoniacal. No good pretending otherwise. No good playing tricks of
being nice. Seven-thousand devils!

When he saw a motor-car parked in the waste lot next to Coo-ee, and saw
two women in twelve-guinea black coats and skirts hobbling across the
grass to the bungalow farther down, perhaps wanting to hire it: then the
devil came and sat black and naked in his eyes. They hobbled along the
uneven place so commonly, they looked so crassly common in spite of
their tailors' bills, so LOW, in spite of their motor-car, that the
devil in him fairly lashed its tail like a cat. And yet, he knew, they
were probably just two nice, kindly women, as the world goes. And truly,
even the devil in him did not want to do them any PERSONAL harm. If they
had fallen, or got into difficulty, he would have gone out at once to
help them all he could. And yet, at the sight of their backs in their
tailored "costumes" hobbling past the bushes, the devil in him lashed
its tail till he writhed.

So there you are. Or rather, there was Richard Lovat Somers. He tried to
square accounts with himself. Surely, he said to himself, I am not just
merely a sort of human bomb, all black inside, waiting to explode I
don't know when or how or where. That's what I seem like to myself,
nowadays. Yet surely it is not the only truth about me. When I feel at
peace with myself, and, as it were, so quietly at the CENTRE of
things--like last evening, for example--surely that is also me. Harriet
seems fairly to detest me for having this nice feeling all to myself.
Well, it wasn't my fault if I had it. I did have it. What does she want?
She won't leave a fellow alone. I felt fairly beatific last evening--I
felt I could swim Australia into a future, and that Jaz was wonderful,
and I was a sort of central angel. So now I must admit I am
flabbergasted at finding my devil coiled up exultant like a black cat in
my belly this morning, purring all the more loudly because of my
"goodness" of last evening, and lashing his tail so venomously at the
sight of the two women in the black "costumes". Is this devil after all
my god? Do I stand with the debbil-debbil worshippers, in spite of all
my efforts and protestations?

This morning I do, and I admit it. I can't help it: it is so, then let
it be so. I shall change again, I know. I shall feel white again, and
like a pearl, suave and quiet within the oyster of time. I shall feel
again that, given but the ANSWER, the black poisonous bud will burst
into a lovely new, unknown flower in me. The bud is deadly poison: the
flower will be the flower of the tree of life. If Harriet let me alone,
and people like Jaz really believed in me! Because they have a right to
believe in me when I am at my best. Or perhaps he believes in me when I
am my worst, and Kangaroo likes me when I am good. Yet I don't really
like Kangaroo. The devil in me fairly hates him. Him and everybody.
Well, all right then, if I AM finally a sort of human bomb, black
inside, and primed; I hope the hour and the place will come for my going
off: for my exploding with the maximum amount of havoc. SOME men have to
be bombs, to explode and make breaches in the walls that shut life in.
Blind, havoc-working bombs too. Then so be it.

That morning as luck would have it Somers read an article by A. Meston
in an old Sydney Daily Telegraph, headed:




The fact that Australia so far has had no trouble with volcanoes or
earthquakes, and appears to be the most immune country in the world,
accounts for our entire indifference to the whole subject. But here are
phases of this problem entitled to some serious consideration by those
in whom the thinking and observant faculties are not altogether dormant,
and who have not a calm, cool disregard of very ominous inexorable
facts. Australia is a very peaceful reposeful area, with the serious
volcanoes of New Zealand on one side, and the still more serious
volcanoes of Java on the other. We live in a soft flowery meadow between
two jungles, a lion in one and a tiger in the other, but as neither
animal has chased or bitten us, up to the present time, we go calmly to
sleep quite satisfied they are harmless.

Now the line of volcanic action on the east coast of Australia is very
clearly defined, from the basalt of Illawarra, north to the basalt
within three miles of Cape York. The chief areas over all that distance
are the Big Scrub on the Richmond River, the Darling Downs, and the
Atherton Tableland, behind Cairns.

These are the largest basalt areas in Australia, the Darling Downs and
Atherton containing each about 2,000,000 acres of basalt, the one
chiefly black, and the other all red. The other conspicuous areas are
the red basalt Isis and Woongarra scrubs, and north of Atherton the next
basalt area is on the McIvor and Morgan Rivers, 40 miles north of
Cooktown. From there I saw no basalt on the coast of the Peninsula,
until somewhat surprised to find great piles of black basaltic stone,
like artificial quarry heaps, in the dense Seaforthia palm scrubs ten
miles west of Somerset.


Here, then, is a clearly defined but very intermittent line of volcanic
action along our entire east coast for over two thousand miles. Yet
to-day there is not only not one active volcano on the whole of that
area, but not even one clearly authentic dead one. There is nothing to
show whence came the basalt of the Darling Downs, the Big Scrub, or the
Atherton Tableland, unless in the last case the two deep freshwater
lakes, Barrine and Eacham, the Barrang and Zeetcham of the aboriginals,
represent the craters of extinct volcanoes.

Whence, then, came the basalt spread along a narrow line of our east
coast for two thousand miles, and all of it east of the Dividing Range?
There is a lot of room for theories...

When the late Captain Audley Coote was laying the cable from New
Caledonia to Sandy Cape, at the north end of Fraser Island, on the South
Queensland coast, he passed a submerged mountain 6,000 feet in height,
and found a tremendous chasm, so deep that they could find no bottom,
and had to work the cable round the edge. When he reached the coast of
Fraser Island he got the same soundings as Cook and Flinders and the
Admiralty survey in the 'sixties, six to eight fathoms, but there came a
break in the cable in after years, located in that six and eight fathom
area, and they found the broken cable hanging over a submarine precipice
of eight hundred feet.

That I read in Captain Coote's own manuscript journal, and it was
confirmed by Captain John Mackay, the Brisbane harbourmaster, who
assured me that an 800 feet chasm had suddenly formed there in the
bottom of the ocean!

On the coast of Japan, the ocean bottoms sank in one place suddenly from
four or five fathoms to 4,000 feet.

The old Fraser Island aboriginals told me that the deep blue lake, two
miles from the White Cliffs, was once a level plateau, on which their
fathers held fights and corroborees, and that it sank in one night. On
the North Queensland coast, there is fairly shallow water from the
seashore out to the edge of the Barrier, and then the ocean goes down to
depths up to two and three thousand feet, so if the sea were removed you
would look down from the outer Barrier into a tremendous valley with a
wall of granite cliffs.

When the town of Port Royal in Jamaica was destroyed by an earthquake on
June 7, 1692, the houses all disappeared into an ocean chasm 300 feet in
depth; and in the terrible earthquake at Lisbon, 1755, destroying 2,000
houses and 5,000 people, the wharves and piers, and even the vessels
lying beside them, disappeared into some tremendous gulf, leaving no
trace whatever.

It is a singular fact that the heights of the loftiest mountains
correspond with the depths of the deepest seas, and that the 29,000 feet
of Mount Everest is equal with what is known as the "Tuscarora Deep",
fathomed by the U.S.A. vessel Tuscarora.


From the days of Seneca there are records of islands suddenly appearing
before astonished mariners, and others disappearing suddenly before
mariners equally astonished. In the dreadful volcanic explosion of
Krakatoa in August, 1883, one mountain peak was blown to pieces, while
others were thrown up from the ocean. The tidal wave created by Krakatoa
destroyed 40,000 people, and the air wave from the concussion pulsated
three times round the world. And Krakatoa and the Javanese volcanoes are
only a short distance from the coast of Australia!

Doubtless many of the ships that have mysteriously disappeared, leaving
no trace, have gone down in the vortex of a submarine earthquake, or a
chasm created by a sudden shrinkage in the bottom of the ocean. From the
facts above available it is reasonable to believe that the present
continent of Australia is only a portion of the original, and that in
some remote period it extended hundreds or thousands of miles to the
eastward, probably including Lord Howe and Norfolk Islands and New
Zealand, possibly New Caledonia. How came the ancient Cretaceous Ocean,
which once covered all Central Australia, from the gulf to the Bight, to
withdraw from the land, leaving nothing but marine fossils in the desert

Was the Cretaceous Ocean shallow all round this continent, and did it
suddenly subside to fill some tremendous chasm caused by a sudden
submarine shrinkage of the earth's crust, followed by the inland sea
which naturally rushed out into the vacancy?

What seems the only real danger to Australia lies not in the eruptions
of some suddenly created new volcano, or any ordinary earthquake, but in
just such shrinkages in the sea bottom as occurred on the coast of
Japan, off Fraser Island, and many other localities, including Lisbon
and Port Royal.

If such a subsidence were to come under Sydney, Melbourne, Adelaide or
Brisbane, it might be of such a magnitude that the whole city would
disappear into the gulf.

We know nothing whatever of the awful forces at work beneath the crust
of the earth, and nothing of the internal fires, or that awful
subterranean abode where Shelley said "the old earthquake Demon nurses
her young Ruin". The history of volcanoes and earthquakes is an
appalling record of lost countless millions of lives and awful

One Peking earthquake destroyed 300,000 people, one in Naples 70,000,
another at Naples 40,000; and we are not far from July, 1902, when the
volcano of Mount Pelee, in the island of Martinique, wiped out the town
of St. Pierre and 30,000 inhabitants.

Still nearer is that 18th April, 1906, when the San Francisco earthquake
killed over a thousand people, and did damage to the extent of sixty

And so far in Australian history we have not had an earthquake that
would capsize a tumbler of hot punch.


Why hot punch, thought Somers, why not hot bitters or ice-cream soda,
which are much more Austral and to the point? But he had read this
almost thrilling bit of journalism with satisfaction. If the mother
earth herself is so unstable, and upsets the applecart without caring a
straw, why, what can a man say to himself if he DOES happen to have a
devil in his belly!

And he looked at the ocean uneasily moving, and wondered when next it
would thrust an angry shoulder out of the watery bed-covering, to give
things a little jog. Or when his own devil would get a leg up into


When a sincere man marries a wife, he has one or two courses open to
him, which he can pursue with that wife. He can propose to himself to be
(a) the lord and master who is honoured and obeyed, (b) the perfect
lover, (c) the true friend and companion. Of these (a) is now rather out
of date. The lord and master has been proved, by most women quite
satisfactorily, to be no more than a grown-up child, and his arrogance
is to be tolerated just as a little boy's arrogance is tolerated,
because it is rather amusing, and up to a certain point becoming. The
case of (b), the perfect lover, is the crux of all ideal marriage
to-day. But alas, not even the lord and master turns out such a fiasco
as does the perfect lover, ninety-nine times out of a hundred. The
perfect-lover marriage ends usually in a quite ghastly anti-climax,
divorce and horrors and the basest vituperation. Alas for the fact, as
compared with the ideal. A marriage of the perfect-lover type is bound
either to end in catastrophe, or to slide away towards (a) or (c). It
must either revert to a mild form of the lord-and-master marriage, and a
wise woman, who knows the sickeningness of catastrophes and the
ridiculous futility of second shots at the perfect-love paradise, often
wisely pushes the marriage back gradually into one of the little bays or
creeks of this Pacific ocean of marriage, lord-and-masterdom. Not that
either party really believes in the lordship of man. But you've got to
get into still water some time or other. The perfect-love business
inevitably turns out to be a wildly stormy strait, like the Straits of
Magellan, where two fierce and opposing currents meet and there is the
devil of a business trying to keep the bark of marriage, with the flag
of perfect-love at the mast, from dashing on a rock or foundering in the
heavy seas. Two fierce and opposing currents meet in the narrows of
perfect love. They may meet in blue and perfect weather, when the
albatross hovers in the great sky like a permanent benediction, and the
sea shimmers a second heaven. But you needn't wait long. The seas will
soon begin to rise, the ship to roll. And the waters of perfect
love--when once this love is consummated in marriage--become inevitably
a perfect hell of storms and furies.

Then, as I say, the hymeneal bark either founders, or dashes on a rock,
or more wisely gets out of the clash of meeting oceans and takes one
tide or the other, where the flood has things all its own way. The woman
being to-day the captain of the marriage bark, either steers into the
vast Pacific waters of lord-and-masterdom, though never, of course,
hauling down the flag of perfect love; or else, much more frequently
these latter days, she steers into the rather grey Atlantic of true
friendship and companionship, still keeping the flag of perfect love
bravely afloat.

And now the bark is fairly safe. In the great Pacific, the woman can
take the ease and warm repose of her new dependence, but she is usually
laughing up her sleeve. She lets the lord and master manage the ship,
but woe betide him if he seeks to haul down the flag of perfect love.
There is mutiny in a moment. And his chief officers and his crew, namely
his children and his household servants, are up and ready to put him in
irons at once, at a word from that wondrous goddess of the bark, the
wife of his bosom. It is Aphrodite, mistress of the seas, in her grand
capacity of motherhood and attendant wifehood. None the less, with a bit
of managing the hymeneal bark sails on across the great waters into
port. A lord and master is not much more than an upper servant while the
flag of perfect love is flying and the sea-mother is on board. But a
servant with the name of captain, and the pleasant job of sailing the
ship and giving the necessary orders. He feels it is quite all right. He
is supreme servant-in-command, while the mistress of mistresses smiles
as she suckles his children. She is suckling him too.

Nevertheless, this is the course I would recommend young married women
to DRIFT INTO, after the first two years of "perfect love".

They won't often take my advice, I know that. Ha-ha! they will say. We
see through your lord-and-master tricks. Course East-North-East,
helmsman, into the safer and more populous waters of perfect
companionship. If we can't have one thing perfect we'll have another. If
it isn't exactly perfect love, it is perfect companionship, and the two
are pretty nearly one and the same.

For woman, even more than man, when once she gets an idea into her head,
or worse, when once she gets HERSELF into her head, will have nothing
short of perfection. She simply will tolerate nothing short of
perfection. East-north-east then, into the democratic Atlantic of
PERFECT companionship.

Well, they are grey waters, and the perfect companionship usually
resolves, subtly, and always under the perfect love flag, into a very
nearly perfect limited liability company, the bark steering nicely
according to profit and loss, and usually "getting on" fabulously. The
Golden Vanity. If this perfect love flag is a vanity, the
perfect-companionship management is certainly Golden. I would recommend
perfect-companionship to all those married couples who truly and
sincerely want TO GET ON.

Now the good bark Harriet and Lovat had risen from the waves, like
Aphrodite's shell as well as Aphrodite, in the extremest waters of
perfect love. Love and love alone! Wide, wild, lonely waters, with the
great albatross like a sign of the cross, sloping in the immense
heavens. A sea to themselves, the waters of perfect love. And the good
ship Harriet and Lovat, with white sails spread, sailing with never a
master, like the boat of Dionysus, which steered of its own accord
across the waters, in the right direction mark you, to the sound of the
music of the dolphins, while the master of the ship put forth tendrils
of vine and purple bunches of grapes, and the grapes of themselves
dripped vinous down the throats of the true Dionysians. So sailed the
fair ship Harriet and Lovat in the waters of perfect love.

I have not made up my mind whether she was a ship, or a bark, or a
schooner, technically speaking. Let us imagine her as any one of them.
Or perhaps she was a clipper, or a frigate, or a brig. All I insist is
that she was not a steam-boat with a funnel, as most vessels are
nowadays, sailing because they are stoked.

Fair weather and foul alternated. Sometimes the brig Harriet and Lovat
skimmed along the path of the moon like a phantom: sometimes she lay
becalmed, while sharks flicked her bottom: then she drove into the most
awful hurricanes, and spun round in a typhoon: and yet behold her
sailing out through the glowing arch of a rainbow into halcyon waters
again. And so for years, till she began to look rather worn, but always
attractive. Her paint had gone, so her timbers now were sea-silvery. Her
sails were thin, but very white. The mainsail also was slit, and the
stun-sails had been carried away in a blizzard. As for the flag of
perfect love, the flag of the red-and-white rose upon the cross of
thorns, all on a field of azure, it was woefully frayed and faded. The
azure field was nearly tattered away, and the rose was fading into

She had some awful weather, did the poor bark Harriet and Lovat. The
seas opened great jaws to swallow her, the treacherous seas of perfect
love, while cynical rocks gnashed their teeth at her, and unstable
heavens opened chasms of wind on her, and fierce, full-blooded lusty
bull-whales rushed at her and all but burst her timbers. Dazed and
battered, she wandered hither and thither on the seas of perfect love,
that she always had all to herself. Never another sail in sight, never
another ship in hail. Only sometimes the smoke of a steamer skirting the
horizon, making for one of the oceans.

And now the Harriet and Lovat began to feel the pull of the two opposing
currents. It was as if she had a certain homesickness for one or other
of the populous oceans: she was weary of the lone and wasteful waters of
the sea of perfect love. Sometimes she drifted east-north-east towards
the Atlantic of true companionship. And then Lovat, seeing the long
swell of that grey sea, and the funnels of ships like a city suburb, put
the helm hard aport, and turned the ship about, and beat against a
horrible sea and wind till they got into the opposite drift. Then things
went a little easier, till Harriet saw before her the awful void opening
of the other ocean, and the great, dark-blue, dominant swell of the
waters, and the loneliness and the vastness and the feeling of being
overwhelmed. She looked at the mast and saw the flag of perfect love
falling limp, the faded rose of all roses dying at last.

And in a moment when he was asleep, her almost lord-and-master, she
whipped the ship about and steered east-south-east into the heart of the
sea of perfect love, hoping to get into the current east-north-east and
so out into the open Atlantic. Then storms intolerable.

Then they took to cruising the far, lone, desert fringes of the sea of
perfect love, utterly lonely and near the ice, the fringe of the seas of
death. There they cruised, in the remote waters on the edge of
extinction. And then they looked at one another.

"We will be perfect companions: you know how I love you," said Harriet,
of the good ship Harriet and Lovat.

"Never," said Lovat, of the same ship. "I will be lord and master, but
ah, such a wonderful lord and master that it will be your bliss to
belong to me. Look, I have been sewing a new flag."

She didn't even look at the flag.

"You!" she exclaimed. "You a lord and master! Why, don't you know that I
love you as no man ever was loved? You a lord and master! Ph! you look
it! Let me tell you I love you far, far more than ever you ought to be
loved, and you should acknowledge it."

"I would rather," said he, "that you deferred your loving of me for a
while, and considered the new proposition. We shall never sail any
straight course at all, until you realise that I am lord and master, and
you my blissful consort. Supposing, now, you had the real Hermes for a
husband, Trismegistus. Would you not hold your tongue for fear you lost
him, and change from being a lover, and be a worshipper? Well, I am not
Hermes or Dionysus, but I am a little nearer to it than you allow. And I
want you to yield to my mastery and my divination, and let me put my
flag of a phoenix rising from a nest in flames in place of that old rose
on a field azure. The gules are almost faded out,"

"It's a LOVELY design!" she cried, looking at the new flag. "I might
make a cushion-embroidery of it. But as a flag it's absurd. Of course,
you lonely phoenix, you are the bird and the ashes and the flames all by
yourself! You would be. Nobody else enters in at all. I--I am just
nowhere--I don't exist."

"Yes," he said, "you are the nest."

"I'll watch it!" she cried. "Then you shall sleep on thorns, Mister."

"But consider," he said.

"That's what I am doing," she replied. "Mr. Dionysus and Mr. Hermes and
Mr. Thinks-himself-grand. I've got one thing to tell you. Without ME
you'd be nowhere, you'd be nothing, you'd not be THAT," and she snapped
her fingers under his nose, a movement he particularly disliked.

"I agree," he replied, "that without the nest the phoenix would
be--would be up a tree--would be in the air--would be nowhere, and
couldn't find a stable spot to resurrect in. The nest is as the body to
the soul: the cup that holds the fire, and in which the ashes fall to
take form again. The cup is the container and the sustainer."

"Yes, I've done enough containing and sustaining of you, my gentleman,
in the years I've known you. It's almost time you left off wanting so
much mothering. You can't live a moment without me."

"I admit that the phoenix without a nest is a bird absolutely without a
perch, he must dissipate in the air. But--."

"Then I'll make a cushion-cover of your flag, and you can rest on that."

"No, I'm going to haul down the flag of perfect love."

"Oh, are you! And sail without a flag? Just like you, destroy, destroy,
and nothing to put in its place."

"Yes, I want to put in its place this crowned phoenix rising from the
nest in flames. I want to set fire to our bark, Harriet and Lovat, and
out of the ashes construct the frigate, Hermes, which name still
contains the same reference, 'her' and 'me', but which has a higher
total significance."

She looked at him speechless for some time. Then she merely said:

"You're mad," and left him with his flag in his hands.

Nevertheless he was a determined little devil, as she knew to her cost,
and once he'd got an idea into his head not heaven nor hell nor Harriet
would ever batter it out. And now he'd got into his head this idea of
being lord and master, and Harriet's acknowledging him as such. Not just
verbally. No. Not under the flag of perfect love. No. Obstinate and
devilish as he was, he wanted to haul down the flag of perfect love, to
set fire to the bark Harriet and Lovat, to seat himself in glory on the
ashes, like a resurrected phoenix, with an imaginary crown on his head.
And she was to be a comfortable nest for his impertinence.

In short, he was to be the lord and master, and she the humble slave.
Thank you. Or at the very best, she was to be a sort of domestic Mrs.
Gladstone, the Mrs. Gladstone of that old chestnut--who, when a female
friend was lamenting over the terrible state of affairs, in Ireland or
somewhere, and winding up her lament with: "Terrible, terrible. But
there is One above"--replied: "Yes, he's just changing his socks. He'll
be down in a minute." Mr. Lovat was to be the One above, and she was to
be happy downstairs thinking that this lord, this master, this Hermes
cum Dionysus wonder, was comfortably changing his socks. Thank you
again. The man was mad.

Yet he stuck to his guns. She was to submit to the mystic man and male
in him, with reverence, and even a little awe, like a woman before the
altar of the great Hermes. She might remember that he WAS only human,
that he had to change his socks if he got his feet wet, and that he
would make a fool of himself nine times out of ten. But--and the but was
emphatic as a thunderbolt--there was in him also the mystery and
lordship of--of Hermes, if you like--but the mystery and the lordship of
the forward-seeking male. That she must emphatically realise and bow
down to. Yes, bow down to. You can't have two masters of one ship:
neither can you have a ship without a master. The Harriet and Lovat had
been an experiment of ten years' endurance. Now she was to be broken up,
or burnt, so he said, and the non-existent Hermes was to take her place.

You can't have two masters to one ship. And if it IS a ship: that is, if
it has a voyage to sail, a port to make, even a far direction to take,
into the unknown, then a master it must have. Harriet said it wasn't a
ship, it was a houseboat, and they could lie so perfectly here by the
Pacific for the rest of time--or be towed away to some other lovely spot
to house in. She could imagine no fairer existence. It was a houseboat.

But he with his no, no, he almost drove her mad. The bark of their
marriage was a ship that must sail into uncharted seas, and he must be
the master, and she must be the crew, sworn on. She was to believe in
his adventure and deliver herself over to it; she was to believe in his
mystic vision of a land beyond this charted world, where new life rose

And she just couldn't. His land beyond the land men knew, where men were
more than they are now: she couldn't believe in it. "Then believe in
ME," he said desperately. "I know you too well," she replied. And so, it
was an impasse.

Him, a lord and master! Why, he was not really lord of his own bread and
butter; next year they might both be starving. And he was not even
master of himself, with his ungovernable furies and his uncritical
intimacies with people: even people like Jack Callcott, whom Harriet
quite liked, but whom she would never have taken seriously. Yet there
was Lovat pouring himself out to him. Pah--believe! How could one
believe in such a man! If he had been naturally a master of men, general
of an army, or manager of some great steel works, with thousands of men
under him--then, yes, she could have acknowledged the MASTER part of the
bargain, if not the lord. Whereas, as it was, he was the most forlorn
and isolated creature in the world, without even a dog to his command.
He was so isolated he was hardly a man at all, among men. He had
absolutely nothing but her. Among men he was like some unbelievable
creature--an emu, for example. Like an emu in the streets or in a
railway carriage. He might well say phoenix.

All he could do was to try and come it over her with this revolution
rubbish and a stunt of "male" activity. If it were even real!

He had nothing but her, absolutely. And that was why, presumably, he
wanted to establish this ascendancy over her, assume this arrogance. And
so that he could refute her, deny her, and imagine himself a unique
male. He WANTED to be male and unique, like a freak of a phoenix. And
then go prancing off into connections with men like Jack Callcott and
Kangaroo, and saving the world. She could NOT stand these
world-saviours. And she, she must be safely there, as a nest for him,
when he came home with his feathers pecked. That was it. So that he
could imagine himself absolutely and arrogantly It, he would turn her
into a nest, and sit on her and overlook her, like the one and only
phoenix in the desert of the world, gurgling hymns of salvation.

Poor Harriet! No wonder she resented it. Such a man, such a man to be
tied to and tortured by!

And poor Richard! To be a man, and to have a man's uneasy soul for his

But he kicked against the pricks. He did not yet submit to the fact
which he HALF knew: that before mankind would accept any man for a king,
and before Harriet would ever accept him, Richard Lovat, as a lord and
master, he, the selfsame Richard who was so strong on kingship, must
open the doors of his soul and let in a dark Lord and Master for
himself, the dark god he had sensed outside the door. Let him once truly
submit to the dark majesty, break open his doors to this fearful god who
is master, and enters us from below, the lower doors; let himself once
admit a Master, the unspeakable god: and the rest would happen.

The fire began to burn the stick,
The stick began to beat the dog.
The dog began to bite the pig.
The pig began to go over the bridge,
And so the old woman got home that night...


They had another ferocious battle, Somers and Harriet; they stood
opposite to one another in such fury one against the other that they
nearly annihilated one another. He couldn't stay near her, so started
walking off into the country. It was winter, but sunny, and hot walking.
He climbed steadily up and up the highroad between the dense, damp
jungle that grew at the base and up the steep rise of the tor-face,
which he wanted to get to the top of. Strange birds made weird, metallic
noises. Tree-ferns rose on their notchy little trunks, and great mosses
tangled in with more ordinary bushes. Overhead rose the gum-trees,
sometimes with great stark, dead limbs thrown up, sometimes hands over
like pine-trees.

He sweated up the steep road till at last he came to the top. There, on
the farther side, the dip slope, the hills sank and ran in spurs, all
fairly densely wooded, but not like the scarp slope up which he had
toiled. The scarp slope was jungle, impenetrable, with tree-ferns and
bunchy cabbage-palms and mosses like bushes, a thick matted undergrowth
beneath the boles of the trees. But the dip slope was bush: gum trees
rather scattered, and a low undergrowth like heath. The same lonely,
unbreakable silence and loneliness that seemed to him the real bush.
Curiously unapproachable to him. The mystery of the bush seems to recede
from you as you advance, and then it is behind you if you look round.
Lonely, and weird, and hoary.

He went on till he could look over the tor's edge at the land below.
There was the scalloped sea-shore, for miles, and the strip of flat
coast-land, sometimes a mile wide, sprinkled as far as the eye could
reach with the pale-grey zinc roofs of the bungalows: all scattered like
crystals in the loose cells of the dark tree-tissue of the shore. It was
suggestive of Japanese landscape, dark trees and little, single,
scattered toy houses. Then the bays of the shore, the coal-jetty, far
off rocks down the coast, and long white lines of breakers.

But he was looking mostly straight below him, at the massed foliage of
the cliff-slope. Down into the centre of the great, dull-green whorls of
the tree-ferns, and on to the shaggy mops of the cabbage palms. In one
place a long fall of creeper was yellowish with damp flowers. Gum-trees
came up in tufts. The previous world!--the world of the coal age. The
lonely, lonely world that had waited, it seemed, since the coal age.
These ancient flat-topped tree-ferns, these towsled palms like mops.
What was the good of trying to be an alert conscious man here? You
couldn't. Drift, drift into a sort of obscurity, backwards into a
nameless past, hoary as the country is hoary. Strange old feelings wake
in the soul: old, non-human feelings. And an old, old indifference, like
a torpor, invades the spirit. An old, saurian torpor. Who wins? There
was the land sprinkled with dwellings as with granulated sugar. There
was a black smoke of steamers on the high pale sea, and a whiteness of
steam from a colliery among the dull trees. Was the land awake? Would
the people waken this ancient land, or would the land put them to sleep,
drift them back into the semi-consciousness of the world of the

Somers felt the torpor coming over him. He hung there on the parapet
looking down, and he didn't care. How profoundly, darkly he didn't care.
There are no problems for the soul in its darkened, wide-eyed torpor.
Neither Harriet nor Kangaroo nor Jaz, nor even the world. Worlds come,
and worlds go: even worlds. And when the old, old influence of the
fern-world comes over a man, how can he care? He breathes the fern seed
and drifts back, becomes darkly half vegetable, devoid of
preoccupations. Even the never-slumbering urge of sex sinks down into
something darker, more monotonous, incapable of caring: like sex in
trees. The dark world before conscious responsibility was born.

A queer bird sat hunched on a bough a few yards away, just below; a bird
like a bunch of old rag, with a small rag of a dark tail, and a fluffy
pale top like an owl, and a sort of frill round his neck. He had a long,
sharp, dangerous beak. But he too was sunk in unutterable apathy. A
kukooburra! Some instinct made him know that Somers was watching, so he
just shuffled round on the bough and sat with his back to the man, and
became utterly oblivious. Somers watched and wondered. Then he whistled.
No change. Then he clapped his hands. The bird looked over its shoulder
in surprise. What! it seemed to say. Is there somebody alive? Is that a
live somebody? It had quite a handsome face, with the exquisite long,
dagger beak.

It slowly took Somers in. Then he clapped again. Making an effort the
bird spread quite big wings and whirred in a queer, flickering flight to
a bough a dozen yards farther off. And there it clotted again.

Ah well, thought Somers, life is so big, and has such huge ante-worlds
of grey twilight. How can one care about anything in particular!

He went home again, and had forgotten the quarrel and forgotten marriage
or revolutions or anything: drifted away into the grey pre-world where
men didn't have emotions. Where men didn't have emotions and personal
consciousness, but were shadowy like trees, and on the whole silent,
with numb brains and slow limbs and a great indifference.

But Harriet was waiting for him rather wistful, and loving him rather
quiveringly. And yet even in the quiver of her passion was some of this
indifference, this twilight indifference of the fern-world.

Jack and Victoria came for the week-end, and Somers and Callcott met in
a much nearer sympathy than they had ever known before. Victoria was
always thrilled and fascinated by both the Somers: they had an
inexhaustible fascination for her, the tones of their voices, their
manner, their way with each other. She could not understand the strange
sureness they had in themselves, the sureness of what they were saying
or going to say, the sureness of what they were feeling. For herself,
her words fluttered out of her without her direct control, and her
feelings fluttered in her the same. She was one perpetually agitated
dovecot of words and emotions, always trying consciously to find HERSELF
amid the whirl, and never quite succeeding. She thought someone might
TELL her. Whereas the Somers had an unconscious sureness, something that
seemed really royal to her. But she had in the last issue the twilight
indifference of the fern-world. Only she still quivered for the light.

Poor Victoria! She clung to Jack's arm vibrating, always needing to
vibrate outwards. And he seemed to become more Australian and apathetic
every week. The great indifference, the darkness of the fern-world, upon
his mind. Then spurts of energy, spurts of sudden violent desire, spurts
of gambling excitement. But the mind in a kind of twilight sleep.

He made no more appeals. He was just static, and quite gentle. Even at
table he was half oblivious of the presence of the other people. Then
Victoria would poke him with her elbow, poke him hard, into
consciousness, and bring back the lively Jack that the Somers had first
known. Strange that the torpor had come on him so completely of late.
Yet there was a queer light in his eyes, as if he might do something
dangerous. And when he was once talking, he was perfectly logical and
showed surprising calm common-sense. When he was discussing or
criticising, he seemed so unusually sane as to be peculiar. Like a man
in his sleep.

Just outside the station was the football field, and Mullumbimby was
playing Wollondindy, Mullumbimby in royal blue, and Wollondindy in
rather faded red. Along the roadside buggies and motor-cars were pulled
up, the ponies were taken out of harness and left to feed on the
roadside grass. Two riders sat on horseback to survey the scene. And
under the flowering coral-trees, with their sharp red cockatoo flowers,
stood men in their best clothes smoking pipes, or men in their best
clothes squatting on the fence, and lasses mingling in or strolling past
in white silk stockinette frocks, or pink crepe de chine, or muslin.
Just like prostitutes, arm in arm, strolled the lasses, airing
themselves and their pronounced hips. And the men apathetically took no
notice, but watched the field.

This scene was too much for Jack Callcott. Somers or no Somers, he must
be there. So there he stood, in his best clothes and a cream velour hat
and a short pipe, staring with his long, naked, Australian face,
impassive. On the field the blues and the reds darted madly about, like
strange bird-creatures rather than men. They were mostly blond, with
hefty legs, and with prominent round buttocks that worked madly inside
the little white cotton shorts. And Jack, with his dark eyes, watched as
if it was Doomsday. Occasionally the tail-end of a smile would cross his
face, occasionally he would take his pipe-stem from his mouth and give a
bright look into vacancy and say, "See that!" Heaven knows what it was
that he saw. The game, the skill? Yes. But more, the motion, the wild
combative motion. And most of all, fate. Fate had a fascination for him.
It was the only real point of curiosity left in him: how would chance
work things out. Chance! Now then, how would chance settle it? Even the
football field, with its wildly scurrying blues and bits of red, was
only a frenzied shuffling of fate, with men for the instruments. The
living instruments of fate! And how would it work out, how would it work
out? He could have stood there, static, with his little pipe, till
Doomsday, waiting for fate to settle it. The wild scurrying motion, and
the jumps in the air, of course made his heart beat faster. Towards the
close one of the chaps got a kick on the jaw, and was knocked out. They
couldn't finish the game. Hard lines.

Jack was a queer sight to Somers, when he was in this brightly vacant
mood, not a man at all, but a chance thing, gazing spellbound on the
evolutions of chance. And in this state, this very Australian state, you
could hardly get a word out of him. Or, when he broke into a little
volley of speech, you listened with wonder to the noise of it, as if a
weird animal had suddenly given voice.

The indifference, the marvellous, bed-rock indifference. Not the static
fatalism of the east. But an indifference based on real recklessness, an
indifference with a deep flow of loose energy beneath it, ready to break
out like a geyser. Ready to break into a kind of frenzy, a berserk
frenzy, running amok in wild generosity, or still more wild smashing up.
The wild joy in letting loose, in a smash-up. But will he ever let
loose? Or will the static patience settle deeper, and the fern-twilight
altogether envelop him. The slow transmutation! What does to-day matter,
or this country? Time is so huge, and in Australia the next step back is
to the fern age.

The township looked its queerest as dusk fell. Then the odd electric
lights shone at rather wide intervals, the wide, unmade roads of rutted
earth seemed to belong again to the wild, in the semi-dark, and the low
bungalows with the doors open and the light showing seemed like shacks
in the wilderness, a settlement in the fierce gloom of the wilderness.
Then youths dashed fiercely on horseback down the soft roads, standing
in the stirrups and crouching over the neck of the thin, queer brown
racehorses that sprinted along like ghosts. And the young baker, in
emulation, dashed through the village on his creamy pony. A collier who
had been staying somewhere cantered stiffly away into the dark on a pony
like a rocking horse. Young maidens in cotton dresses stood at the
little rail gates of their bungalow homes talking to young men in a
buggy, or to a young man on foot, or to the last tradesman's cart, or to
youths who were strolling past. It was evening, and the intense dusk of
the far-off land, and white folks peering out of the dusk almost like
aborigines. The far-off land, just as far-off when you are in it: nay,
then furthest off.

The evening came very dark, with lightning playing pallid in the
south-east, over the sea. There was nothing to be done with Jack but to
play draughts with him. He wasn't in a real sporting mood, so he let
himself be beaten even at draughts. When he was in a sporting mood he
could cast a spell of confusion over Somers, and win every time, with a
sort of gloating. But when he wasn't in a sporting mood he would shove
up his men recklessly and lose them. He didn't care. He just leaned back
and stretched himself in that intense physical way which Somers thought
just a trifle less than human. The man was all body: a strong body full
of energy like a machine that has got steam up, but is inactive. He had
no mind, no spirit, no soul: just a tense, inactive body, and an eye
rather glazed and a trifle bloodshot. The old psyche slowly

Meanwhile Victoria in a trill of nervous excitement and exaltation was
talking Europe with Harriet. Victoria was just the opposite of Jack: she
was all a quiver of excited consciousness, to know, to see, to realise.
She would almost have done anything, to be able to LOOK at life, look at
the inside of it, see it in its intimacy. She had had wild ideas of
being a stewardess on a boat, a chambermaid in an hotel, a waitress in a
good restaurant, a hospital nurse--anything, so that she could SEE
intimacies, touch the private mysteries. To travel seemed to her the
great desirable: to go to Europe and India, and SEE it all. She loved
Australia, loved it far more quiveringly and excitedly than he. But it
wasn't Australia that fascinated her: it was the secret intimacies of
life, and what OTHER FOLKS FELT. That strange and aboriginal
indifference that was bottommost in him seemed like a dynamo in her. She
fluttered in the air like a loose live nerve, a nerve of the sympathetic
system. She was all sympathetic drive: and he was nearly all check. He
sat there apathetic, nothing but body and solid, steady, physical
indifference. He did not oppose her at all, or go counter to her. He was
just the heavy opposite pole of her energy. And of course she belonged
to him as one pole belongs to the other pole in a circuit.

And he, he would stretch his body continuously, but he would not go to
bed, though Somers suggested it. No, there he sat. So Somers joined in
the more exciting conversation of the women, and Jack sat solidly there.
Whether he listened or whether he didn't, who knows? The aboriginal
SYMPATHETIC apathy was upon him, he was like some creature that has lost
its soul, and simply stares.

The morning was one of the loveliest Australian mornings, perfectly
golden, all the air pure gold, the great gold effulgence to seaward, and
the pure, cold pale-blue inland, over the dark range. The wind was
blowing from inland, the sea was quiet as a purring cat with white paws,
becoming darkish green-blue flecked with innumerable white flecks like
rain-spots splashing the surface of a pool. The horizon was a clear and
hard and dark sea against an almost white sky, but from far behind the
horizon showed the mirage-magic tops of hazed, gold-white clouds, that
seemed as if they indicated the far Pacific isles.

Though it was cold, Jack was sauntering about in his shirtsleeves with
his waistcoat open and his hands in his pockets: rather to the vexation
of Victoria. "Pull yourself together, Jack dear, do. Put your collar and
tie on," she coaxed, fondling him.

"In a minute," he said.

The indifference--the fern-dark indifference of this remote golden
Australia. Not to care--from the bottom of one's soul, not to care.
Overpowered in the twilight of fern-odour. Just to keep enough grip to
run the machinery of the day: and beyond that, to let yourself drift,
not to think or strain or make any effort to consciousness whatsoever.
That was Jack, sauntering down there in his shirt-sleeves, with his
waistcoat open showing his white shirt, his strong neck bare: sauntering
with his hands in his pockets beside Somers, at the water's edge. Somers
wore a dark flannel jacket, and his necktie hung dark and broke the
intimacy of the white shirt-breast.

The two women stood on the cliff, the low, bushy cliff, looking down.
Harriet was in a plain dress of dark-coloured purplish-and-brown
hand-woven stuff of cotton and silk mixture, with old silver lace round
the collar; Victoria in a pale-green knitted dress. So they stood in the
morning light, watching the men on the fawn-coloured sand by the
sea-fringe, waiting to wave when they looked up.

Jack looked up first. The two women coo-eed and waved. He took his pipe
from his mouth and held it high in his hand, in answer. A strange
signal. The pale-green wisp of Victoria in the sky was part of his
landscape. But the darker figure of Harriet had for some reason a menace
to him, up there. He suddenly felt as if he were down below: he suddenly
realised a need to bethink himself. He turned to Somers, looking down
and saying in his peculiar Australian tone:

"Well, I suppose we'd better be going up."

The curious note of obedience in the manly twang!

Victoria made him put on coat and collar and tie for breakfast.

"Yes, dear, come on. I'll tie your tie for you."

"I suppose a man was born to give in," said he, with laconic good humour
and obstinacy. But he was a little uneasy. He realised the need to
gather himself together.

"You get like the rest of them," Victoria scolded him in a coaxing tone.
"You used to be so smart. And you promised me you'd never go slack like
they all are. Didn't you, you bad boy?"

"I forget," said he. But nevertheless the constraint of breakfast pulled
him up. Because Harriet REALLY disapproved, and he didn't know what was
inside that rose-and-brown-purple cloud of her. The ancient judgment of
the Old World. So he gathered himself somewhat together. But he was so
far, fern-lost, from the old world.

"My God!" thought Somers. "These are the men Kangaroo wants to build up
a new state with."

After breakfast Somers got Jack to talk about Kangaroo and his plans. He
heard again all about the Diggers' Clubs: nearly all soldiers and
sailors who had been in the war, but not restricted to these. They had
started like any other social club: games, athletics, lectures,
readings, discussions, debates. No gambling, no drink, no class or party
distinction. The clubs were still chiefly athletics, but not SPORTING.
They went in for boxing, wrestling, fencing, and knife-throwing, and
revolver practice. But they had swimming and rowing squads, and
rifle-ranges for rifle practice, and they had regular military training.
The colonel who planned out the military training was a clever chap. The
men were grouped in little squads of twenty, each with sergeant and
corporal. Each of these twenty was trained to act like a scout,
independently, though the squad worked in absolute unison among
themselves, and were pledged to absolute obedience of higher commands.
These commands, however, left most of the devising and method of
execution of the job in hand to the squad itself. In New South Wales the
Maggies, as these private squads were called, numbered already about
fourteen hundred, all perfectly trained and equipped. They had a
distinctive badge of their own: a white, broad-brimmed felt hat, like
the ordinary khaki military hat, but white, and with a tuft of white
feathers. "Because," said Ennis, the colonel, "we're the only ones that
can afford to show the white feather."

These Maggies, probably from Magpies, because Colonel Ennis used to wear
white riding-breeches and black gaiters, and a black jacket and a white
stock, with his white hat--were the core and heart of the Digger
Movement. But Kangaroo had slaved at the other half of the business, the
mental side. He DID want his men to grip on to the problem of the future
of Australia. He had insisted on attendance at debates and discussions:
Australia and the World, Australia and the Future, White Australia,
Australia and the Reds, Class Feeling in Australia, Politics and
Australia, Australians and Work, What is Democracy? What is an
Australian? What do our Politicians do for Australia? What our State
Parliament does for us, What our Federal Parliament does for us, What
side of the Australian does Parliament represent? Is Parliament
necessary to Democracy? What is wrong with Soviet rule? Do we want a
Statesman, or do we want a Leader? What kind of Leader do we want? What
aim have we in view? Are we Australians? Are we Democratic? Do we
believe in Ourselves?

So the debates had been going on, for a year and a half now. These
debates were for club members only. And each club numbered only fifty
members. Every member was asked to take part in the debates, and a
memorandum was kept of each meeting. Then there were monthly united
gatherings, of five or six or more clubs together. And occasionally a
mass-meeting, at which Kangaroo spoke.

All this went on in the open, and roused some comment in the press: at
first a great deal of praise, later some suspicion and considerable
antagonism, both from Conservatives and Labour. Ben Cooley was supposed
to be working himself in as a future Prime Minister, with a party behind
him that would make him absolute, a Dictator. As soon as one paper came
out with this alarm, an opponent sneered and pooh-poohed, and spoke of
the Reds lounging about, a fearful menace, in Sydney, and recalled the
Reigns of Terror in Paris and in Petrograd. Was another Reign of Terror
preparing for Sydney? Was a bloodthirsty Robespierre or a ruthless Lenin
awaiting his moment? Would responsible citizens be lynched in Martin
Place, and dauntless citizenesses thrown into the harbour, when the
fatal hour struck? Whereupon a loud burst from the press: were we to be
alarmed by the knock-kneed, loutish socialist gang that hung round
Canberra House? These gentry could hardly kill the vermin in their own
clothing, not to speak of lynching in Martin Place. Whereas the Maggies
were a set of efficient, well-armed, and no doubt unscrupulous tools of
still more designing and unscrupulous masters. If we had to choose
between Napoleon, in the shape of Ben Cooley, or Lenin, in the
lack-of-shape of Willie Struthers, we should be hard put to it to know
which was worse. Whereupon a fierce blast about our returned heroes and
the white-livered skulkers who had got themselves soft jobs as
coast-watchers, watching that the sharks didn't nibble the rocks, and
now dared lift their dishonourable croaks against the revered name of
Digger. And a ferocious rush-in from Labour, which didn't see much
Napoleon in Ben Cooley, except his belly and the knack of filling his
pockets. Napoleon, though but a Dago and not a Jew, had filled one of
the longest pockets Europe had ever emptied herself into, so where would
poor little Australia be when the sham Kangaroo, with the help of the
Magpies, which were indeed strictly Butcher Birds, started to coin her
into shekels?

Then the boom died down, but the Digger Clubs had grown immensely on the
strength of it. There were now more than a hundred clubs in New South
Wales, and nearly as many in Victoria. The chief in Victoria was a smart
chap, a mining expert. They called him the Emu, to match Kangaroo on the
Australian coat of arms. He would be the Trotsky to the new Lenin, for
he was a born handler of men. He had been a lieutenant-colonel in the
war, a very smart soldier, and there had been a great cry to keep him
on, for the Defence Force. But he had got the shove from Government, so
he cleared out and went back to his mining.

But every club had its own committee, and this committee was composed of
five or six of the best, surest members, sworn in to secrecy and to
absolute obedience to any decision. Each club committee handled every
question of development, and the master and the teller went to
section-meetings. A section consisted of ten clubs. A decision at a
section meeting was carried to the state meeting, where the chief of the
state always had the ruling vote. Once a decision was passed, it became
a law for all members, embodied in the person of the chief, and
interpreted by him unquestioned save by his lieutenant, the chief of all
the secretaries, or tellers.

The public members of the clubs were initiated into no secrets. The most
important questions were discussed only among the chiefs. More general
secrets were debated at the section meetings. That is, the great bulk of
the members gave only their allegiance and their spirit of sympathy. The
masters and chiefs carefully watched the response to all propositions at
all open discussions. They carefully fostered the feeling they wished
for, or which they were instructed to encourage. When the right feeling
was arrived at, presumably, then the secret members started the
discussion of propositions proposed from above. A secret member was
allowed to make a proposition also, and the list was read over at the
section meetings. But the Jack, the chief of the tellers, had right of
absolute veto.

Somers could not get it very clear, from Jack Callcott's description.
But it seemed to him as if all the principal ideas originated with the
chief, went round the circuit of the clubs, disguised as general topics
for debate, and returned as confirmed principles, via the section
meetings and the state meetings. All the debates had been a slow,
deliberate crystallising of a few dominant ideas in all the members. In
the actual putting into practice of any principle, the chief was an
autocrat, though he might, if he chose, send his propositions through
the section meetings and the state meetings for criticism and amendment.

"What I feel," said Somers to Jack, "is that the bulk of you just don't
care what the chief does, so long as he does something."

"Oh, we don't lose our sleep at nights. If he likes to be the boss, let
him do the thinking. We know he's our man, and so we'll follow him. We
can't all be Peter and Paul and know all about it."

"You just feel he's your man?"

"Oh, we do."

"But supposing you go in and win--and he is the boss of Australia. Shall
you still leave things to him?"

Jack thought lazily for a time.

"I should think so," he replied, with a queer, mistrustful tone.

And Somers felt again so distinctly they were doing it all just in order
to have something to do, to put a spoke in the wheel of the present
bosses, to make a change. Just temporary. There would be a change, and
that was what they wanted. There was all the time the excitement. Damn
the consequences.

"You don't think it would be as well to HAVE a Soviet and Willie

"No, I don't," said Jack, in a thin, sharp voice. "I don't want to be
bullied by any damned Red International Labour. I don't want to be
kissing and hugging a lot of foreign labour tripe: niggers and what the
hell. I'd rather have the British Empire ten thousand times over, and
that bed's a bit too wide, and too many in it for me. I don't like
sleeping with a lot of neighbours. But when it comes to going to bed
with a crowd of niggers and dagoes, in an International Labour Combine,
with a pair of red sheets so that the dirt won't show, I'm absolutely
sure I won't have it. That's why I like Kangaroo. We shall be just cosy
and Australian with a boss like a father who gets up first in the
morning, and locks up at night before you go to bed."

"And who will stop in the Empire?"

"Oh, I suppose so. But he won't be asking even the British to go to bed
with him. He knows the difference between Australia and the rest of the
Empire, The Empire's like a lot of lock-up shops that you do your trade
in. But I know Kangaroo well enough to know he's not mixing his family
in. He'll keep Australia close and cosy. That's what I want. And that's
what we all want, when we're in our senses and aren't bitten into spots
by the Red International bug."

Somers then mentioned Jaz's proposition, of a red revolution first.

"I know," said Jack. "It may be so. He's one of your sly, crawling
devils, Jaz is, and that seems to be the road nowadays. I wouldn't mind
egging the Reds in, and then slapping them clean out into nowhere. I
wouldn't mind at all. But I'm bound to follow Kangaroo's orders, so I'm
not bothering my chump over Jaz's boodle."

"You don't care which way it happens?"

Jack looked at him sideways, like the funny bird.

"No," he said, with an Australian drawl. "So long as it does happen. I
don't like things as they are, and I don't feel safe about them. I don't
mean I want to feel safe as if nothing would ever happen. There's some
sorts of sport and risk that you enjoy, and there's others you hate the
thought of. Now I hate the thought of being bossed and messed about by
the Old Country, or by Jew capitalists and bankers, or by a lot of
labour bullies, or a Soviet. There's no fun in that sort of sport, to
me, unless you can jolly well wipe the bleeders out afterwards. And I
don't altogether want the mills of the British Empire to go grinding
slowly on, and yourself compelled to do nothing but grind slowly with
'em. It's too much of a sameness altogether, and not as much sport as a
tin Lizzie. We're too much mixed up with other folk's business, what's
absolutely no fun for us. No, what I want is a cosy, lively little
Australia away from all this blooming world-boost. I've no use for a lot
of people across a lot of miles of sea nudging me while I handle my
knife and fork. Leave us Australians to ourselves, we shall manage."

They were interrupted by Harriet calling for Somers to come and rescue
the tea-towel from the horns of a cow who had calmly scrambled through
the fence on to their grass. Somers was used to the cow: she had
scrambled through the Coo-ee fence long before the Somers had ever
walked through the gate, so she looked on them as mild intruders. He was
quite friendly with her, she ate the pumpkin rind and apple parings from
his hand. Now she looked at him half guiltily out of one eye, the
kitchen towel hanging over the other eye. She took it quite calmly, but
had a disreputable appearance.

"Come here," said he. "Come here and have it taken off. Of course you
had to poke your head into the bush if you thought there was a towel on

She came mildly up and held her head while he disentangled the towel
from her horns. Then she went calmly on, snuffing at the short, bitten
grass for another mouthful, and twitching leaves off the stunted bushes.

So they were, the cows, so unafraid. In Cornwall, Harriet said, the cows
had always sniffed in when she came near, and then breathed out heavily,
nnh! nnh! as if they did not like the smell of human beings, breathing
out against her, and backing. And that had scared her. But these cows
didn't do that. They seemed so calm. They fed over all the bush, the
unoccupied grassy lots above the sea, among the unbuilt streets. And
they pushed in among the trees and bushes where the creek came in. And
then at dusk a boy would come on a cream-coloured pony riding round and
driving them in, scaring a sort of crane or heron bird from the still
waters of the marshy creek-edge. Then the cows walked or trotted
placidly home: so unconcerned. And the bird with the great, arched grey
wings flapped in a low circle round, then settled again a yard or two
from where she was before.

So unconcerned. Somers had noticed a pair of fishing birds by the creek,
queer objects nearly as big as ducks, perched at the extremity of a dead
gum-tree, above the water. They flew away at his coming, but while he
stood looking, they circled with their longish necks stretched out and
their wings sharply flicking in the high air, then one returned and sat
again on the tree, and the other perched on another dead tree. The near
one looked sideways at him.

"Yes, I'm here," said he aloud.

Whereupon she did the inevitable, turned her back on him and he no
longer existed for her. These ostriches needed no sand. She so far
forgot him as to turn sideways to him again, so he had her in profile,
clutched grey like an old knot at the tip of the stark, dead grey tree.
And there she performed queer corkscrew exercises with her neck in the
air. Whether it was she was getting down a last fishbone in her gizzard,
or whether she was merely asserting herself in the upper air, he could
not tell.

"What a fool you look," he said aloud to her.

Then away the birds rose. And he saw a seedy, elderly man in black, in a
long-skirted black coat like a cast-off Methodist parson, spying at him
furtively from behind the bushes on the other side of the creek. This
parson-looking weed carried a gun, and was shooting heaven knows what.
He thought Richard Lovat a very suspicious bird, and Richard Lovat
thought him the last word in human weeds. So our young man turned away
to the sands, where the afternoon sea had gone a very dark blue. Another
human weed with a very thin neck and a very red face sat on the sand
ridge up which the foam-edge swished, his feet wide apart, facing the
ocean, and tending a line which he had in some way managed to cast out
into the low surf. An urchin, barefoot, was pottering round in silence,
like a sandpiper. The elderly one made unintelligible noises as Somers
approached. The latter realised it meant he was not to catch with his
foot the line, which reached out behind the thin fisherman, covered with
sand. So he stepped over it. The brown, barefoot urchin pottered round
unheeding. He did not even look up when the elder made more
unintelligible sounds to him.

My father is a fisherman,
Oh a fisherman! Yes a fisherman!
He catches all the fish-e-can.

Mondays, Wednesdays, and Saturdays were the library nights. When you had
crossed the iron foot-bridge over the railway, you came to a big wooden
building with a corrugated iron roof, standing forlorn at an unmade
corner, like the fag-end of the village. But the village was an
agglomeration of fag ends. This building might have been a temporary
chapel, as you came at it from the back. But in front it was labelled
"Pictoria", so it was the cinema. But there was also a black board with
gilt letters, like a chapel notice-board, which said "School of Arts
Library". And the Pictoria had a sort of little wing, all wood, like a
little school-room. And in one section of this wing was the School of
Arts Library, which the Somers had joined. Four rows of novels: the top
row a hundred or more thin books, all Nat Gould or Zane Grey. The young
women came for Zane Grey. "Oh, 'The Maid of Mudgee' is a lovely thing,
lovely"--a young woman was pronouncing from the top of the broken chair
which served as stool to give access to this top row. "Y'aven' got a new
Zaine Greye, have yer?" She spoke in these tones of unmitigated intimacy
to the white-moustached librarian. One would have thought he was her
dear old dad. Then came a young railway man who had heard there was a
new Nat Gould.

"But," said Somers, as he and Harriet went off with a Mary E. Mann and a
George A. Birmingham, "I don't wonder they can't read English books, or
only want Nat Gould. All the scruples and the emotions and the regrets
in English novels do seem waste of time out here."

"I suppose," said Harriet, "if you don't have any inside life of your
own it must seem a waste of time. But look at it--look!"

The object she bade him look at was a bone of contention between them.
She wanted to give five pounds to have four posts and an iron chain put
round it, and perhaps a bit of grass sowed inside the enclosure. He
declared that they'd probably charge ten pounds for the chain alone,
since it was Australia. And let it alone. It was of a piece with the
rest. But Harriet said she couldn't leave the place till she'd had
something done to it. He said she was an interfering female.

The object was the memorial to the fallen soldiers. It was really a
quite attractive little monument: a statue in pale, fawnish stone, of a
Tommy standing at ease, with his gun down at his side, wearing his
puttees and his turned-up felt hat. The statue itself was about life
size, but standing just overhead on a tall pedestal it looked small and
stiff and rather touching. The pedestal was in very nice proportion, and
had at eye level white inlet slabs between little columns of grey
granite, bearing the names of the fallen on one slab, in small black
letters, and on the other slabs the names of all the men who served:
"God Bless Them". The fallen had "Lest we forget", for a motto. Carved
on the bottom step it said, "Unveiled by Grannie Rhys". A real township
monument, bearing the names of everybody possible: the fallen, all those
who donned khaki, the people who presented it, and Grannie Rhys.
Wonderfully in keeping with the place and its people, naive but quite
attractive, with the stiff, pallid, delicate fawn-coloured soldier
standing forever stiff and pathetic.

But there it stood, a few yards from the corner of the corrugated
Pictoria, at the corner of the fag-end road to the station, like an old
milk-can someone had set down and forgotten: or a bran new milk-can. Old
rags of paper littered the ground at the base, with an old tin or two. A
little further back was a German machine gun, also looking as if it had
been scrapped and forgotten. Standing there, with its big metal
screen-flap, it looked exotic, a thing of some higher culture, demoniac
and fallen.

Harriet was dying to rescue the forlorn monument that seemed as if it
had been left there in the bustle of removal. She wanted to enclose it.
But he said: "Leave it. Leave it. They don't like things enclosed."

She still had in her mind's eye an Australia with beautiful manorial
farm-houses and dainty, perfect villages. She never acquiesced in the
UNCREATEDNESS of the new country, the rawness, the slovenliness. It
seemed to her comical, for instance, that no woman in Australia would
carry a basket. Harriet went shopping as usual with her pretty straw
basket in the village. But she felt that the women remarked on it. Only
then did she notice that everybody carried a suit-case in this discreet
country. The fat old woman who came to the door with a suit-case must,
she thought, be a visitor coming to the wrong house. But no. "Did you
want a cabbage?" In the suitcase two cabbages and half a pumpkin. A
little girl goes to the dairy for six eggs and half a pound of butter
with a small, elegant suit-case. Nay, a child of three toddled with a
little six-inch suit-case, containing, as Harriet had occasion to see,
two buns, because the suit-case flew open and the two buns rolled out.
Australian suit-cases were always flying open, and discharging groceries
or a skinned rabbit or three bottles of beer. One had the impression
that everybody was perpetually going away for the week-end: with a
suit-case. Not so at all. Just a new-country bit of convention.

Ah, a new country! The cabbage, for example, cost tenpence in the normal
course of things, and a cauliflower a shilling. And the tradesmen's
carts flew round in the wilderness, delivering goods. There isn't much
newness in MAN, whatever the country.

That old aeroplane that had lain broken-down in a field. It was nowadays
always staggering in the low air just above the surf, past the front of
Coo-ee, and lurching down on to the sands of the town "beach". There, in
the cold wind, a forlorn group of men and boys round the aeroplane, the
sea washing near, the marsh of the creek desolate behind. Then a
"passenger mounted", and men shoving the great insect of a thing along
the sand to get it started. It buzzed venomously into the air, looking
very unsafe and wanting to fall in the sea.

"Yes, he's carrying passengers. Oh, quite a fair trade. Thirty-five
shillings a time. Yes, it seems a lot, but he has to make his money
while he can. No, I've not been up myself, but my boy has. No, you see,
there was four boys, and they had a sweepstake: eight-and-six apiece,
and my boy won. He's just eleven. Yes, he liked it. But they was only up
about four minutes: I timed them myself. Well, you know, it's hardly
worth it. But he gets plenty to go. I heard he made over forty pounds on
Whit Monday, here on this beach. It seems to me, though, he favours some
more than others. There's some he flies round with for ten minutes, and
that last chap now, I'm sure he wasn't up a second more than three
minutes. No, not quite fair. Yes, he's a man from Bulli: was a
flying-man all through the war. Now he's got this machine of his own,
he's quite right to make something for himself if he can. No, I don't
know that he has any licence or anything. But a chap like that, who went
through the war--why, who's going to interfere with his doing the best
for himself?"


Jaz took Somers to the famous Canberra House, in Sydney, where the
Socialists and Labour people had their premises: offices, meeting-rooms,
club-rooms, quite an establishment. There was a lively feeling about the
place, in spite of various down-at-heel malcontents who stood about in
the passage and outside on the pavement. A business-like air.

The two men were conducted into an inner room where a man sat at a desk.
He was very dark, red-faced, and thin, with deep lines in his face, a
tight shut, receding mouth, and black, burning eyes. He reminded Somers
of the portraits of Abraham Lincoln, the same sunken cheeks and deep,
cadaverous lines and big black eyes. But this man, Willie Struthers,
lacked that look of humour and almost of sweetness that one can find in
Abraham Lincoln's portraits. Instead, he was suspicious, and seemed as
if he were brooding an inner wrong.

He was a born Australian, had knocked about the continent, and spent
many years on the goldfields. According to report, he was just
comfortably well-off--not rich. He looked rather shabby, seedy; his
clothes had that look as if he had just thrown them on his back, after
picking them off the floor. Also one of his thin shoulders was
noticeably higher than the other. But he was a distinct Australian type,
thin, hollow-cheeked, with a brightish brittle, red skin on his face,
and big, dark, incensed-looking eyes. He nodded to the two men as they
entered, but did not speak nor rise from his desk.

"This is Mr. Somers," said Jaz. "You've read his book on democracy."

"Yes, I've read it," said Struthers. "Take a seat."

He spoke with a pronounced Australian accent--a bad cockney. He stared
at Somers for a few seconds, then looked away.

He asked the usual questions, how Richard liked Australia, how long he
had been there, how long he thought of staying. The two didn't get into
any easy harmony.

Then he began to put a few shrewd questions concerning the Fascisti and
Socialisti in Italy, the appropriation of the land by the peasants, and
so on; then about Germany, the actual temper of the working people, the
quality of their patriotism since the war, and so on.

"You understand," said Somers, "I don't pretend to give anything but
personal impressions. I have no claim to knowledge, whatever."

"That's all right, Mr. Somers. I want your impressions. What they call
knowledge is like any other currency, it's liable to depreciate. Sound
valuable knowledge to-day may not be worth the paper it's printed on
to-morrow--like the Austrian krone. We're no slaves to facts. Give us
your impressions."

He spoke with a peculiar kind of bitterness, that showed passion too.
They talked about Europe for some time. The man could listen: listen
with his black eyes too. Watchful, always watchful, as if he expected
some bird to fly suddenly out of the speaker's face. He was
well-informed, and seemed to weigh and judge everything he heard as he
heard it.

"Why, when I left Europe it seemed to me socialism was losing ground
everywhere--in Italy especially. In 1920 it was quite a living, exciting
thing, in Italy. It made people insolent, usually, but it lifted them up
as well. Then it sort of fizzled down, and last year there was only the
smoke of it: and a nasty sort of disappointment and disillusion, a
grating sort of irritation. Florence, Siena--hateful! The Fascisti risen
up and taking on airs, all just out of a sort of spite. The Dante
festival at Florence, and the King there, for example. Just set your
teeth on edge, ugh!--with their "Savoia!" All false and out of spite."

"And what do you attribute that to, Mr. Somers?"

"Why, I think the Socialists didn't QUITE believe in their own
socialism, so everybody felt let down. In Italy, particularly, it seemed
to me they were on the brink of a revolution. And the King was ready to
abdicate, and the Church was ready to make away with its possessions: I
know that. Everything ready for a flight. And then the Socialists
funked. They just funked. They daren't make a revolution, because then
they'd be responsible for the country. And they DAREN'T. And so the
Fascisti, seeing the Socialists in a funk, got up and began to try to
kick their behinds."

Mr. Struthers nodded his head slowly.

"I suppose that is so," he said. "I suppose that's what it amounts to,
they didn't believe in what they were doing. But then they're a
childish, excitable people, with no stability."

"But it seems to me socialism hasn't got the spark in it to make a
revolution. Not in any country. It hasn't got the spunk, either. There's
no spunk in it."

"What is there any spunk in?" asked the other man, a sort of bitter fire
corroding in his eyes. "Where do you find any spunk?"

"Oh, nowhere," said Richard.

There was a silence. Struthers looked out of the window as if he didn't
know what to say next, and he played irritably with a blotter on the
desk, with his right hand. Richard also sat uncomfortably silent.

"Nowhere any spunk?" said Struthers, in his flat metallic voice.

"No," said Richard.

And again the uncomfortable silence.

"There was plenty of spunk in the war," said Struthers.

"Of a sort. And because they felt they HAD to, not from choice."

"And mayn't they feel they HAVE to again?" said Struthers, smiling
rather grimly.

The two men eyed one another.

"What'll make them?" asked Richard.


"Ah well--if circumstances." Richard was almost rude. "I know if it was
a question of WAR the majority of returned soldiers would join up in a
month--in a week. You hear it over and over again from the Diggers here.
The war was the only time they ever felt properly alive. But then they
moved because they hated the Germans--self-righteously hated them. And
they can't quite bring it off, to hate the capitalist with a
self-righteous hate. They don't hate him. They know that if they
themselves got a chance to make a pile of money and be capitalists,
they'd JUMP at it. You can't work up a hate except on fear. And they
DON'T fear the capitalist, and you can't make them. The most they'll do
is sneer about him."

Struthers still fidgetted with the blotter, with his thin, very red,
hairy hand, and abstractedly stared at the desk in front of him.

"And what does all that mean, in your estimation, Mr. Somers?" he asked
dryly, looking nervously up.

"That you'll never get them to act. You'll never get Labour, or any of
the Socialists, to make a revolution. They just won't act. Only the
Anarchists might--and they're too few."

"I'm afraid they are growing more."

"Are they? Of that I know nothing. I should have thought they were
growing fewer."

Mr. Struthers did not seem to hear this. At least he did not answer. He
sat with his head dropped, fingering the blotter, rather like a boy who
is being told things he hates to hear, but which he doesn't deny.

At last he looked up, and the fighting look was in the front of his

"It may be as you say, Mr. Somers," he replied. "Men may not be ready
yet for any great change. That does not make the change less inevitable.
It's coming, and it's got to come. If it isn't here to-day, it will be
here next century, at least. Whatever you may say, the socialistic and
communal ideal is a great ideal, which will be fulfilled when men are
ready. We aren't impatient. If revolution seems a premature jump--and
perhaps it does--then we can go on, step by step, towards where we
intend to arrive at last. And that is, State Ownership, and
International Labour Control. The General Confederation of Labour, as
perhaps you know, does not aim at immediate revolutions. It wants to
make the great revolution by degrees. Step by step, by winning political
victories in each country, by having new laws passed by our insistence,
we intend to advance more slowly, but more surely towards the goal we
have in sight.

"Now, Mr. Somers, you are no believer in capitalism, and in this
industrial system as we have it. If I judge you correctly from your
writings, you are no lover of the great Washed Middle Classes. They are
more than washed, they are washed out. And I think in your writings you
say as much. You want a new spirit in society, a new bond between men.
You want a new bond between men. Well, so do I, so do we. We realise
that if we are going to go ahead we need first and foremost SOLIDARITY.
Where we fail in our present position is in our lack of solidarity.

"And how are we to get it? You suggest us the answer in your writings.
We must have a new bond between men, the bond of real brotherhood. And
why don't we find that bond sufficiently among us? Because we have been
brought up from childhood to mistrust ourselves and to mistrust each
other. We have been brought up in a kind of fetish worship. We are like
tribes of savages with their witch-doctors. And who are our
witch-doctors, our medicine-men? Why, they are professors of science and
professors of medicine and professors of law and professors of religion,
all of whom thump on their tom-tom drums and overawe us and take us in.
And they take us in with the clever cry, "Listen to us, and you will get
on, get on, get on, you will rise up into the middle classes and become
one of the great washed."

"The trick of this only educated men like yourself see through. The
working man can't see through it. HE can't see that, for every one that
GETS ON, you must have five hundred fresh slavers and toilers to produce
the graft. Tempt all men to get on, and it's like holding a carrot in
front of five thousand asses all harnessed to your machine. One ass gets
the carrot, and all the others have done your pulling for you.

"Now what we want is a new bond between fellow-men. We've got to knock
down the middle-class fetish and the middle-class medicine-men. But
you've got to build up as you knock down. You've got to build up the
real fellow-feeling between fellow-men. You've got to teach us working
men to trust one another, absolutely trust one another, and to take all
our trust away from the Great Washed and their medicine men who bleed us
like leeches. Let us mistrust them--but let us trust one another. First
and foremost, let us trust one another, we working men.

"Now Mr. Somers, you are a working man's son. You know what I'm talking
about. Isn't it right, what I say? And isn't it feasible?"

A strange glow had come into his large black eyes, something glistening
and half-sweet, fixing itself on you. You felt drawn towards a strange
sweetness--perhaps poisonous. Yet it touched Richard on one of his
quivering strings--the latent power that is in man to-day, to love his
near mate with a passionate, absolutely trusting love. Whitman says the
love of comrades. We say, the mate love. "He is my mate." A depth of
unfathomed, unrealised love can go into that phrase! "My mate is waiting
for me," a man says, and turns away from wife, children, mother and all.
The love of a man for his mate.

Now Richard knew what Struthers wanted. He wanted this love, this
mate-trust called into consciousness and highest honour. He wanted to
set it where Whitman tried to set his Love of Comrades. It was to be the
new tie between men, in the new democracy. It was to be the new
passional bond in the new society. The trusting love of a man for his

Our society is based on the family, the love of a man for his wife and
his children, or for his mother and brothers. The family is our social
bedrock and limit. Whitman said the next, broader, more unselfish rock
should be the Love of Comrades. The sacred relation of a man to his
mate, his fellow man.

If our society is going to develop a new great phase, developing from
where we stand now, it must accept this new relationship as the new
sacred social bond, beyond the family. You can't make bricks without
straw. That is, you can't hold together the friable mixture of modern
mankind without a new cohesive principle, a new unifying passion. And
this will be the new passion of a man's absolute trust in his mate, his
love for his mate.

Richard knew this. But he had learned something else as well. He had
learned the great danger of the new passion, which as yet lay only half
realised and half recognised, half effective.

Human love, human trust, are always perilous, because they break down.
The greater the love, the greater the trust, and the greater the peril,
the greater the disaster. Because to place absolute trust on another
human being is in itself a disaster, both ways, since each human being
is a ship that must sail its own course, even if it go in company with
another ship. Two ships may sail together to the world's end. But lock
them together in mid-ocean and try to steer both with one rudder, and
they will smash one another to bits. So it is when one individual seeks
absolutely to love, or trust, another. Absolute lovers always smash one
another, absolute trusters the same. Since man has been trying
absolutely to love women, and women to love man, the human species has
almost wrecked itself. If now we start a still further campaign of men
loving and absolutely trusting each other, comrades or mates, heaven
knows the horror we are laying up.

And yet, love is the greatest thing between human beings, men and women,
men and men, women and women, when it is love, when it happens. But when
human love starts out to lock individuals together, it is just courting

Man-and-woman love is a disaster nowadays. What a holy horror
man-and-man love would be: mates or comrades!

What is it then that is wrong? Why, human beings CAN'T absolutely love
one another. Each man DOES kill the thing he loves, by sheer dint of
loving it. Is love then just a horror in life?

Ah no. This individuality which each of us has got and which makes him a
wayward, wilful, dangerous, untrustworthy quantity to every other
individual, because every individuality is bound to react at some time
against every other individuality, without exception--or else lose its
own integrity; because of the inevitable necessity of each individual to
react away from any other individual, at certain times, human love is
truly a relative thing, not an absolute. It CANNOT be absolute.

Yet the human heart must have an absolute. It is one of the conditions
of being human. The only thing is the God who is the source of all
passion. Once go down before the God-passion and human passions take
their right rhythm. But human love without the God-passion always kills
the thing it loves. Man and woman virtually are killing each other with
the love-will now. What would it be when mates, or comrades, broke down
in their absolute love and trust? Because, without the polarized
God-passion to hold them stable at the centre, break down they would.
With no deep God who is source of all passion and life to hold them
separate and yet sustained in accord, the loving comrades would smash
one another, and smash all love, all feeling as well. It would be a rare
gruesome sight.

Any more love is a hopeless thing, till we have found again, each of us
for himself, the great dark God who alone will sustain us in loving one
another. Till then, best not play with more fire.

Richard knew this, and it came to him again powerfully, under the dark
eyes of Mr. Struthers.

"Yes," he answered slowly. "I know what you mean, and you know I know.
And it's probably your only chance of carrying Socialism through. I
don't really know how much it is feasible. But--."

"Wait a minute, Mr. Somers. You are the man I have been waiting for: all
except the but. Listen to me a moment further. You know our situation
here in Australia. You know that Labour is stronger here, perhaps, more
unopposed than in any country in the world. We might do anything. Then
why do we do nothing? You know as well as I do. Because there is no real
unifying principle among us. We're not together, we aren't one. And
probably you never WILL be able to unite Australians on the wage
question and the State Ownership question alone. They don't care enough.
It doesn't really touch them emotionally. And they need to be touched
emotionally, brought together that way. Once that was done, we'd be a
grand, solid working-class people; grand, unselfish: a real PEOPLE.
"When wilt thou save the People, Oh God of Israel, when?" It looks as if
the God of Israel would never save them. We've got to save ourselves.

"Now you know quite well, Mr. Somers, we're an unstable, unreliable body
to-day, the Labour Party here in Australia. And why? Because in the
first place we haven't got any voice. We want a voice. Think of it,
we've got no real Labour newspaper in Sydney--or in Australia. How CAN
we be united? We've no voice to call us together. And why don't we have
a paper of our own? Well, why? Nobody has the initiative. What would be
the good, over here, of a grievance-airing rag like your London Daily
Herald? It wouldn't be taken any more seriously than any other rag. It
would have no real effect. Australians are a good bit subtler and more
disillusioned than the English working classes. You can throw
Australians chaff, and they'll laugh at it. They may even pretend to
peck it up. But all the time they KNOW, and they're not taken in. The
Bulletin would soon help them out, if they were. They've got a natural
sarcastic turn, have the Australians. They'll do imbecile things:
because one thing is pretty well as good as another, to them. They don't

"Then what's the good starting another Red rag, if the bull won't run at
it? And this Australian bull may play about with a red rag, but it won't
get his real dander up.

"No, you've got to give them something to appeal to the deeper man in
them. That deeper man is waiting to be appealed to. And we're waiting
for the right individual to come along to put the appeal to them.

"Now, Mr. Somers, here's your chance. I'm in a position to ask you,
won't you help us to bring out a sincere, CONSTRUCTIVE Socialist paper,
not a grievance airer, but a paper that calls to the constructive spirit
in men? Deep calleth to deep. And the trouble with us here is, no one
calls to our deeps, they lie there stagnant. I can't do it, I'm too
grimy. It wants a deep, fresh nature, and I'm too stale.

"Now Mr. Somers, you're the son of a working man. You were born of the
People. You haven't turned your back on them, have you, now that you're
a well-known gentleman?"

"No, no," said Richard, laughing at the irony.

"Then here is your work before you. Come and breathe the breath of life
into us, through the printed word. Come and take charge of a true
People's paper for us. We needn't make it a daily. Make it a
twice-weekly. And let it appeal to the Australian, to his heart, for his
heart is the right place to appeal to. Let it breathe the new air of
trust and comradeship into us. We are ready for it: dying for it. Show
us how to BELIEVE in one another, with all our hearts. Show us that the
issue isn't just the wage issue, or who holds the money. It's
brother-love at last, on which Christ's Democracy is bound to rest. It's
the living People. It is man to man at last."

The red face of Willie Struthers seemed to glow with fire, and his black
eyes had a strange glisten as he watched Richard's face. Richard's pale,
sombre face showed that he was moved. There was a strange excitement, a
deep, exciting vibration in the air, as if something secret were taking
place. Jaz in his corner sat silent as a mouse, his knees wide apart,
his elbows on his knees, his head dropped. Richard's eyes at length met
the black, excited, glistening eyes of the other man, and he felt that
something in the glisten was bearing him down, as a snake bears down a
bird. Himself the bird.

But his heart was big within him, swollen in his breast. Because in
truth he did love the working people, he did know them capable of a
great, generous love for one another. And he did also believe, in a way,
that they were capable of building up this great Church of Christ, the
great beauty of a People, upon the generous passion of mate-love. All
this theoretical socialism started by Jews like Marx, and appealing only
to the will-to-power in the masses, making money the whole crux, this
has cruelly injured the working people of Europe. For the working people
of Europe were generous by nature, and money was not their prime
passion. All this political socialism--all politics, in fact--has
conspired to make money the only god. It has been a great treacherous
conspiracy against the generous heart of the people. And that heart is
betrayed: and knows it.

Then can't the injury be remedied? Can't the working men be called back,
man to man, to a generous opening of the heart to one another, money
forgotten? Can't a new great inspiration of belief in the love of mates
be breathed into the white Peoples of the world, and a new day be built
on this belief?

It can be done. It could be done. Only, the terrible stress, the strain
on the hearts of men, if as human beings the whole weight of the living
world is to rest on them. Each man with the poles of the world resting
on his heart. Men would go mad.

"You see," stammered Richard, "it needs more than a belief of men in
each other."

"But what else is there to believe in? Quacks? Medicinemen? Scientists
and politicians?"

"It DOES need some sort of religion."

"Well then--well then--the religious question is ticklish, especially
here in Australia. But all the churches are established on Christ. And
Christ says Love one another."

Richard laughed suddenly.

"That makes Christ into another political agent," he said.

"Well then--I'm not deep enough for these matters. But surely you know
how to square it with religion. Seems to me it IS religion--love one

"Without a God."

"Well--as I say--it's Christ's teaching, and that ought to be God

Richard was silent, his heart heavy. It all seemed so far from the dark
God he wished to serve, the God from whom the dark, sensual passion of
love emanates, not only the spiritual love of Christ. He wanted men once
more to refer the sensual passion of love sacredly to the great dark
God, the ithyphallic, of the first dark religions. And how could that be
done, when each dry little individual ego was just mechanically set
against any such dark flow, such ancient submission? As for instance
Willie Struthers at this minute. Struthers didn't mind Christ. Christ
could easily be made to subserve his egoistic purpose. But the first,
dark, ithyphallic God whom men had once known so tremendous--Struthers
had no use for Him.

"I don't think I can do it. I don't think I've the right touch," said
Richard slowly.

"Nay, Mr. Somers, don't you be a funker, now. This is the work you were
born for. Don't leave us in the lurch."

"I shouldn't be doing what you want me to do."

"Do what seems best to yourself. We'll risk it. Make your own
conditions. I know as far as money goes you won't be hard. But take the
job on, now. It's been waiting for you, waiting for you to come out
here. Don't funk at the last minute."

"I won't promise at this minute," said Richard, rising to escape. "I
want to go now. I will tell you within a week. You might send me details
of your scheme for the paper. Will you? And I'll think about it hard."

Mr. Struthers watched him as if he would read his soul. But Richard
wasn't going to have his soul read by force.

"Very well. I'll see you have the whole scheme of the proposal
to-morrow. I don't think you'll be able to run away from it."

Richard was thankful to get out of Canberra Hall. It was like escaping
from one of the medical-examination rooms in the war. He and Jaz went in
silence down the crowded, narrow pavement of George Street, towards the
Circular Quay. Richard called at the General Post-office in Martin
Place. As he came out again, and stood on the steps folding the stamps
he had bought, seeing the sun down Pitt Street, the people hurrying, the
flowers at the corner, the pink spread of Bulletins for sale at the
corner of George Street, the hansom-cabs and taxis standing peacefully
in the morning shadow of the post-office, suddenly the whole thing
switched right away from him. He hailed a hansom.

"Jaz," he said, "I want to drive round the Botanical Gardens and round
the spit there--and I want to look at the peacocks and cockatoos."

Jaz climbed in with him. "Right-O!" said the cabby, hearing the order,
and they clock-clocked away up the hill to Macquarie Street.

"You know, Jaz," said Richard, looking with joy at the blue harbour
inlet, where the Australian "fleet" lay rusting to bits, with a few gay
flags; "you know, Jaz, I shan't do it. I shan't do anything. I just
don't care about it."

"You don't?" said Jaz, with a sudden winsome smile.

"I try to kid myself that I care about mankind and its destiny. And I
have fits of wistful love for the working men. But at the bottom I'm as
hard as a mango nut. I don't care about them all. I don't really care
about anything, no I don't. I just don't care, so what's the good of

"Why no," said Jaz, again with a quick smile.

"I feel neither good nor bad. I feel like a fox that has gnawed his tail
off and so escaped out of a trap. It seems like a trap to me, all this
social business and this saving mankind. Why can't mankind save itself?
It can if it wants to. I'm a fool. I neither want love nor power. I like
the world and I like to be alone in it, by myself. What do you want,

Richard was like a child escaped from school, escaped from his necessity
to BE something and to DO something. They had jogged past the palm trees
and the grass of the gardens, and the blue wrens had cocked their
preposterous tails. They jogged to the end of the promontory, under wild
trees, and Richard looked at the two lobes of the harbour, blue water on
either side, and another part of the town beyond.

"Now take us back to the cockatoos," he said to the cabby.

Richard loved the look of Australia, that marvellous soft flower-blue of
the air, and the sombre grey of the earth, the foliage, the brown of the
low rocks: like the dull pelts of kangaroos. It had a wonder and a
far-awayness, even here in the heart of Sydney. All the shibboleths of
mankind are so trumpery. Australia is outside everything.

"I couldn't exactly say," Jaz answered. "You've got a bit of an
Australian look this morning about you," he added with a smile.

"I feel Australian. I feel a new creature. But what's the outcome?"

"Oh, you'll come back to caring, I should think: for the sake of having
something to care about. That's what most of them do. They want to turn
bushrangers for six months, and then they get frightened of themselves,
and come back and want to be good citizens."

"Bushranger? But Australia's like an open door with the blue beyond. You
just walk out of the world and into Australia. And it's just somewhere
else. All those nations left behind in their schoolrooms, fussing. Let
them fuss. This is Australia, where one can't care."

Jaz sat rather pale, and ten times more silent than ever.

"I expect you've got yourself to reckon with, no matter where you are.
That's why most Australians have to fuss about something--politics, or
horse-racing, or football. Though a man can go empty in Australia, if he
likes: as you've said yourself," replied he.

"Then I'll go empty," said Richard. "What makes YOU fuss with Kangaroo
and Struthers, Jaz?"

"Me?" The smile was slow and pale. "Go into the middle of Australia and
see how empty it is. You can't face emptiness long. You have to come
back and do something to keep from being frightened at your own
emptiness, and everything else's emptiness. It may be empty. But it's
wicked, and it'll kill you if it can. Something comes out of the
emptiness, to kill you. You have to come back and do things with
mankind, to forget."

"It's wonderful to be empty. It's wonderful to feel this blue globe of
emptiness of the Australian air. It shuts everything out," protested

"You'll be an Aussie yet," smiled Jaz slowly.

"Shall I regret it?" asked Richard.

The eyes of the two men met. In the pale grey eyes of Jaz something
lurking, like an old, experienced consciousness looking across at the
childish consciousness of Somers, almost compassionately: and half in

"You'll change back before you regret it," he said.

"Are you wise, Jaz? And am I childish?" Richard's look suddenly changed
also to mockery. "If you're wise, Jaz, why do you wander round like a
lost soul? Because you do. And what takes you to Struthers, if you
belong to Kangaroo?"

"I'm secretary for the coal- and timber-merchants' union," said Jaz

They got out of the cab to look at the aviaries. Wonderful,
brilliant-coloured little birds, the love-birds self-consciously
smirking. "Hello!"--pronounced pure Australian-cockney: "Helleow! Hello!
Hello! Hello Cocky! What yer want?" This in a more-than-human voice from
a fine sulphur-crested cockatoo. "Hello Cocky!" His thick black tongue
worked in his narrow mouth. So absolutely human the sound, and yet a
bird's. It was startling, and very funny. The two men talked to the
cockatoos, fascinated and amused, for a quarter of an hour. The emu came
prancing up, with his alert, large, sticking-out eyes and his whiskers.
An alert gentleman, with the dark Australian eye. Very wide-awake, and
yet far off in the past. And a remote, alert, sharp gentleness belonging
to far past twilight ages, before enemies and iron weapons were
perfected. A very remote, dirt-brown gentleman from the lost plains of
time. The peacock rustling his blue fireworks seemed a sort of
nouveau-riche in comparison.

Somers went in the evening of this memorable day to dine with Kangaroo.
The other man was quiet, and seemed preoccupied.

"I went to Willie Struthers this morning," Somers said.

Kangaroo looked at him sharply through his pince-nez. On the subtle face
of Somers a small, wicked smile hovered like a half visible flame. But
it was his alive, beautiful face. And his whole person seemed magnetic.

"Who took you there?" asked Kangaroo sharply.


"Jaz is a meddlesome-Patty. Well, and what then?"

"I think Willie is rather a terror. I wouldn't like to have to spend my
life with him. But he's shrewd. Only I don't like him
physically--something thin and hairy and spiderish. I didn't want to
touch him. But he's a force, he's SOMETHING."

Kangaroo looked puzzled, and his face took a heavy, stupid look.

"He wouldn't want you to touch him," he barked. "He didn't offer to
shake hands, did he?"

"No, thank goodness," said Somers, thinking of the red, dry,
thin-skinned hand.

There was a hostile silence from Kangaroo. He knew that this subtle,
attractive Somers with the faint glow about him, like an aura, was
venomous. And yet he was helplessly attracted to him.

"And what do you mean about his being something? Some more Trewhella?"

"Perhaps. I couldn't help feeling that Struthers was shrewder than you
are--in a way baser--but for that reason more likely to be effectual."

Kangaroo watched Richard for a long time in silence.

"I know why Trewhella took you there," he said sulkily.


"Oh, I know why. And what have you decided?"


There was a long and obstinate silence. The two men were at loggerheads,
and neither would make the first move.

"You seem very thick with Trewhella," said Kangaroo at last.

"Not thick," said Richard. "Celts--Cornish, Irish--they always interest
me. What do you imagine is at the bottom of Jaz?"


"Oh, not only," laughed Somers.

"Then why do you ask me, if you know better?"

"Because I don't really get to the bottom of him."

"There is no bottom to get to--he's the instinctive traitor, as they all

"Oh, surely not only that."

"I see nothing else. They would like the white civilisation to be
trampled underfoot piecemeal. And at the same time they live on us like
parasites." Kangaroo glowered fiercely.

"There's something more," replied Richard. "They don't believe in our
gods, in our ideals. They remember older gods, older ideals, different
gods: before the Jews invented a mental Jehovah, and a spiritual Christ.
They are nearer the magic of the animal world."

"Magic of the animal world!" roared Kangaroo. "What does that nonsense
mean? Are you traitor to your own human intelligence?"

"All too human," smiled Richard.

Kangaroo sat up very straight, and looked at Somers. Somers still smiled
faintly and luminously.

"Why are you so easily influenced?" said Kangaroo, with a certain cold
reproof. "You are like a child. I know that is part of the charm of your
nature, that you are naive like a child, but sometimes you are childish
rather than childlike. A perverse child."

"Let me be a perverse child then," laughed Somers, with a flash of
attractive laughter at Kangaroo. It frightened the big man, this
perverse mood. If only he could have got the wicked light out of Lovat's
face, and brought back the fire of earnestness. And yet, as an
individual, he was attracted to the little fellow now, like a moth to a
candle: a great lumbering moth to a small, but dangerous flame of a

"I'm sure it's Struthers' turn to set the world right, before it's
yours," Somers said.

"Why are you sure?"

"I don't know. I thought so when I saw him. You're too human."

Kangaroo was silent, and offended.

"I don't think that is a final reason," he replied.

"For me it is. No, I want one of the olives that the man took away. You
give one such good food, one forgets deep questions in your lovely
salad. Why don't you do as Jaz says, and back up the Reds for the time
being. Play your pawns and your bishops."

"You know that a bite from a hyaena means blood-poisoning," said

"Don't be solemn. You mean Willie Struthers? Yes, I wouldn't want to be
bitten. But if you are so sure of love as an all-ruling influence, and
so sure of the fidelity of the Diggers, through love, I should agree
with Jaz. Push Struthers where he wants to go. Let him proclaim the rule
of the People: let him nationalise all industries and resources, and
confiscate property above a certain amount: and bring the world about
his ears. Then you step in like a saviour. It's much easier to point to
a wrecked house, if you want to build something new, than to persuade
people to pull the house down and build it up in a better style."

Kangaroo was deeply offended, mortified. Yet he listened.

"You are hopelessly facile, Lovat," he said gently. "In the first place,
the greatest danger to the world to-day is anarchy, not bolshevism. It
is anarchy and unrule that are coming on us--and that is what I, as an
order-loving Jew and one of the half-chosen people, do not want. I want
one central principle in the world: the principle of love, the maximum
of individual liberty, the minimum of human distress. Lovat, you know I
am sincere, don't you?"

There was a certain dignity and pathos in the question.

"I do," replied Somers sincerely. "But I am tired of one central
principle in the world."

"Anything else means chaos."

"There has to be chaos occasionally. And then, Roo, if you DO want a
benevolent fatherly autocracy, I'm sure you'd better step in after
there's been a bit of chaos."

Kangaroo shook his head.

"Like a wayward child! Like a wayward child!" he murmured. "You are not
such a fool, Lovat, that you can't see that once you break the last
restraints on humanity to-day, it is the end. It is the end. Once burst
the flood-gates, and you'll never get the water back into control.

"Then let it distil up to heaven. I really don't care."

"But man, you are PERVERSE. What's the matter with you?" suddenly
bellowed Kangaroo.

They had gone into the study for coffee. Kangaroo stood with his head
dropped and his feet apart, his back to the fire. And suddenly he roared
like a lion at Somers. Somers started, then laughed.

"Even perversity has its points," he said.

Kangaroo glowered like a massive cloud. Somers was standing staring at
the Durer etching of St. Jerome: he loved Durer. Suddenly, with a great
massive movement, Kangaroo caught the other man to his breast.

"Don't Lovat," he said, in a much moved voice, pressing the slight body
of the lesser man against his own big breast and body. "Don't!" he said,
with a convulsive tightening of the arm.

Somers, squeezed so that he could hardly breathe, kept his face from
Kangaroo's jacket and managed to ejaculate:

"All right. Let me go and I won't."

"Don't thwart me," pleaded Kangaroo. "Don't--or I shall have to break
all connection with you, and I love you so. I love you so. Don't be
perverse, and put yourself against me."

He still kept Somers clasped against him, but not squeezed so hard. And
Somers heard over his own head the voice speaking with a blind yearning.
Not to himself. No. It was speaking over his head, to the void, to the
infinite or something tiresome like that. Even the words: "I love you
so. I love you so." They made the marrow in Lovat's bones melt, but they
made his heart flicker even more devilishly.

"It is an impertinence, that he says he loves me," he thought to
himself. But he did not speak, out of regard for Kangaroo's emotion,
which was massive and genuine, even if Somers felt it missed his own
particular self completely.

In those few moments when he was clasped to the warm, passionate body of
Kangaroo, Somers' mind flew with swift thought. "He doesn't love ME," he
thought to himself. "He just turns a great general emotion on me, like a
tap. I feel as cold as steel, in his clasp--and as separate. It is
presumption, his loving me. If he was in any way really AWARE of me,
he'd keep at the other end of the room, as if I was a dangerous little
animal. He wouldn't be hugging me if I were a scorpion. And I AM a
scorpion. So why doesn't he know it. Damn his love. He wants to FORCE

After a few minutes Kangaroo dropped his arm and turned his back. He
stood there, a great, hulked, black back. Somers thought to himself: "If
I were a kestrel I'd stoop and strike him straight in the back of the
neck, and he'd die. He ought to die." Then he went and sat in his chair.
Kangaroo left the room.

He did not come back for some time, and Lovat began to grow
uncomfortable. But the devilishness in his heart continued, broken by
moments of tenderness or pity or self-doubt. The gentleness was winning,
when Kangaroo came in again. And one look at the big, gloomy figure set
the devil alert like a flame again in the other man's heart.

Kangaroo took his place before the fire again, but looked aside.

"Of course you understand," he began in a muffled voice, "that it must
be one thing or the other. Either you are with me, and I FEEL you with
me: or you cease to exist for me."

Somers listened with wonder. He admired the man for his absoluteness,
and his strange blind heroic obsession.

"I'm not really against you, am I?" said Somers. And his own heart
answered, YES YOU ARE!

"You are not WITH me," said Kangaroo, bitterly.

"No," said Somers slowly.

"Then why have you deceived me, played with me," suddenly roared
Kangaroo. "I could have killed you."

"Don't do that," laughed Somers, rather coldly.

But the other did not answer. He was like a black cloud.

"I want to hear," said Kangaroo, "your case against me."

"It's not a case, Kangaroo," said Richard, "it's a sort of instinct."

"Against what?"

"Why, against your ponderousness. And against your insistence. And
against the whole sticky stream of love, and the hateful will-to-love.
It's the will-to-love that I hate, Kangaroo."

"In me?"

"In us all. I just hate it. It's a sort of syrup we HAVE to stew in, and
it's loathsome. Don't love me. Don't want to save mankind. You're so
awfully GENERAL, and your love is so awfully general: as if one were
only a cherry in the syrup. Don't love me. Don't want me to love you.
Let's be hard, separate men. Let's understand one another deeper than

"Two human ants, in short," said Kangaroo, and his face was yellow.

"No, no. Two men. Let us go to the understanding that is deeper than

"Is any understanding deeper than love?" asked Kangaroo with a sneer.

"Why, yes, you know it is. At least between men."

"I'm afraid I don't know it. I know the understanding that is much LESS
than love. If you want me to have a merely commonplace acquaintance with
you, I refuse. That's all."

"We are neither of us capable of a quite commonplace acquaintance."

"Oh yes, I am," barked Kangaroo.

"I'm not. But you're such a Kangaroo, wanting to carry mankind in your
belly-pouch, cosy, with its head and long ears peeping out. You sort of
figure yourself a Kangaroo of Judah, instead of a Lion of Judah: Jehovah
with a great heavy tail and a belly-pouch. Let's get off it, and be men,
with the gods beyond us. I DON'T want to be godlike, Kangaroo. I like to
know the gods beyond me. Let's start as men, with the great gods beyond

He looked up with a beautiful candour in his face, and a diabolic bit of
mockery in his soul. For Kangaroo's face had gone like an angry wax
mask, with mortification. An angry wax mask of mortification, haughty
with a stiff, wooden haughtiness, and two little near-set holes for
eyes, behind glass pince-nez. Richard had a moment of pure hate for him.
in the silence. For Kangaroo refused to answer.

"What's the good, men trying to be gods?" said Richard. "You're a Jew,
and you must be Jehovah or nothing. We're Christians, all little Christs
walking without our crucifixes. Jaz is quite right to play us one
against the other. Struthers is the anti-christ, preaching love alone.
I'm tired, tired. I want to be a man, with the gods beyond me, greater
than me. I want the great gods, and my own mere manliness."

"It's that treacherous Trewhella," Kangaroo murmured to himself. Then he
seemed to be thinking hard.

And then at last he lifted his head and looked at Somers. And now Somers
openly hated him. His face was arrogant, insolent, righteous.

"I am sorry I have made a mistake in you," he said. "But we had better
settle the matter finally here. I think the best thing you can do is to
leave Australia. I don't think you can do me any serious damage with
your talk. I would ask you--before I warn you--not to try. That is all.
I should prefer now to be alone."

He had become again hideous, with a long yellowish face and black eyes
close together, and a cold, mindless, dangerous hulk to his shoulders.
For a moment Somers was afraid of him, as of some great ugly idol that
might strike. He felt the intense hatred of the man coming at him in
cold waves. He stood up in a kind of horror, in front of the great,
close-eyed horrible thing that was now Kangaroo. Yes, a thing, not a
whole man. A great Thing, a horror.

"I am sorry if I have been foolish," he said, backing away from the
Thing. And as he went out of the door he made a quick movement, and his
heart melted in horror lest the Thing Kangaroo should suddenly lurch
forward and clutch him. If that happened, Kangaroo would have blood on
his hands. But Somers kept all his wits about him, and quickly, quietly
got his hat and walked to the hall door. It seemed like a dream, as if
it were miles to the outer door, as if his heart would burst before he
got there, as if he would never be able to undo the fastening of the

But he kept all his wits about him, and as by inspiration managed the
three separate locks of the strong door. Kangaroo had followed slowly,
awfully, behind, like a madman. If he came near enough to touch!

Somers had the door opened, and looked round. The huge figure, the white
face with the two eyes close together, like a spider, approaching with
awful stillness. If the stillness suddenly broke, and he struck out!

"Good-night!" said Somers, at the blind, horrible-looking face. And he
moved quickly down the stairs, though still not apparently in flight,
but going in that quick, controlled way that acts as a check on an

He was thankful for the streets, for the people. But by bad luck, it was
Saturday night, when Sydney is all shut up, and the big streets seem
dark and dreary, though thronging with people. Dark streets, dark,
streaming people. And fear. One could feel such fear, in Australia.


He had known such different deep fears. In Sicily, a sudden fear, in the
night of some single murderer, some single thing hovering as it were out
of the violent past, with the intent of murder. Out of the old Greek
past, that had been so vivid, sometimes an unappeased spirit of
murderous-hate against the usurping moderns. A sudden presence of murder
in the air, because of something which the modern psyche had excluded,
some old and vital thing which Christianity has cut out. An old spirit,
waiting for vengeance. But in England, during the later years of the
war, a true and deadly fear of the criminal LIVING spirit which arose in
all the stay-at-home bullies who governed the country during those
years. From 1916 to 1919 a wave of criminal lust rose and possessed
England, there was a reign of terror, under a set of indecent bullies
like Bottomley of John Bull and other bottom-dog members of the House of
Commons. Then Somers had known what it was to live in a perpetual state
of semi-fear: the fear of the criminal public and the criminal
government. The torture was steadily applied, during those years after
Asquith fell, to break the independent soul in any man who would not
hunt with the criminal mob. A man must identify himself with the
criminal mob, sink his sense of truth, of justice, and of human honour,
and bay like some horrible unclean hound, bay with a loud sound, from
slavering, unclean jaws.

This Richard Lovat Somers had steadily refused to do. The deepest part
of a man is his sense of essential truth, essential honour, essential
justice. This deepest self makes him abide by his own feelings, come
what may. It is not sentimentalism. It is just the male human creature,
the thought-adventurer, driven to earth. Will he give in or won't he?

Many men, carried on a wave of patriotism and true belief in democracy,
entered the war. Many men were driven in out of belief that it was
necessary to save their property. Vast numbers of men were just bullied
into the army. A few remained. Of these, many became conscientious

Somers tiresomely belonged to no group. He would not enter the army,
because his profoundest instinct was against it. Yet he had no
conscientious objection to war. It was the whole spirit of the war, the
vast mob-spirit, which he could never acquiesce in. The terrible,
terrible war, made so fearful because in every country practically every
man lost his head, and lost his own centrality, his own manly isolation
in his own integrity, which alone keeps life real. Practically every man
being caught away from himself, as in some horrible flood, and swept
away with the ghastly masses of other men, utterly unable to speak, or
feel for himself, or to stand on his own feet, delivered over and
swirling in the current, suffocated for the time being. Some of them to
die for ever. Most to come back home victorious in circumstance, but
with their inner pride gone: inwardly lost. To come back home, many of
them, to wives who had egged them on to this downfall in themselves:
black bitterness. Others to return to a bewildered wife who had in vain
tried to keep her man true to himself, tried and tried, only to see him
at last swept away. And oh, when he was swept away, how she loved him.
But when he came back, when he crawled out like a dog out of a dirty
stream, a stream that had suddenly gone slack and turbid: when he came
back covered with outward glory and inward shame, then there was the
price to pay.

And there IS this bitter and sordid after-war price to pay because men
lost their heads, and worse, lost their inward, individual integrity.
And when a man loses his inward, isolated, manly integrity, it is a bad
day for that man's true wife. A true man should not lose his head. The
greater the crisis, the more intense should be his isolated reckoning
with his own soul. And THEN let him act, of his own whole self. Not
fling himself away: or much worse, let himself be DRAGGED away, bit by

Awful years--'16, '17, '18, '19--the years when the damage was done. The
years when the world lost its real manhood. Not for lack of courage to
face death. Plenty of superb courage to face death. But no courage in
any man to face his own isolated soul, and abide by its decision. Easier
to sacrifice oneself. So much easier!

Richard Lovat was one of those utterly unsatisfactory creatures who just
would not. He had no conscientious objections. He knew that men MUST
fight, some time in some way or other. He was no Quaker, to believe in
perpetual peace. He had been in Germany times enough to know HOW much he
detested the German military creatures: mechanical bullies they were.
They had once threatened to arrest him as a spy, and had insulted him
more than once. Oh, he would never forgive THEM, in his inward soul. But
then the industrialism and commercialism of England, with which
patriotism and democracy became identified: did not these insult a man
and hit him pleasantly across the mouth? How much humiliation had
Richard suffered, trying to earn his living! How had they tried, with
their beastly industrial self-righteousness, to humiliate him as a
separate, single man? They wanted to bring him to heel even more than
the German militarist did. And if a man is to be brought to any heel,
better a spurred heel than the heel of a Jewish financier. So Richard
decided later, when the years let him think things over, and see where
he was.

Therefore when the war came, his instinct was against it. When the
Asquith government so softly foundered, he began to suffer agonies. But
when the Asquith government went right under, and in its place came that
John Bull government of '16, '17, '18, then agonies gave way to
tortures. He was summoned to join the army: and went. Spent a night in
barracks with forty other men, and not one of these other men but felt
like a criminal condemned, bitter in dejection and humiliation. Was
medically examined in the morning by two doctors, both gentlemen, who
knew the sacredness of another naked man: and was rejected.

So, that was over. He went back home. And he made up his mind what he
would do. He would never voluntarily make a martyr of himself. His
feeling was private to himself, he didn't want to force it on any other
man. He would just act alone. For the moment, he was rejected as
medically unfit. If he was called up again, he would go again. But he
would never serve.

"Once," he said to Harriet, "that they have really conscripted me, I
will never obey another order, if they kill me."

Poor Harriet felt scared, and didn't know what else to say.

"If ever," he said, looking up from his own knees in their old grey
flannel trousers, as he sat by the fire, "if ever I see my legs in
khaki, I shall die. But they shall never put my legs into khaki."

That first time, at the barracks in the country town in the west, they
had treated him with that instinctive regard and gentleness which he
usually got from men who were not German militarist bullies, or worse,
British commercial bullies. For instance, in the morning in that prison
barracks room, these unexamined recruits were ordered to make their beds
and sweep the room. In obedience, so far, Richard Lovat took one of the
heavy brooms. He was pale, silent, isolated: a queer figure, a young man
with a beard. The other soldiers--or must-be soldiers--had looked at him
as a queer fish, but that he was used to.

"Say, Dad," said a fattish young fellow older than himself, the only
blatherer, a loose fellow who had come from Canada to join up and was
already cursing: he was a good deal older than Somers.

"Say, Dad," said this fellow, as they sat in the train coming up, "all
that'll come off to-morrow--Qck, Qck!"--and he made two noises, and gave
two long swipes with his finger round his chin, to intimate that
Richard's beard would be cut off to-morrow.

"We'll see," said Richard, smiling with pale lips.

He said in his heart, the day his beard was shaven he was beaten, lost.
He identified it with his isolate manhood. He never forgot that journey
up to Bodmin, with the other men who were called up. They were all
bitterly, desperately miserable, but still manly: mostly very quiet, yet
neither sloppy nor frightened. Only the fat, loose fellow who had given
up a damned good job in Canada to come and serve this bloody country,
etc., etc., was a ranter and a bragger. Somers saw him afterwards naked:
strange, fat, soft, like a woman. But in another carriage the men sang
all the time, or howled like dogs in the night:

I'll be your sweetheart, if you will be mine,
All my life I'll be you-o-o-ur Valentine.
Bluebells I'll gather, take them and be true,
When I'm a man, my plan will be to marry you.

Wailing down the lost corridors of hell, surely, those ghastly
melancholy notes--

All my li-i-i-ife--I'll be you-u-r Valentine.

Somers could never recall it without writhing. It is not death that
matters, but the loss of the integral soul. And these men howled as if
they were going to their doom, helplessly, ghastly. It was not the death
in front. It was the surrender of all their old beliefs, and all their
sacred liberty.

Those bluebells! They were worse than the earlier songs. In 1915,
autumn, Hampstead Heath, leaves burning in heaps, in the blue air,
London still almost pre-war London: but by the pond on the Spaniards
Road, blue soldiers, wounded soldiers in their bright hospital blue and
red, always there: and earth-coloured recruits with pale faces drilling
near Parliament Hill. The pre-war world still lingering, and some vivid
strangeness, glamour thrown in. At night all the great beams of the
searchlights, in great straight bars, feeling across the London sky,
feeling the clouds, feeling the body of the dark overhead. And then
Zeppelin raids: the awful noise and the excitement. Somers was never
afraid then. One evening he and Harriet walked from Platts Lane to the
Spaniards Road, across the Heath: and there, in the sky, like some god
vision, a Zeppelin, and the searchlights catching it, so that it gleamed
like a manifestation in the heavens, then losing it, so that only the
strange drumming came down out of the sky where the searchlights tangled
their feelers. There it was again, high, high, high, tiny, pale, as one
might imagine the Holy Ghost, far, far above. And the crashes of guns,
and the awful hoarseness of shells bursting in the city. Then gradually,
quiet. And from Parliament Hill, a great red glare below, near St.
Paul's. Something ablaze in the city. Harriet was horribly afraid. Yet
as she looked up at the far-off Zeppelin she said to Somers:

"Think, some of the boys I played with when I was a child are probably
in it."

And he looked up at the far, luminous thing, like a moon. Were there men
in it? Just men, with two vulnerable legs and warm mouths. The
imagination could not go so far.

Those days, that autumn...people carried about chrysanthemums, yellow
and brown chrysanthemums: and the smell of burning leaves: and the
wounded, bright blue soldiers with their red cotton neckties, sitting
together like macaws on the seats, pale and different from other people.
And the star Jupiter very bright at nights over the cup hollow of the
Vale, on Hampstead Heath. And the war news coming, the war horror
drifting in, drifting in, prices rising, excitement growing, people
going mad about the Zeppelin raids. And always the one song:

Keep the home fires burning,
Though your hearts be yearning.

It was in 1915 the old world ended. In the winter 1915-1916 the spirit
of the old London collapsed; the city, in some way, perished, perished
from being a heart of the world, and became a vortex of broken passions,
lusts, hopes, fears, and horrors. The integrity of London collapsed, and
the genuine debasement began, the unspeakable baseness of the press and
the public voice, the reign of that bloated ignominy, John Bull.

No man who has really consciously lived through this can believe again
absolutely in democracy. No man who has heard reiterated in thousands of
tones from all the common people during the crucial years of the war: "I
believe in John Bull. Give me John Bull," can ever believe that in any
crisis a people can govern itself, or is ever fit to govern itself.
During the crucial years of the war, the people chose, and chose
Bottomleyism. Bottom enough.

The well-bred, really cultured classes were on the whole passive
resisters. They shirked their duty. It is the business of people who
really know better to fight tooth and nail to keep up a standard, to
hold control of authority. Laiser-aller is as guilty as the actual,
stinking mongrelism it gives place to.

It was in mid-winter 1915 that Somers and Harriet went down to Cornwall.
The spirit of the war--the spirit of collapse and of human ignominy, had
not travelled so far yet. It came in advancing waves.

We hear so much of the bravery and horrors at the front. Brave the men
were, all honour to them. It was at home the world was lost. We hear too
little of the collapse of the proud human spirit at home, the triumph of
sordid, rampant, raging meanness. "The bite of a jackal is
blood-poisoning and mortification." And at home stayed all the jackals,
middle-aged, male and female jackals. And they bit us all. And
blood-poisoning and mortification set in.

We should never have let the jackals loose, and patted them on the head.
They were feeding on our death all the while.

Away in the west Richard and Harriet lived alone in their cottage by the
savage Atlantic. He hardly wrote at all, and never any propaganda. But
he hated the war, and said so to the few Cornish people around. He
laughed at the palpable lies of the press, bitterly. And because of his
isolation and his absolute separateness, he was marked out as a spy.

"I am not a spy," he said, "I leave it to dirtier people. I am myself,
and I won't have popular lies."

So, there began the visits from the policeman. A large, blue, helmeted
figure at the door.

"Excuse me, sir, I have just a few enquiries to make."

The police-sergeant always a decent, kindly fellow, driven by the

Somers and Harriet lived now with that suspense about them in the very
air they breathed. They were suspects.

"Then let them suspect," said he. "I do nothing to them, so what can
they do to me.

He still believed in the constitutional liberty of an Englishman.

"You know," said Harriet, "you DO say things to these Cornish people."

"I only say, when they tell me newspaper lies, that they ARE lies."

But now the two began to be hated, hated far more than they knew.

"You want to be careful," warned one of the Cornish friends. "I've heard
that the coast-watchers have got orders to keep very strict watch on

"Let them, they'll see nothing."

But it was not till afterwards that he learned that the watchers had
lain behind the stone fence, to hear what he and Harriet talked about.

So, he was called up the first time and went. He was summoned to
Penzance, and drove over with Harriet, expecting to return for the time
at least. But he was ordered to proceed the same afternoon to Bodmin,
along with sixteen or seventeen other fellows, farm hands and working
men. He said good-bye to Harriet, who was to be driven back alone across
the moors, to their lonely cottage on the other side.

"I shall be back to-morrow," he said.

England was still England, and he was not finally afraid.

The train journey from Penzance to Bodmin with the other men: the fat,
bragging other man: the tall man who felt as Somers did: the change at
the roadside station, with the porters chaffing the men that the
handcuffs were on them. Indeed, it was like being one of a gang of
convicts. The great, prison-like barracks--the disgusting evening meal
of which he could eat nothing--the little terrier-like sergeant of the
regulars, who made them a little encouraging speech: not a bad chap. The
lounging about that barracks yard, prisoners, till bed-time: the other
men crowding to the canteen, himself mostly alone. The brief talks with
men who were for a moment curious as to who and what he was. For a
moment only. They were most of them miserable and bitter.

Gaol! It was like gaol. He thought of Oscar Wilde in prison. Night came,
and the beds to be made.

"They're good beds, clean beds, you'll sleep quite comfortable in them,"
said the elderly little sergeant with a white moustache. Nine o'clock
lights out. Somers had brought no night clothes, nothing. He slept in
his woollen pants, and was ashamed because they had patches on the
knees, for he and Harriet were very poor these years. In the next bed
was a youth, a queer fellow, in a sloppy suit of black broadcloth, and
down-at-heel boots. He had a degenerate sort of handsomeness too. He had
never spoken a word. His face was long and rather fine, but like an
Apache, his straight black hair came in a lock over his forehead. And
there was an Apache sort of sheepishness, stupidity, in everything he
did. He was a long time getting undressed. Then there he stood, and his
white cotton day-shirt was long below his knees, like a woman's
nightgown. A restless, bitter night, with one man cough, cough,
coughing, a hysterical cough, and others talking, making noises in their
sleep. Bugle at six, and a scramble to wash themselves at the zinc
trough in the wash house. Somers could not crowd in, did not get in till
towards the end. Then he had to borrow soap, and afterwards a piece of
comb. The men were all quiet and entirely inoffensive, common, but
gentle, by nature decent. A sickening breakfast, then wash-up and sweep
the floors. Somers took one of the heavy brooms, as ordered, and began.
He swept his own floors nearly every day. But this was heavier work. The
sergeant stopped him. "Don't you do that. You go and help to wipe the
pots, if you like. Here, you boy, YOU--take that sweeping brush."

And Somers relinquished his broom to a bigger man.

They were kindly, and, in the essential sense, gentlemen, the little
terrier of a sergeant too. Englishmen, his own people.

When it came to Somer's turn to be examined, and he took off his clothes
and sat in his shirt in the cold lobby: the fat fellow pointed to his
thin, delicate legs with a jeer. But Somers looked at him, and he was
quiet again. The queer, soft, pale-bodied fellow, against Somers' thin
delicate whiteness. The little sergeant kept saying:

"Don't you catch cold, you chaps."

In the warm room behind a screen, Richard took off his shirt and was
examined. The doctor asked him where he lived--where was his home--asked
as a gentleman asks, treated him with that gentle consideration Somers
usually met with, save from business people or official people.

"We shall reject you, leave you free," said the doctor, after consulting
with the more elderly, officious little man, "but we leave it to you to
do what you can for your country."

"Thank you," said Richard, looking at him.

"Every man must do what he can," put in the other doctor, who was
elderly and officious, but a gentleman. "The country needs the help of
every man, and though we leave you free, we expect you to apply yourself
to SOME service."

"Yes," said Somers, looking at him, and speaking in an absolutely
neutral voice. Things said like that to him were never real to him: more
like the noise of a cart passing, just a noise.

The two doctors looked from his face down his thin nakedness again.

"Put your shirt on," said the younger one.

And Somers could hear the mental comment, "Rum sort of a fellow," as he
did so.

There was still a wait for the card. It was one of those cards:
A--Called up for military service. B--Called up for service at the
front, but not in the lines. C--Called up for non-military service.
R--Rejected. A, B, and C were ruled out in red ink, leaving the
Rejected. He still had to go to another office for his pay--two
shillings and fourpence, or something like that. He signed for this and
was free. Free--with two shillings and fourpence, and pass for a railway
ticket--and God's air. The moment he stepped out with his card, he
realised that it was Saturday morning, that the sun was shining, filling
the big stone yard of the barracks, from which he could look to the
station and the hill with its grass, beyond. That hill beyond--he had
seemed to look at it through darkened glass, before. Till now, the
morning had been a timeless greyness. Indeed, it had rained at seven
o'clock, as they stood lounging miserably about in the barracks yard
with its high wall, cold and bitter. And the tall man had talked to him

But now the sun shone, the dark-green, Cornish hill, hard-looking, was
just a near hill. He walked through the great gates. Ah God, he was out,
he was free. The road with trees went downhill to the town. He hastened
down, a free human being, on Saturday morning, the grey glaze gone from
his eyes.

He telegraphed the ignominious word Rejected, and the time of his
arrival, to Harriet. Then he went and had dinner. Some of the other men
came in. They were reserved now--there was a distance between him and
them--he was not of their social class.

"What are you?" they asked him.

"Rejected," he said.

And they looked at him grudgingly, thinking it was because he was not a
working man he had got special favour. He knew what they thought, and he
tried not to look so glad. But glad he was, and in some mysterious way,

It was a wonderful journey on the Saturday afternoon home--sunny, busy,
lovely. He changed at Truro and went into town. On the road he met some
of the other fellows, who were called up, but not summoned for service
immediately. They had some weeks, or months, of torment and suspense
before them. They looked at Somers, and grinned rather jeeringly at him.
They envied him--no wonder. And already he was a stranger, in another
walk of life.

Rejected as unfit. One of the unfit. What did he care? The Cornish are
always horrified of any ailment or physical disablement. "What's amiss
then?" they would ask. They would SAY that you might as well be shot
outright as labelled unfit. But most of them tried hard to find
constitutional weaknesses in themselves, that would get them rejected
also, notwithstanding. And at the same time they felt they must be
horribly ashamed of their physical ignominy if they were LABELLED unfit.

Somers did not care. Let them label me unfit, he said to himself. I know
my own body is fragile, in its way, but also it is very strong, and it's
the only body that would carry my particular self. Let the fools peer at
it and put me down undeveloped chest and what they like, so long as they
leave me to my own way.

Then the kindly doctor's exhortation that he should find some way for
himself for serving his country. He thought about that many times. But
always, as he came near to the fact of committing himself, he knew that
he simply could not commit himself to any service whatsoever. In no
shape or form could he serve the war, either indirectly or directly. Yet
it would have been so easy. He had quite enough influential friends in
London to put him into some job, even some quite congenial, literary
job, with a sufficient salary. They would be only too glad to do it, for
there in his remoteness, writing occasionally an essay that only
bothered them, he was a thorn in their flesh. And men and women with
sons, brothers, husbands away fighting, it was small pleasure for them
to read Mr. Somers and his denunciation. "This trench and machine
warfare is a blasphemy against life itself, a blasphemy which we are all
committing." All very well, they said, but we are in for a war, and what
are we to do? We hate it as much as he does. But we can't all sit safely
in Cornwall.

That was true too, and he knew it, and he felt the most a dreary misery,
knowing how many brave, generous men were being put through this
slaughter-machine of human devilishness. They were doing their best, and
there was nothing else to do. But even that was no reason why he should
go and do likewise.

If men had kept their souls firm and integral through the years, the war
would never have come on. If, in the beginning, there had been enough
strong, proud souls in England to concentrate the English feeling into
stern, fierce, honourable fighting,, the war would never have gone as it
went. But England slopped and wobbled, and the tide of horror

And now, if circumstances had roped nearly all men into the horror, and
it was a case of adding horror to horror, or dying well, on the other
hand, the irremediable circumstance of his own separate soul made
Richard Lovat's inevitable standing out. If there is outward,
circumstantial unreason and fatality, there is inward unreason and
inward fate. He would have to dare to follow his inward fate. He must
remain alone, outside of everything, everything, conscious of what was
going on, conscious of what he was doing and not doing. Conscious he
must be, and consciously he must stick to it. To be forced into nothing.

For, above all things, man is a land animal and a thought-adventurer.
Once the human consciousness really sinks and is swamped under the tide
of events--as the best English consciousness was swamped, pacifist and
patriotic alike--then the adventure is doomed. The English soul went
under in the war, and, as a conscious, proud, adventurous,
self-responsible soul, it was lost. We all lost the war: perhaps Germany
least. Lost all the lot. The adventure is always lost when the human
conscious soul gives way under the stress, fails to keep control, and is
submerged. Then out swarm the rats and the Bottomleys and crew, and the
ship of human adventure is a horrible piratic affair, a dirty sort of

Richard Lovat had nothing to hang on to but his own soul. So he hung on
to it, and tried to keep his wits. If no man was with him, he was hardly
aware of it, he had to grip on so desperately, like a man on a plank in
a shipwreck. The plank was his own individual self.

Followed that period of suspense which changed his life for ever. If the
postman was coming plunging downhill through the bushes over the moor,
the first thought was: What is he bringing now? The postman was over
military age, and had a chuckle of pleasure in handing out those
accursed On His Majesty's Service envelopes which meant that a man was
summoned for torture. The postman was a great Wesleyan and a chapel
preacher, and the thought of hell for other men was sweet in him: he had
a religious zest added to his natural Cornish zest in other people's

Again, if there was the glint of a bicycle on the moor road, and if it
turned down the bypath towards the cottage, then Somers strained his
eyes to see if the rider were fat and blue, or tall and blue. Was it the
police sergeant, or the police constable, coming for more identification

"We want your birth certificate," said the sergeant. "They've written
from Bodmin asking you to produce your birth certificate."

"Then tell them to get it. No, I haven't got it. You've had my marriage
certificate. You know who I am and where I was born and all the rest.
Now let them get the birth certificate themselves."

Richard Lovat was at the end of all patience. They persisted he was a
foreigner--poor Somers, just because he had a beard. One of the most
intensely English little men England ever produced, with a passion for
his country, even if it were often a passion of hatred. But no, they
persisted he was a foreigner. Pah!

He and Harriet did all their own work, their own shopping. One wintry
afternoon they were coming home with a knapsack, along the field path
above the sea, when two khaki individuals, officers of some sort, strode
after them.

"Excuse me," said one, in a damnatory officious voice. "What have you
got in that sack?"

"A few groceries," said Lovat.

"I would like to look."

Somers put the sack down on the path. The tall and lofty officer stooped
and groped nobly among a pound of rice and a piece of soap and a dozen

"Ha!" he cried, exultant. "What's this? A camera!"

Richard peeped in the bag at the groping red military hands. For a
moment he almost believed that a camera had spirited itself in among his
few goods, the implication of his guilt was so powerful. He saw a block
in brown paper.

"A penn'orth of salt," he said quietly, though pale to the lips with
anger and insult.

But the gentlemanly officer--a Captain--tore open the paper. Yes, a
common block of salt. He pushed the bag aside.

"We have to be careful," said the other, lesser man.

"Of course," said Richard, tying up his bag.

"Good afternoon!" said Harriet.

The fellows half saluted, and turned hastening away. Richard and Harriet
had the advantage of sauntering behind them and looking at their noble
backs. Oh, they were gentlemen, true English gentlemen: perhaps Cornish.

Harriet gave a pouf of laughter.

"The poor innocent salt!" she exclaimed.

And no doubt that also was chalked up against her.

It was Christmas time, and two friends came down to stay at the cottage
with the Somers. Those were the days before America joined the Allies.
The man friend arrived with a whole parcel of American dainties,
buckwheat meal and sweet potatoes and maple sugar: the woman friend
brought a good basket of fruit. They were to have a Christmas in the
lonely cottage in spite of everything.

It was Christmas Eve, and a pouring black wet night outside. Nowhere can
it be so black as on the edge of a Cornish moor, above the western sea,
near the rocks where the ancient worshippers used to sacrifice. The
darkness of menhirs. The American woman friend was crouching at the fire
making fudge, the man was away in his room, when a thundering knock at
the door. Ah Lord!

The burly police-sergeant, and his bicycle.

"Sorry to trouble you sir, but is an American, a Mr. Monsell, stopping
here with you? He is. Can I have a word with him?"

"Yes. Won't you come in?"

Into the cosy cottage room, with the American girl at the fire, her face
flushed with the fudge-making, entered the big, burly police-sergeant,
his black mackintosh-cape streaming wet.

"We give you a terrible lot of trouble, I'm sorry to say," said Harriet
ironically. "What an awful night for you to have to come all these
miles. I'm sure it isn't OUR doing."

"No, ma'm, I know that. It's the doing of people who like to meddle.
These military orders, they take some keeping pace with."

"I'm sure they do."

Harriet was all sympathy. So he, too, was goaded by these military

Somers fetched the American friend, and he was asked to produce papers,
and give information. He gave it, being an honourable citizen and a
well-bred American, with complete sang froid. At that moment Somers
would have given a lot to be American too, and not English. But
wait--those were early days, when America was still being jeered at for
standing out and filling her pockets. She was not yet the intensely
loved Ally. The police-sergeant was pleasant as ever. He apologised
again, and went out into the black and pouring night. So much for
Christmas Eve.

"But that's not the end of the horrid affair," as the song says. When
Monsell got back to London he was arrested, and conveyed to Scotland
Yard: there examined, stripped naked, his clothes taken away. Then he
was kept for a night in a cell--next evening liberated and advised to
return to America.

Poor Monsell, and he was so very anti-German, so very pro-British. It
was a blow for him. He did not leave off being anti-German, but he was
much less pro-British. And after all, it was war-time, when these things
must happen, we are told. Such a war-time that let loose the foulest
feelings of a mob, particularly of 'gentlemen', to torture any single,
independent man as a mob always tortures the isolated and independent.

In despair, Somers thought he would go to America. He had passports, he
was Rejected. They had no use for him, and he had no use for them. So he
posted his passports to the Foreign Office, for the military permit to

It was January, and there was a thin film of half-melted snow, like
silver, on the fields and the path. A white, static, arrested morning,
away there in the west of Cornwall, with the moors looking primeval, and
the huge granite boulders bulging out of the earth like presences. So
easy to realise men worshipping stones. It is not the stone. It is the
mystery of the powerful, pre-human earth, showing its might. And all,
this morning, static, arrested in a cold, milky whiteness, like death,
the west lost in the sea.

A man culminates in intense moments. This was one of Somers' white,
deathlike moments, as he walked home from the tiny post-office in the
hamlet, on the wintry morning, after he had posted his passports asking
for visas to go to New York. It was like walking in death: a strange,
arrested land of death. Never had he known that feeling before: as if he
were a ghost in the after-death, walking a strange, pale, static, cold
world. It almost frightened him. "Have I done wrong?" he asked himself.
"Am I wrong, to leave my country and go to America?"

It was then as if he HAD left his country: and that was like death, a
still, static, corporate death. America was the death of his own country
in him, he realised that.

But he need not have bothered. The Foreign Office kept his passports,
and did not so much as answer him. He waited in vain.

Spring came--and one morning the news that Asquith was out of the
government, that Lloyd George was in. And this was another of Somers'
crises. He felt he must go away from the house, away from everywhere.
And as he walked, clear as a voice out of the moors, came a voice
saying: "It is the end of England. It is the end of the old England. It
is finished. England will never be England any more."

Cornwall is a country that makes a man psychic. The longer he stayed,
the more intensely it had that effect on Somers. It was as if he were
developing second sight, and second hearing. He would go out into the
blackness of night and listen to the blackness, and call, call softly,
for the spirits, the presences he felt coming downhill from the moors in
the night. "Tuatha De Danaan!" he would call softly. "Tuatha De Danaan!
Be with me. Be with me." And it was as if he felt them come.

And so this morning the voice struck into his consciousness. "It is the
end of England." So he walked along blindly, up the valley and on the
moors. He loved the country intensely. It seemed to answer him. But his
consciousness was all confused. In his mind, he did not at all see why
it should be the end of England. Mr. Asquith was called Old
Wait-and-See. And truly, English Liberalism had proved a slobbery
affair, all sad sympathy with everybody, and no iron backbone, these
years. Repulsively humble, too, on its own account. It was no time for
Christian humility. And yet, it was true to its great creed.

Whereas Lloyd George! Somers knew nothing about Lloyd George. A little
Welsh lawyer, not an Englishman at all. He had no real significance in
Richard Lovat's soul. Only, Somers gradually came to believe that all
Jews, and all Celts, even whilst they espoused the cause of England,
subtly lived to bring about the last humiliation of the great old
England. They could never do so if England WOULD NOT BE humiliated. But
with an England fairly offering herself to ignominy, where was the help?
Let the Celts work out their subtlety. If England WANTED to be betrayed,
in the deeper issues. Perhaps Jesus wanted to be betrayed. He did. He
chose Judas.

Well, the story could have no other ending.

The war-wave had broken right over England, now: right over Cornwall.
Probably throughout the ages Cornwall had not been finally swept,
submerged by any English spirit. Now it happened--the accursed later war
spirit. Now the tales began to go round full-tilt against Somers. A
chimney of his house was tarred to keep out the damp: that was a signal
to the Germans. He and his wife carried food to supply German
submarines. They had secret stores of petrol in the cliff. They were
watched and listened to, spied on, by men lying behind the low stone
fences. It is a job the Cornish loved. They didn't even mind being
caught at it: lying behind a fence with field-glasses, watching through
a hole in the drystone wall a man with a lass, on the edge of the moors.
Perhaps they were proud of it. If a man wanted to hear what was said
about him--or anything--he lay behind a wall at the field-corners, where
the youths talked before they parted and went indoors, late of a
Saturday night. A whole intense life of spying going on all the time.

Harriet could not hang out a towel on a bush, or carry out the slops, in
the empty landscape of moors and sea, without her every movement being
followed by invisible eyes. And at evening, when the doors were shut,
valiant men lay under the windows to listen to the conversation in the
cosy little room. And bitter enough were the things they said: and
damnatory, the two Somers. Richard did not hold himself in. And he
talked too with the men on the farm: openly. For they had exactly the
same anti-military feeling as himself, and they simply loathed the
thought of being compelled to serve. Most men in the west, Somers
thought, would have committed murder to escape, if murder would have
helped them. It wouldn't. He loved the people at the farm, and the men
kindled their rage together. And again Somers' farmer friend warned him,
how he was being watched. But Somers WOULD not heed. "What can they do
to me!" he said. "I am not a spy in any way whatsoever. There is nothing
they can do to me. I make no public appearance at all. I am just by
myself. What can they do to me? Let them go to hell."

He refused to be watchful, guarded, furtive, like the people around,
saying double things as occasion arose, and hiding their secret thoughts
and secret malignancy. He still believed in the freedom of the
individual.--Yes, freedom of the individual!

He was aware of the mass of secret feeling against him. Yet the people
he came into daily contact with liked him--almost loved him. So he kept
on defying the rest, and went along blithe and open as ever, saying what
he really felt, or holding his tongue. Enemies! How could he have any
PERSONAL enemies? He had never done harm to any of these people, had
never even felt any harm. He did not believe in personal enemies. It was
just the military.

Enemies he had, however, people he didn't know and hadn't even spoken
to. Enemies who hated him like poison. They hated him because he was
free, because of his different, unafraid face. They hated him because he
wasn't cowed, as they were all cowed. They hated him for his intimacy at
the farm, in the hamlet. For each farm was bitter jealous of each other.

Yet he never believed he had any PERSONAL enemies. And he had all the
west hating him like poison. He realized once, when two men came down
the moorland by-road--officers in khaki--on a motor-bicycle, and went
trying the door of the next cottage, which was shut up. Somers went to
the door, in all simplicity.

"Did you want me?" he asked.

"No, we didn't want YOU," replied one of the fellows, in a genteel voice
and a tone like a slap in the face. Somers spoken to as if he were the
lowest of the low. He shut his cottage door. Was it so? Had they
wilfully spoken to him like that? He would not believe it.

But inwardly, he knew it was so. That was what they intended to convey
to him: that he was the lowest of the low. He began even to feel guilty,
under this mass of poisonous condemnation. And he realised that they had
come, on their own, to get into the other cottage and see if there were
some wireless installation or something else criminal. But it was
fastened tight, and apparently they gave up their design of breaking in,
for they turned the motor-cycle and went away.

Day followed day in this tension of suspense. Submarines were off the
coast; Harriet saw a ship sunk, away to sea. Horrible excitement, and
the postman asking sly questions to try to catch Somers out. Increased
rigour of coast watching, and NO light must be shown. Yet along the
high-road on the hillside above, plainer than any house-light, danced
the lights of a cart, moving, or slowly sped the light of a bicycle, on
the blackness. Then a Spanish coal-vessel, three thousand tons, ran on
the rocks in a fog, straight under the cottage. She was completely
wrecked. Somers watched the waves break over her. Her coal washed
ashore, and the farmers carried it up the cliffs in sacks.

There was to be a calling-up now and a re-examination of every
man--Somers felt the crisis approaching. The ordeal was to go through,
once more. The first rejection meant nothing. There were certain
reservations. He had himself examined again by a doctor. The strain
told. on his heart as well as his breathing. He sent in this note to the
authorities. A reply: "You must present yourself for examination, as

He knew that if he was really ever summoned to any service, and finally
violated, he would be broken, and die. But patience. In the meanwhile he
went to see his people: the long journey up the west, changing at
Plymouth and Bristol and Birmingham, up to Derby. Glamorous west of
England: if a man were free. He sat through the whole day, very still,
looking at the world. Very still, gone very far inside himself,
travelling through this England in spring. He loved it so much. But it
was in the grip of something monstrous, not English, and he was almost
gripped too. As it was, by making himself far away inside himself, he
contained himself, and was still.

He arrived late in Derby: Saturday night, and no train for the next ten
miles. But luckily, there was a motor-bus going out to the outlying
villages. Derby was very dark, like a savage town, a feeling of
savagery. And at last the bus was ready: full of young miners, more or
less intoxicated. The bus was crammed, a solid jam of men, sitting on
each other's knees, standing blocked and wedged. There was no outside
accommodation. And inside were jammed eighteen more men than was
allowed. It was like being pressed into one block of corned beef.

The bus ran six miles without stopping, through an absolutely dark
country, Zeppelin black, and having one feeble light of its own. The
roads were unmended, and very bad. But the bus charged on, madly, at
full speed, like a dim consciousness madly charging through the night.
And the mass of colliers swayed with the bus, intoxicated into a living
block, and with high, loud, wailing voices they sang:

There's a long, long trail a-winding
Into the land of my dreams--
Where the nightingales are singing and the--

This ghastly trailing song, like death itself. The colliers seemed to
tear it out of their bowels, in a long, wild chant. They, too, all
loathed the war: loathed it. And this awful song! They subsided, and
somebody started "Tipperary".

It's a long, long way to Tipperary,
It's a long way to go--.

But Tipperary was already felt as something of a Jonah: a bad-luck song,
so it did not last long. The miserable songs--with their long, long ways
that ended in sheer lugubriousness: real death-wails! These for battle
songs. The wail of a dying humanity.

Somebody started:

Don't cry--eee
Wipe the tear, baby dear, from your eye--eee--
For it's hard to part I know.
I'll--be--tickled-to-death to go,
Don't cry--eee--.

But the others didn't know this ragtime, and they weren't yet in the
mood. They drifted drunkenly back to the ineffable howl of

There's a long, long trail--.

A black, wild Saturday night. These were the collier youths Somers had
been to school with--approximately. As they tore their bowels with their
singing, they tore his. But as he sat squashed far back among all that
coated flesh, in the dimmest glim of a light, that only made darkness
more substantial, he felt like some strange isolated cell in some
tensely packed organism that was hurtling through chaos into oblivion.
The colliers. He was more at one with them. But they were blind,
ventral. Once they broke loose heaven knows what it would be.

The Midlands--the theatre in Nottingham--the pretence of amusement, and
the feeling of murder in the dark, dreadful city. In the daytime these
songs--this horrible long trail, and "Good-byeeee" and "Way down in
Tennessee." They tried to keep up their spirits with this rag-time
Tennessee. But there was murder in the air in the Midlands, among the
colliers. In the theatre particularly, a shut-in, awful feeling of souls
fit for murder.

London--mid-war London, nothing but war, war. Lovely sunny weather, and
bombs at midday in the Strand. Summery weather.
Berkshire--aeroplanes--springtime. He was as if blind; he must hurry the
long journey back to Harriet and Cornwall.

Yes--he had his papers--he must present himself again at Bodmin
barracks. He was just simply summoned as if he were already conscripted.
But he knew he must be medically examined. He went--left home at seven
in the morning to catch the train. Harriet watched him go across the
field. She was left alone, in a strange country.

"I shall be back to-night," he said.

It was a still morning, as if one were not in the world. On the hill
down to the station he lingered. "Shall I not go! Shall I not go!" he
said to himself. He wanted to break away. But what good? He would only
be arrested and lost. Yet he had dawdled his time, he had to run hard to
catch the train in the end.

This time things went much more quickly. He was only two hours in the
barracks. He was examined. He could tell they knew about him and
disliked him. He was put in class C3--unfit for military service, but
conscripted for light non-military duties. There were no rejections now.
Still, it was good enough. There were thousands of C men, men who WANTED
to have jobs as C men, so they were not very likely to fetch him up. He
would only be a nuisance anyhow. That was clear all round.

Through the little window at the back of their ancient granite cottage,
Harriet, peeping wistfully out to sea--poor Harriet, she was always
frightened now--saw Richard coming across the fields, home, walking
fast, and with that intent look about him that she half feared. She ran
out in a sort of fear, then waited. She would wait.

He saw her face very bright with fear and joy at seeing him back: very
beautiful in his eyes. The only real thing, perhaps, left in his world.

"Here you are! So early!" she cried. "I didn't expect you. The dinner
isn't ready yet. Well?"

"C3," he replied. "It's all right."

"I KNEW it would be," she cried, seizing his arm and hugging it to her.
They went in to the cottage to finish cooking the evening meal. And
immediately one of the farm girls came running up to see what it was.

"Oh, C3--so you're all right, Mr. Somers. Glad, I'm glad."

Harriet never forgot the straight, intent bee-line for home which he was
making when she peeped out of that little window unaware.

So, another respite. They were not going to touch him. They knew he
would be a firebrand in their army, a dangerous man to put with any
group of men. They would leave him alone. C3.

He had almost entirely left off writing now, and spent most of his days
working on the farm. Again the neighbours were jealous.

"Buryan gets his labour cheap. He'd never have got his hay in but for
Mr. Somers," they said. And that was another reason for wishing to
remove Richard Lovat. Work went like steam when he was on Trendrinnan
farm, and he was too thick with the Buryans. Much too thick. And John
Thomas Buryan rather bragged of Mr. Somers at market, and how he,
Richard Lovat, wasn't afraid of any of them, etc., etc.--that he wasn't
going to serve anybody, etc.--and that nobody could make him--etc., etc.

But Richard drifted away this summer, on to the land, into the weather,
into Cornwall. He worked out of doors all the time--he ceased to care
inwardly--he began to drift away from himself. He was very thick with
John Thomas, and nearly always at the farm. Harriet was a great deal
alone. And he seemed to be drifting away, drifting back to the common
people, becoming a working man, of the lower classes. It had its charm
for Harriet, this aspect of him--careless, rather reckless, in old
clothes and an old battered hat. He kept his sharp wits, but his SPIRIT
became careless, lost its concentration.

"I declare!" said John Thomas, as Somers appeared in the cornfield, "you
look more like one of us every day." And he looked with a bright Cornish
eye at Somers' careless, belted figure and old jacket. The speech struck
Richard: it sounded half triumphant, half mocking. "He thinks I'm coming
down in the world--it is half a rebuke," thought Somers to himself. But
he was half pleased: and half he WAS rebuked.

Corn harvest lasted long, and was a happy time for them all. It went
well, well. Also from London occasionally a young man came down and
stayed at the inn in the church town, some young friend of Somers who
hated the army and the Government and was generally discontented, and so
fitfully came as an adherent to Richard Lovat. One of these was James
Sharpe, a young Edinburgh man with a moderate income of his own,
interested in music. Sharpe was hardly more than a lad--but he was the
type of lowland Scotsman who is half an artist, not more, and so can
never get on in the ordinary respectable life, rebels against it all the
time, and yet can never get away from it or free himself from its

Sharpe had taken a house further along the coast, brought his piano down
from London and sufficient furniture and a housekeeper, and insisted,
like a morose bird, that he wanted to be alone. But he wasn't really
morose, and he didn't want really to be alone. His old house, rather
ramshackle, stood back a little way from the cliffs, where the moor came
down savagely to the sea, past a deserted tin mine. It was lonely, wild,
and in a savage way, poetic enough. Here Sharpe installed himself for
the moment: to be alone with his music and his general discontent.

Of course he excited the wildest comments. He had window-curtains of
different colours, so of course, HERE was plain signalling to the German
submarines. Spies, the lot of them. When still another young man of the
same set came and took a bungalow on the moors, West Cornwall decided
that it was being delivered straight into German hands. Not that West
Cornwall would really have minded that so terribly. No; it wasn't that
it feared the Germans. It was that it hated the sight of these
recalcitrant young men. And Somers the instigator, the arch-spy, the
responsible little swine with his beard.

Somers, meanwhile, began to chuckle a bit to himself. After all he was
getting the better of the military canaille. Canaille! Canaglia!
Schweinerie! He loathed them in all the languages he could lay his
tongue to.

So Somers and Harriet went to stay a week-end with Sharpe at Trevenna,
as the house was called. Sharpe was a C2 man, on perpetual tenterhooks.
He had decided that if ever HE were summoned to serve, he would just
disappear. The Somers drove over, only three or four miles, on the
Saturday afternoon, and the three wandered on the moor and down the
cliff. No one was in sight. But how many pairs of eyes were watching,
who knows? Sharpe lighting a cigarette for Harriet was an indication of
untold immorality.

Evening came, the lamps were lit, and the incriminating curtains
carefully drawn. The three sat before the fire in the long music room,
and tried to be cosy and jolly. But there was something wrong with the
mood. After dinner it was even worse. Harriet curled herself up on the
sofa with a cigarette. Sharpe spread himself in profound melancholy in
his big chair, Somers sat back, nearer the window. They talked in
occasional snatches, in mockery of the enemy that surrounded them. Then
Somers sang to himself, in an irritating way, one German folksong after
another, not in a songful, but in a defiant way.

"Annchen von Tharau"--"Schatz, meun Schatz, reite nicht so weit von
mir." "Zu Strasburg auf der Schanz, da fiel mein Ungluck ein." This went
on till Sharpe asked him to stop.

And in the silence, the tense and irritable silence that followed, came
a loud bang. All got up in alarm, and followed Sharpe through the
dining-room to the small entrance-room, where a dim light was burning. A
lieutenant and three sordid men in the dark behind him, one with a

"Mr. Sharpe?"--the authoritative and absolutely-in-the-right voice of
the puppy lieutenant.

Sharpe took his pipe from his mouth and said laconically, "Yes."

"You've a light burning in your window facing the sea."

"I think not. There is only one window, and that's on the passage where
I never go, upstairs."

"A light was showing from that window ten minutes ago."

"I don't think it can have been."

"It was." And the stern, puppy lieutenant turned to his followers, who
clustered there in the dark.

"Yes, there was a light there ten minutes since," chimed the followers.

"I don't see how it's possible," persisted Sharpe.

"Oh, well--there is sufficient evidence that it was. What other persons
have you in the house--? and this officer and gentleman stepped into the
room, followed by his three Cornish weeds, one of whom had fallen into a
ditch in his assiduous serving of his country, and was a sorry sight. Of
course Harriet saw chiefly him, and had to laugh.

"There's Mrs. Waugh, the housekeeper--but she's in bed."

The party now stood and eyed one another--the lieutenant with his three
sorry braves on one hand, Sharpe, Somers, and Harriet in an old dress of
soft silk on the other.

"Well, Mr. Sharpe, the light was seen."

"I don't see how it was possible. We've none of us been upstairs, and
Mrs. Waugh has been in bed for half an hour."

"Is there a curtain to the passage window?" put in Somers quietly. He
had helped Sharpe in setting up house.

"I don't believe there is," said Sharpe. "I forgot all about it, as it
wasn't in a room, and I never go to that side of the house. Even Mrs.
Waugh is supposed to go up the kitchen stairs, and so she doesn't have
to pass it."

"She must have gone across with a candle as she went to bed," said

But the lieutenant didn't like being pushed into unimportance while
these young men so quietly and naturally spoke together, excluding him
as if he were an inferior: which they meant to do.

"You have an uncurtained window overlooking the sea, Mr. Sharpe?" he
said, in his military counter-jumper voice.

"You'll have to put a curtain to it to-morrow," said Somers to Sharpe.

"What is your name?" chimed the lieutenant.

"Somers--I wasn't speaking to you," said Richard coldly. And then to
Sharpe, with a note of contempt: "That's what it is. Mrs. Waugh must
have just passed with a candle."

There was a silence. The wonderful watchers did not contradict.

"Yes, I suppose that's it," said Sharpe, fretfully.

"We'll put a curtain up to-morrow," said Somers.

The lieutenant would have liked to search the house. He would have liked
to destroy its privacy. He glanced down to the music room. But Harriet,
so obviously a lady, even if a hateful one; and Somers with his pale
look of derision; and Sharpe so impassive with his pipe; and the weedy
watchers in the background, knowing just how it all was, and ALMOST
ready to take sides with the "gentleman" against the officer: they were
too much for the lieutenant.

"Well, the light was there, Mr. Sharpe. Distinctly visible from the
sea," and he turned to his followers for confirmation.

"Oh, yes, a light plain enough," said the one who had fallen into a
ditch, and wanted a bit of his own back.

"A candle!" said Sharpe, with his queer, musical note of derision and
fretfulness. "A candle just passing--."

"You have an uncurtained window to the sea, and lights were showing. I
shall have to report this to headquarters. Perhaps if you write and
apologise to Major Caerlyon it may be passed over, if nothing of the
like occurs again--.'

So they departed, and the three went back to their room, fuming with
rage and mockery. They mocked the appearance and voice of the
lieutenant, the appearance of the weeds, and Harriet rejoiced over the
one who had fallen into a ditch. This regardless of the fact that they
knew now that SOME of the watchers were lying listening in the gorse
bushes under the windows, and had been lying there all the evening.

"Shall you write and apologise?" said Somers.

"Apologise! no!" replied Sharpe, with peevish contempt.

Harriet and Somers went back home on the Monday. On the Tuesday appeared
Sharpe, the police had been and left him a summons to appear at the
market town, charged under the Defence of the Realm Act.

"I suppose you'll have to go," said Somers.

"Oh, I shall go," said he.

They waited for the day. In the afternoon Sharpe came with a white face
and tears of rage and mortification in his eyes. The magistrate had told
him he ought to be serving his country, and not causing mischief and
skulking in an out-of-the-way corner. And he fined him twenty pounds.

"_I_ shan't pay it," cried Sharpe.

"Your mother will," said Somers.

And so it was. What was the good of putting oneself in their power in
ANY way, if it could be avoided?

So the lower fields were cleared of corn, and they started on the two
big fields above on the moors. Sharpe cycled over to say a farmer had
asked HIM to go and help at Westyr; and for once he had gone; but he
felt spiteful to Somers for letting him in for this.

But Somers was very fond of the family at Buryan farm, and he loved
working with John Thomas and the girls. John Thomas was a year or two
older than Somers, and at this time his dearest friend. And so he loved
working all day among the corn beyond the high-road, with the savage
moors all round, and the hill with its pre-christian granite rocks
rising like a great dark pyramid on the left, the sea in front.
Sometimes a great airship hung over the sea, watching for submarines.
The work stopped in the field, and the men watched. Then it went on
again, and the wagon rocked slowly down the wild, granite road, rocked
like a ship past Harriet's sunken cottage. But Somers stayed above all
day, loading or picking, or resting, talking in the intervals with John
Thomas, who loved a half-philosophical, mystical talking about the sun,
and the moon, the mysterious powers of the moon at night, and the
mysterious change in man with the change of season, and the mysterious
effects of sex on a man. So they talked, lying in the bracken or on the
heather as they waited for a wain. Or one of the girls came with dinner
in a huge basket, and they ate all together, so happy with the moors and
sky and touch of autumn. Somers loved these people. He loved the
sensitiveness of their intelligence. They were not educated. But they
had an endless curiosity about the world, and an endless interest in
what was RIGHT.

"Now do you think it's right, Mr. Somers?" The times that Somers heard
that question, from the girls, from Arthur, from John Thomas. They spoke
in the quick Cornish way, with the West Cornish accent. Sometimes it

"Now do'ee think it right?"

And with their black eyes they watched the ethical issue in his face.
Queer it was. Right and wrong was not fixed for them as for the English.
There was still a mystery for them in what was right and what was wrong.
Only one thing was wrong--any sort of PHYSICAL compulsion or hurt. That
they were sure of. But as for the rest of behaviour--it was all a flux.
They had none of the ethics of chivalry or of love.

Sometimes Harriet came also to tea: but not often. They loved her to
come: and yet they were a little uneasy when she was there. Harriet was
so definitely a lady. She liked them all. But it was a bit noli me
tangere, with her. Somers was so VERY intimate with them. She couldn't
be. And the girls said: "Mrs. Somers don't mix in wi the likes o' we
like Mr. Somers do." Yet they were always very pleased when Harriet

Poor Harriet spent many lonely days in the cottage. Richard was not
interested in her now. He was only interested in John Thomas and the
farm people, and he was growing more like a labourer every day. And the
farm people didn't mind how long SHE was left alone, at night too, in
that lonely little cottage, and with all the tension of fear upon her.
Because she felt that it was SHE whom these authorities, these English,
hated, even more than Somers. Because she made them feel she despised
them. And as they were really rather despicable, they hated her at
sight, her beauty, her reckless pride, her touch of derision. But
Richard--even he neglected her and hated her. She was driven back on
herself like a fury. And many a bitter fight they had, he and she.

The days grew shorter before the corn was all down from the moors.
Sometimes Somers alone lay on the sheaves, waiting for the last wain to
come to be loaded, while the others were down milking. And then the
Cornish night would gradually come down upon the dark, shaggy moors,
that were like the fur of some beast, and upon the pale-grey granite
masses, so ancient and Druidical, suggesting blood-sacrifice. And as
Somers sat there on the sheaves in the underdark, seeing the light swim
above the sea, he felt he was over the border, in another world. Over
the border, in that twilight, awesome world of the previous Celts. The
spirit of the ancient, pre-Christian world, which lingers still in the
truly Celtic places, he could feel it invade him in the savage dusk,
making him savage too, and at the same time, strangely sensitive and
subtle, understanding the mystery of blood-sacrifice: to sacrifice one's
victim, and let the blood run to the fire, there beyond the gorse upon
the old grey granite: and at the same time to understand most
sensitively the dark flicker of animal life about him, even in a bat,
even in the writhing of a maggot in a dead rabbit. Writhe then, Life, he
seemed to say to the things--and he no longer saw its sickeningness.

The old Celtic countries have never had our Latin-Teutonic
consciousness, never will have. They have never been Christian, in the
blue-eyed, or even in the truly Roman, Latin sense of the word. But they
have been overlaid by our consciousness and our civilisation,
smouldering underneath in a slow, eternal fire, that you can never put
out till it burns itself out.

And this autumn Richard Lovat seemed to drift back. He had a passion, a
profound nostalgia for the place. He could feel himself metamorphosing.
He no longer wanted to struggle consciously along, a thought adventurer.
He preferred to drift into a sort of blood-darkness, to take up in his
veins again the savage vibrations that still lingered round the secret
rocks, the place of the pre-Christian human sacrifice. Human sacrifice!
he could feel his dark, blood-consciousness tingle to it again, the
desire of it, the mystery of it. Old presences, old awful presences
round the black moor-edge, in the thick dust, as the sky of light was
pushed pulsing upwards, away. Then an owl would fly and hoot, and
Richard lay with his soul departed back, back into the blood-sacrificial
pre-world, and the sun-mystery, and the moon-power, and the mistletoe on
the tree, away from his own white world, his own white, conscious day.
Away from the burden of intensive mental consciousness. Back, back into
semi-dark, the half-conscious, the clair-obscur, where consciousness
pulsed as a passional vibration, not as mind-knowledge.

Then would come John Thomas with the wain, and the two men would linger
putting up the sheaves, linger, talking, till the dark, talking of the
half-mystical things with which they both were filled. John Thomas, with
his nervous ways and his quick brown eyes, was full of fear: fear of the
unseen, fear of the unknown malevolencies, above all, fear of death. So
they would talk of death, and the powers of death. And the farmer, in a
non-mental way, understood, understood even more than Somers.

And then in the first dark they went down the hill with the wain, to
part at the cottage door. And to Harriet, with her pure Teutonic
consciousness, John Thomas' greeting would sound like a jeer, as he
called to her. And Somers seemed to come home like an enemy, like an
enemy, with that look on his face, and that pregnant malevolency of
Cornwall investing him. It was a bitter time, to Harriet. Yet glamorous

Autumn drew on, corn-harvest was over, it was October. John Thomas drove
every Thursday over the moors to market--a two hours' drive. To-day
Somers would go with him--and Ann the sister also, to do some shopping.
It was a lovely October morning. They passed the stony little huddle of
the church-town, and on up the hill, where the great granite boulders
shoved out the land, and the barrenness was ancient and inviolable. They
could see the gulls under the big cliffs beyond--and there was a buzzard
circling over the marshy place below church-town. A Cornish, magic
morning. John Thomas and Somers were walking up the hill, leaving the
reins to Ann, seated high in the trap.

"One day, when the war ends, before long," said Somers as they climbed
behind the trap in the sun, past the still-flickering gorse-bushes, "we
will go far across the sea--to Mexico, to Australia--and try living
there. You must come too, and we will have a farm."

"Me!" said John Thomas. "Why however should I come?"

"Why not?"

But the Cornishman smiled with that peculiar sceptical smile.

They reached town at length, over the moors and down the long hill. John
Thomas was always late. Somers went about doing his shopping--and then
met Ann at an eating house. John Thomas was to have been there too. But
he failed them. Somers walked about the Cornish seaport--he knew it
now--and by sight he too was known, and execrated. Yet the tradespeople
were always so pleasant and courteous to him. And it was such a sunny

The town was buzzing with a story. Two German submarine officers had
come into the town, dressed in clothes they had taken from an English
ship they had sunk. They had stayed a night at the Mounts Bay Hotel. And
two days later they had told the story to some fisherman whose fishing
boat they stopped. They had shown the incredulous fisherman the hotel
bill. Then they had sunk the fishing boat, sending the three fishermen
ashore in the row-boat.

John Thomas, the chatterbox, should have been at the stables at five. He
was an endless gossip, never by any chance punctual. Somers and Ann
waited till six--all the farmers drove home, theirs was the last trap.

"Buryan's trap--always the last," said the ostler.

It became dark--the shops were all closing--it was night. And now the
town, so busy at noon and all the afternoon, seemed cold, stony,
deserted, with the wind blowing down its steep street. Nearly seven, and
still no John Thomas. Ann was furious, but she knew him. Somers was more
quiet: but he knew that this was a sort of deliberate insult on John
Thomas' part, and that he must never trust him again.

It was well after seven when the fellow came--smiling with subtle
malevolence and excusing himself so easily.

"I shall never come with you again," said Somers, quietly.

"I should think not, Mr. Somers," cried Ann.

It was a two hours' drive home--a long climb to the dark stretch of the
moors--then across the moors in the cold of the night, to the steep,
cliff-like descent on the north, where church-town lay, and the sea
beyond. As they drew near to the north descent, the home face, and the
darkness was below them, Somers suddenly said:

"I don't think I shall ever drive this way again."

"Don't you? Why, what makes you say that?" cried the facile John Thomas.

Past nine o'clock as they came down the rocky road and saw the yellow
curtain of the cottage glowing. Poor Harriet. Somers was stiff with cold
as he rose to jump down.

"I'll come down for my parcels later," he said. Easier to take them out
at the farm, and he must fetch the milk.

Harriet opened the door.

"At last you've come," she said. "Something has happened, Lovat!" One of
John Thomas' sisters came out too--she had come up with Mrs. Somers out
of sympathy.

"What?" he said. And up came all the fear.

It was evident Harriet had had a bad shock. She had walked in the
afternoon across to Sharpe's place, three miles away: and had got back
just at nightfall, expecting Somers home by seven. She had left the
doors unlocked, as they usually did. The moment she came in, in the
dusk, she knew something had happened. She made a light, and looked
round. Things were disturbed. She looked in her little treasure
boxes--everything there, but moved. She looked in the
drawers--everything turned upside down. The whole house ransacked,

A terrible fear came over her. She knew she was antagonistic to the
government people: in her soul she hated the fixed society with its
barrenness and its barren laws. She had always been afraid--always
shrunk from the sight of a policeman, as if she were guilty of heaven
knows what. And now the horror had happened: all the black animosity of
authority was encompassing her. The unknown of it: and the horror.

She fled down to the farm. Yes, three men had come, asking for Mr. and
Mrs. Somers. They had told the one who came to the farm that Mr. Somers
had driven to town, and Mrs. Somers they had seen going across the
fields to churchtown. Then the men had gone up to the cottage again, and
gone inside.

"And they've searched everything--everything," said Harriet, shocked
right through with awful fear.

"Well, there was nothing to find. They must have been disappointed,"
said Richard.

But it was a shock to him also: great consternation at the farm.

"It must have been something connected with Sharpe--it must have been
that," said Somers, trying to reassure himself.

"Thank goodness the house was so clean and tidy," said Harriet. But it
was a last blow to her.

What had they taken? They had not touched Somers' papers. But they had
been through has pockets--they had taken the few loose letters from the
pocket of his day-jacket--they had taken a book--and a sort of note-book
with scraps of notes for essays in it--and his address book--yes, a few
things like that.

"But it'll be nothing. It'll be something to do with Sharpe's bother."

But he felt sick and sullen, and wouldn't get up early in the morning.
Harriet was more prepared. She was down, dressed and tidy, making the
breakfast. It was eight o'clock in the morning. Suddenly Somers heard
her call:

"Lovat, they're here. Get up."

He heard the dread in her voice, and sprang into his clothes and came
downstairs: a young officer, the burly police-sergeant, and two other
loutish looking men. Somers came down without a collar.

"I have here a warrant to search your house," said the young officer.

"But you searched it yesterday, didn't you," cried Harriet.

The young officer looked at her coldly, without replying. He read the
search-warrant, and the two lout-detectives, in civilian clothes, began
to nose round.

"And the police-sergeant will read this order to you."

Somers, white, and very still, spoke no word, but waited. Then the
police-sergeant, in rather stumbling fashion, began to read an order
from the military authorities that Richard Lovat Somers and Harriet Emma
Marianna Johanna Somers, of Trevetham Cottage, etc., should leave the
county of Cornwall within the space of three days. And further, within
the space of twenty-four hours of their arrival in any place they must
report themselves at the police station of the said place, giving their
address. And they were forbidden to enter any part of the area of
Cornwall, etc., etc., etc.

Somers listened in silence.

"But why?" cried Harriet. "Why? What have we done?"

"I can't say what you have done," said the young officer in a cold tone,
"but it must be something sufficiently serious. They don't send out
these orders for nothing."

"But what is it then? What is it? _I_ don't know what we've done. Have
we no right to know what you accuse us of?"

"No, you have no right to know anything further than what is said in the
order." And he folded up the said official foolscap, and handed it
officially to Somers. Richard silently took it and read it again.

"But it's monstrous! What have they against us? We live here simply--we
do nothing at all that they can charge us with. What have we done?"
cried Harriet.

"I don't know what you've done. But we can take no risks in these
times--and evidently there is a risk in leaving you here."

"But I should like to know WHAT?" cried Harriet.

"That I cannot tell you."

"But you do KNOW?" woman-like, she persisted.

"No, I don't even know," he replied coldly.

Harriet broke into a few tears of fright, fear, and chagrin.

"Have we no rights at all?" she cried, furious.

"Be quiet," said Richard to her.

"Yes. It is your duty to serve your country, if it is your country, by
every means in your power. If you choose to put yourself under

"Suspicion of what?"

"I tell you, I do not know, and could not tell you even if I did know."

The foul, loutish detectives meanwhile were fumbling around, taking the
books off the shelves and looking inside the clock. Somers watched them
with a cold eye.

"Is this yours?" said one of the louts, producing a book with queer

"Yes, it's a botany notebook," said Somers coldly.

The man secured it.

"He can learn the structure of moulds and parasites," said Richard
bitterly to Harriet.

"The house is all open, the men can search everything?" asked the
officer coldly.

"You know it is," said Somers. "You tried yesterday while we were out."
Then he asked: "Who is responsible for this? Whom can I write to?"

"You can write to Major Witham, Headquarters Southern Division,
Salisbury, if it will do any good," was the answer.

There was a pause. Somers wrote it down: not in his address book because
that was gone.

"And one is treated like this, for nothing," cried Harriet, again in
tears. "For nothing, but just because I wasn't born English. Yet one has
married an Englishman, and they won't let one live anywhere but in

"It is more than that. It is more than the fact that you are not English
born," said the officer.

"Then what? What?" she cried.

He refused to answer this time. The police-sergeant looked on with
troubled blue eyes.

"Nothing. It's nothing but that, because it CAN'T be," wept Harriet. "It
can't be anything else, because we've never done anything else. Just
because one wasn't born in England--as if one could help that. And to be
persecuted like this, for nothing, for nothing else. And not even openly
accused! Not even that." She wiped her tears, half enjoying it now. The
police-sergeant looked into the road. One of the louts clumped
downstairs and began to look once more among the books.

"That'll do here!" said the officer quietly, to the detective lout. But
the detective lout wasn't going to be ordered, and persisted.

"This your sketch-book, Mr. Somers?" said the lout.

"No, those are Lady Hermione Rogers' sketches," said Somers, with
derision. And the lout stuffed the book back.

"And why don't they let us go away?" cried Harriet. "Why don't they let
us go to America? We don't WANT to be here if we are a nuisance. We want
to go right away. Why won't they even let us do that!" She was all
tear-marked now.

"They must have their reasons," said the young officer, who was getting
more and more uncomfortable. He again tried to hurry up the detective
lout. But they were enjoying nosing round among other people's

"And what'll happen to us if we don't go, if we just stay?" said
Harriet, being altogether a female.

"You'd better not try," said the young man, grimly, so utterly confident
in the absoluteness of the powers and the rightness he represented. And
Somers would have liked to hit him across the mouth for that.

"Hold your tongue, Harriet," he said, turning on her fiercely. "You've
said enough now. Be still, and let them do what they like, since they've
the power to do it."

And Harriet was silent. And in the silence only the louts rummaging
among the linen, and one looking into the bread-tin and into the tea
caddy. Somers watched them with a cold eye, and that queer slight
lifting of his nose, rather like a dog when it shows disgust. And the
officer again tried to hurry the louts, in his low tone of command,
which had so little effect.

"Where do you intend to go?" said the officer to Somers.

"Oh, just to London," said Somers, who did not feel communicative.

"I suppose they will send the things back that they take?" he said,
indicating the louts.

"I should think so--anything that is not evidence."

The louts were drawing to an end: it was nearly over.

"Of course this has nothing to do with me: I have to obey orders, no
matter what they are," said the young officer, half apologising.

Somers just looked at him, but did not answer. His face was pale and
still and distant, unconscious that the other people were real human
beings. To him they were not: they were just THINGS, obeying orders. And
his eyes showed that. The young officer wanted to get out.

At last it was over: the louts had collected a very few trifles. The
officer saw them on to the road, bade them good-morning, and got out of
the house as quick as he could.

"Good-morning, sir! Good-morning, mam!" said the police sergeant in
tones of sympathy.

Yes, it was over. Harriet and Lovat looked at one another in silent

"Well, we must go," she said.

"Oh, yes," he replied.

And she studied the insolent notice to quit the area of Cornwall. In her
heart of hearts she was not sorry to quit it. It had become too painful.

In a minute up came one of the farm girls to hear the news: then later
Somers went down. Arthur, the boy, had heard the officer say to the
police-sergeant as he went up the hill:

"Well, that's a job I'd rather not have had to do."

Harriet was alternately bitter and mocking: but badly shocked. Somers
had had in his pocket the words of one of the Hebridean folk songs which
Sharpe had brought down, and which they all thought so wonderful. On a
bit of paper in his jacket-pocket, the words which have no meaning in
any language apparently, but are just vocal, almost animal sounds: the
Seal Woman's Song--this they had taken.

Ver mi hiu--ravo na la vo--
Ver mi hiu--ravo hovo i--
Ver mi hiu--ravo na la vo--an catal--
Traum--san jechar--.

What would the investigation make of this? What, oh, what? Harriet loved
to think of it. Somers really expected to be examined under torture, to
make him confess. The only obvious word--Traum--pure German.

The day was Friday: they must leave on Monday by the Great Western
express. Started a bitter rush of packing. Somers, so sick of things,
had a great fire of all his old manuscripts. They decided to leave the
house as it was, the books on the shelves, to take only their personal
belongings. For Somers was determined to come back. Until he had made up
his mind to this, he felt paralysed. He loved the place so much. Ever
since the conscription suspense began he had said to himself, when he
walked up the wild, little road from his cottage to the moor: shall I
see the foxgloves come out? If only I can stay till the foxgloves come.
And he had seen the foxgloves come. Then it was the heather--would he
see the heather? And then the primroses in the hollow down to the sea:
the tufts and tufts of primroses, where the fox stood and looked at him.

Lately, however, he had begun to feel secure, as if he had sunk some of
himself into the earth there, and were rooted for ever. His soul seemed
to have sunk into that Cornwall, that wild place under the moors. And
now he must tear himself out. He was quite paralysed, could scarcely
move. And at the farm they all looked at him with blank faces. He went
back to the cottage to burn more manuscripts and pack up.

And then, like a revelation, he decided he would come back. He would use
all his strength, put himself against all the authorities, and in a
month or two he would come back. Before the snow-drops came in the farm

"I shall be back in a month or two--three months," he said to everybody,
and they looked at him.

But John Thomas said to him:

"You remember you said you would never drive to town again. Eh?" And in
the black, bright eyes Somers saw that it was so. Yet he persisted.

"It only meant not yet awhile."

On the Monday morning he went down to say good-bye at the farm. It was a
bitter moment, he was so much attached to them. And they to him. He
could not bear to go. Only one was not there--the Uncle James. Many a
time Somers wondered why Uncle James had gone down the fields, so as not
to say good-bye.

John Thomas was driving them down in the trap--Arthur had taken the big
luggage in the cart. The family at the farm did everything they could.
Somers never forgot that while he and Harriet were slaving, on the
Sunday, to get things packed, John Thomas came up with their dinners,
from the farm Sunday dinner.

It was a lovely, lovely morning as they drove across the hill-slopes
above the sea: Harriet and Somers and John Thomas. In spite of
themselves they felt cheerful. It seemed like an adventure.

"I don't know," said John Thomas, "but I feel in myself as If it was all
going to turn out for the best." And he smiled in his bright, wondering

"So do I," cried Harriet. "As if we were going to be more free."

"As if we were setting out on a long adventure," said Somers.

They drove through the town, where, of course, they were marked people.
But it was curious how little they cared, how indifferent they felt to

At the station Somers bade good-bye to John Thomas, with whom he had
been such friends.

"Well, I wonder when we shall see each other again," said the young

"Soon. We will MAKE it soon," said Somers. "We will MAKE it soon. And
you can come to London to see us."

"Well--if I can manage it--there's nothing would please me better,"
replied the other. But even as he said it, Somers was thinking of the
evening in town, when he and Ann had been kept waiting so long. And he
knew he would not see John Thomas again soon.

During the long journey up to London Somers sat facing Harriet, quite
still. The train was full: soldiers and sailors from Plymouth. One naval
man talked to Harriet: bitter like all the rest. As soon as a man began
to talk seriously, it was in bitterness. But many were beginning to make
a mock of their own feelings even. Songs like "Good-byeeee" had taken
the place of "Bluebells," and marked the change.

But Somers sat there feeling he had been killed: perfectly still, and
pale, in a kind of after death, feeling he had been killed. He had
always BELIEVED so in everything--society, love, friends. This was one
of his serious deaths in belief. So he sat with his immobile face of a
crucified Christ who makes no complaint, only broods silently and alone,
remote. This face distressed Harriet horribly. It made her feel lost and
shipwrecked, as if her heart was destined to break also. And she was in
rather good spirits really. Her horror had been that she would be
interned in one of the horrible camps, away from Somers. She had far
less belief than he in the goodness of mankind. And she was rather
relieved to get out of Cornwall. She had felt herself under a pressure
there, long suffering. That very pressure he had loved so much. And so,
while his still, fixed, crucified face distressed her horribly, at the
same time it made her angry. What did he want to look like that for? Why
didn't he show fight?

They came to London, and he tried taxi after taxi before he could get
one to take them up to Hampstead. He had written to a staunch friend,
and asked her to wire if she would receive them for a day or two. She
wired that she would. So they went to her house. She was a little
delicate lady who reminded Somers of his mother, though she was younger
than his mother would have been. She and her husband had been friends of
William Morris in those busy days of incipient Fabianism. Now her
husband was sick, and she lived with him and a nurse and her grown-up
daughter in a little old house in Hampstead.

Mrs. Redburn was frightened, receiving the tainted Somers. But she had
pluck. Everybody in London was frightened at this time, everybody who
was not a rabid and disgusting so-called patriot. It was a reign of
terror. Mrs. Redburn was a staunch little soul, but she was bewildered:
and she was frightened. They did such horrible things to you, the
authorities. Poor tiny Hattie, with her cameo face, like a wise child,
and her grey, bobbed hair. Such a frail little thing to have gone
sailing these seas of ideas, and to suffer the awful breakdown of her
husband. A tiny little woman with grey, bobbed hair, and wild,
unyielding eyes. She had three great children. It all seemed a joke and
a tragedy mixed, to her. And now the war. She was just bewildered, and
would not live long. Poor, frail, tiny Hattie, receiving the Somers into
her still, tiny old house. Both Richard and Harriet loved her. He had
pledged himself, in some queer way, to keep a place in his heart for her
forever, even when she was dead. Which he did.

But he suffered from London. It was cold, heavy, foggy weather, and he
pined for his cottage, the granite strewn, gorse-grown slope from the
moors to the sea. He could not bear Hampstead Heath now. In his eyes he
saw the farm below--grey, naked, stony, with the big, pale-roofed new
barn--and the network of dark green fields with the pale-grey walls--and
the gorse and the sea. Torture of nostalgia. He craved to be back, his
soul was there. He wrote passionately to John Thomas.

Richard and Harriet went to a police-station for the first time in their
lives. They went and reported themselves. The police at the station knew
nothing about them and said they needn't have come. But next day a great
policeman thumping at Hattie's door, and were some people called Somers
staying there? It was explained to the policeman that they had already
reported--but he knew nothing of it.

Somers wanted as quickly as possible to find rooms, to take the burden
from Hattie. The American wife of an English friend, a poet serving in
the army, offered her rooms in Mecklenburgh Square, and the third day
after their arrival in London Somers and Harriet moved there: very
grateful indeed to the American girl. They had no money. But the young
woman tossed the rooms to them, and food and fuel, with a wild free
hand. She was beautiful, reckless, one of the poetesses whose poetry
Richard feared and wondered over.

Started a new life: anguish of nostalgia for Cornwall, from Somers.
Wandering in the King's Cross Road or Theobald's Road, seeing his
cottage and the road going up to the moors. He wrote twice to the
headquarters at Salisbury insisting on being allowed to return. Came a
reply, this could not be permitted. Then one day a man called and left a
book and the little bundle of papers--a handful only--which the
detectives had confiscated. A poor little show. Even the scrap of paper
with Ver mi hiu. Again Somers wrote--but to no effect. Came a letter
from John Thomas describing events in the west--the last Somers ever had
from his friend.

Then Sharpe came up to London: it was too lonely down there. And they
had some gay evenings. Many people came to see Somers. But Sharpe said
to him:

"They're watching you still. There were two policemen near the door
watching who came in."

There was an atmosphere of terror all through London, as under the Tsar
when no man dared open his mouth. Only this time it was the lowest
orders of mankind spying on the upper orders, to drag them down.

One evening there was a gorgeous commotion in Somers' rooms: four poets
and three non-poets, all fighting out poetry: a splendid time. Somers
ran down the stairs in the black dark--no lights in the hall--to open
the door. He opened quickly--three policemen in the porch. They slipped
out before they could be spoken to.

Harriet and Somers had reported at Bow Street--wonderful how little heed
the police took of them. Somers could tell how the civil police loathed
being under the military orders.

But watched and followed he knew he was. After two months the American
friend needed her rooms. The Somers transferred to Kensington, to a flat
belonging to Sharpe's mother. Again many friends came. One evening
Sharpe was called out from the drawing-room: detectives in the hall
enquiring about Somers, where he got his money from, etc., etc., such
clowns, louts, mongrels of detectives. Even Sharpe laughed in their
faces: such canaille. At the same time detectives enquiring for them at
the old address: though they reported the change. Such a confusion in
the official mind!

It was becoming impossible. Somers wrote bitterly to friends who had
been all-influential till lately, but whom the canaille were now trying
to taint also. And then he and Harriet moved to a little cottage he
rented from his dear Hattie, in Oxfordshire. Once more they reported to
the police in the market-town: once more the police sympathetic.

"I will report no more," said Somers.

But still he knew he was being watched all the time. Strange men
questioning the cottage woman next door, as to all his doings. He began
to FEEL a criminal. A sense of guilt, of self-horror began to grow up in
him. He saw himself set apart from mankind, a Cain, or worse. Though of
course he had committed no murder. But what might he not have done? A
leper, a criminal! The foul, dense, carrion-eating mob were trying to
set their teeth in him. Which meant mortification and death.

It was Christmas--winter--very cold. He and Harriet were very poor. Then
he became ill. He lay in the tiny bedroom looking at the wintry sky and
the deep, thatched roof of the cottage beyond. Sick. But then his soul
revived. "No," he said to himself. "No. Whatever I do or have done, I am
not wrong. Even if I commit what they call a crime, why should I accept
THEIR condemnation or verdict? Whatever I do, I do of my own responsible
self. I refuse their imputations. I despise them. They are canaille,
carrion-eating, filthy-mouthed canaille, like dead-man-devouring
jackals. I wish to God I could kill them. I wish I had power to blight
them, to slay them with a blight, slay them in thousands and thousands.
I wish to God I could kill them off, the masses of canaille. Would they
make me feel in the wrong? Would they? They shall not. Never. I will
watch that they never set their unclean teeth in me, for a bite is
blood-poisoning. But fear them! Feel in the wrong because of them?
Never. Not if I were Cain several times over, and had killed several
brothers and sisters as well. Not if I had committed all the crimes in
their calendar. I will not be put in the wrong by them, God knows I will
not. And I will report myself no more at their police-stations."

So, whenever the feeling of terror came over him, the feeling of being
marked-out, branded, a criminal marked out by society, marked out for
annihilation, he pulled himself together, saying to himself:

"I am letting them make me feel in the wrong. I am degrading myself by
feeling guilty, marked-out, and I have convulsions of fear. But I am NOT
wrong. I have done no wrong, whatever I have done. That is, no wrong
that society has to do with. Whatever wrongs I have done are my own, and
private between myself and the other person. One may be wrong, yes, one
is often wrong. But not for THEM to judge. For my own soul only to
judge. Let me know them for human filth, all these pullers-down, and let
me watch them, as I would watch a reeking hyaena, but never fear them.
Let me watch them, to keep them at bay. But let me never admit for one
single moment that THEY may be MY judges. That, never. I have judged
them: they are canaille. I am a man, and I abide by my own soul. Never
shall they have a chance of judging me."

So he discovered the great secret: to stand alone as his own judge of
himself, absolutely. He took his stand absolutely on his own judgment of
himself. Then, the mongrel-mouthed world would say and do what it liked.
This is the greatest secret of behaviour: to stand alone, and judge
oneself from the deeps of one's own soul. And then, to know, to hear
what the others say and think: to refer their judgment to the touchstone
of one's own soul-judgment. To fear one's own inward soul, and never to
fear the outside world, nay, not even one single person, nor even fifty
million persons.

To learn to be afraid of nothing but one's own deepest soul: but to keep
a sharp eye on the millions of the others. Somers would say to himself:
"There are fifty million people in Great Britain, and they would nearly
all be against me. Let them."

So a period of quiet followed. Somers got no answers to his letters to
John Thomas: it was like the evening when he had been kept waiting. The
man was scared. It was an end.

And the authorities still would allow of no return to Cornwall. So let
that be an end too. He wrote for his books and household linen to be
sent up, the rest could be sold.

Bitter, in Oxfordshire, to unpack the things he had loved so dearly in
Cornwall. Life would never be quite the same again. Then let it be
otherwise. He hardened his heart and his soul.

It was a lovely spring: and here, in the heart of England--Shakespeare's
England--there was a sweetness and a humanness that he had never known
before. The people were friendly and unsuspicious, though they knew all
about the trouble. The police too were delicate and kindly. It was a
human world once more, human and lovely: though the gangs of wood-men
were cutting down the trees, baring the beautiful spring woods, making
logs for trench-props.

And there was always the suspense of being once more called up for
military service. "But surely," thought Somers, "if I am so vile they
will be glad to leave me alone."

Spring passed on. Somers' sisters were alone, their husbands at the war.
His younger sister took a cottage for him in their own bleak Derbyshire.
And so he returned, after six years, to his own country. A bitter
stranger too, he felt. It was northern, and the industrial spirit was
permeated through everything: the alien spirit of coal and iron. People
living for coal and iron, nothing else. What good was it all?

This time he would not go to the police-station to report. So one day a
police-inspector called. But he was a kindly man, and a little bitter
too. Strange that among the civil police, everyone that Somers met was
kindly and understanding. But the so-called, brand-new military, they
were insolent jackanapes, especially the stay-at-home military who had
all the authority in England.

In September, on his birthday, came the third summons: On His Majesty's
Service. His Majesty's Service, God help us! Somers was bidden present
himself at Derby on a certain date, to join the colours. He replied: "If
I am turned out of my home, and forbidden to enter the area of Cornwall:
if I am forced to report myself to the police wherever I go, and am
treated like a criminal, you surely cannot wish me to present myself to
join the colours."

There was an interval: much correspondence with Bodmin, where they
seemed to have forgotten him again. Then he received a notice that he
was to present himself as ordered.

What else was there to do? But he was growing devilish inside himself.
However, he went: and Harriet accompanied him to the town. The
recruiting place was a sort of big Sunday School--you went down a little
flight of steps from the road. In a smallish ante-room like a basement
he sat on a form and waited while all his papers were filed. Beside him
sat a big collier, about as old as himself. And the man's face was a
study of anger and devilishness growing under humiliation. After an
hour's waiting Somers was called. He stripped as usual, but this time
was told to put on his jacket over his complete nakedness.

And so--he was shown into a high, long schoolroom, with various sections
down one side--bits of screens where various doctor-fellows were
performing--and opposite, a long writing table where clerks and old
military buffers in uniform sat in power: the clerks dutifully
scribbling, glad to be in a safe job, no doubt, the old military buffers
staring about. Near this Judgment-Day table a fire was burning, and
there was a bench where two naked men sat ignominiously waiting, trying
to cover their nakedness a little with their jackets, but too much upset
to care really.

"Good God!" thought Somers. "Naked civilised men in their Sunday jackets
and nothing else make the most heaven-forsaken sight I have ever seen."

The big stark-naked collier was being measured: a big, gaunt, naked
figure, with a gruesome sort of nudity. "Oh God, oh God," thought
Somers, "why do the animals none of them look like this? It doesn't look
like life, like a living creature's figure. It is gruesome, with no

In another section a youth of about twenty-five, stark naked too, was
throwing out his chest while a chit of a doctor-fellow felt him between
the legs. This naked young fellow evidently thought himself an athlete,
and that he must make a good impression, so he threw his head up in a
would-be noble attitude, and coughed bravely when the doctor-buffoon
said cough! Like a piece of furniture waiting to be sat on, the athletic
young man looked.

Across the room the military buffers looked on at the operette;
occasionally a joke, incomprehensible, at the expense of the naked, was
called across from the military papas to the fellows who may have been
doctors. The place was full of an indescribable tone of jeering, gibing
shamelessness. Somers stood in his street jacket and thin legs and
beard--a sight enough for any gods--and waited his turn. Then he took
off the jacket and was cleanly naked, and stood to be measured and
weighed--being moved about like a block of meat, in the atmosphere of
corrosive derision.

Then he was sent to the next section for eye-tests, and jokes were
called across the room. Then after a time to the next section, where he
was made to hop on one foot--then on the other foot--bend over--and so
on: apparently to see if he had any physical deformity.

In due course to the next section where a fool of a little fellow,
surely no doctor, eyed him up and down and said:

"Anything to complain of?"

"Yes," said Somers. "I've had pneumonia three times and been threatened
with consumption."

"Oh. Go over there then."

So in his stalky, ignominious nakedness he was sent over to another
section, where an elderly fool turned his back on him for ten minutes,
before looking round and saying:

"Yes. What have you to say?"

Somers repeated.

"When did you have pneumonia?"

Somers answered--he could hardly speak, he was in such a fury of rage
and humiliation.

"What doctor said you were threatened with consumption? Give his name."
This in a tone of sneering scepticism.

The whole room was watching and listening. Somers knew his appearance
had been anticipated, and they wanted to count him out. But he kept his
head. The elderly fellow then proceeded to listen to his heart and lungs
with a stethoscope, jabbing the end of the instrument against the flesh
as if he wished to make a pattern on it. Somers kept a set face. He knew
what he was out against, and he just hated and despised them all.

The fellow at length threw the stethoscope aside as if he were throwing
Somers aside, and went to write. Somers stood still, with a set face,
and waited.

Then he was sent to the next section, and the stethoscoping doctor
strolled over to the great judgment table. In the final section was a
young puppy, like a chemist's assistant, who made most of the jokes.
Jokes were all the time passing across the room--but Somers had the
faculty of becoming quite deaf to anything that might disturb his

The chemist-assistant puppy looked him up and down with a small grin as
if to say, "Law-lummy, what a sight of a human scare-crow!" Somers
looked him back again, under lowered lids, and the puppy left off joking
for the moment. He told Somers to take up other attitudes. Then he came
forward close to him, right till their bodies almost touched, the one in
a navy blue serge, holding back a little as if from the contagion of the
naked one. He put his hand between Somers' legs, and pressed upwards,
under the genitals. Somers felt his eyes going black.

"Cough," said the puppy. He coughed.

"Again," said the puppy. He made a noise in his throat, then turned
aside in disgust.

"Turn round," said the puppy. "Face the other way."

Somers turned and faced the shameful monkey-faces at the long table. So,
he had his back to the tall window: and the puppy stood plumb behind

"Put your feet apart."

He put his feet apart.

"Bend forward--further--further--."

Somers bent forward, lower, and realised that the puppy was standing
aloof behind him to look into his anus. And that this was the source of
the wonderful jesting that went on all the time.

"That will do. Get your jacket and go over there." Somers put on his
jacket and went and sat on the form that was placed endwise at the side
of the fire, facing the side of the judgment table. The big, gaunt
collier was still being fooled. He apparently was not very intelligent,
and didn't know what they meant when they told him to bend forward.
Instead of bending with stiff knees--not knowing at all what they
wanted--he crouched down, squatting on his heels as colliers do. And the
doctor puppy, amid the hugest amusement, had to start him over again. So
the game went on, and Somers watched them all.

The collier was terrible to him. He had a sort of Irish face with a
short nose and a thin black head. This snub-nose face had gone quite
blank with a ghastly voidness, void of intelligence, bewildered and
blind. It was as if the big, ugly, powerful body could not OBEY words
any more. Oh God, such an ugly body--not as if it belonged to a living

Somers kept himself hard and in command, face set, eyes watchful. He
felt his cup had been filled now. He watched these buffoons in this
great room, as he sat there naked save for his jacket, and he felt that
from his heart, from his spine went out vibrations that should
annihilate them--blot them out, the canaille, stamp them into the mud
they belonged to.

He was called at length to the table.

"What is your name?" asked one of the old parties. Somers looked at him.

"Somers," he said, in a very low tone.

"Somers--Richard Lovat?" with an indescribable sneer.

Richard Lovat realised that they had got their knife into him. So! He
had his knife in them, and it would strike deeper at last.

"You describe yourself as a writer." He did not answer.

"A writer of what?--with a perfect sneer.


The old buffer went on writing. Oh, yes, they intended to make him feel
they had got their knife into him. They would have his beard off, too!
But would they! He stood there with his ridiculous thin legs, in his
ridiculous jacket, but he did not feel a fool. Oh, God, no. The white
composure of his face, the slight lifting of his nose, like a dog's
disgust, the heavy, unshakable watchfulness of his eyes brought even the
judgment-table to silence: even the puppy doctors. It was not till he
was walking out of the room, with his jacket about his thin legs, and
his beard in front of him, that they lifted their heads for a final

He dressed and waited for his card. It was Saturday morning, and he was
almost the last man to be examined. He wondered what instructions they
had had about him. Oh, foul dogs. But they were very close on him now,
very close. They were grinning very close behind him, like hyaenas just
going to bite. Yes, they were running him to earth. They had exposed all
his nakedness to gibes. And they were pining, almost whimpering to give
the last grab at him, and haul him to earth, a victim. Finished!

But not yet! Oh, no, not yet. Not yet, not now, nor ever. Not while life
was life, should they lay hold of him. Never again. Never would he be
touched again. And because they had handled his private parts, and
looked into them, their eyes should burst and their hands should wither
and their hearts should rot. So he cursed them in his blood, with an
unremitting curse, as he waited.

They gave him his card: C2. Fit for non-military service. He knew what
they would like to make him do. They would like to seize him and compel
him to empty latrines in some camp. They had that in mind for him. But
he had other things in mind.

He went out into accursed Derby, to Harriet. She was reassured again.
But he was not. He hated the Midlands now, he hated the North. They were
viler than the South, even than Cornwall. They had a universal desire to
take life and down it: these horrible machine people, these iron and
coal people. They wanted to set their foot absolutely on life, grind it
down, and be master. Masters, as they were of their foul machines.
Masters of life, as they were masters of steam-power and electric-power
and above all, of money-power. Masters of money-power, with an obscene
hatred of life, true spontaneous life.

Another flight. He was determined not to stop in the Derby Military
Area. He would move one stage out of their grip, at least. So he and
Harriet prepared to go back with their trunks to the Oxfordshire
cottage, which they loved. He would not report, nor give any sign of
himself. Fortunately in the village everybody was slack and friendly.

Derby had been a crisis. He would obey no more: not one more stride. If
they summoned him he would disappear: or find some means of fighting
them. But no more obedience: no more presenting himself when called up.
By God, no! Never while he lived, again, would he be at the disposal of

So they moved south--to be one step removed. They had been living in
this remote cottage in the Derbyshire hills: and they must leave at
half-past seven in the morning, to complete their journey in a day. It
was a black morning, with a slow dawn. Somers had the trunks ready. He
stood looking at the dark gulf of the valley below. Meanwhile heavy
clouds sank over the bare, Derbyshire hills, and the dawn was blotted
out before it came. Then broke a terrific thunderstorm, and hail lashed
down with a noise like insanity. He stood at the big window over the
valley, and watched. Come hail, come rain, he would go: forever.

This was his home district--but from the deepest soul he now hated it,
mistrusted it even more than he hated it. As far as LIFE went, he
mistrusted it utterly, with a black soul. Mistrusted it and hated it,
with its smoke and its money-power, and its squirming millions who
aren't human any more.

Ah, how lovely the South-west seemed, after it all. There was hardly any
food, but neither he nor Harriet minded. They could pick up and be
wonderfully happy again, gathering the little chestnuts in the woods,
and the few last bilberries. Men were working harder than ever felling
trees for trench-timber, denuding the land. But their brush fires were
burning in the woods, and when they had gone, in the cold dusk, Somers
went with a sack to pick up the unburnt faggots and the great chips of
wood the axes had left golden against the felled logs. Flakes of sweet,
pale gold oak. He gathered them in the dusk, in a sack, along with the
other poor villagers. For he was poorer even than they. Still, it made
him very happy to do these things--to see a big, glowing pile of
wood-flakes in his shed--and to dig the garden, and set the rubbish
burning in the late, wistful autumn--or to wander through the hazel
copses, away to the real old English hamlets, that are still like
Shakespeare--and like Hardy's Woodlanders.

Then, in November, the Armistice. It was almost too much to believe. The
war was over! It WAS too much to believe. He and Harriet sat and sang
German songs, in the cottage, that strange night of the Armistice, away
there in the country: and she cried--and he wondered what now, now the
walls would come no nearer. It had been like Edgar Allan Poe's story of
the Pit and the Pendulum--where the walls come in, in, in, till the
prisoner is almost squeezed. So the black walls of the war--and he had
been trapped, and very nearly squeezed into the pit where the rats were.
So nearly! So very nearly! And now the black walls had stopped, and he
was NOT pushed into the pit, and the rats. And he knew it in his soul.
What next then?

He insisted on going back to Derbyshire. Harriet, who hated him for the
move, refused to go. So he went alone: back to his sisters, and to
finish the year in the house which they had paid for him. Harriet
refused to go. She stayed with Hattie in London.

At St. Pancras, as Somers left the taxi and went across the pavement to
the station, he fell down: fell smack down on the pavement. He did not
hurt himself. But he got up rather dazed, saying to himself, "Is that a
bad omen? Ought I not to be going back?" But again he thought of Scipio
Africanus, and went on.

The cold, black December days, alone in the cottage on the cold
hills--Adam Bede country, Snowfields, Dinah Morris' home. Such heavy,
cold, savage, frustrated blackness. He had known it when he was a boy.
Then Harriet came--and they spent Christmas with his sister. And when
January came he fell ill with the influenza, and was ill for a long
time. In March the snow was up to the window-sills of their house.

"Will the winter never end?" he asked his soul.

May brought the year's house-rent of the Derbyshire cottage to an end:
and back they went to Oxfordshire. But now the place seemed weary to
him, tame, after the black iron of the North. The walls had gone--and
now he felt nowhere.

So they applied for passports--Harriet to go to Germany, himself to
Italy. A lovely summer went by, a lovely autumn came. But the meaning
had gone out of everything for him. He had lost his meaning. England had
lost its meaning for him. The free England had died, this England of the
peace was like a corpse. It was the corpse of a country to him.

In October came the passports. He saw Harriet off to Germany--said
good-bye at the Great Eastern Station, while she sat in the Harwich-Hook
of Holland express. She had a look of almost vindictive triumph, and
almost malignant love, as the train drew out. So he went back to his
meaninglessness at the cottage.

Then, finding the meaninglessness too much, he gathered his few pounds
together and in November left for Italy. Left England, England which he
had loved so bitterly, bitterly--and now was leaving, alone, and with a
feeling of expressionlessness in his soul. It was a cold day. There was
snow on the Downs like a shroud. And as he looked back from the boat,
when they had left Folkestone behind and only England was there, England
looked like a grey, dreary-grey coffin sinking in the sea behind, with
her dead grey cliffs and the white, worn-out cloth of snow above.

Memory of all this came on him so violently now in the Australian night,
that he trembled helplessly under the shock of it. He ought to have gone
up to Jack's place for the night. But no, he could not speak to anybody.
Of all the black throng in the dark Sydney streets, he was the most
remote. He strayed round in a torture of fear, and then at last suddenly
went to the Carlton Hotel, got a room, and went to bed, to be alone and

Detail for detail he thought out his experiences with the authorities,
during the war, lying perfectly still and tense. Till now, he had always
kept the memory at bay, afraid of it. Now it all came back, in a rush.
It was like a volcanic eruption in his consciousness. For some weeks he
had felt the great uneasiness in his unconscious. For some time he had
known spasms of that same fear that he had known during the war: the
fear of the base and malignant power of the mob-like authorities. Since
he had been in Italy the fear had left him entirely. He had not even
remembered it, in India. Only in the quiet of Coo-ee, strangely enough,
it had come back in spasms: the dread, almost the horror, of democratic
society, the mob. Harriet had been feeling it too. Why? Why, in this
free Australia? Why? Why should they both have been feeling this same
terror and pressure that they had known during the war, why should it
have come on again in Mullumbimby? Perhaps in Mullumbimby they were
suspect again, two strangers, so much alone. Perhaps the secret service
was making investigations about them. Ah, canaille!

Richard faced out all his memories like a nightmare in the night, and
cut clear. He felt broken off from his fellow-men. He felt broken off
from the England he had belonged to. The ties were gone. He was loose
like a single timber of some wrecked ship, drifting over the face of the
earth. Without a people, without a land. So be it. He was broken apart,
apart he would remain.


AT last he had it all out with himself, right to the bitter end. And
then he realised that all the time, since the year 1918, whether he was
in Sicily or Switzerland or Venice or Germany or in the Austrian Tyrol,
deep in his unconsciousness had lain this accumulation of black fury and
fear, like frenzied lava quiescent in his soul. And now it had burst up:
the fear, then the acute remembrance. So he faced it out, trembling with
shock and bitterness, every detail. And then he tried to reckon it all

But first, why had it all come back on him? It had seemed so past, so
gone. Why should it suddenly erupt like white hot lava, to set in hot
black rock round the wound of his soul? Who knows? Perhaps there is a
periodicity even in volcanic eruption. Or perhaps it was this contact
with Kangaroo and Willie Struthers, contact with the accumulating forces
of social violence. Or perhaps it was being again in a purely
English-speaking country, and feeling again that queer revulsion from
the English form of democracy. He realised that the oh-so-pleasant
democracy of the English lower classes frightened him, always had
frightened him. Yet everybody was so very pleasant and easy-going down
in Mullumbimby. It REALLY seemed so free.

Free! Free! What did it mean? It was this very ultra-freedom that
frightened him, like a still pause before a thunderstorm. "Let him that
thinketh he stand take heed lest he fall."

Or perhaps it was just the inversion of the season, the climate. His
blood, his whole corporeal being, expected summer, and long days and
short nights. And here he had wilfully come into the Southern
hemisphere, with long starry nights of winter, and the late sun rising
north-east behind the sea, and travelling northwards up the sky, as if
running away, and setting in a cold glare north-west, behind the
bluey-black range. It should have been bird-nesting time, and leaves and
flowers and tall corn and full summer with cherry blossom fallen and
cherries beginning to change colour. Whereas the grass was sere and
brown, the earth had one winter-numb, the few deciduous trees were bare,
and only the uncanny coral tree flared its flowers of red-hot iron.

Perhaps it was just this: the inversion of the seasons, the shock to his
blood and his system. For, of course, the body has its own rhythm, with
the sun and with the moon. The great nerve ganglia and the subtle glands
have their regular times and motions, in correspondence with the outer
universe. And these times and motions had suddenly received a check from
the outer universe: a distinct check. He had had an inkling of what it
would be when from the ship in the Indian Ocean he had seen the great
and beloved constellation Orion standing on its head as if pitching head
foremost into the sea, and the bright dog Sirius coursing high above his
heels in the outer air. Then he realized the inversion in the heavens.

And perhaps it was this inversion which had brought up all that
corrosive and bitter fire from the bowels of his unconscious, up again
into his full consciousness. If so, then let it be so.

One thing he realized, however: that if the fire had suddenly erupted in
his own belly, it would erupt one day in the bellies of all men. Because
there it had accumulated, like a great horrible lava pool, deep in the
unconscious bowels of all men. All who were not dead. And even the dead
were many of them raging in the invisible, with gnashing of teeth. But
the living dead, these he could not reckon with: they with poisonous
teeth like hyaenas.

Rage! Rage! Rage! The awful accumulations that lie quiescent and
pregnant in the bowels of men. He thought of the big gaunt collier with
the blunt, seal-like face shorn of its intelligence, squatting naked and
ghastly on his heels. It passes, it passes for the time being. But in
those moments there is an inward disruption, and the death-hot lava
pours loose into the deepest reservoirs of the soul. One day to erupt:
or else to go hard and rocky, dead.

Even the athletic young man who wanted to be approved of. Even he. He
had not much true spunk. But what was he feeling now? Unless, of course,
he had got into business and was successfully coining money. That seemed
to be the only safety-valve: success in money-making. But how many men
were successful, now?

Of course it was all necessary, the conscription, the medical
examinations. Of course, of course. We all know it. But when it comes to
the deepest things, men are as entirely irrational as women. You can
reason with a sex-angry woman till you are black in the face. And if for
a time you DO overcome her with reason, the sex-anger only arises more
hideously and furiously, later. Perhaps in another guise.

There is no arguing with the instinctive passional self. Not the least
use in the world. Yes, you are quite right, quite right in all your
contentions. BUT! And the BUT just explodes everything like a bomb.

The conscription, all the whole performance of the war was absolutely
circumstantially necessary. It was necessary to investigate even the
secret parts of a man. Agreed! Agreed! BUT--.

It was NECESSARY to put Richard Lovat and the ugly collier through that
business at Derby. Many men were put through things a thousand times
worse. Agreed! Oh, entirely agreed! The war couldn't be lost, at that
hour. Quite, quite, quite! Even Richard, even now, agreed fully to all
these contentions. BUT--!

And there you are. BUT--. He was full of a lava fire of rage and hate,
at the bottom of his soul. And he knew it was the same with most men. He
felt desecrated. And he knew it was the same with most men. He felt
sold. And he knew most men felt the same.

He cared for nothing now, but to let loose the hell-rage that was in
him. Get rid of it by letting it out. For there was no digesting it. He
had been trying that for three years, and roaming the face of the earth
trying to soothe himself with the sops of travel and new experience and
scenery. He knew now the worth of all sops. Once that disruption had
taken place in a man's soul, and in a stress of humiliation, under the
presence of COMPULSION, something has broken in his tissue and the
liquid fire has run out loose into his blood, then no sops will be of
any avail. The lava-fire at the bottom of a man's belly breeds more lava
fire, and more, and more--till there is an eruption. As the lava fire
accumulates, the man becomes more and more reckless. Till he reaches a
pitch of dehumanised recklessness, and then the lid is blown off, as the
top is blown off a hill to make a new volcano. Or else it all sets into
rocky deadness.

Richard felt himself reaching the volcanic pitch. He had as good as
reached it. And he realised that the Russians must have reached it
during the war: that the Irish had got there: that the Indians in India
were approaching the point: that the whole world was gradually working
up to the pitch. The whole world. It was as inevitable as the coming of
summer. It might be soon--it might be slow. But inevitable it was. Or
else the alternative, the dead-rock barrenness.

But why? Why, oh why? Is human life just opposed to human reason? The
Allies DID have to win the war. For it would certainly not have been any
better letting Germany win. Unless a very great disaster might have
shocked men to their deeper senses. But doubtful. Things HAD to go as
they went.

So, it was just Thomas Hardy's Blind Fate? No, said Lovat to himself,
no. Fata voldetem ducunt, nolentem trahunt. The Fates lead on the
willing man, the unwilling man they drag.

The Fates? What Fates? It takes a willing man to answer. Man is not a
creature of circumstance, neither is he the result of cause-and-effect
throughout the ages, neither is he a product of evolution, neither is he
a living MIND, part of the Universal Mind. Neither is he a complicated
make-up of forces and chemicals and organs. Neither is he a term of
love. Neither is he the mere instrument of God's will. None of these

Man lives according to his own idea of himself. When circumstances begin
really to run counter to his idea of himself, he damns circumstances.
When the running-counter persists, he damns the nature of things. And
when it STILL persists, he becomes a fatalist. A fatalist or an
opportunist--anything of that sort.

Whose fault is it? Fate's? Not at all. It is man's fault for persisting
in some fixed idea of himself.

Yet, being an animal saddled with a mental consciousness, which means
ideas, man MUST have some idea of himself. He just must, and those that
deny it have got a more fixed idea than anybody.

Man must have some idea of himself. He must live HARD, HARD, up to this
idea of himself.

But the idea is perishable. Say what you like, every idea is perishable:
even the idea of God or Love or Humanity or Liberty--even the greatest
idea has its day and perishes. Each formulated religion is in the end
only a great idea. Once the idea becomes explicit, it is dead. Yet we
must HAVE ideas.

When a man follows the true inspiration of a new, living idea, he then
is the willing man whom the Fates lead onwards: like St. Paul or Pope
Hildebrand or Martin Luther or Cromwell or Abraham Lincoln. But when the
idea is really dead, and STILL man persists in following it, then he is
the unwilling man whom the Fates destroy, like Kaiser Wilhelm or
President Wilson, or, to-day, the world at large.

For the idea, or ideal of Love, Self-sacrifice, Humanity united in love,
in brotherhood, in peace--all this is dead. There is no arguing about
it. It is dead. The great ideal is dead.

How do we know? By putting off our conscious conceit and listening to
our own soul.

So then, why will men not forgive the war, and their humiliations at the
hands of these war-like authorities? Because men were COMPELLED into the
service of a dead ideal. And perhaps nothing but this compulsion made
them realise it WAS a dead ideal. But all those filthy little
stay-at-home officers and coast-watchers and dirty-minded doctors who
tortured men during the FIRST stages of the torture, did these men IN
THEIR SOULS believe in what they were doing? They didn't. They HAD no
souls. They had only their beastly little WILLS, which they used to
bully all men with. With their wills they determined to fight for a dead
ideal, and to bully every other man into compliance. The inspiring
motive was the bullying. And every other man complied. Or else, by
admitting a conscientious objection to war, he admitted the dead ideal,
but took refuge in one of its side-tracks.

All men alike, and all women, admitted and still admit the face value of
the ideal of Love, Self-sacrifice, and Humanity united in love,
brotherhood, and peace. So, they persist in the dead ideal. Fata nolunt.
Fata nolunt. Then see how the fates betray them. In their service of the
defunct ideal they find themselves utterly humiliated, SOLD. In England,
Italy, Germany, India, Australia, that had been the one word men had
used to describe their feeling. They had been sold. But not before they
had sold themselves. Now then. The moment a man feels he has been sold,
sold in the deepest things, something goes wrong with his whole
mechanism. Something breaks, in his tissue, and the black poison is
emitted into his blood. And then he follows a natural course, and
becomes a creature of slow, or of quick, revenge. Revenge on all that
the old ideal is and stands for. Revenge on the whole system. Just
revenge. Even further revenge on himself.

Men revenged themselves on Athens, when they felt sold. When Rome,
persisting in an old, defunct ideal, gradually made her subjects feel
sold, they were revenged on her, no matter how. Constantinople and the
Byzantine Empire the same. And now our turn. "Revenge," Timotheus cries.
And Timotheus is just everybody, except those that have got hold of the
money or the power.

There is nothing for it but revenge. If you sow the dragon's teeth, you
mustn't expect lilies of the valley to spring up in sweet meekness.

And Kangaroo? Kangaroo insisted on the old idea as hard as ever, though
on the Power of Love rather than on the Submission and Sacrifice of
Love. He wanted to take his revenge in an odour of sanctification and
Lily of the Valley essence. But he was the mob, really. See his face in
a rage. He was the mob: the VENGEFUL mob. Oh, God, the most terrifying
of all things.

And Willie Struthers? The vengeful mob also. But if the old ideal had
still a logical leaf to put forth, it was this last leaf of
communism--before the lily-tree of humanity rooted in love died its
final death. Perhaps better Struthers than Kangaroo.

"But what about myself?" said Richard Lovat to himself as he lay in the
darkness of Sydney, his brain afire. For the horrible bitter fire seemed
really to have got into his brain, burst up from his deepest bowels.
"What about me? Am I too Timotheus crying REVENGE?"

Oh, revenge, yes, he wanted to be avenged. He wanted to be avenged.
Especially when he felt tangled up in the horrible human affair, the
ideal become like an octopus with a ghastly eye in the centre, and white
arms enwreathing the world. Oh, then he wanted to be avenged.

But now, for the moment he felt he had cut himself clear. He was
exhausted and almost wrecked--but he felt clear again. If no other
ghastly arm of the octopus should flash out and encircle him.

For the moment he felt himself lying inert, but clear, the dragon dead.
The ever-renewed dragon of a great old ideal, with its foul
poison-breath. It seemed, as if, for himself, he had killed it.

That was now all he wanted: to get clear. Not to save humanity or to
help humanity or to have anything to do with humanity. No--no. Kangaroo
had been his last embrace with humanity. Now, all he wanted was to cut
himself clear. To be clear of humanity altogether, to be alone. To be
clear of love, and pity, and hate. To be alone from it all. To cut
himself finally clear from the last encircling arm of the octopus
humanity. To turn to the old dark gods, who had waited so long in the
outer dark.

Humanity could do as it liked: he did not care. So long as he could get
his own soul clear. For he believed in the inward soul, in the profound
unconscious of man. Not an ideal God. The ideal God is a proposition of
the mental consciousness, all-too-limitedly human. "No," he said to
himself. "There IS God. But forever dark, forever unrealisable: forever
and forever. The unutterable name, because it can never have a name. The
great living darkness which we represent by the glyph, God."

There is this ever-present, living darkness inexhaustible and
unknowable. It IS. And it is all the God and the gods.

And every LIVING human soul is a well-head to this darkness of the
living unutterable. Into every living soul wells up the darkness, the
unutterable. And then there is travail of the visible with the
invisible. Man is in travail with his own soul, while ever his soul
lives. Into his unconscious surges a new flood of the God-darkness, the
living unutterable. And this unutterable is like a germ, a foetus with
which he must travail, bringing it at last into utterance, into action,
into BEING.

But in most people the soul is withered at the source, like a woman
whose ovaries withered before she became a woman, or a man whose
sex-glands died at the moment when they should have come into life. Like
unsexed people, the mass of mankind is soulless. Because to persist in
resistance of the sensitive influx of the dark gradually withers the
soul, makes it die, and leaves a human idealist and an automaton. Most
people are dead, and scurrying and talking in the sleep of death. Life
has its automatic side, sometimes in direct conflict with the
spontaneous soul. Then there is a fight. And the spontaneous soul must
extricate itself from the meshes of the ALMOST automatic white octopus
of the human ideal, the octopus of humanity. It must struggle clear,
knowing what it is doing: not waste itself in revenge. The revenge is
inevitable enough, for each denial of the spontaneous dark soul creates
the reflex of its own revenge. But the greatest revenge on the lie is to
get clear of the lie.

The long travail. The long gestation of the soul within a man, and the
final parturition, the birth of a new way of knowing, a new God-influx.
A new idea, true enough. But at the centre, the old anti-idea: the dark,
the unutterable God. This time not a God scribbling on tablets of stone
or bronze. No everlasting decalogues. No sermons on mounts, either. The
dark God, the forever unrevealed. The God who is many gods to many men:
all things to all men. The source of passions and strange motives. It is
a frightening thought, but very liberating.

"Ah, my soul," said Richard to himself, "you have to look more ways than
one. First to the unutterable dark of God: first and foremost. Then to
the utterable and sometimes very loud dark of that woman Harriet. I must
admit that only the dark god in her fighting with my white idealism has
got me so clear: and that only the dark god in her answering the dark
god in me has got my soul heavy and fecund with a new sort of infant.
But even now I can't bring it forth. I can't bring it forth. I need
something else. Some other answer."

Life makes no absolute statement: the true life makes no absolute
statement. "Thou shalt have no other God before me." The very
commandment suggests that it is possible to have other gods, and to put
them before Jehovah. "Thou shalt love thy neighbour as thyself." But oh
deepest of perplexing questions, HOW do I love myself? Am I to love my
neighbour as if he WERE myself? But my very love makes me know that he
ISN'T myself, and that therein lies his lovableness, unless I am a
conceited prig. Am I to love my neighbour as much as myself? And how
much do I love myself? It is a wildly problematic commandment. Supposing
I love my neighbour more than myself. That again is a catastrophe.

Since every man must love himself in a different way--unless he is a
materialist or a prig--he must love his neighbour in a different way. So
Christ's commandment is as large as life, and its meaning can never be
fixed. I sometimes hate myself: and my neighbour as myself.

Life makes no absolute statement. It is all Call and Answer. As soon as
the Call ceases, the Answer is invalid. And till the Answer comes, a
Call is but a crying in the wilderness. And every Answer must wait until
it hears the Call. Till the Call comes, the Answer is but an unborn

And so it is. Life is so wonderful and complex, and ALWAYS relative. A
man's soul is a perpetual call and answer. He can never be the call and
the answer in one: between the dark God and the incarnate man: between
the dark soul of woman, and the opposite dark soul of man: and finally,
between the souls of man and man, strangers to one another, but
answerers. So it is for ever, the eternal weaving of calls and answers,
and the fabric of life woven and perishing again. But the calls never
cease, and the answers never fail for long. And when the fabric becomes
grey and machine-made, some strange clarion-call makes men start to
smash it up. So it is.

BLESSED ARE THE PURE IN HEART. That is absolute truth, a statement of
living relativity, because the pure in heart are those who quiver to the
dark God, to the call of woman, and to the call of men. The pure in
heart are the listeners and the answerers. But Rameses II was no doubt
as pure in heart as John the Evangelist. Indeed perhaps purer, since
John was an INSISTER. To be pure in heart, man must listen to the dark
gods as well as to the white gods, to the call to blood-sacrifice as
well as to the eucharist.

if it means taking up a permanent attitude.

it means enforcing the peace, like policemen.

BLESSED ARE THE MEEK. It depends on the occasion.

BLESSED ARE THEY THAT MOURN. It depends altogether.

but the righteousness of the profound listener, and of the answerer who
will answer come what may. Not any other righteousness of the
commandment sort.

UNBLESSED are the despisers--.

After all his terrific upheaval, Richard Lovat at last gave it up, and
went to sleep. A man must even know how to give up his own earnestness,
when its hour is over, and not to bother about anything any more, when
he's bothered enough.


The following day Somers felt savage with himself again. "Fool that I
am, fool!" he said, mentally kicking himself. And he looked at the big
pink spread of his Sydney Bulletin viciously. The Bulletin was the only
periodical in the world that really amused him. The horrible stuffiness
of English newspapers he could not stand: they had the same effect on
him as fish-balls in a restaurant, loathsome stuffy fare. English
magazines were too piffling, too imbecile. But the "Bully", even if it
was made up all of bits, and had neither head nor tail nor feet nor
wings, was still a lively creature. He liked its straightforwardness and
the kick in some of its tantrums. It beat no solemn drums. It had no
deadly earnestness. It was just stoical, and spitefully humorous. Yes,
at the moment he liked the Bulletin better than any paper he knew,
though even the Bulletin tried a dowdy bit of swagger sometimes,
especially on the pink page. But then the pink page was just "literary",
and who cares?

Who cares, anyhow? Perhaps a bit sad, after all. But more fool you for
being sad.

So he rushed to read the "bits". They would make Bishop Latimer forget
himself and his martyrdom at the stake.

1805: The casual Digger of war-days has carried it into civvies. Sighted
one of the original Tenth at the Outer Harbour (Adelaide) wharf last
week fishing. His sinker was his 1914 Star.

Yes, couldn't Somers just see that forlorn Outer Harbour at Adelaide,
and the digger, like some rag of sea-weed dripping over the edge of the
wharf fishing, and using his medal for a weight?

Wilfrido: A recent advertisement for the Wellington (New Zealand) Art
Gallery attracted 72 applicants. Among them were two solicitors (One an
Oxford M.A.); five sheepfarmers, on whose lands the mortgagee had
foreclosed; and a multitude of clerks. The post is not exactly a
sinecure, either; it demands attendance on seven days a week at 150
pounds per annum.

Then a little cartoon of Ivan, the Russian workman, going for a
tram-drive, and taking huge bundles of money with him, sackfuls of
roubles, to pay the fare. The "Bully" was sardonic about Bolshevism.

Ned Kelly: Hearing the deuce of a racket in the abo (aborigines) camp
near our place, we strolled over to see what was wrong, and saw a young
Binghi giving his gin a father of a hiding for making eyes at another
buck. Every respectable Binghi has the right to wallop his missis, but
this one laid it on so much that he knocked her senseless. This enraged
her relatives, and they went for him en masse, while two or three gins
applied restoratives to the battered wife. She soon came round, and,
seeing how things were, grabbed a waddy and went to the assistance of
her lord and master. In the end the twain routed the phalanxed
relations. Same old woman, whatever her line.

Bits about bullock drivers and the biggest loads on record, about the
biggest piece of land ploughed by a man in a day, recipes for mange in
horses, twins, turnips, accidents to reverend clergymen, and so on.

Pick: In the arid parts out back the wild birds infallibly indicate to
the wayfarer when the water in his bag must be vigorously conserved. If
in the early morning they descend in flocks to the plain, and there
collect the globules of dew among the dry stalks of grass, it means that
every tank, gilgal and puddle-hole within a bird's drinking flight has
gone dry.

Cellu Lloyd: Before you close down on mangey horses here's a cure I've
never known to fail. To one bullock's gall add kerosene to make up a
full pint. Heat sufficiently to enable it to mix well, not forgetting,
of course, that half of it is kerosene. When well mixed add one
teaspoonful of chrysophanic acid. Bottle and shake well. Before applying
take a hard scrubbing brush and thoroughly scrub the part with carbolic
soap and hot water, and when applying the mixture use the brush again.
In one case I struck a pair of buggie ponies that had actually bitten
pieces from each other, and rubbed down a hundred yards or so of fence
in trying to allay the burning itch. Two months afterwards they were
growing hair and gaining condition, and not a trace of mange remained.
It is wonderful, however, how lightly some horse-owners treat the
matter. When a horse works hard all day, and spends the night rubbing a
fence flat in his itch frenzy, he at once loses condition and
usefulness; but in most cases the owner builds the fence stronger
instead of giving the unfortunate animal the necessary attention.

This recipe brought many biting comments in later issues.

Somers liked the concise, laconic style. It seemed to him manly and
without trimmings. Put ship-shape in the office, no doubt. Sometimes the
drawings were good, and sometimes they weren't.

Lady (who has just opened door to country girl carrying suitcase): "I am
suited. A country girl has been engaged, and I'm getting her to-morrow."

Girl: "I'm her; and you're not. The 'ouse is too big."

There, thought Somers, you have the whole spirit of Australian labour.

K. Sped: A week or two back a Mildura (Victoria) motor-cyclist ran over
a tiger-snake while travelling at 35 m.p.h. Ten minutes later the leg
became itchy, and shortly afterwards, feeling giddy, he started back to
the local hospital. He made a wobbly passage and collapsed at the
hospital gates. He was bad for a week, and was told that if the reptile
had not struck him on the bone he would never have reached the ward. The
snake must have doubled up when the wheel struck it, and by the merest
fluke struck the rider's leg in mid-air.

Fraoch: I knew another case of a white girl marrying an aboriginal about
an years ago on the Northern Rivers (New South Wales). She was rather
pretty, a descendant of an English family. Binghi was a landed
proprietor, having acquired a very decent estate on the death of a
former spinster employer. (Binghi must have had "a way wid 'im"). He
owned a large, well-furnished house, did himself well, and had a fair
education, and was a good rough-rider. But every year the "call of the
wild" came to him, and he would leave his wife and kids (they had three)
and take himself to an old tumble-down hut in the bush, and there for a
month or two live in solitude on his natural tucker. Under the will of
the aforesaid spinster, upon Binghi's demise the estate was to revert to
her relatives. With an optimism that was not without a pathos of its
own, they used to trot out every outlaw in the district for their dusky
friend to ride; but his neck was still intact when I left.

Sucre: Peering through her drawing-room window shortly before lunch, the
benevolent old suburban lady saw a shivering man in a ruined overcoat.
Not all the members of the capitalist classes are iron-souled creatures
bent on grinding the faces of the afflicted, yet virtuous poor. Taking a
ten shilling note from a heavily-beaded bag, she scribbled on a piece of
paper the words: "Cheer Up", put both in an envelope, and told the maid
to give it to the outcast from her. While the family was at dinner that
evening a ring sounded at the front door. Argument followed in the hall
between a hoarse male voice and that of the maid. "You can't come in.
They're at dinner." "I'd RATHER come in miss. Always like for to fix
these things up in person." "You can't come." Another moment and the
needy wayfarer was in the diningroom. He carefully laid five filthy 1
pound notes on the table before his benefactress. "There you are, mum,"
he said, with a rough salute. "Cheer Up won all right. I'm mostly on the
corner, race days, as your cook will tell you; an' I'd like to say that
if any uv your FRIENDS--."

Bits, bits, bits. Yet Richard Lovat read on. It was not mere anecdotage.
It was the sheer momentaneous life of the continent. There was no
consecutive thread. Only the laconic courage of experience.

All the better. He could have kicked himself for wanting to help
mankind, join in revolutions or reforms or any of that stuff. And he
kicked himself still harder thinking of his frantic struggles with the
"soul" and the "dark god" and the "listener" and the "answerer".
Blarney--blarney--blarney! He was a preacher and a blatherer, and he
hated himself for it. Damn the "soul", damn the "dark god", damn the
"listener" and the "answerer", and above all, damn his own interfering,
nosy self.

What right had he to go nosing round Kangaroo, and making up to Jaz or
to Jack? Why couldn't he keep off it all? Let the whole show go its own
gay course to hell, without Mr. Richard Lovat Somers trying to show it
the way it should go.

A very strong wind had got up from the west. It blew down from the dark
hills in a fury, and was cold as flat ice. It blew the sea back until
the great water looked like dark, ruffled mole-fur. It blew it back till
the waves got littler and littler, and could hardly uncurl the least
swish of a rat-tail of foam.

On such a day his restlessness had driven them on a trip along the coast
to Wolloona. They got to the lost little town just before mid-day, and
looked at the shops. The sales were on, and prices were "smashed to
bits", "Prices Smashed to Bits", in big labels. Harriet, of course,
fascinated in the Main Street, that ran towards the sea, with the steep
hills at the back. "Hitch your motor to a star--Star Motor Company."
"Your piano is the most important article of furniture in your
drawing-room. You will not be proud of your drawing-room unless your
piano has a HANDSOME APPEARANCE and a BEAUTIFUL TONE. Both these

It was a wonderful Main Street, and, thank heaven, out of the wind.
There were several large but rather scaring brown hotels; with balconies
all round: there was a yellow stucco church with a red-painted tin
steeple, like a weird toy: there were high roofs and low roofs, all
corrugated iron: and you came to an opening, and there, behold, were one
or two forlorn bungalows inside their wooden palings, and then the void.
The naked bush, sinking in a hollow to a sort of marsh, and then down
the coast some sort of "works", brick-works or something, smoking. All
as if it had tumbled haphazard off the pantechnicon of civilisation as
it dragged round the edges of this wild land, and there lay, busy but
not rooted in. As if none of the houses had any foundations.

Bright the sun, the air of marvellous clarity, tall stalks of cabbage
palms rising in the hollow, and far off, tufted gum trees against a
perfectly new sky, the tufts at the end of wire branches. And farther
off, blue, blue hills. In the Main Street, large and expensive
motor-cars and women in fuzzy fur coats; long, quiescent Australian men
in tired-out-looking navy blue suits trotting on brown ponies, with a
carpet-bag in one hand, doing the shopping; girls in very much-made
hats, also flirtily shopping; three boys with big, magnificent bare
legs, lying in a sunny corner in the dust; a lonely white pony hitched
as if forever to a post at a street-corner.

"I like it," said Harriet. "It doesn't feel FINISHED."

"Not even begun," he laughed.

But he liked it too: even the slummyness of some of the bungalows inside
their wooden palings, drab-wood, decrepit houses, old tins, broken pots,
a greeny-white pony reminding one of a mildewed old shoe, two half-naked
babies sitting like bits of live refuse in the dirt, but with bonny,
healthy bare legs: the awful place called "The Travellers' Rest--Mrs.
Coddy's Boarding Home"--a sort of blind, squalid, corner building made
of wood and tin, with flat pieces of old lace curtain nailed inside the
windows, and the green blinds hermetically drawn. What must it have been
like inside? Then an open space, and coral-trees bristling with red
crest-flowers on their bare, cold boughs: and the hollow space of the
open country, and the marvellous blue hills of the distance.

The wind was cold enough to make you die. Harriet was disgusted at
having been dragged away from home. They trailed to the sea to try and
get out of it, for it blew from the land, and the sun was hot. On the
bay one lone man flinging a line into the water, on the edge of the
conch-shaped, sloping sands. Dark-blue water, ruffled like mole-fur, and
flicked all over with froth as with bits of feather-fluff. And many
white gannets turning in the air like a snow-storm and plunging down
into the water like bombs. And fish leaped in the furry water, as if the
wind had turned them upside-down. And the gannets dropping and exploding
into the wave, and disappearing. On the sea's horizon, so perfectly
clear, a steamer like a beetle walking slowly along. Clear, with a
non-earthly clarity.

Harriet and Somers sat and ate sandwiches with a little sand, she dazed
but still expostulating. Then they went to walk on the sea's edge, where
the sands might be firm. But the beach sloped too much, and they were
not firm. The lonely fisherman held up his thin silvery line for them to
pass under.

"Don't bother," said Somers.

"Right O!" said he.

He had a sad, beery moustache, a very cold-looking face, and, of course,
a little boy, his son, no doubt, for a satellite.

There were little, exquisite pink shells, like Venetian pink glass with
white veins or black veins round their sharp little steeples. Harriet
loved them, among her grumbles, and they began to gather them: "for
trimmings", said Harriet. So, in the flat-icy wind, that no life had
ever softened and no god ever tempered, they crouched on the sea's edge
picking these marvellous little shells.

Suddenly, with a cry, to find the water rushing round their ankles and
surging up their legs, they dragged their way wildly forward with the
wave, and out and up the sand. Where immediately a stronger blast seized
Lovat's hat and sent it spinning to the sea again, and he after it like
a bird. He caught it as the water lifted it, and then the waste of
waters enveloped him. Above his knees swirled the green flood, there was
water all around him swaying, he looked down at it in amazement, reeling
and clutching his hat.

Then once more he clambered out. Harriet had fallen on her knees on the
sand in a paroxysm of laughter, and there she was doubled up like a
sack, shrieking between her gasps:

"His hat! His hat! He wouldn't let it go"--shrieks, and her head like a
sand-bag flops to the sand--"no--not if he had to swim"--shrieks--"swim
to Samoa."

He was looking at his wet legs and chuckling with his inward laughter.
Vivid, the blue sky: intensely clear, the dark sea, the yellow sands,
the swoop of the bay, the low headlands: clear like a miracle. And the
water bubbling in his shoes as he walked rolling up the sands.

At last she recovered enough to crawl after him. They sat in a
sand-hollow under a big bush with odd red berries, and he wrung out his
socks, and all he could of his underpants and trousers. Then he put on
his socks and shoes again, and they set off for the station.

"The Pacific water," he said, "is so very seaey, it is almost warm."

At which, looking at his wet legs and wet hat, she went off into shrieks
again. But she made him be quick, because there was a train they could

However in the Main Street they thought they would buy another pair of
socks. So he bought them, and changed in the shop. And they missed the
train, and Harriet expostulated louder.

They went home in a motor-bus and a cloud of dust, with the heaven bluer
than blue above, the hills dark and fascinating, and the land so remote
seeming. Everything so clear, so very distinct, and yet so marvellously

All the miles alongside the road tin bungalows in their paling fences:
and a man on a pony, in a long black overcoat and a cold nose, driving
three happy, fleecy cows, long men in jerseys and white kerchiefs round
their necks, a la Buffalo Bill, riding nice slim horses; a woman riding
astride top speed on the roadside grass. A motor-car at the palings of
one of the bungalows. A few carts coming.

And the occupants of the bus bouncing and bobbing like a circus, because
of the very bumpy road.

"Shakes your dinner down," said the old woman with the terribly
home-made hat--oh, such difficult, awful hats.

"It does, if you've had any," laughed Harriet.

"Why, you've 'ad your dinner, "aven't you?"

As concerned as if Harriet was her own stomach, such a nice old woman.
And a lovely little boy with the bright, wide, gentle eyes of these
Australians. So alert and alive and with that lovableness that almost
hurts one. Absolute trust in the "niceness" of the world. A tall,
stalky, ginger man with the same bright eyes and a turned-up nose and
long stalky legs. An elderly man with bright, friendly, elderly eyes and
careless hair and careless clothing. He was Joe, and the other was Alf.
Real careless Australians, careless of their appearance, careless of
their speech, of their money, of everything--except of their
happy-go-lucky, democratic friendliness. Really nice, with bright,
quick, willing eyes. Then a young man, perhaps a commercial traveller,
with a suit-case. He was quite smartly dressed, and had fancy socks. He
was one of those with the big, heavy legs, heavy thighs and calves that
showed even in his trousers. And he was physically very self-conscious,
very self-conscious of Lovat and Harriet. The driver's face was long and
deep red. He was absolutely laconic. And yet, absolutely willing, as if
life held no other possibility than that of being an absolutely willing
citizen. A fat man with a fat little girl waiting at one of the corners.

"Up she goes!" he said as he lifted her in.

A perpetual, unchanging willingness, and an absolute equality. The same
good-humoured, right-you-are approach from everybody to everybody.
"Right-you-are! Right-O!" Somers had been told so many hundreds of
times, Right-he-was, Right-O!, that he almost had dropped into the way
of it. It was like sleeping between blankets--so cosy. So cosy.

They were really awfully nice. There was a winsome charm about them.
They none of them seemed mean, or tight, or petty.

The young man with the fine suit and the great legs put down his money,
gently and shyly as a girl, beside the driver on the little
window-ledge. Then he got out and strode off, shy and quick, with his


The young man turned at the driver's summons, and came back.

"Did yer pay me?"

The question was put briskly, good-humouredly, with a touch even of
tenderness. The young man pointed to the money. The driver glanced round
and saw it.

"Oh! Right you are! Right-O!"

A faint little smile of almost tender understanding, and the young man
turned again. And the driver bustled to carry out some goods. The way he
stooped to pick up the heavy wooden box in his arms; so WILLING to stoop
to burdens. So long, of course, as his Rights of Man were fully
recognised. You mustn't try any superior tricks with him.

Well, it was really awfully nice. It was touching. And it made life so
easy, so easy.

Of course these were not government servants. Government servants have
another sort of feeling. They feel their office, even in New South
Wales--even a railway-clerk. Oh, yes.

So nice, so nice, so gentle. The strange, bright-eyed gentleness. Of
course, really rub him the wrong way, and you've got a Tartar. But not
before you've asked for one. Gentle as a Kangaroo, or a wallaby, with
that wide-eyed, bright-eyed alert, RESPONSIBLE gentleness Somers had
never known in Europe. It had a great beauty. And at the same time it
made his spirits sink.

It made him feel so sad underneath, or uneasy, like an impending
disaster. Such a charm. He was so tempted to commit himself to this
strange continent and its strange people. It was so fascinating. It
seemed so free, an absence of any form of stress whatsoever. No strain
in any way, once you could accept it.

He was so tempted, save for a sense of impending disaster at the bottom
of his soul. And there a voice kept saying: "No, no. No, no. It won't
do. You've got to have a reversion. You can't carry this mode any
further. You've got to have a recognition of the innate, sacred

So when they were walking home in a whirl of the coldest, most
flat-edged wind they had ever known, he stopped in front of her to

"Of course you can't go on with a soft, oh-so-friendly life like this
here. You've got to have an awakening of the old recognition of the
aristocratic principle, the INNATE difference between people."

"Aristocratic principle!" she shrieked on the wind. "You should have
seen yourself, flying like a feather into the sea after your hat.
Aristocratic PRINCIPLE!" She shrieked with laughter.

"There you are, you see," he said to himself. "I'm at it again". And he
laughed too.

The wind blew them home. He made a big fire, and changed, and they drank
coffee made with milk, and ate buns.

"Thank heaven for a home," he said, as they sat in the dark, big rooms
at Coo-ee, and ate their buns, and looked out of the windows and saw
here as well a whirl of gannets like a snowstorm, and a dark sea
littered with white fluffs. The wind roared in the chimney, and for the
first time the sea was inaudible.

"You see," she said, "how thankful you are for a home."

"Chilled to the bone!" he said. "I'm chilled to the bone with my day's

So they drew up the couch before the fire, and he piled rugs on her and
jarrah chunks on the fire, and at last it was toastingly warm. He sat on
a little barrel which he had discovered in the shed, and in which he
kept the coal for the fire. He had been at a loss for a lid to this
barrel, till he had found a big tin-lid thrown out on the waste lot. And
now the wee barrel with the slightly rusty tin lid was his perch when he
wanted to get quite near the fire. Harriet hated it, and had moments
when she even carried the lid to the cliff to throw it in the sea. But
she brought it back, because she knew he would be so indignant. She
reviled him, however.

"Shameful! Hideous! Old tin lids! How can you SIT on it? How you can
bring yourself to sit on such a thing, and not feel humiliated. Is that
your aristocratic principle?"

"I put a cushion on it," he said.

As he squatted on his tub this evening in the fire-corner, she suddenly
turned from her book and cried:

"There he is, on his throne! Sitting on his aristocratic principle!" And
again she roared with laughter.

He, however, shook some coal out of the little tub on to the fire,
replaced the tin lid and the cushion, and resumed his thoughts. The fire
was very warm. She lay stretched in front of it on the sofa, covered
with an eiderdown, and reading a Nat Gould novel, to get the real tang
of Australia.

"Of course," he said, "this land always gives me the feeling that it
doesn't WANT to be touched, it doesn't WANT men to get hold of it."

She looked up from her Nat Gould.

"Yes," she admitted slowly. "And my ideal has always been a farm. But I
know now. The farms don't really belong to the land. They only scratch
it and irritate it, and are never at one with it."

Whereupon she returned to her Nat Gould, and there was silence save for
the hollow of the wind. When she had finished her paper-backed book she

"It's just like them--just like they THINK they are."

"Yes," he said vaguely.

"But, bah!" she added, "they make me sick. So absolutely dull--worse
than an 'At Home' in the middle classes."

And after a silence, another shriek of laughter suddenly.

"Like a flying-fish! Like a flying-fish dashing into the waves! Dashing
into the waves after his hat--."

He giggled on his tub.

"Fancy, that I'm here in Coo-ee after my day's outing! I can't believe
it. I shall call you the flying-fish. It's hard to believe that one was
so many things in one day. Suddenly the water! Won't you go now and do
the tailor? Twenty to eight! The bold buccaneer!"

The tailor was a fish that had cost a shilling, and which he was to
prepare for supper.

Globe: There can't be much telepathy about bullocks, anyhow. In
Gippsland (Victoria) last season a score of them were put into a strange
paddock, and the whole 20 were found drowned in a hole next morning.
Tracks showed that they had gone each on his own along a path,
overbalanced one after the other, and were unable to clamber up the
rocky banks.

That, thought Richard at the close of the day, is a sufficient comment
on herd-unity, equality, domestication, and civilisation. He felt he
would have liked to climb down into that hole in which the bullocks were
drowning and beat them all hard before they expired, for being such
mechanical logs of life.

Telepathy! Think of the marvellous vivid communication of the huge sperm
whales. Huge, grand, phallic beasts! Bullocks! Geldings! Men! R.L.
wished he could take to the sea and be a whale, a great surge of living
blood: away from these all-too-white people, who ought ALL to be called
Cellu Lloyd, not only the horse-mange man.

Man is a thought-adventurer. Man is more, he is a life-adventurer. Which
means he is a thought-adventurer, an emotion-adventurer, and a
discoverer of himself and of the outer universe. A discoverer.

"I am a fool," said Richard Lovat, which was the most frequent discovery
he made. It came, moreover, every time with a new shock of surprise and
chagrin. Every time he climbed a new mountain range and looked over, he
saw, not only a new world, but a big anticipatory fool on this side of
it, namely, himself.

Now a novel is supposed to be a mere record of emotion-adventures,
flounderings in feelings. We insist that a novel is, or should be, also
a thought-adventure, if it is to be anything at all complete.

"I am a fool," thought Richard to himself, "to imagine that I can
flounder in a sympathetic universe like a fly in the ointment." We think
of ourselves, we think of the ointment, but we do not consider the fly.
It fell into the ointment, crying: "Ah, here is a pure and balmy element
in which all is unalloyed goodness. Here is attar of roses without a
thorn." Hence the fly in the ointment: embalmed in balm. And our

"I am a fool," said Richard to himself, "to be floundering round in this
easy, cosy, all-so-friendly world. I feel like a fly in the ointment.
For heaven's sake let me get out. I suffocate."

Where to? If you're going to get out you must have something to get out
on to. Stifling in unctuous sympathy of a harmless humanity.

"Oh," cried the stifling R. "Where is my Rock of Ages?"

He knew well enough. It was where it always has been: in the middle of

"Let me get back to my own self," he panted, "hard and central in the
centre of myself. I am drowning in this merge of harmlessness, this
sympathetic humanity. Oh, for heaven's sake let me crawl out of the
sympathetic smear, and get myself clean again."

Back to his own centre--back--back. The inevitable recoil.

"Everything," said R. to himself, in one of those endless conversations
with himself which were his chief delight, "everything is relative."

And flop he went into the pot of spikenard.

"Not quite," he gasped, as he crawled out. "Let me drag my isolate and
absolute individual self out of this mess."

Which is the history of relativity in man. All is relative as we go flop
into the ointment: or the treacle or the flame. But as we crawl out, or
flutter out with a smell of burning, the ABSOLUTE holds us spellbound.
Oh to be isolate and absolute, and breathe clear.

So that even relativity is only relative. Relative to the absolute.

I am sorry to have to stand, a sorry sight, preening my wings on the
brink of the ointment-pot, thought Richard. But from this vantage ground
let me preach to myself. He preached, and the record was taken down for
this gramophone of a novel.

No, the self is absolute. It may be relative to everything else in the
universe. But to itself it is an absolute.

Back to the central self, the isolate, absolute self.

"Now," thought Richard to himself, waving his front paws with
gratification: "I must sound the muezzin and summon all men back to
their central, isolate selves."

So he drew himself up, when--urch!! He was sluthering over the brim of
the ointment pot into the balm of humanity once more.

"Oh, Lord, I nearly did it again," he thought as he clambered out with a
sick heart. "I shall do it once too often. The bulk of mankind haven't
got any central selves: haven't got any. They're all bits."

Nothing but his fright would have struck this truth out of him. So he
crouched still, like a fly very tired with crawling out of the ointment,
to think about it.

"The bulk of people haven't got any central selves. They're all bits."

He knew it was true, and he felt rather sick of the sweet odour of the
balm of human beatitudes, in which he had been so nearly lost.

"It takes how many thousand facets to make the eye of a fly--or a
spider?" he asked himself, being rather hazy scientifically. "Well, all
these people are just facets: just bits, that fitted together make a
whole. But you can fit the bits together time after time, yet it won't
bring the bug to life."

The people of this terrestrial sphere are all bits. Isolate one of them,
and he is still only a bit. Isolate your man in the street, and he is
just a rudimentary fragment. Supposing you have the misfortune to have
your little toe cut off. That little toe won't at once rear on its hind
legs and begin to announce: "I'm an isolated individual with an immortal
soul." It won't. But your man in the street will. And he is a liar. He's
only a bit, and he's only got a minute share of the collective soul.
Soul of his own he has none: and never will have. Just a share in the
collective soul, no more. Never a thing by himself.

Damn the man in the street, said Richard to himself. Damn the collective
soul, it's a dead rat in a hole. Let humanity scratch its own lice.

Now I'll sound my muezzin again. THE MAN BY HIMSELF. 'Allah bismallah!
God is God and man is man and has a soul of his own. Each man to
himself! Each man back to his own soul! Alone, alone, with his own soul
alone. God is God and man is man and the man in the street is a louse."

Whatever your relativity, that's the starting point and the finishing
point: a man alone with his own soul: and the dark God beyond him.

A man by himself.

Begin then.

Let the men in the street--ugh, horrid millions, crawl the face of the
earth like lice or ants or some other ignominy.

The man by himself.

That was one of the names of Erasmus of Rotterdam.

The man by himself.

That is the beginning and end, the alpha and the omega, the one
absolute: the man alone by himself, alone with his own soul, alone with
his eyes on the darkness which is the dark god of life. Alone like a
pythoness on her tripod, like the oracle alone above the fissure into
the unknown. The oracle, the fissure down into the unknown, the strange
exhalations from the dark, the strange words that the oracle must utter.
Strange, cruel, pregnant words: the new term of consciousness.

This is the innermost symbol of man: alone in the darkness of the cavern
of himself, listening to soundlessness of inflowing fate. Inflowing
fate, inflowing doom, what does it matter? The man by himself--that is
the absolute--listening--that is the relativity--for the influx of his
fate, or doom.

The man by himself. The listener.

But most men can't listen any more. The fissure is closed up. There is
no soundless voice. They are deaf and dumb, ants, scurrying ants.

That is their doom. It is a new kind of absolute. Like riffraff, which
has fallen out of living relativity, on to the teeming absolute of the
dust-heap, or the ant-heap. Sometimes the dust-heap becomes huge, huge,
huge, and covers nearly all the world. Then it turns into a volcano, and
all starts again.

"It has nothing to do with me," said Richard to himself. I hope, dear
reader, you like plenty of CONVERSATION in a novel: it makes it so much
lighter and brisker.

"It has nothing to do with me," said Richard to himself. "They do as
they like. But since, after all, I AM a kind-hearted dear creature, I
will just climb the minaret of myself and sound my muezzin."

So behold the poor dear on his pinnacle lifting his hands.

"God is God and man is man; and every man by himself. Every man by
himself, alone with his own soul. Alone as if he were dead. Dead to
himself. He is dead and alone. He is dead; alone. His soul is alone.
Alone with God, with the dark God. God is God."

But if he likes to shout muezzins, instead of hawking fried fish or
newspapers or lottery tickets, let him.

Poor dear, it was rather an anomalous call: "Listen to me, and be
alone." Yet he felt called upon to call it.

To be alone, to be alone, and to rest on the unknown God alone.

The God must be unknown. Once you have defined him or described him, he
is the most chummy of pals, as you'll know if you listen to preachers.
And once you've chummed up with your God, you'll never be alone again,
poor you. For that's the end of you. You and your God chumming it
through time and eternity.

Poor Richard saw himself in funny situations.

"My dear young lady, let me entreat you, be alone, only be alone."

"Oh, Mr. Somers, I should love to, if you'd hold my hand."

"There is a gulf," growing sterner, "surrounds each solitary soul. A
gulf surrounds you--a gulf surrounds me--."

"I'M FALLING!" shrieks and flings her arms around his neck. Or Kangaroo.

"Why am I so beastly to Kangaroo?" said Richard to himself. "For beastly
I am. I am a detestable little brat to them all round."

A detestable little brat he felt.

But Kangaroo wanted to be a queen-bee of another hive, with all the
other bees clustering on him like some huge mulberry. Sickening! Why
couldn't he be alone? At least for ONCE. For once withdraw entirely.

And a queen bee buzzing with beatitudes. Beatitudes, beatitudes. Bee
attitudes or any other attitudes, it made Richard feel tired. More
benevolence, more nauseating benevolence. "Charity suffereth long."

Yet one cannot live a life of entire loneliness, like a monkey on a
stick, up and down one's own obstacle. There's got to be meeting: even
communion. Well, then, let us have the other communion. "This is thy
body which I take from thee and eat" as the priest, also the God, says
in the ritual of blood sacrifice. The ritual of supreme responsibility,
and offering. Sacrifice to the dark God, and to the men in whom the dark
God is manifest. Sacrifice to the strong, not to the weak. In awe, not
in dribbling love. The communion in power, the assumption into glory. La


Chapter follows chapter, and nothing doing. But man is a
thought-adventurer, and his falls into the Charybdis of ointment, and
his shipwrecks on the rock of ages, and his kisses across chasms, and
his silhouette on a minaret: surely these are as thrilling as most

To be brief, there was a Harriet, a Kangaroo, a Jack and a Jaz and a
Vicky, let alone a number of mere Australians. But you know as well as I
do that Harriet is quite happy rubbing her hair with hair-wash and
brushing it over her forehead in the sun and looking at the threads of
gold and gun-metal, and the few threads, alas, of silver and tin, with
admiration. And Kangaroo has just got a very serious brief, with
thousands and thousands of pounds at stake in it. Of course he is fully
occupied keeping them at stake, till some of them wander into his
pocket. And Jack and Vicky have gone down to her father's for the
week-end, and he's out fishing, and has already landed a rock-cod, a
leather-jacket, a large schnapper, a rainbow-fish, seven black-fish, and
a cuttlefish. So what's wrong with him? While she is trotting over on a
pony to have a look at an old sweetheart who is much too young to be
neglected. And Jaz is arguing with a man about the freight-rates. And
all the scattered Australians are just having a bet on something or
other. So what's wrong with Richard's climbing a mental minaret or two
in the interim? Of course there isn't any interim. But you KNOW that
Harriet is brushing her hair in the sun, and Kangaroo looking at huge
sums of money on paper, and Jack fishing, and Vicky flirting and Jaz
bargaining, so what more do you want to know? We can't be at a stretch
of tension ALL the time, like the E string on a fiddle. If you don't
like the novel, don't read it. If the pudding doesn't please you, leave
it, leave it. _I_ don't mind your saucy plate. I know too well that you
can bring an ass to water, etc.

As for gods, thought Richard, there are gods of vengeance. "For I, the
Lord thy God, am a jealous God." So true. A jealous God, and a
vengeful--"Visiting the sins of the fathers upon the children, unto the
third and fourth generation of them that hate me." Of course. The
fathers get off. You don't begin to pay the penalty till the second and
third generation. That is something for US to put in our pipes and
smoke. Because WE are the second generation, and it was our fathers who
had a nice rosy time among the flesh-pots, cooking themselves the
tit-bits of this newly-gutted globe of ours. They cooked the tit-bits,
we are left with the carrion.

"The Lord thy God am a jealous God."

So he is. The Lord thy God is the invisible stranger at the gate in the
night, knocking. He is the mysterious life-suggestion, tapping for
admission. And the wondrous Victorian Age managed to fasten the door so
tight, and light up the compound so brilliantly with electric light,
that really, there WAS no outside, it was all in. The unknown became a
joke: is still a joke.

Yet there it is, outside the gate, getting angry. "Behold I stand at the
gate and knock." "Knock away," said complacent, benevolent humanity,
which had just discovered its own monkey origin to account for its own
monkey tricks. "Knock away, nobody will hinder you from knocking."

And Holman Hunt paints a pretty picture of a man with a
Stars-and-Stripes lantern and a red beard, knocking. But whoever it is
that's knocking had been knocking for three generations now, and he's
got sick of it. He'll be kicking the door in just now.

"For I the Lord thy God am a jealous God."

It is not that He is jealous of Thor or Zeus or Bacchus or Venus. The
great dark God outside the gate is all these gods. You open the gate,
and sometimes in rushes Thor and gives you a bang on the head with a
hammer; or Bacchus comes mysteriously through, and your mind goes dark
and your knees and thighs begin to glow; or it is Venus, and you close
your eyes and open your nostrils to a perfume, like a bull. All the
gods. When they come through the gate they are personified. But outside
the gate it is one dark God, the Unknown. And the Unknown is a terribly
jealous God, and vengeful. A fearfully vengeful god: Moloch, Astarte,
Ashtaroth, and Baal. That is why we dare not open now. It would be a
hell-god, and we know it. We are the second generation. Our children are
the third. And our children's children are the fourth. Eheu! Eheu! Who

Jack trotted over to Coo-ee on the Sunday afternoon, when he was staying
with his wife's people. He knew Richard and Harriet would most probably
be at home: they didn't like going out on Sundays, when all the world
and his wife in their exceedingly Sunday clothes, swarmed on the face of
the earth.

Yes, they were at home: sitting on the verandah, a bit of rain spitting
from the grey sky, and the sea gone colourless and small. Suddenly,
there stood Jack. He had come round the corner on to the grass. Somers
started as if an enemy were upon him. Jack looked very tall and wiry, in
an old grey suit. He hesitated before coming forward, as if measuring
the pair of unsuspecting turtle doves on the loggia, and on his face was
a faint grin. His eyes were dark and grinning too, as he hung back
there. Somers watched him quickly. Harriet looked over her shoulder.

"Oh, Mr. Callcott--why--how do you do?" And she got up, startled, and
went across the loggia holding out her hand, to shake hands. So Jack had
to come forward. Richard, very silent, shook hands also, and went
indoors to fetch a chair and a cup and a plate, while Jack made his
explanation to Harriet. He was quite friendly with her.

"Such a long time since we saw you," she was saying. "Why didn't Mrs.
Callcott come, I should have liked so much to see her?"

"Ah--you see I came over on the pony. Doesn't look very promising
weather." And he looked away across the sea, averting his face.

"No--and the TERRIBLE cold winds! I'm so glad if it will rain. I simply
love the smell of rain in the air: especially here in Australia. It
makes the air seem so much KINDER, not so dry and savage--."

"Ah--yes--it does," he said vaguely, still averting his face from her.
He seemed strange to her. And his face looked different--as if he had
been drinking, or as if he had indigestion.

The two men were aloof like two strange tom-cats.

"Were you disgusted with Lovat when he didn't turn up the other
Saturday?" said Harriet. "I do hope you weren't sitting waiting for

"Well--er--yes, we did wait up a while for him."

"Oh, but what a shame! But you know by now he's the most undependable
creature on earth. I wish you'd be angry with him. It's no good what _I_

"No," said he--the peculiar slow Cockney no--"I'm not angry with him."

"But you should be," cried Harriet. "It would be good for him."

"Would it?" smiled Jack. His eyes were dark and inchoate, and there
seemed a devil in his long, wiry body. He did not look at Somers.

"You know of course what happened?"


"When Lovat went to see Mr. Cooley."


Again that peculiar Australian no, like a scorpion that stings with its

"Didn't Mr. Cooley tell you?" cried Harriet.

"No." There was indescribable malice in the monosyllable.

"Didn't he--!" cried Harriet, and she hesitated.

"You be quiet," said Lovat crossly to her. "Of course YOU'D have to rush

"You think angels would fear to tread in such a delicate mess?" said
Harriet, with a flash of mocking wit that sent a faint smile up Jack's
face, like a red flame. His nose, his mouth were curiously reddened. He
liked Harriet's attacks. He looked at her with dark, attentive eyes.
Then he turned vaguely to Somers.

"What was it?" he asked.

"Nothing at all new," said Somers. "You know he and I start to quarrel
the moment we set eyes on one another."

"They might be man and wife," mocked Harriet, and again Jack turned to
her a look of black, smiling, malicious recognition.

"Another quarrel?" he said quietly.

But Somers was almost SURE he knew all about it, and had only come like
a spy to take soundings.

"Another quarrel," he replied, smiling, fencing. "And once more shown
the door."

"I should think," said Harriet, "you'd soon know that door when you see

"Oh, yes," said Richard. He had not told her the worst of the encounter.
He never told her the worst, nor her nor anybody.

Jack was looking from one to the other to see how much each knew.

"Was it a specially bad blow-up?" he said, in his quiet voice, that had
a lurking tone of watchfulness in it.

"Oh, yes, final," laughed Richard. "I am even going to leave Australia."


"I think in six weeks."

There was silence for some moments.

"You've not booked your berths yet?" asked Jack.

"No. I must go up to Sydney."

Again Jack waited before he spoke. Then he said:

"What's made you settle on going?"

"I don't know. I feel it's my fate to go now."

"Ha, your fate!" said Harriet. "It's always your fate with you. If it
was me it would be my foolish restlessness."

Jack looked at her with another quick smile, and a curious glance of
dark recognition in his eyes, almost like a caress. Strangely apart,
too, as if he and she were in an inner dark circle, and Somers was away

"Don't you want to go, Mrs. Somers?" he asked.

"Of course I don't. I love Australia," she protested.

"Then don't you go," said Jack. "You stop behind."

When he lowered his voice it took on a faint, indescribable huskiness.
It made Harriet a little uneasy. She watched Lovat. She did not like
Jack's new turn of husky intimacy. She wanted Richard to rescue her.

"Ha!" she said. "He'd never be able to get through the world without

"Does it matter?" said Jack, grinning faintly at her and keeping the
husky note in his voice. "He knows his own mind--or his fate. You stop
here. We'll look after you."

But she watched Richard. He was hardly listening. He was thinking again
that Jack was feeling malevolent towards him, wanting to destroy him, as
in those early days when they used to play chess together.

"No," said Harriet, watching Lovat's face. "I suppose I shall have to
trail myself along, poor woman, till I see the end of him."

"He'll lead you many a dance before that happens," grinned Richard. He
rather enjoyed Jack's malevolence this time.

"Ha, you've led me all your dances that you know," she retorted. "I know
there'll be nothing new, unfortunately."

"Why don't you stay in Australia?" Jack said to her, with the same
quiet, husky note of intimacy, insistency, and the reddish light on his

She was somewhat startled and offended. Wasn't the man sober, or what?

"Oh, he wouldn't give me any money, and I haven't a sou of my own," she
said lightly, laughing it off.

"You wouldn't be short of money," said Jack. "Plenty of money."

"You see I couldn't just live on charity, could I?" she replied,

"It wouldn't be charity."

"What then?"

There was a very awkward pause. Then a wicked redness came into Jack's
face, and a flicker into his voice.

"Appreciation. You'd be appreciated." He seemed to speak with muted
lips. There was a cold silence. Harriet was offended now.

"I'll just clear the table," she said, rising briskly.

Jack sat rather slack in his chair, his long, malevolent body half sunk,
and his chin dropped.

"What boat do you think you'll catch?" he asked.

"The Manganui. Why?"

But Jack did not speak. He sat there with his head sunk on his chin, his
body half-turgid, as if he were really not quite sober.

"You won't be honouring Australia long with your presence," he said

"Nor dishonouring it," said Richard. He was like a creature that is
going to escape. Some of the fear he had felt for Kangaroo he now felt
for Jack. Jack was really very malevolent. There was hell in his
reddened face, and in his black, inchoate eyes, and in his long, pent-up
body. But he kept an air of quiescence, of resignation, as if he were
still really benevolent.

"Oh, I don't say that," he remarked in answer to Richard's last, but in
a tone which said so plainly what he felt: an insulting tone.

Said Richard to himself: "I wouldn't like to fall into your clutches, my
friend, altogether: or to give your benevolence a chance to condemn me."

Aloud, he said to Jack:

"If I can't join in with what you're doing here, heart and soul, I'd
better take myself off, hadn't I? You've all been good to me, and in a
measure, trusted me. I shall always owe you a debt of gratitude, and
keep your trust inviolable. You know that. But I am one of those who
must stand and wait--though I don't pretend that by so doing I also

"You take no risks," said Jack quietly.

Another home-thrust.

"Why--I would take risks--if only I felt it was any good."

"What does it matter about it's being any good? You can't tell what good
a thing will be or won't be. All you can do is to take a bet on it."

"You see it isn't my nature to bet."

"Not a sporting nature, you mean?"

"No, not a sporting nature."

"Like a woman--you like to feel safe all round," said Jack, slowly
raising his dark eyes to Somers in a faint smile of contempt and
malevolence. And Richard had to acknowledge to himself that he WAS
cutting a poor figure: nosing in, like a Mr. Nosy Parker, then drawing
back quickly if he saw two sparks fly.

"Do you think I've let you down? I never pledged myself," he said

"Oh, no, you never pledged yourself" said Jack laconically.

"You see I don't BELIEVE in these things," said Somers, flushing.

"What's that you don't believe in?"

And Jack watched him with two black round eyes, with a spark dancing
slowly in each, in a slow gaze putting forth all his power. But Somers
now looked back into the two dark, malevolent pools.

"In revolutions--and public love and benevolence and feeling righteous,"
he said.

"What love, what benevolence and righteousness?" asked Jack, vaguely,
still watching with those black, sardonic eyes. "I never said anything
about them."

"You know you want to be the saviours of Australia," said Richard.

"I didn't know. But what's wrong with it?"

"I'm no good at saving."

"We don't pretend to be saviours. We want to do our best for Australia,
it being our own country. And the Pommies come out from England to try
to upset us. But they won't. They may as well stop in their
dead-and-rotten old country."

"I'm sorry it looks to you like that," said Richard.

"Oh, don't apologise," said Jack, with a faint, but even more malevolent
smile. "It's pretty well always the same. You come out from the old
countries very cocksure, with a lot of criticism to you. But when it
comes to doing anything, you sort of fade out, you're nowhere. We're
used to it, we don't mind."

There was a silence of hate.

"No, we don't mind," Jack continued. "It's quite right, you haven't let
us down, because we haven't given you a chance. That's all. In so far as
you've had any chance to, you've let us down, and we know it."

Richard was silent. Perhaps it was true. And he hated such a truth.

"All right," he said. "I've let you down. I suppose I shall have to
admit it. I'm sorry--but I can't help myself."

Jack took not the slightest notice of this admission, sat as if he had
not heard it.

"I'm sorry I've sort of fizzled out so quickly," said Richard. "But you
wouldn't have me pretend, would you? I'd better be honest at the

Jack looked at him slowly, with slow, inchoate eyes, and a look of
contempt on his face. The contempt on Jack's face, the contempt of the
confident he-man for the shifty she-man, made Richard flush with anger,
and drove him back on his deeper self once more.

"What do you call honest?" said Jack, sneering.

Richard became very silent, very still. He realised that Jack would like
to give him a thrashing. The thought was horrible to Richard Lovat, who
could never bear to be touched, physically. And the other man sitting
there as if he were drunk was very repugnant to him. It was a bad

"Why," he replied, in answer to the question, while Jack's eyes fixed
him with a sort of jeering malevolence: "I can't honestly say I feel at
one with you, you and Kangaroo, so I say so, and stand aside."

"You've found out all you wanted to know, I suppose?" said Jack.

"I didn't WANT to know anything. I didn't come asking or seeking. It was
you who chose to tell me."

"You didn't try drawing us out, in your own way?"

"Why, no, I don't think so."

Again Jack looked at him with a faint contemptuous smile of derision.

"I should have said myself you did. And you got what you wanted, and now
are clearing out with it. Exactly like a spy, in my opinion.

Richard opened wide eyes, and went pale.

"A spy!" he exclaimed. "But it's just absurd."

Jack did not vouchsafe any answer, but sat there as if he had come for
some definite purpose, something menacing, and was going to have it out
with the other man.

"Kangaroo doesn't think I came spying, does he?" asked Richard, aghast.
"It's too impossible."

"I don't know what he thinks," said Jack. "But it isn't 'too impossible'
at all. It looks as if it had happened."

Richard was now dumb. He realised the depths of the other man's
malevolence, and was aghast. Just aghast. Some fear too--and a certain
horror, as if human beings had suddenly become horrible to him. Another
gulf opened in front of him.

"Then what do you want of me now?" he asked, very coldly. "Some sort of
security, I suppose," said Jack, looking away at the sea.

Richard was silent with rage and cold disgust, and a sort of

"Pray what sort of security?" he replied, coldly.

"That's for you to say, maybe. But we want some sort of security that
you'll keep quiet, before--we let you leave Australia."

Richard's heart blazed in him with anger and disgust.

"You need not be afraid," he said. "You've made it all too repulsive to
me now, for me ever to want to open my mouth about it all. You can be
quite assured: nothing will ever come out through me."

Jack looked up with a faint, sneering smile.

"And you think we shall be satisfied with your bare word?" he said

But now Richard looked him square in the eyes.

"Either that or nothing," he replied.

And unconscious of what he was doing, he sat looking direct down into
the dark, shifting malice of Jack's eyes. Till Jack turned aside.
Richard was now so angry and insulted he felt only pure indignation.

"We'll see," said Jack.

Somers did not even heed him. He was too indignant to think of him any
more. He only retreated into his own soul, and turned aside, invoking
his own soul: "Oh, dark God, smite him over the mouth for insulting me.
Be with me, gods of the other world, and strike down these liars."

Harriet came out on to the verandah.

"What are you two men talking about?" she said. "I hear two very cross
and snarling voices, though I can't tell what they say."

"I was just saying Mr. Somers can't expect to have it all his own way,"
said Jack in his low, intense, slightly husky voice, that was now
jeering viciously.

"He'll try his best to," said Harriet. "But whatever have you both got
so furious about. Just look at Lovat, green with fury. It's really
shameful. Men are like impish children--you daren't leave them together
for a minute."

"It was about time you came to throw cold water over us," smiled Jack
sardonically. Ah, how sardonic he could be: deep, deep and devilish. He
too must have a very big devil in his soul. But he never let it out. Or
did he? Harriet looked at him, and shuddered slightly. He scared her,
she had a revulsion from him. He was a bit repulsive to her. And she
knew he had always been so.

"Ah, well!" said Jack. "Cheery-o! We aren't such fools as we seem. The
milk's spilt, we won't sulk over it."

"No, don't," cried Harriet. "I hate sulky people."

"So do I, Mrs. Somers, worse than water in my beer," said Jack genially.
"You and me, we're not going to fall out, are we?"

"No," said Harriet. "I don't fall out with people--and I don't let them
fall out with me.

"Quite right. Don't give 'em a chance, eh? You're right of it. You and
me are pals, aren't we?"

"Yes," said Harriet easily, as if she were talking to some child she
must soothe. "We're pals. But why didn't you bring your wife? I'm so
fond of her."

"Oh, Vicky's all right. She's A1 stuff. She thinks the world of you, you
know. By golly, she does; she thinks the world of you."

"Then why didn't you bring her to see me?"

"Eh? Why didn't I? Oh--let me see--why, she'd got her married sister and
so forth come to see her, so she couldn't leave them. But she sent her
love, and all that sort of sweet nothing, you know. I told her I should
never have the face to repeat it, you know. I was to give you HEAPS of
love. "Heaps of love to Mrs. Somers!" Damn it, I said, how do I know she
wants me dumping down heaps of love on her. But that was the
message--heaps of love to Mrs. Somers, and don't you forget it. I'm not
likely to forget it, by gee! There aren't two Mrs. Somers in the
universe: I'm ready to bet all I've got on that. Ay, and a bit over.
Now, look here, Mrs. Somers, between you and me and the bed-post--."

"Do you mean Lovat is the bed-post?" put in Harriet. "He's silent enough
for one."

Jack glanced at Somers, and also relapsed into silence.


The thing that Kangaroo had to reckon with, and would not reckon with,
was the mass-spirit. A collection of men does not necessarily mean a
mob. A collection of men--an accidental gathering--may be just a
gathering, drawn by a moment's curiosity, or it may be an audience drawn
to hear something, or it may be a congregation, gathered together in
some spirit of earnest desire: or it may be just a crowd, inspired by no
one motive. The mass-spirit is complex. At its lowest it is a mob, and
what is a mob?

To put it as briefly as possible, it is a collection of all the weak
souls, sickeningly conscious of their weakness, into a heavy mob, that
lusts to glut itself with blind destructive power. Not even vengeance.
The spirit of vengeance belongs to a mass which is higher than a mob.

The study of collective psychology to-day is absurd in its inadequacy.
Man is supposed to be an automaton working in certain automatic ways
when you touch certain springs. These springs are all labelled, they
form a keyboard to the human psyche, according to modern psychology. And
the chief labels are herd instinct, collective interest, hunger, fear,
collective prestige, and so on.

But the only way to make any study of collective psychology is to study
the isolated individual. Upon your conception of the single individual,
all your descriptions will be based, all your science established. For
this reason, the human sciences, philosophy, ethics, psychology,
politics, economics, can never be sciences at all. There can never be an
exact science dealing with individual life. L'anatomia presuppone il
cadavere: anatomy presupposes a corpse, says D'Annunzio. You can
establish an exact science on a corpse, supposing you start with the
corpse, and don't try to derive it from a living creature. But upon life
itself, or any instance of life, you cannot establish a science.

Because even science must start from definition, or from precise
description. And you can never define or precisely describe any living
creature. Iron must remain iron, or cease to exist. But a rabbit might
evolve into something which is still rabbit, and yet different from that
which a rabbit now is. So how can you define or precisely describe a
rabbit? There is always the unstable CREATIVE element present in life,
and this science can never tackle. Science is cause-and-effect.

Before we can begin any of the so-called humane sciences we must take on
trust a purely unscientific fact: namely, that every living creature has
an individual soul, however trivial or rudimentary, which connects it
individually with the source of all life, as man, in the religious
terminology, is connected with God, and inseparable from God. So is
every creature, even an ant or a louse, individually in contact with the
great life-urge which we call God. To call this connection the
will-to-live is not quite sufficient. It is more than a will-to-persist.
It is a will-to-live in the further sense, a will-to-change, a
will-to-evolve, a will towards further creation of the self. The urge
towards evolution if you like. But it is more than evolution. There is
no simple cause-and-effect sequence. The change from caterpillar to
butterfly is not cause and effect. It is a new gesture in creation.
Science can wriggle as hard as it likes, but the change from caterpillar
to butterfly is utterly unscientific, illogical, and UNNATURAL, if we
take science's definition of nature. It is an answer to the strange
creative urge, the God-whisper, which is the one and only everlasting
motive for everything.

So then man. He is said to be a creature of cause-and-effect, or a
creature of free-will. The two are the same. Free-will means acting
according to reasoned choice, which is a purest instance of
cause-and-effect. Logic is the quintessence of cause-and-effect. And
idealism, the ruling of life by the instrumentality of the idea, is
precisely the mechanical, even automatic cause-and-effect process. The
idea, or ideal, becomes a fixed principle, and life, like any other
force, is driven into mechanical repetition of given motions--millions
of times over and over again--according to the fixed ideals. So, the
Christian-democratic world prescribes certain motions, and men proceed
to repeat these motions, till they conceive that there ARE no other
motions but these. And that is pure automatism. When scientists describe
savages, or ancient Egyptians, or Aztecs, they assume that these far-off
peoples acted, but in a crude, clumsy way, from the same motives which
move us. "Too much ego in his cosmos." Men have had strange,
inconceivable motives and impulses, which were just as "right" as ours
are. And our "right" motives will cease to activate, even as the lost
motives of the Assyrians have ceased. Our "right" and our righteousness
will go pop, and there will be another sort of right and righteousness.

The mob, then. Now, the vast bulk of mankind has always been, and always
will be, helpless. By which we mean, helpless to interpret the new
prompting of the God-urge. The highest function of MIND is its function
of messenger. The curious throbs and pulses of the God-urge in man would
go on forever ignored, if it were not for some few exquisitely sensitive
and fearless souls who struggle with all their might to make that
strange translation of the low, dark throbbing into open act or speech.
Like a wireless message the new suggestion enters the soul, throb-throb,
throb-throb-throb. And it beats and beats for years, before the mind,
frightened of this new knocking in the dark, can be brought to listen
and attend.

For the mind is busy in a house of its own, which house it calls the
universe. And how can there be anything outside the universe?

There is though. There is always something outside our universe. And it
is always at the doors of the innermost, sentient soul. And there
throb-throb, throb-throb-throb, throb-throb. It is like the almost
inaudible beating of a wireless machine. Nine hundred and ninety-nine
men out of a thousand hear nothing at all. Absolutely nothing. They
racket away in their nice, complete, homely universe, running their
trains and making their wars and saving the world for democracy. They
hear not a thing. A tiny minority of sensitive souls feel the throb, and
are frightened, and cry for more virtue, more goodness, more
righteousness a la mode. But all the righteousness and goodness in all
the world won't answer the throb, or interpret the faint but painful
thresh of the message.

There is no Morse-code. There never will be. Every new code supersedes
the current code. Nowadays, when we feel the throb, vaguely, we cry:
"More love, more peace, more charity, more freedom, more
self-sacrifice." Which makes matters all the worse, because the new
throb interpreted mechanically according to the old code breeds madness
and insanity. It may be that there is an insufficient activity of the
thyroid glands, or the adrenalin cortex isn't making its secretions, or
the pituitary or the pineal body is not working adequately. But this is
result, not cause, of our neurasthenia and complexes. The neurasthenia
comes from the inattention to the suggestion, or from a false
interpretation. The best souls in the world make some of the worst
interpretations--like President Wilson--and this is the bitterest
tragedy of righteousness. The heroic effort to carry out the old
righteousness becomes at last sheer wrongeousness. Men in the past have
chosen to be martyred for an unborn truth. But life itself inflicts
something worse than martyrdom on them if they will persist too long in
the old truth.

Alas, there is no Morse-code for interpreting the new life-prompting,
the new God-urge. And there never will be. It needs a new term of speech
invented each time. A whole new concept of the universe gradually born,
shedding the old concept.

Well now. There is the dark god knocking afresh at the door. The vast
mass hear nothing, but say: "We know all about the universe. Our job is
to make a real smart place of it." So they make more aeroplanes and
old-age-pensions and are furious when Kaiser William interrupts them.
The more sensitive hear something, feel a new urge and are uneasy. Then
cry: "We are not pure in heart. We are too selfish. Let us educate the
poor. Let us remove the slums. Let us save the children. Let us spend
all we have on the noble work of education." So they spend a bit more
than before, but by no means all they have, with the result that now
everybody reads the newspapers and discusses world-politics and feels
himself most one-sidedly a bit of the great Godhead of the sacred

And still the knocking goes on, on, on, till some soul that dares as
well as can, listens, and struggles to interpret. Every new word is
anathema--bound to be. Jargon, rant, mystical tosh and so on. Evil, and
anti-civilisation. Naturally. For the machine of the human psyche, once
wound up to a certain ideal, doesn't want to stop.

And still, all the time, even in the vulgar uneducated--perhaps more in
them than in the hearty money-makers of the lower
middle-classes--throb-throb-throb goes the god-urge deep in their souls,
driving them almost mad. They are quite stone-deaf to any new meaning.
They would jeer an attempt at a new interpretation, jeer it to death. So
there they are, between the rocky Scylla of the fixed, established
ideal, and the whirling Charybdis of the conservative opposition to this
ideal. Between these two perils they must pass. For behind them drives
the unknown current of the God-urge, on, on through the straits.

They will never get through the straits. They do not know that there IS
any getting through. Scylla must beat Charybdis, and Charybdis must beat
Scylla. So the monster of humanity with a Scylla of an ideal of equality
for the head, and a Charybdis of industrialism and possessive
conservatism for the tail, howls with frenzy, and lashes the straits
till every boat goes down, that tries to make a passage.

Well, Scylla must have it out with Charybdis, that's all, and we must
wait outside the straits till the storm is over.

It won't be over yet, though.

Now this is the state of the mass. It is driven, goaded mad at length by
the pricking of the God-urge which it will not, cannot attend to or
interpret. It is so goaded that it is mad with its own wrongs. It is
wronged, so wronged that it is mad.

And what is the wrong, pray? The mass doesn't know. There is no
connection at all between the burning, throbbing unconscious soul and
the clear-as-daylight conscious mind. The whole of Labour, to-day, sees
the situation clear as daylight. So does the whole of Capital. And yet
the whole of the daylight situation has really nothing to do with it. It
is the God-urge which drives them mad, the unacknowledged, unadmitted,
non-existent God-urge.

They may become a mob. A mob is like a mass of bullocks driven to frenzy
by some bott fly, and charging frantically against the tents of some
herdsman, imagining that all the evil comes out of these tents. There is
a gulf between the quivering hurt in the unconscious soul, and the
round, flat world of the visible existence. A sense of weakness and
injury, at last an intolerable sense of wrong, turning to a fiendish
madness. A mad necessity to wreck something, cost what it may. For only
the flat, round, visible world exists.

And yet it is the bott fly of the Holy Ghost, unlistened to, that is the
real cause of everything.

But the mob has no direction even in its destructive lust. The vengeful
masses HAVE direction. And it is no good trying to reason with them. The
mass does not act by reason. A mass is not even formed by reason. The
more intense or extended the COLLECTIVE consciousness, the more does the
truly reasonable, individual consciousness sink into abeyance.

The herd instinct, for example, is of many sorts. It has two main
divisions, the fear-instinct, and the aggressive instinct. But the
vengeance instinct is not part of the herd instinct.

But consider the mode of communication of herd instinct. The
communication between the individuals in a herd is not through the MIND.
It is not through anything said or known. It is sub-mental. It is

Why does a flock of birds rise suddenly from the tree-tops, all at once,
in one spring, and swirl round in one cloud towards the water? There was
no visible sign or communication given. It was a telepathic
communication. They sat and waited, and waited, and let the individual
mind merge into a kind of collective trance. Then click!--the unison was
complete, the knowledge or suggestion was one suggestion all through,
the action was one action.

This so-called telepathy is the clue to all herd instinct. It is not
instinct. It is a vertebral-telegraphy, like radio-telegraphy. It is a
complex interplay of vibrations from the big nerve centres of the
vertebral system in all the individuals of the flock, till,
click!--there is a unanimity. They have one mind. And this
one-mindedness of the many-in-one will last while ever the peculiar
pitch of vertebral nerve-vibrations continues unbroken through them all.
As the vibration slacks off, the flock falls apart.

This vertebral telepathy is the true means of communication between
animals. It is perhaps most highly developed where the brain, the mental
consciousness, is smallest. Indeed the two forms of consciousness,
mental and vertebral, are mutually exclusive. The highest form of
vertebral telepathy seems to exist in the great sperm whales.
Communication between these herds of roving monsters is of marvellous
rapidity and perfection. They are lounging, feeding lazily,
individually, in mid-ocean, with no cohesion. Suddenly, a quick
thought-wave from the leader-bull, and as quick as answering thoughts
the cows and young bulls are ranged, the herd is taking its direction
with a precision little short of miraculous. Perhaps water acts as a
most perfect transmitter of vertebral telepathy.

This is the famous wisdom of the serpent, this vertebral consciousness
and telepathy. This is what makes the magic of a leader like
Napoleon--his powers of sending out intense vibrations, messages to his
men, without the exact intermediation of mental correspondence. It is
not brain-power. In fact, it is, in some ways, the very REVERSE of
brain-power: it might be called the acme of stupidity. It is the
stupendous wits of brainless intelligence. A marvellous reversion to the
pre-mental form of consciousness.

This pre-mental form of consciousness seems most perfect in the great
whales: more even in them than in the flocks of migrating birds. After
the whales, the herds of wolves and deer and buffaloes. But it is most
ABSOLUTE in the cold fishes and serpents, reptiles. The fishes have no
other correspondence save this cold, vertebral vibration. And this is,
as it were blind. The fish is absolutely stone-wall limited in its
consciousness, to itself. It knows none other. Stony, abstract, cold,
alone, the fish has still the power of radio-communication. It is a form
of telepathy, like a radium-effluence, vibrating fear principally. Fear
is the first of the actuating gods.

Then come the reptiles. They have sex, and dimly, darkly discern the
bulk of the answerer. They are drawn to contact. It is the new motive.
The fishes are never drawn to contact. Only food and fear. So in the
reptiles the second telepathic vibration, the sympathetic, is set up.
The primary consciousness is cold, the wisdom is isolated, cold,
moon-like, knowing none other: the self alone in knowledge, utterly
subtle. But then sex comes upon them, and the isolation is broken.
Another flow sets up. They must seek the answerer. It is love.

So, telepathy, communication in the vertebrates. Ants and bees too have
a one-conscious vibration. Even they have perfect ganglia-communication.
But it is enough to consider the vertebrates.

In the sperm whale, intense is the passion of amorous love, intense is
the cold exultance in power, isolate kingship. With the most intense
enveloping vibration of possessive and protective love, the great bull
encloses his herd into a oneness. And with the intensest vibration of
power he keeps it subdued in awe in fear. These are the two great
telepathic vibrations which rule all the vertebrates, man as well as
beast. Man, whether in a savage tribe or in a complex modern society, is
held in unison by these two great vibrations emitted unconsciously from
the leader, the leaders, the governing classes, the authorities. First,
the great influence of shadow of power, causing trust, fear and
obedience: second, the great influence of protective love, causing
productivity and the sense of safety. Those two powerful influences are
emitted by men like Gladstone or Abraham Lincoln, against their
knowledge, but none the less emitted. Only Gladstone and Lincoln justify
themselves in speech. And both insist on the single influence of love,
and denounce the influence of fear.

A mob occurs when men turn upon ALL leadership. For true, living
activity the mental and the vertebral consciousness should be in
harmony. In Caesar and Napoleon the vertebral influence of power
prevailed--and there was a break of balance, and a fall. In Lincoln and
President Wilson the vertebral influence of love got out of balance, and
there was a fall. There was no balance between the two modes of
influence: the mind ran on, as it were, without a brake, towards
absurdity. So it ran to absurdity in Napoleon.

Break the balance of the two great controlling influences, and you get,
not a simple preponderance of the one influence, but a third state, the
mob-state. This is the state when the society, tribe or herd degenerates
into a mob. In man, the mind runs on with a sort of terrible automatism,
which has no true connection with the VERTEBRAL consciousness. The
vertebral inter-communication gradually gathers force, apart from all
mental expression. Its vibration steadily increases till there comes a
sudden click! And then you have the strange phenomenon of revolution,
like the Russian and the French revolutions. It is a great disruptive
outburst. It is a great eruption against the classes in authority. And
it is, finally, a passionate, mindless vengeance taken by the
collective, vertebral psyche upon the authority of orthodox MIND. In the
Russian revolution it was the EDUCATED classes that were the enemy
really: the deepest inspiration the hatred of the conscious classes. But
revolution is not a mob-movement. Revolution has direction, and
leadership, however temporary. There is point to its destructive frenzy.

In the end, it is a question with us to-day whether the masses will
degenerate into mobs, or whether they will still keep a spark of
direction. All great mass uprisings are really acts of vengeance against
the dominant consciousness of the day. It is the dynamic, vertebral
consciousness in man bursting up and smashing through the fixed,
superimposed mental consciousness of mankind, which mental consciousness
has degenerated and become automatic.

The masses are always, strictly, non-mental. Their consciousness is
preponderantly vertebral. And from time to time, as some great life-idea
cools down and sets upon them like a cold crust of lava, the vertebral
powers will work below the crust, apart from the mental consciousness,
till they have come to such a heat of unison and unanimity, such a pitch
of vibration that men are reduced to a great, non-mental oneness as in
the hot-blooded whales, and then, like whales which suddenly charge upon
the ship which tortures them, so they burst upon the vessel of
civilization. Or like whales that burst up through the ice that
suffocates them, so they will burst up through the fixed consciousness,
the congealed idea which they can now only blindly react against. At the
right moment, a certain cry, like a war-cry, a catchword, suddenly
sounds, and the movement begins.

The purest lesson our era has taught is that man, at his highest, is an
individual, single, isolate, alone, in direct soul-communication with
the unknown God, which prompts within him.

This lesson, however, puts us in danger of conceit, especially spiritual

In his supreme being, man is alone, isolate, nakedly himself, in contact
only with the unknown God.

This is our way of expressing Nirvana.

But just as a tree is only perfect in blossom because it has groping
roots, so is man only perfected in his individual being by his groping,
pulsing unison with mankind. The unknown God is within, at the quick.
But this quick must send down roots into the great flesh of mankind.

In short, the 'spirit' has got a lesson to learn: the lesson of its own
limitation. This is for the individual. And the infinite, which is Man
writ large, or Humanity, has a still bitterer lesson to learn. It is the
individual alone who can save humanity alive. But the greatest of great
individuals must have deep, throbbing roots down in the dark red soil of
the living flesh of humanity. Which is the bitter pill which Buddhists
and all advocates of pure "Spirit" must swallow.

In short, man, even the greatest man, does not live only by his spirit
and his pure contact with the Godhead--for example, Nirvana. Blessed are
the pure in heart, Blessed are the poor in spirit. He is FORCED to live
in vivid RAPPORT with the mass of men. If he denies this, he cuts his
roots. He intermingles as the roots of a tree interpenetrate the fat,
rock-ribbed earth.

How? In this same vertebral correspondence. The mystic may stare at his
own navel and try to abstract himself for ever towards Nirvana: it is
half at least illusion. There is all the time a powerful, unconscious
interplay going on between the vertebral centres of consciousness in all
men, a deep, mindless current flashing and quivering through the family,
the community, the nation, the continent, and even the world. No man can
REALLY isolate himself. And this vertebral interplay is the root of our
living: must always be so.

And this vertebral interplay is subject to the laws of polarity, since
it is an intercommunion of active, polarised conscience-force. There is
a dual polarity, and a dual direction. There is the outward, or downward
pulse, in the great motion of sympathy or love, the love that goes out
to the weaker, to the poor, to the humble. The vast, prostrate mass now
becomes the positive pole of attraction: woman, the working classes.

The whole of the great current of vertebral consciousness in mankind is
supposed, now, to run in this direction. But the whole movement is but a
polarised circuit. Insist on one direction overmuch, derange the
circuit, and you have a terrible debacle. Which brings us to another
aspect of relativity: relativity in dynamic living.

When the flow is sympathetic, or love, then the weak, the woman, the
masses, assume the positivity. But the balance even is only kept by
stern AUTHORITY, the unflinching obstinacy of the return-force, of

When the flow is power, might, majesty, glory, then it is a culminating
flow towards one individual, through circles of aristocracy towards one
grand centre. Emperor, Pope, Tyrant, King: whatever may be. It is the
grand obeisance before a master.

In the balance of these two flows lies the secret of human stability. In
the absolute triumph of either flow lies the immediate surety of

We have gone very far in the first direction. Democracy has ALMOST
triumphed. The only real master left is the boss in industry. And he is
to be dethroned. Labour is to wear the absolute crown of the everyday
hat. Even the top hat is doomed. Labour shall be its own boss, and
possess its own means and ends. The serpent shall swallow itself in a
last gulp.

Mastership is based on possessions. To kill mastership you must have
communal ownership. Then have it, for this superiority based on
possession of money is worse than any of the pretensions of Labour or
Bolshevism, strictly. Let the serpent swallow itself. Then we can have a
new snake.

The moment Labour takes upon itself to be its own boss, the whole show
is up, the end has begun. While ever the existing boss succeeds in
hanging on to his money-capital, we get the present conditions of
nullity and nagging. We're between the devil and a deep sea.

What Richard wanted was some sort of a new show: a new recognition of
the life-mystery, a departure from the dreariness of money-making,
money-having, and money-spending. It meant a new recognition of
difference, of highness and of lowness, of one man meet for service and
another man clean with glory, having majesty in himself, the innate
majesty of the purest INDIVIDUAL, not the strongest instrument, like
Napoleon. Not the tuppeny trick-majesty of Kaisers. But the true majesty
of the single soul which has all its own weaknesses, but its strength in
spite of them, its own lovableness, as well as its might and dread. The
single soul that stands naked between the dark God and the dark-blooded
masses of men. "Now, Kangaroo," said Richard, "is in a false position.
He wants to save property for the property owners, and he wants to save
Labour from itself and from the capitalist and the politician and all.
In fact, he wants to save everything as we have it, and it can't be
done. You can't eat your cake and have it, and I prefer Willie
Struthers. Bolshevism is at least not sentimental. It's a last step
towards an end, a hopeless end. But better disaster than an equivocal
nothingness, like the present. Kangaroo wants to be God Himself, and
save everybody, which is just irritating, at last. Kangaroo as God
Himself, with a kind of marsupial belly, is worse than Struthers'
absolute of the People. Though it's a choice of evils, and I choose
neither. I choose the Lord Almighty."

Having made up his mind so far, Richard came up to the big mass meeting
of Labour in the great Canberra Hall, in Sydney. The Labour leaders had
lost much ground. Labour was slipping into disorganization: the
property-owning Conservatives and Liberals were just beginning to
rejoice again. The reduction of the basic wage had been brought about, a
further reduction was announced. At the same time the Government was
aiming a strong blow at the Unions. It had pronounced the right of every
man to work as he himself chose, and the right of employers to agree
with non-union workers as to rate of wages. It had further announced its
determination to protect the non-union worker, by holding the union
responsible for any attacks on non-union men. The leaders of a union
were to be arrested and held responsible for attacks on non-workers. In
case of bloodshed and death, they were to be tried for manslaughter or
for murder. The first to be arrested should be the chief of the union
concerned. After him, his immediate subordinates.

Now the sword was drawn, and Labour was up in arms. Meetings were held
every day. A special meeting was announced at Canberra Hall, admission
by ticket. Somers had asked Jaz if he could get him a ticket, and Jaz
had succeeded. There were two meetings: one, a small gathering for
discussion, at half-past eight in the morning; the other, the mass
meeting, at seven at night.

Richard got up in the dark, to catch the six o'clock train to Sydney. It
was a dark, cloudy morning--night still--and a few frogs still were
rattling away in a hollow towards the sea, like a weird little factory
of machines whirring and trilling and screeching in the dark. At the
station some miners were filling their tin bottles at the water-tap:
pale and extinguished-looking men.

Dawn began to break over the sea, in a bluey-green rift between clouds.
There seemed to be rain. The journey was endless.

In Sydney it was raining, but Richard did not notice. He hurried to the
hall to the meeting. It lasted only half an hour, but it was
straightforward and sensible. When Richard heard the men among
themselves, he realised how LOGICAL their position was, in pure

He came out with Jaz, whom he had not seen for a long time. Jaz looked
rather pale, and he was very silent, brooding.

"Your sympathy is with Labour, Jaz?"

"My sympathy is with various people, Mr. Somers," replied Jaz,

It was no use talking to him: he was too much immersed.

The morning was very rainy, and Sydney, big city as it is, a real
metropolis in Pitt Street and George Street, seemed again like a
settlement in the wilderness, without any core. One of the great cities
of the world. But without a core: unless, perhaps, Canberra Hall were
its real centre. Everybody very friendly and nice. The friendliest
country in the world: in some ways, the gentlest. But without a core.
There was no heart in it all, it seemed hollow.

With mid-day came the sun and the clear sky: a wonderful clear sky and a
hot, hot sun. Richard bought sandwiches and a piece of apple turnover,
and went into the Palace Gardens to eat them, so that he need not sit in
a restaurant. He loathed the promiscuity and publicity of even the good
restaurants. The promiscuous feeding gave him a feeling of disgust. So
he walked down the beautiful slope to the water again, and sat on a seat
by himself, near a clump of strange palm-trees that made a weird noise
in the breeze. The water was blue and dancing: and again he felt as if
the harbour were wild, lost and undiscovered, as it was in Captain
Cook's time. The city wasn't real.

In front in the small blue bay lay two little war-ships, pale grey, with
the white flag having the Union Jack in one corner floating behind. And
one boat had the Australian flag, with the five stars on a red field.
They lay quite still, and seemed as lost as everything else, rusting
into the water. Nothing seemed to keep its positive reality, this
morning in the strong sun after the rain. The two ships were like bits
of palpable memory, that persisted, but were only memory images.

Two tiny birds, one brown, one with a sky-blue patch on his head, like a
dab of sky, fluttered and strutted, hoisting their long tails at an
absurd angle. They were real: the absurd, sharp, unafraid creatures.
They seemed to have no deep natural fear, as creatures in Europe have.
Again and again Somers had felt this in Australia: the creatures had no
sense of fear as in Europe. There was no animal fear in the air, as
there is so deeply in India. Only sometimes a grey metaphysical dread.

"Perhaps," thought he to himself, "this is really the country where men
might live in a sort of harmless Eden, once they have settled the old
Adam in themselves."

He wandered the hot streets, walked round the circular quay and saw the
women going to the ferries. So many women, ALMOST elegant. Yet their
elegance provincial, without pride, awful. So many ALMOST beautiful
women. When they were in repose, quite beautiful, with pure, wistful
faces, and some nobility of expression. Then, see them change
countenance, and it seemed almost always a grimace of ugliness. Hear
them speak, and it was startling, so ugly. Once in motion they were not
beautiful. Still, when their features were immobile, they were lovely.

Richard had noticed this in many cases. And they were like the birds,
quite without fear, impudent, perky, with a strange spasmodic
self-satisfaction. Almost every one of the younger women walked as if
she thought she was sexually trailing every man in the street after her.
And that was absurd, too, because the men seemed more often than not to
hurry away and leave a blank space between them and these women. But it
made no matter: like mad-women the females, in their quasi-elegance,
pranced with that prance of crazy triumph in their own sexual powers
which left little Richard flabbergasted.

Hot, big, free-and-easy streets of Sydney: without any sense of an
imposition of CONTROL. No control, everybody going his own ways with
alert harmlessness. On the pavement the foot-passengers walked in two
divided streams, keeping to the left, and by their unanimity made it
impossible for you to wander and look at the shops, if the shops
happened to be on your right. The stream of foot passengers flowed over

And so it was: far more regulated than London, yet all with a curious
exhilaration of voluntariness that oppressed Richard like a madness. No
control, and no opposition to control. Policemen were cyphers, not
noticeable. Every man his own policeman. The terrible lift of the
HARMLESS crowd. The strange relief from all superimposed control. One
feels the police, for example, in London, and their civic majesty of
authority. But in Sydney no majesty of authority at all. Absolute
freedom from all that. Great freedom in the air. Yet, if you got into
the wrong stream on the pavement you felt they'd tread you down, almost
unseeing. You just MUSTN'T get in the wrong stream--Liberty!

Yes--the strange unanimity of HARMLESSNESS in the crowd had a half
paralysing effect on Richard. "Can it be?" he said to himself, as he
drifted in the strong sun-warmth of the world after rain, in the
afternoon of this strange, antipodal city. "Can it be that there is any
harm in these people at all?"

They were quick, and their manners were, in a free way, natural and
kindly. They might say Right-O, Right you are!--they did say it, even in
the most handsome and palatial banks and shipping offices. But they were
patient and unaffected in their response. That Was the beauty of the
men: their absolute lack of affectation, their naive simplicity, which
was at the same time sensitive and gentle. The gentlest country in the
world. Really, a high pitch of breeding. Good-breeding at a very high
pitch--innate, and in its shirt sleeves.

A strange country. A wonderful country. Who knows what future it may
have? Can a great continent breed a people of this magic harmlessness
without becoming a sacrifice of some other, external power? The land
that invites parasites now--where parasites breed like nightmares--what
would happen if the power-lust came that way?

Richard bought himself a big, knobbly, green, soft-crusted apple, at a
Chinese shop, and a pretty mother-of-pearl spoon to eat it with. The
queer Chinese, with their gabbling-gobbling way of speaking--were they
parasites too? A strange, strange world. He took himself off to the
gardens to eat his custard apple--a pudding inside a knobbly green
skin--and to relax into the magic ease of the afternoon. The warm sun,
the big, blue harbour with its hidden bays, the palm trees, the ferry
steamers sliding flatly, the perky birds, the inevitable shabby-looking,
loafing sort of men strolling across the green slopes, past the red
poinsettia bush, under the big flame-tree, under the blue, blue
sky--Australian Sydney, with a magic like sleep; like sweet, soft
sleep--a vast, endless, sun-hot, afternoon sleep with the world a
mirage. He could taste it all in the soft, sweet, creamy custard apple.
A wonderful sweet place to drift in. But surely a place that will some
day wake terribly from this sleep.

Yet why should it? Why should it not drift marvellously for ever, with
its sun and its marsupials?

The meeting in the evening, none the less, was a wild one. And Richard
could not believe there was any REAL vindictiveness. He couldn't believe
that anybody REALLY hated anybody. There was a touch of sardonic
tolerance in it all. Oh, that sardonic tolerance! And at the same time
that overwhelming obstinacy and power of endurance. The strange,
Australian power of enduring--enduring suffering or opposition or
difficulty--just blank enduring. In the long run, just endure.

Richard sat next to Jaz. Jaz was very still, very still indeed, seated
with his hands in his lap.

"Will there be many diggers here?" Lovat asked.

"Oh, yes. There's quite a crowd over there, with Jack."

And Richard looked quickly, and saw Jack. He knew Jack had seen him. But
now he was looking the other way. And again, Richard felt afraid of

It was a packed hall, tense. There was plenty of noise and interruption,
plenty of homethrusts at the speakers from the audience. But still, that
sense of sardonic tolerance, endurance. "What's the odds, boys?"

Willie Struthers gave the main speech: on the solidarity of Labour. He
sketched the industrial situation, and elaborated the charge that Labour
was cutting its own throat by wrecking industry and commerce.

"But will anything get us away from this fact, mates," he said: "that
there's never a shop shuts down because it can't pay the weekly
wage-bill. If a shop shuts down, it is because it can't pay a high
enough DIVIDEND, and there you've got it.

"Australian Labour has set out from the first on the principle that huge
fortunes should not be made out of its efforts. We have had the obvious
example of America before us, and we have been determined from the start
that Australia should not fall into the hands of a small number of
millionaires and a larger number of semi-millionaires. It has been our
idea that a just proportion of all profits should circulate among the
workers in the form of wages. Supposing the worker DOES get his pound a
day. It is enormous, isn't it! It is preposterous. Of course it is. But
it isn't preposterous for a small bunch of owners or shareholders to get
their ten pounds a day, FOR DOING NOTHING. Sundays included. That isn't
preposterous, is it?

"They raise the plea that their fathers and their forefathers
accumulated the capital by their labours. Well, haven't OUR fathers and
forefathers laboured? Haven't they? And what have they accumulated? The
right to labour on, and be paid for it what the others like to give 'em.

"We don't want to wreck industry. But, we say, wages shall go up so that
profits shall go down. Why should there be any profits, after all?
Forefathers! Why, we've all had forefathers, and I'm sure mine worked.
Why should there be any profits AT ALL, I should like to know. And if
profits there MUST be, well then, the profit grabber isn't going to get
ten times as mush as the wage-earner, just because he had a few screwing
forefathers. We, who work for what we get, are going to see that the man
who doesn't work shall not receive a large income for not working. If
he's GOT to have an income for doing nothing, let him have no more than
what we call wages. The labourer is worthy of his hire, and the hire is
worthy of his labourer. But I can NOT see that any man is worthy of an
unearned income. Let there be no unearned incomes. So much for the basic
wage. We know it is not the basic wage that wrecks industry. It's big
profits. When the profits are not forthcoming the directors would rather
close down. A criminal proceeding. Because, after all, any big works is
run, first, to supply the community with goods, and second, to give a
certain proportion of the community a satisfactory occupation. Whatever
net profits are made are made by cheating the worker and the consumer,
filching a bit from every one of them, no matter how small a bit. And we
will not see wages reduced one ha'penny, to help to fill the pockets of

"What about your own shares in Nestles Milk, Willie?" asked a voice.

"I'll throw them in the fire the minute they're out of date," said
Willie, promptly, "they're pretty well wastepaper already."

He went on to answer the charges of corruption and Tammany, with which
the Labour Party in Australia had been accused. This led to the point of
class hatred.

"It is we who are supposed to foster class hatred," he said. "Now I put
it to you. Does the so-called upper class hate us, or do we hate them
more? If you'll let me answer, I tell you it's they who do the hating.
We don't wear the flesh off our bones hating them. They aren't worth it.
They're far beneath hatred.

"We do want one class only--not your various shades of upper and lower.
We want The People--and The People means the worker. I don't mind what a
man works at. He can be a doctor or a lawyer even, if men are such fools
they must have doctors and lawyers. But look here, mates, what do we all
work FOR? For a living? Then why won't a working-man's living wage do
for a lawyer? Why not? Perhaps a lawyer makes an ideal of his job.
Perhaps he is inspired in his efforts to right the wrongs of his client.
Very well: virtue is its own reward. If he wants to be paid for it, it
isn't virtue any more. It's dirty trading in justice, or whatever law

"Look at your upper classes, mates. Look at your lawyer charging you two
guineas for half an hour's work. Look at your doctor scrambling for his
guinea a visit. Look at your experts with their five thousand a year.
Call these UPPER classes? Upper in what? In the make-and-grab faculties,
that's all.

"To hell with their 'upper'. If a working man thinks he'll be in the
running, and demand say half of what these gentry get, then he's the
assassin of his trade and country. It's his business to grovel before
these 'upper' gents, is it?

"No, mates, it's his business to rise up and give 'em a good kick in the
seats of their pants, to remind them of their bedrock bottoms. You'd
think, to hear all the fairy tales they let off, that their pants didn't
have such a region as seats. Like the blooming little angels, all
fluttery tops and no bottoms. Don't you be sucked in any more, mates.
Look at 'em, and you'll see they've got good, heavy-weight sit-upons,
and big, deep trouser-pockets next door. That's them. Up-end 'em for
once, and look at 'em upside down. Greedy fat-arses, mates, if you'll
pardon the vulgarity for once. Greedy fat-arses.

"And that's what we've got to knuckle under to, is it? They're the upper
classes? Them and a few derelict lords and cuttle-fish capitalists.
Upper classes? I'm damned if I see much upper about it, mates. Drop 'em
in the sea and they'll float butt-end uppermost, you see if they don't.
For that's where they keep their fat, like the camel his hump. Upper

"But I wish them no special harm. A bit of a kick in the rear, to remind
them that they've got a rear, a largely kickable rear. And then, let
them pick themselves up and mingle with the rest. Give them a living
wage, like any other working man. But it's hell on earth to see them
floating their fat bottoms through the upper regions, and just stooping
low enough to lick the cream off things, as it were, and to squeal if a
working man asks for more than a gill of the skilly.

"Work? What is one man's job more than another? Your Andrew Carnegies
and your Rothschilds may be very smart at their jobs. All right--give
'em the maximum wage. Give 'em a pound a day. They won't starve on it.
And what do they want with more? A job is nothing but a job, when all's
said and done. And if Mr. Hebrew Rothschild is smart on the finance job,
so am I a smart sheep-shearer, hold my own with any man. And what's the
odds? Wherein is Mr. Hebrew, or Lord Benjamin Israelite any better man
than I am? Why does he want so damned much for his dirty financing, and
begrudges me my bit for shearing ten score o' sheep?

"No, mates, we're not sucked in. It may be Mr. Steel-trust Carnegie, it
may even be Mr. Very-clever Marconi, it may be Marquis Tribes von
Israel; and it certainly IS Willie Struthers. Now, mates, I, Willie
Struthers, a big fortune I DO NOT WANT. But I'm damned if I am going to
let a few other brainy vampires suck big fortunes out of me. Not I. I
wouldn't be a man if I did. Upper Classes? They've got more greedy
brains in the seats of their pants than in their top storeys.

"We're having no more of their classes and masses. We'll just put a hook
in their trouser-bottoms and hook 'em gently to earth. That's all. And
put 'em on a basic wage like all the rest: one job, one wage. Isn't that
fair? No man can do more than his best. And why should one poor devil
get ten bob for his level best, and another fat-arse get ten thousand
for some blooming trick? No, no, if a man's a sincere citizen he does
his BEST for the community he belongs to. And his simple wage is enough
for him to live on.

"That's why we'll have a Soviet. Water finds its own level, and so shall
money. It shall not be dammed up by a few sly fat-arses much longer. I
don't pretend it will be paradise. But there'll be fewer lies about it,
and less fat-arsed hypocrisy, and less dirty injustice than there is
now. If a man works, he shall not have less than the basic wage, be he
even a lying lawyer. There shall be no politicians, thank God. But more
than the basic wage also he shall not have. Let us bring things down to
a rock-bottom.

"Upper? Why all their uppishness amounts to is extra special greedy
guts, ten-thousand-a-year minimum. Upper classes! Upper classes! Upper

"We'll have a Soviet, mates, and then we shall feel better about it.
We'll be getting nasty tempered if we put it off much longer. Let's know
our own mind. We'll unite with the World's Workers. Which doesn't mean
we'll take the hearts out of our chests to give it Brother Brown to eat.
No, Brother Brown and Brother Yellow had, on the whole, best stop at
home and sweep their own streets, rather than come and sweep ours. But
that doesn't mean we can't come to more or less of an understanding with
them. We don't want to get too much mixed up with them or anybody. But a
proper understanding we can have. I don't say, Open the gates of
Australia to all the waiting workers of India and China, let alone
Japan. But, mates, you can be quite friendly with your neighbour over
the fence without giving him the run of your house. And that is
International Labour. You have a genuine understanding with your
neighbours down the street. You know they won't shy stones through your
windows or break into your house at night or kill your children in a
dark corner. Why not? Because they're your neighbours and you all have a
certain amount of trust in one another. And that is International
Labour. That is the World's Workers.

"After all, mates, the biggest part of our waking lives belongs to our
work. And certainly the biggest part of our importance is our importance
as workers. Mates, we are, and we are bound to be, workers first and
foremost. So were our fathers before us, so will our children be after
us. Workers first. And as workers, mates. On this everything else
depends. On our being workers depends our being husbands and fathers and
playmates: nay, our being men. If we are not workers we are not even
men, for we can't exist.

"Workers we are, mates, workers we must be, and workers we will be, and
there's the end of it. We take our stand on it. Workers first, and
whatever soul we have, it must go first into our work. Workers, mates,
we are workers. A man is a man because he works. He must work and he
does work. Call it a curse, call it a blessing, call it what you like.
But the Garden of Eden is gone for ever, and while the ages roll, we
must work.

"Let us take our stand on that fact, mates, and trim our lives
accordingly. While time lasts, whatever ages come or go, we must work,
day in, day out, year in, year out, so for ever. Then, mates, let us
abide by it. Let us abide by it, and shape things to fit. No use
shuffling, mates. Though you or I may make a little fortune, enough for
the moment to keep us in idleness, yet, mates, as sure as ever the sun
rises, as long as ever time lasts, the children of men must rise up to
their daily toil.

"Is it a curse?--is it a blessing? I prefer to think it is a blessing,
so long as, like everything else, it is in just proportion. My happiest
days have been shearing sheep, or away in the gold mines--."

"What, not talking on a platform?" asked a voice.

"No, not talking on a platform. Working along with my mates, in the
bush, in the mines, wherever it was. That's where I put my manhood into
my work. There I had my mates--my fellow-workers. I've had playmates as
well. Wife, children, friends--playmates all of them. My fellow-workers
were my mates.

"So, since workers we are and shall be, till the end of time, let us
shape the world accordingly. The world is shaped now for the idlers and
the play-babies, and we work to keep THAT going. No, no, mates, it won't

"Join hands with the workers of the world: just a fist-grip, as a token
and a pledge. Take nobody to your bosom--a worker hasn't got a bosom.
He's got a fist, to work with, to hit with, and lastly, to give the
tight grip of fellowship to his fellow-workers and fellow-mates, no
matter what colour or country he belongs to. The World's Workers--and
since they ARE the world, let them take their own, and not leave it all
to a set of silly playboys and Hebrews who are not only silly but worse.
The World's Workers--we, who are the world's millions, the world is our
world. Let it be so, then. And let us so arrange it.

"What's the scare about being mixed up with Brother Brown and Chinky and
all the rest: the Indians in India, the niggers in the Transvaal, for
instance? Aren't we tight mixed up with them as it is? Aren't we in one
box with them, in this Empire business? Aren't we all children of the
same noble Empire, brown, black, white, green, or whatever colour we may
be? We may not, of course, be reposing on the bosom of Brother Brown and
Brother Black. But we are pretty well chained at his side in a sort of
slavery, slaving to keep this marvellous Empire going, with its
out-of-date Lords and its fat-arsed, hypocritical upper classes. I don't
know whether you prefer working in the same imperial slave-gang with
Brother Brown of India, or whether you'd prefer to shake hands with him
as a free worker, one of the world's workers--but--."

"ONE!" came a loud, distinct voice, as if from nowhere, Like a gun going

"But one or the other--."

"TWO!" a solid block of men's voices, like a bell.

"One or the other you'll--."

"THREE!" The voice, like a tolling bell, of men counting the speaker
out. It was the diggers.

A thrill went through the audience. The diggers sat mostly together, in
the middle of the hall, around Jack. Their faces were lit up with a new
light. And like a bell they tolled the numbers against the speaker,
counting him out, by their moral unison annihilating him.

Willie Struthers, his dark-yellow face gone demoniac, stood and faced
them. His eyes too had suddenly leaped with a new look: big, dark,
glancing eyes, like an aboriginal's, glancing strangely. Was it fear,
was it a glancing, gulf-like menace? He stood there, a shabby figure of
a man, with undignified legs, facing the tolling enemy.

"FOUR!" came the sonorous, perfect rhythm. It was a strange sound,
heavy, hypnotic, trance-like. Willie Struthers stood as if he were
fascinated, glaring spell-bound.

"FIVE!" The sound was unbearable, a madness, tolling out of a certain
devilish cavern in the back of the men's unconscious mind, in terrible
malignancy. The Socialists began to leap to their feet in fury, turning
towards the block of Diggers. But the lean, naked faces of the
ex-soldiers gleamed with a smiling, demonish light, and from their
narrow mouths simultaneously:


Struthers, looking as if he were crouching to spring, glared back at
them from the platform. They did not even look at him.

"SEVEN!" In two syllables, SEV-EN!

The sonorous gloating in the sound was unbearable. It was like
hammer-strokes on the back of the brain. Everybody had started up save
the Diggers. Even Somers was wildly on his feet, feeling as if he could
fly, swoop like some enraged bird. But his feeling wavered. At one
moment he gloated with the Diggers against the black and devilish figure
of the isolated man on the platform, who half-crouched as if he were
going to jump, his face black and satanic. And then, as the number came,
unbearable in its ghastly striking:

"EIGHT!" like some hammer-stroke on the back of his brain it sent him
clean mad, and he jumped up into the air like a lunatic, at the same
moment as Struthers sprang with a clear leap, like a cat, towards the
group of static, grinning ex-soldiers.

There was a crash, and the hall was like a bomb that has exploded.
Somers tried to spring forward. In the blind moment he wanted to
kill--to kill the soldiers. Jaz held him back, saying something. There
was a most fearful roar, and a mad whirl of men, broken chairs, pieces
of chairs brandished, men fighting madly with fists, claws, pieces of
wood--any weapon they could lay hold of. The red flag suddenly flashing
like blood, and bellowing rage at the sight of it. A Union Jack torn to
fragments, stamped upon. A mob with many different centres, some
fighting frenziedly round a red flag, some clutching fragments of the
Union Jack, as if it were God incarnate. But the central heap a mass
struggling with the Diggers, in real blood-murder passion, a tense mass
with long, naked faces gashed with blood, and hair all wild, and eyes
demented, and collars burst, and arms frantically waving over the dense
bunch of horrific life, hands in the air with weapons, hands clawing to
drag them down, wrists bleeding, hands bleeding, arms with the sleeves
ripped back, white naked arms with brownish hands, and thud! as the
white flesh was struck with a chair-leg.

The doors had been flung open--many men had gone out, but more rushed
in. The police in blue uniforms and in blue clothes wielding their
batons, the whole place gone mad. Richard, small as he was, felt a great
frenzy on him, a great longing to let go. But since he didn't REALLY
know whom he wanted to let go at, he was not quite carried away. And
Jaz, quiet, persistent, drew him gradually out into the street. Though
not before he had lost his hat and had had his collar torn open, and had
received a bang over the forehead that helped to bring him to his

Smash went the lights of the hall--somebody smashing the electric lamps.
The place was almost in darkness. It was unthinkable.

Jaz drew Somers into the street, which was already a wide mass of a
crowd, and mounted police urging their way to the door, laying about
them. The crowd too was waiting to catch fire. Almost beside himself
Richard struggled out of the crowd, to get out of the crowd. Then there
were shots in the night, and a great howl from the crowd. Among the
police on horseback he saw a white hat--a white felt hat looped up at
the side--and he seemed to hear the bellowing of a big, husky voice.
Surely that was Kangaroo, that was Kangaroo shouting. Then there was a
loud explosion and a crash--a bomb of some sort.

And Richard suddenly was faint--Jaz was leading him by the arm--leading
him away--in the city night that roared from the direction of the hall,
while men and women were running thither madly, and running as madly
away, and motor cars came rushing: and even the fire-brigade with bright
brass helmets--a great rush towards the centre of conflict--and a rush
away, outwards. While hats--white hats--Somers, in his dazed condition
saw three or four, and they occupied his consciousness as if they were

"We must go back," he said, "We must go back to them!"

"What for?" said Jaz, "We're best away."

And he led him sturdily down a side street, while Somers was conscious
only of the scene he had left, and the sound of shots.

They went to one of the smaller, more remote Digger's Clubs. It
consisted only of one large room, meeting room and gymnastics hall in
turn, and a couple of small rooms, one belonging to the secretary and
the head, and the other a sort of little kitchen with a sink and a
stove. The one-armed caretaker was in attendance, but nobody else was
there. Jaz and Somers went into the secretary's room, and Jaz made
Richard lie down on the sofa.

"Stay here," he said, "while I go and have a look round."

Richard looked at him. He was feeling very sick: perhaps the bang over
the head. Yet he wanted to go back into the town, into the melee. He
felt he would even die if he did so. But then why not die? Why stay
outside the row? He had always been outside the world's affairs.

"I'll come with you again," he said.

"No, I don't want you," snapped Jaz. "I have a few of my own things to
attend to."

"Then I'll go by myself," said Richard.

"If I were you I wouldn't," said Jaz.

And Richard sat back feeling very sick, and confused. But such a pain in
his stomach, as if something were torn there. And he could not keep
still--he wanted to do something.

Jaz poured out a measure of whiskey for himself and one for Richard.
Then he went out, saying:

"You'd best stay here till I come back, Mr. Somers. I shan't be very

Jaz too was very pale, and his manner was furtive, like one full of
suppressed excitement.

Richard looked at him, and felt very alien, far from him and everybody.
He rose to his feet to rush out again. But the torn feeling at the pit
of his stomach was so strong he sat down and shoved his fists in his
abdomen, and there remained. It was a kind of grief, a bitter, agonised
grief for his fellow-men. He felt it was almost better to die, than to
see his fellow-men go mad in this horror. He could hear Jaz talking for
some time to the one-armed caretaker, a young soldier who was lame with
a bad limp as well as maimed.

"I can't do anything. I can't be on either side. I've got to keep away
from everything," murmured Richard to himself. "If only one might die,
and not have to wait and watch through all the human horror. They are my
fellow-men, they are my fellow-men."

So he lay down, and at length fell into a sort of semi-consciousness,
still pressing his fists into his abdomen, and feeling as if he imagined
a woman might feel after her first child, as if something had been
ripped out of him. He was vaguely aware of the rage and chaos in the
dark city round him, the terror of the clashing chaos. But what was the
good even of being afraid?--even of grief? It was like a storm, in which
he could do nothing but lie still and endure and wait. "They also serve
who only stand and wait." Perhaps it is the bitterest part, to keep
still through it all, and watch and wait. In a numb half-sleep Richard
lay and waited--waited for heaven knows what.

It seemed a long time. Then he heard voices. There was Jack and Jaz and
one or two others--loud voices. Presently Jack and Jaz came in to him.
Jack had a big cut on the chin, and was pale as death. There was blood
on his coat, and he had a white pocket-handkerchief round his neck,
having lost his collar. He looked with black eyes at Richard.

"What time is it?" asked Richard.

"Blowed if I know," answered Jack, like a drunken man.

"Half past eleven," said Jaz quietly.

Only an hour--or an hour and a half. Time must have stood still and

"What has happened?" asked Richard.

"Nought!" blurted Jack, still like a drunken man. "Nought happened.
Bloody blasted nothing."

"Kangaroo is shot," said Jaz.


"No--o!" snarled Jack. "No, damn yer, not dead."

Somers looked at Jaz.

"They've taken him home--shot in the belly," said Jaz.

"In his bloomin' Kangaroo guts," said Jack. "Ain't much left of the ant
that shot 'im, though--neither guts nor marrow."

Richard stared at the two men.

"Are you hurt?" he said to Jack.

"Me? Oh, no, I just scratched myself shaving, darling. Making me

There was silence for some time. Jaz's plump, pale face was still
impassive, inscrutable, and his clothing was in order. Jack poured
himself a half-glass of neat whiskey, put in a little water, and drank
it off.

"And Willie Struthers and everybody?" asked Richard.

"Gone 'ome to his missis to have sausage for tea," said Jack.

"Not hurt?"

"Blowed if I know," replied Jack indifferently, "whether he's hurt or

"And is the town quiet?" Somers turned to Jaz. "Has everything blown
over? What has happened?"

"What has happened exactly I couldn't tell you. I suppose everything is
quiet. The police have everything in hand."

"Police!" snarled Jack. "Bloody Johnny Hops! They couldn't hold a
sucking pig in their hands, unless somebody hung on to its tail for
them. It's our boys who've got things in hand. And handed them over to
the Hops."

Somers knew that Johnny Hops was Australian for a policeman. Jack spoke
in a suppressed frenzy.

"Was anybody killed?" Somers asked.

"I'm sure I hope so. If I haven't done one or two of 'em in I'm sorry.
Damned sorry. Bloody sorry," said Jack.

"I should be careful what I say," said Jaz.

"I know you'd be careful, you Cornish whisper. Careful Jimmy's your name
and nation. But I HOPE I did one or two of 'em in. And I DID do one or
two of 'em in. See the brains sputter out of that chap that shot 'Roo?"

"And suppose they arrest you to-night and shove you in gaol for
manslaughter?" said Jaz.

"I wouldn't advise anybody to lay as much as a leaf of maidenhair fern
on me to-night, much less a finger."

"They might to-morrow. You be still, and go home."

Jack relapsed into a white silence. Jaz went into the common room again,
where members dropped in from the town. Apparently everything had gone
quiet. It was determined that everybody should go home as quietly and
quickly as possible.

Richard found himself in the street with Jaz and Jack, both of whom were
silent. They walked briskly through the streets. Groups of people were
hurrying silently home. The town felt very dark, and as if something
very terrible had happened. A few taxi-cabs were swiftly and furtively
running. In George Street and Pitt Street patrols of mounted police were
stationed, and the ordinary police were drawn up on guard outside the
most important places. But the military had not been called out.

On the whole, the police took as little notice as possible of the
foot-passengers who were hurrying away home, but occasionally they held
up a taxi-cab. Jaz, Jack and Somers proceeded on foot, very quickly and
in absolute silence. They were not much afraid of the city authorities:
perhaps not so much as were the authorities themselves. But they all
instinctively felt it best to keep quiet and unnoticed.

It was nearly one o'clock when they reached Wyewurk. Victoria had gone
to bed. She called when she heard the men enter. Evidently she knew
nothing of the row.

"Only me and Jaz and Mr. Somers," called Jack. "Don't you stir."

"Of course I must," she cried brightly.

"Don't you move," thundered Jack, and she relapsed into silence. She
knew, when he had one of his hell-moods on him, it was best to leave him
absolutely alone.

The men drank a little whiskey, then sat silent for some time. At last
Jaz had the energy to say they must go to bed.

"Trot off Jazzy," said Jack. "Go to bee-by, boys."

"That's what I'm doing," said Jaz, as he retired. He was sleeping the
night at Wyewurk, his own home being across the harbour.

Somers still sat inert, with his unfinished glass of whiskey, though Jaz
said to him pertinently:

"Aren't you retiring, Mr. Somers?"

"Yes," he answered, but didn't move.

The two were left in silence: only the little clock ticking away.
Everything quite still.

Suddenly Jack rose and looked at his face in the mirror.

"Nicked a bit out of my chin, seemingly. It was that little bomb that
did that. Dirty little swine, to throw a bomb. But it hadn't much kick
in it."

He turned round to Somers, and the strangest grin in the world was on
his face, all the lines curved upwards.

"Tell you what, boy," he said in a hoarse whisper. "I settled THREE of
'em--three!" There was an indescribable gloating joy in his tones, like
a man telling of the good time he has had with a strange
mistress--'Gawr, but I was lucky. I got one of them iron bars from the
windows, and I stirred the brains of a couple of them with it, and I
broke the neck of a third. Why it was as good as a sword to defend
yourself with, see--."

He reached his face towards Somers with weird, gruesome exultation, and
continued in a hoarse, secret voice:

"Cripes, there's NOTHING bucks you up sometimes like killing a
man--NOTHING. You feel a perfect ANGEL after it."

Richard felt the same torn feeling in his abdomen, and his eyes watched
the other man.

"When it comes over you, you know, there's nothing else like it. _I_
never knew, till the war. And I wouldn't believe it then, not for many a
while. But it's THERE. Cripes, it's there right enough. Having a woman's
something, isn't it? But it's a flea-bite, nothing, compared to killing
your man when your blood comes up."

And his eyes glowed with exultant satisfaction.

"And the best of it is," he said, "you feel a perfect ANGEL after it.
You don't feel you've done any harm. Feel as gentle as a lamb all round.
I can go to Victoria, now, and be as gentle--." He jerked his head in
the direction of Victoria's room. "And you bet she'll like me."

His eyes glowed with a sort of exaltation.

"Killing's natural to a man, you know," he said. "It is just as natural
as lying with a woman. Don't you think?"

And still Richard did not answer.

The next morning he left early for Mullumbimby. The newspaper gave a
large space to the disturbance, but used the wisest language. "Brawl
between Communists and Nationalists at Canberra Hall. Unknown anarchist
throws a bomb. Three persons killed and several injured. Ben Cooley, the
well-known barrister, receives bullets in the abdomen, but is expected
to recover. Police, aided by Diggers, soon restored order."

This was the tone of all the newspapers.

Most blamed the Labour incendiaries, with pious horror--but all declared
that the bomb was thrown by some unknown criminal who had intruded
himself into the crowd unknown to all parties. There was a mention of
shots fired: and a loud shout of accusation against the Mounted Police
from the Labour papers, declaring that these had fired on the crowd.
Equally loud denials. A rigorous inquiry was to be instituted, fourteen
men were arrested. Jack was arrested as the leader of the men who had
counted-out Willie Struthers, but he was released on bail. Kangaroo was
said to be progressing, as far as could be ascertained, favourably.

And then the papers had a lovely lot of topics. They could discuss the
character and persons of Struthers and Ben Cooley, all except the
Radical paper, the Sun, praising Ben for his laudable attempts to obtain
order by the help of his loyal Diggers. The Sun hinted at other things.
Then the personal histories of all the men arrested. Jack, the
well-known V.C., was cautiously praised.

What was curious was that nobody brought criminal charges against
anybody. Jack's iron bar, for instance, nobody mentioned. It was called
a stick. Who fired the revolvers, nobody chose to know. The bomb thrower
was an unknown anarchist, probably a new immigrant from Europe. Each
side vituperated and poured abuse on the other side. But nobody made any
precise, criminal accusations. Most of the prisoners--including
Jack--were bound over. Two of them got a year's imprisonment, and five
got six months. And the affair began to fizzle down.

A great discussion started on the subject of counting out. Tales were
told, how the sick men in a hospital, from their beds, counted out an
unsympathetic medical officer till the man dared not show his face. It
was said that the Aussies had once begun to count out the Prince of
Wales. It was in Egypt. The Prince had ridden up to review them, and he
seemed to them, as they stood there in the sun, to be supercilious,
"superior". This is the greatest offence. So as he rode away like magic
they started to count him out. "One! Two! Three!" No command would stop
them. The Prince, though he did not know what it meant, instantly felt
the thing like a blow, and rode back at once, holding up his hand, to
ask what was wrong. And then he was so human and simple that they said
they had made a mistake, and they cheered him passionately. But they had
BEGUN to count him out. And once a man was counted out he was done: he
was dead, he was counted out. So, newspaper talk.

And Somers, looking through the Bulletin, though he could hardly read it
now, as if he could not SEE it, in its one level, as if he had gone deaf
to its note--was struck by the end of a paragraph:

This tendency may be noted in the Christianised Melanesian native, in
whom an almost uncontrolled desire to kill sometimes arises without any
provocation whatever. Fortunately for the would-be victim the native
often has a premonition of the impending nerve-storm. It is not uncommon
for a white man to be addressed thus by his model house-boy, walking
behind him on a bush track: "More better, taubada (master), you walk
behind me. Me want make you kill." In five minutes (If the master has
been wise enough to get out of the way) a smiling boy will indicate that
his little trouble has been weathered. In these cases Brother Brown is
certainly a gentleman compared to the atavistic white.


Dear Lovat, also Mrs. Lovat: I don't think it is very nice of you that
you don't even call with a tract or a tube-rose, when you know I am so
smitten. Yours, Kangaroo.
P.S.--Bullets in my marsupial pouch.

Of course Richard went up at once: and Harriet sent a little box with
all the different strange shells from the beach. They are curious and
interesting for a sick man.

Somers found Kangaroo in bed, very yellow, and thin, almost
lantern-jawed, with haunted, frightened eyes. The room had many flowers,
and was perfumed with eau-de-cologne, but through the perfume came an
unpleasant, discernable stench. The nurse had asked Richard, please to
be very quiet.

Kangaroo put out a thin yellow hand. His black hair came wispily,
pathetically over his forehead. But he said, with a faint, husky

"Hello! Come at last," and he took Somers' hand in a damp clasp.

"I didn't know whether you could see visitors," said Richard.

"I can't. Sit down. Behave yourself."

Somers sat down, only anxious to behave himself.

"Harriet sent you such a silly present," he said. "Just shells we have
picked up from the shore. She thought you might like to play with them
on the counterpane--."

"Like that sloppy Coventry Patmore poem. Let me look."

The sick man took the little Sorrento box with its inlaid design of
sirens and peered in at the shells.

"I can smell the sea in them," he said hoarsely.

And very slowly he began to look at the shells, one by one. There were
black ones like buds of coal, and black ones with a white spiral thread,
and funny knobbly black and white ones, and tiny purple ones, and a
bright sea-orange, semi-transparent clamp shell, and little pink ones
with long, sharp points, and glass ones, and lovely pearly ones, and
then those that Richard had put in, worn shells like sea-ivory,
marvellous substance, with all the structure showing; spirals like fairy
stair-cases, and long, pure phallic pieces that were the centres of big
shells, from which the whorl was all washed away: also curious flat,
oval discs, with a lovely whorl traced on them, and an eye in the
centre. Richard liked these especially.

Kangaroo looked at them briefly, one by one, as if they were bits of
uninteresting printed paper.

"Here, take them away," he said, pushing the box aside. And his face had
a faint spot of pink in the cheeks.

"They may amuse you some time when you are alone," said Richard,

"They make me know I have never been born," said Kangaroo, huskily.

Richard was startled, and he didn't know what to answer. So he sat
still, and Kangaroo lay still, staring blankly in front of him. Somers
could not detach his mind from the slight, yet pervading sickening

"My sewers leak," said Kangaroo, bitterly, as if divining the other's

"But they will get better," said Richard.

The sick man did not answer, and Somers just sat still.

"Have you forgiven me?" asked Kangaroo, looking at Somers.

"There was nothing to forgive," said Richard, his face grave and still.

"I knew you hadn't," said Kangaroo. Richard knitted his brows. He looked
at the long, yellow face. It was so strange and so frightening to him.

"You bark at me as if I were Little Red Riding-hood," he said, smiling.
Kangaroo turned dark, inscrutable eyes on him.

"Help me!" he said, almost in a whisper. "Help me."

"Yes," said Richard.

Kangaroo held out his hand: and Richard took it. But not without a
slight sense of repugnance. Then he listened to the faint, far-off
noises of the town, and looked at the beautiful flowers in the room:
violets, orchids, tube-roses, delicate yellow and red roses, iceland
poppies, orange like transmitted light, lilies. It was like a tomb, like
a mortuary, all the flowers, and that other faint, sickening odour.

"I am not wrong, you know," said Kangaroo.

"No one says you are," laughed Richard gently.

"I am not wrong. Love is still the greatest." His voice sank in its
huskiness to a low resonance. Richard's heart stood still. Kangaroo lay
quite motionless, but with some of the changeless pride which had lent
him beauty, at times, when he was himself. The Lamb of God grown into a
sheep. Yes, the nobility.

"You heard Willie Struthers' speech?" said Kangaroo, his face changing
as he looked up at Somers.



"It seemed to me logical," said Richard, not knowing how to answer.

"Logical!" Even Kangaroo flickered with surprise. "You and logic!"

"You see," said Richard very gently, "the educated world has preached
the divinity of work at the lower classes. They broke them in, like
draught-horses, put them all in the collar and set them all between the
shafts. There they are, all broken in, WORKERS. They are conscious of
nothing save that they are workers. They accept the fact that nothing is
divine but work: work being service, and service being love. The highest
is work. Very well then, accept the conclusion if you accept the
premises. The working classes are the highest, it is for them to inherit
the earth. You can't deny that, if you assert the sacredness of work."

He spoke quietly, gently. But he spoke because he felt it was kinder,
even to the sick man, than to avoid discussion altogether.

"But I don't believe in the sacredness of work, Lovat," said Kangaroo.

"No, but they believe it themselves. And it follows from the sacredness
of love."

"I want them to be men, men, men--not implements at a job." The voice
was weak now, and took queer, high notes.

"Yes, I know. But men inspired by love. And love has only service as its
means of expression."

"How do you know? You never love," said Kangaroo in a faint, sharp
voice. "The joy of love is in being with the beloved--as near as you can
get--'And I, if I be lifted up, will draw all men unto me.'--For life,
for life's sake, Lovat, not for work. Lift them up, that they may live."

Richard was silent. He knew it was no good arguing.

"Do you think it can't be done?" asked Kangaroo, his voice growing
fuller. "I hope I may live to show you. The working men have not
realised yet what love is. The perfect love that men may have for one
another, passing the love of women. Oh, Lovat, they still have that to
experience. Don't harden your heart. Don't stiffen your neck before your
old Jewish Kangaroo. You know it is true. Perfect love casteth out fear,
Lovat. Teach a man how to love his mate, with a pure and fearless love.
Oh, Lovat, think what can be done that way!"

Somers was very pale, his face set.

"Say you believe me. Say you believe me. And let us bring it to pass
together. If I have you with me I know we can do it. If you had been
with me this would never have happened to me."

His face changed again as if touched with acid at the thought. Somers
sat still, remote. He was distressed, but it made him feel more remote.

"What class do you feel that you belong to, as far as you belong to any
class?" asked Kangaroo, his eyes on Richard's face.

"I don't feel I belong to any class. But as far as I DO belong--it is to
the working-classes. I know that. I can't change."

Kangaroo watched him eagerly.

"I wish I did," he said, eagerly. Then, after a pause, he added: "They
have never known the full beauty of love, the working classes. They have
never admitted it. Work, bread has always stood first. But we can take
away that obstacle. Teach them the beauty of love between men, Richard,
teach them the highest--greater love than this hath no man--teach them
how to love their own mate, and you will solve the problem of work for
ever. Richard, this is true, you know it is true. How beautiful it would
be! How beautiful it would be! It would complete the perfect circle--."

His voice faded down into a whisper, so that Somers seemed to hear it
from far off. And it seemed like some far off voice of annunciation. Yet
Richard's face was hard and clear and sea-bitter as one of the worn
shells he had brought.

"The faithful, fearless love of man for man," whispered Kangaroo, as he
lay with his dark eyes on Richard's face, and the wisp of hair on his
forehead. Beautiful, he was beautiful again, like a transfiguration.

"We've got to save the People, we've got to do it. And when shall we
begin, when shall we begin, you and I?" he repeated in a sudden full
voice. "Only when we dare to lead them, Lovat," he added in a murmur.
"The love of man for wife and children, the love of man for man, so that
each would lay down his life for the other, then the love of man for
beauty, for truth, for the Right. Isn't that so! Destroy no love. Only
open the field for further love."

He lay still for some moments after this speech, that ended in a whisper
almost. Then he looked with a wonderful smile at Somers, without saying
a word, only smiling from his eyes, strangely, wonderfully. But Richard
was scared.

"Isn't that all honest Injun, Lovat!" he whispered playfully.

"I believe it is," said Richard, though with unchanging face. His eyes,
however, were perplexed and tormented.

"Of course you do. Of course you do," said Kangaroo softly. "But you are
the most obstinate little devil and child that ever opposed a wise man
like me. For example, don't you love me in your heart of hearts, only
you daren't admit it! I know you do. I know you do. But admit it, man,
admit it, and the world will be a bigger place to you. You are afraid of

Richard was more and more tormented in himself.

"In a way, I love you, Kangaroo," he said. "Our souls are alike
somewhere. But it is true I don't WANT to love you."

And he looked in distress at the other man.

Kangaroo gave a real little laugh.

"Was ever woman so coy and hard to please!" he said, in a warm, soft
voice. "Why don't you want to love me, you stiff-necked and
uncircumcised Philistine! Don't you want to love Harriet, for example?"

"No, I don't want to love anybody. Truly. It simply makes me frantic and
murderous to have to feel loving any more."

"Then why did you come to me this morning?"

The question was pertinent. Richard was baffled.

"In a way," he said vaguely, "because I love you. But love makes me feel
I should die."

"It is your wilful refusal of it," said Kangaroo, a little wearily. "Put
your hand on my throat, it aches a little."

He took Richard's hand and laid it over his warm, damp, sick throat,
where the pulse beat so heavy and sick, and the Adam's apple stood out

"You must be still now," said Lovat, gentle like a physician.

"Don't let me die!" murmured Kangaroo, almost inaudible, looking into
Richard's muted face. The white, silent face did not change, only the
blue-grey eyes were abstract with thought. He did not answer. And even
Kangaroo dared not ask for an answer.

At last he let go Richard's hand from his throat. Richard withdrew it,
and wanted to wipe it on his handkerchief. But he refrained, knowing the
sick man would notice. He pressed it very silently, quietly, under his
thigh, to wipe it on his trousers.

"You are tired now," he said softly.


"I will tell the nurse to come?"


"Good-bye--be better," said Richard sadly, touching the man's cheek with
his finger-tips slightly. Kangaroo opened his eyes with a smile that was
dark as death. "Come again," he whispered, closing his eyes once more.
Richard went blindly to the door. The nurse was there waiting.

Poor Richard, he went away almost blinded with stress and grief and
bewilderment. Was it true what Kangaroo had said? Was it true? Did he,
Richard, love Kangaroo? Did he love Kangaroo, and deny it? And was the
denial just a piece of fear. Was it just fear that made him hold back
from admitting his love for the other man?

Fear? Yes, it was fear. But then, did he not believe also in the God of
fear? There was not only one God. There was not only the God of love. To
insist that there is only one God, and that God the source of Love, is
perhaps as fatal as the complete denial of God, and of all mystery. He
believed in the God of fear, of darkness, of passion, and of silence,
the God that made a man realise his own sacred aloneness. If Kangaroo
could have realised that too then Richard felt he would have loved him,
in a dark, separate, other way of love. But never this all in all thing.

As for politics, there was so little to choose, and choice meant
nothing. Kangaroo and Struthers were both right, both of them. Lords or
doctors or Jewish financiers SHOULD not have more money than a simple
working man, just because they were lords and doctors and financiers. If
service was the all in all it was absolutely wrong. And Willie Struthers
was right.

The same with Kangaroo. If love was the all in all then the great range
of love was complete as he put it: a man's love for wife and children,
his sheer, confessed love for his friend, his mate, and his love for
beauty and truth. Whether love was all in all or not this was the great,
wonderful range of love, and love was not complete short of the whole.

But--but something else was true at the same time. Man's isolation was
always a supreme truth and fact, not to be forsworn. And the mystery of
apartness. And the greater mystery of the dark God beyond a man, the God
that gives a man passion, and the dark, unexplained blood-tenderness
that is deeper than love, but so much more obscure, impersonal, and the
brave, silent blood-pride, knowing his own separateness, and the
sword-strength of his derivation from the dark God. This dark,
passionate religiousness and inward sense of an inwelling magnificence,
direct flow from the unknowable God, this filled Richard's heart first,
and human love seemed such a fighting for candle-light, when the dark is
so much better. To meet another dark worshipper, that would be the best
of human meetings. But strain himself into a feeling of absolute human
love, he just couldn't do it.

Man's ultimate love for man? Yes, yes, but only in the separate darkness
of man's love for the present, unknowable God. Human love, as a god-act,
very well. Human love as a ritual offering to the God who is out of the
light, well and good. But human love as an all in all, ah, no, the
strain and the unreality of it were too great.

He thought of Jack, and the strange, unforgettable uptilted grin on
Jack's face as he spoke of the satisfaction of killing. This was true,
too. As true as love and loving. Nay, Jack was a killer in the name of
Love. That also has come to pass again.

"It is the collapse of the love-ideal," said Richard to himself. "I
suppose it means chaos and anarchy. Then there will have to be chaos and
anarchy: in the name of love and equality. The only thing one can stick
to is one's own isolate being, and the God in whom it is rooted. And the
only thing to look to is the God who fulfils one from the dark. And the
only thing to wait for is for men to find their aloneness and their God
in the darkness. Then one can meet as worshippers, in a sacred contact
in the dark."

Which being so, he proceeded, as ever, to try to disentangle himself
from the white octopus of love. Not that even now he dared quite deny
love. Love is perhaps an eternal part of life. But it is only a part.
And when it is treated as if it were a whole, it becomes a disease, a
vast white strangling octopus. All things are relative, and have their
sacredness in their true relation to all other things. And he felt the
light of love dying out of his eyes, in his heart, in his soul, and a
great, healing darkness taking its place, with a sweetness of
everlasting aloneness, and a stirring of dark blood-tenderness, and a
strange, soft iron of ruthlessness.

He fled away to be by himself as much as he could. His great relief was
the shore. Sometimes the dull exploding of the waves was too much for
him, like hammer-strokes on the head. He tried to flee inland. But the
shore was his great solace, for all that. The huge white rollers of the
Pacific breaking in a white, soft, snow-rushing wall, while the thin
spume flew back to sea like a combed mane, combed back by the strong,
cold land-wind.

The thud, the pulse of the waves: that was his nearest throb of emotion.
The other emotions seemed to abandon him. So suddenly, and so
completely, to abandon him. So it was when he got back from Sydney and,
in the night of moonlight, went down the low cliff to the sand.
Immediately the great rhythm and ringing of the breakers obliterated
every other feeling in his breast, and his soul was a moonlit hollow
with the waves striding home. Nothing else.

And in the morning the yellow sea faintly crinkled by the inrushing wind
from the land, and long, straight lines on the lacquered meadow, long,
straight lines that reared at last in green glass, then broke in snow,
and slushed softly up the sand. Sometimes the black skulking fin of a
shark. The water was very clear, very green, like bright green glass.
Another big fish with humpy sort of fins sticking up, and horror, in the
green water a big red mouth wide open. One day the fins of dolphins
near, it seemed almost over the sea edge. And then, suddenly, oh wonder,
they were caught up in the green wall of the rising water, and there for
a second they hung in the watery, bright green pane of the wave, five
big dark dolphins, a little crowd, with their sharp fins, and blunt
heads, a little sea-crowd in the thin, upreared sea. They flashed with a
sharp black motion as the great wave curled to break. They flashed
in-sea, flashed from the foamy horror of the land. And there they were,
black little school, away in the lacquered water, panting, Richard
imagined, with the excitement of the escape. Then one of the bold bucks
came back to try again, and he jumped clean out of the water, above the
wave, and kicked his heels as he dived in again.

The sea-birds were always wheeling: big, dark-backed birds like
mollyhawks and albatrosses with a great spread of wings: and the white
gleaming gannets, silvery as fish in the air. In they went, suddenly,
like bombs into the wave, spitting back the water. Then they slipped out
again, slipped out of the ocean with a sort of sly exultance.

And ships walked on the wall-crest of the sea, shedding black smoke. A
vast, hard, high sea, with tiny clouds like mirage islets away far, far
back, beyond the edge.

So Richard knew it, as he sat and worked on the verandah or sat at table
in the room and watched through the open door. But it was usually in the
afternoons he went down to it.

It was his afternoon occupation to go down to the sea's edge and wander
slowly on the firm sand just at the foam-edge. Sometimes the great waves
were turning like mill-wheels white all down the shore. Sometimes they
were smaller, more confused, as the current shifted. Sometimes his eyes
would be on the sand, watching the wrack, the big bladder-weed thrown
up, the little sponges like short clubs rolling in the wind, and once,
only, those fairy blue wind-bags like bags of rainbow with long blue

He knew all the places where the different shells were found, the white
shells and the black and the red, the big rainbow scoops and the
innumerable little black snails that lived on the flat rocks in the
little pools. Flat rocks ran out near the coal jetty, and between them
little creeks of black, round, crunchy coal-pebbles: sea-coal. Sometimes
there would be a couple of lazy, beach-combing men picking the biggest
pebbles and putting them into sacks.

On the flat rocks were pools of clear water, that many a time he stepped
into, because it was invisible. The coloured pebbles shone, the red
anemones pursed themselves up. There were hideous stumpy little fish
that darted swift as lightning--grey, with dark stripes. An urchin said
they were called toads. "Yer can't eat 'em. Kill yer if y' do. Yer c'nt
eat black fish. See me catch one o' these toads!" All this in a high
shrill voice above the waves. Richard admired the elfish self-possession
of the urchin, alone on the great shore all day, like a little wild
creature himself. But so the boys were: such wonderful little
self-possessed creatures. It was as if nobody was responsible for them,
so they learned to be responsible for themselves, like young elf
creatures, as soon as they were hatched. They liked Richard, and
patronised him in a friendly, half-shy way. But it was they who were the
responsible party, the grown-up they treated with a gentle, slightly
off-handed indulgence. It always amused friend Richard to see these
Australian children bearing the responsibility of their parents. "He's
only a poor old Dad, you know. Young fellow like me's got to keep an eye
on him, see he's all right." That seemed to be the tone of the urchins
of ten and eleven. They were charming: much nicer than the older youths,
or the men.

The jetty straddled its huge grey timbers, like a great bridge, across
the sands and the flat rocks. Under the bridge it was rather dark,
between the great trunk-timbers. But here Richard found the best of the
flat, oval disc-shells with the whorl and the blue eye. By the bank hung
curtains of yellowish creeper, and a big, crimson-pink convolvulus
flowered in odd tones. An aloe sent up its tall spike, and died at its
base. A little bare grassy headland came out, and the flat rocks ran out
dark to sea, where the white waves prowled on three sides.

Richard would drift out this way, right into the sea, on a sunny
afternoon. On the flat rocks, all pocketed with limpid pools, the
sea-birds would sit with their backs to him, oblivious. Only an uneasy
black bird with a long neck, squatting among the gulls, would wriggle
his neck as the man approached. The gulls ran a few steps, and forgot
him. They were mostly real gulls, big and pure as grey pearl, suave and
still, with a mat gleam, like eggs of the foam in the sun on the rocks.
Slowly Richard strayed nearer. There were little browner birds huddled
and further, one big, dark-backed bird. There they all remained, like
opalescent whitish bubbles on the dark, flat, ragged wet-rock, in the
sun, in the sea sleep. The black bird rose like a duck, flying with its
neck outstretched, more timid than the rest. But it came back. Richard
drew nearer and nearer, within six yards of the sea-things. Beyond, the
everlasting low white wall of foam, rustling to the flat-rock. Only the

The black creature rose again, showing the white at his side, and flying
with a stretched-out neck, frightened-looking, like a duck. His mate
rose too. And then all the gulls, flying low in a sort of protest over
the foam-tips. Richard had it all to himself--the ever-unfurling water,
the ragged, flat, square-holed rocks, the fawn sands inland, the soft
sand-bank, the sere flat grass where ponies wandered, the low,
red-painted bungalows squatting under coral trees, the ridge of tall
wire-thin trees holding their plumes in tufts at the tips, the stalky
cabbage-palms beyond in the hollow, clustering, low, whitish zinc roofs
of bungalows, at the edge of the dark trees--then the trees in darkness
swooping up to the wall of the tors, that ran a waving skyline sagging
southwards. Scattered, low, frail-looking bungalows with whitish roofs,
and scattered dark trees among. A plume of smoke beyond, out of the
scarp front of trees. Near the sky, dark, old, aboriginal rocks. Then
again all the yellowish fore-front of the sea, yellow bare grass, the
homestead with leafless coral trees, the ponies above the sands, the
pale fawn foreshore, the sea, the floor of wet rock.

He had it all to himself. And there, with his hands in his pockets, he
drifted into indifference. The far-off, far-off, far-off indifference.
The world revolved and revolved and disappeared. Like a stone that has
fallen into the sea, his old life, the old meaning, fell, and rippled,
and there was vacancy, with the sea and the Australian shore in it.
Far-off, far-off, as if he had landed on another planet, as a man might
land after death. Leaving behind the body of care. Even the body of
desire. Shed. All that had meant so much to him, shed. All the old world
and self of care, the beautiful care as well as the weary care, shed
like a dead body. The landscape?--he cared not a thing about the
landscape. Love?--he was absolved from love, as if by a great pardon.
Humanity?--there was none. Thought?--fallen like a stone into the sea.
The great, the glamorous past?--worn thin, frail, like a frail,
translucent film of shell thrown up on the shore.

To be alone, mindless and memoryless between the sea, under the sombre
wall-front of Australia. To be alone with a long, wide shore and land,
heartless, soulless. As alone and as absent and as present as an
aboriginal dark on the sand in the sun. The strange falling-away of
everything. The cabbage-palms in the sea-wind were sere like old mops.
The jetty straddled motionless from the shore. A pony walked on the sand
snuffing the sea-weed.

The past all gone so frail and thin. "What have I cared about, what have
I cared for? There is nothing to care about." Absolved from it all. The
soft, blue, humanless sky of Australia, the pale, white unwritten
atmosphere of Australia. Tabula rasa. The world a new leaf. And on the
new leaf, nothing. The white clarity of the Australian, fragile
atmosphere. Without a mark, without a record.

"Why have I cared? I don't care. How strange it is here, to be soulless
and alone."

That was the perpetual refrain at the back of his mind. To be soulless
and alone, by the Southern Ocean, in Australia.

"Why do I wrestle with my soul? I have no soul."

Clear as the air about him this truth possessed him.

"Why do I talk of the soul? My soul is shed like a sheath. I am soulless
and alone, soulless and alone. That which is soulless is perforce

The sun was curving to the crest of the dark ridge. As soon as the sun
went behind the ridge, shadow fell on the shore, and a cold wind came,
he would go home. But he wanted the sun not to sink--he wanted the sun
to stand still, for fear it might turn back to the soulful world where
love is and the burden of bothering.

He saw something clutch in a pool. Crouching, he saw a horror--a
dark-grey, brown-striped octopus thing with two smallish, white beaks or
eyes living in a cranny of a rock in a pool. It stirred the denser
viscous pool of itself and unfurled a long dark arm through the water,
an arm studded with bright, orange-red studs or suckers. Then it curled
the arm in again, cuddling close. Perhaps a sort of dark shore octopus,
star-fish coloured amid its darkness. It was watching him as he
crouched. He dropped a snail-shell near it. It huddled closer and one of
the beak-like white things disappeared; or were they eyes? Heaven knows.
It eased out again, and from its dense jelly mass another thick arm
swayed out studded with the sea-orange studs. And he crouched and
watched, while the white water hissed nearer to drive him away.
Creatures of the sea! Creatures of the sea! The sea-water was round his
boots, he rose with his hands in his pockets, to wander away.

The sun went behind the coal-dark hill, though the waves still glowed
white-gold, and the sea was dark blue. But the shore had gone into
shadow, and the cold wind came at once, like a creature that was lying
in wait. The upper air seethed, seemed to hiss with light. But here was
shadow, cold like the arm of the dark octopus. And the moon already in
the sky.

Home again. But what was home? The fish has the vast ocean for home. And
man has timelessness and nowhere. "I won't delude myself with the
fallacy of home," he said to himself. "The four walls are a blanket I
wrap around in, in timelessness and nowhere, to go to sleep."

Back to Harriet, to tea. Harriet? Another bird like himself. If only she
wouldn't speak, talk, feel. The weary habit of talking and having
feelings. When a man has no soul he has no feelings to talk about. He
wants to be still. And "meaning" is the most meaningless of illusions.
An outworn garment.

Harriet and he? It was time they both agreed that nothing has any
meaning. Meaning is a dead letter when a man has no soul. And speech is
like a volley of dead leaves and dust, stifling the air. Human beings
should learn to make weird, wordless cries, like animals, and cast off
the clutter of words.

Old dust and dirt of corpses: words and feelings. The decomposed body of
the past whirling and choking us, language, love, and meaning. When a
man loses his soul he knows what a small, weary bit of clockwork it was.
Who dares to be soulless finds the new dimension of life.

Home, to tea. The clicking of the clock. Tic-tac! Tic-tac! The clock.
Home to tea. Just for clockwork's sake.

No home, no tea. Insouciant soullessness. Eternal indifference. Perhaps
it is only the great pause between carings. But it is only in this pause
that one finds the meaninglessness of meanings--like old husks which
speak dust. Only in this pause that one finds the meaninglessness of
meanings, and the other dimension, the reality of timelessness and
nowhere. Home to tea! Do you hear the clock tick? And yet there is
timelessness and nowhere. And the clock means nothing with its ticking.
And nothing is so meaningless as meanings.

Yet Richard meandered home to tea. For the sun had set, the sea of
evening light was going pale blue, fair as evening, faintly glazed with
yellow: the eastern sky was a glow of rose and smoke blue, a band beyond
the sea, while from the dark land-ridge under the western sky an
electric fierceness still rushed up past a small but vehement evening
star. Somewhere among it all the moon was lying.

He received another summons to go to Kangaroo. He didn't want to go. He
didn't want any more emotional stress, of any sort. He was sick of
having a soul that suffered or responded. He didn't want to respond any
more, or to suffer any more. Saunter blindly and obstinately through the

But he set off. The wattle-blooms--the whitish, mealy ones--were aflower
in the bush, and at the top of huge poles of stems, big,
blackish-crimson buds and flowers, flowers of some sort, shot up out of
a clump of spear-leaves. The bush was in flower. The sky above was a
tender, virgin blue, the air was pale with clarity, the sun moved
strong, yet with a soft and cat-like motion through the heavens. It was
spring. But still the bush kept its sombreness along all the pellucid
ether: the eternally unlighted bush.

What was the good of caring? What was the point of caring? As he looked
at the silent, morning bush grey-still in the translucency of the day, a
voice spoke quite aloud in him. What was the good of caring, of
straining, of stressing? Not the slightest good. The vast lapse of time
here--and white men thrown in like snow into dusky wine, to melt away
and disappear, but to cool the fever of the dry continent.
Afterwards--afterwards--in the far-off, far-off afterwards, a different
sort of men might arise to a different sort of care. But as for
now--like snow in aboriginal wine one could float and deliciously melt
down, to nothingness, having no choice.

He knew that Kangaroo was worse. But he was startled to find him looking
a dead man. A long, cadaverous-yellow face, exactly the face of a dead
man, but with an animal's dark eyes. He did not move. But he watched
Richard come forward from the door. He did not give him his hand.

"How are you?" said Richard gently.

"Dying." The one word from the discoloured lips.

Somers was silent, because he knew it was only too true. Kangaroo's dark
eyebrows above his motionless dark eyes were exactly like an animal that
sulks itself to death. His brow was just sulking to death, like an

Kangaroo glanced up at Somers with a rapid turn of the eyes. His body
was perfectly motionless.

"Did you know I was dying?" he said.

"I was afraid."

"Afraid! You weren't afraid. You were glad. They're all glad." The voice
was weak, hissing in its sound. He seemed to speak to himself.

"Nay, don't say that."

Kangaroo took no notice of the expostulation. He lay silent.

"They don't want me," he said.

"But why bother?"

"I'm dying! I'm dying! I'm dying!" suddenly shouted Kangaroo, with a
breaking and bellowing voice that nearly startled Richard out of his
skin. The nurse came running in, followed by Jack.

"Mr. Cooley! Whatever is it?" said the nurse.

He looked at her with long, slow, dark looks.

"Statement of fact," he said, in his faint, husky voice.

"DON'T excite yourself," pleaded the nurse. "You KNOW it hurts you.
Don't think about it, don't. Hadn't you perhaps best be left alone?"

"Yes, I'd better go," said Richard, rising.

"I want to say good-bye to you," said Kangaroo faintly, looking up at
him with strange, beseeching eyes.

Richard, very pale at the gills, sat down again in the chair. Jack
watched them both, scowling.

"Go out, nurse," whispered Kangaroo, touching her hand with his fingers,
in a loving kind of motion. "I'm all right."

"Oh, Mr. Cooley, DON'T fret, DON'T," she pleaded.

He watched her with dark, subtle, equivocal eyes, then glanced at the
door. She went, obedient, and Jack followed her.

"Good-bye, Lovat!" said Kangaroo in a whisper, turning his face to
Somers and reaching out his hand. Richard took the clammy, feeble hand.
He did not speak. His lips were closed firmly, his face pale and proud
looking. He looked back into Kangaroo's eyes, unconscious of what he
saw. He was only isolated again in endurance. Grief, torture, shame,
seethed low down in him. But his breast and shoulders and face were hard
as if turned to rock. He had no choice.

"You've killed me. You've killed me, Lovat!" whispered Kangaroo. "Say
good-bye to me. Say you love me now you've done it, and I won't hate you
for it." The voice was weak and tense.

"But _I_ haven't killed you, Kangaroo. I wouldn't be here holding your
hand if I had. I'm only so sorry some other villain did such a thing."
Richard spoke very gently, like a woman.

"Yes, you've killed me," whispered Kangaroo hoarsely.

Richard's face went colder, and he tried to disengage his hand. But the
dying man clasped him with suddenly strong fingers.

"No, no," he said fiercely. "Don't leave me now. You must stay with me.
I shan't be long--and I need you to be there."

There ensued a long silence. The corpse--for such it seemed--lay
immobile and obstinate. Yet it did not relax into death. And Richard
could not go, for it held him. He sat with his wrist clasped by the
clammy thin fingers, and he could not go. Then again the dark,
mysterious, animal eyes turned up to his face.

"Say you love me, Lovat," came the hoarse, penetrating whisper, seeming
even more audible than a loud sound.

And again Lovat's face tightened with torture.

"I don't understand what you mean," he said with his lips.

"Say you love me." The pleading, penetrating whisper seemed to sound
inside Somers' brain. He opened his mouth to say it. The sound 'I--'
came out. Then he turned his face aside and remained open-mouthed,

Kangaroo's fingers were clutching his wrist, the corpse-face was eagerly
upturned to his. Somers was brought to by a sudden convulsive gripping
of the fingers around his wrist. He looked down. And when he saw the
eager, alert face, yellow, long, Jewish, and somehow ghoulish, he knew
he could not say it. He didn't love Kangaroo.

"No," he said, "I can't say it."

The sharpened face, that seemed to be leaping up to him, or leaping up
at him, like some snake striking, now seemed to sink back and go
indistinct. Only the eyes smouldered low down out of the vague yellow
mass of the face. The fingers slackened, and Richard managed to withdraw
his wrist. There was an eternity of grey silence. And for a long time
Kangaroo's yellow face seemed sunk half visible under a shadow, as a
dusky cuttle-fish under a pool, deep down. Then slowly, slowly it came
to the surface again, and Richard braced his nerves.

"You are a little man, a little man, to have come and killed me," came
the terrible, pathetic whisper. But Richard was afraid of the face, so
he turned aside. He thought in his mind: "I haven't killed him at all."

"What shall you do next?" came the whisper. And slowly, like a dying
snake rearing itself, the face reared itself from the bed to look at
Somers, who sat with his face averted.

"I am going away. I am leaving Australia."


"Next month."

"Where are you going?"

"To San Francisco."

"America! America!" came the hissing whisper. "They'll kill you in
America." And the head sank back on the pillow.

There was a long silence.

"Going to America! Going to America! After he's killed me here," came
the whispered moan.

"No, I haven't killed you. I'm only awfully sorry--."

"You have! You have!" shouted Kangaroo, in the loud, bellowing voice
that frightened Richard nearly out of the window. "Don't lie, you

The door opened swiftly and Jack, very stern-faced, entered. He looked
at Somers in anger and contempt, then went to the bedside. The nurse
hovered in the doorway with an anxious face.

"What is it, 'Roo?" said Jack, in a voice of infinite tenderness, that
made Somers shiver inside his skin. "What's wrong, Chief, what's wrong,
dear old man?"

Kangaroo turned his face and looked at Somers vindictively.

"That man's killed me," he said in a distinct voice.

"No, I think you're wrong there, old man," said Jack. "Mr. Somers has
never done anything like that. Let me give you a morphia injection, to
ease you, won't you?"

"Leave me alone." Then, in a fretful vague voice: "I wanted him to love

"I'm sure he loves you, 'Roo--sure he does."

"Ask him."

Jack looked at Richard and made him a sharp, angry sign with his brows,
as if bidding him comply.

"You love our one-and-only Kangaroo all right, don't you, Mr. Somers?"
he said in a manly, take-it-for-granted voice.

"I have an immense regard for him," muttered Richard.

"Regard! I should think so. We've got more than regard. I love the
man--love him--love him I do. Don't I, 'Roo?"

But Kangaroo had sunk down, and his face had gone small, he was
oblivious again.

"I want nurse," he whispered.

"Yes, all right," said Jack, rising from bending over the sick man.
Somers had already gone to the door. The nurse entered, and the two men
found themselves in the dark passage.

"I shall have to be coming along, Mr. Somers, if you'll wait a minute,"
said Jack.

"I'll wait outside," said Somers. And he went out and down to the
street, into the sun, where people were moving about. They were like
pasteboard figures shifting on a flat light.

After a few minutes Jack joined him.

"Poor 'Roo, it's a question of days now," said Jack.


"Hard lines, you know, when a man's in his prime and just ready to enter
into his own. Bitter hard lines."


"That's why I think you were a bit hard on him. I DO love him myself, so
I can say so without exaggerating the fact. But if I hated the poor man
like hell, and saw him lying there in that state--why, I'd swear on
red-hot iron I loved him, I would. A man like that--a big, grand man, as
great a hero as ever lived. If a man can't speak two words of pity for a
man in his state, why, I think there's something wrong with that man.
Sorry to have to say it. But if Old Harry himself had lain there like
that and asked me to say I loved him I'd have done it. Heart-breaking,
it was. But I suppose some folks is stingy about sixpence, and others is
stingy about saying two words that would give another poor devil his
peace of mind."

Richard walked on in angry silence. He hated being condemned in this
free-and-easy, rough-and-ready fashion.

"But I suppose chaps from the old country are more careful of what they
say--might give themselves away or something of that. We're different
over here. Kick yourself over the cliff like an old can if a mate's in
trouble and needs a helping hand, or a bit of sympathy. That's us. But I
suppose being brought up in the old country, where everybody's
frightened that somebody else is going to take advantage of him, makes
you more careful. So you're leaving Australia, are you? Mrs. Somers want
to go?"

"I think so." Not very emphatically, perhaps.

"Wouldn't want to if you didn't, so to speak? Oh, Mrs. Somers is all
right. She's a fine woman, she is. I suppose I ought to say lady, but I
prefer a woman, myself, to a lady, any day. And Mrs. Somers is a woman
all over--she is that. I'm sorry for my own sake and Vicky's sake that
she's going. I'm sorry for Australia's sake. A woman like that ought to
stop in a new country like this and breed sons for us. That's what we

"I suppose if she wanted to stop and breed sons she would," said Richard

"They'd have to be your sons, that's the trouble, old man. And how's she
going to manage that if you're giving us the go-by?"

Richard spent the afternoon going round to the Customs House and to the
American Consulate with his passport, and visiting the shipping office
to get a plan of the boat. He went swiftly from place to place. There
were no difficulties: only both the Customs House and the Consulate
wanted photographs and Harriet's own signature. She would have to come
up personally.

He wanted to go now. He wanted to go quickly. But it was no good, he
could not get off for another month, so he must preserve his soul in

"No," said Richard to himself, thinking of Kangaroo. "I don't love
him--I detest him. He can die. I'm glad he is dying. And I don't like
Jack either. Not a bit. In fact I like nobody. I love nobody and I like
nobody, and there's the end of it, as far as I'm concerned. And if I go
round 'loving' anybody else, or even 'liking' them, I deserve a kick in
the guts like Kangaroo."

And yet, when he went over to the Zoo, on the other side of the
harbour--and the warm sun shone on the rocks and the mimosa bloom, and
he saw the animals, the tenderness came back. A girl he had met, a
steamer-acquaintance, had given him a packet of little extra-strong
peppermint sweets. The animals liked them. The grizzly bear caught them
and ate them with excitement, panting after the hotness of the strong
peppermint, and opening his mouth wide, wide, for more. And one golden
brown old-man kangaroo, with his great earth-cleaving tail and his
little hanging hands, hopped up to the fence and lifted his sensitive
nose quivering, and gently nibbled the sweet between Richard's fingers.
So gently, so determinedly nibbled the sweet, but never hurting the
fingers that held it. And looking up with the big, prominent Australian
eyes, so aged in consciousness, with a fathomless, dark, fern-age
gentleness and gloom. The female wouldn't come near to eat. She only sat
up and watched, and her little one hung its tiny fawn's head and one
long ear and one fore-leg out of her pouch, in the middle of her soft,
big, grey body.

Such a married couple! Two kangaroos. And the blood in Richard's veins
all gone dark with a sort of sad tenderness. The gentle kangaroos, with
their weight in heavy blood on the ground, in their great tail! It
wasn't love he felt for them, but a dark, animal tenderness, and another
sort of consciousness, deeper than human.

It was a time of full moon. The moon rose about eight. She was so
strong, so exciting, that Richard went out at nine o'clock down to the
shore. The night was full of moonlight as a mother-of-pearl. He imagined
it had a warmth in it towards the moon, a moon-heat. The light on the
waves was like liquid radium swinging and slipping. Like radium, the
mystic virtue of vivid decomposition, liquid-gushing lucidity.

The sea too was very full. It was nearly high tide, the waves were
rolling very tall, with light like a menace on the nape of their necks
as they bent, so brilliant. Then, when they fell, the fore-flush in a
great soft swing with incredible speed up the shore, on the darkness
soft-lighted with moon, like a rush of white serpents, then slipping
back with a hiss that fell into silence for a second, leaving the sand
of granulated silver.

It was the huge rocking of this flat, hollow-foreflush moon--dim in its
hollow, that was the night to Richard. "This is the night and the moon,"
he said to himself. Incredibly swift and far the flat rush flew at him,
with foam like the hissing, open mouths of snakes. In the nearness a
wave broke white and high. Then, ugh! across the intervening gulf the
great lurch and swish, as the snakes rushed forward, in a hollow frost
hissing at his boots. Then failed to bite, fell back hissing softly,
leaving the belly of the sands granulated silver.

A huge but a cold passion swinging back and forth. Great waves of radium
swooping with a down-curve and rushing up the shore. Then calling
themselves back again, retreating to the mass. Then rushing with
venomous radium-burning speed into the body of the land. Then recoiling
with a low swish, leaving the flushed sand naked.

That was the night. Rocking with cold, radium-burning passion, swinging
and flinging itself with venomous desire. That was Richard, too, a bit
of human wispiness in thin overcoat and thick boots. The shore was
deserted all the way. Only, when he came past the creek on the sands,
rough, wild ponies looking at him, dark figures in the moon light
lifting their heads from the invisible grass of the sand, and waiting
for him to come near. When he came and talked to them they were
reassured, and put their noses down to the grass to eat a bit more in
the moon-dusk, glad a man was there.

Richard rocking with the radium-urgent passion of the night: the huge,
desirous swing, the call clamour, the low hiss of retreat. The call,
call! And the answerer. Where was his answerer? There was no living
answerer. No dark-bodied, warm-bodied answerer. He knew that when he had
spoken a word to the night-half-hidden ponies with their fluffy legs. No
animate answer this time. The radium-rocking, wave-knocking night his
call and his answer both. This God without feet or knees or face. This
sluicing, knocking, urging night, heaving like a woman with unspeakable
desire, but no woman, no thighs or breast, no body. The moon, the
concave mother-of-pearl of night, the great radium-swinging, and his
little self. The call and the answer, without intermediary. Non-human
gods, non-human human being.


Kangaroo died and had a great funeral, but Richard did not go up. He had
fixed his berths on the Manganui, and would sail away in twenty days. To
America--the United States, a country that did not attract him at all,
but which seemed to lie next in his line of destiny.

Meanwhile he wandered round in the Australian spring. Already he loved
it. He loved the country he had railed at so loudly a few months ago.
While he "cared" he had to rail at it. But the care once broken inside
him it had a deep mystery for him, and a dusky, far-off call that he
knew would go on calling for long ages before it got any adequate
response, in human beings. From far off, from down long fern-dark
avenues there seemed to be the voice of Australia, calling low.

He loved to wander in the bush at evening, when night fell so delicately
yet with such soft mystery. Then the sky behind the trees was all soft,
rose pink, and the great gum-trees ran up their white limbs into the air
like quicksilver, plumed at the tips with dark tufts. Like rivulets the
white boughs ran up from the white trunk: or like great nerves, with
nerve-like articulations, branching into the dusk. Then he would stand
under a tall fern-tree, and look up through the whorl of lace above his
head, listening to the birds calling in the evening stillness, the
parrots making a chinking noise.

Sitting at the edge of the bush he looked at the settlement and the sea
beyond. He had quite forgotten how he used to grumble at the haphazard
throwing of bungalows here and there and anywhere: how he used to hate
the tin roofs, and the untidiness, It recalled to him the young
Australian captain: "Oh, how I liked the rain on the tin roofs of the
huts at the war. It reminded me of Australia."

"And now," thought Richard to himself, "tin roofs and scattered shanties
will remind me of Australia. They seem to me beautiful, though it's a
fact they have nothing to do with beauty."

But, oh, the deep mystery of joy it was to him to sit at the edge of the
bush as twilight fell, and look down at the township. The bungalows were
built mostly on the sides of the slopes. They had no foundations, but
stood on brickwork props, which brought them up to the level. There they
stood on the hillsides, on their short legs, with darkness under their
floors, the little bungalows, looking as if they weighed nothing.
Looking flimsy, made of wood with corrugated zinc roofs. Some of them
were painted dark red, roofs and all, some were painted grey, some were
wooden simply. Many had the white-grey zinc roofs, pale and delicate. At
the back was always one big water-butt of corrugated iron, a big round
tank painted dark-red, the corrugation ribs running round, and a jerky,
red-painted pipe coming down from the eaves. Sometimes there were two of
these tanks: and a thin, not very tidy woman in a big straw hat stooping
to the tap at the bottom of the tank. The roof came down low, making a
long shade over the wooden verandahs. Nearly always a little loggia at
the back, from which the house-door opened. And this little verandah was
the woman's kitchen; there she had a little table with her dirty dishes,
which she was going to wash up. And a cat would be trotting around, as
if it had not an enemy in the world, while from the verandah a parrot

The bungalows near the bush edge had odd bits of garden nipped out of
the paddocks and carefully railed in: then another little enclosure for
the calf. At the back the earth was scratched, there was a rubbish heap
of ashes and tins slipping into the brambles, and very white fowls
clustering for bedtime. In front of the house, in another bit of garden
with wooden palings, two camellia trees full of flowers, one white and
one red, like artificial things, but a bit seared by the wind. And at
the gate the branching coral trees still flowering flame from their
dark, strong-thrusting, up-curving buds.

So, with evening falling. There were green roads laid out in the wild,
with but one lost bungalow to justify them. And a lost horse wildly
galloping round the corner of this blind road, to quiet down and look
around. A belated collier galloping stiffly on his pony, out of the
township, and a woman in a white blouse and black skirt, with two little
girls beside her, driving a ramshackle little buggy with a quick-legged
little pony, homewards through the trees.

Lights were beginning to glint out: the township was deciding it was
night. The bungalows scattered far and wide, on the lower levels. There
was a network of wide roads, or beginnings of roads. The heart of the
township was one tiny bit of street a hundred yards long: Main Street.
You knew where it was, as you looked down on the reddish earth and grass
and bush, by the rather big roof of pale zinc and a sandy-coloured round
gable of the hotel--the biggest building in the place. For the rest, it
looked, from above, like an inch of street with tin roofs on either
side, fizzling out at once into a wide grass-road with a few bungalows
and then the bush. But there was the dark railway, and the little
station. And then again the big paddocks rising to the sea, with a ridge
of coral-trees and a farm-place. Richard could see Coo-ee with its low,
red roof, right on the sea. Behind it the rail-fences of the paddocks,
and the open grass, and the streets cut out and going nowhere, with an
odd bungalow here and there.

So it was all round--a far and wide scattering of pale-roofed bungalows
at random among grassy, cut-out streets, all along the levels above the
sea, but keeping back from the sea, as if there were no sea. Ignoring
the great Pacific. There were knolls and pieces of blue creek-hollow,
blue of freshwater in lagoons on the yellow sands. Up the knolls perched
more bungalows, on very long front legs and no back legs, caves of dark
underneath. And on the sky-line, a ridge of wiry trees with dark
plume-tufts at the ends of the wires, and these little loose crystals of
different-coloured, sharp-angled bungalows cropping out beneath. All in
a pale, clear air, clear and yet far off, as it were visionary.

So the land swooped in grassy swoops, past the railway, steep up to the
bush: here and there thick-headed palm trees left behind by the flood of
time and the flood of civilisation both: bungalows with flame-trees:
bare bungalows like packing-cases: an occasional wind-fan for raising
water: a round well-pool, perfectly round: then the bush, and a little
colliery steaming among the trees. And so the great tree-covered swoop
upwards of the tor, to the red fume of clouds, red like the
flame-flowers, of sunset. In the darkness of trees the strange birds
clinking and trilling: the tree-ferns with their knob-scaly trunks
spreading their marvellous circle of lace overhead against the glow, the
gum-trees like white, naked nerves running up their limbs, and the
inevitable dead gum-trees poking stark grey limbs into the air. And the
thick aboriginal dusk settling down.

Richard wandered through the village, homewards. Horses stood motionless
in the middle of the road, like ghosts, listening. Or a cow stood as if
asleep on the dark footpath. Then she too wandered off. At night-time
always these creatures roaming the dark and semi-dark roads, eating the
wayside grass. The motor-cars rushing up the coast road must watch for
them. But the straying cattle were not troubled. They dragged slowly out
of the way.

The night in the township was full of the sound of frogs, rattling,
screeching, whirring, raving like a whole fairy factory going at full
speed in the marshy creek-bottom. A great grey bird, a crane, came down
on wide soft wings softly in the marshy place. A cream coloured-pony,
with a snake-like head stretched out, came cropping up the road,
cropping unmoved, though Richard's feet passed within a few yards of his
nose. Richard thought of the snaky Praxiteles horses outside the
Quirinal in Rome. Very, very nearly those old, snaky horses were born
again here in Australia: or the same vision come back.

People mattered so little. People hardly matter at all. They were there,
they were friendly. But they never entered inside one. It is said that
man is the chief environment of man. That, for Richard, was not true in
Australia. Man was there, but unnoticeable. You said a few words to a
neighbour or an acquaintance, but it was merely for the sake of making a
sound of some sort. Just a sound. There was nothing really to be said.
The vast continent is really void of speech. Only man makes noises to
man, from habit. Richard found he never wanted to talk to anybody, never
wanted to be with anybody. He had fallen apart out of the human
association. And the rest of the people either were the same, or they
herded together in a promiscuous fashion. But this speechless, aimless
solitariness was in the air. It was natural to the country. The people
left you alone. They didn't follow you with their curiosity and their
inquisitiveness and their human fellowship. You passed, and they forgot
you. You came again, and they hardly saw you. You spoke, and they were
friendly. But they never asked any questions, and they never encroached.
They didn't care. The profound Australian indifference, which still is
not really apathy. The disintegration of the social mankind back to its
elements. Rudimentary individuals with no desire of communication.
Speeches, just noises. A herding together like dumb cattle, a
promiscuity like slovenly animals. Yet the basic indifference under

And with it all, toiling on with civilisation. But it felt like a clock
that was running down. It had been wound up in Europe, and was running
down, running right down, here in Australia. Men were mining, farming,
making roads, shouting politics. But all with that basic indifference
which dare not acknowledge HOW indifferent it is, lest it should drop
everything and lapse into a blank. But a basic indifference, with a
spurt of excitement over a horse-race, and an occasional joy in a row.

It seemed strange to Somers that Labour should be so insistent in
Australia--or that Kangaroo should have been so burning. But then he
realised that these men were all the time yoked to some work, they were
all the time in the collar. And the work kept them going a good deal
more than they kept the work going. Nothing but the absolute drive of
the world's work kept them going. Without it they would have lapsed into
the old bushranging recklessness, lapsed into the profound indifference
which was basic in them.

But still, they were men, they were healthy, they were full of energy,
even if they were indifferent to the aim in front. So they embraced one
aim or another, out of need to be going somewhere, doing something more
than just backing a horse. Something more than a mere day's work and a
gamble. Some smack at the old-established institution of life, that came
from Europe.

There it is, laid all over the world, the heavy established European way
of life. Like their huge ponderous cathedrals and factories and cities,
enormous encumbrances of stone and steel and brick, weighing on the
surface of the earth. They say Australia is free, and it is. Even the
flimsy, foundationless bungalows. Richard railed at the scrappy
amorphousness, till two nights he dreamed he was in Paris, and a third
night it was in some other city, of Italy or France. Here he was staying
in a big palazzo of a house--and he struggled to get out, and found
himself in a high old provincial street with old gable houses and dark
shadow and himself in the gulf between: and at the end of the street a
huge, pale-grey bulk of a cathedral, an old Gothic cathedral, huge and
massive and grey and beautiful.

But, suddenly, the mass of it made him sick, and the beauty was nauseous
to him. So strong a feeling that he woke up. And since that day he had
been thankful for the amorphous scrappy scattering of foundationless
shacks and bungalows. Since then he had loved the Australian landscape,
with the remote gum-trees running their white nerves into the air, the
random streets of flimsy bungalows, all loose from one another, and
temporary seeming, the bungalows perched precariously on the knolls,
like Japanese paper-houses, below the ridge of wire-and-tuft trees.

He had now a horror of vast super-incumbent buildings. They were a
nightmare. Even the cathedrals. Huge, huge bulks that are called beauty.
Beauty seemed to him like some turgid tumour. Never again, he felt, did
he want to look at London, the horrible WEIGHT of it: or at Rome with
all the pressure on the hills. Horrible, inert, man-moulded weight.
Heavy as death.

No, no, the flimsy hills of Australia were like a new world, and the
frail INCONSPICUOUSNESS of the landscape, that was still so clear and
clean, clean of all fogginess or confusion: but the frail, aloof,
inconspicuous clarity of the landscape was like a sort of
heaven--bungalows, shacks, corrugated iron and all. No wonder
Australians love Australia. It is the land that as yet has made no great
mistake, humanly. The horrible human mistakes of Europe. And, probably,
the even worse human mistakes of America.

"Then why am I going?" he asked himself.

"Wait! Wait!" he answered himself. "You have got to go through the
mistakes. You've got to go all round the world, and then halfway round
again, till you get back. Go on, go on, the world is round, and it will
bring you back. Draw your ring round the world, the ring of your
consciousness. Draw it round until it is complete."

So he prepared with a quiet heart to depart.

The only person that called at Coo-ee was Jaz.

"You're leaving us, then?" he said.


"Rather suddenly at the end."

"Perhaps. But it's as well I should go soon if I'm going."

"You think so? Taken against the place, have you?"

"No--the contrary. If I stay much longer I shall stay altogether."

"Come quite to like it!" Jaz smiled slowly.

"Yes. I love it, Jaz. I don't love people. But this place--it goes into
my marrow, and makes me feel drunk. I love Australia."

"That's why you leave it, eh?"

"Yes. I'm frightened. What I want to do is to go a bit further back into
the bush--near some little township--have a horse and a cow of my
own--and--damn everything."

"I can quite understand the 'damn everything' part of it," laughed Jaz.
"You won't do it, though."

"I never was so tempted in my life. Talk about Eve tempting man to a
fall: Australia tempts me. Retro me--."

Jaz was silent for a few moments.

"You'd repent it, though," he said quietly.

"I'll probably repent whatever I do," replied Somers, "so what's the
odds. I'll probably repent bitterly going to America, going back to the
world: when I want Australia. I want Australia as a man wants a woman. I
fairly tremble with wanting it."



Jaz looked at Somers with his curious, light-grey eyes.

"Then why not stop?" he said seductively.

"Not now. Not now. Some cussedness inside me. I don't want to give in,
you see. Not yet, I don't want to give in to the place. It's too strong.
It would lure me quite away from myself. It would be too easy. It's TOO
tempting. It's too big a stride, Jaz."

Jaz laughed, looking back at Richard's intense eyes.

"What a man you are, Mr. Somers!" he said. "Come and live in Sydney and
you won't find it such a big jump from anywhere else."

"No, I wouldn't want to live in Sydney. I'd want to go back in the bush
near one of the little townships. It's like wanting a woman, Jaz. I want

"Then why not do it?"

"I won't give in, not yet. It's like giving in to a woman; I won't give
in yet. I'll come back later."

Jaz suddenly looked at Richard and smiled maliciously.

"You won't give in, Mr. Somers, will you? You won't give in to the
women, and Australia's like a woman to you. You wouldn't give in to
Kangaroo, and he's dead now. You won't give in to Labour, or Socialism.
Well, now, what will you do? Will you give in to America, do you think?"

"Heaven preserve me--if I'm to speak beforehand."

"Why, Mr. Somers!" laughed Jaz, "seems to me you just go round the world
looking for things you're not going to give in to. You're as bad as we

"Maybe," said Richard. "But I'll give in to the Lord Almighty, which is
more than you'll do--."

"Oh, well, now--we'd give in to Him if we saw Him," said Jaz, smiling
with an odd winsomeness he sometimes had.

"All right. Well I prefer not to see, and yet to give in," said Richard.

Jaz glanced up at him suspiciously, from under his brows.

"And another thing," said Richard. "I won't give up the flag of our real
civilised consciousness. I'll give up the ideals. But not the aware,
self-responsible, deep consciousness that we've gained. I won't go back
on that, Jaz, though Kangaroo did say I was the enemy of civilisation."

"You don't consider you are, then?" asked Jaz, pertinently.

"The enemy of civilisation? Well, I'm the enemy of this
machine-civilisation and this ideal civilisation. But I'm not the enemy
of the deep, self-responsible consciousness in man, which is what _I_
mean by civilisation. In that sense of civilisation I'd fight forever
for the flag, and try to carry it on into deeper, darker places. It's an
adventure, Jaz, like any other. And when you realise what you're doing,
it's perhaps the best adventure."

Harriet brought the tea-tray on to the verandah.

"It's quite nice that somebody has come to see us," she said to Jaz.
"There seems such a gap, now Kangaroo is gone, and all he stood for."

"You feel a gap, do you?" asked Jaz.

"Awful. As if the earth had opened. As for Lovat, he's absolutely
broken-hearted, and such a trial to live with."

Jaz looked quickly and inquiringly at Somers.

"Sort of metaphysical heart," Richard said, smiling wryly.

Jaz only looked puzzled.

"Metaphysical!" said Harriet. "You'd think to hear him he was nothing
but a tea-pot brewing metaphysical tea. As a matter of fact Kangaroo
went awfully deep with him, and now he's heart-broken, and that's why
he's rushing to America. He's always breaking his heart over
something--anything except me. To me he's a nether millstone."

"Is that so!" said Jaz.

"But one feels awful, you know, Kangaroo dying like that. Lovat likes to
show off and be so beastly high and mighty about things. But I know how
miserable he is."

They were silent for some time, and the talk drifted.

In the newspapers Somers read of a big cyclone off the coast of China,
which had engulfed thousands of Chinese. This cyclone was now travelling
south, lashing its tail over the New Hebrides, and swooping its paws
down the thousands of miles of east coast of Australia. The monster was
expected to have spent itself by the time it reached Sydney. But it
hadn't--not quite.

Down it came, in a great darkness. The sea began to have a strange
yelling sound in its breakers, the black cloud came up like a wall from
the sea, everywhere was dark. And the wind broke in volleys from the
sea, and the rain poured as if the cyclone were a great bucket of water
pouring itself endlessly down.

Richard and Harriet sat in the dark room at Coo-ee, with a big fire, and
darkness raging in waters around. It was like the end of the world. The
roaring snarl of the sea was of such volume, the volleying roar of the
wind so great as to create almost a sense of silence in the room. The
house was like a small cave under the water. Rain poured in waves over
the dark room, and with a heaviness of spume. Though the roof came down
so far and deep over the verandahs, yet the water swept in, and gurgled
under the doors and in at the windows. Tiles were ripped off the
verandah roof with a crash, and water splashed more heavily. For the
first day there was nothing to do but to sit by the fire, and
occasionally mop up the water at the seaward door. Through the long, low
windows you saw only a yellow-livid fume, and over all the boom you
heard the snarl of water.

They were quite cut off this day, alone, dark, in the devastation of
water. The rain had an iciness, too, which seemed to make a shell round
the house. The two beings, Harriet and Lovat, kept alone and silent in
the shell of a house as in a submarine. They were black inside as out.
Harriet particularly was full of a storm of black chagrin. She had
expected so much of Australia. It had been as if all her life she had
been waiting to come to Australia. To a new country, to a new, unspoiled
country. Oh, she hated the old world so much. London, Paris, Berlin,
Rome--they all seemed to her so old, so ponderous with ancient authority
and ancient dirt. Ponderous, ancient authority especially, oh, how she
hated it. Freed once, she wanted a new freedom, silvery and paradisical
in the atmosphere. A land with a new atmosphere, untainted by authority.
Silvery, untouched freedom.

And in the first months she had found this in Australia, in the silent,
silvery-blue days, and the unbreathed air, and strange, remote forms of
tree and creature. She had felt herself free, free, free, for the first
time in her life. In the silvery pure air of this undominated continent
she could swim like a fish that is just born, alone in a crystal ocean.
Woman that she was she exulted, she delighted. She had loved Coo-ee. And
she just could not understand that Richard was so tense, so resistant.

Then gradually, through the silver glisten of the new freedom came a
dull, sinister vibration. Sometimes from the interior came a wind that
seemed to her evil. Out of the silver paradisical freedom untamed, evil
winds could come, cold, like a stone hatchet murdering you. The freedom,
like everything else, had two sides to it. Sometimes a heavy,
reptile-hostility came off the sombre land, something gruesome and
infinitely repulsive. It frightened her as a reptile would frighten her
if it wound its cold folds around her. For the past month now Australia
had been giving her these horrors. It was as if the silvery freedom
suddenly turned, and showed the scaly back of a reptile, and the
horrible jaws.

Out of all her bird-like elation at this new-found freedom, freedom for
her, the female, suddenly, without warning, dark revulsions struck her.
Struck her, it would seem, in her deepest female self, almost in her
womb. These revulsions sent her into a frenzy. She had sudden, mad
loathings of Australia. And these made her all the more frenzied because
of her former great, radiant hopes and her silvery realisations. What,
must it all be taken back from her, all this glisten of paradise, this
glisten of paradise, this silvery freedom like protoplasm of life? Was
it to be revoked?

There was Richard, that hell-bird, preaching, preaching at her: "Don't
trust it. You can't have this absolved sort of freedom. It's an
illusion. You can't have this freedom absolved from control. It can't be
done. There is no stability. There will come a reaction and a
devastation. Inevitable. You must have deep control from within. You
must have a deep, dark weight of authority in your own soul. You must be
most carefully, sternly controlled from within. You must be under the
hand of the Lord. You can't escape the dark hand of the Lord, not even
in free Australia. You'll get the devils turning on you if you try too
much freedom. It can't be done. Too much freedom means you absolve
yourself from the hand of the Lord, and once you're really absolved you
fall a prey to devils, devils. You'll see. All you white females raging
for further freedom. Wait, wait till you've got it and see how the
devils will bite you with unclean, reptile sort of mouths. Wait, you who
love Australia and its freedom. Only let me leave you to the freedom,
till it bites you with a sort of sewer-mouth, like all these rats. Only
let me abandon you to this freedom. Only let me--."

So he had preached at her, like a dog barking, barking senselessly. And
oh, how it had annoyed her.

Yet gradually, quite apart from him, it had begun to happen to her.
These hateful revulsions, when Australia had turned as it were UNCLEAN
to her, with an unclean sort of malevolence. And her revulsions had
possessed her. Then the death of Kangaroo. And now this blackness, this
slew of water, this noise of hellish elements.

To Richard it was like being caged in with a sick tiger, to be shut up
with Harriet in this watery cave of gloom. Like a sullen, sick tiger,
she could hardly get her self to move, the weight of her revulsion was
so deep upon her. She LOATHED Australia, with wet, dark repulsion. She
was black, sick with chagrin. And she hated that barking white dog of a
Richard, with his yap-yap-yapping about control and authority and the
hand of the Lord. She had left Europe with her teeth set in hatred of
Europe's ancient encumbrance of authority and of the withered, repulsive
weight of the Hand of the Lord, that old Jew, upon it. Undying hostility
to old Europe, undying hope of the new, free lands. Especially this far

And now--and now--was the freedom all going to turn into dirty water?
All the uncontrolled gentleness and uncontaminated freedom of Australia,
was it going to turn and bite her like the ghastly bite of some
unclean-mouthed reptile, an iguana, a great newt? Had it already bitten

She was sick with revulsion, she wanted to get out, away to America
which is not so sloppy and lovey, but hard and greedy and domineering,
perhaps, but not mushey-lovey.

These three days of dark wetness, slew, and wind finished her. On the
second morning there was an abatement, and Richard rushed to the post.
The boys, barefoot, bare-legged in the icy water, were running to school
under mackintosh capes. Down came the rain in a wind suddenly like a
great hose-pipe, and Richard got home a running, streaming pillar of
water. Home into the dark room and the sulky tiger of Harriet.

The storm went on, black, all day, all night, and the next day the same,
inside the house as well as out. Harriet sulked the more, like a
frenzied sick tigress. The afternoon of the third day another abatement
into light rain, so Richard pulled on thick boots and went out to the
shore. His grass was a thin surface stream, and down the low cliffs, one
cascade stream. The sea was enormous: wave after wave in immediate
succession, raving yellow and crashing dull into the land. The
yeast-spume was piled in hills against the cliffs, among the big rocks,
and in swung the raving yellow water, in great dull blows under the
land, hoarsely surging out of the dim yellow blank of the sea. Harriet
looked at it for a few moments, shuddering and peering down like a sick
tigress in a flood. Then she turned tail and rushed indoors.

Richard tried to walk under the cliffs. But the whole shore was ruined,
changed: a whole mass of new rocks, a chaos of heaped boulders, a gurgle
of rushing, clayey water, and heaps of collapsed earth.

On the fourth day the wind had sunk, the rain was only thin, the dark
sky was breaking. Gradually the storm of the sky went down. But not the
sea. Its great yellow fore-fringe was a snarl of wave after wave,
unceasing. And the shore was a ruin. The beach seemed to have sunk or
been swept away, the shore was a catastrophe of rocks and boulders.
Richard scrambled along through the dank wetness to a bit of sand, where
seaweed was piled like bushes, and he could more or less walk. But soon
he came to a new obstacle. The creek, which formerly had sunk at the
edge of the beach in a long pool, and left the sloping sand all free and
beautiful, had now broken through, levelled the sand, and swept in a
kind of snarling river to the snarling waves; across the cut-out sand.
The fresh-water met the waves with a snarl, and sometimes pushed on into
the sea, sometimes was shoved back and heaped up with a rattle of angry
protest. Waters against waters.

The beach never recovered, during the Somers' stay, the river never
subsided into the sand, the sandy foreshore never came back. It was a
rocky, boulder-heaped ruin with that stream for an impasse. Harriet
would not go down to the sea any more. The waves still raved very high,
they would not go back, and they lashed with a venomousness to the
cliffs, to cut a man off. Richard would wander cold and alone on this
inhospitable shore, looking for shells, out of the storm. And all the
time the waves would lash up, and he would scramble out. It seemed to
him female and vindictive. "Beastly water, beastly water, rolling up so
high. Beastly water, beastly water, rolling up so high, breaking all the
shells where they lie"--he crooned to himself, crooning a kind of
war-croon, malevolent against the malevolence of this ocean.

Yet it was August, and spring was come, it was wattle-day in Sydney, the
city full of yellow bloom of mimosa. Richard and Harriet went up to the
United States Consul, to the shipping office: everything very easy. But
he could not bear to be in Sydney any more. He could hear Kangaroo all
the time.

It was August, and spring, and hot, hot sun in a blue sky. Only the sea
would not, or could not return to its old beauties. Richard preferred to
go inland. The wattle-trees and the camellia-trees were full in bloom in
the bungalow gardens, birds flew quickly about in the sun, the morning
was quick with spring, the afternoon already hot and drowsy with summer.
Harriet, in her soul, had now left Australia for America, so she could
look at this land with new, relieved eyes again. She never more
passionately identified herself with it as at first.

Richard hired a little two-wheeled trap, called in Australia a sulky,
with a little pony, to drive into the bush. Sometimes they had gone in a
motor-car, but they both much preferred the little, comfortable sulky.
There sat Harriet full and beaming, and the thin Richard beside her,
like any Australian couple in a shabby sulky behind a shabby pony,
trotting lazily under the gum-trees of the high-road and up the steep,
steep, jungle-dense climb of the mountain to the pass.

Nothing is lovelier than to drive into the Australian bush in spring, on
a clear day: and most days are clear and hot. Up the steep climb the
tree-ferns and the cabbage-palms stood dark and unlighted as ever, among
the great gums. But once at the top, away from the high-road and the
sea-face, trotting on the yellow-brown sandy trail through the sunny,
thinly scattered trees of the untouched bush, it was heaven. They
splashed through a clear, clear stream, and walked up a bank into the
nowhere, the pony peacefully marching.

The bush was in bloom, the wattles were out. Wattle, or mimosa, is the
national flower of Australia. There are said to be thirty-two species.
Richard found only seven as they wandered along. The little, pale,
sulphur wattle with a reddish stem sends its lovely sprays so aerial out
of the sand of the trail, only a foot or two high, but such a delicate,
spring-like thing. The thorny wattle with its fuzzy pale balls tangles
on the banks. Then beautiful heath-plants with small bells, like white
heather, stand in tall, straight tufts, and above them the gold sprays
of the intensely gold bush mimosa, with here and there, on long, thin
stalks like hairs almost, beautiful blue flowers, with gold grains,
three-petalled, like reed-flowers, and blue, blue with a touch of
Australian darkness. Then comes a hollow, desolate bare place with empty
greyness and a few dead, charred gum-trees, where there has been a
bush-fire. At the side of this bare place great flowers, twelve feet
high, like sticky dark lilies in bulb-buds at the top of the shaft,
dark, blood-red. Then over another stream, and scattered bush once more,
and the last queer, gold red bushes of the bottle-brush tree, like
soft-bristly golden bottle-brushes standing stiffly up, and the queer
black-boys on one black leg with a tuft of dark-green spears, sending up
the high stick of a seed-stalk, much taller than a man. And here and
there the gold bushes of wattle with their narrow dark leaves.

Richard turned and they plunged into the wild grass and strange bushes,
following the stream. By the stream the mimosa was all gold, great gold
bushes full of spring fire rising over your head, and the scent of the
Australian spring, and the most ethereal of all golden bloom, the plumy,
many-balled wattle, and the utter loneliness, the manlessness, the
untouched blue sky overhead, the gaunt, lightless gum-trees rearing a
little way off, and sound of strange birds, vivid ones of strange,
brilliant birds that flit round. Save for that, and for some weird
frog-like sound, indescribable, the age-unbroken silence of the
Australian bush.

But it is wonderful, out of the sombreness of gum-trees, that seem the
same, hoary for ever, and that are said to begin to wither from the
centre the moment they are mature--out of the hollow bush of gum-trees
and silent heaths, all at once, in spring, the most delicate feathery
yellow of plumes and plumes and plumes and trees and bushes of wattle,
as if angels had flown right down out of the softest gold regions of
heaven to settle here, in the Australian bush. And the perfume in all
the air that might be heaven, and the unutterable stillness, save for
strange bright birds and flocks of parrots, and the motionlessness, save
for a stream and butterflies and some small brown bees. Yet a stillness,
and a manlessness, and an elation, the bush flowering at the gates of

Somers and Harriet left the pony and clambered along the stream, past
trees of the grey, feathery-leaved wattle, most sumptuous of all in soft
gold in the sky, and bushes of the grey-hard, queer-leaved wattle, on to
the thick green of strange trees narrowing into the water. The water
slithered rushing over steep rocks. The two scrambled down, and along
after the water, to an abrupt edge. There the water fell in a great roar
down a solid rock, and broke and rushed into a round, dark pool, dark,
still, fathomless, low down in a gruesome dark cup in the bush, with
rocks coming up to the trees. In this tarn the stream disappeared. There
was no outlet. Rock and bush shut it in. The river just dived into the

It was a dark, frightening place, famous for snakes. Richard hoped the
snakes were still sleeping. But there was a horror of them in the air,
rising from the tangled undergrowth, from under the fallen trees, the
gum-trees that crashed down into the great ferns, eaten out by white

In this place already the Christmas bells were blooming, like some great
heath with hanging, bright red bells tipped with white. Other more
single bell-flowers, a little bit like foxgloves, but stiff and sharp.
All the flowers stiff, sharp, like crystals of colour come opaque out of
the sombre, stiff, bristly bush plants.

Harriet had armfuls of bloom, gold plumage of many branches of different
wattles, and the white heather, the scarlet bells, with the deep-blue
reed-blobs. The sulky with all the bloom looked like a corner of
paradise. And as they trotted home through the bush evening was coming,
the gold sun slanting. But Richard kept jumping out from among the
flowers, to plunge into the brake for a new flower. And the little pony
looked round watching him impatiently and displeased. But it was a
gentle, tolerant, Australian little beast, with untold patience. Only
Harriet was frightened of the coming dusk.

So at length they were slipping down the steep slopes again, between the
dense, creeper-tangled jungle and tree ferns, dark, chilly. They passed
a family moving from nowhere to nowhere, two colts trotting beside the
wagon. And they came out at last at the bottom, to the lost, flickering
little township, at nightfall.

At home, with all the house full of blossom, but fluffy gold
wattle-bloom, they sat at tea in the pleasant room, the bright fire
burning, eating boiled eggs and toast. And they looked at one
another--and Richard uttered the unspoken thought:

"Do you wish you were staying?"

"I--I," stammered Harriet, "if I had THREE lives, I'd wish to stay. It's
the loveliest thing I've EVER known."

"I know," he answered, laughing. "If one could live a hundred years. But
since one has only a short time--."

They were both silent. The flowers there in the room were like
angel-presences, something out of heaven. The bush! The wonderful

Yet the day came to go: to give up the keys, and leave the lonely, bare
Coo-ee to the next comers. Even the sea had gone flowery again at last.
And everybody was so simple, so kindly, at the departure. Harriet felt
she would leave behind her forever something of herself, in that Coo-ee
home. And he knew that one of his souls would stand forever out on those
rocks beyond the jetty, towards Bulli, advanced into the sea, with the
dark magic of the tor standing just inland.

The journey to Sydney was so spring-warm and beautiful, in the fresh
morning. The bush now and then glowed gold, and there were almond and
apricot trees near the little wooden bungalows, and by the railway
unknown flowers, magenta and yellow and white, among the rocks. The
frail, wonderful Australian spring, coming out of all the gummy hardness
and sombreness of the bush.

Sydney, and the warm harbour. They crossed over once more in the blue
afternoon. Kangaroo dead. Sydney lying on its many-lobed blue harbour,
in the Australian spring. The many people, all seeming dissolved in the
blue air. Revolution--nothingnesses. Nothing could ever matter.

On the last morning Victoria and Jaz's wife came to see the Somers off.
The ship sailed at ten. The sky was all sun, the boat reared her green
paint and red funnel to the sun. Down below in the dark shadow of the
wharf stood all those who were to be left behind, saying good-bye,
standing down in the shadow under the ship and the wharf, their faces
turned up to the passengers who hung over the rail. A whole crowd of
people down on the wharf, with white uplifted faces, and one little
group of quiet Chinese.

Everybody had bought streamers, rolls of coloured paper ribbon, and now
the passengers leaning over the rail of the lower and middle decks
tossed the unwinding rolls to their friends below. So this was the last
tie, this ribbon of coloured paper. Somers had a yellow and a red one:
Victoria held the end of the red streamer, Jaz's wife the end of the
yellow. Harriet had blue and green streamers. And from the side of the
ship a whole glittering tangle of these colours connecting the departing
with the remaining, a criss-cross of brilliant colour that seemed to
glitter like a rainbow in the beams of the sun, as it rose higher,
shining in between the ship and the wharf shed, touching the faces of
the many people below.

The gangway was hoisted--the steamer gave long hoots. Only the
criss-crossing web of brilliant streamers went from the hands of the
departing to the hands of those who would be left behind. There was a
sort of silence: the calling seemed to die out. And already before the
cables were cast loose, the gulf seemed to come. Richard held fast to
the two streamers, and looked down at the faces of the two women, who
held the other ends of his paper threads. He felt a deep pang in his
heart, leaving Australia, that strange country that a man might lose so
hopelessly. He felt another heart-string going to break like the
streamers, leaving Australia, leaving his own British connection. The
darkness that comes over the heart at the moment of departure darkens
the eyes too, and the last scene is remote, remote, detached inside a

So now, when the cables were cast loose, and the ship slowly left the
side of the wharf and drew gradually towards the easier waters of the
harbour, there was a little gulf of water between the ship and the
wharf. The streamers lengthened out, they glittered and twinkled across
the space almost like music, so many-coloured. And then the engines were
going, and the crowd on the wooden quay began to follow slowly, slowly,
holding the frail streamers carefully, like the ends of a cloud,
following slowly down the quay as the ship melted from shadow to the sun

One by one the streamers broke and fluttered loose and fell bright and
dead on the water. The slow crowd, slow as a funeral, was at the end,
the far end of the quay, holding the last streamers. But the ship
inexorably drifted out, and every coloured strip was broken: the crowd
stood alone at the end of the wharf, the side of the vessel was
fluttering with bright, broken ends.

So, it was time to take out handkerchiefs and wave across space. Few
people wept. Somers waved and waved his orange silk kerchief in the blue
air. Farewell! Farewell! Farewell Victoria and Jaz's wife, farewell
Australia, farewell Britain and the great Empire. Farewell! Farewell!
The last streamers blowing away, like broken attachments, broken
heartstrings. The crowd on the wharf gone tiny in the sun, and melting
away as the ship turned.

Richard watched the Observatory go by: then the Circular Quay, with all
its ferry-wharves, and a Nippon steamer lying at her berth, and a
well-known, big buff and black P. and O. boat at the P. and O. wharf,
looking so like India. Then that was gone too, and the Governor's
Palace, and the castellated Conservatorium of Music on its hill, where
Richard had first seen Jack--the Palace Gardens, and the blue inlet
where the Australian "Fleet" lay comfortably rusting. Then they drifted
across harbour, nearer to the wild-seeming slope, like bush, where the
Zoo is. And then they began to wait, to hang round.

There ahead was the open gate of the harbour, the low Heads with the
South Lighthouse, and the Pacific beyond, breaking white. On the left
was Manly, where Harriet had lost her yellow scarf. And then the tram
going to Narrabeen, where they had first seen Jaz. Behind was the great
lobed harbour, so blue, and Sydney rather inconspicuous on the south
hills, with its one or two sky-scrapers. And already, the blue water all
round, and a thing of the past.

It was midday before they got out of the Heads, out of the harbour into
the open sea. The sun was hot, the wind cold. There were not very many
passengers in the first class: and nobody who looked possible to the
Somers pair. Richard sat in the sun watching the dark coast of
Australia, so sombre, receding. Harriet watched the two seamen casting
rubbish overboard: such a funny assortment of rubbish. The iron sank in
the deep, dark water, the wood and straw and cardboard drearily floated.
The low Sydney Heads were not far off.

Lovat watched till he could see the dark of the mountain, far away,
behind Coo-ee. He was almost sure of the shape. He thought of the empty
house--the sunny grass in front--the sunny foreshore with its new
rocks--the township behind, the dark tor, the bush, the Australian
spring. The sea seemed dark and cold and inhospitable.

It was only four days to New Zealand, over a cold, dark, inhospitable


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